Church of St. Joseph the Worker (Barcelona, Sorsogon)

Church of St. Joseph the Worker

Part of the Sorsogon Countryside Tour

After breakfast at Residencia del Hamor in Casiguran, we all boarded our coaster for the short 13.5-km. (20-min.) drive to the adjoining town of Barcelona.  Along the highway, we made a stopover at the fortress-like Church of St. Joseph the Worker.

The Baroque-style facade

Also known as Barcelona Church, the church was built in 1874 (during the term of Gobernadorcillo Juan Evasco) by Franciscan friars on a coral foundation.

The author at Barcelona Church

One of the oldest, most beautiful and well-preserved churches in the Bicol Region, it also has 1.5-meter thick walls made of hand-hewned anapog patched together by beaten egg whites mixed with lime and tuba (coconut wine).

Bas-relief indicating the year “1874”

From the church, an underground tunnel once lead to the town’s Spanish-era presidencia , across the street at the Barcelona Ruins Park, but it was closed to prevent thieves from accessing religious relics in the church.  Beside the church is Curia, a coffee shop.

Check out “Barcelona Ruins Park 

The church’s historical plaque

AUTHOR’S NOTES

The Baroque two-level façade has a semicircular arched main entrance flanked by fluted pilasters and semicircular arched niches.

The second level has a statued niche, above which is a triangular pediment (above which is a square central bell tower flanked by a balustrade) with a centrally located oculus, flanked by circular windows.  Attention is focused on the central segment because of its advancing mass.

The church’s modern interior

The church has undergone several restoration works, the most recent being last May 2019. The church’s modern interior has beautiful stained glass windows and ceiling paintings,

The main altar area

Church of St. Joseph the Worker: Poblacion Central, Barcelona, Sorsogon. Feast of St. Joseph the Worker: May 19.

How to Get There: Barcelona is located 548.5 kms. (an 11.25-hour drive) from Manila and 27 kms. southeast of Sorsogon City.

Sorsogon Provincial Tourism Culture and Arts Office: Ground Floor, Capitol Building, 4700 Sorsogon City. Mobile number: (0968) 624-6279. E-mail: tourism@sorsogon.gov.ph.  Facebook: www.facebook.com/sorsogonprovincialtourismoffice.

Barcelona Municipal Tourism Office: mobile numbers (0908) 927-6481 and (0917) 348-7084.

Ur Place Travel & Tours: OLV Pangpang, Sorsogon City, Sorsogon.  Mobile number (Viber): (0927) 950-3927 (Ms. Annie Gueb).  Facebook: www.facebook.com/urplacetravel.

Balay San Jose (Santa Maria, Isabela)

Rancho Agripino

After our pottery tour at Brgy. Poblacion 3, we again boarded our bus for the short 7.1-km. (20-min.) drive, via the Enrile-Santa Maria Rd., to Balay San Jose within Rancho Agripina, owned by Santa Maria Mayor Hilario “Larry G. Pagauitan, whose Sanctaurio de San Jose (a favorite wedding venue) and Casa di Spiritualita di San Giuseppe (a retreat center) are visited by tourists and religious pilgrims.

Entrance

Upon entering the gate, our bus drove along a dirt road lined with life-side statues depicting the Stations of the Cross (Via Crusis).

One of the Stations of the Cross along the road

Upon arrival, we first dropped by the Sanctuario de San Jose, a chapel was built in memory of Maria Lourdes Gatan Pagauitan (November 19, 1988 – June 12, 2008), the mayor’s and his wife Sofie’s late daughter who died in a car accident. It was solemnly blest and its altar dedicated on November 19, 2015 (Maria’s birthday) by Most Rev. Sergio L. Utleg, D.D., Archbishop of the Metropolitan Archdiocese of Tuguegarao.

Sanctuario de San Jose

AUTHOR’S NOTES

The chapel has a two-level Baroque-style façade topped by a triangular pediment and flanked by three-storey, square bell towers topped by a dome and cross.  The first level has an entrance portico (topped by angel statues) which has a statue of St. Joseph with the Child Jesus and is flanked by, flat pilasters, 3 semicircular arch stained glass windows and a semicircular arch statued niche.

The second level has a similar set up, the only difference being the statued niche above the entrance portico.  The triangular pediment has a circular, stained glass rose window within a bas-relief of a Jerusalem Cross, a cross potent (or crutch cross) with four Greek crosses.

The first two storeys of the flanking bell towers have semicircular arch blind windows while the receding third storey, housing the church bell, has open, semicircular arch windows.

Statue of St. Joseph and the Child Jesus

The left bell tower has the sign of “Banal na Pag-aaral Center, Area 11, Northern Luzon.”

The chapel interior

The main altar and its retablo

Inside the chapel are three altars (main and two side altars) with exquisitely carved retablos (altar backdrop), a painted barrel vaulted ceiling, colorful stained glass windows, religious statuary and a triforium (interior gallery)

Casa di Spiritualita di San Giuseppe

Main entrance

Connected to the chapel, on it’s left, is the Casa di Spiritualita di San Giuseppe (St. Joseph House of Spirituality), which was solemnly blest on September 19, 2014 by Bishop Joseph A. Nacua, O.F.M., Cap. D.D. of the Diocese of Ilagan.  This retreat house has has 42 airconditioned rooms with private bath, four dormitories (two large and two small), refectories, conference hall, lunch room, chapels and a beautifully landscaped garden.  In front is an open air lanai topped by a view deck which is accessed by stairs.

The author at the viewdeck

Open-air lanai

In front of the chapel are statues of Christ Resurrected, St. Michael the Archangel and Tablets of the Ten Commandments.   On the right side of the chapel is a tableau depicting Christ Appearing Before his Disciples.

Statue of St.Michael the Archangel

Tableau of Christ Appears to His Disciples

We also dropped by its museum which is filled with reiligous statuary of all sizes, paintings, photos  and other religious artifacts such as monstrances, chalices, crucifixes, etc..

Museum of relious statuary,paintings, photos and artifacts

Also within Rancho Agripino is St. Joseph Library, Lourdes Chapel, Casa di Marello (for visiting priests and brothers of the Oblates of St. Joseph founded by St. Joseph Marello), Galilee (a cluster of airconditioned huts in the middle of a lake), Chapel of the Santo Sepulchro and the Risen Lord (a chapel with the image of Our Lady of Sorrows and the Risen Christ), The Hermitage (a solitary place for those who want to be alone with the Lord), a helipad  and a medical center (MLGP Medical Center).

MLGP Medical Center

Helipad

Balay San Jose: Rancho Agripino, Brgy. Calamagui West, Santa Maria 3330, Isabela.

How to Get There: Santa Maria is located 451.1 kms. (an 8.5-hour drive) from Manila and 67.8 kms. (a 1.5-hour drive) from the City of Ilagan.

Church of Our Lady of the Pillar (Cauayan City, Isabela)

Church of Our Lady of the Pillar

Come morning of our fourth day in Isabela, we toured the nearby (3-km.) Church of Our Lady of the Pillar.  This church, built with stone, mortar and bricks, was begun in 1825 by Dominican Fr.  Juan Prieto and finished in 1830.

The Baroque facade

During World War II, the church was heavily damaged (parts of the church, the sides of the presbytery were hit) and the convent was destroyed. This church, as well as the Church of St. Rose of Lima in Gamu, and the Church of Our Lady of Atocha in Alicia, are examples of what is called as the “Cagayan Style” of Spanish churches that was inspired by the Tuguegarao church.

Check out “Church of Our Lady of Atocha” and “Church of St. Rose of Lima

Bas-reliefs featuring curlicues

The left side of the church

AUTHOR’S NOTES

The church’s two-level, Baroque brick (portions of the bricks have bas-reliefs and numbers and symbols etched on it) façade, similar to the Church of Our Lady of Atocha in Alicia, has a semicircular arched main entrance flanked by semicircular arched windows.

The second level has a centrally located statued niche flank by semicircular arched windows. The undulating pediment, with its centrally located rose window, is topped by finials.

 

Check out “Church of Our Lady of Atocha

The modern church interior

The rear of the church

The modern interior of the church has a fresco (The Coronation of the Blessed Virgin Mary) above the altar.

The Coronation of the Blessed Virgin Mary

The top level of its beautiful five-storey bell tower on the right was later destroyed during the violent December 27, 1949 Intensity 7 earthquake, leaving only the base, and the upper level is a modern addition.

The old church bells and a plaque narrating the history of the parish

During our visit, we were allowed to climb to the very top of the tower where we had a panoramic bird’s eye view of the city and the surrounding countryside.

The Parish PastoralCenter

Candle house with a huge statue of Our Lady of the Pillar above it

Displayed on the right side of the church, between a plaque detailing the history of the parish, are two old church bells, dated 1792 and 1843 respectively.  Around the church are huge statues of the Pieta and Jesus Christ, a Candle House (above which is a huge statue of Our Lady of the Pillar) and a 2-storey Parish Pastoral Center (inaugurated on April 12, 2014) with function rooms and a parish museum.

Statue of the Pieta

At the rear are bas-reliefs of The Last Supper, The Holy Face of Jesus and The Sorrowful Mother.

Bas-reliefs of The Holy Face of Jesus, The Sorrowful Mother and The Last Supper

Church of Our Lady of the Pillar: Mabini St., Cauayan City, Isabela. Tel: (078) 652-2014 and (078) 634-5049. Feast of Our Lady of the Pillar: October 12.

How to Get There: Cauayan City is located 374 kms. (a 9-hour drive) from Manila and 33 kms. from Ilagan City.

Baclaran Church (Paranaque City, Metro Manila)

Baclaran Church (National Shrine of Our Lady of Perpetual Help)

Baclaran Church, also known colloquially as the Redemptorist Church  or the National Shrine of Our Mother of Perpetual Help (FilipinoPambansáng Dambana ng Iná ng Laging Saklolo), is a prominent national shrine dedicated to Our Lady of Perpetual Help.  Enshrining the icon of Our Mother of Perpetual Help, the church is 106.7  m. (350 ft.) long, 36 m. (118 ft.) wide and  stands 17.2 m. (56.5 ft.) high on the nave and 12.5 m. (41 ft.) hig on the main aisle.

The author at Baclaran Church

It has a full seating capacity  of 2,000 (9,000 to 11,000 standing) during Masses, with 108 pews seating 15 to 20 adults, and is one of the largest Marian churches in the Philippines, with a floor area of 5,069.2 sq. m. (54,564 sq. ft.).

The left side of the church

Devotion to Our Mother of Perpetual Help is popular amongst Filipino Catholics and, during Wednesdays (popularly called “Baclaran Day” due to congested roads near the shrine),devotees flood the church to attend Mass and pray the Novena to Our Mother of Perpetual Help, introduced to Baclaran by Australian Redemptorist Rev. Fr. Gerard O’Donnell, CSsR.

The right side of the church

Every first Wednesday of every month,liturgies and other activities are simulcast on TV Maria from the Shrine.  The annual  liturgical feast day of the icon is celebrated on June 27.

The church interior

Here’s the historical timeline of the Redemptorist Order  and the church:

The baldachin above the high altar

The Shrine, and its attached convent, were initially dedicated to Saint Thérèse of Lisieux (a grotto statue of the saint on the shrine grounds memorializes her patronage) by Rev. Fr. Denis Grogan, C.Ss.R., the builder of the new church and parish house. However, the Ynchaustí Family, long-time supporters and friends, donated a high altar on the condition that it enshrine the icon of Our Mother of Perpetual Help.

The left side aisle

When the church opened, the shrine became very popular. To accommodate the growing number of devotees, the Redemptorist priests replaced the Our Mother of Perpetual Help icon with a larger version. An estimated 120,000 devotees are currently affiliated with the Shrine.

The right side aisle

The wider Baclaran shrine complex, under the territory of Santa Rita de Cascia Parish (both are part of the Vicariate of Santa Rita de Cascia in the Diocese of Parañaque), located a few blocks away from the Redemptorist Church, serves as the headquarters of the Manila Vice Province of Congregation of the Most Holy Redeemer, while the Cebu Province of the Redemptorists is headquartered in Cebu.

The choir loft area

The original icon, from Germany, was brought into the country in 1906 and is enshrined above the main altar.  During the Second World War, the icon was removed from the church and given to a family for safekeeping but, towards the end of the Japanese occupation of the Philippines, their home was later burned and ransacked. Initially thought to be lost, the icon was found by a De La Salle brother  among other valuable objects that the Japanese had seized and abandoned at the Old Bilibid prison.   At its back paneling, it bears the Papal Arms.  Though there is no access to the icon at the top of the retablo, people touch the tabernacle instead. 

Historical plaque commemorating Pope John Paul II’s visit to the church

The present church, the third to be built on the same site, was designed in the Modern Romanesque style by architect César Concio, Sr.. It took six years to build.  Most of the money came from small donations (the suggestion from the pulpit was 10 Philippine centavos per week) and this often ran out, requiring construction to stop.  For a big space, the church has a light design, with good natural acoustics.

The sanctuary with the high altar, tabernacle and the icon

The elevated sanctuary is separated from the nave by a communion rail.  The marble high altar was brought in from Italy. The baldachin, the beautiful covering of the icon above the altar, has columns and capital made of giallo oro and Bottecino marble.  The gracefully carving altar rails are made of white Carrara marble.

Confessionals

The beautiful retable (retablo in Spanish), the large altarpiece behind the altar, incorporates the tabernacle and serves as the backdrop of the icon.  It contains bronze sculptures of eight pairs of wheat stalks intertwining with each other, with their point of intersection being the tabernacle and the crucifix (surrounded by four doves representing the Holy Spirit).  Floating above it is a bronze sculpture of vine and fruit grapes.  The wheat and grapes, emblematic of abundance of God’s grace, symbolize the bread while wine symbolizes the Eucharist.

Candle Chapel

Located at a once drab southern wall at the back of Candle Chapel is the mixed art (mosaic, sculture and painting) mural entitled Panagpo, the longest mural in a church in the Philippines.  Created in 10 months by visual artist Emil Yap and lead sculptor Lorena Pacampara in 2016, in celebration of the 150th Jubilee of the icon, it was blessed on December 2017.  The mural is about the journey of the icon of Our Mother of Perpetual Help from the island of Crete to Baclaran.  It is 3 m. (10 ft. high) and 213 m. (700 m.) long and has two main sections.

The mixed art (mosaic, sculpture and painting) mural entitled Panagpo

The first, telling the history of the country, from the pre-Hispanic Era, Spanish Colonization Era to the contemporary years, is based on the Canticle of the Sun (written by St. Francis of Assisi).  The second, Sister Moon, depicts the lives pf the “untold, silenced and marginalized sectors.  At the foot of the mural are the country’s flora and fauna, its names written in baybayin, the ancient, pre-Hispanic dialect.

From a blue and green scheme (representing the myth of creation and the colonization years, the panels turn red and orange as it moves further down the country’s history.

The belfry, built closer to Roxas Boulevard some distance from the Shrine itself, has mosaics of the icon on its four faces and is topped by a finial in the shape of a simplified Redemptorist coat-of-arms, particularly the CrossSpear, and sponge on a stick of hyssop.  It houses a 24-bell carillon cast from the world-famous foundry Grassmayr in Austria.

The Crucified Christ. Last December 9, 2017 (the eve of Human Rights Day), a cardboard message (“Stop the Killings”) temporarily replaced the INRI inscription on top of the cross

It was the first time the Shrine had a bell tower since it was built. The carillon bells are automatically programmed to ring 15 minutes before every Mass or Novena service. Until the COVID-19 Pandemic, the belfry hosted the Sinirangan coffee shop at its base. Today, it is located at the Perpetual Help Center and Souvenir Shop.

Grotto with statue of Madonna and Child

The church appeared in the opening scene for the 1979 dramatic film “Ina Ka ng Anak Mo” (starring Nora Aunor); the 1995 action film “Alfredo Lim: Batas ng Maynila” (starring Eddie Garcia);  and in the opening scene for the 2017 romantic comedy film Loving in Tandem.  The church’s votive chapel as well as the altar also makes an appearance in the romantic 2015 film You’re Still The One.  In 2014, the church was also featured in the American reality competition program The Amazing Race Season 25

National Shrine of Our Mother of Perpetual Help: Redemptorist Rd. cor, Roxas BoulevardBaclaranParañaque,1700  Metro Manila.  Tel: (632) 8832-1150. E-mail: baclaranrector@yahoo.com. Website:
www.baclaranchurch.com
. Coordinates: 14.531411°N 120.9930539°E.

 

Christ Church Cathedral (Vancouver, Canada)

Christ Church Cathedral

Just 650 m. from the Cathedral of Our Lady of the Holy Rosary is the gorgeous Christ Church Cathedral.  The second cathedral church of the Anglican Diocese of New Westminster of the Anglican Church of Canada, it is a daughter church of St. James’ Anglican Church.

Check out “Cathedral of Our Lady of the Holy Rosary

High rise buildings surround the cathedral

Set among high-rise buildings, Christ Church Cathedral is the Regimental Church of the Seaforth Highlanders and is in the process of being designated Regimental Church of the BC Regiment, Duke of Connaught’s Own. It is also the church at which the British royal family worships when in Vancouver.

Grace and Kyle

The author and Jandy

Here is the historical timeline of the cathedral:

  • On December 23, 1888, the first service was held, without a church building, at 720 Granville Street.
  • On February 14, 1889, a building committee was formed to collect the necessary funds for the erection of the church to be located on land bought from the Canadian Pacific Railway (CPR). A key negotiator in acquiring the property is Henry John Cambie, chief engineer of CPR’s Pacific Division and people’s warden of the new church.
  • By October 1889, Christ Church’s basement was built
  • On October 6, 1889, the opening service was held for 52 parishioners.
  • By 1891, the CPR objected to the unfinished building that had quickly been nicknamed the root house. It was viewed an “eyesore” and the parishioners feared they would lose their location due to lack of funds to complete the building.
  • In 1892, the architect Robert Mackay Fripp submitted a proposal for completion of the church.
  • On July 28, 1894, after a financing scheme was developed by a parishioner, the cornerstone was finally laid.
  • On February 17, 1895, the church was dedicated.
  • In 1905, a balcony, covering the narthex area and containing a wood railing in a Gothic pattern, was added
  • By 1909, the first expansion was done.
  • By 1911, the first organ, which used a human blower hired at $5 per month, had already worn out and was replaced by the new Robert Hope-Jones Organ manufactured by Wurlitzer.
  • In 1920, electricity replaced candles for lighting.
  • In 1929, the Archbishop of New Westminster constituted Christ Church as the Cathedral Church of the diocese replacing Holy Trinity Cathedral located in the City of New Westminster.
  • In 1937, the bronze lanterns now in the church were installed at the nave.
  • In 1949, after many building alterations, the $30,000 Casavant Freres organ, constructed partially of recycled wood, surplus war surplus parts and remnants of the Wurlitzer, was installed. It had more than 2,700 pipes and a 600 lb. motor.
  • In 1971, the church membership voted to demolish the building and replace it with a hi-rise tower complex designed by Arthur Erickson. The redevelopment was opposed by the public.
  • In 1976, after much lobbying, the cathedral was named a Class A Heritage building in the municipality of Vancouver and the Province of British Columbia.
  • In 1995, an eleven-year program of restoration and renewal was begun.
  • During the spring and fall of 2004, the Kenneth Jones tracker organ was installed.
  •  In 2004, the church was extensively upgraded and the original fir flooring, cedar tongue and groove ceiling and stained glass windows were restored.
  • In November 2016, a bell tower was inaugurated.

The Gothic Revival style, sandstone facade

The church, built in the Gothic Revival style (with Romanesque and Tudor details), has a granite and sandstone façade and is laid out in the classic Latin Cross plan.

The cathedral’s stunning interior

Its stunning interior, circumnavigated by wood wainscoting with a quatrefoil cornice, has a beautiful and spectacular hammer beam truss (in the style of English halls and churches dating back to the 1300s) ceiling made of cedar planking and ceiling beams.

The spectacular hammer beam truss and ceiling

Its 32 beautiful stained glass windows depict Christ-centered themes, famous people and World War I.

Christ the King and other scenes (Clayton and Bell, Buckinghamshire, England)

The floor was constructed out of old growth Douglas fir.  Wood arches and tracery details separate the side aisles from the nave.

Tree of Life (Susan Pointe)

The modern, semi-abstract “Tree of Life,” spanning 5 stained glass windows (the tallest is 19 ft. high) at the back of the church, was created, in brown tones, by aboriginal Musqueam artist Susan Pointe, executed by Yves Trudeau (of Studio One Glass Art) and dedicated on April 5, 2009.  It depicts salmon (in 4 of the panels) and waters at the base, leaves and trees in the central portion and mountain and birds above.

The Chancel Window (N.T. Lyon Co. Toronto)

Another three stained glass windows, of three disciples of Jesus Christ, were designed by the famous William Morris of England, the most celebrated champion of 19th century “Arts and Crafts” Movement.

The Crucifixion of Our Lord (John Bell and Sons, Bristol, England)

The open glass and steel bell tower, at the northeast side of the cathedral, has a zinc roof.  Its four church bells, cast in France, are rung daily at 8 AM and 6 PM and before church services.

The open glass and steel bell tower

The spire glass features a design by Canadian artist Sarah Hall.  A venue for musical performances, the church’s acoustics are phenomenal and the Choral Eucharist (10:30 AM) and Georgian Chant Services (9:30 PM) are performed every Sunday.

The author

The Celtic cross, which is found on both the cathedral’s exterior and interior, represents the roots of the Anglican Communion in the British Isles. The spindle whorl and the three salmon in the style of the Coast Salish Nation, represent the First People of Canada and the original inhabitants of the west coast.

The Celtic Cross

The Greek letters Chi (X) and Rho (P), in the center, are the initials of the words Christus Rex (Christ the King). The motto “I hold before you an open door” (Revelation 3:8) is the title of the first sermon preached by Rev. H. B. Hobson, the rector, in the cathedral on December 23, 1888.

The tracker organ designed by Kenneth Jones in Ireland

The beautiful and huge tracker organ, in the south gallery of the cathedral, was built in 2003 by Kenneth Jones in Bray, Ireland, and installed, over 10 days, in April 2004.  It is the first Christ Church Cathedral organ custom built to speak with optimum effect in the sanctuary. It comprises a three manual console and 2,500 pipes (1,700 salvaged from the Casavant Freres), wooden trackers and intricate parts sourced from all over Germany.

The fine, carved stone reredo, dedicated in 1923 as a World War I memorial, took almost two years to complete.  Depicted in this stone screen are St. Martin of Tours, St. Lawrence and St. John the Baptist.

Christ Church Cathedral: 690 Burrard Street , VancouverBritish Columbia V6C 2L1, Canada. Tel: +1 604-682-3848.  E-mail: reception@thecathedral.ca.  Website: www.thecathedral.ca. Open Mondays to Fridays, 10 AM to 4 PM.  Admission is free but donations are welcomed.  Coordinates: 49°17′03″N 123°07′13″W.

How to Get There: the cathedral, located right across the Burrard Skytrain Station, is located on the northeast corner of West Georgia Street, directly across from the Fairmont Hotel Vancouver in Downtown Vancouver.  It is also a 3-min walk from the Vancouver Art Gallery

Cathedral of Our Lady of the Holy Rosary (Vancouver)

Metropolitan Cathedral of Our Lady of the Holy Rosary

Five days after our arrival in Vancouver, Grace, Jandy, Kyle and I had our first mass at the late 19th-century, 700-pax Metropolitan Cathedral of Our Lady of the Holy Rosary.

Grace and Kyle making their way into the cathedral

Commonly known as Holy Rosary Cathedral, serves as the cathedral of the Roman Catholic Archdiocese of Vancouver. Located in the downtown area of the city, it is listed on the Vancouver Heritage Register and is a legally protected building.

The cathedral’s French Gothic Revival style facade

Designed by architects Thomas Ennor Julian and H.J. Williams in the classic cruciform form (with narthex, nave, transepts and an apsidal chancel), it was constructed under the charge of R. P. Forshaw and Company and the church was completed in just 491 days. At the time it was finished, the building was praised as “the finest piece of architecture west of Toronto and north of San Francisco.”

The right side of the cathedral

The left side of the cathedral

Here’s the historical timeline of the cathedral:

  • In June 1885, the parish was established with Father Patrick Fay, the chaplain to Canadian Pacific Railway(CPR) workers, chosen as pastor.
  • In 1886, construction began for a wooden church
  • In 1888, the wooden church was completed the following year and blessed.
  • In 1890, the church was enlarged and a bell tower was added.
  • On July 16, 1899, the cornerstone for the new church was laid by Archbishop Adélard Langevin of Saint Boniface.
  • In the autumn of 1900, the cathedral’s pipe organ was inaugurated.
  • On October 21, 1900, the church’s seven bells were blessed
  • On December 8, 1900, the Feast of the Immaculate Conception, the new Church of Our Lady of the Holy Rosary was opened and was blessed the day after by Archbishop Alexander Christie of Portland, Oregon.
  • In 1906, eight bells were reinstalled in the cathedral
  • In 1911, on Dominion Day, the church’s bells were rung, the first peal ever to be rung in Canada .
  • In 1916, the church was elevated to the status of a cathedral.
  • In February 1922, a funeral requiem mass was said at the cathedral for beloved local lifeguard and swim instructor Joe Fortes. The cathedral filled to capacity, with thousands of others braving the rain and cold weather to view the funeral procession on the streets of Vancouver.
  • In 1927, the Missionary Oblates of Mary Immaculate (OMI), which administered the parish since 1893, left after difficulties arose from the mortgage agreement that had helped pay for the construction of the cathedral. This was coupled with the “growing manpower shortage” caused by a declining number of members joining the order.
  • In late 1932, the “tin scales” that covered spire of the taller steeple were cleaned and repaired, and the cross atop of it was repainted.
  • In 1936, it hosted an archdiocesan-level Eucharistic Congress, the first congress ever to be celebrated in Western Canada.
  • In 1939, a funeral requiem mass was said at the cathedral for Pope Pius XI.
  • On October 7, 1952, the feast of Our Lady of the Most Holy Rosary, a gunman entered the church and fired a round from his rifle at the altar. No one was hurt and he was arrested shortly after.
  • In April 1959, a minor tilt in the bell tower of the cathedral was detected probably due to the drilling and blasting of a nearby tunnel.
  • On October 3, 1953, the rite of consecration as a cathedral, officiated by the Archbishop of Vancouver William M. Duke, was held.  The subsequent solemn pontifical Mass was celebrated by Michael Harrington, the Bishop of Kamloops. Approximately 35 bishops from across Canada and the United States attended the event, which coincided with Duke’s golden and silver jubilees of his priestly ordination and consecration as a bishop, respectively.
  • In 1961, a funeral requiem mass was said at the cathedral for former Vancouver police commissioner William Cameron Murphy.
  • In the 1960s, after the Second Vatican Council, the reordering of the sanctuary took place.
  • In 1967, an interfaith requiem was held at the cathedral for former Governor General of Canada Georges Vanier.
  • In September 1981, a funeral requiem mass was said at the cathedral for internationally-acclaimed actor Chief Dan George of the Tsleil-Waututh
  • On September 19, 1984, Pope John Paul II visited the church as part of his pastoral visit to Canada. Refurbishing took place prior to his visit.
  • From 1995 to 1997, the cathedral was completely re-roofed, with zinc being utilized on the roof to resemble slate.
  • In 1999, the organ was dismantled and transported to Casavant Frères in Saint-Hyacinthe, Quebec for a two-year restoration.
  • In Easter of 2000, the rehabilitated pipe organ was blessed. That same year, an organ concert series was hosted at the cathedral for the first time.
  • In late September 2001, the cathedral became the first place in Canada to host the relics of Saint Thérèse of Lisieux during her reliquary’s three-month-long tour of the country.
  • In December 2002, some of the carpeting was removed and replaced with Italian ceramic tiles.
  • From 2004 to 2006, the inside of the church was repainted.
  • On April 1, 2005, a funeral requiem mass was said at the cathedral for Pope John Paul II.
  • On March 23, 2008, during an Easter Sunday Mass at the cathedral, First Nations protesters disrupted the mass by demonstrating on the outside steps. They ordered the Church to “get off native land” and demanded that they disclose the burial locations of children who died in residential schools.
  • On February 12, 2010, the cathedral’s bells were rung during the opening of the 2010 Winter Olympics in Vancouver
  • On October 30, 2011, a splinter group from the Occupy Vancouver movement marched to the cathedral from the Vancouver Art Gallery, attempting to enter the cathedral and occupy it but were thwarted by Vancouver police officers and Knights of Columbus.
  • In the spring of 2017, the copy of the bronze sculpture Homeless Jesus by Canadian artist Timothy Schmalz was installed in front of the cathedral.
  • In 2018, new light fixtures, pews and an upgraded sound system were added.
  • On March 22, 2020, as a result of the Archdiocese suspending all public masses starting from March 21 onwards, in response to the 2019–20 coronavirus pandemic, Sunday Mass was celebrated without a congregation for the first time in the cathedral’s history.
  • In June 2020, public masses at the cathedral resumed with capacity reduced to 50 people per Mass in order to adhere to the physical distancing requirements set out by the provincial health authorities.

The 49 m. (161 ft.) long, 32 m. (104 ft.) wide (across the transepts) and 19 m. (62 ft.) high (from floor to ceiling) cathedral, built in the French Gothic revival style, has been described as resembling the medieval Chartres Cathedral in France. Cruciform, in the shape of the Latin cross, it is 19 m. (62 ft.) across the nave and the aisles.

The taller bell tower

Its foundations were made of granite while its exterior walls were built from sandstone originating from Gabriola Island.  The cathedral’s “most prominent visual feature” is its two asymmetric bell towers. The taller, 66 m.  (217 ft.) high steeple was originally designed to have flying buttresses at the bottom.

The cathedral interior looking towards the main altar

The cathedral interior looking towards the choir loft

The nave arcades at the interior which, in turn support a Gothic tunnel vault, are supported by Norman columns made from highly polished, red Scagliola marble. Non-structural ribs decorate the vault, with simple molding accenting the intermediate ribs.

Left side aisle

Right side aisle

The cathedra, situated at the center of the sanctuary, is surrounded by a Gothic-style, oak altar-piece, with richly detailed gold foliage and angels set in relief, and two towers of reredos decked with delicately carved angels carrying torches, thuribles and sacred books.

Left transept

Right transept

 

The cathedral originally had seven bells (representing the sacraments) cast at the Fonderie Paccard in Annecy-le-VieuxSavoyFrance. However, when they were found to be out of tune, they were sent to a foundry near Bristol where eight bells were made to complete an entire octave when rung.

Baptismal Font

 

Two of the14 Stations of the Cross

Statue of the Pieta

Operating on change ringing, they are one of the few peal of bells hung in the English style found in North America, and one of three in British Columbia (the others are located at Westminster Abbey in Mission and Victoria‘s Christ Church Cathedral).

Grace and Kyle

The cathedral’s pipe organ, manufactured by the Karn–Warren Organ Company in Woodstock, Ontario, is the “oldest romantic-style organ” in the province “remaining in its original location.” An organ concert is held at the cathedral annually since 2000.  One of the most beautiful organs in the West Coast, it has three manuals, 4 divisions, 42 stops, 51 ranks and 2,899 pipes.

The cathedral’s pipe organ

Of the current 21 stained glass windows (documented by the Institute for Stained Glass in Canada) at the cathedral, the oldest is The Church Triumphant with the Risen Christ among Saints and Martyrs, on the east wall of the sanctuary, next to the shrine of the Blessed Virgin.

Stained glass depicting The Church Triumphant with the Risen Christ among Saints and Martyrs

The most renowned ones are the five windows made by Canadian artist Guido Nincheri whose work can be found in over 60 churches in North America.

Stained glass depicting Jesus with the Children (Guido Nincheri)

They depict Our Lady of the Holy Rosary, on the north side of the west transept; the Baptism of Our Lord (completed in January 1954), Jesus Healing the Sick, Jesus with the Children and the Assumption (completed and shipped out of the Nincheri studios in November 1953 and installed later that year). Started in 1941, it would take 13 years for the work on the stained glass to be completed.

Stained glass depicting The Assumption (Guido Nincheri)

The stained glass depicting Our Lady of the Holy Rosary was featured on Canada Post‘s annual Christmas stamp in 1997.

Stained glass depicting Our Lady of the Holy Rosary (Guido Nincheri)

In front of the cathedral is a copy of the bronze sculpture Homeless Jesus by Canadian artist Timothy Schmalz. Showing a life-size statue of a man with a long overcoat lying on a park bench, his face is hidden underneath a hood and his bare feet with stigmata.

The author beside the copy of the bronze sculpture of the Homeless Jesus by Candian artist Timothy Schmalz

According to Stanley Galvon (the rector at the time), the statue is intended to be “a catalyst to make people think about” the city’s homelessness crisis.

Jandy

Metropolitan Cathedral of Our Lady of the Holy Rosary: 646 Richards cor. Dunsmuir St., Vancouver, British Columbia V6B 3A3.  Tel: (604) 682-6774. Fax: (604) 331-8406.  E-mail: office@vancouvercathedral.org. Website: www.holyrosarycathedral.org. Sunday mass schedule: 8 AM, 9:30 AM, 11 AM, 12:30 PM, 5 PM.

How to Get There: by Metro, take the Expo Line to Granville Station or the Canada Line to Waterfront Station.  Both are a 5 minute walk away.

National Shrine of Nuestra Señora de la Regla (Lapu-Lapu City, Cebu)

National Shrine of Nuestra Señora de la Regla

Aside from the famed Santo Niño de Cebu, Cebuanos are also devoted to another image – the felicitous and miraculous image of Nuestra Señora De la Regla (Our Lady of the Rule). The image, carved from the trunk of dark Philippine hardwood, is patterned after the original located in Chipiona, Spain. The image is currently venerated at her own altar at the National Shrine of Nuestra Señora de la Regla.

St. Augustine, the bishop of Hippo, started the devotion to Our Lady of the Rule in Northern Africa. Using his own hands, he has carved an image of Our Lady which was one of the relics that has survived the destruction of the city of Hippo. Upon St. Augustine’s death, the monks took the image with them when they fled to Spain. 

In Spain, the image survived the destruction and pillage of the Moors.  Miracles were attributed to it and, because of this, the devotion to Our Lady rapidly spread.  In 1330, the Virgin appeared to an Augustinian monk and instructed him to go to the city of Cadiz.  Here, he was to look for a cave where the image had been hidden away. He dug it up and found a hidden underground altar.

Statue of Nuestra Señora de la Regla (Our Lady of the Rule)

The richly vested (given by the devotees as a sign of gratitude to the answered prayers through her intercession) Brown Madonna holds the Infant Jesus in front of her, as if presenting the child to the people and telling them to worship his Son, the God became Man. For several centuries, the Virgen de la Regla was venerated under several names: Virgen Libica, Virgen del Sagrario, Estrella de los Mares and La Virgen Morena, or Morenita.

In the 18th century, when the Augustinian Order was given control over the parish of Opon (now Lapu-Lapu City), the devotion was transported to the Philippines. In 1735, the people first saw a picture of the Virgen de la Regla when the first parish priest, Francisco Avalle, an Augustinian monk, showed it to them. Fr. Avalle, having lived for 10 years in the Monastery of Nuestra Señora de la Regla in Chipiona, Andalucia, Spain, was a devotee.

The church interior

Upon hearing the story of the Virgin of Chipiona, the Oponganons chose Our Lady of the Rule as their patroness. A big picture, encased in a wooden frame, was  made and placed on the altar.  Miracles began to happen and the devotion flourished.  Later a hardwood statue replaced the picture for veneration. Between 1735 and 1744, a Baroque-style church, made with Mactan coral stone and measuring 60 m. long, 23 m. wide and 14 m. high, was built.

Old Opon church

During World War II, the church was slightly damaged but, in 1960, it was torn down during the term of Dutch Fr. Cornelio Van De Loo, of the Missionaries of the Sacred Heart, who was assigned as parish priest, bypassing 200 years of history, and replaced with a new concrete church.  The priests also sold off the church’s coral blocks and, later, its altar to the University of San Carlos Museum. Thankfully, the spacious and solid convent, built in 1855 by Fr. Simon Aguirre, is still intact.

The old convent

On Nov. 27, 1954, as a highlight to the Archdiocesan Marian Congress that year, Archbishop (later Cardinal) Julio Rosales crowned the Virgin, the first image from the Visayas to receive such a recognition.

 

National Shrine of Nuestra Señora de la Regla: B.M. Dimataga St., Poblacion, Lapu-Lapu City 6015. Tel: (032) 340-8081. Feast day: November 21.

Lapu-Lapu City Tourism Office: City Hall Compound, Lapu-Lapu City Hall Access Rd.,-Lapu City 6015. Tel: (032) 341-1644.  E-mail: lapulaputourismoffice@gmail.com.

Cebu Provincial Tourism Office: 3/F, East Wing, Capitol Executive Bldg., Capitol Site, Cebu City 6000. Tel: (032) 888-2328. E-mail: sugbuturismo@gmail.com.

Department of Tourism Regional Office VII: G/F, LDM Bldg., Cor. Legaspi and M.J. Cuenco Sts., 6000 Cebu City.  Tel: (032) 412-1966, (032) 412-1967, (032) 254-3534, (032) 254-6650 and (032) 254-2811. Fax: (033) 335-0245. Email: phdot7@tourism.gov.ph. Airport Office Tel:  (032) 494-7000 loc. 7548.

Cebu Pacific Air has daily flights from Manila to Cebu’s Mactan International Airport.  It also has flights from Clark (Pampanga) and Davao City.  Book via www.cebupacificair.com.

Archdiocesan Shrine of St. Anne (Taguig City, Metro Manila)

Archdiocesan Shrine of St. Anne

The Archdiocesan Shrine of St. Anne, also known as  St. Anne Parish Church or Santa Ana Church, is situated next to the Taguig River and across Plaza Quezon, where the statue of the late Manuel L. Quezon was erected when he was still serving as President of the PhilippinesSaint Anne is the patroness of the church.

The church complex. On the left is the convent

This church, as well as the convent, was first built, in 1848, of nipa and bamboo by Fr. Diego Alvarez, O.S.A..  The construction of the present concrete church, from 1609 to 1611, was supervised by Fr. Hernando Guerrero, O.S.A..

The rightside of the church. On the foreground are statues of St. Lorenzo Ruiz and St. Pedro Calungsod

During the November 30, 1645 Luzon earthquake, both were considerably damaged and later repaired.  Both survived the June 3, 1863 earthquake but the June 20, 1880 earthquake cracked the bell tower sending its bell crashing on the church roof, destroying the choir loft and part of its framework.

Bas-relief of St. Anne

In 1881, the reconstruction of both buildings was started by Fr. Patricio Martin, O.S.A.  and, in 1885, continued by his successor Fr. Guillermo Diaz, O.S.A..   In 1898, the buildings were occupied by American soldiers and used as their headquarters.  Both were restored by Filipino secular Frs. Vicente Estacio (1905 to 1916, he oversaw the installation of the church’s sawali ceiling) and Gerardo Maximo (1938 to 1951).  The fence was left unfinished.

The four-storey bell tower

In August 1943, during the Second World War, hundreds of male inhabitants were incarcerated by the Imperial Japanese, for a number of days, inside the church. In 1987, in preparation for the parish’s 400th anniversary, more improvements in the edifice were undertaken by Msgr. Augurio Juta and Msgr. Emmanuel Sunga.

Historical plaque installed by the National Historical Institute (now the National Historical Commission of the Philippines) in 1987

On July 25, 1987, a historical marker was installed on the church facade by the National Historical Commission of the Philippines. The church was also declared and recognized by the government as a cultural property based on the official list provided by the National Commission for Culture and the ArtsNational Historical Commission of the Philippines and the National Museum of the Philippines.

The church interior

AUTHOR’S NOTES:

The church’s barn-style Baroque facade has flat pilasters, a first level with a centrally located arched main entrance flanked by statued niches; a second level with a centrally located rose window flanked by semicircular arched windows and a triangular pediment with a centrally located statued niche.

The four-storey bell tower, on the church’s right, has a two-storey square base (with a bas-relief of St. Anne), an octagonal third storey (with semicircular arched windows) and a round upper storey topped by a dome.

The choir loft area

The church houses the Museo de Sta. Ana which contains religious relics and a repository of artifacts detailing the rich religious culture and history of Taguig since 1857.

The main altar area

Archdiocesan Shrine of St. Anne: 1 Liwayway St., Brgy. Sta. Ana, Taguig City 1637, Metro Manila.  Tel: (632) 8642-4434.  Fax: (632) 8643-5204.

 

Diocesan Shrine of Our Lady of the Light (Cainta, Rizal)

Diocesan Shrine of Our Lady of the Light

The only church in our bisita iglesia outside of Metro Manila was the Diocesan Shrine of Our Lady of Light in Cainta. When we entered the churchyard from the main road, we only saw the side entrance near the altar. To see the beautiful façade, we had to first enter the church then go out the front door.

This town’s original church (at the time was under the patronage of Saint Andrew the Apostle), designed by Fr. Juan de Salazar, S.J., was first constructed in stone by Jesuit Fr. Gaspar Marco in 1707 and completed in 1716, during the time of Joaquin Sanchez, S.J, while he was still the parish priest.

Check out “Church of San Felipe Neri” and “Immaculate Concepton Cathedral

In 1727, a painting of Our Lady of Light was brought in from the Kingdom of Sicily and was chosen as the new patroness of the church and, by 1760, the church was officially declared a separate parish.

Porte cochere

On February 23, 1853, the church building was damaged by an earthquake, both its roof and one wall collapsed while the walls of the parish rectory or convent sustained cracks.  By 1884 the parish had been named Our Lady of Light (Virgen ng Caliuanagan or Madre Santissima del Lumen in Tagalog and Spanish languages), as attested in the August 5, 1884 letter by Don Mariano de San Juan (the pastor of Cainta) to Fray Pedro Payo, O.P., the Archbishop of Manila.

The four-storey bell tower

In March 1899, during the Filipino-American War, the church and parish rectory, including the venerated Marian image within, were burned down. The stones from the church walls were later used to build roads. The monogram of the Holy Name of Jesus “IHS” (Latin: Iesus Hominum Salvator), attached at the top portion of the church’s façade, was the only mark left of its Jesuit beginning.

NHI historical plaque

For 67 years, the church was left in ruins, without any significant restoration. On June 10, 1966, after Archbishop of Manila Rufino Cardinal Santos gave permission for the church’s reconstruction on February 15, 1965, the reconstruction of the church began. The facade was kept untouched. When one of the beams collapsed, the reconstruction was halted and further study was conducted to determine if it could withstand earthquakes.

The church interior

On June 15, 1967, reconstruction resumed and it was completed and blessed by Rufino Cardinal Santos on February 25, 1968. In 1975, the administration of the parish was turned over, by the CICM Missionaries, to the Archdiocese of Manila, with Monsignor Alfredo Santa Ana, HP, as its first diocesan parish priest. Until 1998, the church was the sole parish in the entire municipality of Cainta.

The main altar and retablo

In 2007, the church was declared as a historical site by the National Historical Institute (NHI),  now the National Historical Commission of the Philippines (NHCP), for its significant role during the Philippines-American War.

Te choir loft

On December 1, 2007, the newly renovated altar and the new historical marker of the church were blessed. On December 1, 2012, an episcopal coronation, coinciding with the parish fiesta, was performed by the local bishop with the assistance of Ms. Henrietta De Villa, former ambassador to the Vatican.

After the burning (during the Filipino-American war in 1899) of the original enshrined icon of the Blessed Virgin Mary (a painting of Our Lady of Light brought to Cainta in 1727 from Ferrara, Italy by Fr. Bartolommeo Cavanti, SJ.),  the venerated Marian image was recreated by Philippine National Artist Fernando Amorsolo.

On December 6, 2017, the image was granted the papal bull of canonical coronation by Pope Francis and it was crowned on December 1, 2018, the first Marian image in Philippine history to be pontifically crowned as an artistic painting. On the same day as its canonical coronation, the parish church was consecrated and elevated into a Diocesan Shrine.

Statue of Our Lady of Light

The original church, including the sacristy and rectory, measured approximately 44 m. (144 ft. long), 15 m. (48 ft.) wide and 11 m. (36 ft.) high. Made of stone and limestone (calycanto), its roof was tiled and had a dome (media naranja), transepts (crucero) and five buttresses (contrafuertos).

Old church bells

The nave’s spacious presbytery had windows and skylight (claraboya) while the belfry had four bells, two of which were small bells rung by rotation (esquitas). The baptistery, with an arched ceiling, was situated at the bottom of the belfry. Flooring was made of wood. It also had a choir loft, communion rail, pulpit and three doors. Five retablos are found inside the church, with the original picture of the Our Lady of Light enshrined at the central niche.

Parola ng Panampalataya

The sacristy measured approximately 8.2 m. (27 ft.) long, 7.3 m. (24 ft.) wide and 5.5 m. (18 ft.) high. The parish rectory, with a kitchen, two brick chimneys, four rooms and offices, measured approximately 37 m. (120 ft.) long, 15 m. (48 ft.) wide and 7.3 m. (24 ft.) high.

Statue of Padre Pio of Pietrelcina

The larger reconstructed church measures 68 m. (223 ft.) long, with a transept 42 m. (138 ft.) wide, and with walls 10.5 m. (34.4 ft.) high. It has a semicircular arch main entrance and four lateral doors. There are separate chapels for the Blessed Sacrament and for Our Lady of Light and Saint Andrew, both enshrined at the sides of the sanctuary.

Statue of Resurrected Christ

It’s simple, two-level Early Renaissance façade, with superpositioned paired columns, has semicircular arch statued niches, a square window at the choir loft and a circular window at the tympanum of the triangular pediment.  The attached four-storey bell tower, on the church’s right, has semicircular arched windows.

Statue of the Crucifixion

Church of Our Lady of Light: Andres Bonifacio Ave. (near Cainta Junction), Brgy. San Andres, Cainta 1900, RizalView Map>>> Tel: (02) 8655-0840.  Feast of Our Lady of Light: December 1.

How to Get There: Cainta is located 29.1 kms. from Manila and kms. (a drive) from Antipolo City.

Diocesan Shrine and Parish of Our Lady of Light (Cainta, Rizal)

Church of Our Lady of the Light

This town’s original church (at the time was under the patronage of Saint Andrew the Apostle), designed by Fr. Juan de Salazar, S.J., was first constructed in stone by Jesuit Fr. Gaspar Marco in 1707 and completed in 1716, during the time of Joaquin Sanchez, S.J, while he was still the parish priest.

In 1727, a painting of Our Lady of Light was brought in from the Kingdom of Sicily and was chosen as the new patroness of the church and, by 1760, the church was officially declared a separate parish.

NHI plaque

On February 23, 1853, the church building was damaged by an earthquake, both its roof and one wall collapsed while the walls of the parish rectory or convent sustained cracks.  By 1884 the parish had been named Our Lady of Light (Virgen ng Caliuanagan or Madre Santissima del Lumen in Tagalog and Spanish languages), as attested in the August 5, 1884 letter by Don Mariano de San Juan (the pastor of Cainta) to Fray Pedro Payo, O.P., the Archbishop of Manila.

Church transept

In March 1899, during the Filipino-American War, the church and parish rectory, including the venerated Marian image within, were burned down. The stones from the church walls were later used to build roads. The monogram of the Holy Name of Jesus “IHS” (Latin: Iesus Hominum Salvator), attached at the top portion of the church’s façade, was the only mark left of its Jesuit beginning.

For 67 years, the church was left in ruins, without any significant restoration. On June 10, 1966, after Archbishop of Manila Rufino Cardinal Santos gave permission for the church’s reconstruction on February 15, 1965, the reconstruction of the church began. The facade was kept untouched. When one of the beams collapsed, the reconstruction was halted and further study was conducted to determine if it could withstand earthquakes.

The four-storey bell tower

On June 15, 1967, reconstruction resumed and it was completed and blessed by Rufino Cardinal Santos on February 25, 1968. In 1975, the administration of the parish was turned over, by the CICM Missionaries, to the Archdiocese of Manila, with Monsignor Alfredo Santa Ana, HP, as its first diocesan parish priest. Until 1998, the church was the sole parish in the entire municipality of Cainta.

Parola ng Panampalataya

In 2007, the church was declared as a historical site by the National Historical Institute (NHI),  now the National Historical Commission of the Philippines (NHCP), for its significant role during the Philippines-American War.

Statue of Our Lady of Light

On December 1, 2007, the newly renovated altar and the new historical marker of the church were blessed. On December 1, 2012, an episcopal coronation, coinciding with the parish fiesta, was performed by the local bishop with the assistance of Ms. Henrietta De Villa, former ambassador to the Vatican.

Statue of Padre Pio of Pietrelcina

After the burning (during the Filipino-American war in 1899) of the original enshrined icon of the Blessed Virgin Mary (a painting of Our Lady of Light brought to Cainta in 1727 from Ferrara, Italy by Fr. Bartolommeo Cavanti, SJ.),  the venerated Marian image was recreated by Philippine National Artist Fernando Amorsolo.

Old church bells

On December 6, 2017, the image was granted the papal bull of canonical coronation by Pope Francis and it was crowned on December 1, 2018, the first Marian image in Philippine history to be pontifically crowned as an artistic painting. On the same day as its canonical coronation, the parish church was consecrated and elevated into a Diocesan Shrine.

Bell inscribed with “Ano D 1835 – N.TRA SENORA D LALVZ” (Year 1835 – Nuestra Senora de la Luz”)

The original church, including the sacristy and rectory, measured approximately 44 m. (144 ft. long), 15 m. (48 ft.) wide and 11 m. (36 ft.) high. Made of stone and limestone (calycanto), its roof was tiled and had a dome (media naranja), transepts (crucero) and five buttresses (contrafuertos).

Old bell inscribed with “S. ANDRES APOSTOL – SIENDO CURA EL PRESVITERO D. AGUSTIN MENDOSA – SE PVNDIO ESTA ESQVILA MAYO 15 D 1847” (“St. Andrew the Apostle – When Don Agustin Mendosa was parish priest – who built this small bell on May 15, 1847”

The nave’s spacious presbytery had windows and skylight (claraboya) while the belfry had four bells, two of which were small bells rung by rotation (esquitas). The baptistery, with an arched ceiling, was situated at the bottom of the belfry.

Statue of Resurrected Christ

Flooring was made of wood. It also had a choir loft, communion rail, pulpit and three doors. Five retablos are found inside the church, with the original picture of the Our Lady of Light enshrined at the central niche.

Statue of the Crucifixion

The sacristy measured approximately 8.2 m. (27 ft.) long, 7.3 m. (24 ft.) wide and 5.5 m. (18 ft.) high. The parish rectory, with a kitchen, two brick chimneys, four rooms and offices, measured approximately 37 m. (120 ft.) long, 15 m. (48 ft.) wide and 7.3 m. (24 ft.) high.

Church interior

The larger reconstructed church measures 68 m. (223 ft.) long, with a transept 42 m. (138 ft.) wide, and with walls 10.5 m. (34.4 ft.) high. It has a semicircular arch main entrance and four lateral doors.

There are separate chapels for the Blessed Sacrament and for Our Lady of Light and Saint Andrew, both enshrined at the sides of the sanctuary.

Main altar

When we entered the churchyard from the main road, we only saw the side entrance near the altar. To see the beautiful façade, we had to first enter the church then go out the front door.

Side altar

It’s simple, two-level Early Renaissance façade, with superpositioned paired columns, has semicircular arch statued niches, a square window at the choir loft and a circular window at the tympanum of the triangular pediment.  The attached four-storey bell tower, on the church’s right, has semicircular arched windows.

Choir loft

Church of Our Lady of Light: Andres Bonifacio Ave. (near Cainta Junction), Brgy. San Andres, Cainta 1900, RizalView Map>>> Tel: (02) 8655-0840.  Feast of Our Lady of Light: December 1.

How to Get There: Cainta is located 29.1 kms. from Manila and kms. (a drive) from Antipolo City.