Astillero de Panlatuan Ruins (Pilar Sorsogon)

Posted on 8 March, 2023 by Benjie Layug — Leave a reply

Part of Sorsogon Countryside Tour

A few minutes hike from Casa Almei Beach Resort are the Ruins of the Astillero de Panlatuan. Astilleros are Spanish-era shipyards used for construction and repair of the galleons that plied the Manila-Acapulco Galleon trade. The towns of Donsol and Pilar, both sheltered from typhoons and having extensive coasts dotted by bays, coves and major rivers that are navigable, were the location of several shipyards. An extensive mangrove surrounds them, making it a safe haven for boats and people.

Astillero de Panlatuan Ruins

The astillero at Donsol (probably used as a construction, repair and smelting site) was established at the mouth of a river while the astillero at Pilar was established on a cove. When the important astillero on Bagatao Island in Magallanes was destroyed by Moro pirates, it was transferred to Panlatuan Bay after the Galleon Trade ended in 1650.

A portion of the fence built with cobble stones, with imported broken glass on the top for added protection

The revolution in Sorsogon was ignited by the abuse and exploitation of the Panlatuan shipyard workers by their Spanish masters. On August 5, 1898, desperate workers of the astillero rose in arms and raided the homes of four Spaniards residing in the barrio, slaying them with machetes.

Another stone structure on the site

The two astilleros of Pilar are separated by bodies of waters. The Binanuahan Astillero (probably the administrative site), at the Pilar Peninsula, is more inland while the Panlatuan Astillero (probably the construction and smelting site), located on a cove, is nearer the sea. The deep waters, two rivers, an extensive mangrove, a vast flatland and a hill of the latter made it a favorable choice for an astillero.

The Panlatuan astillero has the best preserved features of the three. Remains of large (approximately 30-40 cm. in diameter), equidistantly buried wooden posts, seen during low tide (only 30 cms. Can be seen), are associated with the presence of a pier and are arranged either parallel or perpendicular to each other.

Travel agents listen as our guide narrates the history of the site

The remains of a big gate, ruins of watchtowers and a warehouse were also documented during archaeological surveys and excavations done in the 1990s. Two old deep wells on the site, built with adobe tuff, are still being used by the owners.

One of several deep water wells on the site

The stone structures had thick walls made with riverine stones, adobe tuff and lime mortar; a roof with earthenware tiles and big windows and door frames. The watchtower used riverine cobble stones while the fence enclosing the astillero used cobble stones with imported broken glass on the top for added protection.

A ceramic shard recovered from the site

Corroded iron nails, chain rings, bronze sheathing nails, iron tools, a porthole window, Chinese, European and local ceramic shards (I was given one recovered on the site), brick tiles and Spanish coins were recovered on this site. A large slag concentration, pointing to smelting activities in the past, was also found on the northeastern side.

AUTHOR’S COMMENTS

Since the Panlatuan astillero was part of a series of events that resulted in the rapid spread of revolutionary activities in Sorsogon it, in my opinion, deserves to be declared a National Historical Site by the National Historical Commission of the Philippines, with a historical plaque installed. The site should also be rehabilitated and restored.

Astillero de Panlatuan Ruins: Panlatunan, 4714 Pilar, Sorsogon.

How to Get There: Pilar is located 495.2 kms. (a 12-hr. drive via Pan Philippine Highway/AH26) from Manila and 57.7 kms. (a 1-hr. drive via Central Nautical Highway and Pan-Philippine Highway/AH26) from Sorsogon City.

Sorsogon Provincial Tourism Culture and Arts Office: Ground Floor, Capitol Building, 4700 Sorsogon City. Mobile number: (0968) 624-6279. E-mail: tourism@sorsogon.gov.ph. Facebook: www.facebook.com/sorsogonprovincialtourismoffice.

Pilar Municipal Tourism Office: E-mail: pilarsor.tourism@gmail.com. Mobile number: (0948) 955-7727.

Ur Place Travel & Tours: OLV Pangpang, Sorsogon City, Sorsogon. Mobile number (Viber): (0927) 950-3927 (Ms. Annie Gueb). Facebook: www.facebook.com/urplacetravel.

Vancouver Chinatown (British Columbia, Canada)

Posted on 15 August, 2022 by Benjie Layug — Leave a reply

Vancouver Chinatown, Canada’s largest

On our 35^th day in Vancouver, Jandy and I returned (the first was in August 10 when we visited the Dr. Sun Yat Sen Classical Chinese Garden and Park) to Vancouver Chinatown, Canada‘s largest Chinatown, which is home to important cultural heritage assets and many community organizations with deep historical roots in Vancouver and Canada.

Check out “Dr. Sun Yat Sen Classical Chinese Garden and Park”

Across 130 years of change, the district, one of the most significant urban heritage sites in Canada, has experienced recent decline as newer members of Vancouver’s Chinese community dispersed to other parts of the metropolitan area. However, it still maintains a strong community and cultural identity.

Jandy, Kyle and Grace at Vancouver Chinatown

Centered around Pender Street, this popular tourist attraction is one of the largest historic Chinatowns in North America. Its approximate borders, as designated by the City of Vancouver, are the alley between Pender and Hastings Streets, Georgia Street, Gore Avenue and Taylor Street. Unofficially, the area extends well into the rest of the Downtown Eastside.

East Pender Street

The principal areas of commercial activity are Main, Pender and Keefer Streets. Chinatown is surrounded by Gastown to the north, the Downtown financial and central business districts to the west, the Georgia Viaduct and the False Creek inlet to the south, the Downtown Eastside and the remnant of old Japantown to the northeast, and the residential neighborhood of Strathcona to the southeast.

Due to the large ethnic Chinese presence in Vancouver (especially represented by mostly Cantonese-speaking multi-generation Chinese Canadians and first-generation immigrants from Hong Kong), the city has been referred to as “Hongcouver.” In recent years, however, most immigration has been Mandarin-speaking residents from Mainland China.

In 2011, the neighborhood was designated a National Historic Site of Canada. Many of the substantial buildings here were built in a distinct “Chinatown architectural style,” with vertical proportions, four storeys (with one or more of the upper floors featuring recessed balconies and others fully glazed) and with a classical metal cornice.

Vancouver Chinatown Millennium Gate

Our tour of Chinatown began when we entered the Chinatown Millennium Gate which straddles Pender Street, near the intersection with Taylor Street. It marks the western boundary of Chinatown. Designed by local architect Joe Y. Wai (1940–2017), whose work and contribution can be seen throughout Chinatown.

One of two guardian lions at the gate

The gate was approved on September 20, 2001 and erected in 2002 at the same site as a temporary wooden arch built to celebrate the 1901 royal tour by the Duke and Duchess of Cornwall and York. The Millennium Gate recalls gates you may find at the entrances to villages in southern China. On the eastern face are Chinese characters which read “Remember the past and look forward to the future.”

Past the gate, at the right, is the Sam Kee Building (8 West Pender Street) credited, by the Guiness Book of World Records, as “The world’s shallowest (not the narrowest) freestanding building in the world.” The building’s namesake, the Sam Kee Company, was run by successful business leader Chang Toy, one of the wealthier merchants in turn-of-the-20th-century Chinatown.

Sam Kee Building

One of the largest Chinese merchant firms in Vancouver, the company, established in 1888, manufactured charcoal, operated a herring saltery in Nanaimo and contracted Chinese labor to various industries. It also imported and exported food products to and from China, served as agents for the Blue Funnel Steamship Line and possessed sizable real estate holdings throughout Greater Vancouver.

The narrow 1.8 m.(6 ft.) side of the building

In 1903, Chang Toy bought the standard-sized lot for the building. The lot was the previous home to Shanghai Alley, an early Vancouver red light district which collaboratively hosted 105 brothels with Canton Alley. However, in 1912 the city widened Pender Street, expropriating (which Toy’s lawyers negotiated a fair market price) all but 6 ft. of the Pender Street side of the lot. In 1913, he hired architects Bryan and Gillam to design this narrow steel-framed free-standing building for offices, business and bath houses on the remaining narrow 6-ft. strip, costing just $8,000 to erect.

View of the room at the narrow side of the building

To maximize use of the property, the building basement (such basements in Vancouver were once common and zoned as “areaways”), much wider than the rest of the building, extended under the sidewalk and housed public baths. On the ground floor were shops while offices were located above. In the 1980s, the building was rehabilitated for Jack Chow and completed in 1986. Designed by Soren Rasmussen Architect, the glass prisms that were set in a tight grid across the sidewalk to light the basement, were replaced with modern glass.

Chinatown Heritage Alley (Shanghai Alley)

At the end of Shanghai Alley (or Chinatown Heritage Alley), near West Pender Street, is the Allan Yap Circle. Here, hangs a replica Western Han Dynasty bell, a gift to Vancouver from sister city Guangzhou and a symbol of the historic connection between the two cities and their urban settlements, which was dedicated on June 26, 2001.

Allan Yap Circle

Also on this corner is S.U.C.C.E.S.S., created in Vancouver in 1973 to assist new Canadians of Chinese descent to overcome language and cultural barriers. The organization is now one of BC’s largest social services organizations with locations also in Taiwan and Korea.

Across the Sam Kee Building is the Chinese Freemasons Building (3-9 West Pender Street). Originally the site of a Methodist church (in 1888, the first to minister to the Chinese community in Vancouver) from 1889 until 1907 when the Chee Kung Tong (a traditional Chinese fraternal organization which provided welfare assistance to the earliest Chinese immigrants during the Fraser Canyon Gold Rush of 1858) constructed the current building. In 1920, the organization adopted the English name the Chinese Freemasons in order to forge links with European Freemasonry.

Chinese Freemasons Building

Like many overseas organizations, it was deeply involved in Chinese politics. The building was even mortgaged to help fund Dr. Sun Yat-Sen’s (whose efforts the Freemasons supported to bring democracy to China) 1911 rebellion. The building also served as the original home of the successful business, Modernize Tailors, one of many tailors (a profession available to Chinese Canadians in an era of employment restrictions in the area). After a fire in 1975, the building was repaired and, in the early 2000s, a careful restoration was completed by Joe Wai for the Wong family.

Facing the Freemason Building is the two-storey, brick Chinese Times Building (1 East Pender Street). Commissioned by successful businessman and community leader Yip Sang, it was designed in 1901 by architect W.T. Whiteway. From the 1930s to 1990s, the building was home to The Chinese Times, an important source for local and Chinese political news, managed by the Chinese Freemasons.

Chinese Times Building

When the newspaper moved in, a mezzanine floor was added to accommodate the typesetters who used the 5,000 different Chinese characters to create each edition. Since the typesetters sat all day, the ceiling is only 6 ft. high. Through the ground floor windows, the printing presses could be viewed and men gathered to read the paper pasted to the Carrall Street wall.

Around the corner, from Sam Kee Building, is the Lim Sai Hor (Kow Mok) Benevolent Association Building (525-531 Carrall Street). The earliest surviving association building, it was constructed in 1903 for the Chinese Empire Reform Association (focusing to bring about political reform in China, its members included Chang Toy, Yip Sang and Alexander Won Cumyow, the first person of Chinese descent born in Canada), the most influential association in Chinatown at the time. At its height (it faded with the fall of the Qing Empire and the emergence of the Dr. Sun Yat-Sen-led republic in 1911), the building housed a school and published a newspaper.

Lim Sai Hor Kow Mock Benevolent Association Building

In 1926, the newly formed Lim Sai Hor (Kow Mok) Association rented the space and, in 1945, bought the building to serve as headquarters for its members (defined by the common surname Lim or Lam). In 2017, a rehabilitation project restored the exterior balcony details, lighting and other distinctive features that reflect the exchange between China and Canada, influencing the traditional village house style and blending it with modern western design trends. The use of green as an accent color in the interior and exterior is a nod to the members’ surname which means “forest.” The building also houses an ancestral altar, built in 1993 and used by society members.

The four-storey, brick Ming Wo Building, at 23 East Pender Street, was designed by W.H. Chow, the only identified Chinese-Canadian architect practicing at the time, and built in 1913 for Wong Soon King, a real estate developer and co-founder of the Chinese Board of Trade.

In 1917, opened as Ming Wo Hardware store, making it the oldest retail outlet in Chinatown and one of the oldest in the city. The company was founded by Wong Chew Lip, who moved to Canada from Kwong Chow (Canton) in southern China about 1908. The Wong Chew Lip family descendants lived above the store. The company supplied Chinatown’s businesses and evolved into a restaurant supply business that has numerous cookware stores in Metro Vancouver.

Ming Wo Building

The use of space within the building conforms to the representative pattern in Chinatown. On the ground floor are the retail space while on the upper floors are offices, meeting rooms and small residential rooms designed to accommodate “married bachelors.” In the first third of the twentieth century, organizational tenants included the Kong Chow Benevolent Association and the Hong Kong Club.

Yue Shan Society Building

Further along East Pender Street is the three-storey, brick Yue Shan Society Building (33-39 East Pender Street). Designed in 1920 by architect W.H. Chow (who also designed many others for the community from 1908 to 1922), it became home, in 1943, to the Yue Shan Society, an organization formed in 1894 for people from Poon Yue County near Guangzhou. The Society also owns the two-storey brick Hon Hsing Athletic Association Building to the right (dating to 1889) and the three-storey residential building at the rear of the property facing Market Alley.

Wong’s Benevolent Association/Hon Hsing Athletic Club Building

The Wong’s Benevolent Association/Hon Hsing Athletic Club Building, at 29 East Pender Street, was designed by architect R.J. MacDonald and built 1910 for the Wong’s Benevolent Association. It is home to the Hon Hsing Athletic Club, a Chinese martial arts (a crucial element of intangible cultural heritage in Chinatown and a fundamental part of the performance of the lion dances that anchor the annual Chinese New Year Parade) school established in 1938.

Wing Sang Company Building

The two-storey, brick Wing Sang Building, at 51 East Pender Street, part of the Yip family complex, is the oldest (built in 1889) standing building in Chinatown. It served as the office and ticket agency of Vancouver businessman Yip Sang (instrumental in a number of social endeavors, including bringing the CBA to Vancouver and establishing a Chinese hospital, and he was a lifetime governor of the Vancouver General Hospital).

Founded in 1888, the Wing Sang Company was engaged in a variety of enterprises including labor contracting and a trans-Pacific import and export business, and was the Canadian Pacific steamship ticket agency for travel to China. The door, on the second floor, opened to the upstairs warehouse (goods were hoisted in and out through that door). In 1901, the complex grew to accommodate a growing family and business with an expansion on top and besides the original building. The family residence was located at the upper floors while the ground floor was home to a variety of businesses, including a saloon and a cigar store. In 1912 a six-storey building, facing Market Alley, was added to the complex to accommodate the growing extended family. Today, this building houses offices and the Rennie Museum.

The Chinese Benevolent Association of Vancouver (CBA) Building, at 104 -108 East Pender Street, was built in 1909 by Vancouver’s branch of the CBA (formed in 1895). Its architectural style, a good example of the influences from southern China, features recessed balconies, ornate ironwork and decorative tiles. .

Wah Chong Family (1884)

Snapshots of History, a three-panel mural that decorates the side of a building at 490 Columbia Street (northwest corner of Pender & Columbia), was installed in 2010 by Shu Ren Cheng. One panel depicts the 1884 Goon family.

Silk Merchant (1905)

Men in Barbershop (1936)

The other two panels of the mural feature a reproduction of a 1905 photo of a silk merchant in Chinatown and a rendering of a 1936 photo of men sitting outside a barber shop at Carrall and Pender.

Chinese Cultural Centre Museum and Archives

The Chinese Cultural Centre Museum & Archives, at 555 Columbia Street, provides a home for Chinese heritage and culture. A competition-winning design by James K.M. Cheng Architects and Romses Kwan & Associates, the concrete building, built in 1986, incorporates the elements of traditional Chinese post and beam architecture. The Museum and Archives building, built in 1998 as the home to the Chinese Canadian Military Museum, was designed by Joe Wai in a style inspired by the Ming Dynasty, with its flared eaves, screened windows and tile roof.

The Chinese Railroad Workers and Chinese Veterans Memorial, at the Chinatown Memorial Plaza, at the northeast corner of Keefer Street and Columbia Street, recognizes those who built the Rocky Mountain and Fraser Canyon portions of the Canadian Pacific Railway (1881-1885) and those who fought in World War II (1939-1945). On Remembrance Day, a ceremony for Chinese Canadian veterans takes place at the site.

China Gate

The China Gate, next to the Chinese Cultural Centre, facing Pender Street, near the intersection with Carrall Street, was donated to the City of Vancouver by the Government of the People’s Republic of China and was originally on display during the Expo 86 world’s fair. After being displayed at its current location for almost 20 years, the gate was rebuilt and received a major renovation of its façade employing stone and steel. Funding for the renovation came from government and private sources. On October 2005, during the visit of Guangdong governor Huang Huahua, the renovated gate was unveiled.

Wong’s Benevolent Association (Mon Keang School)

Back at East Pender Street is the Wong’s Benevolent Association (Mon Keang School) Building, at 121 East Pender Street. Originally a two-storey building developed in 1908 by Loo Gee Wing, in 1921, it became the headquarters for Wong’s Benevolent Association, a newly amalgamated association that was formed out of three existing organizations, who had the top floor removed and replaced with two new storeys designed by architects G.L. Southwell and J.A. Radford.

In 1925, the Mon Keang School, teaching the Chinese language and customs to the tousang (children born in Canada to Chinese parents) was established on the second floor. In 1947, after the repeal of the Chinese Immigration Act and the reunification of many families, the school began offering the first high-school level Chinese classes in Canada. Today, Saturday morning Cantonese classes are again offered in the school room.

Mah Society of Canada Building

The Mah Society of Canada Building, at 137-139 East Pender Street, was constructed in 1913 with ground floor retail and three floors of rental rooms. In 1921, the Mah Society purchased this building for the purpose of mutual assistance for people with the family name Mah or Ma (to this day, people with this surname are invited to stay here if they don’t have a place to live or if they need introductions for where to find work), providing the society with a steady revenue stream.

An extra floor was added for an assembly hall as well as lounge and socializing space for residents. In 2017, the society undertook an extensive restoration and upgrade. New windows were added to match the originals and the elaborate cornice, with its lanterns, and the restaurant’s storefront were reinstated. The Mah Society of North America’s building continues to provide much needed affordable housing in the neighborhood.

The Chin Wing Chun Tong Society of Canada Building, at 158-160 East Pender Street, was designed by R.A. McKenzie for the society (popularly known as the Chan Society) in 1925. Its impressive assembly room follows the Arts and Crafts style. Today, a faithful recreation of the original 1950s neon sign for the Sai Woo Chop Suey restaurant (which operated here from 1925 to 1959) advertises the modern reincarnation of the restaurant.

May Wah Hotel

The May Wah Hotel, at 254-262 East Pender Street, with its impressive classical pilasters designed by W.F. Gardiner, was started in 1913 and opened in 1915 as the Loyal Hotel. After four name changes, it was renamed the May Wah in 1980. More than 100 low-income seniors, mostly women, as well as a few businesses call the single-room occupancy (SRO) hotel home. Today, the Vancouver Chinatown Foundation operates the building as affordable and seniors housing for the neighborhood.

Kuomintang Building

Seemingly orphaned on the corner but the other side of Gore Avenue (529 Gore Avenue) is the Kuomintang Building, once the site of society buildings and wholesale grocers and built in 1920 by W.E. Sproat for the Kuomintang (Chinese Nationalist League of Canada). The design once featured an open balcony on the Gore Avenue façade, and a corner pagoda on the roof. During a restoration in the 1980s, the balconies were closed. The fictional American Steam Cleaners was located in the Kuomintang Building.

The Royal Bank of Canada Building, at 400 Main Street (Westminster Avenue until 1910) cor. Hastings Street, was built around 1907 as the East End Branch of the Royal Bank of Canada. In 1947, the building was extended east along Hastings Street to the lane to designs by the Royal Bank’s Montreal-based former chief architect, S.G. Davenport. In 1975, an addition was built to the south along Main Street (on the site of the former Merchants Bank).

Royal Bank Building

An early use of reinforced concrete for the structural frame, it was faced with cut ashlar stone on both principal elevations. A good example of Beaux-Arts Classicism, its façade features Classical Ionic columns along Main Street, pilasters along Hastings Street, a continuous entablature above the columns (including a frieze and cornice), arched ground-floor windows and rectangular second-floor windows.

Carnegie Public Library

Across is the Romanesque Revival-style Carnegie Public Library (410 Main Street cor. Hastings Street). One of the many Carnegie Free Libraries built with money donated by philanthropist Andrew Carnegie, it was Vancouver’s main library from its official opening in 1903 until 1957, when a new library was built on Burrard St. The building also operated as the Vancouver Museum. The building has a curved staircase within the portico and stained-glass windows with panels commemorating William Shakespeare, John Milton, Robert Burns, Sir Walter Scott, and Sir Thomas Moore

Bank of Montreal Building

The Bank of Montreal Building, at 601 Main Street cor. Broadway Street, was built in 1929 and was designed by architects J. J. Honeyman and George Curtis – partners who had ties to the bank and who were responsible for designing many of its branches in Vancouver during the 1920s and 30s. Built with stone and yellow or brownish bricks from the Clayburn Brick Plant in Abbotsford, British Columbia, its small size and single-storey stature would be emblematic of the bank’s attempt to create an image.

Chinatown: Vancouver, British Columbia.

Fairmont Hotel Vancouver (British Columbia, Canada)

Posted on 5 August, 2022 by Benjie Layug — 1 Comment ↓

Fairmont Vancouver Hotel

After our exploration of the Vancouver Art Gallery, Jandy and I visited the historic Fairmont Hotel Vancouver. Formerly and still informally called the Hotel Vancouver, it is situated within the city’s Financial District in Downtown Vancouver, bounded by Burrard Street to the northwest, West Georgia Street to the northeast, and Hornby Street to the southeast. To the southwest, the hotel property is bounded by two buildings, including 750 Burrard Street.

Check out “Vancouver Art Gallery” and “Former Vancouver Law Courts Building”

Jandy and the author with the hotel in the background

This 17-storey building, opened in May 1939 and currently managed by Fairmont Hotels and Resorts, is considered one of Canada’s grand railway hotels (it was initially built by Canadian National Railway). Standing 112.47-m. (369.0 ft) high, the hotel was also the tallest building in Vancouver until the completion of TD Tower in 1972.

The view of the hotel from the Vancouver Art Gallery

Located close to several attractions in Downtown Vancouver, the hotel is situated directly northwest of the aforementioned Vancouver Art Gallery and Robson Square (a public square adjacent the art museum). Christ Church Cathedral, the oldest church in the city, also lies north of the hotel and two SkyTrain rapid transit stations (Burrard station, and Vancouver City Centre station) are also situated near the hotel.

Heritage Building Plaque

The third hotel in the city to use the name “Hotel Vancouver,” the first and second Hotel Vancouver were both located along West Georgia Street, southeast of the present hotel. The first, a crude four-storey structure, debuted in 1888 after the arrival of the Canadian National Railway in the region. In an effort to prevent competition with the new Hotel Vancouver, Canadian National Railway closed its hotel operations at the second Hotel Vancouver once the new hotel opened and, in 1949, it was torn down after Canadian National Railway sold the property to Eaton’s in December 1948.

Bas reliefs

This Châteauesque-styled hotel (part of series of Chateauesque grand railway hotels built throughout Canada in the late-19th and early 20th centuries), designed by two Canadian architects, John Smith Archibald, and John Schofield, incorporates elements from Renaissance-era chateaus found in France‘s Loire Valley.

The spectacular copper pitch roof outfitted with many dormers

Its Châteauesque features include its prominent and spectacular copper pitched roof, outfitted with many dormers, and extensive amount of carved stonework encompassing a steel frame. Hotel Vancouver also incorporates Renaissance Revival architectural detailings, gargoyles and relief sculptures. The decorative work for the building was done by a number of artists including Olea Marion Davis, Charles Marega, Beatrice Lennie, Valentine Shabief, and Lilias Farley.

Here’s the historical timeline of the hotel:

In the 1920s, plans to develop a railway hotel at the present site of Hotel Vancouver first emerged.
In December 1928, as a result of a land deal between the city, and Canadian Northern Railway (a company later acquired by Canadian National Railway), work on the present Hotel Vancouver commenced. Shortly after the erection of the building’s steel frame however, work on the hotel was halted, as a result of the Great Depression.
In 1937, work resumed on the building
In 1938, a joint investment into the property from Canadian Pacific Hotels (a division of Canadian Pacific Railway) and Canadian National Railway made possible the completion of the new hotel.
In May 1939, the hotel was completed in time for King George VI and Queen Elizabeth‘s 1939 royal tour of Canada.
In 1962, Canadian National Hotels (a division of Canadian National Railway) acquired Canadian Pacific Hotels’ share of the property, gaining full ownership of the hotel.
On January 1, 1964, Hilton Hotels International assumed management of the hotel for CN, though it was never branded as a Hilton.
On January 1, 1984, after the management contract with Hilton ended, CN Hotels resumed management of the hotel.
In 1988 Canadian National Hotels sold its remaining nine properties, including Hotel Vancouver, to Canadian Pacific Hotels.
In 2001, Canadian Pacific Hotels was reorganized as Fairmont Hotels and Resorts, adopting the name from an American company it had purchased in 1999. As a part of this re-branding effort, the hotel’s name was changed to the Fairmont Hotel Vancouver.
In 2007 Fairmont Hotels and Resorts sold 25 hotel properties, including Hotel Vancouver, to Caisse de dépôt et placement du Québec, although Fairmont continues to manage the hotel.
In 2015, the property was sold to Larco Enterprise for C$180 million.
In 2014, in preparation for the building’s 80th anniversary, the hotel underwent a C$12 million renovation which saw a reworked main lobby and guest rooms and restoration of the 14th floor of the hotel to its original decor from 1939. Restored items on the 14th floor include English harewood doors with bronze doorplates, bronze hallway doors, sapele-panelled walls with bronze strips at its elevator lobby.
In 2018, the four-year hotel renovation project was completed.

Check out “80 Years of Iconic Moments“

Hotel lobby

The Fairmont Hotel Vancouver, with 557 guest rooms and suites (including the Lieutenant Governor’s Suite and the Royal Suite), has a restaurant (Notch8 Restaurant + Bar which also hosts the hotel’s afternoon tea service), a gym, swimming pool and spa. The Lieutenant Governor’s Suite, designed with Art Deco stylings, features black walnut veneer-paneled walls.

Notch 8 Restaurant

Aside from King George VI and Queen Elizabeth, other famous people who stayed there include:

Anna Pavlova (Russian prima ballerina who performed in the Imperial Russian Ballet)
Ethel Barrymore (actress regarded by many to be “The First Lady of American Theatre”)
Sarah Bernhardt (French stage actress known for her roles in such plays like La Tosca, Ruy Blas, and La Dame Aux Cameilas)
Babe Ruth (legendary outfielder for the New York Yankees regarded today as the being best baseball player ever)
Winston Churchill (Prime Minister of the United Kingdom, 1940 – 1945 and 1951 – 1955).

Front Desk

In movies and television the hotel was featured in:

Russian Roulette (1975)
Falling in Love Again (1980)
Dead Zone (1983)
The Penthouse (1989)
Bird on a Wire (1990)
The X-Files: Fire (1993)
The Santa Clause (1994)
Double Jeopardy (1999)
Get Carter (2000)
Dark Angel: Prodigy (2000)
Antitrust (2001)
Josie & the Pussycats (2001)
Life or Something Like It (2002)
Slap Shot II (2002)
La La Wood (2004)
White Chicks (2004)
Are We There Yet? (2005)
The Suite Life of Zack and Cody (2005 – 2008)
She’s the Man (2006)
The Good Wife (2009)
The Twilight Saga: Eclipse (2010)
Call Me Mrs. Miracle (2010)
Fifty Shades of Grey (2015)
Age of Adaline (2015)
Fifty Shades Darker (2017)

Fairmont Hotel Vancouver: 900 West Georgia Street, Vancouver, British Columbia VC 2W6, Canada. Tel: +1 604 684 3131. Fax: +1 604 662 1929. E-mail: hvc.concierge@fairmont.com.

Vancouver Art Gallery (British Columbia, Canada)

Posted on 5 August, 2022 by Benjie Layug — Leave a reply

Vancouver Art Gallery

The 15,300 sq. m. (165,000 sq. ft.) Vancouver Art Gallery (VAG), the largest art museum, by building size, in Western Canada, serves as a repository of art for the Lower Mainland region. Its permanent collection consists of approximately 12,000 works (as of December 2018) by artists from Canada and around the world. Aside from exhibiting works from its collection, the museum has also organized and hosted a number of travelling arts exhibitions.The gallery connects to the rest of Robson Square via an underground passage below Robson Street.

“Uninvited – Canadian Women in the Modern Moment” Exhibit

Here is the historical timeline of the museum:

In April 1931, in order to establish and maintain a museum for the City of Vancouver, the Vancouver Art Gallery Association was established under the provincial Society Act.
On October 5, 1931, the Association opened the art museum to the public in a building, designed by architectural firm Sharp and Johnston and costing approximately CA$40,000 to construct, at 1145 West Georgia Street. It featured four galleries (one of which included a sculpture hall), a lecture hall and a library. At the time of its opening, works exhibited at the museum were dominated by British, and other European artists.
In 1938, during a sitdown strike in the weeks leading up to Bloody Sunday, the museum was the one of the buildings occupied by unemployed protesters. Luckily, paintings were not damaged while the protesters occupied the building.
In 1950, the museum expanded its first building.To reshape the design of the building towards an International Style of architecture, the building’s Art Deco façade was removed. To accommodate the 157 works bequeathed to the museum by Emily Carr, renovations, costing approximately CA$600,000 (funded by the City of Vancouver government, and funds raised by Lawren Harris) were also conducted
In 1951, the building was reopened to the public.
In 1983, the institution was relocated to its present location, the former provincial courthouse adjacent to Robson Square in downtown Vancouver.It was renovated by architect Arthur Erickson, at a cost of CA$20 million, as a part of his larger three city-block Robson Square The Annex Building was the only part of the building complex that was not converted for museum use.
In 2004, a result from its need for more exhibition and storage space for its collections, plans to build a new building for the museum were undertaken.
In November 2007, the museum publicly announced plans to move, seeking approval from Vancouver City Council to build a new building at Larwill Park, a block formerly occupied by a bus depot on the corner of Cambie and Georgia streets.
In May 2008, the museum and the City of Vancouver government announced its intention to relocate to an area occupied by the Plaza of Nations.
In April 2013, the Vancouver City Council later reversed its decision, opting to approve the original proposed site in Larwill Park.
In September 2013, the museum formally issued requests for qualifications to construct the new building, receiving responses from 75 architectural firms from 16 countries.
In April 2014, the bid of Herzog & de Meuron (the first project for the architectural firm in the country) was selected by the museum. Perkins and Will‘s Vancouver branch was contracted as the project’s executive architects. The cost to construct the building has been estimated to be CA$330 million, with the federal and provincial governments expected to provide CA$200 million, and the museum expected to raise the rest from public and private donors. The building was originally planned to be completed in 2020. However, developments for the project stalled due to a funding dispute between the federal and provincial governments.
In November 2021, to help fund the new building, the museum received a $100 million donation (the largest cash donation to a public art museum in Canadian history) from Michael Audain.
As of November 2021, the museum still needed to raise another $160 million to fund the project.

“The Imitation Game” Exhibit

The former provincial courthouse building, designed by Francis Rattenbury, after winning a design competition in 1905, was opened as a provincial courthouse in 1911, and operated as such until 1979 when the provincial courts moved to the Law Courts south of the building. In 1980, the building was was designated as the Former Vancouver Law Courts National Historic Site of Canada. Both the main and annex portions of the building are also designated “A” heritage structures by the municipal government.

Check out “Former Victoria Law Courts Building”

“Kids Take Over” Exhibit

It continues to be owned by the Government of British Columbia, although the museum occupies the building through a 99-year sublease signed with the City of Vancouver government in 1974 who, in turn, leases the building from the provincial government. The museum’s permanent collection is formally owned by the City of Vancouver, with the museum acting as the custodians for the collection under a lease and license agreement. Should the museum secure its relocation to its proposed site at Larwill Park, the museum would occupy the building under similar arrangements as the former courthouse, with the museum leasing the property from the City of Vancouver.

“Everything Under The Sun: In Memory of Andrew Gruft” Exhibit

The Vancouver Art Gallery has organized and hosted a number of temporary and travelling exhibitions. A select list of exhibitions held at the museum since 2005 include:

Brian Jungen (2006)
Monet to Dali: Modern Masters from the Cleveland Museum of Art (2007)
KRAZY! The Delirious World of Anime + Comics + Video Games + Art (2008)
Vermeer, Rembrandt and the Golden Age of Dutch Art Masterpieces from The Rijksmuseum (2009)
Leonardo da Vinci: The Mechanics of Man (2010)
The Color of My Dreams: The Surrealist Revolution in Art (2011)
Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore (2012)
Beat Nation: Art, Hip Hop and Aboriginal Culture (2012)
Grand Hotel: Redesigning Modern Life (2013)
Charles Edenshaw (2013)
The Forbidden City: Inside the Court of China’s Emperors (2014)
Unscrolled: Reframing Tradition in Chinese Contemporary Art (2014)
Cezanne and the Modern: Masterpieces of European Art from the Pearlman Collection (2015)
How Do I Fit This Ghost in My Mouth? An exhibition by Geoffrey Farmer (2015)
Embracing Canada: Landscapes from Krieghoff to the Group of Seven (2015)
Douglas Coupland: Everywhere Is Anywhere Is Anything Is Everything (2015)
MashUp: The Birth of Modern Culture (2016)
Picasso: The Artist and His Muses (2016)
Claude Monet’s Secret Garden (2017)
Takashi Murakami: The Octopus Eats its Own Leg (2018)
French Moderns: Monet to Matisse, 1850-1950 (2019)
Alberto Giacometti: A Line Through Time (2019)
Cindy Sherman (2020)
Growing Freedom: The instructions of Yoko Ono/ The art of John and Yoko (2022)

“Restless: Recent Acquisitions” Exhibit

During our visit, there were five ongoing exhibits – “Uninvited: Canadian Women Artists in the Modern Moment” Exhibit in the ground floor; “The Imitation Game: Visual Culture in the Age of Artificial Intelligence” Exhibit at the second floor; and “Kids Take Over” Exhibit, “Everything Under the Sun: In Memory of Andrew Gruft” Exhibit and “Restless: Recent Acquisitions” Exhibit at the third floor.

Check out “Uninvited: Canadian Women Artists in the Modern Moment” Exhibit, “The Imitation Game: Visual Culture in the Age of Artificial Intelligence” Exhibit, “Kids Take Over” Exhibit, “Everything Under the Sun: In Memory of Andrew Gruft” Exhibit and “Restless: Recent Acquisitions” Exhibit“

Self-Portrait of Emily Carr (1938-39, oil on wove paper)

The Centennial Fountain, on the Georgia Street side of the building, was installed in 1966 to commemorate the centennial of the union of the colonies of Vancouver Island and British Columbia. In 2017, it was later removed as part of the Georgia Street plaza renovations.

Are You Talking to Me

The Neo-Classical-style building, replacing the previous courthouse at Victory Square, wasconstructed using marble imported from Alaska, Tennessee and Vermont. It has Ionic columns, a central dome, formal porticos and ornate stonework. Construction for the building, which contained 18 courtrooms, began in 1906. In 1912, an annex, designed by Thomas Hooper, was added to the western side of the building. Declared as a heritage site, it still retains the original judges’ benches and walls as they were when the building was a courthouse.

Clear Cut to the Last Tree (Lawrence Paul Yuxweluptun, screenprint on paper)

The front lawn and steps of the building has hosted a number of public gatherings and protest rallies, serving as the monthly meeting spot for Vancouver’s Critical Mass, as well as flash mobs, the Zombie Walk, pro-marijuana rallies and numerous environmental demonstrations. The steps on both the Robson Street and Georgia Street sides of the building are also popular gathering spots for protest rallies. In the summertime, the Georgia Street side is also a popular place for people to relax or socialize.

Amauti (Anne Maria Kigerlerk, 1937)

In March 2007, the 2010 Olympic countdown clock, placed in the front lawn of the building, was opened for free for the public to see. Now disassembled, one half of the clock went to BC Place and the other to Whistler Village.In June 2021, Cheryle Gunargie created a vigil(consisting of 215 pairs of shoes) to honor the 215 children whose remains were discovered in unmarked graves at the Kamloops Indian Residential School.

Caffeinated Diversions (Scott Eaton, 2018-19, inkjet print on paper) (1)

The permanent collection acts as the principal repository of works produced in the Lower Mainland region, with museum acquisitions typically focused on historical and contemporary art from the region. Approximately half of the works in its collection were produced by artists from Western Canada. In addition to art from the region, the collection also has a focus on First Nations art, and art from Asia. The museum’s collection is organized into several smaller areas, contemporary art from Asia, photography and conceptual photography, works by indigenous Canadian artists from the region, and artists from Vancouver and British Columbia.

Baskets (Panier)

The museum’s photography and conceptual art collection includes photographs from the 1950s to the present, and includes photos by the N.E. Thing Co. artist collective, photographers of the Vancouver School of conceptual photography, and other artists including Dan Graham, Andreas Gursky, Thomas Ruff, Cindy Sherman, Robert Smithson, and Thomas Struth. The museum’s collection of contemporary Asian art includes works by Eikoh Hosoe, Mariko Mori, Fiona Tan, Jin-me Yoon, Reena Saini Kallat, Song Dong, Wang Du, Wang Jianwei, Yang Fudong, and O Zhang.

Children Playing (Thomas Kakinuma, ca. 1960)

Serving as a repository for art for the region, the museum holds a number of works by artists based in the Lower Mainland, in addition to artists based in other regions of British Columbia. The museum’s collection includes works from Canadian artists, including members of the Group of Seven, Gathie Falk, Michael Snow, and Joyce Wieland.

Kitwancool Totems (Emily Carr, 1928, oil on canvas)

The museum’s collection also features a significant number of works by Emily Carr, dating from 1913 to 1942. The painting Totem Poles, Kitseukla, by Carr, was among the original set of works acquired for the museum’s collection prior to opening in 1931. The permanent collections of the Vancouver Art Gallery, along with the collections of the National Gallery of Canada, hold the largest number of works by Carr of any collection in the world.

Patriotism (Joyce Wieland, 1967, vinyl, textile,photograph, paper, cotton, wood, thread)

The museum’s also features a collection of indigenous Canadian art from the region, including works from Haida, Heiltsuk, Inuit, Kwakwakaʼwakw, Nuu-chah-nulth, Nuxalk, and Tlingit artists. Regular acquisitions of indigenous Canadian works was undertaken by the museum beginning in the 1980s; with the museum’s practices prior to the 1980s typically leaving the acquisition of indigenous Canadian works for the collections of ethnographic, or history museums.

A Descent of Lilies (Pegi Nicoll MacLeod, 1935, oil on canvas)

In 2015, George Gund III bequeathed to the museum 37 First Nations works, including totem poles by Ken Mowatt and Norman Tait, drawings by Bill Reid, and thirteen carved works by Robert Davidson. Other works in the museum’s indigenous Canadian collection includes works by Sonny Assu, Rebecca Belmore, Dempsey Bob, Dana Claxton, Joe David, Reg Davidson, Beau Dick, Brian Jungen, Marianne Nicolson, and Lawrence Paul Yuxweluptun.

Actual Photo Series (Laurie Simmons and Allan McCollum, 1985, azo dye prints)

The Vancouver Art Gallery Library and Archives is a non-circulating library that specializing in modern, contemporary and Canadian art. Its holdings include more than 50,000 books and exhibition catalogues, 30 journal subscriptions, 5,000 files that document various artists, art forms, and works. Access to the museum’s library and archives require a scheduled appointment.

Sea and Shore (Florence Wyle, ca. 1950, marble)

The museum’s archives contain the institution’s official records since its founding in 1931. In addition to institutional documents, the archives also includes files from B.C. Binning, and the books and serials where Bill Bissett’s concrete poetry was published.

In a Food Court (Evan Lee, 2019, oil pigment, pastel on canvas) (1)

The Vancouver Art Gallery offers a wide range of public programs throughout the year, including live performances marketed under the FUSE program, scholar’s lectures, artist’s talks, as well as dance and musical performances. In its most recent year, the gallery has featured over 60 presenters, including historian Timothy Brook, writer Sarah Milroy, and Emily Carr scholar, Gerta Moray. In May 2015, the gallery welcomed architect Jacques Herzog as he presented his first lecture in Canada on architecture and the new Vancouver Art Gallery building.

Neri Oxman and the MIT Mediated Matter Group

Vancouver Art Gallery: 750 Hornby Street, Vancouver, British Columbia V6Z 2H7, Canada. Open Mondays, Wednesdays, Thursdays, Saturdays and Sundays, 10 AM – 5 PM, Tuesdays and Fridays, 12 noon to 8 PM. Admission: $24.00 (adults), $20.00 (seniors), $18 (students), $6.50 (children, 6 – 12 years old) and free (children 5 years old and under). Tuesdays, from 5 – 9 PM are “donation nights” (pay whatever you want or can afford). Coordinates: 49.282875°N 123.120464°W.

Former Vancouver Law Courts Building (British Columbia, Canada)

Posted on 5 August, 2022 by Benjie Layug — 1 Comment ↓

Former Vancouver Law Courts Building

The three-storey, grand Former Vancouver Law Courts Building, situated on a city block bounded by Georgia, Howe, Hornby and Robson Streets, is a good example of Neo-Classical design in the Beaux-Art tradition, widely promoted for public buildings in North America during the late 19th and early 20th centuries.

Replacing the previous courthouse at Victory Square, it was designed by noted Victoria architect Francis Mawson Rattenbury (responsible for many prominent public buildings in British Columbia including the Legislative Building in Victoria), after winning a design competition in 1905. Construction began in 1906 and the provincial courthouse,containing 18 courtrooms,was opened in the fall of 1911, at which time it was praised as the finest building of its kind in Canada.

Check out “”Legislative Assembly of British Columbia”

By 1914, the city had outgrown the original building and a large new wing, connected to the main building by an enclosed two-storey corridor, was added to the western side of the building according to the 1912 designs of Thomas Hooper. It operated as such until 1979 when it was decided that the building could no longer accommodate the needs of the court and the decision was made to construct new facilities.

Vancouver architect Arthur Erickson was commissioned to design the new Law Courts House,located across the street south of the building,and to convert the former Court House into the Vancouver Art Gallery.In 1980, the building was designated as the Former Vancouver Law Courts National Historic Site of Canada.

Entrance to Vancouver Art Gallery

Both the main and annex portions of the building are also designated “A” heritage structures by the municipal government. As a heritage site, it still retains the original judges’ benches and walls as they were when the building was a courthouse.

The massive staircase

The building continues to be owned by the Government of British Columbia, although the Vancouver Art Gallery occupies the building through a 99-year sublease signed with the City of Vancouver government in 1974 who, in turn, leases the building from the provincial government.

Check out “Vancouver Art Gallery“

One of two granite guardian lions

The building consists of three parts with two wings on west and east facades faced with inset Ionic columns flanking a massive projecting central pediment. The latter features an imposing formal portico supported by four columns and surmounted by a flat roof and a copper-clad central dome(with four semicircular occuli) on an elevated base.

On the north and south facades are granite pilasters. Rusticated Nelson Island granite cladding was used for the base section and smooth Haddington Island stone cladding for upper levels.Marble was imported from Alaska, Tennessee and Vermont.

Throughout the facade are decorative stone and plaster scrollwork with acanthus leaf, garland and wreath motifs and stone balustrades along the roof line.Some of the recessed and symmetrical fenestration have protruding granite sills and canopies.Cast iron grates are found above the foundation. Also on the west and east facades are massive granite stair entrances. The twin, ca. 1910 granite lions, on pedestals, symbolize British justice.

Rotunda

The original interior layout features a twinned, marble clad staircase with ornamental wrought iron balustrades; a central rotunda, beneath the dome on the mezzanine level, with a series of two-storey arcades; terrazzo flooring in fan and Greek key motif;tapered marble columns on the mezzanine level;plaster egg and dart,garland and wreath motifs on the ceilings, cornices and walls; British Columbia fir and oak for the paneling,cornices, wainscoting and architraves; and British Columbia and Alaskan marble for foyer, floors, baseboards, vestibule halls, stairs and risers.

Marble staircase

Original signs identifying “OFFICES,” “LAND REGISTRY,” “POLICE” (with accompanying “Sheriff” signage) are still incised into offices on the north and south first floor level.

Dome and oculus

The steps on both the Robson Street and Georgia Street sides of the building are also popular gathering spots for protest rallies. In the summertime, the Georgia Street side is also a popular place for people to relax or socialize.

Former Vancouver Law Courts Building: 800 Hornby Street, Vancouver, British Columbia V6z 2E1, Canada.

Pike Place Starbucks Store (Seattle, Washington, U.S.A.)

Posted on 4 August, 2022 by Benjie Layug — 1 Comment ↓

Pike Place Starbucks Store

After lunch at Seafood City, Val drove Danny and I to the historic Pike Place Market in the downtown core of Seattle, Washington,. Once parked, we walked towards the Pike Place Starbucks Store (also known as the Original Starbucks), the first Starbucks store in the world.

Check out “Pikes Place Market“

The store front

A known tourist attraction, it was hosting crowds during our visit. In fact, they say there was never a day without The Line which winds out the door and stretches down the street but it also keeps on moving as the baristas there are said to be as good as any on the planet.

However, many people, just like us, didn’t come to 1912 Pike for a cup of coffee. Instead, we came to experience the place where it all began. Founded in 1971, the store was opened by Jerry Baldwin, Zev Siegl and Gordon Bowker, three partners who were inspired by Alfred Peet of Peet’s Coffee to open the store and sell high-quality, freshly roasted coffee beans, tea and spices from around the world to take home as well as coffee making equipment and accessories.

The store interior

The name was inspired by the Moby Dick, the 1851 classic tale of Herman Melville, which evoked the romance of the high seas and seafaring tradition of early coffee traders. The name of the store was originally going to be called Cargo House or Pequod (Captain Ahab”s hip in the book), but the brand consultant (who also designed the chain’s logo , produced from an old 1800s map), but decided on Starbuck, the first mate and no-nonsense crew member on the Perquod. Starbos is also the name of a mining town which features in the book.

Everything in the entire store, truly one of a kind, is original, from the floors, the fixtures, the counters, etc. They also still proudly display the brass labels that were on their bulk coffee bins in 1971. However, while it commonly referred to as the first Starbucks location, the current address is the second for the Pike Place store as, for five years, the first restaurant was located at 2000 Western Avenue. In 1977, it moved one block away to 1912 Pike Place where it has been in continuous operation ever since.

Val Salgado, the author and Danny Macaventa outside the store

The sign outside this branch, unlike others, features the original logo – a seductive, bare-breasted siren that was modeled after a 15th-century Norse woodcut. It also features a pig statue called “Pork’n Beans,” a sculpture created locally for the 2001 Pigs on Parade competition that raised money for the Pike Place Market Foundation.

Starbucks logo from 1971 to 1987

Pike Place Starbucks Store: 1912 Pike Place, Seattle 98101, Washington . Tel: +1 206-448-8762. Coordinates: 47.609899°N 122.342441°W.

Buchart Gardens (Victoria, British Columbia, Canada)

Posted on 29 July, 2022 by Benjie Layug — Leave a reply

Butchart Gardens

From Swartz Bay Ferry Terminal, Grace, Jandy, Cheska, Kyle and I, with our dog Luffy, rode on a double-decker Bus 72 (we missed the direct, one-hour Bus 81), operated by Victoria Regional Transit System, for the nearly 40-min. drive to Saanichton then transferred to a single-deck Bus 75 for the nearly 30-min. drive to get to the world-renowned Butchart Gardens, an absolute must see when traveling to Victoria.

Butchart garden Sign. L-R: the author, Jandy, Kyle and Grace

The lush, 22.3-hectare (55-acre) Butchart Gardens, a group of floral display gardens, located on the Saanich Peninsula, near Victoria on Vancouver Island, has delighted visitors from all around the world with its over a million awe-inspiring bedding blooms (in some 900 varieties) and unique plantings, receiving over a million visitors each year.

The iconic water wheel

It is consistently rated among the world’s most beautiful garden attractions and top places to go to in Canada by USA Today, CNN Travel, Condé Nast, National Geographic, Tripadvisor and Frommer’s and more.

Waterwheel Square

Started by Robert Pim Butchart (1856–1943) and his wife Jennie Butchart (1866–1950), ownership of The Gardens still remains within the Butchart family and, since 2001, the owner and managing director is Robin-Lee Clarke, the Butcharts’ great-granddaughter.

Here is the historical timeline of the gardens:

In 1888, Robert Pim Butchartbegan manufacturing Portland cement near his birthplace of Owen Sound, Ontario, Canada. He and his wife Jennie Butchart came to the west coast of Canada because of its rich limestone deposits necessary for cement production.
In 1904, they established their home near his quarry on Tod Inlet at the base of the Saanich Peninsulaon Vancouver Island.
In 1908, the Bucharts named their home “Benvenuto” (“welcome” in Italian)
In 1909, when the limestone quarry was exhausted, Jennie wanted to recreate some natural beauty from the remains of her husband’s mined-out industrial quarry site so she set about turning it into the Sunken Garden, transferring top soil by horse and cart. She commissioned Isaburo Kishida, a 67 year-old garden designer from Yokohama, Japan (he built a wildly popular tea gardenfor Esquimalt Gorge Park in 1907) before he returned to Japan in 1912.
In 1921, the Sunken Garden was completed and they began to receive visitors to their gardens.
In 1926, they replaced their tennis courts with an Italian garden
In 1929, the Bucharts replaced their kitchen vegetable garden with a large rose garden to the design of Butler Sturtevantof Seattle. Samuel Maclure, who was consultant to the Butchart Gardens, reflected the aesthetic of the English Arts and Crafts Movement.
In 1939, they gave the Gardens to their grandson Robert Ian Ross (1918–1997) on his 21st birthday. Ross was involved in the operation and promotion of the gardens until his death 58 years later.
In 1946, Ann-Lee Ross, Robert Ian Ross’ wife, opened the Benvenuto Tea House (now called the Dining Room) and continued the tradition of serving afternoon teato guests.
In 1953, to mark the 50th anniversary of The Gardens, miles of underground wiring were laid to provide night illumination.
In 1964, the ever-changing Ross Fountain was installed in the lower reservoir to celebrate the 60th anniversary.
In 1977, during summer Saturday evenings, Christopher Ross (1944–2000), Robert Ian Ross’s son, introduced firework shows accompanied by show tunes, choreographing them until his death in 2000.
In 1982, the Butchart Gardens was used as the inspiration for the gardens at the Canadianpavilion opened at Epcot Centre in Orlando Florida.
In 1993, to commemorate their 50th wedding anniversary, the “Circle of Doves,” given by Ann-Lee Ross to her husband Ian in 1991, was installed in front of the Begonia Bower.
In 1994, the Canadian Heraldic Authoritygranted a coat of arms to the Butchart Gardens.
On September 9, 2004, two totem poles were installed and dedicated to mark the 100th anniversary.
That same year, The Gardens were designated as a National Historic Site of Canada.
In the summer of 2008, The Gardens introduced the Jennie B, an electrically driven 12-passenger boat, which plies the local coastlines in the summer giving visitors an appreciation of the waterside history plus coastal aquatic plants and animals.
On December 1, 2009 the Children’s Pavilion and the Rose (or Menagerie) Carousel were opened to the public.

Begonia Bower

While Jennie Butchart collected plants, Robert Pim Butchart collected ornamental birds from all over the world (he had a parrot in the house, ducks in the Star Pond and peacocks on the front lawn). Robert also built several elaborate birdhouses for the gardens and trained pigeons on the site of the present-day Begonia Bower.

In the early days, Mr. and Mrs. Butchart often hosted weekly symphony concerts for guests of the family but, later, attracted a larger audience. More recently, during the summer season (July and August) and the winter holiday season, they provide a wide range of local entertainment, from jazz to classical music.

Also, The Weeds (a band made up of staff members from The Gardens) sometimes plays during the summer season, During winter, lights and seasonal decorations adorn the gardens along with an ice-skating rink in the Waterwheel Square.

Upon payment of the admission fee, we were ushered into Waterwheel Square, our starting point, which was aptly named after a lovely waterwheel beside the entrance. The statue of a wild boar, in the heart of the square, was cast in Florence by Ferdinando Marinelli Artistic Foundry and purchased in 1973 during a family trip to Italy and installed the next year.

Butchart Boar

The snout of this replica of the Cinghiale, a 1620 marble statue (displayed in the Uffizi Gallery in Florence) by Pietro Tacca (in honor of the sculptor, it is called “Tacca”) is, just like the original, shiny from the many visitors rubbing it for good luck. In front of the residence is another nearby statue, by Sirio Tofanari, of a donkey and foal.

Check out “Uffizi Gallery”

Donkey and Foal (Sirio Tofanari)

Buchart Gardens encompasses five separate gardens: the Sunken Gardens, the Rose Garden, the Japanese Garden, the Italian garden and the Mediterranean Garden. To keep these gardens looking impeccable, they have 26 greenhouses and employ 50 full-time gardeners, 12 part-time gardeners as well as 550 staff during peak season. With regards irrigation supply, the gardens are entirely self-sufficient as, every year, millions of liters of rainwater are collected, via runoff, from the parking lots and stored in a number of reservoirs and wells.

Laurel Walk

From the flower-lined Laurel Walk, a pathway on the left led to the Begonia Bower which was overflowing with hanging baskets of begonias and fuchsias. Designed in 1917 by Samuel Maclure as a “Chinaman’s Cottage,” it was later renamed the Gardener’s Cottage, circa 1950.

Above the Sunken Garden

Past the Laurel Walk is the top of “the Mound,” a massive limestone rock embankment (designed by Raoul Robillard) rising, above the switch back stairs, from the center of the iconic, 5-acre Sunken Gardens, the crown jewel of the Butchart Gardens.

The pair of Arbor vitae trees

Flanking the main path are an iconic pair of Thuja occidentalis Fastigiata trees (Arbor vitae), commonly called the “tree of life,” planted by Jennie in 1930 (they are now on their third pair). The Mound has spectacular views of the garden including the tall chimney of the long vanished kiln. To the left of the cement stack are six Lombardy poplars (Populas nigra italica) planted by Jennie in 1910 to hide the cement factory.

Once a pile of rock and rubble, the quiet and peaceful Sunken Garden is, as the name suggests, located below road level. The first land reclamation project in the world, the garden, dotted with benches, boasts 151 flower beds, 65,000 bulbs planted for spring and cradles an impressive assortment of flowers, trees and shrubs.

The Sunken Garden

A path, from here, winds past the undulating and spectacular Ross Fountain, installed in 1964 by Robert Ian Ross (Jennie and Robert’s grandson) to celebrate the 60th anniversary of The Butchart Gardens. The fountain is surrounded by a rotating selection of seasonal blooms.

Ross Fountain

In summer, during The Gardens Night Illuminations displays, it comes alive as magical lighting effects dance across its waters. Another path leads to the serene pond of the Bog Garden which is surrounded by weeping-willows.

Bog Garden

From the Sunken Garden, a path led us, half-way through The Gardens, to the 700 sq. m. (7,500 sq. ft.) Children’s Pavilion, which has a dome with a 23-m. (75 ft.) clear span, a full-fronted glass façade and a roof planted with native plant species. It also has an event room for such things as children’s birthday parties. Annabelle, the elegant bronze carousel horse sculpted by Nathan Scott, is located next to the pavilion.

Children’s Pavilion

Housed within is the popular Rose (or Menagerie) Carousel, the only carousel on Vancouver Island. The carousel was crafted by Brass Ring Entertainment of Sun Valley, California. The brightly painted and hand-carved wooden menagerie, mirroring the world from which The Gardens draws its visitors, includes thirty animals ranging from bears, to horses, to ostriches, to zebras, to cats.

Rose (or Menagerie) Carousel

In consultation with an artist from North Carolina, Robin Clarke (the gardens’ owner and great-granddaughter of Jennie Butchart) handpicked the design of each animal carving. Done by some of the few remaining carvers of carousel art, they were carved from basswood and took many months to complete. There are also two chariots able to accommodate disabled persons. Kyle didn’t want to miss out on the carousel so, accompanied by Jandy, tried it out ($2 per person).

Concert Lawn and Stage

Across from the pavilion is the Concert Lawn and Stage. Here, between 1953 and 1967, the Victoria Symphony Orchestra (conducted by Hans Gruber), under the sponsorship of Mr. and Mrs. Ian Ross, performed summer concerts on the main lawn. The concerts also featured many international artists such as Teresa Stratas, Bernard Turgeon and Grace Bumbry. On occasion, guest conductors were also invited to lead the orchestra.

Organ Pavilion

Nearby is the Organ Pavilion, the original dairy barn which now houses the Aeolian Pipe Organ played at The Butchart Gardens. Fully playable manually, this organ boasts just under one thousand individual pipes, a set of twenty tubular chimes and a forty-nine note percussive harp.

California Redwood (Sequoia sempervirens, 1934)

Located on a back path behind the Concert Lawn are tallest of two California redwoods (Sequioia sempervirens) which were planted as seedlings Afred Shiner, former Head Gardener, in 1934.

Totem poles

Another path led us to two 9.1 m. (30-ft.) high and 1.2-m. (4-ft.) wide totem poles dedicated on September 9, 2004 in celebration of the 100th anniversary of The Butchart Gardens, they are a recognition of the rich cultural heritage provided by the First Nations peoples.

Eagle with Salmon, Orca, Bear with Salmon

Raven, Beaver with Grouse, Otter with Pups & Clam, Frog

The “Eagle with Salmon, Orca, Bear with Salmon” was carved in Contemporary Coast Salish style by master carver Doug LaFortune of the Tsawout First Nation while the “Raven, Beaver with Grouse, Otter with Pups & Clam, Frog” was carved in Classic Coast Salish style by master carver Charles Elliot of the Tsartlip Nation.

Seed & Fireworks Field

Nearby is the Seed and Fireworks Field. The land here was purchased in 1903 from Mr. Fernie, a local dairy farmer. In 1969, a reservoir was excavated to ensure a water supply for irrigation and a single jet fountain was installed to aerate the water supply in the largest reservoir. Today, the fountain is now the focal point of a fireworks display.

Dragon Fountain

On our way to the Rose Gardens, we passed by the striking bronze Dragons Fountain, the newest addition to The Gardens. A gift from Suzhou (Victoria’s sister city) and the People’s Republic in China in 2015, at night, color-changing LED lights create beautiful scenes in the waters of this peaceful fountain.

Rose Garden

The vibrant Rose Garden, in the center of the grounds, brims with an impressive collection of seven types and at least 280 varieties of roses. From summer to early fall, this heavenly scented garden bursts to life with 2,500 rose plants.

The 30 arches, intertwined with large sprays of rambler, floribunda, climber and hybrid tea roses, is a favorite spot for a stroll.

Fountain of the Three Sturgeons

On our way to the Japanese Gardens, we passed by the Fountain of the Three Sturgeons, once the location of a large Japanese teahouse. This bronze fountain of three dancing sturgeon, purchased in 1973, is the first casting (by the Ferdinando Marinelli Artistic Foundry) from the enlargement of a work created by Sirio Tofanari in 1958. Visitors often sit on the surrounding benches and enjoy the tranquil sounds of the fountain.

Torii (Japanese gate)

A torii gate, marked the entrance, to the quiet, 1-acre Japanese Garden. The gate is flanked, on each side, by magnificent purple European copper beech (Fagus sylvatica purpurea) planted in 1906. The first of Jennie Butchart’s formal gardens, it was started in 1906. In her design, Jennie was assisted by 67 year-old, Japanese landscape artist Isaburo Kishida. Under the supervision of Hugh Lindsay (the first of Mrs. Buchart’s head gardeners), laborers from the cement works implemented Kishida’s plan.

A scenic relaxation sanctuary, it is home to 500 rhododendrons and azaleas, 74 Japanese maple trees (Acer palmatum dissectum), moss-covered grounds as well as 200 m. of trickling streams. The European beech trees and Japanese maple trees (at the head of the stone stairs leading down to the garden) are the oldest non-native trees in the Buchart Gardens. Himalayan Blue Poppies blossom in the spring.

Star Pond

From the Japanese Garden, a path led us to the fantastic, 21,780 sq. ft. Italian Garden. Once the Butchart family’s tennis court, it was designed by famous architect Samuel Maclure and completed in 1929. The garden is home to 22,000 bulbs and biennials as well as 18 flower beds and 85 varieties of plants.

Italian Garden

Two beautiful, flower-studded ponds are also located here – the Star Pond (originally designed for Mr. Butchart’s collection of live ornamental ducks) and a sophisticated, cross-shaped pond. Bronze statues and the nearby Gelateria Benvenuto bring a taste of Italy to the grounds.

Mediterranean Garden

We almost missed the diminutive and quaint, 21,780 sq. ft. Mediterranean Garden which was hidden near the parking lot. A homage to Vancouver Island’s Mediterranean climate, it hosts an array of 110 varieties of exotic plants (in 9 garden beds), ranging from electric-blue delphinium to massive-leafed banana plants and one awe-inspiring agave plant.

Coffee Shop

The food and beverage outlets within The Gardens are the Coffee Shop (salted caramel mocha; Oh Canada latte; fresh, house-made shortbread cookie; etc.), The Dining Room Restaurant, Gelateria Benvenuto in the Italian Garden (12 locally-inspired flavors of ice-cold gelato) and the cafeteria-style Blue Poppy Restaurant.

Blue Poppy Restaurant

Buchart Gardens: 800 Benvenuto Ave., Brentwood Bay, near Victoria, British Columbia V8M 1J8. E-mail: email@butchartgardens.com. Website: www.buchartgardens.com. Open daily, 11:30 AM to 3:30 PM (up to 10 PM during summer, June 15 to September 3). Tel: +1 250-652-4422. Coordinates: 48°33′55″N 123°28′10″W.

Admission (including tax):

Spring 2022 (April 1–June 14): CAD 35.40 (adults, 18 + years old), CAD 17.70 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
Summer 2022 (June 15–September 30): CAD 38.00 (adults, 18 + years old), CAD 19.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old)
Fall 2022 (October 1–October 31): CAD 31.80 (adults, 18 + years old), CAD 15.90 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
November 1–November 30: CAD 24.75 (adults, 18 + years old), CAD 12.40 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
Christmas 2022 (December 1–January 6): CAD 34.00 (adults, 18 + years old), CAD 17.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old).

Britannia Beach (British Columbia, Canada)

Posted on 21 July, 2022 by Benjie Layug — Leave a reply

Grace and Danny at Britannia Mine Museum at Britannia Beach

The weather was sunny in Vancouver when Grace, Jandy and I accepted the offer of my Don Bosco Makati high school classmate and now Vancouver resident Danilo “Danny” Macaventa who volunteered to tour us, via his car, around Squamish and Whistler.

L-R: Grace, Danny and museum guide

A 61.3-km. (1-hr.) drive, along the Sea-to-Sky Highway on Howe Sound, took us to our first stop, the former copper mining town of Britannia Beach, a small (population about 300) but charming unincorporated community in the Squamish-Lillooet Regional District rich with art and history approximately 10 mins. south of Squamish.

In 1888, a copper discovery on Britannia Mountain by Dr. A. A. Forbes led to the development of the Britannia Mine and, between 1900 and 1904, the community first developed as the residential area for the staff of the Britannia Mining and Smelting Company.

Sea-to-Sky Highway and Howe Sound

At the center of the town, now an award-winning 10-acre National Historic Site of Canada that has recently undergone a $14.7 million facelift, is the Britannia Mine Museum (formerly the British Columbia Mining Museum) which is visible from the highway itself. The museum now oversees 23 historic industrial, administrative and domestic buildings, over 7,000 artifacts, 9500 archive photos and 3,000 archival documents and maps.

As we arrived just before 10 AM, we decided not to join the 11 AM Mining Tour. There, visitors can experience what life was really like in a busy copper mining town by getting an up-close look at machinery, ore carts, a working Lime Tank and the famous Mill 3, also called the Concentrator where the ore was once processed.

Guest Services Building

Visitors can also climb aboard the museum’s mine train to ride through an historic haulage tunnel (over 210 kms. were dug), driven in 1914 to transport ore from the original mill buildings to the shore. Historic mining and lighting equipment is demonstrated to the visitor. You can also pan for gold and sit in the original throne used in the Copper Queen pageant.

The Engineering Building

We did get to meet museum director Ms. Kristine Clausen who briefed us on the history of the town and its copper mine. According to Kristine, for almost 70 years, Britannia Beach was an important source of copper ore. During the 1920s and 1930s, it constituted one of the largest mining operations in Canada. On November 1, 1974, high operating costs and taxes eventually forced the mine to close.

Old mining equipment

Old 1971 WABCO 3200B Haulpak mining truck

Nearby is a Squamish First Nation Info Legend Display Kiosk while a little bit further off is the old 800,000-lb., yellow 1971 WABCO 3200B Haulpak mining truck. Further into the distance is the 20-storey Mill 3 building carved into the mountainside. A highly innovative (using bulk froth flotation), gravity fed concentrator for ore processing, it was designated as a National Historic Site of Canada in 1987 (with a ceremony in 1988).

Britannia Mine Concentrator

Though we didn’t join the Mines Tour, we did drop by the Company Store (Museum Gift Shop), historically the only shopping place in Britannia Beach. Here, they sell rare ammolite jewelry comprised of the fossilized shells of ammonites, copper mugs, souvenirs, locally produced wares, books, mining memorabilia, apparel and rare minerals specimens from Canada and all over the world.

Company Store

Also offered for sale are works by leading Northwest Coast native artisans and artists from Britannia Beach, Squamish, and beyond such as Angela Muellers (beautiful paintings), Frances Solar, Niel Bennett (amazing postcards of the Mill building), Jim Unger (copper artworks), Byron Anderson (copper tree sculptures) and Sarah Groves (unique copper jewelry).

Before leaving, we also dropped by the Chatterbox Café (open 8 AM to 5 PM), located next to the admissions and the gift shop at Britannia Mine Museum, which is also home to the museum’s collection of autographed photos, chronicling the history of feature films and TV production filmed at the museum and in and around Britannia Beach.

First Aid and Chatterbox Cafe

They include Scooby-Doo 2: Monsters Unleashed, Okja, The Man in the High Castle (TV series), MacGyver, The Flash, Supernatural, many scenes for The Crossing (TV series) in 2017, the 2010 episode of the US TV show Psych, Dual Spires, the episode “Paper Clip” of The X-Files, scenes for Travelers (TV series) in 2017, and 21 Jump Street.

Britannia Mine Museum: 150 Copper Drive, Britannia Beach, British Columbia V8B 1J1. Tel: +1 800-896-4044. Website: www.britanniaminemuseum.ca. Open, 9 AM to 7 PM, with 16 tours daily. First tour starts at 9:30 AM and the last tour at 5 PM (check in at 4:30 PM). Admission: $36.95 (adults. 18+), $33.95 (seniors, 65+, and students), $28.95 (youth, 13-17), $19.95 (child, 5-12), $130 (daily family rate) and free (pre-school, 4 and under).

Christ Church Cathedral (Vancouver, Canada)

Posted on 19 July, 2022 by Benjie Layug — Leave a reply

Christ Church Cathedral

Just 650 m. from the Cathedral of Our Lady of the Holy Rosary is the gorgeous Christ Church Cathedral. The second cathedral church of the Anglican Diocese of New Westminster of the Anglican Church of Canada, it is a daughter church of St. James’ Anglican Church.

Check out “Cathedral of Our Lady of the Holy Rosary“

High rise buildings surround the cathedral

Set among high-rise buildings, Christ Church Cathedral is the Regimental Church of the Seaforth Highlanders and is in the process of being designated Regimental Church of the BC Regiment, Duke of Connaught’s Own. It is also the church at which the British royal family worships when in Vancouver.

Grace and Kyle

The author and Jandy

Here is the historical timeline of the cathedral:

On December 23, 1888, the first service was held, without a church building, at 720 Granville Street.
On February 14, 1889, a building committee was formed to collect the necessary funds for the erection of the church to be located on land bought from the Canadian Pacific Railway (CPR). A key negotiator in acquiring the property is Henry John Cambie, chief engineer of CPR’s Pacific Division and people’s warden of the new church.
By October 1889, Christ Church’s basement was built
On October 6, 1889, the opening service was held for 52 parishioners.
By 1891, the CPR objected to the unfinished building that had quickly been nicknamed the root house. It was viewed an “eyesore” and the parishioners feared they would lose their location due to lack of funds to complete the building.
In 1892, the architect Robert Mackay Fripp submitted a proposal for completion of the church.
On July 28, 1894, after a financing scheme was developed by a parishioner, the cornerstone was finally laid.
On February 17, 1895, the church was dedicated.
In 1905, a balcony, covering the narthex area and containing a wood railing in a Gothic pattern, was added
By 1909, the first expansion was done.
By 1911, the first organ, which used a human blower hired at $5 per month, had already worn out and was replaced by the new Robert Hope-Jones Organ manufactured by Wurlitzer.
In 1920, electricity replaced candles for lighting.
In 1929, the Archbishop of New Westminster constituted Christ Church as the Cathedral Church of the diocese replacing Holy Trinity Cathedral located in the City of New Westminster.
In 1937, the bronze lanterns now in the church were installed at the nave.
In 1949, after many building alterations, the $30,000 Casavant Freres organ, constructed partially of recycled wood, surplus war surplus parts and remnants of the Wurlitzer, was installed. It had more than 2,700 pipes and a 600 lb. motor.
In 1971, the church membership voted to demolish the building and replace it with a hi-rise tower complex designed by Arthur Erickson. The redevelopment was opposed by the public.
In 1976, after much lobbying, the cathedral was named a Class A Heritage building in the municipality of Vancouver and the Province of British Columbia.
In 1995, an eleven-year program of restoration and renewal was begun.
During the spring and fall of 2004, the Kenneth Jones tracker organ was installed.
In 2004, the church was extensively upgraded and the original fir flooring, cedar tongue and groove ceiling and stained glass windows were restored.
In November 2016, a bell tower was inaugurated.

The Gothic Revival style, sandstone facade

The church, built in the Gothic Revival style (with Romanesque and Tudor details), has a granite and sandstone façade and is laid out in the classic Latin Cross plan.

The cathedral’s stunning interior

Its stunning interior, circumnavigated by wood wainscoting with a quatrefoil cornice, has a beautiful and spectacular hammer beam truss (in the style of English halls and churches dating back to the 1300s) ceiling made of cedar planking and ceiling beams.

The spectacular hammer beam truss and ceiling

Its 32 beautiful stained glass windows depict Christ-centered themes, famous people and World War I.

Christ the King and other scenes (Clayton and Bell, Buckinghamshire, England)

The floor was constructed out of old growth Douglas fir. Wood arches and tracery details separate the side aisles from the nave.

Tree of Life (Susan Pointe)

The modern, semi-abstract “Tree of Life,” spanning 5 stained glass windows (the tallest is 19 ft. high) at the back of the church, was created, in brown tones, by aboriginal Musqueam artist Susan Pointe, executed by Yves Trudeau (of Studio One Glass Art) and dedicated on April 5, 2009. It depicts salmon (in 4 of the panels) and waters at the base, leaves and trees in the central portion and mountain and birds above.

The Chancel Window (N.T. Lyon Co. Toronto)

Another three stained glass windows, of three disciples of Jesus Christ, were designed by the famous William Morris of England, the most celebrated champion of 19^th century “Arts and Crafts” Movement.

The Crucifixion of Our Lord (John Bell and Sons, Bristol, England)

The open glass and steel bell tower, at the northeast side of the cathedral, has a zinc roof. Its four church bells, cast in France, are rung daily at 8 AM and 6 PM and before church services.

The open glass and steel bell tower

The spire glass features a design by Canadian artist Sarah Hall. A venue for musical performances, the church’s acoustics are phenomenal and the Choral Eucharist (10:30 AM) and Georgian Chant Services (9:30 PM) are performed every Sunday.

The author

The Celtic cross, which is found on both the cathedral’s exterior and interior, represents the roots of the Anglican Communion in the British Isles. The spindle whorl and the three salmon in the style of the Coast Salish Nation, represent the First People of Canada and the original inhabitants of the west coast.

The Celtic Cross

The Greek letters Chi (X) and Rho (P), in the center, are the initials of the words Christus Rex (Christ the King). The motto “I hold before you an open door” (Revelation 3:8) is the title of the first sermon preached by Rev. H. B. Hobson, the rector, in the cathedral on December 23, 1888.

The tracker organ designed by Kenneth Jones in Ireland

The beautiful and huge tracker organ, in the south gallery of the cathedral, was built in 2003 by Kenneth Jones in Bray, Ireland, and installed, over 10 days, in April 2004. It is the first Christ Church Cathedral organ custom built to speak with optimum effect in the sanctuary. It comprises a three manual console and 2,500 pipes (1,700 salvaged from the Casavant Freres), wooden trackers and intricate parts sourced from all over Germany.

The fine, carved stone reredo, dedicated in 1923 as a World War I memorial, took almost two years to complete. Depicted in this stone screen are St. Martin of Tours, St. Lawrence and St. John the Baptist.

Christ Church Cathedral: 690 Burrard Street , Vancouver, British Columbia V6C 2L1, Canada. Tel: +1 604-682-3848. E-mail: reception@thecathedral.ca. Website: www.thecathedral.ca. Open Mondays to Fridays, 10 AM to 4 PM. Admission is free but donations are welcomed. Coordinates: 49°17′03″N 123°07′13″W.

How to Get There: the cathedral, located right across the Burrard Skytrain Station, is located on the northeast corner of West Georgia Street, directly across from the Fairmont Hotel Vancouver in Downtown Vancouver. It is also a 3-min walk from the Vancouver Art Gallery

Waterfront Station (Vancouver, British Columbia, Canada)

Posted on 17 July, 2022 by Benjie Layug — Leave a reply

Waterfront Station

The stunningly grand and majestic, 6-storey, 146-m. (480-ft.) long Waterfront Station (Station Code: WF), located on Burrard Inlet, is a major intermodal public transportation facility and the main transit terminus in Vancouver. It is within walking distance or the vicinity of Vancouver’s historical Gastown district, Canada Place, Vancouver Convention Centre, Harbour Centre, Sinclair Centre, the Vancouver Harbour Flight Centre float plane terminal (approximately two blocks west of Canada Place), the heliport operated by Helijet, (adjacent to the SeaBus concourse, therefore allowing passengers to connect to Waterfront Station‘s main terminal building) and the downtown campuses for Simon Fraser University and the British Columbia Institute of Technology.

The row of Ionic columns

The current Neo-Classical-style main station building, designed by Barott, Blackader and Webster (a Montreal architecture firm) and built by Canadian Pacific Railway (CPR), is CPR’s third station. It replaced a smaller station, built in the 1890s and previously located at the foot of Granville, one block west, built in chateau-like “Railway Gothic” style like the CPR’s many railway hotels. Its symmetrical red-brick facade is dominated by a row of smooth, white limestone Ionic order columns which are repeated in the grand interior hall, flanking the perimeter of the space.

The Neo-Classical-style facade

The main hall features two large clocks facing each other high on the east and west walls while paintings depicting various scenic Canadian landscapes, by Adelaide Langford (wife of a CPR executive), line the walls above the columns.

One of two large clocks at the Main Hall

Rouge Kitchen & Wet Bar, on the street level, occupies the east wing. Other restaurants located within the station include A&W, Jugo Juice, La Prep, Subway, Starbucks and SKK Italy. On the upper floors, some rooms are occupied by business offices.

Rouge Kitchen & Wet Bar

Subway and Jugo Juice

The bronze statue of Angel of Victory, one of an originally identical trio (the other two angels are in Winnepeg and Montreal), at the front of the extreme east end of the building, was created by Couer de Lion MacCarthy (1881-1979) and was installed in 1921.

Angel of Victory (Couer de Lion MacCarthy)

A war memorial honoring CPR employees who were killed during World War I, it depicts an angel carrying a dead soldier to heaven. At one time, she was holding s small wreath in her raised hand but, at some point, the wreath was broken and now she holds just a few leaves in her hand. After World War II, the writing on the plaque at the base of the statue was added.

Historical Plaque

Here’s the historical timeline of the station:

On May 1912, the construction of Waterfront Station began
On August 1, 1914, right at the start of World War I, the station was opened as the Pacific terminus for the CPR’s transcontinental passenger trains to Montreal, Quebec and Toronto, Ontario. Canadian soldiers, on their way to the war, departed on this depot.
In 1916, the paintings lining the walls above the columns were completed.
On May 29, 1939, residents welcomed King George VI and Queen Elizabeth here (British Columbia’s first visit by a reigning monarch)
In 1977, Waterfront Station‘s transformation into a public intermodal transit facility began.
In 1977, SeaBus began operating out of a purpose-built floating pier that was connected to the main terminal building via an overhead walkway above the CPR tracks.
In 1978, when Via Rail took over the passenger operations of the CPR and the Canadian National Railway, it continued using both railways’ stations in Vancouver
In 1979, Via Rail ceased using this CPR station when it consolidated its Vancouver operations at Pacific Central Station, the CN station near False Creek.
On October 27, 1979, the last scheduled Via Rail passenger train to use Waterfront Station departed, with 200 passengers (plus 50 train aficionados who tagged along to Mission), for Montreal, 15 mins. late.
In the early 1980s, the CPR’s passenger platform and some of its tracks were torn up to make way for the guideway of the original SkyTrain line (Expo Line).
On December 11, 1985, the Expo Line was opened.
During Expo 86, SkyTrain operated special shuttle trains between Waterfront Station and Stadium–Chinatown Station(then named Stadium station), connecting the Canadian Pavilion at Canada Place to the main Expo site along False Creek.
In the early 1990s, Royal SeaLink Express, a private ferry company, ran passenger ferries from a new dock on the west side of the SeaBus terminal to Victoria and Nanaimo but ultimately folded.
In 1995, platforms were built adjacent to the SkyTrain station for the West Coast Express, which uses the existing CPR tracks. The platforms for the West Coast Express were built in the same location as the old CPR platforms.
In 2002, Millennium Line trains began to share tracks with the Expo Line at Waterfront Station.
In 2003, HarbourLynx began operating out of Royal Sealink’s old facility at the SeaBus terminal.
In 2006, following major engine problems with their only vessel, HarbourLynx folded as well.
In late 2016, an Expo Line branch to Production Way–University station was created in replacement of the Millennium Line service between VCC–Clark and Waterfront Station.
In 2009, the Canada Line opened
In 2018, as most Canada Line stations were built with only up escalators initially, TransLink announced that Waterfront Station‘s Canada Line platforms, as well as two other stations on the line located within Downtown Vancouver, would receive an accessibility upgrade which includes additional escalators.
In early 2019, construction began on the additional escalators
In December 2019, the installation of additional escalators was completed.
In 2020, work on replacing the escalators connecting to the Expo Line was started by TransLink.
For three weeks in June 2020, access to the Expo Line from Cordova Street was closed, forcing passengers to access the Expo Line from the Howe Street entrance. Because the construction blocked access to the elevators to the Expo Line platforms, a temporary shuttle bus service between the SeaBus terminal, the main concourse area, and Burrard Station was instated.

Ionic columns inside the main hall

Waterfront Station was one of the first stations to receive TransLink’s “T” signage (denoting a transit station). Originally installed in the downtown core of Vancouver, this signage helped visitors during the 2010 Olympics as it made transit hubs easier to identify.

Waterfront Station serves as a common terminus point for both the Expo Line (through Vancouver to Northeast/South Burnaby, New Westminster and Surrey) and the Canada Line (through Vancouver to central Richmond and Vancouver International Airport). They have separate platforms which are accessible via the main station building, but require leaving the fare paid zone when transferring between other modes.

The SeaBus passenger ferry, to Lonsdale Quay in North Vancouver, stops on the Vancouver side at Waterfront Station, near the Vancouver Convention Centre. Additionally, Waterfront Station provides West Coast Express commuter rail (Port Moody, Coquitlam, Port Coquitlam, Pitt Meadows, Maple Ridge and Mission) a connection to the SeaBus passenger ferry. The station is also accessible to various local, suburban, and express bus services provided by TransLink.

Escalator to Expo Line

Expo Line

Waterfront Station: 601 West Cordova St. (between Granville and Seymour Sts.), Downtown Vancouver, British Columbia V6B 1G1, Canada. The station has also two street-level entrances – Howe Street to the west (for direct access to the Expo Line) and Granville Street to the south (for direct access to the Canada Line). Coordinates: 49°17′09″N 123°06′42″W

This travel blog, a diary of the author’s local and international travels, aims to provide the reader with news and information on people, places and events that would interest the avid traveler and tourist. But, it also aims to be much more, providing insights on the wonders of this beautiful country, as well as the world, beyond the strict confines of the city. Have a BLAST seeing old churches, exotic temples, educational museums as well as palm-fringed islands; white sand beaches; thundering waterfalls; placid lakes; fiery sunsets; turquoise seas; cathedral-like caves; swirling rivers; majestic mountains; stupendous, amphitheater-like rice terraces; awesome volcanoes and the like. Get to know the movers and shakers in the tourism industry; find out where to titillate the palate; rejuvenate your body; feed your adrenalin, unwind and relax; satisfy your craving for history and culture; and find out what's being celebrated and where.

BENJAMIN “BENJIE” LAYUG, an architect by profession (he finished his B. S. Architecture degree from the University of the Philippines Diliman in 1982), is also a copy editor for two publishing houses; travel writer; blogger; architectural historian; author; concert. movie and musical reviewer (for www.pep.ph); and a motivational speaker.

As a free-lance travel writer, he has, in the past, contributed articles to Travel Update, Philippine Daily Inquirer, COLORS, TODAY, 7107 Islands Magazine, Business Day and Bluprint. He currently writes for Artplus Magazine and the Business Mirror.

He is also the author of the following travel books:

A Philippine Odyssey (New Day Publishers, 2005)
Pathfinder’s Travel Guide: Boracay (Great Books Trading, 2006)
A Tourist Guide to Notable Philippine Churches (New Day Publishers, 2007)
A Tourist to Notable Philippine Historical Landmarks, Monuments and Shrines (New Day Publishers, 2010)
A Tourist Guide to Notable Philippine Museums (New Day Publishers, 2012)

Some of his books now appear in the local library shelves of the National Library of the Philippines, De La Salle University, Ateneo de Manila University, University of Sto. Tomas, U.P. Diliman, Centro Escolar University, San Sebastian College, Miriam College, Silliman University, to name a few, as well as internationally at the National Library of Australia and the University of California Berkeley Library.

Now a senior citizen, he is probably one of the oldest, if not the oldest, active travel blogger in the country today. He also has a lifestyle blog called F.Y.I.:Firing Your Imagination (www.firingyourimagination.blogspot.com). Benjie has traveled to two-thirds (53) of the country’s 81 provinces and over 20 countries in 4 continents.