Category Archives: Culture and Traditions

City of Ilagan Museum (Isabela)

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City of Ilagan Museum

The morning of our fourth day in the City of Ilagan, after breakfast at the hotel, we visited the City of Ilagan Museum, located near the Ilagan City Hall and the GSO Office in a building inaugurated last September 2, 2020.  Managed by the city’s Tourism Office, it provides information on the history, culture and heritage of the City of Ilagan.

The museum is divided into two wings, the left wing devoted to Ilagan in the 20th and 21st century, while the right wing delves on the early history and culture and traditions of Ilagan.

The museum’s right wing

The left wing

 

At the entrance of the wing to the right of the stairs is a diorama of Irraya, 1521.  Interesting  displays include a bell used to call teachers and students of the Isabela National High School to flag raising ceremonies; and a sara (carabao horn) used to call Ilaguenos to meetings or festivals or to warn people of inbound calamities or disasters.

Irraya 1521 Diorama

A fishing boat, a threshing board, an Ilagan carison wheel and a wooden plow

At one prominent corner are actual farming implements such as a wooden plow, threshing board, etc., an original Ilagan carison wheel, and a fishing boat.

A bell used to call teachers and students of the Isabela National High School to flag raising ceremonies

Sara (Carabao Horn)

A 1958 Yashica 635 twin lens reflex camera and a surveyor’s theodolite

There’s also a butaka (a handcrafted chair with a long “armrest”), old religious statuary; a numismatic display of old Philippine coins and paper currency; mannequins dressed in native Filipino attire (barong tagalog and baro’t saya); old missals and prayer books; World War II helmets; and old photos.

Butaka

Old religious statuary

Another corner displays old appliances such a console television, phonograph players, transistor radios, and cassette players while mounted on the wall above them are 7-inch single and 12-inch long playing records.

Office equipment such as typewriters and adding machines

Old phonograph players and console TV.  Hanging on the walls are 7-inch single and 12-inch long playing records. On the right is an old violin

There’s also office equipment such as typewriters and adding machines; a violin as well as charcoal flat irons, cutlery, oil lamps, bauls (wooden chests), banga (clay jars) and porcelain china.

Old Philippine paper currency

Old Philippine coins

There are two oil on canvas portraits including one of Antonio Lopez y Lopez (1817-1883), the first Marques de Comillas, who formed the Compania General de Tabacos de Filipinas, S.A.

Portrait of Antonio Lopez y Lopez, the first Marquess de Comillas

Artwork by Ilagueno artists

Prominently mounted on a wall, at the other wing of the museum, are photos of local chief executives, from the past to the present, while shelves display the numerous local and international awards conferred on the city.

Local Chief Executives, past and present

Scaled model of the City of Ilagan Medical Center and the City Hall

Also on display are scaled models of the City of Ilagan Medical Center and the City Hall; Bambanti Festival King and Queen costumes; a Queen Isabela gown, and paintings done by Ilagueno artists.

Bambanti Festival King and Queen costumes

Gown, for the 2023 Bambanti Festival Search for Queen Isabela, designed by Laoag City (Ilocos Norte)-based fashion designer Amor Albano

Modular display stands also feature the City of Ilagan’s notable tourist attractions such as Bonifacio Park, Rizal Park, Ilagan Sanctuary, Pinzal Falls, City of Ilagan Sports Complex, Sta. Victoria Caves, St. Ferdinand Parish Church, etc. 

Rizal Park and St. Ferdinand Parish Church

City of Ilagan Sports Complex and Casa San Antonio

City of Ilagan Museum: 2/F, City Library Bldg., City Hall Complex, Brgy. San Vicente, 3300 City of Ilagan, Isabela. Mobile number: (0935) 673-3590.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

Baguio Museum (Benguet)

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Baguio Museum

The Baguio Museum is a great introduction to the Igorot (“mountain people”) of the Cordillera. Its collections date back as far as 1947 when then first woman councilor, Vice-Mayor and acting Mayor Virginia Oteyza de Guia collected them from friends in the Cordilleras.

The author at the museum entrance

First named the Baguio- Mountain Province Museum, the collections were first displayed at the City Hall and, later, transferred to the University of the Philippines before finding its home at its present site.

Commemorative plaques

Here’s the historical timeline of the museum:

  • In 1916, a small exhibit was installed in a small public school to serve as a teaching tool for the students.
  • In 1934, the museum was moved to its current location in the Civic Center and was expanded and renovated several times over the years.
  • In 1940, the Baguio Museum was established by American archaeologist Henry Otley Beyer.
  • In 1975, the museum was built by the Philippine Tourism Authority (under the chairmanship of Minister of Tourism Jose Aspiras) and Mayor Luis Lardizabal.
  • On May 1977, the museum was opened to the public.
  • On August 4, 1977, the museum was incorporated by government leaders, leaders and concerned citizens of Baguio City, and the provinces of Abra, Benguet, Ifugao, Kalinga-Apayao and Mountain Province.
  • On July 16, 1990, a major earthquake heavily damaged the old structure and the collection travelled from the old Camp John Hay Library to the basement of the Baguio Convention Center.
  • In 1998, the rebuilding of the museum was started.
  • In 2010, it was renamed as the Baguio Museum.
  • In March 2020, the museum was temporarily closed, for seven months, due to the COVID-19 pandemic.
  • In September 2020, the rehabilitation and beautification of its galleries continued after stringent protocol requirements were complied with.
  • On October 2021, the museum was partially opened.
  • In January 2022, after almost two years with strict protocols, the museum was opened.
  • On July 4, 2022, after three years of improvements via a grant from the Ambassador’s Fund for Cultural Preservation (AFCP) of the United States Embassy Manila, the renovated Baguio Museum was inaugurated.

Abra Gallery

Apayao Gallery

Benguet Gallery

Inspired by Ifugao architecture, this time-honored museum was designed by Architect Ignacio Estipona and built with of stone and wood and features a striking pyramidal roof and two huge concrete poles, at the stair entrance, that resembles a traditional Ifugao home with an elevated floor supported by posts.

Ifugao Gallery

Kalinga Gallery

Mountain Province Gallery.  In the foreground is a kulog (food container)

At the entrance are artworks donated by Joey Divina Bautista and Virginia Oteyza De Guia.

Conservation Room

Museum Shop

The museum has four floors.  The first floor houses the Conservation Room, Museum Shop and the NCCA Gallery which is used for training and lectures and exhibits.

So Above, So Below (Maela Liwanag Jose)

During our visit, the captivating “As Above, So Below” Exhibit (opened last February 16, 2024), a celebration of Baguio-based artist Maela Liwanag Jose’s Tinatik Arts, which extends to a total of 96 ft., was ongoing.  The fourth floor houses the library and research center.

Third Floor (Baguio City Gallery).  On the floor are the three miniature architectural models

Fourth Floor (Library and Research Area)

The second floor, the main floor of the building, houses the permanent Ethnological Exhibit.

Scaled models of the traditional houses of Apayao, Abra and Ifugao

Scaled models of the traditional houses of Kalinga, Mountain Province and Benguet

It has an extensive display of various tribal artifacts from the six provinces of the Cordillera region: Abra, Apayao, Benguet (of which Baguio City is a part), Kalinga, Ifugao and Mountain Province.

Botit (locust baskets)

Kubo (fish baskets)

Focusing on an indigenous group, here you’ll see spears, bolos (machetes), shields of Kalinga headhunters; gongs; bags; baskets; fish traps; wood sculptures depicting life in the mountains; colorful traditional clothes (ba-ag or g-string for men and tapis for the women); accounts of Ibaloi mummification practices; furniture and other artifacts.

Pasiking (hunting baskets)

An array of spears

The most unique collection in this museum – the real-life Kabayan mummy, glass encased in its wooden casket a mummy in its coffin, which visitors are not allowed to take a photo of in respect of the dead.

Tupil (storage baskets for cooked rice)

Ulbong (storage for rice crop)

The Benguet Exhibit features the following artifacts:

  • Bango– A rain gear made by woven rattan, nito fiber, and pine needles.
  • Bangew– a bag made of the same material as bango.
  • Kuval– a red-colored G-string that symbolizes power.
  • Latok– a set of serving plates.
  • Kayabang– baskets carried by Ibaloi women over their heads.
  • Duli– a necklace made of a snake’s vertebrae, which women wore during childbirth to ensure safe delivery.

Hagabi (rich man’s bench)

The Abra Exhibit features the following artifacts:

  • Kalugong– cone-shaped, bamboo hat worn by men.
  • Badu– white jacket made of cotton.
  • Ukken/Kimona– blouse made of Rengue textile.
  • Piningitan– wrap-around skirt.

Imbayah Diorama

Bodong Diorama

There are also two miniature dioramas that give you a better picture of their communities. An offshoot of the tourism field offices being regionalized in 1988, they were donated by DOT Undersecretary Narzalina Lim.  The first diorama, the “Bodong Diorama,” was donated in 1988 through DOT-CAR and Region I Director Stella Ma. De Guia, and the second, the “Imbayah Diorama,” was donated through DOT-CAR Director Carmelita Mondiguing.

Baguio: A Melting Pot Exhibit

The Colonial Hillstation Exhibit

The third floor, the Baguio City Gallery, features a compelling exhibition on the historical development of Baguio, from the 1900s to the present.  The exhibits include:

  • Baguio: A Melting Pot – features Baguio’s two National Artists (Benedicto “Bencab”” Cabrera, National Artist for the Visual Arts in 2006; and Kidlat Tahimik, National Artist for Film in 2018) and Baguio’s art scene.
  • Baguio: A Miniature Early History – features three architectural models, one of which shows Baguio as an untouched green land, a stark contrast to its current state. Here, you can see and read, in detail, the discovery of Baguio as a land of pine trees and its development into a civilized land.
  • Mayors of the Century: 1909 to the Present – a tribute to the 31 (including one woman mayor) mayors of the city, honoring their numerous achievements and contributions to Baguio’s growth.
  • The Old Versus the New – then and now photos of Baguio landmarks.
  • The Colonial Hillstation: From Health Resort to City of Pines – a timeline showcasing photographs and information on how the City of Pines started as a colonial hill station.
  • War Occupation and Liberation – features Japanese Occupation and American Liberation photos and war relics.

The Old Versus the New

War Occupation and Liberation

War Relics Display

Outside the museum are a bale (ifugao traditional house), a dap-ayan (a gathering place of village leaders) and totem poles.

Totem poles

Bale and dap-ayan

Baguio Museum: Dot-PTA Complex, cor. Governor Pack Rd. and Harrison Rd., Baguio City, 2600 Benguet.  Tel: (074) 248-1147 and (063) 444 7451.  E-mail: baguio_museum@yahoo.com.  Open daily (except Mondays), 9 AM to 5 PM. Admission:  Php100 (adults), Php70 (college students), Php60 (high school students), Php40 (elementary students) and Php50 (senior citizens and PWD).

Banaan Pangasinan Provincial Museum (Lingayen)

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Banaan Pangasinan Provincial Museum

The two-storey, 1,480 sq. m. Banaan Pangasinan Provincial Museum, rightfully housed in the historic Casa Real (built in the 1840s) beside the town hall in the heart of Lingayen, the capital town of the province, is a collaborative effort between the Provincial Government of Pangasinan and various cultural institutions, with the primary goal of preserving and promoting the province’s cultural legacy.

Check out “Casa Real (Lingayen)“

Formal opening of the museum on September 8, 2023

Formally inaugurated on September 8, 2023, the name Banaan is derived from the Pangasinense word meaning “meeting place” or “convergence.”  It serves as a storehouse of diverse collection of Pangasinan’s history, heritage, ethnographic as well as contemporary art.

Ancient pottery

Among the collections to be presented in the museum include an assortment of artifacts from Pre-Colonial times such as ancient pottery, tools and ceremonial objects; traditional clothing and accessories, some crafts that will showcase the peculiar identity and customs of local villages; and also some contemporary masterpieces of modern Pangasinan artists.

A bull-drawn cart

The museum features eleven (11) galleries (three in the ground floor) that showcase the story of Pangasinan as a convergence point for culture, history, arts, education and innovation.  Knowledgeable guides lead us through the museum’s collections, providing insights into the region’s history and culture.

“Where the Asin and Bolo Embrace” Gallery at the museum lobby

Our hour-long guided tour of the museum began at the “Where the Asin and Bolo Embrace” Gallery at the Casa Real lobby where Pangasinan’s two major landscapes are featured -a salt farm in Dasol and verdant rice fields with bolo bamboo in the central part.

“Shape of Our Homeland” Gallery

From there, we were led to the “Shape of Our Homeland” Gallery, an orientation room where there are chairs and a huge screen for video showing. It also has maps of the province’s congressional districts and a chart showing the founding dates of the Pangasinan towns and cities.

Contemporary art at the Asin Gallery

The Asin Gallery, the third gallery at the ground floor dedicated for changing exhibits, is an opportune platform to feature local artists and artisans, as well as notable personalities and their contributions in Pangasinan.

Dancing Rings (Joe Datuin, 2008, stainless steel)

Depending on the theme and season, it will feature different art, culture, and history. During our visit, the Kaluyagan (meaning “province mates”) Art Exhibit, featuring works (some of it for sale) by 33 Pangasinense artists, based here and abroad, was ongoing.

“Watered by the Hands of Ama-Gaolay” Gallery

Going up the granite staircase to the second floor, we entered the “Watered by the Hands of Ama-Gaolay” Gallery, the Natural Heritage Room where paintings of Pangasinan’s flora and fauna are displayed.

. The province’s river systems

The province’s river systems are also highlighted.  The Natural History Exhibit, a section dedicated to the region’s biodiversity, features preserved specimens (civet cat, giant clam, etc.), informative displays, and interactive learning stations.

Princess Urduja (Margaret Estelle Blas

The Descendants of Apolaqui Gallery feature myths and legends, such as the Legend of the Hundred Islands plus an painting of Princess Urduja by Margaret Estelle Blas.

World War II artifacts and photo of a war-damaged Provincial Capitol Building

The “Beachhead of Valor” Gallery displays World War II artifacts (helmet, canteen, military patches, etc.), a reproduction of the war-damaged façade of the Provincial Capitol Building and a model of a Japanese Mitsubishi A6M “Zero” fighter hanging on the ceiling. Mounted on the wall is an old photo of the damaged Provincial Capitol Building and wartime newspaper clippings.

Model of a Mitsubishi A6M Zero Fighter hanging under the ceiling

The “Festivals by the Sea and the Fields” Gallery features traditional life and the festivals held by the towns in Pangasinan.

“Pilgrims Who Responded to the Call” Gallery

The “Pilgrims Who Responded to the Call” Gallery delves on the Pangasinense’s religiosity, Our Lady of Manaoag and the religious movement in the 20th century. Here, churches and faith healers are highlighted.

“Patriots and Nation Builders” Gallery

The “Patriots and Nation Builders” Gallery delves on the history and development of the province and the provincial contributions to the national identity of the country.

Salvador Bernal and Fernando Poe Jr.

Featured here are outstanding Pangasinenses such the late President Fidel V. Ramos (from Lingayen); writer and novelist Maria P. Magsano; educator, suffraguette and social worker Geronima T. Pecson (from Lingayen) and Speaker of the House of Representatives Eugenio P. Perez (from San Carlos City).

Victorio Edades and Francisco Sionil Jose

Also given a place of honor are actor, director, producer and National Artist (2006) Fernando Poe Jr. (from San Carlos City); National Artist for Theater and Design (2003) Salvador Bernal (from Dagupan City); painter and National Artist (1976) Victorio C. Edades (from Dagupan City) and writer and National Artist for Literature (2001) Francisco Sionil Jose (from Rosales).

Pantranco Bus

Replica of Manila-Dagupan railway locomotive

The Heritage Exhibits features rich displays of traditional clothing, accessories, and crafts that reflect the unique identity and customs of the local communities.

Replica of Bolinao Skull

Scaled Model of the Casa Real

The other galleries feature hand-embroidered veils; a replica of the Bolinao Skull (with its gold dental ornamentation); scaled models of the Casa Real and Provincial Capitol Building; small replicas of a bahay kubo, a Chinese junk, a Pangasinan Transport Co. (Pantranco) bus, the 0-6-2 side tank locomotive of the Manila-Dagupan Railway and even a bull-drawn cart full of baskets that were sold in a caravan.

Replica of a Chinese junk

To enhance the visitor experience, Banáan also has a carefully curated Gift Shop that offers unique souvenirs, local crafts, books, and artwork.

Gift Shop

Aside from guided tours, Banaan also offers special programs and activities, such as workshops, lecture series and cultural festivals. There are dedicated spaces for educational interactive workshops on traditional crafts, painting, music, and dance, which allow visitors to experience Pangasinan’s living cultural heritage firsthand, as well as for lecture series where invited speakers and experts will share their expertise on various aspects of Pangasinan’s history, archaeology, and culture.

Scaled model of Provincial Capitol Building

Banaan also hosts regular cultural events and festivals showcasing the vibrant traditions and celebrations of the region.

 

Bahay Kubo

Banaan Pangasinan Provincial Museum: Poblacion, Lingayen, Pangasinan.  Coordinates: 16.019805°N 120.230341°E. Entrance to the museum is via an online reservation system (launched last September 4) incorporated in the “See Pangasinan” website.  The link is promoted through the PTCAO/See Pangasinan Facebook page. Walk-ins are not allowed yet.

Melbourne Museum (Australia)

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Jandy at Melbourne Museum

The Melbourne Museum, a natural and cultural history museum axially aligned with the adjacent Italianate Royal Exhibition Building (and referencing it, along with the skyscrapers of Melbourne’s central business district, with its monumental scale and protruding vertical facets), provides a place for education, history, culture and society to engage with each other in a contemporary setting.

Check out “Royal Exhibition Building“

The museum complex

A project of the Government of Victoria (on behalf of Museums Victoria who administrates the venue), it is a rich response to Melbourne’s urban condition and is now an important part of Melbourne’s soft infrastructure.

The is located on the site of the former Melbourne Exhibition Speedway (which operated from November 5, 1928 until March 7, 1936).

Here are some interesting trivia regarding the museum:

  • It is the largest museum in the Southern Hemisphere
  • The museum is also one of Victoria’s top 10 destinations for travelers
  • The museum is consistently ranked as one of the most popular museums and tourist attractions in Australia, winning ‘Best Tourist Attraction’ at the Australian Tourism Awards in 2011
  • Since 2016, it housed the world’s largest IMAXTheatre screen.
  • Melbourne Museum was one of the venues of Festival Melbourne 2006, a citywide art festival held in conjunction of the 2006 Commonwealth Games, which was held in Melbourne.
  • During the years 2010–2011, it received 1,428,238 visitors and, for that, received the RACV Award for major tourist attraction.
  • During 2010–2011, Melbourne Museum’s Science and Life gallery was honored with the Large Permanent Exhibition Award due to its outstanding design and flow.

Jandy and Kyle

The Melbourne Museum, a Post-Modernist building, was designed by Denton Corker Marshall Architects, who specializes in city planning and urban design, mainly concerns their practice with responding to social desires. One of Denton Corker Marshall’s award-winning projects, the sticks and blades that make up the Melbourne Museum are hallmarks of Denton Corker Marshall’s architecture.

Its construction was managed by Baulderstone Hornibrook.   Officially opened on October 21, 2000 by the Hon. Steve Bracks, the Premier of Victoria at the time, it was completed in 2001.

The museum building, arranged in an individual layout (referencing Melbourne’s iconic Hoddle Grid, which allows the importance of each component of the buildings historical, cultural and social significance to be read in loosely equal hierarchy and individuality), features a grid-like order that embraces eccentric metal clad forms extruding out and creating an irregular sculptural composition with moments of abstract color throughout the building.

The building, dissected into different spaces (so an individual can navigate through and around the building in an orthogonal manner), was designed as both a single building and a network of individual buildings integrated into the landscape of the Carlton Gardens, a large public park.

Check out “Carlton Gardens“

The two very long and very high, sloping canopies (or blades), each acting to guide visitors from the street into the museum, are the most prominent element of the building, rising up from the centrally placed entrance opposite the north door of the Royal Exhibition Building. Another larger blade-like roof, on the northern side of the building, rises up from the center to the north, a landmark of similar scale to the central Florentine dome of the Royal Exhibition building.

Beside the main entrance is a prototype, constructed in 1947, of a CAC (Commonwealth Aircraft Corporation) delivery van.

A florist delivery van called the CAC Deliverette

A 3.86 m. high statue of Mercury, modeled by sculptor and painter C. Douglas Richardson, was inspired by Giambologna‘s bronze statue, made in Florence in 1580. Made of 20 pieces of beaten copper which were riveted together and cast by W.H. Rooke of Melbourne, circa 1899, it was donated to the museum by David Syme & Co. Ltd. On April 14, 1997.

Bronze statue of Mercury

Suspended over the entrance foyer is the full scale replica of John Duigan‘s 1910 biplane (the first Australia-built airplane to fly), built by Ronald Lloyd Lewis between 1984 and 1995, and donated to the museum in 1999.

Duigan Biplane Replica

Outside the main galleries are various displays relating to Victoria’s and Australia’s history, including CSIRAC (an early computer built in Australia) and a large, articulated skeleton of a pygmy blue whale at the Main Foyer.

Skeleton of Pygmy Blue Whale

At the Upper Level Balcony are some wind turbine models. A wind turbine model, commissioned by Pacific Hydro Limited, Melbourne, circa 2001, and was made in Denmark.

Wind Tubine Model

This model, based on contemporary wind turbines that were installed in Victoria during the early 2000s, is 5.5 m. high, has a rotor diameter of 4 m. and  is powered by a small electric motor.  Its white pole supports 3 white slimline blades.

Another windmill model, modeled on the Baker Run-in-Oil type (“Oilbath” is painted on the vane) steel windmill (first made in 1923), was made by William McCook, 1970-1990, and was constructed from metal with a rotating wheel and vane.

Federation Tapestry. L-R: “Making Do”(2001) and “Now Exploration & Settlement Underway” (2001)

The almost 41 m. long Federation Tapestry, created by 22 artist-weavers who spent an estimated 20,000 hours at their looms) from the internationally acclaimed Victorian Tapestry Workshop (renamed the Australian Tapestry Workshop in 2010), South Melbourne, was commissioned to mark the centenary of Australia’s Federation.

L-R: “Alone in the Bush”” (Reg Mombassa, 2001) and “Ngak Ngak in Limmen Bight Country” (2001)

The images, in 10 panels, range from Aboriginal dream time legends to a solitary shepherd in the bush with his sheep and dog, from the clamor and rejoicing that marked Federation in 1901 to the enigmatic ‘Sorry’ etched across the sky above the sails of the Sydney Opera House in the year 2000.

Federation Handbells

The beautifully crafted Federation Handbells, originally commissioned by Arts Victoria for the 2001 Centenary of Federation, are the world’s first true harmonic bells. Cast in silicon bronze, each set of bells have a unique design and pitch, covering two chromatic piano octaves (from E to E). Played by striking them with a mallet, the bells can be played in the style of a xylophone by a single musician controlling a set of bells, or each musician can play one bell. Ranging in size from 120 to 180 mm. high, they have an average weight of 1kg. each.

Dinosaur Walk

The 384 sq. m. Science and Life Gallery, at the west end, showcases six exhibitions – Bugs Alive, Marine Life, Dinosaur Walk, Wild: Amazing Animals in a Changing World, 600 Million Years and Dynamic Earth

Tarbosaurus bataar

The Dinosaur Walk, one of the highlights, houses a skeleton of a Diprotodon (a giant wombat-like creature) and skeletons of  10 dinosaurs such as the Tarbosaurus (Giant meat eater, Tyrannosauridae), Mamenchisaurus (Giant sauropod), Tsintaosaurus, Hadrosaurid, Pteranodon, Gallimimus and Hypsilophodon, 3 pterosaurs, one mammal-like reptile and Australian megafauna.

Wild – Amazing Animals in a Changing World

Wild: Amazing Animals in a Changing World, a permanent exhibit, presents the fragile state of Australian biodiversity, environment, and climate through the display of more than 750 animal specimens, in a spectacular vertical array, from around the world from a natural history collection, arranged in a striking theatrical style, interactive and can be viewed from many angles. It also examines how they are affected by climate change and human activity, and what we can do to help them.

Amazing Animals of Eurasia and North America

Here, we saw the wildlife (birds, reptiles, mammals and amphibians) of Victoria’s unique environments displayed by biogeographic regions. On the panoramic navigators, we looked up each animal and saw which animals are thriving and which are merely surviving and learn what you can do to help them. We also learned about the migration of shorebirds over thousands of kilometers as they move between their feeding and nesting grounds

Sam the Koala

On permanent display in Wild are a Malleefowl nest, the Murray Cod (the Murray river’s biggest resident) and the taxidermied mount of Sam the Koala, a a female koala from the forests of Mirboo North and symbol of the Black Saturday bushfires in 2009.

Marine Life- Exploring Our Seas

The Marine Life: Exploring our Seas Exhibit shows the wonderful life of marine Victoria and covers how Victoria’s marine creatures use camouflage, speed, poisons and spines to evade predators. Here, we investigate underwater ecosystems, inspect animal adaptations, explore marine habitats such as stunning sponge gardens and vibrant seagrass beds, and examine sharks jaws and a giant 10 m. long squid.

10 meter long squid

The 600 Million Years: Victoria Evolves Exhibit, opened in 2010, depicts the origins of Life in Victoria through fossils, models, animatronics (such as an animatronic Qantassaurus, a small dinosaur that lived in Victoria some 120 million years ago) and animations (shows how these animals moved, ate and battled to survive). Things that can be touched include the teeth of a giant shark, the skeleton of Archaeopteryx, and a sea floor that ended up high in the Grampian Mountains.

600 Million Years – Victoria Evolves

Starting with the explosion of life in the sea, you’ll see multicellular life, extraordinary body forms that have no living ancestors today, and early forms of ancient groups like crinoids, bryozoans and cephalopods. Next, we follow the evolution of life as it moved from sea to land and then diversified into the mammals, reptiles, birds and plants we know today.  We also learn about the geological processes that moved landmasses, built mountains and transformed rocks.

Deserts and Ice

Rocks and fossils show how the climate of Victoria has changed, from glacial to tropical and everything between, and the effects of the asteroid that wiped out the dinosaurs 65.5 million years ago.

Sandstone (Grampian Ranges – Silurian)

Fossils and specimens from the museum’s collections include irreplaceable skulls of giant megafauna, early whales and marsuipials long-gone from Australia’s mainland and some more prehistoric animals such as the Muttaburrasaurus, Tiktaalik and Anomalocaris.

Bugs Alive

The Bugs Alive! Exhibition, created in 2004, showcases the roles and life-cycles of the the invertebrates, a critically important animal group.  It features 50 living displays with an even greater number of species.

The Melbourne Gallery, at the east end, exhibits the mounted hide of Phar Lap, a beautiful chestnut gelding and race horse that won 37 races from 51 starts in 3 years, including the Melbourne Cup, during the depression era.

Phar Lap

The Melbourne Story explores the history of Melbourne and Victoria from the time of earliest contact between white settlers and local Indigenous people during early 19th century through to present day.

Little Lon, a predominantly working class area, was characterised by a series of laneways, with small properties packed together creating crowded and unsanitary conditions.

The museum is also custodian of artifacts excavated from ‘Little Lon’ is an inner-city block in Melbourne bordered by Lonsdale, Exhibition, Little Lonsdale and Spring Streets. The city’s “Red Light District,” Little Lon was also home to the city’s poorest residents and recently arrived immigrants from Ireland, Italy, China and Syria.

Model of the SS Orcades, an ocean liner serving primarily the UK – Australia – New Zealand route

The Mind and Body Gallery, a gallery regarding the human body, is the world’s first exhibition about the mind. The “Mind: Enter the Labyrinth,” a permanent exhibition, explores how the mind works and offers ways to understand such illnesses as bipolar disorder and depression.

The Ames room is a neat illusion because it can be instantiated in real space, as has been done in numerous science museums

“Empathy booths” show videos of actors performing real-life stories prepared by SANE, a mental-health advocacy group. Among its 300 exhibits are artworks, on loan from the Cunningham Dax psychiatric art collection, which include paintings by a 16-year-old girl, completed just before she committed suicide.

Mind and Body Gallery

The Evolution Gallery, at the upper level, features the exhibition “Darwin to DNA” which shows the roles of Charles Darwin and Alfred Russel Wallace in developing the theory of evolution. Displayed in historical showcases are actual animal specimens, that they collected, which helped them interpret evolutionary processes and patterns. The photos and specimens also illustrate conditions necessary for evolution, making youl consider how evolution acts upon genetic mutations.

Cunningham Dax psychiatric art collection

DNA evidence, which challenges previous notions of the uniqueness of humans and the concept of race and helps us examine the relationships between species, is also highlighted by this exhibition.

Forest Gallery

The Forest Gallery, the centerpiece of the museum building, is a living temperate Victorian forest environment, complete with hundreds of living plants and live animals such as birds, reptiles, amphibians and invertebrates and other fauna.

This massive living and breathing exhibition, offering a window into the tall forests of eastern Victoria, is home to the ongoing Forest Secrets exhibition which examines the agents of change within the forests.

Bunjilaka Aboriginal Cultural Centre

The Bunjilaka Aboriginal Cultural Centre, planned in collaboration with many Aboriginal people, including the traditional owners of Melbourne (the Boonwurrung and the Woi wurrung), includes galleries with exhibitions by and about the Koorie people and other Aboriginal peoples of Victoria.

Bunjilaka Welcome Rug

At the foyer/reception area is the amazing Bunjilaka Welcome Rug designed by artist Vicki Couzens to provide a focus and gathering point for welcoming visitors to Bunjilaka. The design symbolizes the pathway that people take to gather for a ceremony, dance or song.

Wurreka (Judy Watson)

Spanning the north wall of Birrarung Gallery and surrounding the entry to First Peoples is Wurreka, a zinc wall of 74 etched panels, each reflecting imagery from Aboriginal cultural heritage and landscapes of Victoria, designed by Waanyi artist Judy Watson from Queensland.

Te Pasifika Gallery

From the First Peoples gallery is the light filled Te Pasifika Gallery, a bright soaring space. This exhibition, which highlights the history and finely carved water crafts of Pacific island nations including Fiji, the Cook Islands, Niue, the Solomon Islands and Aotearoa (New Zealand), was developed in collaboration with the Pacific Island Advisory Group and community members in 1997 and was opened in 2001.

Here, we gaze up at the life-size crab claw sails, containing motifs of Melanesia in the north east, Micronesia in the North and Polynesia in the South East, created by the Victorian Pacific Island Council and community, and walk underneath exquisite canoes from Papua New Guinea, the Solomon Islands, Tuvalu, Niue and the Marquesas Islands.

Te Pasifika Gallery

The Pauline Gandel Children’s Gallery, housings exhibitions aimed at 3 to 8 year olds, combines hands-on exploration and discovery, open-ended play-based learning, extraordinary immersive environments and unique museum collection objects.

Te Pasifika Gallery

The Touring Hall, where international touring exhibitions are displayed, has, in the past, exhibited “A Day In Pompeii” (June 26 to October 25, 2009, Melbourne Museum’s most popular temporary exhibition), “Hatching the Past: Dinosaur Eggs and Babies’ (May 30, 2008 to August 24, 2008), “The Great Wall of China: Dynasties, Dragons and Warriors” (March 23, 2007 to July 22, 2007), “Spirit of the Games: The Opening Ceremony Revealed” (March 18 to July 23, 2006) and “Dinosaurs from China” (2005).

Museum Market Cafe

In addition to its galleries, the museum also features the free Discovery Centre, a cafe (Museum Market Cafe), a souvenir shop (Museum Shop) and an IMAX Theatre screen showing movies and documentary films in large-screen 3-D format.

Museum Shop

Melbourne Museum: 11 Nicholson St., Carlton Gardens, 3053 Melbourne, Australia. Open daily, 10 AM – 5 PM (closed Good Friday and Christmas Day).

 

Pingxi Sky Lantern Experience (Taipei, Taiwan)

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Shiufen – Site of Pingxi Sky Lantern Experience

After our visit to Jiufen, it was back again to our bus for the nearly hour-long, 27-km. drive to the Pingxi District of New Taipei City where we were to participate in the beloved local tradition that has been practiced for over hundreds of years in Shifen – building and flying sky lanterns, symbols of peace and good fortune. Shifen, a historic and remote, hillside coal mining town, is one of several towns alongside Highway 106, a narrow back road that runs between southern Taipei and southern Keelung. It is the only place where lanterns can be released in Taiwan.

Check out “Jiufen Old Street“

Pingxi Small Railway Line track (photo: Ms. Tine de Jesus of Xandei Travel)

This fascinating and creative practice is believed by the locals to bring good health and fortune. Sky lanterns, essentially hot air balloons made mostly of rice paper, were introduced to Taiwan from China in the nineteenth century. Being isolated by mountains all around, the Pingxi area was prone to banditry, and the sky lanterns were used as a signaling system for those living and working in the railroad industry to warn their women and children to run into the mountains for safety or to signal when it was safe to return.

One of Shiufen’s side streets

They soon developed into a form of prayer, and have been released annually around Chinese New Year for generations. Today, your wishes and prayers are painted onto the sky lantern before being released towards the sky.

As our bus approached Shifen, we could already see dozens of these sky lanterns floating in the now gloomy sky and, as we reached Pingxi, it was raining heavily. Still, despite the wet conditions, the streets were still filled with tourists and locals eager to release their own lanterns into the sky.

Vincent (center) assigning us to our respective lanterns at the lantern cum souvenir shop

Upon alighting from the bus, Vincent Chen, our Eagle Tour guide, directed us to the tracks of the Pingxi Small Railway Line , one of three remaining open, from the Japanese Colonial era and, by far, the most accessible for short-term visitors to Taiwan. Shifen, the first main stop of trains coming from Sandiaoling, is the only place remaining in Taiwan where the train passes just a few meters from the road on either side.

Writing down my own request on the lantern

The narrow gauge railway tracks are lined, on both sides, by lantern shops (visitors can get a lantern for around NT$150), which also doubles as souvenir shops, and eateries.

Jandy writing his own request on another side of the lantern

The shops were also crowded with tourists, mostly decorating sky lanterns and awaiting their turn for release. At one shop, we were assigned to lanterns on racks where we were asked to write down, using paint brushes and black ink, our wishes on the four sides of the lanterns, not forgetting to write down our names. It’s believed our wishes will be sent to the heaven.

author and Jandy set up their lantern near the tracks

The shopkeepers taught us how to launch the lantern and also offered to take photos of us launching our lantern. However, before we could do so, we had to wait for a break in the rain. Once we were cleared to launch, the lamp inside the lantern was lit by the shopkeeper and we finally released our lantern from the tracks itself.

Our lantern is lit…..

The annual, 3-day Pingxi Sky Lantern Festival, the biggest lantern festival in Taiwan, is celebrated the night of the first full moon of the lunar year. The festival, originated from settlers from southern China who migrated to Pingxi in the era of the Qing Dynasty, made it to the list of Fodor’s Festivals To Attend Before You Die and is also one of 52 Things To Do by CNN. Attracting more than 100,000 visitors, thousands of paper sky lanterns, released by villagers, light the skies of Pingxi District during the festival.

….. and finally released into the sky

How to Get There: From Taipei’s Ruifang Station, you can catch a train to Pingxi. Many shuttle buses to Pingxi, departing from the Muzha MRT station, are also operated by tour operators in the capital. There are also many taxis operating the Taipei-Shifen route.  One-way costs about 1,000 NTD (US$33).

Eagle Tours: +886-910-130-180 (Mr. Vincent Chen) and +886-932-013-880 (Ms. Joyce Chen). 

Lakbay Museo (Pasay City, Metro Manila)

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Lakbay Museo entrance emulating Mayon Volcano’s silhouette and perfect cone

For those who want to travel and experience 11 regions of the Philippines without having to leave Manila, then you should visit the IG-worthy Lakbay Museo.  Prior to its official opening to the public on July 12, we were allowed a sneak preview of this unique and new destination in the Metro. Describing itself as the “first PH interactive millennial museum,” it is sort of a Nayong Pilipino for the Instagram generation.

A project of The Millennial Concept Factory Inc., headed by President Lawrence Li Tan, Lakbay Museo offers, in one massive space, a chance for young Filipino millennials to travel across the Philippines, within 2 hours inside the museum, discovering and revisiting many of the Philippines’s best vacation spots, and know more of the country’s unique history, food, music, arts and culture by immersing themselves its festivals, fashion and food, all without having to spend days of traveling and a lot of money to Luzon, Visayas and Mindanao.

At the entrance, we were welcomed by staff wearing traditional Filipino attire. Before we entered the museum, we were dressed up, in original Pinoy fashion, with authentic handwoven fabrics with colorful designs.  A display on the museum lobby asks “Paano ka maglalakbay?”

L-R: the author, Ms. Maria “Nini” Ravanilla (former Regional Director of DOT Bicol Region), Mr. Lawrence Li Tan (President of Millenial Concept Factory, Inc.) and Ms. Karla Del Castillo (Lakbay Museo Manager). Behind is the jeepney and at right is the stairs leading up to the airplane and its slide.

To enter the museum, we were given the choice of entering via a vinta, hopping on a distinctly Filipino jeepney (with all its vibrant colors, airbrushed designs and all sorts of décor), or climbing a unique airplane display (where you slide down to enter the gallery), a reminder of the many options for traveling around the Philippines —by land, water or air.

The iconic, distinctly Filipino and colorful jeepney

The museum, boasting 1,000 square meters, is filled with interesting portals, displays and interactive stations which you can explore and experience through different senses.

Magellan’s Shrine, Sinulog mannequins and Cebu’s famous lechon at the Central Visayas Exhibit

They are adorned with eye-catching installations and shining in vibrant lights that draw attention across the floor, highlighting the best destinations in the Philippines (Mayon Volcano in Albay, Magellan’s Cross in Cebu, etc.), all worthy of the very 21st-century practice called Instagram.

A miniature Barasoain Church facade at the Central Luzon Exhibit

Stage with Sto. Nino Shrine backdrop at Eastern Visayas Exhibit.  Check out the suman-shaped seating

The well-trained guides, found all over the museum, are always ready to talk to and entertain you as you go around, offering a myriad of interesting facts about the country.

Ilocos Region Exhibit

The museum is divided into 11 areas – Ilocos Region (Region I), Cagayan Valley (Region II), Central Luzon (Region III), National Capital Region, Southern Tagalog (CALABARZON and MIMAROPA), Bicol Region (Region V), Western Visayas (Region VI), Central Visayas (Region VII), Eastern Visayas (Region VIII), Cordillera Administrative Region, and the whole island of Mindanao.

Bicol Region Exhibit

Lakbay Museo also offers 14 unique experiences including balancing a stack of rubber palayoks on top of your head or swimming in a giant rice bowl; plus 10 freebies for tasting experiences such as sampling native delicacies and tasting lambanog and fruit wine (for adults only).

Free lambanog tasting

At the Luzon Exhibit, you’ll find Luzon’s gorgeous traditional houses (Batanes’ Ivatan house, the Ifugao bale made with zero nails, etc.) and festivals.

Strawberries inside an Ifugao bale house

The life-size display of the gorgeous Pahiyas Festival, a colorful celebration in Quezon Province of the region’s bountiful harvest, features kiping (colorful decorations made from dried rice paste) used for decorating the houses alongside various fruits, vegetables and flowers.

The gorgeous Pahiyas Festival

The miniature display of a replica of Mayon Volcano, beside the equally famous miniature of the Cagsawa Ruins, is one of the highlights in the museum.   A small tunnel, under the volcano, is filled with mirrors and lights you can play with, perfect for photo experiments and extraordinary shots (including doing an iconic “lava walk”).

Mayon Voolcano and Cagsawa Ruins

The Visayas region, known for its beaches and seas brimming with life (we’re in the Coral Triangle, the world’s epicenter of marine biodiversity), showcases the Philippines’ one-of-a-kind underwater world.

Coral Triangle

Hovering above this coral wonderland are strands of plastic waste

Looking like it came out of Wonderland, a display of plastic waste, right above the underwater station, shows us that if we continue to pollute our waters, this natural wonder may soon be gone.

Colorfully attired guides at Mindanao Exhibit

The amazingly vibrant and colorful Mindanao Exhibit display depicts the island’s dances, traditional instruments and local cuisines.

The author at Mindanao Exhibit

A section of Lakbay Museo is dedicated to a fabric collection of traditional textiles and original tapestries that comes with local stories and whose textures you can touch.

Colorful fabrics you can touch to appreciate

An array of banig (woven mats) and carpets

Created by actual ethnic and indigenous groups from all over the Philippines, it presents an artistic take on the colorful fabric of our country which includes the t’nalak from Lake Sebu and inabel from Northern Luzon.  There are also over 120 synthetic mannequins wearing authentic Filipino fashion.

The Arraquio of Penaranda, Nueva Ecija (Central Luzon Exhibit)

A full-blown production, the museum holds cultural performances, hourly all throughout the day, of traditional dances from Luzon to Mindanao, with dance troupes performing on the big stage (with a Sto. Nino Shrine backdrop) at the Eastern Visayas area.

They entertained us with familiar and unusual moves from many Filipino fiestas and celebrations with a live performance of the Pandanggo sa Ilaw, Tinikling, Cariñosa, Sayaw sa Bangko, Ifugao Kaloob dance and Maguindanao’s Sagayan.

The Lakbay Museo staff also surprised us as they randomly burst into dance.  A puppet show also educates children on Philippine heritage.

Learning about Philippine culture is, of course, not complete without learning about the variety of dishes in the country, tasting the sour, sweet, salty, spicy, bitter and its other flavors by taking your taste buds on a journey with different Pinoy food and drinks.

Lakbay Museo, housing a large collection of Philippine staples has, literally on exhibit, over 600 known Filipino dishes in the collection.

Taboan Public Market

A replica of Cebu’s famous Taboan Public Market displays an array of local fruits and dried fishes (palad from Samar, bisugo from Ilocos, labahita from Batangas, etc.). However, since what they have on display are just life-like replicas, you won’t end up smelling like tinapa.

An array of dried fish

For the full experience, you can smell the real deal inside sealed jars on shelves.  They include different kinds of local vinegar with different strength levels (sukang Iloco, sukang paombong,etc.); delicious bagoong or shrimp paste (bagoong alamang, bagoong sisi, etc.); coffee beans and roasts (kapeng barako, kapeng alamid, etc.) and rice grain varieties (from the Ifugao’s Minaangan to the Mountain Province’s Ominio).

Bottles of bagoong, coffee and rice grain varieties on shelves

While most of the displays are replicas, you can also try some snacks using the 12 tokens that come free with the admission fee. Goodies normally cost from 1 -4 tokens each.

A sari-sari store

These, you can use to buy full meals (chicken adobo, arroz caldo, pancit lucban, sinigang, tinola, ginataang mais, etc.) and Pinoy street food (fish balls, quek quek, kakanin, sago gulaman, halo-halo, etc.) from the carinderia and chips, candies (Orange Swits, Stay Fresh, Haw Haw, Tarzan bubble gum, etc.), native treats and more from the sari-sari store. As Filipinos love sawsawan, you can try the local vinegar with their fish crackers.

Maskara Festival of Negros Occidental

Museo Lakbay, built on the foundation of environment conservation, aims to raise environmental awareness.  Most of its displays were made from recycled materials such as 4,560 old and used rubber slippers, 328 old tires, 453 old car mats, plastic bottles, and a variety of other recyclable waste products and scrap materials.

Gaily decorated carabao of Panagbenga Festival (Cordillera Administrative Region Exhibit)

The museum also provides job opportunities to the  marginalized sectors of the society – out-of-school youth, non-professionals, disabled persons (PWDs) and senior citizens.

Moriones Festival of Marinduque costumes

Local artists also lovingly handcrafted the thousands of realistic, life-size and perfectly flatlayed replicas of various market produce, multitude of fish species and a variety of vegetables and fruits on display. The quirky props, seemingly designed to appeal to social media users, include cute chairs around the stage that look like puto with cheese as well as benches that look like suman sa lehiya.

Museum shop

We ended our tour and exited the museum at the museum shop which sells local products and unique souvenir items (traditional toys, well-designed t-shirts, totes, etc.), in partnership with 189 micro, small and medium scale enterprises in the country.

Ati-Atihan costumed mannequins (Western Visayas Exhibit)

Lakbay Museo, a perfect place to rediscover our Filipino identity in a fun learning environment, is unlike most museums (where you can’t touch anything) and lots of fun.

Water from a coconut husk pouring into a palayok

Here, we can climb up and play in the exhibits and there were lots of photogenic spots and areas, standing across many of the prominent tourist spots in the Philippines for photo ops.

It presents a showcase of unique experiences, from walking through replicas of iconic landmarks, tasting samples of regional cuisine, touching handwoven textiles, and taking part in traditional folk dances as you visit various portals and IG-ready stalls and learn about our roots and appreciate the richness and diversity of Philippine culture.

Cordillera Administrative Region (CAR) Exhibit

Lakbay Museo: Level 1, S Maison, Marina Way, Conrad Manila, Mall of Asia Complex, 1300 Pasay City.   Open daily, 10 AM -10 PM (9 PM last tour).  Admission: Php 799 (You get a P100 discount if you book online).  Some sites (like MetroDeal) offer discounted rates. E-mail: mabuhay@lakbaymuseo.ph.  Website: www.lakbaymuseo.ph.  Facebook: Lakbay Museo PH. Instagram: @LakbayMuseoPH.  S Maison is connected, via a covered walkway, to Mall of Asia. Tour starts every 15 minutes.

The Pandang Gitab (Calapan City, Oriental Mindoro)

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Pandang Gitab (Festival of Lights)

After our dinner and interview of Gov. Alfonso Umali Jr. at Vencio’s Garden Seafood Café, we boarded our respective vans to cover the Pandang Gitab Parade, Oriental Mindoro’s “Festival of Lights.”  The festival was usually held on the third Saturday of February but, as this month was usually rainy, it was held, for the first time, in the month of April.

The parade had already started at 6 PM (upon the sound of the pealing church bells which signaled the start of the oracion, the six ‘o clock prayer), at the Calapan City Plaza so we were dropped off along J.P. Rizal Street were we were to catch the parade as it approached the Oriental Mindoro National High School OMNHS) grounds where the in-place competition will take place.

The word pandang-gitab, which describes an old tradition of Mindoreños, was coined from the word pandango (descended from a Spanish-American dance performed by a man and woman) and the word dagitab (handmade lamp or portable light or “flicker of light”).

According to Kanami Namiki’s book “Ramon Obusan, Philippine Folkdance and Me,” the pandango is danced with regional and local variations such as lights (ilaw) in Mindoro and hats (sambalilo) in Bulacan.

The Filipino folk dance Pandango sa Ilaw (Dance of Lights), of Mindoro and Pangasinan, is a dance made up of two dances using lights.  Dancers from Mindoro balance oil lamps on their head and on their palms while those from Pangasinan use lamps wrapped in dark-pink scarves. The Pandango sa Ilaw of Mindoro originated from Lubang Island.

The dance was inspired by the practice of wives from the coastal community of Mindoro who accompany their fishermen husbands going out to fish at the crack of early dawn. The burning wisps of their oil lamps light the way to the shore. Part of this practice is a ritual folk dance for a safe voyage and bountiful catch. The lights also provide a beacon for fishermen coming back from the sea. The annual Pandang Gitab, the street dancing festival inspired by this practice, is a nod to this tradition.

The Pandang Gitab, one of the much awaited celebrations in Oriental Mindoro, was first introduced as a street dance in November 2001 (51st founding anniversary of Oriental Mindoro) and has been held every year since then. At the national level, this lively street dance has already reached great popularity and promotional exposure.

In 2011, the Pandang Gitab Oriental Mindoro (“Oriental Mindoro” was added to imply exclusivity to the island where the festival is held) joined the Aliwan Fiesta competition, the country’s grandest fiesta celebration, which brings together, in a single setting, street dancing contingents from all over the country. According to Gov. Alfonso Umali, it brought home the 5th prize, beating other well-known contestants from around the country. Last year, it made it to the Top Ten, bringing home the 7th prize.

In 2012, during the recent celebration of the province’s 62nd founding anniversary, the “Pandang-Gitab” was declared and recognized as the official festival and cultural event of the island province, by virtue of Provincial Ordinance No. 25, and will now carry the banner of Oriental Mindoro. A far cry from the loud, usual drummed beats of older and more famous festivals (Ati-Atihan, Dinagyang, Sinulog, etc.) in the Philippines, street dancers here don colorful and glittery garbs, inspired from the traditional baro’t saya, and twirl and sway with the rural, lively tune (a composition of National Artist for Music (1988) Col. Antonino Buenaventura) of the pandango to relive the old and simple living of fisherfolk in the island.

Set at night, the event lit up the streets of Calapan City and the melodious Pandango sa Ilaw serenaded us as well as fiesta-goers. This unique aspect added to the annual festival’s allure.  Though the influx of spectators are limited (usually it’s only from Calapan City and Baco area), this still nascent festival has a big potential to attract foreign and domestic tourists outside the province.

The dancers at this lively street dance parade where clad in colorful traditional Filipino costumes, with made up faces and coiffed hair.  They queued and formed their lines, holding their gas lamps and candles in glasses. Then, they started to stomp their feet in triple time rhythm, grinding and swaying to the beat of Pandanggo sa Ilaw.  The street was illuminated by the bright tongues of light of the three glittering oil lamps (tinghoy), or candles in glasses, balanced on the pandanggera (dancer’s) head and on the back of each hand.

On the other hand, the guys, with hands akimbo, dance to and fro, exchanging steps left and right and following the movement of the pandanggera.  They all gyrated to the blaring beat of the song played repeatedly and continuously until all the six dance groups (from Calapan City and the municipalities of Socorro, Baco, and Pola), usually with 60 to 100 performers, had finished their turns. The sets and props were just as impressive, from stilts, bancas, a Ferris Wheel and even a lighthouse (parola).  The Baco delegation, guided by folk choreographer Dr. Jay Mark Atienza, was declared as the Pandang Gitab Dance Parade Competition champion for the third consecutive year.

The winning Baco contingent

This annual Festival of Lights, which brings back the culture and old traditions of the Mindoreños, is truly unique from the other well-known Philippine festivals and I am optimistic it would catch the attention of fiesta revelers nationwide.

The Pandang Gitab awaits you ………

Provincial Tourism and Cultural Affairs Office: Provincial Capitol Complex, Calapan City 5200.  Tel: (043) 286-7046 and (043) 441-0306. Website: www.ormindoro.gov.ph.

Ngong Ping Village (Lantau Island, Hong Kong)

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Ngong Ping Village.  In the background in Lantau Peak while on the right is the Tian Tan Buddha (Big Buddha)

The terminus of our 5.5-km. long Ngong Ping 360 cable car ride  was Ngong Ping Village (Chinese: 昂坪; pinyin: Ángpíng; Jyutping: ngong4 ping4), located on a highland in the western part of Lantau Island, Hong Kong. Lantau Peak, the second highest peak of Hong Kong, is at its southeast.

Check out “Ngong Ping 360“

The arched entrance to Ngong Ping Village

When we arrived at the village, “360 Ultimate Masters Face-off: Shaolin vs Emei” kung fu show (running from September 29 to October 28) was ongoing.

360 Ultimate Masters Face-off

Featuring kung fu masters from Shaolin and Emei, they performed a marvelous mock up of a vigorous battle featuring three new weapons – the meteor hammer of Shaolin and the fans (an offensive and a defensive weapon) and long-tasselled sword (an aggressive but flexible weapon) of Emei.

Long-tasselled sword

The kung fu of Shaolin is said to be strong and powerful while Emei emphasizes softness and flexibility in their moves. Their battle is a fusion of Yin (Emei) and Yang(Shaolin).

Fans of the Emei

The fairly new Ngong Ping Village, created at the top of the Ngong Ping plateau, was opened in 2005 together with other facilities and tourist attractions that include the Walking with the Buddha (Stage 360), the Monkey’s Tale Theatre and Ngong Ping Tea House, all built to accommodate the influx of tourists now flocking to the Tian Tan Buddha (or Big Buddha) and the Ngong Ping Cable Car.

This well appointed, 1.5-hectare open-air and culturally-themed village, built at along a “tourist corridor,” serves as the central point for the many highlights and tourist attractions in the area.

Blessing Drums

It has modern facilities, 6,000 sq. m. of shop space and an 18,600 sq. m. piazza between the cable car terminal and the Po Lin Monastery (a youth hostel is located near here), a quick 5-minute walk from the Village. A visit to the Tai O Fishing Village is a short 15-minute ride away from Ngong Ping Village.

Walking With Buddha Show Theater

This tourist trap is complete with a wide array of “themed” souvenir shops, tea houses as well as fast food outlets (Subway, Starbucks, etc.) offering both Western and Asian fare. Monkey’s Tale Theater and the Walking with Buddha Show are short 15-minute audio-visual, multimedia attractions that recount Buddha‘s legends and stories.  We chose to skip these shows and save on the extra ticket costs.

Monkey’s Tale Theater

It also serves as a transportation hub. The nearby Public Transport Interchange has bus lines and taxis for easily getting around to other parts of Lantau.

For visitors who expect to see something more “genuine” and less “commercialized,” it is, by no means, an “old village.” Though built in the old traditional Chinese architectural designs to mirror and uphold the cultural and spiritual veracity of the Ngong Ping area, it has somewhat of a theme park atmosphere and this is what disappoints some visitors. Unless you need to eat (we had a late lunch here), this was an attraction not particularly worth spending time at.

Ngong Ping Village: 111 Ngong Ping Rd, Lantau Island, Hong Kong.cChinese New Year, Christmas and the three days of Buddha’s birthday are among the most crowded days.

How to Get There:  Ngong Ping Village is connected, via the Ngong Ping Cable Car, to the Tung Chung lower terminal which is linked via the Tung Chung Station MTR to the rest of Hong Kong.

 

The Kabuki-sa (Tokyo, Japan)

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Kabuki-za (Kabuki Theater)

The fifth building on the site, it was first built as a wooden structure in 1889 but this was destroyed by an electrical fire on October 30, 1921.  Reconstruction began in 1922 but had not been completed when it again burned down during the 1923 Great Kantō earthquake.

Rebuilding was finally completed in 1924. Destroyed once again by the 1945 Allied bombing during World War II, the theater was restored in 1950, preserving the style of 1924 reconstruction.  It was, until recently, one of Tokyo’s more dramatic and traditional buildings.

The author

In the spring of 2010, the 1950 structure was demolished, due to concerns over the building’s ability to survive earthquakes as well as accessibility issues, and rebuilt over the ensuing three years. The new theater complex was opened on March 28, 2013 and staged its first performances on April 2, 2013.

Grace and Jandy

The new structure, designed by Japanese architect  Kengo Kuma (whose works include Tokyo’s Suntory Museum of Art and the Nezu Museum), kept the style of the 1924 structure which was in the Wafu-Momoyama style (with its signature extravagant façade), an ornate Baroque Japanese Revivalist style meant to evoke the architectural details of Japanese castles as well as temples of pre-Edo period.

The Kabuki-sa Tower looming over the theater facade

While the theater still looks much the same as in 1924, it now has the attached 29-floor Kabukiza Tower office block looming over it. The office building’s fifth floor gallery displays Kabuki costumes and props that have been used in actual performances as well as other culture-related exhibitions.

The theater’s ticket booth

The theater, consisting of three floors, has 1,808 seats, three height-adjustable stages, of varying sizes, as well as an even larger height-adjustable stage and a new revolving stage. Performances are held most days of the month.  If you aren’t sure about committing to an entire show, you can purchase single-act tickets (Hitomaku-mi) for  ¥1,000-¥2,000.

Kabukiza Theater: 4 Chome-12-15 Ginza, Chūō, Tokyo 104-0061, Japan. Tel: 03-3545-6800.  Website: www.kabuki-bito.jp.

How to Get There: The theater is a short walk from Higashi-Ginza Station Exit 3 on the Tokyo Metro Hibiya Line or the Toei Subway Asakusa Line.

Pamulaklakin Forest Trail (Subic Freeport Zone)

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Media group with Tata Kasoy at Pamulaklakin Forest Trail

Come morning of our third and last day at Subic Freeport Zone, after breakfast at Le Charme Suites, we proceeded to the Pamulaklakin Forest Trail, an eco-tourism park that is home to over 300 Aeta families under the Tribung Aetang Ampala.

Check out “Hotel and Inn Review: Le Charme Suites”

Upon arrival, we met up with the 64 year old Aeta tribal elder Dominador Liwanag.  Fondly called “Tata Kasoy,” he is a renowned instructor of the Jungle Environmental Survival Training (JEST) course offered to tourists and American servicemen.

Dominador Liwanag AKA Tata Kasoy

With the Aeta’s signature curly hair, small body structure and a dark complexion, this fully licensed guide was also friendly in nature.  Best representing the culture of the Aeta community in Subic, Tata Kasoy is frequently featured in various television programs.

Wearing his traditional red bahag (loincloth) and headscarf, he had an entertaining way of demonstrating to us how to survive in the forest.   Using the versatile bamboo, he showed us how to start a fire, make cooking utensils and prepare and cook food.

As part of his tribe’s belief in anitos (nature spirits), Tata Kasoy also demonstrated how to acknowledge and give thanks to the spirits before partaking of the cooked food. According to him, they oftentimes prepare another set of food as an offering to the anito.

The author (with bow and arrow) posing with Tata Kasoy

After the interesting demonstration of Aeta culture concluded, we had our pictures taken with Tata Kasoy who directed the session itself, posing with the weapons such as bow and arrow, knives and spears.

Later, the young ones, accompanied by Aling Teresita, tried out the Mini-Jungle Tour, making a short 30-minute trek to explore the dense, pristine forest. I stayed behind with the senior citizens.  During the tour, the friendly and informative Aling Teresita pointed out some of the edible and medicinal jungle herbs.

Pamulaklakin Forest Trail: Binictican Drive, SBMA, Subic Bay Freeport Zone, 2222, Zambales.  Mobile number: (0929) 572-1105.  Admission: Sightseeing (PhP100/head), Mini Jungle Tour (PhP100/head), Ecology Tour (PhP250/head).