Category Archives: Museums

Nemiranda Arthouse (Angono, Rizal)

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Nemiranda Arthouse/Atelier Cafe

After lunch at a Shakey’s outlet in Taytay,  Jandy and I proceeded to the next town of Angono, the “Arts Capital of the Philippines.”  Using the only Angono map I had, I tried to find the Nemiranda Arthouse/Atelier Cafe only to find out it wasn’t where its supposed to be in the map.

I finally resorted to asking the locals.  That worked and soon enough we found the place, a lofty old wood, bamboo and concrete house converted into a home-studio with a prominent signage at the street corner.

I entered the arthouse (also known as “The House of Myths and Legends”), via a side gate, into the coffee shop where I was welcomed by Katrina, the painter daughter of 62 year old local artist Nemesio “Nemi” R. Miranda (popularly known in the art circle as Nemiranda), who was currently touring some children around the art gallery.

I was hoping to interview Nemiranda, but Katrina told me that I just missed him as he left on his motorcycle.  She gave us free rein to tour the extensive, 3-floor art gallery ourselves.  A massive, larger-than-life, pastel blue stone mermaid (sirena) is prominently placed above the art gallery’s arched entrance.

Art Gallery entrance

A Fine Arts graduate of  University of Sto. Tomas and a disciple of the late noted Angono artist Carlos “Botong” Francisco, this highly figurative artist’s artworks employ figurative realism  (which he calls “imaginative figurism”) wherein the human form is drawn from pure imagination.

Nemiranda’s work inevitably evolves around the female form and it is vividly seen in almost every artwork that we observed. These include mother and child sketches, mermaids, nudes (Nemiranda is also deemed as an erotic painter) done in different styles, women giving birth, nursing mothers, etc..

Nemiranda’s Imaginary Figurism

Other stunningly beautiful paintings depict random subjects such as rural life (families in pastoral scenes, etc.) and subjects from local folklore such as mythical creatures and nature goddesses.  On display at one section are wood carvings of the “Stations of the Cross.” Also on display are artworks by Nemiranda’s 5 sons and daughter Katrina as well as fellow artists from Rizal.

Wood carvings of the “Stations of the Cross”

We also saw Nemiranda’s impressive collection of local and international awards, proof of his countless unparalleled excellence and achievements in the arts.   At the end of the gallery are some art pieces for sale. This veteran artist has launched over 35 solo art exhibitions in various parts of the world and was commissioned to do monumental sculptures and mural paintings throughout the country.

Sculpture of a pregnant woman

Some of Nemiranda’s popular and impressive commissioned works includes the “History of the Philippine Army,” a relief sculpture located at the parade ground of Fort Bonifacio; the EDSA Shrine Mural (along with 14 other Angono artists), muted murals interpreting and depicting the 4-day  People Power revolution in the main chapel of the EDSA Shrine; the EDSA II Relief Sculptures; “The Way of Mary,” a 20-relief sculpture of the Mysteries of the Holy Rosary, from EDSA Shrine to Antipolo Shrine; and the 40-ft. high “Crucified Christ” (unveiled in Tacloban City in 2002), the map of Leyte interpreted as a sculptural island shaped by nature into the image of the crucified Christ. His paintings also hang in the many prestigious homes and offices, both here and abroad.

A collection of nude paintings

Jandy and I were still exploring the art gallery when Nemiranda finally arrived.  We were introduced to him by Katrina and I proceeded to interview him at length. As a true-blooded Angonon, Nemiranda has been instrumental in making Angono as the “Art Capital of the Philippines,” making great contributions in promoting the town’s rich heritage.

The Arthouse is also part of Nemiranda’s mission to nurture the artistic consciousness, not just for the Angonons, but for all Filipinos as well, conducting, for years on a regular basis, lectures, guiding services and painting workshops designed to inspire the youth who, by talking to Nemiranda and watching the artist go through the creative process, might see how an idea can grow into a finished work of art.

Some of Nemiranda’s numerous awards

In 1975, Nemiranda  founded the renowned Angono Ateliers Association, the first in the town to popularize sculpture in concrete (started in 1970).  He was also chairman of the Angono Tourism Council and the promoter of the town’s Higantes (“giant”) Festival and the fluvial procession dedicated to San Clemente, Angono’s patron saint. He also institutionalized the Nemiranda Family Art Museum, the Angono School for the Arts and the Nemiranda Atelier Café, all catering to the development, promotion and growth of the Angono art community.

The author with Nemiranda
Nemiranda Arthouse/Atelier Cafe: 10 Doña Elena St., Doña Justa Village, Brgy. San Roque, Angono, Rizal. Tel:  (632) 651-0109-10. Fax: (632) 651-3867. Email: inquiry@nemiranda.net and nemi_miranda@yahoo.com. Website: www.nemiranda.net. Admission fee: PhP30.

Chinatown District (Singapore)

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From Tanjong Pagar, we crossed over to the Chinatown district via South Bridge Rd.  This traditional Chinese precinct is bounded by South Bridge Rd., Kreta Ayer Rd., New Bridge Road and Upper Cross St..  South Bridge Road is unique, being an example of Singapore’s multi-racial and multi-religious community, with the Sri Mariamman Temple (1827), Jamae Mosque or Masjid Chuliam (1830), Fairfield Methodist Church and  Buddha Tooth Relic Temple and Museum (2007) are all located here.

South Bridge Road

In 1843, the area was leased or granted to the public for the building of shophouses, many of which doubled as shops, warehouses, family quarters and workers dormitory.  They display strong Fujianese, Teochew and Cantonese influence.  Today, relatively little has changed with the original buildings in the area.

Colorful Chinatown Shophouses

Jandy and I first visited the Buddha Tooth Relic Temple and Museum. This S$62 million temple, its architectural style based on the Tang Dynasty, was built in 2007 to house the tooth relic of the historical Buddha found in 1980 in a collapsed stupa in Myanmar.

Buddha Tooth Relic Temple and Museum

Sri Mariamman Temple, with its landmark ornamental tower entrance (gopuram), is the oldest Hindu temple in Singapore.  More popularly known as Mariamman Kovil or Kling Street Temple, it was first built in 1827 by immigrants from the Nagapatnam and Cuddalore districts of South India.  However, unlike my first visit here in 1992, I wasn’t allowed to take pictures inside.

Sri Mariamman Temple

In 1843, the temple was rebuilt in plaster and brick and, in 1962, a new temple structure with intricate sculptural works reminiscent of temple architecture in India was built. The original gopuram, built in the late 1800’s, was rebuilt in the 1930s and, in the 1960s, was repaired and restored with elaborate proliferation of sculptures.

Jamae Mosque

The nearby Jamae Mosque, on the other hand, was built in 1826 by the Chulias (Tamil Muslims). Its unique architectural style is eclectic. The entrance gate is distinctively South Indian while the 2 prayer halls and the shrine are in the Neo-Classical style typical of George Drumgoole Coleman. The mosque was gazetted a National Monument on 29 November 1974.

Chinatown Heritage Center

Kreta Ayer, considered by many to be the heart of Chinatown, houses the Chinatown Heritage Center, Chinatown Night Market and Chinatown Food Street.  The newly-restored Chinatown Heritage Center, occupying 3 shophouses along Pagoda St.,  houses memories and untold stories of Singapore’s early forefathers. The Chinatown Complex, along Smith Street, houses a wet market and shops selling sundry goods. At its second floor food center, Jandy and I indulged in some authentic Singaporean hawker food fare for lunch.

Trengganu Street

Shophouses do not have a single classification, combining different elements of Baroque and Victorian architecture with narrow wooden jalousies (often with adjustable slats) and decorative fanlights over the windows and pilasters, balconies and plasterwork seemingly Mediterranean in flavor.  Many of them are painted in a variety of different pastel colors. Trengganu St. (converted into a pedestrian mall transformed into a night market after dark), Pagoda St. and Temple St. as well as development in Upper Cross St. and the houses along Club St. are examples of this type of architecture.

Buddha Tooth Relic Temple and Museum: 288 South Bridge Rd., Singapore 058840. Tel: 6220 0220. Fax: 6220 1261. Open daily, 7 AM-7 PM.  E-mail: services@btrts.org.sg.  Website: www.btrts.org.sq.

Home of Another Aguinaldo (Kawit, Cavite)

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After my visit to the Aguinaldo Shrine, Jandy and I returned to our car and retraced our way back to Brgy. Binakayan, also within Kawit, this time in search of the home of where Baldomero Aguinaldo (February 26, 1869-February 14, 1915), Emilio Aguinaldo’s first cousin, lived as an adult.

Check out “Aguinaldo Shrine” and “Liwasang Emilio Aguinaldo“

Baldomero was also a lieutenant-general during the Philippine Revolution (he figured in the battles of Binakayan-Dalahican, Noveleta, Zapote River, Salitran and Alapan), Emilio’s right-hand man and a member of the latter’s cabinet (Auditor General, Director of Finance, Secretary of the Treasury, Auditor of War and Secretary of War and Public Works).  He also helped draft and signed the Constitution of Biak-na-Bato. During the Philippine-American War, he returned to the battlefield as commanding general of the Southern Luzon provinces.

Baldomero Aguinaldo Shrine

Built with narra and molave wood in 1906 and now painted in pastel blue and white, this typical 2-storey country home of a gentleman farmer was turned over by his grandson, former Prime Minister Cesar E.A. Virata (who also happens to be the father of my U.P. classmate Steven) to the Philippine government in 1982. This shrine has a museum on the ground floor with a diorama of the Battle of Binakayan.  On the second floor are antique furniture such as a turn-of-the-century upright piano.  Opposite the house is the former kamalig (storage shed for produce), now a museum showcasing Cavite’s role in the revolution.  On the walls are photographs and drawings of Cavite’s military heroes.

Behind the house, in a quiet corner, is the family plot where Baldomero, his wife (Petrona Fauni Reyes-Aguinaldo), their 2 children (Leonor and Aureliano) and their spouses (Dr. Enrique T. Virata and Liwanag Virata) are all buried.  The shrine is now administered and managed by the National Historical Institute (NHI) which installed a historical marker here on June 12, 1983.

NHI Historical Marker
Baldomero Aguinaldo Shrine: Brgy. Binakayan, Kawit, Cavite.  Open Tuesdays to Saturdays, 8 AM to 4 PM.  Admission is free.  Lectures and guiding service can be arranged.

Ganduyan Museum Tour with Ms. Christina Aben (Sagada, Mountain Province)

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Ganduyan Museum

Jandy and I were now on our third and final day in Sagada and we still had time to kill before leaving on the 10 AM G.L. bus.  After a Filipino breakfast at Ganduyan Inn’s cafe, we decided to visit the next door Ganduyan Museum, managed by Marina Biag’s mom Ms. Christina Aben.   Since the early 1970s, Ms. Aben has amassed a spectacular and meticulous collection of tribal artifacts with a passionate curator’s eye for quality and rarity, all detailing the rich but vanishing Cordillera Igorot culture.  Wishing to share her passion for unique Igorot art and culture with the world, she placed them all in a one-room, second floor museum which she opened in 1984. Because of the museum’s limited space,  Ms. Aben, with a designer’s eye for presentation, carefully chooses what to display and how to display it.

Ms. Christina Aben

The museum closed down in 1986 and it remained so when Jandy and I first visited Sagada in 1998.  It was open that morning and we were personally met by Ms. Aben who escorted us up the stairs to the museum, removing our shoes first at the stair’s foot before going up.  She’s a cancer survivor and a housewife with a high school education who speaks impeccable English. Ms Aben is also an enthusiastic, erudite and well-informed hostess who loves to share the meaning and importance of every museum piece to anyone willing to listen.

Ganduyan Museum – Display

The museum was a veritable treasure trove of antique basketry, weapons, farm tools, trade beads, jars, wooden items and textiles from the Cordillera region, all offering an insight into the rich culture of the Cordillera Igorots.  Ms. Aben gladly explained the history and significance of each individual item on display, starting with her trade bead collection which came at a time when the Igorots traded with the Chinese, Indians, Arabs and other foreigners from the lowlands.   Beads include alligator teeth and mother-of-pearl shells not found in the Cordilleras.  Beaded necklaces from different tribal groups of the Cordilleras (Kalinga, Nabaloi, Ifugao or Igorot)have beading patterns that differ from one ethnic tribe to another.

Ganduyan Museum – Display

We next moved on to the men’s accessories section.  These include a money belt, a warrior’s purse,  pipes, caps (used as pillow and water cup), woven g-strings, anklets, armlets, spoons and amulets (including a snake vertebra believed to increase the warrior’s physical and internal prowess). Drinking  cups for wine, both for men and women, vary in size and kind. Igorots treated status with utmost importance, from clothing (the rich could wear clothes that the poor could not), kitchenware (made from wood,  metal and, sometimes, animal bone, all  classified by social class) and even in death.  Doors, scarves, table runners, warrior’s shields and other accessories are decorated with the lizard (or gecko), animals said to bring luck and longevity.  The many weapons of head hunters of the Cordilleras on display include shields with concave ends (meant to trap the enemy at the neck before the warrior goes for the kill and chops the head off).

Ganduyan Museum: Poblacion, Sagada, Mountain Province.  Open daily, 8 AM-7 PM.  Admission: PhP25.

Pila Museum (Laguna)

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A short leisurely walk from the town plaza brought us to the Pila Museum, the former Spanish-era escuela pia (school).  This refurbished building, probably the oldest structure in the town, now houses priceless pre-Hispanic Northern Sung (960-1127 AD), Southern Sung (1127-1280 AD) and Yuan Dynasty (1280-1368 AD) Chinese porcelain (plates, jars, jugs, etc.) and tradeware transferred to this heritage building in 1994 by the Pila Historical Society Foundation.

Pila Museum

These were recovered, from May to October 1967, from the Esso Standard Philippines-Manuel Elizalde excavations of an ancient crematorium (the oldest in the country) and habitation sites among the coconut plantations in Brgy. Pinagbayanan and Bagong Pook.  The project was led by Ms. Julita G. Fernandez and Ms. Amelia O. Rogel, graduate students of anthropology from the University of the Philippines.  They were supervised by Dr. Robert Fox and Mr. Avelino Legaspi of the Anthropology Division of the National Museum.

Some 250 to 300 pieces of the finds were donated to the town by Mr. and Mrs. Manuel Elizalde. These include celadon dishes with fish motif; celadon censers; qingbai blue and white jarlets; small, lead-glazed water droppers and teapots; qingbai double gourd vessels; large, gray-glazed ewers; figurines of carabao with riders in plain and spotted qingbai; brown wares of all shapes and sizes; iron and glass bracelets; and colored beads and earrings that appear to be gold or copper.

Home of "The Other Rizal" (Los Banos, Laguna)

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The Paciano Rizal Shrine

My next stop in my Laguna (Calamba City to Sta. Cruz) joy ride with my son Jandy was the charming resort town of Los Banos.  The town is famous for its hot medicinal sulfur springs that flow from the foot of Mt. Makiling and its present name is derived from the Spanish word for “The Baths.” These thermal springs were discovered in 1590 by Franciscan martyr St. Peter Baptist (San Pedro Bautista).   Today, most of the sulfur springs are piped into the pools and baths of the many hot spring resorts that line the National Highway.  This is the Los Banos that most people know and not many people know this town’s association with “the other Rizal.”

The old Los Banos Municipal Hall

To find out, I parked my Toyota Revo at the old municipal hall (a new one is being built along the National Highway).  Beside the town’s fire station is the inconspicuous retirement home of Paciano Mercado Rizal, Jose Rizal‘s elder (and only) brother who was also a revolutionary general (he led the defense of Laguna) and Emilio Aguinaldo‘s first Minister of Finance.  Though not as popular as the Jose Rizal Shrine in Calamba, this shrine, jutting out to Laguna de Bay, was built atop a hot spring in 1927 by Andres Luna de San Pedro (son of master painter Juan Luna) when Paciano’s original nipa hut was destroyed in a typhoon in 1926.

The back of the house

Rizal lived here, as a gentleman-farmer, with 2 helpers (with occasional visits from his grandsons, from daughter Emiliana, Franz and Edmundo), until his death from tuberculosis on April 30, 1930.  First buried in Manila North Cemetery, his remains were later transferred here, with full military honors, in 1985.  A historical marker was installed here on April 13, 1983 and the house was declared as a National Historical Shrine by the National Historical Institute on July 31, 1992.

Laguna de Bay

This modest American-style, one-bedroom bungalow was turned into a Japanese garrison during World War II, resulting in the loss of much of Paciano’s personal effects. Still around are some photos of his grandchildren, binoculars he used during the revolution, a pair of his shoes and a Quiroga bed.  Rizal’s spinster sisters Josefa and Trinidad are also buried in the sprawling garden which has a bronze statue of Paciano Rizal, on a pedestal, in his general’s uniform.  The shrine has a view of Talim Island. At the back of the house is the Paciano Rizal Park.

Vinanmek Mansion (Bangkok, Thailand)

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Included in the admission ticket to the Grand Palace was free entry to the Vimanmek Palace (also called the Vimanmek Teak Mansion), at the Dusit Palace Complex, and we next proceeded there.  The world’s largest building made of golden teak, its elaborate style reflects a unique blend of Victorian and delicate Thai architecture. The mansion is one of 16 mansions or residential halls (out of 20) in the complex that can be visited by tourists.

Vinanmek Mansion

A former royal palace, it was built in 1900 by King Chulalongkorn (King Rama V, 1868-1910), a few years after his return from Europe in 1897, using his personal money to purchase orchards and paddy fields between Padung Krungkasem Canal and Samsen Canal for the construction of a royal garden which he named the Dusit Garden. Vimanmek Mansion was the first permanent residence there.  Upon its completion, King Rama V then transferred here from the Grand Palace and stayed for 5 years until the completion of Amporn Satan Residence in 1906 (where he live until his death). Vimanmek Mansion was then closed down and members of the royal family moved back to the Grand Palace. In 1982, it was renovated and converted into a museum.

Octagonal Wing Where King Rama V Resided

This 72-room building has 2 right-angled wings, each 60 m. long and 20 m. wide. It is 3-storeyed except for the octagonal part, where King Rama V resided, which has 4 storeys.  Although the ground floor is brick and cement, the upper floors are made with beautiful golden teakwood.

Entrance Stairway to Vinanmek Mansion

Before touring, we had to put all our belongings in a locker (same as in the Jim Thompson House).  It was also a shame we can’t take photos inside.  Before entering, we also had to remove our shoes and wait our turn.  The mansion was a veritable museum that displays the king’s photographs, art and artifacts that commemorate his royal visit to Europe.  We also viewed an exhibit of Thai handicrafts in 31 exhibition rooms, some of which maintain the atmosphere of the past, especially the bedrooms, the Audience Chamber and the bathrooms. Some rooms display silverware, ceramics, glassware and ivory.

Vinanmek Mansion: Ratchawithi Rd., Dusit, Bangkok, Thailand.  Tel: +66 2 628 6300 Ext. 5120-5121.  Fax: +66 2 628 6300 Ext. 5136.  Website: www.vinanmek.com.

Bang Pa-In Royal Palace (Ayutthaya, Thailand)

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On our second day in Thailand, we decide to go out of the city and visit the old Thai capital of Ayutthaya, a UNESCO World Heritage Site.  We made our travel arrangements with a  travel agency based near our hotel lobby at the ground floor. The 60-km. trip, via an airconditioned tourist bus, took just 1 hr.  Our first stop, upon reaching Ayutthaya, was the Bang Pa-In Royal Palace, also known as the Summer Palace.

Bang Pa-In Royal Palace

This palace complex, located along the bank of the Chao Phraya River, was originally constructed by King Prasat Thong  in 1632 but, after the sack of Ayutthaya in 1767, it lay empty and overgrown throughout the late 18th century and early 19th century.  King Mongkut (Rama IV) began to partially restore the site in the 1850s. Most of the present European-style buildings were constructed between 1872 and 1889 by King Chulalongkorn (Rama V).

Entry Promenade

Today, the palace remains largely open to visitors, as King Bhumibol Adulyadej and his family uses it only rarely for banquets and special occasions. However, as at all royal sites, proper dress was required and Grace and Cheska had to rent colored polo shirts to cover their shoulders. The grounds are not too large to be covered on foot. From the entrance, we walked along a formal entry promenade.

Ho Haem Montien Devaraj (Golden Palace of the God King)

The buildings, very European in design, are laid out along a long rectangular, artificial and ornamental lake lined with formal landscaping. The lake serves to divide the “public” outer area of the palace from the inner private areas. Along the route, we passed the Ho Haem Montien Devaraj (Golden Palace of the God King) or King Pasart Thong Shrine. This Khmer-style, stone prasat (residence of a king or god with a corncob-shaped super-structure ), under a banyan tree, was built by King Rama V in 1879 to replace an old shrine built by villagers as an offering to King Prasart Thong of the Ayutthaya period.

Saphakhan Ratchaprayun (Exhibition Hall)

On the left bank of the lake is the colonial-style, 1-storey, Neo-Classical style  Saphakhan Ratchaprayun (Exhibition Hall).  Originally built for the King’s brothers, it now houses a small museum covering the history of the palace.

Warophat Phiman (Excellent and Shining Heavenly Abode)

The one-storey Warophat Phiman (Excellent and Shining Heavenly Abode) was King Chulalongkorn’s residence and throne hall. It is richly decorated in turn-of-the-century European aristocratic style, with quirky Thai touches here and there.  Its audience chambers and anterooms are decorated with oil paintings, commissioned by King Chulalongkorn in 1888, depicting significant events in Thai history and scenes from Thai literature.  The private apartments of this building are still used by the king and his family whenever they reside in the palace.

Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall

Opposite the lake, to the east, is the 2-storey, elaborately-constructed Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall, considered the principal building in the palace complex.  Completed in 1877, this  building  was built from wood and decorated with mahogany furniture ordered directly from Europe. However, it was destroyed by fire during the restoration in 1938. Its modern reconstruction, tinted alternately in dark and light green, has a more “Paris Metro” Art-Deco feel to it. Its balcony is similar in design to that of a Swiss chalet. The building is still occasionally used by the royal family and is not open to the public.

Krajome Trae

At the end of the promenade, the lake took on a more natural shape and, from a circular Spanish-style pavilion (Krajome Trae), we saw the “signature piece” of Bang Pa-In, the gracefully elegant Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom) in the middle of the lake. The only example of classical Thai architecture within the palace, it was built by King Chulalongkorn (Rama V) in 1876 and has 4 porches and a spired roof. From Krajome Trae, we fed the fishes with pieces from a previously paid for loaf of bread.

Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom)

Opposite the Krajome Trae is the Devaraj-Kunlai (The God King Goes Forth) Gate, the principal entrance to the Inner Palace.  It is connected to the Varobhas Bimarn Mansion (located in the Outer Palace) by a covered bridge with a louvered wall from which the court ladies could look out without being seen themselves.

Devaraj-Kunlai (The God King Goes Forth) Gate

The highlight of our visit was the opulent, Chinese-style Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light), the only royal residence open to the public.  Constructed in the Chinese Emperor style and made entirely of materials imported from China, it took 10 years to build and was completed in 1889.

Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light)

It was a royal offering to King Chulalongkorn (Rama V) by the Chinese Chamber of Commerce represented by Chinese merchant Phraya Choduk Ratchasetthi (Fak) as a token of the long-lasting brotherly relationship between the Thai and Chinese peoples. King Chulachomklao usually made a royal visit here during the cool season.

Phra Thinang – Interior

Here, we had to remove your shoes to enter.  Full of red, gold, dark woods and inlaid mother of pearl, it has a stupendous dragon sculpture inside carved from camel bone and a Chinese-style throne room at the ground floor. the upper storey houses an altar enshrining the name plates of King Mongkut and King Chulalongkorn with their respective queens.

Before returning, we climbed the 112-step spiral staircase up the 30 m. high, 3-storey and brightly painted Ho Withun Thasana (Sage’s Lookout), built in 1881, following in the footsteps of King Rama V who, when residing in Bang Pa-In Palace, used this hall as the place to get the bird’s eye view of the surrounding area. This hall was constructed in the form of a tower between Utthayan Phumisathian and Wehat Chamrun.  Only the first two floors are open to the public.

Ho Withun Thasana (The Sages Lookout)

Back at the entrance, we returned the shirts and bought some soft drinks and snacks (10-20 baht) before boarding our bus.

Bang Pa-In Palace: Bang Pa-In District, Ayutthaya, Thailand. Open daily, 8 AM-4 PM.

Jim Thompson House (Bangkok, Thailand)

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After our Bangkok city tour, we asked our guide to to drop us off at Jim Thompson’s House, another of the city’s popular tourist destinations. We alighted at a non-descript lane, at the end of which was the entrance of the Jim Thompson House, standing on 1 rai (about half an acre) of land beside Klong Maha Nag and enveloped by verdant and beautifully landscaped gardens.

Entrance of the Jim Thompson House

Its jungle landscape (palm trees, ficus, flowering bananas, the flame of the forest, golden bamboo, rain trees and a myriad of other flowering and non-flowering plants, shrubs and bushes), in the midst of the city, gives the house its unique appeal.

Jim Thompson Museum Garden

Upon entering, we first paid the entrance fee and decided to view an exhibit of Thai silk at the Jim Thompson Art Center.  The art center also had a running video presentation of the life of Jim Thompson which we viewed.

Exhibit of Thai Silk at the Art Center

Self-made American entrepreneur James Harrison Wilson Thompson, born in Greenville, Delaware in 1906, studied architecture at the University of Pennsylvania and was a practicing architect in New York City until 1940.  During the Second World War, Thompson was assigned to the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency (CIA), a move which offered him an opportunity to see more of the world.  In 1946, he assumed the duties of OSS station chief in Thailand and had developed a certain fondness for the country and its people. He later settled down in Bangkok and went into business in Thailand, founding the world renowned Jim Thompson Thai Silk Company.  Jim mysteriously disappeared in the jungles of the Cameron Highlands in Malaysia in 1967 while on an Easter weekend holiday with friends.

After our visit to the art center, we decided to have lunch at its coffee shop and check out the souvenir shop. We then availed of a guided tour of his charming complex of six traditional Thai-style, teak houses  as well as its showcase collection of Southeast Asian objets d’art.  Before doing so, we were required to leave our bags in lockers to prevent their knocking off many of the valuable antiques in the house.  We were also not allowed to take pictures inside the house.

Jim Thompson House – Exterior

The teak structures were purchased by Jim from several owners from various parts of Thailand, knocked down, brought to the site, re-assembled again and completed in 1959.  The house’s supporting columns and walls lean slightly inward, adding to the illusion of height and grace. The relatively few, purely decorative elements are largely confined to panels carved in Chinese designs under the windows and sometimes over the doors, and the curved, stylized ends of the steep roof (characteristic of traditional Thai houses), probably adaptations of naga (serpent) motifs that adorn Khmer temples.

Jim Thompson House – Interior

The houses are elevated to facilitate the circulation of air, offer a more comfortable living space and protect the home from the risk of floods, in the monsoon season, as well as from hostile wildlife.  The open space was also used as a living area in the hot season, as storage for the season’s harvest, and as a place to keep livestock.

There were a great number of windows and doors, all carefully aligned to facilitate an uninterrupted flow and aid the circulation of air. The walls, though generally left unpainted, were sometimes oiled. The broad overhangs of its roof protect the interior from both sun and rain.

Jim Thompson House: 6 Soi Kasemsan 2, Rama 1 Road, Bangkok, Thailand.  Tel: (662) 216-7368 Fax: (662) 612-3744.   Open daily, 9 AM-5 PM.  Last guided tour at 5 PM.  Website: www.jimthompsonhouse.com.

Museo de Nuestra Senora de Manaoag (Pangasinan)

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Image of Our Lady

Last April 4-6, I was invited by events organizer Mr. Bernard Supetran to cover the Agew na Pangasinan Festival (the provincial foundation anniversary) of Pangasinan. Together with my photographer daughter Cheska, we met up with Bernard, Mr. Amadis Ma. Guerrero of Philippine Daily Inquirer, Mr. Vince Lopez of Manila Bulletin and travel blogger (http://mvlnunez.blogspot.com/) and good friend Mr. Mark Vincent Nunez  at MacDonalds near De La Salle University along Taft Ave. in Pasay City.  Along the way, we also picked up Lakbay Norte 2 colleague Ms. Kara Santos of Sunday Inquirer at Quezon City.   Our first destination would be the Shrine of Our Lady of Manaoag.  The trip took longer than expected as we made a wrong turn at Urdaneta City, reaching as far as Calasiao before we realized our mistake.  We backtracked and made it to Manaoag and the shrine by 1:30 PM.  

Museo de Nuestra Senora de Manaoag

I have been  to the shrine many times, the last time just 70 days ago during the first leg of my Lakbay Norte 2 tour, visiting its newly inaugurated Candle Gallery.  Time constraints then made us miss visiting its Museo de Nuestra Senora de Manaoag.  Now the opportunity presented itself.  The museum, first opened on May 10, 2000 (incidentally Cheska’s 10th birthday), was recently renovated and inaugurated again last April 21, 2010.  Its display includes an old carroza used to transport the image during her procession, an earlier pedestal, a collection of embroidered, pre-Vatican II chasubles, capes and a dalmatic (possibly dating back as far as the 17th century); a collection of monstrances, chalices, ciboria, patens and communion plates; silver candelabras with the unmistakable markings of the Dominican seal; an old wooden statue of St. Dominic; golden crown, staff, rostrillo, aureola and embroidered cape that are used to embellish the image; perfume bottles and pieces of jewelry.that adorn the statue of Our Lady.  

The “Church on a Hill” exhibit

One panel on the wall, “The Church On a Hill,” narrates the history of the town’s church. Another interesting display are the letters of the devotees who are seeking divine assistance for the many concerns of life, such as success, cure, enlightenment and relationship. At the center of the hall is a beautiful 3 ft. high ivory statue of Our Lady of the Rosary of Manaoag mounted on a huge, carved wooden bulk of clouds from which three cherubim heads pop out. A visitor can write  prayers on pieces of paper  provided on a console table at the right side of the image.In front of the image is an antique wooden bench.  A mounted flat television on the wall depicts the history, the miracles and personal reflections related to Our Lady of Manaoag.  

Museo de Nuestra Senora de Manaoag:  Shrine of Our Lady of Manaoag, Milo St. cor. N. Garcia Rd., Manaoag, Pangasinan.  Tel: (075) 529-0249 and 519-2547.  Fax: (075) 529-0132.  Website: www.ourladyofmanaoag.org. Open Mondays to Sundays (except Tuesdays), 8 AM-4:30 PM. Admission is free of charge but donations are welcomed to augment museum maintenance and education program.