Hike to Tappiya Falls (Banaue, Ifugao)

Tappiya Falls

Come morning it was decision time for the group.  There were two options left for us before leaving Batad in the afternoon.  For the still adventurous, me included, there was the 30-min. (according to the locals) hike to Tappiya Falls, something I haven’t done during my first visit (which was just a day tour way back April 1998).  The other was an easier hike down to Batad Village proper to photograph village life.  I chose the former but half opted for the latter. Joining me to the falls were AACC members Jun, Steve and Rosevie plus Pearl, Phoebe, Ivy, Arvic and our local guide Mang Vicente.

Batad Village

After a hearty but very early breakfast, we all left Simon Inn by 7 AM, taking the same route to the Central Viewpoint.  Beyond the rice terraces, it was a slow, lung busting and steep (with slopes reaching 45 degrees) hike.  A meandering river soon came into view, indicating how near we were to our destination. Across this river and upstream along the far bank was the beautiful and impressive, 25-m. high waterfall with its enormous swimming natural pool.  We were in luck as running across the falls was a rainbow, making for another beautiful and rare photo op. While the others went bathing, Jun, Vi, Steve and yours truly started clicking.

Apo Ben

After 30 mins.of this bather’s and photographer’s heaven, it was time to go as we had another long hard climb ahead.  A rest stop at the Central Viewpoint provided an opportunity to pose (for a fee) with Apo Ben, an Igorot dressed up in full tribal attire (complete with g-string, native spear and feathered headdress).  We arrived at Simon Inn by 11 AM in time for a well-deserved lunch we had no more time for a power nap as we had to pack our stuff and leave. Bebet and Bryan had left by then to allow themselves longer rest stops.  We left the inn with our porters by 1 PM.  The hard part was the hike, now uphill, to the Saddle but from here it was downhill all the way to our pick up point, arriving by 4:30 PM.  The debris from the landslide had been cleared by then.

Dinner at Hillside Inn

Our AUV brought us to Banaue town proper in time for an early pansit dinner at Hillside Inn.  We left Banaue by 6 PM on board a similar airconditioned GV Florida bus and arrived in Manila by 4:30 AM the next day. Again, this rewarding experience helped me gain a healthier respect for the hardworking Ifugao’s ingenuity, the wonders of God’s creation and, in spite of the long hikes, an additional 3 pounds (thanks to the pizza and nutritious highland rice!)

Simon Viewpoint Inn and Restaurant (Banaue, Ifugao)

We reached our destination and home for the night, Simon Viewpoint Inn and Restaurant, by 3 PM. At its concrete, railing-less view deck was the breathtaking amphitheater vista of the Batad Rice Terraces.  Our AACC photographer friends soon set up their tripods and their cameras started clicking away.

Simon Viewpoint Inn and Restaurant

The inn also had a pair of seemingly authentic rectangular and nailless one-room bale huts at the back which I enjoyed exploring. Used for cooking and sleeping, the huts are built on four sturdy amugawan tree trunk posts, 2-3 m. from the ground, to keep the vermin out.  My access to the hut was through a steep, removable bamboo or wooden ladder.  The hut also has outward slanting waist or chest-high walls, two doors, a wooden plank floor and no windows.  The steep, pyramidal, reed and grass-thatched roof conceals the walls.

A pair of Ifugao huts at the back of the inn

After a late lunch and a short power nap to recharge, I joined the others as they left to explore the Batad Rice Terraces up to the Central Viewpoint.  However, to get there, I had to conquer my acrophobia (fear of heights) as I had to traverse a lot of very narrow and high pilapil (terrace walls) along the terrace’s edges to get there.  Once back in Simon’s Inn, we again rested our tired bodies, some having their aching muscles and joints massaged by a local masseuse.  That night, it was all camaraderie, good food (pizza, pita bread, highland rice, veggies, fries, etc.), wine (native rice wine called tappuy) and song (provided by the guitar-playing and crooning Jules).  Lights out at the inn was 10 PM and gladly so as we were all dead tired.  Sleep came easy to the weary.

Food at Simon’s Inn

The Trail to Batad Rice Terraces (Banaue, Ifugao)

The Batad Rice Terraces

This stupendous amphitheater of stone and earth terraces was sculpted out of twin coalescing spurs of a steep, wooded mountain from riverbed to summit. Considered as the “Eighth Wonder of the World” by many, belo it is the relatively unspoiled Batad Village.

These masterpieces of agricultural engineering are said to be the highest of its kind in the world and the largest single agricultural project in the history of mankind.  The terraces are estimated to be more than 100-sq. miles in area, reaching heights of 1,500 m. and its length, if put end to end, would extend 48,280.40 kms., encircling half the globe or extending 10 times the length of the Great Wall of China.

Our hired AUV was soon on our way, along the often dusty but now muddy Mayoyao Rd.,  to the Km. 12 Junction (called the “Saddle”), take-off point for the  hike to Batad Rice Terraces.  However, we only made it halfway as a fresh landslide, brought about by heavy rain the night before, blocked our way, adding another 6 kms. to our already arduous 4-km. hike.  Luckily, there were local porters to carry our backpacks (at PhP200/pack, 2 packs per porter, placed front and back).  Still, this wasn’t going to be a walk in the park as our group had to hurdle, aside from the landslides, tired and aching muscles, sore feet, rough mountain trails (sometimes narrowed to footpaths where only one person at a time could pass) and deep, treacherous ravines. Even in the cold, refreshing mountain air, most were sweating profusely due to the hot sun.

At Km. 12 Junction

Would-be backpackers soon gave up their backpacks to the porters, one had a bout of gout (nice rhyme), another, a diabetic, collapsed from insulin shock and another was on the watch list (having had a quadruple bypass).  Just the same, the photo opportunities were great, with lots of rice terraces, forest-cladded mountains and rivers to shoot, plus there were about six rest stations offering relief and refreshments (as well as souvenir items) to hikers.  From the Saddle, it was an easy downhill hike most of the way.

Return to Banaue (Ifugao)

The narrow streets of Banaue

My first trip to Banaue, Ifugao and its showpiece, the stupendous Batad Rice Terraces (the “Eighth Wonder of the World”), was way back in April of 1998 (http://firingyourimagination.blogspot.com/2011/08/ifugao-day-tour-of-batad-rice-terraces.html) with my then 11-year old son Jandy. Back then there were no celphone signals (making my celphone useless) and the camera I brought with me was an instamatic Canon Sureshot Joy using now rarely-used roll film.  Since then, I have been pining for a return. Well, wishes do come true and I have returned. Though now without Jandy (he had a cold) or my daughter Cheska (she had commitments), I was traveling with seasoned professional photographers –  Mr. Steve Albano, Mr. Jun Bagaindoc, Mr. Jules Capucion, Mr. Nonie Castillo, Ms. Mel Dimapilis, Mr. Rene Enriquez, Mr. Bebet Gaudinez, Mr. Lawrence Bryan Lee and my good friend and frequent travel companion Ms. Rosevie Sevilla; all members of the Ayala Alabang Camera Club.  Our group also included master guide Mr. Lester Susi plus sisters Pearl Giselle and Phoebe Uno, Ms. Ivy Belimac and Mr. Arvic Camua.  To put on some professional air, I brought with me my daughter’s Canon EOS 500D digital SLR which I recently bought in Singapore. However, this was mostly for show as it was set in automatic.

View of the town from People’s Lodge

We left Manila on January 26, 9:30 PM via an airconditioned GV Florida bus at its terminal along Lacson St, near Espana Ave. (near U.S.T.).  One thing nice about this bus was it had its own toilet, convenient for this long-haul  341-km./10-hour trip which including stopovers.  As soon as the bus left the terminal, we all tried to grab some shuteye.  Our trip was uneventful and our bus arrived in Banaue 7 AM the next day.  Our group was picked up by a hired AUV which brought us to People’s Lodge and Restaurant for breakfast. Nostalgically, this inn was the same place me and my son Jandy stayed in during our first visit.  While waiting for our food, we tried out its balcony.  Here, we had a panoramic view of the town, its backdrop of rice terraces and the winding Ibulao River which was traversed by a hanging steel bridge (which, in the past, I tried to cross but chickened out half way).

Ifugao woodcarving

Once done with breakfast, Mel, Rosevie and I explored the nearby handicraft stores for some souvenir shopping.  The shopping options include different kinds of traditional fabric like the woven bark cloth and dyed ikat cloth, wooden objets d’art  such as bowls, trays, oversized spoons and forks, antiques, entirely alien statues of American Indian chiefs and smiling, pot-bellied Chinese gods, and the traditional bul-ols (statues of rice gods).  Curio souvenirs include handwoven wall hangings, crocheted bedroom slippers and pfu-ong (traditional jewelry) representing good luck in hunting or prosperity of children.   Once done, we returned to our group and the AUV for our trip to the jump-off point for our hike to Batad Rice Terraces.

Rizal Shrine (Fort Santiago, Manila)

Rizal Shrine

The Rizal Shrine, Fort Santiago’s most prominent attraction, was the highlight of our tour.  The shrine, housed in a restored (in 1953) 2-storey building formerly used as barracks for two Spanish artillery companies, remains under the supervision of the National Historical Institute (NHI).

 

National Hero Jose Rizal was imprisoned in an improvised “chapel cell” on one corner of its ground floor at the fort’s eastern side.  Here, he was held for two months prior to his execution (November 3 to December 29, 1896) when his sentence was read at 6 A.M..   He also wrote his “Mi Ultimo Adios” (“My Last Farewell”) in this cell.  As a prisoner condemned to death, he was moved into this church-like setting for spiritual contemplation.  He was never confined in a dungeon unlike captured Katipunan members.

Rizal’s Execution (Carlos Botong Francisco, 1961)

Upon entering the first room (Pagbukas ng Alaala), we were greeted by the late National Artist Carlos “Botong” V.Francisco’s commissioned mural (1961) of Rizal’s execution.   Immediately to the right is the door leading to the airconditioned Bulwagan ng Panunulat(Chamber of Texts).  Here are displayed old photos of Rizal’s parents, his sweetheart Leonor Rivera and of Rizal as a child and adult.

Triumph of Science Over Death

Reproductions of original sculptures done by Rizal, “Triumph of Science Over Death” (a torch-bearing Muse of Science standing over a skull) and “Prometheus Bound”, are also prominently displayed. On mounted steel plates are Rizal’s own opinions and analyses as well as those on Rizal done by various scholars.

Rizal’s Opthalmological Instruments

Also on display here are faithful reproductions of Rizal’s handwritten manuscripts Noli Me Tangere(published  in Berlin, 1887) and El Filibusterismo (published in Ghent, Belgium, 1891),  his ophthalmological instruments (Rizal was an ophthalmic surgeon), his shell collection, his Hongkong calling cards, his chess and damaset and  skeletons of frog (Rhacophorus rizali) and lizard (Draco rizali), both named after him.

PHC Plaque

Outside the room is the Galeriya ng Halamanan (Garden Gallery).  On its right is the Silid ng Paninilay(Contemplation Room) which is interconnected to Rizal’s cell (Ang Piitan).  The former was a pantry of food rations for Spanish troops (Cuarto de Menestra) before it was made into a receiving room for Rizal.  The latter, a narrow, dark and nearly airless room, was formerly a storage for military supplies (Cuarto de Repuesto) before being converted to Rizal’s cell.  Rizal’s untitled farewell poem was believed to have been written here. Inside is the familiar sitting wax statue of Rizal done by the late National Artist Guillermo E. Tolentino.  Both rooms are closed to the public.  Two of its doors are original.

Portrait of Rizal at Stairwell Gallery

To the left of the Garden Gallery is the Galeriya sa Hagdanan (Stairwell Gallery).  Here on display, from the foot of the stairs all the way to the top, are oil paintings depicting key moments of Rizal’s life as visualized by painters (Romeo Enriquez, E. Gonzales, Rudy Herrera, etc.) who won in a painting competition during the centenary of Rizal’s birth (June 16, 1961).

A Glass Urn With a Piece of Rizal’s Vertebra With Bullet Wound

Upon reaching the top of the stairs, we entered the Silid ng Nalalabi (Reliquary Room).  Enshrined in a glass urn is the fort’s secular relic: a piece of Rizal’s vertebra with a bullet wound.

Rizal’s Cerrada Coat

Other Rizal personal effects and relics on display in glass cases are two vests made by Rizal’s sisters (1878-81), a cerrada coat, a winter overcoat, fencing sword, dumbbell and walking cane.

Rizal’s Dumbbell and Fencing Sword

2 Vests Made By Rizal’s Sisters

The adjoining airconditioned, 18 meter by 8.5-m. room, Ang Tulang Walang-Hanggan (The Valedictory Poem) is nearly empty except for a glass case with Rizal’s original poem (written on both sides of a tiny piece of paper) and the alcohol burner where the poem was hidden.  Rizal gave this stove to his sister Trinidad with word of its hidden content.  The end of the wall facing the door is inscribed with the words of the “Mi Ultimo Adios” written in Spanish.

Rizal’s Original Mi Ultimo Adios

The last leg of the tour was the Galeriya sa Beranda (Veranda Gallery) where guests sign the guestbook.  Its Museum Shop sells reproductions of old photos, old promotional posters of movies and VHS tapes on the life of Rizal as well as paper bills, medals, stamps, books, key chains, T-shirts and even a cross stitch, all emblazoned with Rizal’s likeness.

Museum Shop

On the walls are plaques with Rizal’s “Mi Ultimo Adios” translated by individuals or groups into different languages : English (Nick Joaquin), Tagalog (Jose Gatmaytan), Korean (Korean Embassy), French (Jean-Claude Masson), Serbo-Croatian (“Povelja” Magazine) and Chinese (Shen Kwang Literary Association of the Philippines).

Czech and Spanish version of Rizal’s “Mi Ultimo Adios”

Translations in Romanian and Indonesian are found in the Garden Gallery.