Museo Valenzuela (Valenzuela City)

I recently got an invitation from Lakbay Norte colleague and now La Consolacion College School of International Hospitality Management Prof. Melissa  Dizon-Dulalia to join a Lakbay-Aral tour of Valenzuela City with her students as guests of City Mayor Sherwin T. Gatchalian.  I brought along, as my photographer, my son Jandy.  We met up with Melissa and her students at La Consolacion College where a chartered airconditioned Genesis bus was waiting for us to bring us to Valenzuela City.    

Museo Valenzuela

Aside from the Melissa’s 42 Tourism Planning and Destination Development Class students, joining us were fellow media colleague Mr. Rogine de Mata Rogelio of Pilipino Mirror; travel photographer Nico Karabatsos; travel agents Mr. Sandy Mella Clamor (Managing Director of Emmaus Travel & Tours) and Ms. Bingbing Rubio (Pogi Travels); and Ms. Violeta  C. Imperial (founder of Nature Awareness & Conservation Club, Inc.).

Mayor Sherwin Gatchalian with media and travel agents
Mayor Gatchalian with La Consolacion College students

We all left La Consolacion College by 8:45 AM and arrived at the 2-storey Museo Valenzuela, beside the National Shrine of Our Lady of Fatima, by 9:20 AM.  Here, we were joined by my good friend and fellow travel blogger Mr. Mark Vincent Nunez (www.mvlnunez.blogspot.com) and travel agent and Valenzuela City resident Ms. Rosanna Kho (Gen. Manager of Kho Travel & Tours).  

Museum curator Jonathan C. Balsamo

At the museum, we were welcomed by museum curator and historian Mr. Jonathan C. Balsamo who presented a video documentary, created by the City Cultural Affairs and Tourism Development Office (CATDO), featuring historical experts’ commentary on the life of local son and least depicted national hero Dr. Pio Valenzuela (July 11, 1869-April 6, 1956), Katipunan co-founder (together with Andres Bonifacio and Emilio Jacinto), mayor of Polo (the former name of the city) from September 6, 1899-February 1900 and Bulacan governor from 1921-1925.  The city was renamed after him on September 11, 1963.

Diorama – Pagkamakabayan and Paglilingkod
Diorama – Pagkamulat and Pagkilala

The museum, which gives public access on factual information on Dr. Pio, is among the major efforts of Mayor Gatchalian to prevent Dr. Pio’s deeds from dying in vain.  It has a bust sculpture of Dr. Pio and a permanent, full-dimensional diorama exhibit, opened last March 16, 2010, of the life of Dr. Valenzuela during and after the Philippine Revolution. The 150 hand-made dolls, fashioned out of resin and wire, were created by artists of the Balikatan sa Kaunlaran National Foundation, the same team behind the Pinaglabanan diorama exhibited at the Museo ng Katipunan in San Juan City. Also on display are the doctor’s memorabilia (clothes, old photos, awards, medical equipment, furniture, etc.).

Pio Valenzuela and wife Marciana de Castro
Dr. Pio’s clothes
The doctor’s medical equipment
Dr. Pio’s swivel chair

It also exhibits paintings of past Valenzuela mayors and a model of San Diego de Alcala Church.  Serving as the cultural and historical center of the city, the museum is also the repository of Valenzuela City’s rich heritage and provides a venue for cultural, historical and artistic presentations as well as seminars on national and local issues.

A picture gallery of Valenzuela mayors
Model of Church of San Diego Alcala

Museo Valenzuela: Fatima Ave., Brgy. Marulas, Valenzuela City, Metro Manila. Tel: (632) 291-0672.

Philippine Air Force Aerospace Museum – Indoor Exhibits (Pasay City)

While waiting for my father-in-law’s arrival from Kalibo (Aklan) at the NAIA 3 Terminal, I decided to kill time at the nearby Philippine Air Force Museum.  I have visited this museum before, but only got to explore, with Jandy, the 16 “retired” planes and helicopters at the museum’s outdoor Aircraft Park.  The indoor exhibit was just one hour to closing time during that visit.

Philippine Air Force Aerospace Museum

This military heritage and science technology museum was established way back on May 2, 1974 (as the Marcos Museum) but it only opened at its new location on July 1, 2001.  The world-class museum building was inaugurated on June 29, 2007, the 60th foundation anniversary of the PAF.  Surprisingly, this tidy, neat and quite impressive, 2-level museum, a good 2-hr. diversion for those who are also waiting for their plane connections, had a number of weekday visitors.

Science and Technology Section

The Science and Technology Section, at the ground floor, is highlighted by by an indoor static aircraft of various eras  – from pre-World War II to the present – all immaculately restored.  Of World War II vintage is a single-engine, 2-seater, open cockpit and fabric-covered Boeing PT-13D “Kaydet” (also known as Stearman Model 75) primary trainer biplane, a standardized U.S. Army/Navy trainer aircraft created by Boeing-Stearman from 1943-45.  Before World War II, the Philippine Army Air Corps (now the PAF) had Stearman model 73L3 trainers and the armed 76D version.  As part of the U.S. Military Defense Assistance Program (MDAP), the PAF Flying School acquired 50 PT-13/PT-17 “Kaydets.”

PT-13D “Kaydet”

The one on display is PT-13D “Kaydet” 76-7551 code 551 equipped with a 220-HP Lycoming R-680-17 radial engine (max. speed: 125 mph) and fitted with a ground-adjustable McCauley steel black propeller.  The aircraft has a 32-ft., 2-in. wing span and is 24 ft. 10 in. long and 9 ft. 2 in. high.

P-51D “Mustang”

Also of World War II vintage is a propeller-driven  P-51D “Mustang” fighter, manufactured by North American Aviation, the best fighter aircraft of World War II.  Around 100 of these fast and maneuverable aircraft, with 6 wing-mounted guns, were delivered to country in 1952 and assigned to the 6th Tactical Fighter Squadron, 5th Fighter Wing in Basa Air Base (Floridablanca, Pampanga).

SF-260

Beside it is a modern, Italian-made SIAI Marchetti SF-260, a light military trainer with low wings and tricycle undercarriage that is still in use.  The PAF acquired 2 variants in 1967 and initially received 2 SIAI Marchetti SF-260 operated by 102nd Training Squadron (now the PAF Flying School). The one on display had a tail number 15-44 and bore a tactical code 644.  Aside from being used by the flying school, it is also used for counter-insurgency roles.

“Cali” Super Pinto

Also on display are PAF experimental projects presented in ways to inspire young generations of Filipinos to learn on aerospace-related sciences. Of special interest is a prototype of the “Cali” Super Pinto, the first indigenous jet trainer and light attack aircraft in the country.  This turbojet-propelled, mid-monoplane aircraft has a TEMCO model TT-1 Pinto air frame with 2-place tandem seating.

U.S. space capsule
Replica of Wright Brothers’ 1902 glider

Suspended on the ceiling is a locally-made, full scale model of the Wright Brothers’ 1902 glider  and a U.S. space capsule.  The Science and Technology Section also exhibits aircraft mock-ups and miniatures. There is also a souvenir shop on this floor.

Dodge WC-57 Command Car
A row of ejection seats
Canopy and ejection seat systems

Also within this floor is a Dodge WC-57 Command Car (used by former Philippine presidents);  armament and gun system of a Northrop F-5A; F-86F nose landing gear system; canopy and ejection seats (F-86F “Sabrejet,” F-4 “Phantom” and F-5A “Freedom Fighter”); a portable rescue hoist and jet engines.  Kids may sit in the cockpit of an F-86D fighter jet simulator.

Hiroo Onoda Exhibit
Wall of Heroes
Evolution of PAF Uniforms

The Heritage Section, at the second floor of the museum, presents a variety of galleries displaying different military uniforms and their evolution (Evolution of PAF Uniforms); flying gear; dioramas and sand tables of important events involving the Air Force (Dioramas/PAF Model Aircraft); model planes, memorabilia, vintage guns, locally made bombs; a display of things left by Japanese straggler Lt. Hiroo Onoda while hiding in the jungles of Lubang in Mindoro; and skilled drawings and paintings of early military aviation and PAF history.

Past Commanding Generals of the PAF

There are also photographs of past commanding generals of the Philippine Air Force; recipients of the Philippine Medal of Valor and Distinguished Conduct Star (Wall of Heroes); old photographs depicting the history of the Air Force and its Blue Diamonds aerobatics team (Birth of Philippine Aviation) and a photo exhibit of the historic May 29, 1936 Arnacal (short for the names of Filipino pilots Antonio Arnaiz and Juan Calvo) flight from Manila to Madrid (Spain).

Photo exhibit of Arnacal flight

This floor also has a 150-200-pax function room for seminars, workshops, symposia, expositions and other cultural activities, plus a 45-pax mini-theater for small group film showings.\

Philippine Air Force Aerospace Museum: Gozar cor. Alia St., Col. Jesus Villamor Air Base, Pasay City.   Open Mondays to Fridays, 8 AM to 5 PM, Saturdays, 8 AM to 12 noon. Admission is free.  Tel: (632) 832-3498, 854-6729 and 762-6628.

Bulacan Doll Museum (Pulilan, Bulacan)

Bulacan Doll Museum

The Bulacan Doll Museum, a museum located within the Pulilan Butterfly Haven, a popular ecological and swimming resort, exhibits a 17-diorama doll collection that pays tribute to Filipino craftsmanship.

Check out “Pulilan Butterfly Haven and Resort

 

Alamat ng Ibong Adarna

Fertility Dance

Among the historical events depicted in the dioramas are the Birth of Katipunan in Bulacan, the Battle of San Rafael, the Declaration of Philippine Independence, the Biak-na-Bato Republic; the Capture of Calumpit by the Americans, the Japanese Occupation in Bulacan, the Independence Day celebration in Bulacan, the Malolos Congress, and the Defense of Kakarong de Sili in Pandi.  

Fluvial Parade of Bocaue

Good Friday Procession

The Folklore of Juan Tamad

The museum also features the Carabao Festival, the Sta. Clara Fertilization Dance in Obando, the fluvial parade of Bocaue, the Good Friday procession in Baliwag, Bayanihan and Pamanhikan (pre-nuptial entreaty ceremony); Alamat (fable) of Ibong Adarana; the folklore of Juan Tamad; the neighborhood cooperative endeavor; and Bulacan industries such as Paombong vinegar (suka) industry, the making of polvoron and other native delicacies, jewelry-making, embroidery and hat-weaving.

Pre-Nuptial Entreaty Ceremony

The Biak-na-Bato Republic

Pulilan Butterfly Haven: San Francisco St., Poblacion, Pulilan, Bulacan.  Tel: (044) 676-1377 and 910-1388.  E-mail:  pulilanbutterfly@yahoo.com.  Website: www.pililanbutterfly.ph.

Pulilan Butterfly Haven and Resort (Bulacan)

From Calumpit, Jandy and I entered the town of Pulilan and made a stopover at the Pulilan Butterfly Haven, a popular ecological and swimming resort house within the Aguirre Ancestral House.  Jandy had been here before, during a field trip in February 2005.

Check out “Pulilan Town Proper

A haven for butterfly enthusiasts and nature lovers, it has a collection of breeding and flight area for 8 species of colorful butterflies (tree nymph, lacewings, etc.), an ornamental garden, orchidarium (including the famous vanda sanderiana) and a 1,600 sq. m., butterfly-inspired swimming pool (admission: PhP100/pax), all creating a refreshing and cool atmosphere, plus a museum (Bulacan Doll Museum, admission: PhP50 ) and overnight cottages (PhP1,500).

Pulilan Butterfly Haven
Upon entry, we met up with caretaker Ms. Fe Magtalas who toured us around the Bulacan Doll Museum.  Located within the unassuming old ancestral house of owner Ms. Estelita A, Caleon-Aguirre (poetess, CPA and deputy commissioner of the Bureau of Internal Revenue), this museum houses the Bulacan Doll Museum, a 17-diorama doll collection that pays tribute to Filipino craftsmanship.
Check out “Bulacan Doll Museum
Bulacan Doll Museum


Pulilan Butterfly Haven
: San Francisco St., Poblacion, Pulilan, Bulacan.  Tel: (044) 676-1377 and 910-1388.  E-mail:  pulilanbutterfly@yahoo.com.  Website: www.pililanbutterfly.ph

Taipei National Palace Museum (Taiwan)

After our visit to the Revolutionary Martyr’s Shrine, we were next driven to the Taiwan Handicraft Promotion Center for some souvenir shopping.  On sale were porcelain, cloisonne, oil paper umbrellas, painted fans, wood carvings, crystal, etc.  Reto, Gabriella, Jandy and I just browse around while Isha bought some souvenir gifts for her friends.

Taipei National Palace Museum

We next proceeded to the final destination in our half-day city tour – the 198-acre Taipei National Palace Museum.  The national museum of Taiwan, it houses one of the world’s largest and most valuable collection of Chinese art treasures, with over 677,687 pieces of ancient Chinese artifacts and artworks, most of them high-quality pieces from the Chinese imperial collection of China’s ancient emperors, began over 1,000 years ago in the early Song Dynasty.  The collection encompasses over 8,000 years of Chinese history,  from the Neolithic Age to the late Qing Dynasty.

Taipei National Palace Museum

As it was a weekend, the museum was packed with visitors and we had to queue in line.  We weren’t allowed to take photos of the collection.  Donning our headphones, Mr. Pang gave us interesting descriptions of the 1,700 artifacts on display which, incidentally, is only 1% of the total collection which numbers some 93,000 items of Chinese calligraphy, porcelain,  6,044 cast bronzes,  5,200 scroll paintings, 12,104 pieces of jade, 3,200 examples of lacquer and enamel ware, figurines, assorted carvings, fans, rubbings, coins, textiles and many other artifacts from Beijing’s Forbidden City as well as 562,000 rare, traditional books and documents. The rest of the collection is stored in temperature-controlled basement vaults. The displays are rotated once every 3 months, which means 60,000 pieces can be viewed in a year but it would take us nearly 12 years to see them all.

L-R: Jandy, Gabriella, Reto and Isha

The most famous and notable pieces on display at the museum are the Jadeite Cabbage (part of the dowry of the Qing Dynasty concubine Jin), the Meat-Shaped Stone, Agate Finger Citrons, White Jade Branch of Elegant Lychee, T’ien-huang Stone Miniature Mountain, the Jiu Manzhou Dang (a set of Manchu archives), the Carved Olive-stone Boat, the Jadeite Screen Insert and “One Hundred Horses,” a painting done in 1728 by Giuseppe Castiglione.

During the civil war, these important treasures were transferred, in 2,972 boxes, to Taiwan to evade damage.  This transition brought the re-establishment of the National Palace Museum (it was first called Chungsan Museum).  Designed by Huang Baoyu, its construction was started in 1962 and the museum was inaugurated on November 12, 1965, the 100th anniversary of the birth of the great Chinese revolutionary Sun Yat-sen (1866-1925).

A sitting statue of Dr. Sun Yat-sen

The museum has 4 floors, the first, second and third floors are used for exhibitions while the fourth floor is a lounge where visitors can rest.  On the left side of the museum hall is the Chih-shan Garden (showcases many of the elements of traditional Chinese gardening art) while on the right is the Chih-te Garden. Also part of the Taipei National Palace Museum is the Chang Dai-ch’ien Memorial Residence, the home of the celebrated painter Chang Dai-ch’ien (1901-1984).

Taiwan Handicraft Promotion Center: No.1 Hsu Chow Rd., Taipei, Taiwan. Tel:(+886-2) 2393-3655. Fax: (+886-2) 2393-7330. Email: thpc@handicraft.org.tw.  Website: www.handicraft.org.tw.

National Palace Museum: No.221, Sec. 2, Zhishan Rd., Shilin District, Taipei City 11143, Taiwan. Tel: (+886-2) 2881-2021. Website: www.npm.gov.tw. Open daily, 9 AM-5 PM. Admission: NT$160.

How to Get There: take the MRT Danshui Line to the Shilin Station then take bus R30 (Red 30 – Low-floor bus) to the National Palace Museum. Other routes that will take you to and near the Museum plaza are buses 255, 304, 815 (Sanchung – NPM Line), Minibus 18 and Minibus 19.

You can also take the MRT Wenhu Line to the Dazhi Station then take bus B13 (Brown 13) to the National Palace Museum, alighting before the Front Facade Plaza of the Museum. Alternatively, visitors may choose to take the Wenhu Line and get off at Jiannan Rd. Station, then take bus B20 (Brown 20) to NPM’s front entrance (Main Building).

Chang Kai-shek Memorial Hall and Cultural Center (Taipei City, Taiwan)

Liberty Square

From Tung Ho Zen Temple, we again boarded our van and went on our way to our next destination, the National Chiang Kai-shek Memorial Hall, erected in memory of Generalissimo Chiang Kai-shek (October 31, 1887-April 5, 1975), Taiwan’s long-time leader.  Here, we were to observe the 9 AM Changing of the Honor Guard ceremony.

Presidential Office Building

Along the way to the hall, we passed the Neo-Renaissance-style Presidential Office Building, an elaborate red brick edifice built in 1919. It was already drizzling when we arrived at the Memorial Hall’s tremendous, 30 m. (98.4 ft.) high and 80 m. (262.4  ft.) high arched main gate  (which faces Chiang’s beloved China) – the Gate of Great Centrality and Perfect Uprightness.

Gate of Great Centrality and Perfect Uprightness

The main gate opened into Liberty Square with its grand vista reminiscent of my visit to Beijing’s Forbidden City, with the massive and ornate National Theater (on the south) and National Concert Hall (on the north) flanking it.  Both, completed in 1987, were modeled after the Forbidden City’s Halls of Supreme Harmony and Preserving Harmony and painted in the same brilliant Ming Dynasty style.

National Concert Hall

Added to it are immaculate grounds featuring lovely traditional Chinese sculpted gardens, miniature hills, an ornamental bridge, waterfalls and serene ponds (filled with colorful koi), truly a scene from the 1987 Bernardo Bertolucci classic film The Last Emperor.  The Gate of Great Loyalty also stands at the north side (along Xinyi Rd.) while the Gate of Great Piety stands at the south side (along Aiguo East Rd.).

National Theater

From the gate, we all walked along the Boulevard of Homage (bordered by manicured bushes), to the east end of the square where the magnificent, 76 m. (250 ft.) high 240,000 sq. m. memorial hall stands.  It has a marble facade and octagonal (the octagonal shape picks up the symbolism of the number 8, a number traditionally associated in Asia with abundance, wealth and good fortune), twin-eaved roof of brilliant blue tiles with red accents (echoing the flag of the Republic of China) crowned by a golden spur.

Chang Kai-shek Memorial Hall

The memorial’s design was based on the winning competition entry of the late, internationally renowned Chinese architect Yang Cho-cheng. Yang’s design incorporated many elements of traditional Chinese  architecture.  Started on October 31, 1976 (the 90th anniversary of Chiang’s birth), the hall was officially opened on April  5, 1980 (the fifth anniversary of the leader’s death). The hall has 2 sets of stairs, each with 89 steps, representing the age of Chiang Kai-shek at the time of his death. We didn’t climb the stairs. Instead we entered the hall via a huge doorway by the side of the stairs.

Jandy at entrance hallway

We arrived early, still minutes before the hall’s opening, so we first listened to Mr. Pang’s narrative of Chiang’s life.  Also at the ground floor is a museum with exhibit related to the late president’s life including his personal effects, photos, a mock-up of one of his offices and his bulletproof Cadillac.

Part of the ground floor museum exhibit

Chang Kai-shek Memorial Hall: 21 Zongshan South Rd., Section 1, Zhongzheng District, Taipei, Taiwan.  Tel: (+886-2) 2343-1100. Open daily, 9 AM-6:30 PM. Admission is free.

National Chiang Kai-shek Cultural Center: Tel: (+886-2) 3393-9888.

How to Get There: Take THSR or train to Taipei Station then transfer, via Taipei MRT, to Chiang Kaishek Memorial Hall Station.

Taipei Story House (Taiwan)

Immediately adjacent to the Taipei Fine Arts Museum is the half-timbered Taipei Story House (old name Yuanshan Mansion), the only faux Tudor-style heritage building in Taiwan.  Built on the Yuanshan section of the Keelung River from1913–14 by Chen Chao-chun, a Dadaocheng tea merchant, it was originally a guest house for rich merchants and other important local people.   In 1998, the Taipei City Government designated this building as a Heritage Site and, in 2003, Miss K.C. Chen sponsored the establishment of Taipei Story House as a mini-museum to showcase historic cultural life in Taiwan, as well as to promote the re-use of historical buildings.

Taipei Story House

The ground floor is built of load-bearing brick while the upper floor is made of wood with English Tudor-style beams and woven branches on the exterior wall.  The staircase was constructed to look like a pagoda. The entrance portico is in the Classical style with Ionic columns.  The Gothic-style house tower and chimney are made of brick, and the curved gable is covered with bronze tiles, on which the verdigris caused by aging reveals the trace of time.

The Gothic-style tower

The tower above the entrance is inlaid with green, yellow and red-stained glass. Inside the house are two fireplaces and Art Nouveau tiles featuring natural and floral patterns. The overall configuration of the interior space, together with the outdoor balconies and terraces, exhibit a Classic style and are closely integrated with the surrounding landscape.

The European-style garden

The European-style garden, consisting of more than one hundred kinds of flowers, has a pond, red brick dwarf wall and curved paths.  Now a museum, it has exhibits related to tea and local history. Also within the grounds is the Story Tea House, a chic French fine dining restaurant opened in 2003 and operated by The Landis Taipei Hotel group.  We climbed up its view deck for a bird’s eye view of the complex.

Story Tea House

Our visit to Taipei Story House capped our walking tour of the city and, quite tired from all that walking, opted to take our first Taipei taxi ride (NT$100) back to the hotel. Later in the evening, we again had dinner, also along Changchun Rd., this time at a Burger King outlet.  Our half-day city was scheduled the next day.

Taipei Story House: 181-1 Zhongshan North Rd., Section 3, Zhongshan District, Taipei, Taiwan.  Tel: (+886-2) 2587-5565. E-mail: story@storyhouse.com.tw. Website: www.storyhouse.com.tw. Open Tuesdays-Sundays, 10 AM-5:30 PM.  Admission: NT$50 (adults) and NT$40 (students and groups of 10+).  Free admission for children under 6 years of age, seniors over 65, and disabled person with one companion.

Story Tea House: Open daily, 11 AM-7 PM (11 AM-9 PM, Saturdays and Sundays).  Tel: (+886-2) 2586-8628.

Lin An Tai Historical House and Museum (Taipei City, Taiwan)

Within walking distance from Xinsheng Park is the Lin An Tai Historical House and Museum,  one of the few traditional courtyard complexes preserved in northern Taiwan and the best-preserved and maintained ancient house in Taipei City.  This traditional Chinese courtyard house, famous for its delicate carvings, was built in the southern Fujianese style which incorporates 3-sided courtyards, woods and gardens, all natural and shaped to embody the pristine elements.

Entrance to Lin An Tai Historical House and Museum

In 1754, Lin Chin-Ming (also known as Lin, Yao-Kung), a native from Anxi County of Fujian Province, sailed across the strait to Taiwan with his family. The Lin family engaged in trade in northern Taiwan and, with the money they made, they built this big, very refined 5-annex house with a square at where No.141 of Siwei Rd. now lies. The main building was completed between 1783 and 1785 while the side buildings were completed, one after the other, between 1822 and 1823.  In memory of his hometown, the fourth son, Lin, Chin-Neng (also known as Lin, Hui-Kung) named the house as “An Tai,” representing Anxi County and Rong Tai Company, the company he founded in Bangka.

Paved Front Yard of Lin An Tai Historical House and Museum

In 1978, due to its being located within the range of the project to expand Dunhua South Road plus its rejection as a historical site, the house faced demolition.  To save it, local activists petitioned to have the building spared as a cultural site. A blueprint containing every single measurement of the building was saved. The building was then meticulously dismantled, from decorations to bricks; stored safely and then relocated, piece by piece, to its current site at Binjang Park, in the shadows of the Jiankuo Expressway, in 1986.  In May 2000, it was opened  to the public as a museum and, in 2010, after its courtyard was extended, the museum became one of the exhibition halls of the Taipei International Flora Exposition.

Front Yard of Lin An Tai Historical House and Museum

The house’s landscaped courtyard, layout of buildings, waterscapes (“the proportion of water, bamboo and house is 30%, 20% and 10% respectively”), artificial hills and plants are all done in accordance with feng shui and Taoism,  reflecting the ancient Chinese’s multi-directional views of nature and life. In the past, the house had a Toad Peak in front of it as its “Mountain of feng shui,” plus shielding hills on both sides and a wind-gathering flat square in front of the semi-circular pond. Today, to reinstate the feng shui landscapes of the old house, an artificial hill, called Gu Zhu Ming Shan (Artificial Clay Modeling Hill), was created, using wire-mesh concrete, in front of a flat square and 2 slightly raised grasslands were used to surround the square.

Gu Zhu Ming Shan (Artificial Clay Modeling Hill)

Past the imposing front gate is the large, crescent-shaped (the best shape for bringing wealth in terms of feng shui) lotus pond, another feng shui device. Its shining surface deflects negative qi from sweeping through the main portal.  It also had practical purposes as it was used as a defense line if under attack, for raising fish, to fight fires, supply water, keep a moderate temperature by cooling incoming breezes and adds to the splendor of the old house’s surroundings.  Flowers grown all have their own symbolism – noble character (plum, orchid, bamboos and chrysanthemum), eternal youth (pine and cypress), wealth (peony), self-respect (lotus) and relief (lily).

The crescent-shaped lotus pond

This 34-room, stone and brick house has elegant decorations; beautiful, sloping swallow-tail roofs (this flouted imperial rules as this roofing style was the exclusive privilege of high-level mandarins) and the stone and artwork used were brought by ship from Fujian.  The roof ridges arch upwards to form a swallowtail structure. The mansion has a south-north axis, with rooms on the right and left side of the courtyard.

Courtyard of Lin An Tai Historical House and Museum

Its front door has creative carvings of 6 dragons, representing the 6 sons in the family while the carvings of vases and bats carry the meanings of good luck, wealth and safety. Pillow-shaped stones, gate pillars and hollows for the door axles are all carved from a single piece of stone. Each door was equipped with a hidden lock. The front yard is paved with red, moss-free and non-slip stones that were used by mainland merchants to stabilize their big sailing ships

Elaborate wood carving

Carved on the pillars, made of Chingtou stones, is a couplet “To live with a kind heart and maintain the achievements of ancestors.” Chinese characters, signifying good fortune and longevity, are printed on the two sides. By adding anti-termite agents, the original Guanyin stone, Fuzhou fir wood, and local bamboo, reed and bricks have been kept intact.

The main hall

Beyond the entrance is an intricately carved screen wall to divert evil. The main hall consists of a colorfully adorned altar depicting scenes from Chinese mythology. The ancestors depicted at the altar are worshiped in an annual ceremony. Walking through the house, we directly experienced the lifestyle of the Taiwanese people 200 years ago as the interiors of the house are full of decorative details and antiques such as an earthen rice grinder, a stone mill, cupboards, a huge cooking hearth in the kitchen, an intricately carved wooden bed and a dresser.

Intricately carved wooden antique furniture

Lin An Tai Historical House and Museum: 5 Binjiang St., Zhongshan District, Taipei City, Taiwan. Tel: (+886-2) 2599-6026, (+886-2) 2720-8889 (ext.6239) and (+886-2) 2598-1572. Fax: (+886-2) 2599-6521.  Open daily except Mondays and folk holidays (Chinese New Year, Tomb Sweeping Festival, Dragon Boat Festival and Mid-Autumn Festival), 9 AM-9 PM (5 PM on Sundays). Admission is free.

How to Get  There:  take the MRT to Yuanshan Station (Exit 1), then hop on the bus 222 to the Xinsheng Park stop.

Philippine Air Force Aerospace Museum – Aircraft Park (Pasay City)

After attending an exhibit of Jandy’s Asia Pacific College Multi-Media Arts classmates at Villamor Air base, we dropped by the Philippine Air Force Aerospace Museum which we passed just before the base guardhouse.  We didn’t have time to explore the indoor museum exhibit, but we did checked out the Outdoor Aircraft Park where we got up close and personal with some 16 actual aircraft, 13 airplanes (1 presidential) and 3 helicopters (1 presidential), that became part of Philippine Air Force history.

Outdoor Aircraft Park

Five of planes surround the monument to Col. Jesus Antonio Villamor (November 7, 1914-October 28, 1971), a World War II major in the Philippine Army Air Corps, 6th Pursuit Squadron and a two-time recipient of the U.S. Distinguished Service Cross plus the Philippine Medal of Valor.  He shot down two Japanese planes during World War II.  His first kill, with his obsolete Boeing P-26 “Peashooter” fighter, was a navy carrier-based Mitsubishi “Zero” A6M fighter over Zablan Field on December 10, 1941 and his second, two days later, was a Mitsubishi “Nell” G3M navy attack bomber over at Batangas.  The Col. Jesus Villamor Airbase, formerly Nichols Field in Pasay City, was renamed after him in 1982.

Col. Jesus Villamor Monument

The T-6 “Texan” (with body number 662), manufactured by North American Aviation, was acquired in 1948 to serve the Basic School Squadron in Floridablanca Air Base (now Basa Air Base in Pampanga) as a advance flying trainer.  In 1958, it was replaced by the T-28 “Trojan” as the basic trainer for the PAF Flying School.

T-6 “Texan”

The T-28 “Trojan,” locally called “Tora-Tora” (because of its resemblance to the World War II Japanese “Zero” fighter), was manufactured by North American Aviation.  In 1960, 15 of these aircraft were acquired for the 100th Training Wing for the use of cadet pilots in flight training.  In 1975, it was used by the 15th Strike Wing against secessionists and insurgents.  It became famous during the August 1987 and December 1989 coup attempts.  It was retired on July 1992 during the 45th PAF anniversary.

T-28 “Trojan”

The F-86D “Sabrejet” (body number 140), manufactured by North American Aviation, was distinguishable from other F-86 models by its introduction of the concept of gunless collision-course interception.  This all-weather jet interceptor can fly at night or during bad weather and engage the enemy using radar.   Acquired by the PAF from the U.S. in 1960, it was used by the 8th Interceptor Squadron for air defense functions but was phased out in 1968.

F-86D “Sabrejet”

The F-86F “Sabrejet” (body number 468), manufactured by North American Aviation, was referred to as the “Magnificent Machine,” “MIG Killer” and the “Sports car of the Sky.”  It first saw combat in the Korean War and had a kill ration of 15 to 1 over the Russian-made MIG-15.  The PAF’s first jet fighter, 30 of these aircraft arrived from the U.S. on August 31, 1957 through the RP-US Military Assistance Program.  From 1957 to 1964, it was also used by the Blue Diamonds Team in aerobatic demonstrations.  It was phased out in 1979.

The F-86F “Sabrejet”

The needle-nosed F-5A “FreedomFighter,” manufactured by Northrop Corporation, arrived in the country on August 29, 1965.  Assigned to the 5th Fighter Wing in Basa Air Base in Floridablanca (Pampanga) as a front line fighter, this aircraft was also used by the Blue Diamonds in aerial demonstrations during significant national, AFP and PAF celebrations.

F-5A “Freedom Fighter”

The F-8H “Crusader” (body number 313), manufactured by Vought Crusader, was delivered to the country in 1978. This carrier-based fighter has variable incidence wings, all-weather radar autopilot and a sophisticated weapons delivery system.  Used by the 5th Fighter Wing for air defense, surveillance and reconnaissance missions, it can be equipped with various weapons such as air-to-air missiles, rockets, 20 mm. cannons, M-60 machine guns and 500-lb. bombs.

F-8H “Crusader”

The T-33 “Shooting Star” (body number 806), a jet trainer (popularly called “T-Bird”) manufactured by Lockheed, was the outgrowth of the Lockheed F-80, the first jet fighter, and was the world’s most widely used jet trainer.  Acquired in 1955, it ushered the PAF into the jet age and was used by the 5th Fighter Wing for jet qualification, instrument training and proficiency flying.

T-33 “Shooting Star”

The HU-16 “Albatross,” a general utility amphibian manufactured by the Grumman Aircraft Corporation, was assigned, in 1971, to the 505th Search and Rescue Squadron under the 205th Airlift Wing. Its favorable peculiarity (triphibian landing gear) and its all metal, V-shaped hull gave it more capability to perform water rescue operations as it had the power to take off and land both in water and land.

UH-16 “Albatross”

The C-47 “Dakota” (or “Skytrain”), the most famous commercial transport plane in the world, was manufactured by the Douglas Aircraft Corporation.  Fondly called the “Gooney Bird” in the military service, it was given to the Philippine Army Air Corps (PAAC) for air transport operations. In 1973, it was converted into a fighting aircraft, with machine guns electronically operated and controlled by the pilot.

It was also used by the PAF Weather Reconnaissance Squadron for rainmaking and rain suppression operations.  The 303rd Aerial Recon Squadron used it for photo mapping and aerial surveillance.  Even after so many decades of service, it proved to be multi-functional and, as of 1995, there were still 2,000 of these planes flying all over the world.  On May 18, 1947, a C-47 (named Lil Marlene) carrying PAF Chief Col. Edwin Andrews and other high government officials crashed in Lanao.

C-47 “Dakota”

The Aermacchi SF-260 “Marchetti” (with body number 639), manufactured by SIAI Marchetti of Italy,  was a trainer/COIN aircraft acquired (1 warrior and 4 trainer) in 1973 and first used, for flying training, by the PAF Flying School Class 1973-A.  The aircraft was further modified to load 250-lb. bombs and MA-3 rocket launchers and deployed in combat operations to conduct close air support to ground operations.

Aermacchi SF-260 “Marchetti”

T-41D “Mascellero” (with body number 858), manufactured by the Cessna Aircraft Corporation (it was commercially called Cessna 172) in 1964, was acquired by the PAF in 1968 through the Joint United States Military Advisory Group (JUSMAG) for pilot training (as a preliminary flight screener for candidates) and proficiency flying and was first used by the PAF Flying School Class 1970-A.

T-41D “Mascellero”

The T-34 “Mentor” (with body number 506), manufactured by the Beechcraft Aircraft Corporation, signalled the modernization of the PAF’s flight training.  Two of these were acquired on October 1958 and a total of 36 were built by Japan for the PAF as part of its War Reparations Program.   In the early 1970s, it was subsequently used for air reconnaissance after being replaced by the T-41D “Mascellero” as a primary fighter.

T-34 “Mentor”

The YS-11A, manufactured by the Nihon Aircraft Manufacturing Company (NAMC), was a twin-engine, medium-range turboprop transport plane (RP 77) assigned to the 700th Special Mission Wing, mainly used, from 1971 t0 1993, by the Philippine President and the First Family.

YS-11A

The UH-1H “Iroquois,” manufactured by the Bell Helicopter Company, was nicknamed “Huey” and was extensively used by the Americans for air mobility and rapid deployment of troops during the Vietnam War.  The PAF acquired 75 Hueys in 1969 under the RP-US Military Assistance Program.  Still in service today due to its rugged design and low maintainability, it was assigned to the 205th Helicopter Wing and 505th Search and Rescue Group and used primarily for tactical troop transport, front-line casualty evacuation, resupply and troop extraction.

UH-1H “Iroquois”
Visitors like Jandy are allowed to pose inside

The UH-34D “Choctaw” (S-58), manufactured by the Sikorsky Aircraft Division, first flew on March 8, 1954 and was used by the PAF in search and rescue operations, from 1969 to 1980, under the 505th Search and Rescue Squadron, 205th Composite Wing, as well as troop transport, aerial photogrammetry, mapping and intelligence work.  It was phased out on October 1974.

UH-34D “Chowtaw”

The S-62B/HH-52A helicopter, manufactured by Sikorsky Aircraft Division, was acquired to provide air transport for the Philippine President.  In service from 1968 to 1975, it under the operation and maintenance of the 7001st Presidential Airlift Mission Squadron, now the 250th Presidential Airlift Wing.  This helicopter was eventually phased out due to its single engine feature which did not conform to the requirement for multi-engine category for VIP transport.

S-62B/HH-52A

Philippine Air Force Aerospace Museum: Gozar cor. Alia St., Col. Jesus Villamor Air Base, Pasay City.  Open Mondays to Fridays, 8 AM to 5 PM, Saturdays, 8 AM to 12 noon. Admission is free.  Tel: (632) 854-6703 and 29 and 762-6628.

Ang Nuno Artists Foundation Gallery (Angono, Rizal)

Balaw-Balaw Restaurant

After my interview with Nemi R. Miranda, Jandy and I moved next door to the Balaw-Balaw Specialty Restaurant.  This restaurant, made famous by Andrew Zimmern in Discovery Travel and Living’s “Bizarre Foods,” offers truly exotic cuisine such as sautéed ants and crickets, wood worms and frog cooked adobo style, Soup No. 5 (cow butt and testicles),  adobong uok (beetle larvae), among others.

Wooden sculptures of Angono’s higantes

Andrew tried the last two.  However, having already taken lunch, we weren’t there for the exotic food (Maybe next time).  Rather, we wanted to explore the Ang Nuno Artists Foundation Gallery  at the second floor.

Luckily, Andre, the restaurant manager (and also an artist) son of the late artist and sculptor Perdigon N. Vocalan, was there and he granted us permission to explore the gallery upstairs. The dining area is already a gallery of sorts, with colorful paper mache sculptures and paintings (with subjects ranging from basket of fruits to mythical creatures) all around the patchwork property.  Outside, soda bottle lanterns hang from trees.

Upon climbing the spiral staircase, we were ushered into an impressive repository of Philippine treasures that showcases Filipino heritage through colorful papier mache, antiques and artworks by Perdigon, his sons Andre and Rembrandt as well as other independent and budding local artists and craftsmen from Angono and other Rizal towns.

A collection of wood sculpture and furniture

The accomplished Vocalan was influenced by the late National Artist and Angonon Carlos “Botong” Francisco (November 4, 1912 – March 31, 1969) and his  various paintings, sculptures and woodcarvings, inspired by Filipino traditions and legends,capture Angono’s rich cultural heritage as well as depict folk stories and characters like the kapre (a menacing creature that seeks refuge in big trees), duwende (goblin)tikbalang (demon horse), manananggal (a woman with the ability to detach the two halves of its body at the waist), and the like. He also depicted women in all their glory and beauty.  There are also several depictions of the Mother and Child.

Dining table with tapayan above it

The gallery, a reflection of Perdigon’s eclectic taste, also has an impressive collection of antiques and religious objects such as statues of saints (some just heads without a body), a complete tableau of the Last Supper and a Santo Entierro (statue of the dead Christ). There’s also a collection of antique furniture including folding chairs, a complete dining table set (with earthen, knee-tall jars or tapayans hanging above it)  and a huge, intricately carved wooden door.

Tableau of Last Supper

I also took a peek, via a spiral stairway, at the third floor which houses a workshop  where huge, colorful masks of the higantes for the Higantes Festival are made. In 1987, Perdigon conceived the idea of the Higantes Festival.

Wooden sculpture of a mermaid

He advocated having more higantes (papier mache giants) in the town fiesta by coordinating with the barangays of Angono to come up with higantes that will represent their barangay. Miniature papier mache dolls, great examples of Filipino folk art, are also made here for souvenir hunters.

More wooden sculpture

Ang Nuno Artists Foundation Gallery: Balaw-Balaw Specialty Restaurant, 16 Doña Justa Subd., Phase I, Brgy. San Roque, Angono, Rizal.  Tel: (632) 651-0110 & 295-2698. Mobile number: (0923) 714-4209. E-mail: balaw2x@yahoo.com. Open daily, 10 AM-10 PM.