Church of Pope St. Gregory the Great (Majayjay, Laguna)

From Lucban, we finally crossed the Quezon-Laguna boundary, into Majayjay where we made a short stopover at the town’s Church of Pope St. Gregory the Great.  This would be my second visit to the town, having done so 12 years ago (October 13, 2002) with Jandy. This Augustinian-built church is now listed, by the National Museum, as a National Cultural Treasure.

Church of Pope St. Gregory the Great

Church of Pope St. Gregory the Great

Side of the church

The moss and vine-covered side of the church

I featured the town and its church in my article Hay Hay! Majayjay which appeared in TODAY (November 10, 2002) and a previous B.L.A.S.T. blog entry. Its unusually tall, stone and brick colonial Baroque facade, with its  6-m. thick adobe walls (though still covered with unsightly vines and moss), was still impressive even after all those years.

The church's long rectangular nave

The church’s long rectangular nave

The plaque installed by the National Historical Institute (NHI)

The plaque installed by the National Historical Institute (NHI)

During my first visit, I wasn’t able to explore the church interior in detail as a wedding was ongoing at that time.  This time there wasn’t any wedding as we walked the azulejo-tiled floor of the 60-m. long and 17-m. wide, rectangular nave, admiring  the antique relief statues of saints lining it, the wooden balconies above it on both sides, an elaborately decorated wooden pulpit accessed by a stair, a Sto. Entierro, and the 3 elaborate retablos (altar backdrops) with its pantheon of saints.

The 3 impressive retablos

The 3 impressive retablos

The wooden pulpit

The wooden pulpit

Violeta, Lanny and I were also able to go up the hexagonal bell tower, via the choir loft, just as we did in Pagbilao. Jandy and Maricar stayed behind.  Of equally huge proportions as the church, the  bell tower was supported by unusual 16.5-m. high solid buttresses. The catwalk above the ceiling (called langit-langitan), leading to the crossing above the transept, can no longer be accessed as it has deteriorated.

The dome above the altar

The dome above the altar

Violet and Lanny climbing the stairs going up to the bell tower

Violet and Lanny climbing the stairs going up to the bell tower

Unlike the bell tower of Pagbilao, the stairs going up was sturdy concrete with steel railings.  And just like in Pagbilao, we also had a commanding view, upon reaching the top, of the town as well as Laguna de Bay . The tower had 5 century-old bells. its main bell was said to weigh about 3,000 kgs. and its thunderous peal can be heard 3 kms. away.  

One of the church bells

One of the church bells

View of the town from the top of the bell tower

View of the town from the top of the bell tower

Church of Pope St. Gregory the Great: Poblacion, Majayjay, Laguna.  Tel: (049) 258-1012.

How To Get There: Majayjay is located 120 kms. from Manila and 18 kms. from Sta. Cruz.

Church of St. Louis, Bishop of Tolouse (Lucban, Quezon)

After checking out Batis Aramin Resort &  Hotel, Jandy, Maricar, Violet, Lanny and I proceeded to the Lucban town proper to check out its iconic Spanish-era Church of St. Louis, Bishop of Tolouse as well as to to buy some Lucban longganisa for pasalubong.

Church of St. Louis, Bishop of Tolouse

Church of St. Louis, Bishop of Tolouse

Plaque installed by Philippine Historical Commission in 1939

Plaque installed by Philippine Historical Commission in 1939

This wasn’t my first visit to this town and its church as Jandy and I visited it during a visita iglesia 15 years ago (April 2, 1999).  This church was featured in my article “A Cultural and Religious Pilgrimage to Quezon” (April 7, 2001), in the Travel & Lifestyle Section of TODAY, in my first book “A Philippine Odyssey: A Collection of Featured Travel Articles” (New Day Publishers, 2005) and a previous blog entry in B.L.A.S.T..

The side of the church

The side of the church

Arched windows

Arched windows

It was already raining when we arrived at the church and I parked by Toyota Revo within its shady plaza which is surrounded by gardens, grottoes and stone walls called quince-quince.  The church went through a history of fire, bombing during World War II and reconstructions.  It is the center of the Pahiyas Festival which is held here every May 15, the Feast of San Isidro Labrador (St. Isidore the Farmer). The church enshrines the image of San Isidro Labrador

Decorative keystone on top of the main entrance

Decorative keystone on top of the main entrance

Detail of column set in high relief

Detail of column set in high relief

Even in gloomy weather brought about by the rain, I was still awed by its lofty, fanciful facade with its curved, almost cloud-like outlines; cornice volutes; horizontal moldings that gently flow, from end to end, through the wall expanse; the columns set in high relief; intricately carved finials that cap the columns at the pediment area; the arched windows and the portal with decorative keystone. The moss and vine-covered bell tower, on the church’s left, rising up in three tapering levels, is topped with a weather vane. Both the church’s facade and the bell tower are finished with lime and cement.

The church interior

The church interior

Statue of St. Louis, Bishop of Tolouse

Statue of St. Louis, Bishop of Tolouse

How To Get There: Lucban is located 160.36 km. from Manila and 23.7 kms. north of Lucena City. From Manila, it can be accessed via the South Luzon Expressway (SLEX, exit at Turbna) and the Manila East Road.

Malagonlong Bridge (Tayabas City, Quezon)

Leaving the Tayabas City proper, Jandy, Maricar, Violet, Lanny and I continued on our way to Lucban.  About 2.4 kms. outside the city, we made a stopover at the now unused, Spanish-era Malagonlong Bridge across the Dumaca-a River.  This wasn’t the first time I’ve seen this bridge, having seen it on our way to Mauban to attend the Maubanog Festival 3 years ago.

Malagonlong Bridge

Malagonlong Bridge

However, this would the first time I would actually explore it, crossing the bridge’s 445 ft. (136 m.) length to the other end. The first time, I just took pictures of it from the modern, girder-type concrete bridge parallel to it. On August 12, 2011, it was declared as a National Cultural Treasure under the Historic Bridges of Tayabas. On its eastern side is the plaque installed by the National Historical Institute.

The plaque installed by the National Historical Institute (NHI)

The plaque installed by the National Historical Institute (NHI)

An older plaque installed at one of the bridge's balconies

An older plaque installed at one of the bridge’s balconies

The oldest in the province, the charming, ivy-covered Malagonlong Bridge (Puente del Malagonlong) is one of the few remaining and the longest Spanish colonial, arch-type bridge in the country. One of 11 Spanish-era bridges within Tayabas City, it connects Brgy. Mateuna with Brgy. Lakawon.

Dumaca-a River

Dumaca-a River

Built with about 100,000 adobe blocks, limestone and molasses, it was started, during the term of gobernadorcillo Don Joaquin Ortega’s term, by Spanish Franciscan parish priest Fr. Antonio Mateus in 1840 and completed 10 years later during the term of gobernadorcillo Don Julian S. Francisco. 

The bridge's 6 m. wide carriageway

The bridge’s 6 m. wide carriageway

The bridge has five spans, the first arch with a height and width of 36 ft (11 m); the second at 33 ft (10 m); the fourth at 30 ft (9.1 m) and the fifth at 18 ft (5.5 m). It has a width of about 20 ft (6 m.) and six small balconies.

The author posing at one of the bridge's balconies

The author posing at one of the bridge’s balconies

How to Get There: Tayabas City is located 147.28 kms. from Manila and 10.62 kms. from Lucena City. Malagonlong Bridge is a 15-20 min. tricycle ride from the city center.

Beach Camping at Dampalitan Island (Padre Burgos, Quezon)

From Borawan in Lipata Island, Jandy, Maricar, Violet, Lanny and I returned to our hired boat which was going to bring us to our camping destination – the rocky and undeveloped Dampalitan Beach on Dampalitan Island.

Western side of Dampalitan Beach

Western end of Dampalitan Beach

It was just a short 10-15 minute boat ride to the island and we made landfall just before noontime.  The island had a long, wide and lovely stretch of tree-lined white sand beach – the perfect beach camping ground.

Eastern end of Dampalitan Beach

Eastern end of Dampalitan Beach with exposed rock formations

As I was first off the boat, I proceeded to scout around for a suitable spot to set up our tent.  I found a spot somewhat shaded by some worn out and tattered coconut and pine-like agoho (Casuarina equisetifolia) trees.

Setting up the 5-pax Coleman tent

Setting up the 5-pax Coleman tent

Beside it is a bamboo picnic table and the remains of one of 10 nipa cottages which were damaged or destroyed by the recent typhoon Glenda (international name: Rammasun). Strung at the trunks of the trees are 4 threadbare but still sturdy hammocks.

Maricar, the author, Violet, Jandy and Lanny at our picnic table

Maricar, the author, Violet, Jandy and Lanny at our picnic table

Still, the spot suited us just fine.  The owner of the nearby house, which had a convenience store and a storage tank for fresh water (sold at PhP50 per container), informed us on the fees to be paid – an entrance fee of PhP60 per person (total: PhP300) plus a camping fee of PhP200.  We also rented the nearby picnic table (for PhP150) where we temporarily laid down our just unloaded camping gear and  provisions.

Lazing around in our hammocks

Lazing around in our hammocks

First up on our agenda was the setting up of our 5-pax, 3 m. x 3 m. Coleman dome tent with peaked rainfly.  That done, we rested awhile, with Violet, Maricar, Jandy and Lanny doing so on the hammocks while I did so in our tent.  Come late afternoon, the sun was now low on the horizon and low tide was setting in so we decided to do some swimming and explore the now exposed rock formations. Cloudy skies prevented us from viewing the sunset.

Exploring the exposed rock formations

Exploring the exposed rock formations

When we returned to our campsite, another group of young overnight campers have already set up their tents beside us and were already preparing their barbecue grills for dinner.  We also followed their lead, borrowing a grille from the caretaker and buying a pack of charcoal as we also brought along some juicy, marinated pork belly (liempo) for grilling.  While Violet and Lanny were tending to the grilling, Maricar was busy preparing her signature yang chow fried rice.

Dusk at Dampalitan Island

Dusk at Dampalitan Island

After enjoying this wonderful al fresco repast, we next washed away the sea salt from our bodies, Jandy and I sharing a container of fresh water.  We all whiled the time away by playing a card game of  pekwa (the Philippine name for the game fan tan or card dominoes) and later chatted about our life experiences.  Retiring early, Violet, Maricar, Jandy and I occupying the tent while Lanny slept in one of the hammocks outside.  The night was initially warm but it slowly cooled, via an incoming sea breeze, in the wee hours of the morning.

Dinner preparation courtesy of Maricar, Violet and Lanny

Dinner preparation courtesy of Maricar, Violet and Lanny

Come morning, breakfast was another al fresco affair, with pork luncheon meat,  freshly cooked steamed rice and cups of coffee.  We then dismantled our tent and packed our belongings.  As we still had time before the 10 AM arrival of our boat, the others went swimming while I decided to explore the island beyond the cliffs confining the cove.

Our grilled pork belly (liempo)

Our grilled pork belly (liempo)

Past the cliffs was another cove with a long, beautiful but deserted stretch of white sand beach lined, not by trees, but by mangroves.  I didn’t go very far as the sun was high up in the sky and I forgot to bring a hat.  When I returned to our campsite, our boat had already arrived and our gear loaded.  After paying our bill, we boarded our boat for the short return trip back to our cottage at Brgy. Basiao where, after washing up, we loaded our stuff and left for Lucban (Quezon).

The magrove-lined, white sand cove beyond the cliff

The magrove-lined, white sand cove beyond the cliff

Dampalitan Beach may not be outstandingly beautiful but it is still nice and somewhat laid-back, offering a quiet beach retreat quite unlike crowded and overdeveloped beaches such as Boracay.  Similar to Anawangin or Nagsasa Cove in Zambales, it is really more for camping, picnicking, swimming, hiking, watching the sunset or just lazing around in a hammock.

Borawan Beach (Padre Burgos, Quezon)

After an early breakfast of corned beef and rice at Basiao Resort, Jandy, Maricar, Violet, Lanny and I double checked all the stuff we were to bring for our island hopping and beach camping (at Dampalitan Island) trip – tent, portable stove, rechargeable lamp, provisions, extra clothes, etc. Our boatman arrived by 8 AM and he started to load all our stuff.

Borawan Beach

Borawan Beach

Limestone cliffs

Limestone cliffs

Soon we were off to our first destination – Lipata Island.  We arrived there after a short 15-min. boat trip.  The island is the site of Borawan Beach, situated within lush mountains and rocky cliffs overlooking the Tayabas Bay in the Sibuyan Sea.  Day trippers here are required to pay an admission fee of PhP80 per person (plus another fee if you will stay overnight).

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DSC04349

When we arrived, the island was somehow pack with a number of overnight guests who stayed in tents (for those without one, these can be rented for PhP500).  The island also has communal showers (PhP20) and toilets (PhP10) with fresh water.  There are also a few nipa picnic huts for rent and a small store selling overpriced food and snacks.

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The island’s name is said to be a portmanteau (blend) of the world-famous islands of Boracay and Palawan. Indeed, the beach has its own spectacular (though not as grand) rock formations like the limestone cliffs of Palawan but, sorry to say, not the crystal-clear waters and the fine, white sand of Boracay. The coarse sand beach is actually beige and it certainly isn’t a long stretch dotted with coconut trees. Instead, the shoreline of this short stretch of beach is dotted with huge rock boulders with a backdrop of high limestone walls.

A small store selling food and drinks and renting out tents

A small store selling food and drinks and renting out tents

The shower room and picnic huts

The shower room and picnic huts

Still, its towering, Palawan-like karst formations and limestone cliffs are perfect for rock climbing, bouldering and rappelling.  It’s also a good venue for photo ops.  Swimming here is done cautiously as there are a lot of sea urchins and jellyfish.  The overnighters also told us that they saw 3 sea snakes near the huge boulder.  Anyway, we didn’t plan to stay overnight on the island.  After partaking of our packed lunch of adobo and rice, we left the island by 11 AM.

Lanny, Violet, Maricar, the author and Jandy

Lanny, Violet, Maricar, the author and Jandy

How To Get There: Go to Brgy. Marao in Padre Burgos and, from there, you can rent a boat bound for Borawan.

Return to Puting Buhangin Beach (Pagbilao, Quezon)

Jandy, Maricar, Violet, Lanny and I have barely caught our breath upon arriving at Basiao Resort but, as it was still early in the afternoon, we decided to avail of a island hoping tour.   Normally, it cost PhP1,800 for a day tour but, as we were doing it over 2 days, we were to pay PhP2,000.  We had a choice of 3 islands – Dampalitan Island, Lipata Island and Pagbilao Grande Island.

On our way to Pagbilao Grande Island

On our way to Pagbilao Grande Island

The first two, part of Padre Burgos town, were just nearby so we chose the latter which was part of Pagbilao town.  This wouldn’t be my first visit to the island, having done so during a media tour at Pagbilao a little over 4 months ago.  However, this would be the first time I would leave for the island from Padre Burgos which is, distance-wise, nearer to the island than Pagbilao town.

The Bagosina island with a house on top

The Bagosina island with a house on top

For this island tour, we just donned our swimming attire.  The boat trip took just 45 mins. Along the way, we passed the nearest of the Bagosina Islands, which had an unsightly roofless house (damaged by typhoon Glenda) on top.

Lipata Island

Lipata Island

We also passed the white sand beaches and towering rock formations of Lipata Island (site of Borawan Beach), one of our 2 island destinations scheduled for tomorrow (the other is Dampalitan Island).

A hill being graded at the TEAM Power Plant in Pagbilao Grande Island

A hill being graded at the TEAM Power Plant in Pagbilao Grande Island

At Pagbilao Grande Island, only the tall chimney of 735-MW Team (Tokyo Electrification and Marubeni) Energy coal-fired thermal power plant  could be seen during our boat trip.  We also saw the damage being done on the nearby hill, possibly to create a new road for the power plant.  It wasn’t a nice sight.

Puting Buhangin Beach

Puting Buhangin Beach

We soon made landfall at the beautiful cove of the 70 m.  long and 10 m. wide Puting Buhangin (which literally means “white sand”) Beach with its white sand, clear emerald waters and coconut trees.  Unlike my first visit, the beach (also called Lukang Beach  after the Lukang family) wasn’t  as  packed with picnickers and beachcombers.

Violet, Maricar and Jandy near the Kuwebang Lambas' beachside entrance

Violet, Maricar and Jandy near the Kuwebang Lambas’ beachside entrance

However, we were more interested at the small, unique and tunnel-like  Kwebang Lampas, located at one end of the beach, than with the beach itself.  During my first visit, the waters inside the cave were waist deep and we didn’t venture to go out its seaside entrance.  This time around, it was low tide and the cave floor was exposed.  What’s more, we were able to venture out its seaside exit, below beautiful rock limestone formations, and enjoy the warm waters.

Kuwebang Lampas (2)

Back at our boat, we paid the mandatory PhP80 entrance fee per person (PhP400 for all five of us).  It was now late in the afternoon when we returned to the mainland and our boat had to dock some distance from the shore as it was now low tide.

Jandy, Maricar, the author at Lanny at Kwebang Lampas

Jandy, Maricar, the author at Lanny at Kwebang Lampas

Puting Buhangin Beach: Pagbilao Grande Island, Brgy. Ibabang Polo, Pagbilao, Quezon.

Church of St. Catherine of Alexandria (Pagbilao, Quezon)

We arrived at Pagbilao town by noon time and, as it was now lunch time, I parked the Toyota Revo at the compound of the town’s Church of St. Catherine of Alexandria.  A number of eateries were located around the compound.

Church of St. Catherine of Alexandria

Church of St. Catherine of Alexandria

The church interior

The church interior

The church was first built in bamboo and nipa in 1688 by Fr. Cristobal Mortanchez, In 1730, the church was transferred to its present site by Fr. Francisco Xavier de Toledo.  In 1845, it was rebuilt in stone by Fr. Victorino Peralija and was completed, together with the belltower and convent, by Fr. Eugenio Gomez.

Plaque detailing the history of the church

Plaque detailing the history of the church

The 3-level bell tower

The 3-storey bell tower

However, the church and convent were heavily damaged by American bombing during the liberation in 1945, leaving only the 3-storey, hexagonal bell tower intact.  It was rebuilt in 1954 by Fr. Vicente Urlanda.  Beside the church is the 2-storey Casa del Niño Jesus de Pagbilao, a private Catholic school.

Jandy, the author and Maricar at the bell tower

Jandy, the author and Maricar at the bell tower

View of town from the top of the bell tower

View of town from the top of the bell tower

Jandy, Maricar, Violet and I were in luck as we were able to go up the bell tower, the only part of the church that wasn’t damaged by American bombing.  At the left side of the church, we went up the stairs up the choir loft.  From there, we crossed over to the right of the loft then went up the tower via a very narrow and steep wooden stairs .  The tower had three bells, one them dated 1890.  Here, we had a good panoramic view of the town.

Ta Prohm Temple (Siem Reap, Cambodia)

Ta Prohm Temple

Ta Prohm (pronunciation: prasat taprohm), an atmospheric  temple ruin of towers, closed courtyards and narrow corridors built in the Bayon style, is located approximately 1 km. east of Angkor Thom, on the southern edge of the East Baray.

One of the most visited complexes in Cambodia’s Angkor region, Ta Prohm, nicknamed the “Jungle Temple,” was high on our hit list of temples to visit.

Check out “Bayon Temple

Here’s a timeline of the temple’s history:

  • In 1186 A.D. (the stele commemorating the foundation gives this date), Khmer King Jayavarman VII embarked on a massive program of construction and public works and Ta Prohm was founded as a Mahayana Buddhist monastery and university pursuant to that program.
  • In the 13th century, face towers similar to those found at the Bayon were added to the gopuras. Expansions and additions to Ta Prohm continued as late as the rule of Srindravarman at the end of the 15th century.
  • In the 15th century, after the fall of the Khmer Empire, the temple of Ta Prohm was abandoned and neglected for centuries.
  • In 1947, French explorers rediscovered Ta Prohm
  • In the early 21st century, efforts to conserve and restore the temples of Angkor
  • In 1992, Ta Prohm was inscribed by UNESCO on the World Heritage List.
  • As of 2013, most parts of the temple complex have been restored (some of which have been constructed from scratch) by the Archaeological Survey of India.

Causeway Connecting 3rd and 4th Enclosure West

Here are some interesting trivia regarding the temple:

  • Originally called Rajavihara (“monastery of the king”), the temple’s modern name means “ancestor Brahma.”
  • Unlike most Angkorian temples, Ta Prohm is still in much the same condition in which it was found. The École française d’Extrême-Orientdecided that Ta Prohm would be left largely as it had been found, as a “concession to the general taste for the picturesque.” Nevertheless, work still had to done to stabilize the ruins, to permit access, and to maintain “this condition of apparent neglect.”
  • Perhaps the most distinctive feature of Ta Prohm are the trees that took root at the loosened stones of the temple, creating an astonishing merger of nature and architecture, and two species of trees predominate (sources, however, disagree on their identification) – the larger silk-cotton tree (Ceiba pentandra) or thitpok (Tetrameles nudiflora), and the smaller strangler fig (Ficus gibbosa) or gold apple (Diospyros decandra).
  • Like most Khmer temples, Ta Prohm is oriented to the east
  • As opposed to a temple-pyramid or temple-mountain (whose inner levels are higher than the outer), the design of Ta Prohm is that of a typical “flat” Khmer temple.
  • Jayavarman VII constructed the temple in honor of his family. The temple’s main image, the elevated stone face of Prajnaparamita (the “Perfection of Transcendent Wisdom”), surrounded by 260 lesser divinities (each housed in their own sanctuaries) was modeled on the King Jayavarman VII’s mother. The northern and southern satellite temples, within the third enclosure, were dedicated to Jayamangalartha, the king’s guru and elder brother. The temple monastery of Preah Khan, dedicated in 1191 A.D., and Ta Prohm also form a complementary pair as the former’s main image, representing Lokesvara (the Bodhisattva of compassion), was modeled on the king’s father.
  • It one of Angkor’s most popular temples with visitors due to the photogenic and atmospheric combination of trees growing out of the ruins and the jungle.
  • In the 2001 film Lara Croft: Tomb Raider (the first major motion picture to be shot in Cambodia since Lord Jim in 1964), the temple of Ta Prohm was used as a location. Although the film took visual liberties with other Angkorian temples, the scenes in Ta Prohm, making use of eerie qualities, were quite faithful to the temple’s actual appearance.
  • Several opening scenes of the 2004 film Two Brothers were also shot here with Guy Pearce hunting the adult tigers through the temple.
  • It is one of the few temples in the Angkor region where a stele (inscription) provides information about the temple’s dependents and inhabitants. Accordingly, the site was home to more than 12,640 people (including 18 high priests, 2,740 officials, 2,202 assistants  and 615 dancers) plus an additional 79,365 souls in the surrounding villages working to provide services and supplies. It also notes that the temple amassed considerable riches, including a set of golden dishes weighing 500 kgs., 35 diamonds, 40,620 pearls, 4,540 precious stones, 876 veils from China, 512 silk beds, etc..
  • One of the temple’s carvings is claim by many people (mostly young earth creationists) to resemble a living stegosaurus. However, the carving actually represents, instead, either a rhinoceros or a boar over a leafy background.
  • In the booklet for Creed‘s third album Weathered, an edited photo of the temple was used.
  • Ta Prohm’s conservation and restoration is a partnership project of the Archaeological Survey of India and the APSARA (Authority for the Protection and Management of Angkor and the Region of Siem Reap), their Cambodian counterpart.

Entrance Gopura on 5th Enclosure West

Our access around the temple was complicated and circuitous, necessitated by the temple’s partially collapsed state as well as the large number of other buildings dotting the site (some of which represent later additions).

The author

To protect the monument from further damages due to the large tourist inflow, wooden walkways, platforms and roped railings have been put in place around the site.

House of Fire

Seemingly looking very much the way most of the monuments of Angkor appeared when European explorers first stumbled upon them, it is actually manicured, with the jungle pegged back and only the largest trees left in place.

Library

Many of the corridors were impassable, clogged with jumbled piles of delicately carved stone blocks dislodged by the vast roots of huge trees.

The central sanctuary is surrounded by 5 rectangular enclosing walls and the temple proper is set back to the west along an elongated east-west axis.

The 1,000 by 650 m. outer wall, the largest of a series of gradually smaller enclosures, encloses an area of 650,000 sq. m. that, at one time, would have been the site of a substantial but now largely forested town.

Each of the temple’s cardinal points had entrance gopuras but, today, access is only possible from the east and west. Some of its 13th century face towers have now collapsed.

At one time, the temple had 2 moats, one found inside and another outside the fourth enclosure.

The three inner enclosures of the temple proper are galleried and the first enclosure’s corner towers form a quincunx with the tower of the central sanctuary.

 

This buildings around the site include libraries in the southeast corners of the first and third enclosures; satellite temples on the north and south sides of the third enclosure; the Hall of Dancers (its 48 pillars, supporting its corbelled roof, has exquisite carvings of dancing apsaras, elephants, men astride horses, floral motifs, etc.) between the third and fourth eastern gopuras; and a House of Fire (or Dharmasala), a resthouse for pilgrims located east of the fourth eastern gopura.

Compared to Angkor Wat or Angkor Thom, Ta Prohm does not have many narrative bas-reliefs, probably because much of the temple’s original Buddhist narrative artwork has been destroyed, following the death of Jayavarman VII, by Hindu iconoclasts.

Crocodile Tree

However, there are still stone reliefs of devatas (minor female deities), meditating monks or ascetics, and dvarapalas (temple guardians) plus some depictions of scenes from Buddhist mythology including one badly eroded bas-relief illustrating the “Great Departure” of Siddhartha, the future Buddha, from his father’s palace.

Apsaras

Bas-reliefs

The Crocodile Tree, the nickname of the most popular of the many strangulating root formations, is located on the inside of the easternmost gopura (entrance pavilion) of the central enclosure.

Tomb Raider Tree

The so-called “Tomb Raider Tree,” another of the most famous spots in Ta Prohm, was where Angelina Jolie’s Lara Croft picked up a sprig of jasmine flower and then the sands remarkably parted as she fell through the earth into the hidden vault of the temple (or Pinewood Studios).

Our visit to the venerable Ta Prohm temple ruins, with its bulging walls carpeted with lichen, moss and creeping plants; shrubs sprouting from the roofs of monumental porches; and ancient towering trees with leaves filtering the sunlight and casting a greenish pall over the whole scene, was a unique, other-worldly experience.

Ta Prohm: AngkorSiem Reap ProvinceCambodia. Visit the temple early in the day when it is at its most impressive. If you want to explore the maze-like corridors and iconic tree roots, allow as much as two hours to visit. To protect both temple and visitor, it is now prohibited to climb onto the damaged galleries as these precariously balanced stones, which may weigh a ton or more, could do some serious damage if they came down.

Thommanon Temple (Siem Reap, Cambodia)

Thommanon Temple

The small and elegant, single-towered Thommanon Temple, one of a pair of Hindu temples built during the reign of Suryavarman II (1113–1150), is located east of the Gate of Victory of Angkor Thom, north and direct opposite of Chau Say Tevoda, around 100m away from the ancient bridge called Spean Thma and  500 m. east of the Victory Gate (just a few minutes off Victory Way just before you reach the Siem Reap River) on the way to Ta Keo. The temple, dedicated to Shiva and Vishnu, is part of the UNESCO World Heritage Site (inscribed by UNESCO in 1992 titled Angkor).

Check out “Chau Say Tevoda

Like the other temples in the region, it’s believed that Thommanon was deserted at some point in the 16th century. In the 1960s, a full and extensive restoration, funded by the École française d’Extrême-Orient (EFEO), was undertaken by French archaeologists who restored the temple and added concrete ceilings.

Thommanon has an east-facing central sanctuary, crowned by a tower (prasat), which can be accessed, from the east, via an entrance building (gopura), and a smaller antechamber (mandapa). The tower’s architectural style is similar to that of the Angkor Wat temple and the nearby Chau Say Tevoda.  However, though similar in design, Thommanon is better preserved than Chau Say Tevoda, attributed to the fact that its superstructure does not have stone-enclosed wood beams.

Violet and Osang at Thommanon Temple

The temple’s adoption of sandstone (which provides a distinct contrast to the surrounding jungle) as the medium for its very well preserved carvings has made it more advanced, in its architectural design, vis-à-vis other mostly wood-based temples in its vicinity. All of its doorways include carved pediments.

However, only the entry gates on the east and the west and the central tower of the main temple are all that remains. The compound walls around the temple have all but disappeared.

The Library

Thommanon and Chau Say Thavoda were inferred to have been interlinked to the central tower under one large compound with large gates. The independent library building was separated from the main temple.

As in other Khmer temples, images of devatas, the distinctive carvings of divine female figures which include flower crowns, Cambodian skirts (sampots), necklaces, armbands, belts and ankle bands, are the centre of attraction in Thommanon and are seen in profusion here. The mudras displayed are complex.

The devatas very distinctively grip the flower in a position called by one Angkor researcher as the devata mudra, holding the ring and middle fingers against the thumb, while the index and small finger are extended.  This position is also prominent at Angkor Wat. Some believe that the devatas, indicate that they were built during the reign of Jayavarman VI (1080–1113 AD), some time at the end of the 11th century. However, after studying the devatas in Thommanon, there is greater agreement among scholars that it was built by Suryavarman II around the time of Angkor Wat and Beng Mealea from 1113 to 1150 AD.

Check out “Angkor Wat

Thommanon Temple: Angkor, Krong Siem Reap, Cambodia.

Chau Say Tevoda (Siem Reap, Cambodia)

Chau Say Tevoda

Chau Say Tevoda (literally: prolific grandchildren of a deity), a Hindu temple dedicated to  predominantly Hindu deities such as Shiva and Vishnu, is located just 500 m. (1,600 ft.) to the northeast of east gate of the ancient capital Angkor Thom and directly south of Thommanon (the temple is on its opposite side of the road) across the Victory Way (it pre-dates the former and post-dates the latter).  Unique devatas (types of female sculptures) and Buddha images are enshrined in it.

Check out “Thommanon Temple

Thommanon and Chau Say Tevoda, both similar in plan and stylistically belonging to the best period of classic art, represent two variations of a single theme of composition. However, Chau Say Tevoda is more deteriorated than Thommanon Temple.

Here is a historical timeline of the temple:

  • It was partly built in the mid-12th century in the Angkor Watperiod during the reign of Hindu King Suryavarman II.
  • During the reign of Dharanindravarman (father of Jayavarman VII, who ruled from Preah Khanof Kompong), representations of Buddha  images were built.
  • During the reign of Jayavarman VII, further supplementation of structures was done.
  • In the 16th century, like most of the temples in the area, the temple was abandoned at some point.
  • In the late 19th century, Chau Say Tevoda was rediscovered by French explorers.
  • Between 2000 and 2009, under a project sponsored by the People’s Republic of China, a Chinese team carried out restoration work, using many of the 4,000 elements lying scattered on the embankment and in the Siem Reap River.
  • In late 2009, the temple was reopened and is now fully accessible.

We entered and left Chau Say Tevoda via the north entrance. Walking towards the temple, we can see traces of a moat and vestiges of a laterite base of an enclosing wall.

About 200 m. (660 ft.) from the temple is a bridge, without a river flowing beneath it (in view of the shifting nature of the course of the Siem Reap River), built with carved stones from temple ruins in the vicinity.

Chau Say Tevoda, similar to Hindu temples built in India (particularly in Odisha), has a cruciform plan and is linked to an entrance hall. The temple, with four gopuras (towers) on the four cardinal signs, has an entrance from the east though a raised bridge. The gopuras and central chamber of the temple are linked by a long hall decorated with a very elegant pattern of flowers inscribed in squares and sculpted with stone flowers similar to those seen at Banteay Srei and Baphuon.

Check out “Baphuon Temple

The temple, consisting of a central tower with an attached mandapa(achieved through a small antarala chamber), has two libraries on its southern and northern sides and is enclosed by a compound wall with four gopuras. A raised causeway, on three rows of octagonal supports (later than the monument) to its east, leads to the Siem Reap River.

Shiva is the main deity of the temple. Many of the sculptures, depicting Vishnu, are in a fairly good condition. Totally disfigured and defaced sculptures of Buddha, deified in a lotus posture and flanked by devotees, are in a mandapa behind a pediment from the entrance door which leads to the antarala. With time, its ceiling has collapsed, leading to further deterioration.

The incomplete eastern Gopura I, oriented in the western direction, has a roof which is part of the not fully restored second “pediment of the lateral southern extension.”  A Buddha, the main figure here, is in a cross legged posture and seated on a high platform flanked by disfigured carvings which are interpreted as that of Garuda and the king of Nagas.

The top pediment of Gopura I, with a figure of Buddha, has the umbrella cover of a Bodhi tree. Carvings, depicting episodes from the life of Buddha, can be seen on the northern door of the eastern Gopura I. The notable bas-relief  of Sita, heroine of the epic Ramayana, can be found here in a seated posture over an altar flanked by rakshasis (female demons). Facing Sita is the carved Hanuman, in a small monkey form and in sitting posture, offering her Rama‘s ring. A wall enclosing the temple in the past, built with laterite stones, has disappeared.

Osang making an offering

Chau Say TevodaAngkor, Cambodia.

How to Get There: from Angkor Thom, you can reach Chau Say Tevoda by exiting through the Victory Gate along Victory Way. Alternatively, you can head east from Angkor Wat to Srah Srang. From there, turn left and then, after  Ta Prohm temple, turn right. Follow the road to the left and go across the Siem Reap River. You’ll see the temple on the left side. It’s also not too far from the town, so it’s easily accessible by bicycle, tuktuk and taxi.