Category Archives: United States of America

Metropolitan Museum of Art – Arms and Armor (New York City, New York, U.S.A.)

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The Department of Arms and Armor, one of the Met’s most popular collections, was organized in 1975 with the help of the Russian immigrant and arms and armors’ scholar, Leonid Tarassuk (1925–90). This department focuses on “outstanding craftsmanship and decoration,” including pieces intended solely for display.

Metropolitan Museum of Art – Arms and Armor

The 14,000 objects in the collection, spanning more geographic regions than almost any other department, consists of late medieval European pieces; Japanese pieces from the 5th through the 19th centuries; weapons and armor from dynastic Egypt, ancient Greece, the Roman Empire, the ancient Near East, Americas, Africa and Oceania; and American firearms (especially Colt firearms) from the 19th and 20th centuries.

The first thing you would notice, upon entering this department, is one of the most recognizable images of the museum – the Emma and Georgina Bloomberg Arms and Armor Court (European Armor for Field and Tournament).

The most extensive selection in the United States of rare and finely made sixteenth- and seventeenth-century European armor for men and horses, created for kings and noblemen to use on the battlefield and in tournaments, it features a distinctive “parade” of installed figures on horseback, dressed in elaborately decorated Greenwich armors, from the English Royal workshops founded by King Henry VIII of England, as well as one of Henry’s personal armors, made in Italy and worn by the king in his last campaign against the French at Calais in 1544. Other pieces made for and used by kings and princes includes armor belonging to  Ferdinand I of Germany.

The Bashford Dean Gallery (European Arms and Armor, Late Medieval to Renaissance), spanning the development of the art of the armorer from the fourteenth century through the early sixteenth century in Italy, Germany, and other parts of Europe, displays rare and distinctive examples of early field and tournament armor, swords, shields and crossbows.

The Ronald S. Lauder Gallery (European Ceremonial Armor), with works exemplifying artistic styles from the High Renaissance through Mannerism in exuberant etching, embossing, and gold and silver ornament, focuses on lavishly decorated ceremonial armor, shields, and weapons of the sixteenth century from Germany, Italy, and France. Highlights include an ornate armor made for King Henry II of France (embodying the king both as a warrior and a patron of the arts) and a helmet superbly sculpted, in the antique style, by Filippo Negroli.

The Russell B. Aitken Gallery of Firearms (European Hunting and Sporting Weapons),  devoted to hunting and sporting weapons as intricate and evocative works of art, highlights the art of the gun maker from the Renaissance, Baroque, Rococo, and Neo-Classical periods.  It features richly decorated European firearms, crossbows and accessories from the sixteenth to the nineteenth century including weapons that belonged to Emperor Charles V and King Louis XIII of France.

The Russell B. Aitken Gallery of European Edged Weapons (European Swords), offering an unparalleled display of finely decorated European swords dating from the sixteenth through the nineteenth century, includes rapiers, hunting weapons, ceremonial swords and presentation swords made of delicate and precious materials.  It also features the last royal armor made in Europe, created in 1712 for Luis, prince of Asturias, the five-year-old heir to the Spanish throne.

The Robert M. Lee Gallery (American Swords and Firearms), representing outstanding examples of American silver- and goldsmiths’ work, products of the Industrial Revolution, and American folk art, features American swords and firearms from the Colonial Period through the late nineteenth century. They include silver-hilted swords from the time of the American Revolution; an extensive series of Colt revolvers; firearms lavishly decorated by Tiffany & Company; Kentucky rifles; and engraved Colonial-era powder horns.

The Arms and Armor of Islamic Cultures, representing a wide spectrum of Islamic cultures from India, the Middle East, Turkey, and the Caucasus from the fourteenth to the nineteenth century, features rare and beautifully decorated armor and weapons. 

The Samurai Swords and Daggers Gallery, showing masterpieces in steel, lacquer, and gold that represent some of the highest achievements of the arts of the Samurai, features a changing selection of Japanese sword and dagger blades; mountings; and fittings from the fourteenth to the nineteenth centuries.

Japanese Arms and Armor Gallery

 The Japanese Arms and Armor Gallery includes the finest display, outside of Japan, of Samurai armor, edged weapons, equestrian equipment, and accessories from the Kofun Period in the fifth century to the end of the Edo Period in the late nineteenth century. Its centerpiece is the armor of Ashikaga Takauji, Shogun of Japan in the early fourteenth century. 

Japanese Arms and Armor

The Arms and Armor from the Stone Age to the Iron Age explores the function, technology, circulation and meanings of arms (to hunt animals, to defend their lives and goods, and to fight enemies), from the Stone Age through the Iron Age, and the particular significance of these tools during their working lives and beyond.

Metropolitan Museum of Art: 1000 5th Ave, New York, NY 10028, USA. Tel: (212) 535-7710 and (212) 570-3951. Fax: (212) 472-2764. E-mail: communications@metmuseum.org.  Website: www.metmuseum.org. Open 10 AM – 9 PM. Admission: US$25/adult, children below 12 years old is free.

Castle Clinton National Monument (New York City, U.S.A.)

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Castle Clinton National Monument

The 0.4-hectare (1 acre), Medieval-looking Castle Clinton (or Fort Clinton), a circular sandstone fort previously originally known as West Battery and sometimes as Southwest Battery and Castle Garden, was the first American immigration station (predating Ellis Island), where approximately 7.7 million people arrived in the United States from 1855 to 1890. Lying near the northwestern corner of Battery Park, it serves as the park’s main attraction.

Some of the few noteworthy immigrants who passed through here include:

 Check out “Ellis Island National Museum of Immigration”

Built from 1808 to 1811, it has, over its active life, functioned as an administrative headquarters, a paymaster’s quarters and storage area for the United States Army (until 1821), a beer garden, exhibition hall, theater, and public aquarium. Castle Clinton stood slightly two blocks west of where Fort Amsterdam was built in 1626 (when New York City was known by the Dutch name New Amsterdam). By 1790, after the American Revolutionary War, Fort Amsterdam was demolished.

Castle Clinton National Monument plaque

Here is the historical timeline of Castle Clinton:

  • In 1807, a group of three commissioners, including Lt.-Col. Jonathan Williams (a grandnephew of Benjamin Franklin) of the United States Army Engineers, submitted a report that recommended the construction of fortifications in New York Harbor.
  • In 1808, construction of the fort began on a small artificial island just off shore which was connected to Battery Park by a 200-ft. long wood causeway and drawbridge.
  • In 1811, the fort was completed although modifications continued through the 1820s.
  • In 1817, West battery was renamed Castle Clinton, its current official name, in honor of New York City Mayor De Witt Clinton (who eventually became Governor of New York).
  • In March 1822, it was ceded to the city by an act of Congress.
  • In June 1824, the fort was leased to New York City as a place of public entertainment.
  • On July 3, 1824, it opened as Castle Garden (a name by which it was popularly known for most of its existence), an open-air structure serving, in turn, as a promenade, beer garden/restaurant, exhibition hall (new inventions such as the telegraph, Colt revolving rifles, steam-powered fire engines, and underwater electronic explosives were demonstrated there), opera house and theater.
  • That same year, it celebrated the arrival of Gen. Lafayette at the beginning of his year-long triumphal tour of America.
  • In 1844, a domed roof was placed to accommodate a 6,000-seat theater.
  • In 1850, to initiate her American tour, Swedish soprano Jenny Lind (the “Swedish Nightingale”), brought to America by by P.T. Barnum (famous for his American Museum full of “freaks” and, later, the famous circus which bears his name), gave two concerts for charity at the castle.
  • In 1851, European dancing star Lola Montez performed her notorious “tarantula dance” in Castle Garden.
  • In 1853–54, Louis-Antoine Jullien, the eccentric French conductor and composer of light music, gave dozens of very successful concerts mixing Classical and light music.
  • On June 17, 1851, the Max Maretzek Italian Opera Company notably staged the New York premiere of Gaetano Donizetti‘s Marino Faliero.
  • On July 20, 1854, the Max Maretzek Italian Opera Company also staged the New York premiere of Giuseppe Verdi‘s Luisa Miller  at Castle Garden.
  • During the 1860s, landfill was used to expand Battery Park at which point the island containing the fort was incorporated into the rest of Manhattan Island.
  • In the first half of the 19th century, most immigrants arriving in New York City landed at docks on the east side of the tip of Manhattan, around South Street.
  • On August 1, 1855, Castle Clinton became the Emigrant Landing Depot, functioning as the New York State immigrant registration center (the nation’s first such entity).
  • On April 18, 1890, the  S. government assumed control of immigration processing from the state government.
  • On January 2, 1892, after many unnecessary deaths and scandals over immigration workers cheating and stealing from immigrants, the immigration control was taken over by the federal government and the immigrant registration center was moved to the larger, more isolated Ellis Island
  • On June 15, 1897, a fire consumed the first structures on Ellis Island, destroying most of Castle Clinton’s original immigrant passenger records (it is generally accepted that approximately 7.7 million immigrants and, perhaps, as many as 10 million were processed during its operation).
  • On December 10, 1896, Castle Garden was opened as the site of the New York City Aquarium (designed by McKim, Mead & White) which, for many years, was the city’s most popular attraction, drawing hundreds of thousands of visitors each year to see its Beluga whale, sea lions and exotic fish. The structure was extensively altered and roofed over to a height of several stories, though the original masonry fort remained.
  • In 1941, Triborough Bridge and Tunnel Authority Commissioner Robert Moses wanted to tear the structure down completely, claiming that this was necessary to build the Brooklyn–Battery Tunnel.
  • In September 1941, to expedite construction of the tunnel, the city closed the New York Aquarium and moved its fish to other aquariums. The aquarium was not replaced until Moses opened a new facility on Coney Island in 1957.
  • On August 12, 1946, President Harry S. Truman signed the legislation making the castle a U.S. National Monument.
  • In July 1947, the New York City Board of Estimate voted to demolish Castle Garden. However, the Board delayed the demolition for another year to allow the federal government to review the decision.
  • In May 1948, the Board voted to demolish the castle for the sixth time in as many years.
  • After another year of discussion, the New York State Assembly reversed its decision to allow the castle to be demolished.
  • On July 18, 1950, the federal government finally obtained the property after the city deeded the land and castle to the federal government.
  • In 1956, after funding had been secured, a project to renovate Castle Clinton was announced.
  • On October 15, 1966, Castle Clinton National Monument was listed on the National Register of Historic Places.
  • In the 1970s, a major rehabilitation took place, largely restoring it to its original appearance.
  • In 1975, Castle Clinton was reopened.

Designed by John McComb Jr. and Jonathan Williams, West Battery had a red brick facade, 8-ft. thick walls and was roughly circular in shape, with a radius of approximately 28 m. (92 ft.).

The ticket office

About one-eighth of the circle was left “unfinished,” with a straight wall constructed between the “unfinished” segments.

Intended to complement the three-tiered Castle Williams (the East Battery, on Governors Island, named after Jonathan Williams) with crosshair fire so that the channel between them could be closed, West Battery was armed with 28 cannons, in casemated gun positions, which could fire a 32 pound cannonball a distance of 1.5 miles into the harbor.   Although garrisoned in 1812, the fort never saw action in any war.

Currently administered by the National Park Service and now part of the Statue of Liberty National Monument, Castle Clinton is now a departure point for visitors to the Statue of Liberty and Ellis Island, housing an information center and ticket booths for the ferries.

Castle Clinton Museum

In 2009, it recorded nearly 4.08 million visitors. In addition, the fort contains a small history exhibit and occasionally hosts concerts.

Check out “Statue of Liberty National Monument”

Castle Clinton National Monument: Battery Park, 26 Wall St., Manhattan, New York City 10005. Tel: (212) 344-7220.

Grand Central Terminal (New York City, U.S.A.)

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The historic and beautiful Grand Central Terminal, a world-famous landmark in Midtown Manhattan and one of the most majestic buildings of the twentieth century, was designed by the architectural firms of Reed and Stem and Warren and Wetmore and opened to the public on February 2, 1913.  On December 8, 1976, it was declared as a U.S. National Historic Landmark.

Grand Central Terminal

This massive, granite, Beaux-Arts-style  building has both monumental spaces and meticulously crafted detail, especially on its facade. At the top of the building is “The Glory of Commerce,” a cluster of sculptures designed by French sculptor Jules-Felix Coutan, carved by the John Donnelly Company and assembled by William Bradley of Long Island City, Queens.  Depicting  Minerva, Hercules, and Mercury (representing Wisdom, Speed, and Strength, according to Roman mythology), it was, during its unveiling in 1914, the largest sculpture grouping in the world. The exterior clock, just beneath Mercury, is the largest piece of Tiffany glass in the world, measuring 4 m. (13 ft.) in diameter.  The eagles, perched on the corner of the building, actually adorned the previous Grand Central Station, which opened in 1869.

The cavernous interior

Here are some interesting trivia regarding this terminal:

  • The terminal is one of the world’s most visited tourist attractions, with 21.9 million visitors in 2013.
  • So much granite was used that the building emits relatively high levels of radiation. At an average dose of 525 mrem/year, a level higher than permitted in a nuclear power facility.
  • Grand Central Terminal’s 20 hectare (49-acre) basements are among the largest in New York City.
  • The exact location of M42, a “secret” sub-basement under the terminal that contains the AC to DC convertersused to supply DC traction current to the tracks, is a closely guarded secret and does not appear on maps.
  • It covers 19 hectares (48 acres) and has 44 platforms, more than any other railroad station in the world.
  • The Main Concourse was featured in dozens of films, among them Alfred Hitchcock’s “North By Northwest” to the animated DreamWorks film” Madagascar” as well as scenes from the Avengers, Superman and the X-men.

The cavernous, 84 m. (275 ft.) long, 37 m. (120 ft.) wide and 38 m. (125 ft.) high Main Concourse, the center of Grand Central, is usually filled with bustling crowds and is often used as a meeting place. Since the introduction of ticket vending machines, the ticket booths here now stand unused or have been repurposed.

Bay Balcony

Its interior has 35 restaurants, such as the famous  Oyster Bar & Restaurant (the only business that remained from the very day that Grand Central opened in 1913), Shake Shack and various fast food outlets (Starbucks, etc.) surrounding the Dining Concourse on the level below the Main Concourse, as well as delis, bakeries (Magnolia Bakery, etc.), pharmacy (Rite Aid),  full-service watch repair shop (Central Watch), fourth floor tennis club (Vanderbilt Tennis Club, opened in the 1960s and now owned by onald Trump), newsstands, a gourmet and fresh food market, an annex of the New York Transit Museum, and 65 retail stores (Apple Store, Vineyard Vines, M.A.C. Cosmetics, etc.).

Some of the restaurants and retail stores within the terminal

Right outside the Oyster Bar is the Whispering Gallery.  One of the most popular spots in the Terminal, people often crowd this relatively plain-looking space, their faces pressed into the corner as the gallery perfectly transmits sound from corner to corner so much so that you can have a conversation, at the barest whisper, with a friend, hearing each other as though you were standing face to face.  The precise arch of the ceiling and the tiled surface caused this architectural anomaly.

The main information booth, in the center of the concourse, has the Main Concourse Information Booth Clock, a 4-faced brass clock, on top. Perhaps the most recognizable icon of Grand Central, it was designed by Henry Edward Bedford and cast in Waterbury, Connecticut. Each of the four clock faces is made from opalescent glass (now often called opal glass or milk glass), though urban legend has it that the faces are made of opal and that Sotheby’s and Christie’s have estimated their value to be between $10 million and $20 million.

Information board

The original blackboard (with arrival and departure information) by Track 36, dubbed a Solari board (after its Italian manufacturer), was replaced, in the main concourse, by an electromechanical display over the ticket windows that displayed times and track numbers of arriving and departing trains.

This New York institution, an indicator of just how busy Grand Central was, once contained rows of flip panels that displayed train information as its many displays would flap simultaneously to reflect changes in train schedules. Today, high-resolution mosaic LCD modules replaced the flap-board destination sign.

The elaborately decorated astronomical ceiling

The starry, stunning and elaborately decorated astronomical ceiling of  the Main Concourse, depicting the constellations of the Zodiac (astronomically inaccurate in a complicated way as other constellations are reversed left-to-right), was conceived in 1912 by Architect Whitney Warren with his friend, French portrait artist Paul César Helleu, and executed by James Monroe Hewlett and Charles Basing of Hewlett-Basing Studio, with corps of astronomers and painting assistants working on it. In the late 1930s, the original ceiling was replaced to correct falling plaster. A 12-year restoration effort, completed in autumn 1996, removed tar and nicotine from tobacco smoke from the ceiling and restored to its original design.

Next to the Main Concourse sits Vanderbilt Hall, named for the family of Cornelius Vanerbilt that built and owned the station.  Serving as the entrance area from 42nd Street at Pershing Square, it was formerly the main waiting room for the terminal.  Today, it is used for the annual Christmas Market and special exhibitions, and is rented for private events.

Jandy with the Main Concourse Information Booth Clock behind him

Grand Central Terminal: 89 East 42nd St. at Park Ave., New York City, New York 10017. Open aily, 5:30 AM – 2 AM. Website: www.grandcentralterminal.com. The Grand Central Market is open Mondays – Fridays, 7 AM -9PM; Saturdays, 10AM – 7PM; and Sundays, 11AM – 6PM..

How To Get There: The closest subway station is at the terminal itself (Grand Central Station) and is serviced by 4, 5, 6, and 7 trains as well as the S shuttle train from Times Square –42nd Street.

Museum of Modern Art (New York City, U.S.A.)

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Museum of Modern Art

The first place we visited, upon arrival in New York City, was the Museum of Modern Art (MoMA),  an art museum located in Midtown Manhattan. One of the largest and most influential museums of modern art in the world. MoMA’s admission cost of US$25 makes it one of the most expensive museums in the city.

The crowd that day inside the museum

However, it has free entry on Fridays, sponsored by clothing company Uniqlo, after 4PM and this we availed of. As such, the museum was more crowded (including the inevitable Oriental selfie snappers) than I would have liked and it was hard to move around but who can complain?

Photography (minus the camera flash) was allowed here, though my pictures didn’t capture the impact of the in-real-life viewing. There are 5 floors of artwork to admire and the huge galleries, whose overall chronological flow presents a perspective of stylistic progression and place in time, were well laid out. I allow a minimum of two hours to explore the museum.

The author besides Joan Miro’s The Hunter – Catalan Landscape (1923-24, Oil on Canvas)

MoMA  has been important in developing and collecting Modernist art and its collection offers an overview of modern and contemporary art, including works of sculpture,  architecture and design, drawing, painting,  photography, prints, illustrated books and artist’s books, film and electronic media.

A private non-profit organization, MoMA is the seventh-largest U.S. museum by budget (its annual revenue is about US$145 million, none of which is profit).

Andre Derain (Bathers, 1907, Oil on Canvas)

Vasily Kandinsky (Picture with an Archer, 1909, Oil on Canvas)

Rene Magritte (The Lovers, 1928, Oil on Canvas)

MOMA is considered, by many, to have the best collection of modern Western masterpieces in the world.  Its holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million film stills (access to the collection ended in 2002 and the collection is mothballed in a vault in Hamlin, Pennsylvania).

Claude Monet (Agapanthus, Oil on Canvas, 1914-26)

Andrea Bowers (A Menace to Liberty, 2012)

All the classics were here and it was moving, inspiring, immersive and absorbing but also a bit overwhelming. The nicely curated collection at the fifth floor houses such important and familiar works as the following:

Claude Monet (The Japanese Footbridge)

Jackson Pollock (One Number 31, 1950)

It also holds works by a wide range of influential European and American artists including Georges Braque, Marcel Duchamp, Walker Evans, Helen Frankenthaler, Alberto Giacometti, Arshile Gorky, Hans Hofmann, Edward Hopper, Paul Klee, Franz Kline, Willem de Kooning, Dorothea Lange, Fernand Léger, Roy Lichtenstein, Morris Louis, René Magritte,  Joan Miró, Henry Moore, Kenneth Noland, Georgia O’Keeffe, Jackson Pollock, Robert Rauschenberg, Auguste Rodin, Mark Rothko, David Smith, Frank Stella, and hundreds of others.

Fernand Leger (The Mirror, 1925, Oil on Canvas)

Fernand Leger (Woman with a Book, 1923, Oil on Canvas) (1)

Many of the paintings have an audio option which is great for some background information.

Vincent Van Gogh (The Starry Night, 1889, Oil on Canvas)

Seeing the original painting of Vincent van Gogh’s famous The Starry Night was certainly a moving experience that I shall not soon forget. I could actually see the layers and layers of paint, the small brush strokes and all of the colors of paint that are far more vivid on canvas.

Claude Monet (Reflections of Clouds on the Water-Lily Pond)

Claude Monet’s Water Lilies triptych, breathtaking to see in person, was also a big highlight worth seeing. The Picasso’s were also stunning, It was also great to see the full set of Andy Warhol, Campbell’s Soup Cans.

Any Warhol (Campbell’s soup cans, 1962)

An acquired taste is required for the temporary exhibits at the 3rd and the 4th floors which were very contemporary and not to my liking. The perplexing abstract pieces, using garage components such as snow shovels and car tires hammered (which begs the question “what was that supposed to be?”), didn’t excited me but they were still worth seeing how imaginative (and indulgent) modern artists have become.

Check out “Unfinished Conversations: New Work From the Collection,” “Robert Rauschenberg: Among Friends” and “Making Space: Women Artists and Postwar Abstraction”  

Shirana Shahbazi (Composition 40 2011)

Certain pieces here challenged my preconceived ideas, making me scratch your head and ask the question “Is that’s art?” upon seeing 7 boards of wood painted white being called art.

Frank Lloyd Wright at 150

However, being an architect, the very informative Frank Lloyd-Wright exhibit, with its original drawings (painstakingly rendered the old fashion way), blueprints, sketches and models for many of his projects (both completed and proposed); was very interesting.

Check out “Frank Lloyd Wright at 150: Unpacking the Archive” 

Frank Lloyd Wright

Articles about the the myth of the great American architect provide interesting insights into his thinking and inspirations, portraying how advanced his ideas were in many ways.

Henri Matisse – Music (Sketch, 1907, Oil and Charcoal on Canvas)

Henri Matisse (Periwinkles-Morrocan Garden, Oil, Pencil and Charcoal on Canvas, 1912)

Henri Matisse (Still Life with Aubergines, Oil on Canvas, 1911)

Henri Matisse (The Rose Marble Table, Oil on Canvas, 1917)

MoMA’s Department of Architecture and Design, was founded in 1932, is the first museum department in the world dedicated to the intersection of architecture and design.  Philip Johnson, the department’s first director, served as curator between 1932–34 and 1946–54.

Henri Matisse (La Serpentine, Bronze, 1909)

Henri Matisse (Dance-1, 1909, Oil on Canvas)

Henri Matisse (The Morrocans, Oil on Canvas, 1915-16)

The collection consists of 28,000 works including architectural models, drawings and photographs and one of its highlights is the Mies van der Rohe Archive. It also includes works of legendary architects and designers Frank Lloyd Wright, Paul László, the Eameses, Isamu Noguchi, and George Nelson.

Pablo Picasso (Les Demoiselle d’Avignon, Oil on Canvas, 1907)

Pablo Picasso (Woman with Pears, 1909, Oil on Canvas)

Pablo Picasso (The Studio, Oil on Canvas, 1927-28)

The Design Collection contains many industrial and manufactured pieces, ranging from a self-aligning ball bearing to an entire Bell 47D1 helicopter.

Bell 47D1 helicopter

In 2012, the department acquired a selection of 14 video games, the basis of an intended collection of 40 which is to range from Pac-Man (1980) to Minecraft (2011). The world-renowned Art Photography Collection, founded by Beaumont Newhall in 1940, includes photos by Todd Webb.

Pablo Picasso (Nude with Joined Hands, Oil on Canvas, 1906)

Pablo Picasso (Two Nudes, 1906, Oil on Canvas)

Pablo Picasso (Ma Jolie, 1911)

Pablo Picasso (Bather, Oil on Canvas, 1908-09)

The building also features an entrance for school groups, a 125-seat auditorium, an orientation center, workshop space for teacher training programs, study centers, and a large lobby with double-height views into the beautiful outdoor Sculpture Garden, at the mile of the museum, which features Aristide Maillol’s The River, a great statue of a woman diva laying on her back above the water.

Aristide Maillol (The River)

Alexander Calder (Sandy’s Butterfly, 1964)

From about 1.5 million a year, MoMA has seen its average number of visitors rise to 2.5 million after its new granite and glass renovation. In 2009, the museum reported 119,000 members and 2.8 million visitors over the previous fiscal year.

Paul Cezanne (Still Life with Apples, 1895-98, Oil on Canvas)

Paul Cezanne (L’Estaque, 1879-83, Oil on Canvas)

Paul Cezanne – Château Noir 1904-06, Oil on canvas, 73.6 x 93.2 cm.)

During its 2010 fiscal year, it attracted its highest-ever number of visitors of 3.09 million. However, in 2011, attendance dropped 11% to 2.8 million.

Paul Cezanne (The Bather, 1885, Oil on Canvas)

Paul Cezanne (Pines and Rocks – Fountainbleau)

Since its founding in 1929, the museum was open every day until 1975, when it closed one day a week (originally Wednesdays) to reduce operating expenses. In 2012, it again opened every day, including Tuesday, the one day it has traditionally been closed.

Henry Rosseau (The Sleeping Gypsy, 1897, Oil on Canvas)

Henri Rosseau (The Dream, 1910, Oil on Canvas)

The museum’s awesome gift shop had a lovely selection of gifts such as magnets, prints and more unique items like socks and scarves with art on them as well that summed up all of the amazing art throughout the museum. 

Vasudeo S. Gaitonde (Painting No. 4, 1962)

Mademoiselle Pogany (Constantin Brancusi)

Museum of Modern Art (MoMA): 11 West 53rd St. (between Fifth and Sixth Ave.) , New York City, NY 10019, USA. Open 10:30 AM – 5:30 PM (8 PM on Fridays). Admission: US$25/adult, children below 12 years old is free. 

How to Get There:

Bus: Any line to 53rd Street

Metro: Any line to Fifth Avenue or 53rd Street