We were now on our last day in Osaka and we still had time to explore the city as our Cebu Pacific flight back to Manila was still in the late afternoon.  After breakfast at the hotel, my nephew Miguel, who was proficient in Japanese, offered to tour us around before returning to Kyoto to work and study.  We decided to walk to the nearby Namba Jinja Shrine. It was rainy that day.

Nestled along Midosuji Avenue in Osaka’s Chūō Ward, the tranquil, restored Namba Jinja Shrine complex was said to have been founded in the 5^th century by Emperor Hanzei, who established Shibagakinomiya Shrine in Matsubara City, Osaka Prefecture, to enshrine his father, Emperor Nintoku. 

It holds the weight of ancient Imperial reverence and civic memory and stands as a historical anchor amid the city’s pulse.  The shrine was later moved to Hommachi, Tennoji Ward, and then moved to its current location in 1583 (Tensho era) after Toyotomi Hideyoshi built Osaka Castle.

It was named “Kami-Namba Shrine” after the area and, later, adopted its current name in 1875 (Meiji era). During the Edo period, with the rise of Inari worship, the Inari Shrine, a branch shrine within the grounds, commonly known as “Bakuromachi no Oinari-san,” became more famous than the main shrine. Uemura Bunrakuken opened a puppet theater troupe within the shrine grounds in 1811 (Bunka era 8).  Destroyed during World War II, the shrine was rebuilt in 1974, with reinforced structures that echo its pre-war architecture.

Passing through the sturdy stone torii, we were welcomed by a sacred courtyard framed by modern buildings yet rooted in centuries-old tradition. Today, it has three different shrines with different deities, offering a gentle yet powerful pause with the rustle of leaves, flicker of lanterns, and soft murmur of prayers—a tender heartbeat within Osaka’s fast rhythm.

Known for its lion-dog (komainu) and fox (kitsune) statues and cherry blossom gardens, the shrine is also home to a scorched but unbowed and majestic 400-year-old camphor tree, one of the oldest in Osaka, whose trunk radiates quiet resilience and offers visitors a moment of grounding in the midst of urban haste. There is a belief that if you touch it, you will receive the “power” to rejuvenate yourself.

Revered within Settsu Province’s Soja shrine network, Namba Jinja Shrine invites prayers for health, prosperity, and protection from calamities. At the beginning of the Meiji era, when Bunrakuken moved to the new development in Kujo, the “Hikorokuza” troupe opened on the site.

Each summer, the Himuro Ice Festival, held every year from July 20 to 21, visitors and worshippers are cooled by being given crushed kachiwari ice, a charming ritual reminding us of ancient ways to beat the heat.  It is said that if you eat this ice, you will not be defeated by the summer.

Namba Jinja Shrine: 4 Chrome 1-3 Bakuromachi, Chuo-ku, Osaka 541-0059. Tel: 06-6251-8000.  Fax: 06-6251-5110. Website: www.nanba-jinja.or.jp. Open daily, 7 AM – 6 PM. Admission is free.

How to Get There: Osaka Metro Midosuji Line “Shinsaibashi Station” Exit 3.  It is a 5-min. walk from Exit 13 of Osaka Metro Hommachi Station.

Japan is known for being a heady mix of the old and new, and this is perhaps best exemplified by the way some of its high-rise blocks are carefully built around, or integrated with, ancient temples.  One such example is the ancient, charming Mitsutera Temple, known affectionately as Mittera-san by local residents.  Located along bustling Midosuji Avenue, a major artery in the center of Osaka, its main hall, dating back to the early 1800s, has been neatly embedded at the base of the large, 15-storey, 180-room Candeo Hotels Osaka Shinsaibashi, in the city’s Chuo Ward. The first few floors are atrium-style to provide ample space for the hall.

Check out “Hotel and Inn Review: Candeo Hotels Osaka Shinsaibashi”

Mitsutera Temple, founded in the Nara Period (710-784) by the renowned monk Gyōki (one of 49 temples established by him during this period) to serve as a burial site for Emperor Ojin (Japan’s 15th emperor), on the orders of Japan’s 45th emperor, is a member of the Omuro school of the Shingon sect of Buddhism headquartered at Ninnaji temple in Kyoto. After it burned down in the late Edo Period (1603-1867), the current main hall was rebuilt in 1808 and, in 1945, remarkably survived the Great Osaka Air Raid unlike many other wooden structures in the city.

A decline in parishioner numbers and an increasing demand for simplified funerals have made it difficult for the temple to financially survive.  In a rare partnership and an attempt to pass down the temple to posterity, Mitsutera temple entered into a fixed-term land leasehold agreement, of 50 years, with Candeo Hotels Osaka Shinsaibashi wherein Mitsutera will tap into the rent to cover expenses, such as repairs to the main hall and altar fittings.  The construction project was undertaken jointly by Mitsutera and Tokyo Tatemono Co., a property developer based in Tokyo’s Chuo Ward.

From 2020 to 2023, it was physically merged and incorporated into the hotel, which was built directly above the temple. The entire main hall structure was jacked up and, to facilitate the new construction, relocated within the site and moved in one piece to sit alongside Midosuji’s sidewalk, allowing the tower block to be constructed behind and around it. On November 26, 2023, the temple’s main hall was opened there, creating a unique blend of traditional architecture and modern development.

For the aging temple, this creative solution preserved the history and architecture of this centuries-old temple, allowing hotel guests a special experience of staying almost at a temple, participating in religious practices, including morning prayers, eshakyo (transcription of sutra and Buddha images) and meditation. The main hall is within the first three floors.

Mitsutera Temple houses precious Buddhist statues and paintings that Osaka City designates as cultural properties. Decorated in lacquer, gold leaf, and flower petals, the main hall’s center is dominated by an 11-faced statue of the Kanzeon Bodhisattva, with eight other Buddhist statues (including figures such as the Buddhas Yakushi Nyorai and Kobo Daishi, among others) arrayed to the sides. 

This temple offers a black and white goshuin where you need to trace the lines and words color the picture and write your own wish. After that, they will help to stamp the special ink on the completed goshuin. Today, it is a pleasant experience to stroll in the area as the aroma of incense floats next to the fragrance of perfume from the boutiques of high fashion brands which line Midosuji.

Mitsutera Temple: corner of Midosuji Avenue and Mitsudera-suji Sts., 2 Chome-7-12 Shinsaibashisuji, Chuo Ward, Osaka, 542-0085, Japan. Tel: +81 6-6211-1982.

How to Get There: Mitsutera Temple, located near Shinsaibashi-suji and Dotonbori, conveniently situated within walking distance from both Namba Station and Shinsaibashi stations on the Osaka Metro Midosuji Line.

Senso-ji Temple

It was our last day in Tokyo but we still had time for sightseeing before departing on our evening flight back to Manila, so we visited the Sensō-ji (金龍山浅草寺 Kinryū-zan Sensō-ji) Kannon temple, an ancient Buddhist temple dedicated to Kannon Bosatsu (the Bodhisattva of compassion who is believed to take away the people’s suffering and make their wishes come true).

Jinrikisha (Ricksaw)

“Senso” is an alternative reading for Asakusa and “ji” means temple. Asakusa (浅草) is the center of Tokyo‘s shitamachi (literally “low city”), one of Tokyo’s districts.  Here, an atmosphere of the Tokyo of past decades is said to survive. From our hotel, we walked to the nearby Akasaka-Mitsuke Station and took the train to Asakusa Station. The trip took all of 30 mins.

Strolling into Asakusa

Outside Asakusa Station was a number of jinrikisha (literally “man powered vehicle”). A 30-min. tour, for two persons, on board these rickshaws costs around JP¥9000.  The temple was a short 10-min. walk from the station.  Surprisingly, even for a Monday, there were lots of people on the street.  Adjacent to the temple is a five-story pagoda, a Shinto shrine, the Asakusa Shrine, as well as many shops with traditional goods in the Nakamise-dōri. Some visitors buy the charms sold at the temple.

Check out “Asakusa Shrine”

The author at the temple grounds

The temple’s official name is Kinryuzan (Mountain of Golden Dragon), but it is also known as Asakusa Kannon and the residential building is called Denpo-in.  During the 10 March air raid on Tokyo in World War II, the temple was bombed and destroyed but was rebuilt later.  Today, it is a symbol of rebirth and peace to the Japanese people. In the courtyard there is a tree that is a similar symbol to the temple itself.  During the air raid, it was hit by a bomb but has regrown in the husk of the old tree.

Residents in traditional kimonos

Here are some interesting trivia regarding this temple:

• Founded in 645 AD, it is Tokyo’s oldest temple and one of its most significant. In the early years of the Tokugawa shogunate, Tokugawa Ieyasu designated Sensō-ji as tutelary temple of the Tokugawa clan.
• According to legend, two fishermen, the brothers Hinokuma Hamanari and Hinokuma Takenari, found a statue of the bodhisattvaKannon (Avalokiteśvara) in the Sumida River (Miyato River) in 628. Hajino Nakamoto, the chief of their village in Asakusa, recognized the sanctity of the statue.  To enshrine it, he remodeled his own house into a small temple so that the villagers could worship Kannon.
• Formerly associated with Hiezan Enryakuji, the head temple of the the Tendaisect of Buddhism, it became independent as the head temple of the Seikannon sect after World War II.
• With over 30 million visitors annually, Sensoji is the second most widely visited spiritual site in the world after the Vatican.
• In the New Year, it ranks among the top 10 temples in Japan for the number of visitors.

Kaminarimon Gate

Dominating the entrance to the temple is the vermillon Kaminarimon (“Thunder Gate.”)  In 942, it was built as the main gate of Sensoji Temple by Kimimasa Taira in Komagata, rebuilt in 1635 but burned down in 1639. In 1649, Iemitsu Tokugawa donated the main hall, Niomon Gate (Hozomon), the five-story pagoda, and Kaminarimon Gate. Over the years, Kaminarimon Gate was destroyed by fire several times, the last time in 1866.

Nakamise-Dori heading towards Kaminarimon Gate

The existing gate dates from 1960. Konosuke Matsushita, a founder of Panasonic Corporation, contributed to its reconstruction.  An imposing Buddhist structure, its official name is Fujin- Raijin Gate.  It features a chochin, a massive paper lantern dramatically painted in vivid red-and-black tones, suggesting thunderclouds and lightning. When facing front, on the left is the statue of Rajin-sama, the god of thunder and lightning, while on the right is the statue of Fujin-sama, the god of wind. Facing the rear, on the left is the statue of Tenryu while on the right is the statue of Kinryu, both dragon gods in human form.

Hozomon Gate

Beyond the Kaminarimon is Nakamise-dori, with its shops, followed by the two-storied, dynamic Hōzōmon  which is bigger than Kaminarimon Gate and provides the entrance to the inner complex. The Hozomon, called Niomon Gate since the olden days, was destroyed by fire in 1631, rebuilt by Iemitsu Tokugawa in 1636 but burned down in the massive air raids of 1945.  In 1964, it was rebuilt with a donation from the late Eitaro Otani, third chairman of the Asakusa Tourist Federation.

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Cochin of Hozomon Gate

It houses a pair of Ni-Ou figures in front, both guardian deities. It is said that the models for these fierce looking deities where 1960’s sumo wrestlers Kitanoumi (on the left) and Myobudani Kiyoshi (on the right).

Ni-Ou

The chicken wire keeps people from touching the statues.  The gate’s upper storey houses the temple’s Buddhist sutras that include Hokke-kyo (Lotus Sutra), which is designated as a National Treasure, and the Issai-kyo, a complete collection of Buddhist scriptures that is an Important Cultural Property. This is why the gate is called Hozomon Gate (“Treasure House Gate”).

O-Waraji (Straw Slipper)

At the back of the gate is a huge, 4.5 m. high pair of o-waraji (traditional straw slippers) weighing 2,500 kgs. Symbolic of the power of Ni-Ou, they are charms against evil. Before visiting the Main Hall, cleanse your hands and mouth at the ablution fountain of the Omizuya (generally called as Chozusha). It has a bronze statue of Sakara, the King of Water, designed by Kotaro Takamura.

Ozimuya

Within the precincts are a stately, eye-catching five-storey pagoda (Gojunoto) built, together with a lecture hall, in the new toinzukuri style in 1973; and the main hall (Hondo, also called Kannondo), devoted to Kannon Bosatsu.

Five-Storey Pagoda

The 53.32 m. tall pagoda is the second highest in Japan after the 56-m. high pagoda of Toji Temple in Kyoto. The original pagoda, built in 1648 on a different site, was destroyed by an air raid in 1945. The top of the pagoda houses Buddha’s ashes ceremonially transferred from a temple in Sri Lanka. You can’t go inside the pagoda as it is a graveyard that contains memorial tablets of thousands of families and individuals.

Main Hall (Hondo)

The impressive Main Hall, with its high-pitched roof, enshrines a principal image of Buddha, known as Kannon Bosatsu (Kannon Bodhisattva). Built in 1644, it was destroyed in 1945 and rebuilt with the same design as the old one in 1958.

Jokoro, the main incense censer, is a large bronze vessel filled with sand and ash. Bundles of incense sticks, about 2 cm in diameter and 15 cm long, are lit here. Pilgrims stop here to wave the cleansing smoke, “the breath of the gods,” over their face and body.

Giant vase with a gold Buddhist manji cross.  It is the reverse of the right-facing German swastika.

On the west side of the Main Hall is Yogodo Hall where Buddhist divinities who support Kannon Busatsu are enshrined.  At the left side of the hall is a hexagonal building (Rokkakudo), the oldest wooden structure (it was built in the 16th century).

Yogodo Hall

The Yogodo’s quiet contemplative garden, kept in the distinctive Japanese style, features an old stone bridge, the oldest in Tokyo (it was built for the Asakusa Toshogu Shrine in 1618), that spans a small pond stocked with colorful koi and fed by a rushing stream.

Stone bridge (the oldest in Tokyo) over a koi-filled pond

At many places on its approach and within the temple itself are o-mikuji stalls where, for a suggested donation of JP¥100, visitors may consult the oracle and divine answers to their questions.

Maigo-shirase Sekihyo (Mark Stone for Lost Child). Carved with “Namu Daijihi Kanzeon-bosatsu Mayoiko-no Shirube,” it had been used for exchanging information about lost children in the Edo period.

Querents shake labelled sticks, from enclosed metal containers, and read the corresponding answers they retrieve from one of 100 possible drawers.

An 8 m. high, bronze Hokyoin-to, a tiered tower or pagoda, was cast by Fijiwara Masatoki in 1761. The largest one left in Tokyo, it was damaged during an earthquake in 1855 but was restored in 1907 to commemorate Japan’s victory in the Russian – Japanese War.

Saibutsu Itabi, raised from the late Kamakura period to the early Muromachi period, measures 217.9 cm. high and 46 cm. wide. It is the largest Aoishi Toba (blue stupa) in Tokyo.

Statue of Amitabha Tathagata

The Tori No Ichi Fair, held for over 300 years in front of Sensoji on the days of the rooster in November (according to the Chinese zodiac calendar), is an interesting special event held to sell kumade bamboo rakes which are supposed to be lucky for business.

Seated bronze statue of Kannon Bodhisattva, attendant of Amida Buddha, sitting on lotus pedestal.

The Clock of Peace, a gift of the Lions Club International, originally had a square Seiko clock mounted on the pagoda but has been replaced by an ordinary National Panasonic clock.

Attracting a large number of local small business owners, when a rake is sold, the buyer and seller perform a tejime (a ritual hand clapping ceremony) together.

Hato Poppo Song Monument. Hato Poppo, is a children’s song written by Rentaro Taki and Kume Higashi. Kume came up with the lyrics for the song as she observed children play with pigeons on the grounds of Sensoji Temple. In 1962, a monument was raised at Sensoji in honor of this famous Japanese nursery song. The monument is inscribed with the words and the score for the song, with lifelike bronze pigeons resting on top.

Sensō-ji Temple: 2-3-1 Asakusa, Taitō-ku, Tokyo, Japan. Open daily, 6 AM to 5 PM (6:30 PM, October to March).  Admission is free.

How to Get There: The temple is a 10-min. walk from Asakusa Station which is served by the Tokyo Metro Ginza Line, Toei Asakusa Line and Tobu railway lines. It is also a 10-min. walk from Tawaramachi Station on the Ginza Line.