Huyen Sy Church (Ho Chi Minh City, Vietnam)

Huyen Sy Church

Huyen Sy Church

Violet, Osang, Jandy and I still had the whole morning free prior to our departure, via aircon bus, from Ho Chi Minh City to Phnom Penh in Cambodia, so we decided to walk over to nearby Huyen Sy Church, the oldest and one of the four biggest Catholic churches in the city (it is the second largest).  Widely regarded as one of the most beautiful churches in the city, it imitates the style of many European cathedrals and small churches in France and I was looking forward to add this to my Saigon photo collection.

Church interior

Church interior

The church, sometimes known as Nhà thờ Chợ Đũi (Đũi Market Church) because it was located in Chợ Đũi parish, was designed by Fr. Charles Boutier (1845-1927), an architect of considerable merit who had previously designed the Thủ Đức Church and redesigned the Sisters of Saint Paul de Chartres’ École de Sainte-Enfance complex (after its original wooden buildings had been damaged by termites).

The vaulted ceiling of the nave

The vaulted ceiling of the nave

Constructed from 1902 to 1905, it was named after Huyen Sy (1841-1900, real name Philippe Lê Phát Ðạt), the richest man in Saigon at that time and grandfather of Queen Nam Phuong (Marie-Thérèse Nguyễn Hữu Thị Lan), first and primary wife of King Bảo Đại, Vietnam’s last king.

Italian stained glass windows

Italian stained glass windows

Funder of the church’s construction (he donated one seventh of his family inheritance to build the church and also contributed the land on which it sits), he also funded the construction of the churches in Chí Hoà and Thủ Đức.  He died before the building was completed. His son Denis Lê Phát An later built the extraordinary Byzantine-style church in Hạnh Thông Tây.

The high altar

The high altar

This 40 m. long by 18 m. wide, Gothic-style church has Romanesque decorative elements and a vaulted nave flanked by vaulted aisles decorated in pastel green and white.  Off the nave, in the axial Huyện Sỹ memorial chapel immediately behind the chancel, are the tombs of Huyen Sy and his wife Huỳnh Thị Tài (1845-1920). Elaborately carved from the finest marble, the tombs feature full-length effigies of the couple. Busts of Huyện Sỹ and Huỳnh Thị Tài are also installed on the walls.

Chapel dedicated  to St. Joseph

Chapel dedicated to St. Joseph

Aside from using brick, this is also one or a few churches that used Bien Hoa granite, a kind of stone that shows wealth but is very hard to carve patterns.  It was used in the façade, base, the main columns and decorative work.The high ceiling, with its vertical emphasis, is defined by an ogival arch that is supported by pillars made from Bien Hoa granite.

Chapel dedicated to the Virgin Mary

Chapel dedicated to the Virgin Mary

Its Italian stained glass windows, which keeps out as much of the tropical heat as possible, are adorned with images of Bible stories while, along the walls, are statues of Biblical and Vietnamese saints and the 14 Stations of the Cross. On either side of the transept are small chapels dedicated to the Virgin Mary and St Joseph.

Statue of St. Matthieu Le Van Gam

Statue of St. Matthieu Le Van Gam

The chancel features a richly-decorated marble high altar standing on an open platform and featuring ornate gilding work and exquisitely-carved bas-reliefs of Biblical scenes, including the Last Supper and Mary being visited by the Angel Gabriel.

Statue of St. Joseph and the Child Jesus

Statue of St. Joseph and the Child Jesus

The church is dedicated to St. Philip the Apostle (a statue of St Philip stands at the main entrance).  Immediately in front of the church stands a statue of St. Matthêu Lê Văn Gẫm (Lê Văn Bôi, 1813-1847), a Vietnamese priest and merchant from Biên Hòa Province who was captured and beheaded, for his Catholic missionary activities, in the Chợ Đũi area on the orders of the Nguyễn Dynasty court. In 1900, he was beatified by Pope Leo XIII and, every year on May 11, the date of his execution, a festival of remembrance is held at the church.

The popular Ave Maria prayer spot

The popular Ave Maria prayer spot

The grounds also contain numerous other shrines, including a statue to St Joseph and a Mountain of Our Lady, built in 1960. A Chapel of Rest has recently been added. On numerous occasions, the church has been refurbished, most recently from 2007 to 2009. Above the front vestibule is a 57 m. high bell tower which contains 4 bells cast in France in 1905.

The Chapel of Rest

The Chapel of Rest

The two largest bells (diameter 1.05 m.) were presented to the church by Jean Baptiste Lê Phát Thanh, one of Huyện Sỹ’s sons, and his wife Anna Đỗ Thị Thao. To honor their contribution to the Huyện Sỹ Church, their busts are also displayed in the memorial chapel behind the chancel. The donor of the two smaller bells (diameter 0.95 m.) is not known.

The church's 3 spires

The church’s 3 spires

This century-old, grand and imposing church, a tranquil haven with a warm and awe-inspiring interior, is popular among Vietnamese Catholics who come to Huyen Sy to pray and light incense and votive candles.  On the church grounds is a peaceful flower garden. 

Votive offerings

Votive offerings

Huyen Sy Church: 1 Ton That Tung Road (formerly Rue Frère Guilleraut) corner Nguyễn Trãi St. (formerly Rue Frère Louis), , District 1,  Ho Chi Minh City, Vietnam. Tel: 84 (0) 8 3833 0820 and 84 (0) 8 3925 5806. Open Tuesdays-Saturdays, 8-11 AM and  2-4:30PM.

Notre Dame Cathedral (Ho Chi Minh City, Vietnam)

The Neo-Romanesque-style and French-inspired Notre Dame Cathedral, officially the Basilica of Our Lady of The Immaculate Conception, is a modest replica of its namesake in Paris.  It faces Ð Dong Khoi and is set in the heart of HCMC’s government quarter.  When we arrived, its front gates as well as the heavy timber doors on the side of the building that faces Reunification Palace were locked so we never got to see its interior.  Sunday masses here are held in both Vietnamese and English.  The cathedral is also a favorite for pre-nuptial photo shoots.

Notre Dame Cathedral

Notre Dame Cathedral

The granite plate inside the main entry gate commemorates the start and completion dates and designer. It states that, on October 7, 1877, Bishop Isidore Colombert laid its first stone in an inaugural ceremony. The construction of the cathedral construction work, managed by a French engineer named Baurad, took three years and, on April 11, 1880, Easter Sunday, a blessing and ceremony of completion was solemnly organized in the presence of Cochinchina  Gov. Charles Le Myre de Vilers.

Bell tower detail

Bell tower detail

The total construction cost, at that time, was 2,500,000 French francs. Its foundation was designed to bear ten times the weight of the cathedral. All its original building materials were imported from France and the bricks of exterior walls, which still retained their bright red color until today, came from Marseille. Most of the tiles are  carved with the words “Guichard Carvin, Marseille St André France” (perhaps stating the locality where the tiles were manufactured) while others are carved with the words “Wang-Tai Saigon.” Many tiles damaged during the war have since been replaced by tiles made in Ho Chi Minh City. Its 56 stained glass squares were supplied by the Lorin firm of Chartres province in France and installed by famous French artisans. These were destroyed during World War II and have since been replaced with plain glass

Rose window

Rose window

At the beginning, the cathedral was called State Cathedral due to the source of the construction funds. On February 17, 1959, during the closing ceremony of the Marian Congress, the cathedral was then-on called Notre-Dame Cathedral. In 1960, the cathedral was titled Saigon Chief Cathedral and, in 1962, Pope John XXIII conferred on it the status of a basilica. From this time, this cathedral was called Saigon Notre-Dame Cathedral Basilica.

Side elevation

Side elevation

The cathedral has two main central bays and two sidereal corridors, with tall pillars and light coming in through sets of high windows. Its two 57.6 m. (190 ft.) high square bell towers, added to the cathedral in 1895, dominate the scenic Le Place Pigneau de Behaine (with its beautiful flower garden) which is bounded by the main post office.  Tipped with iron spires, they have six bronze bells (with a total weight of 28.85 metric tons). On the top of each tower are 3.5 m. high and 2 m. wide crosses weighing 600 kgs.

Another view of the side

Another view of the side

The total height of the cathedral, from ground to the top of the cross, is 60.5 m. In front of the cathedral and in the center of the square is a granite statue, made in Rome and installed on February 16, 1959, of the Our Lady of Peace (which was given the title of Regina Pacis). During October 2005, the statue was said to have shed tears, which flowed down the right cheek of the face of the statue.  It attracted thousands of people and forced authorities to stop traffic around the cathedral.

Violet and Osang

Violet and Osang

Notre Dame Cathedral:  Bến Nghé, tp., District 1, Hồ Chí Minh City.

Our Lady of Annunciation Church (Antipolo City, Rizal)

After lunch at a Kentucky Fried Chicken outlet near the Antipolo Cathedral, Jandy and I returned to our Toyota Revo for the last leg of our Antipolo City tour – the Our Lady of Annunciation Church, the first Catholic church built in Antipolo.  The church isn’t easy to find as it is located almost outside Antipolo, on the fringe just before getting to Tanay.  We found our way there via the Marcos Highway (and asking for directions).

Our Lady of Annunciation Church

Our Lady of Annunciation Church

The stone and brick church was constructed by the Jesuits in 1700 under the patronage of Our Lady of Annunciation (Nuestra Señora de la Anunciata). In 1768, when the Jesuits were expelled, its management was transferred to Recollect priests. The church was destroyed during  the July 18, 1880 earthquake. Since then, the population started dwindling and, as it did not seem important to rebuild the church, it was left in ruins.

The church's simple facade

The church’s simple facade

The church's interior

The church’s interior

In 1930, it was totally abandoned when the townspeople were ordered moved to another location to give way for the construction of a proposed dam that would flood the mountain valley of Boso-Boso.  When the project didn’t prosper (due to the discovery of an earthquake fault line), the people slowly came back.

The church's square bell tower

The church’s square bell tower

In 1943, during World War II, what remained of the church was destroyed by fire by the Japanese. In 1995, it was again restored, with the help of the townspeople, to its original design.

Buttresses on the side walls

Buttresses on the side walls

The present reconstructed church has a simple, single level facade with a centrally located main entrance flanked by two small, semicircular arched windows.  Above it is a triangular pediment with a centrally located oculus.  On the church’s left is a square bell tower.  The side walls are supported by buttresses.  Its interior reveal traces of its brick construction.

National Historical Institute plaque

National Historical Institute plaque

Our Lady of Annunciation Church: Sitio Old Boso-Boso, Brgy. San Jose, Antipolo City, Rizal.

How To Get There: From the Masinag/Sumulong intersection, ride a jeepney along Marcos Highway. Upon seeing the Boso-Boso Highlands Resort on the left side, it is a further 2 kms.  to dirt road on the left marked with a big metal archway (“Old Boso-Boso, Brgy. San Jose, Antipolo City”).  Here, take a 2-km. tricycle ride to the church located on your left.

Antipolo Cathedral (Rizal)

From the Hinulugang Taktak, Jandy and I next proceeded to the nearby Antipolo Cathedral, a favorite pilgrimage site formally known as the Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo.  We were lucky to be able to park at the cathedral grounds and when we entered, a wedding was ongoing.  

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo

The church was first built from 1630 to 1633 by Jesuit Fr. Juan de Salazar but was burned during the Chinese uprising of November 1639-March 1640.  It was rebuilt by Fr. Salazar in 1637 but was destroyed during the earthquakes of 1645, 1824 and 1863.  Notable Filipino historians Pedro Chirino and Pedro Murillo Velarde ministered in this shrine.

The cathedral interior

The cathedral interior

The present church was reconstructed by Msgr. Francisco Avendano and was declared a National Shrine by the bishops of the Philippines in 1954.  This modern church, built on the site where the statue of the Virgin was discovered leaning against the trunk of a  tipolo  (breadfruit)  tree (artocarpus incisa), has a circular layout topped by a huge dome and has three main entrances.  Gothic influence in the façade is seen from the triangular windows and mouldings.   It houses the image of Nuestra Senora de la Paz y Buen Viaje (Our Lady of Peace and Good Voyage).

Image of Our Lady of Peace and Good Voyage

Image of Our Lady of Peace and Good Voyage

The brown wooded statue was brought to Manila from Mexico by newly appointed Gov.-Gen. Don Juan Niño de Tabora in 1626, via the galleon El Almirante, enshrined in St. Ignatius Church in Intramuros and later entrusted to the Jesuits at Antipolo when Gov. Tabora died in 1632. Declared patron saint of the Manila galleons, it made six successful round trips across the Pacific to Acapulco without mishap from 1648 to 1649 (on the San Luis), 1650 (on the Encarnacion), 1651 to 1653 (on the San Diego), 1659 to 1662 (on the San Javier), 1663 (on the Nuestra Señora del Pilar) and from 1746 to 1748 (on the San Jose). On November 26, 1926, the image was canonically crowned, before 100,000 people in the Luneta,  by Manila Archbishop Michael J. O’Doherty. 

Historical Research and Markers Committee plaque

Historical Research and Markers Committee plaque

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo: Pascual Oliveros St., Antipolo City, Rizal.

 

Bancuro Church Ruins (Naujan, Mindoro Oriental)

After lunch at Benilda ng Bancuro Resort & Restaurant, next on our Oriental Mindoro Cruise Drive Caravan tour was the Bancuro Church Ruins, more popularly known as Simbahan Bato (Stone Church), just a short drive from the resort.

Bancuro Church Ruins (Simbahan Bato)

Bancuro Church Ruins (Simbahan Bato)

This old, roofless ruin is what remains of an Augustinian Recollect church and priory that was built in the 1690s, on swampy ground, with adobe and coral rock.  The church also served as a fort and a place of refuge against Moro invaders.

The native-style church within a church

The native-style “church within a church”

After several tries by marauding Moro pirates, the place was finally overran by them.  The pirate were said to be looking for the church’s bell, said to be made of gold but, not being able to find it, they instead burned the church to the ground in 1824.

The Augustinian symbol of a pierced heart

The Augustinian symbol of a pierced heart

The 2-level church has never been reconstructed and its coralstone and adobe walls were crumbling and creeping with vines until the 1960s, when a small chapel (literally “a church within a church”) was built within its massive walls.  It was renovated in 2011.

Masonic symbol of a square over compass?

Masonic symbol of a square over compass? 

Still trying to decipher it.

Still trying to decipher this. I recognize the pierced heart on the left. The symbol beside it looks like the Greek symbol for “pi.”

Above the main entrance arch, on the second level, is a small statue niche, above which is the Augustinian symbol of the pierced heart. Flanking it are rectangular openings. Pockets along the walls display several Christian icons. Outside the native-style church is a small plaza with 2 shrines (one for Jesus and the other for the Virgin Mary).

Oriental Mindoro Cruise Drive Caravan participants at church entrance

Oriental Mindoro Cruise Drive Caravan participants at church entrance

Simbahan Bato: Brgy. Bancuro, Naujan, Mindoro Oriental.  It is a 45-min. jeepney ride from the town proper.

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: info@aap.org.ph. Website: www.aap.org.ph.

AAP Travel: G/F, Sea Tower Bldg., 2332 Roxas Blvd. cor. Arnaiz Ave., Pasay City. Tel: (632) 551-0025.  Fax: (632) 551-0014. E-mail: info@aaptravel.com.  Website:www.aaptravel.com.ph.

Church of St. Nicholas of Tolentine (Talisay City, Negros Occidental)

This city’s church was first built with light materials by Augustinian Recollect Fr. Fernando Cuenca and continued and completed by Fr. Miguel Garcia in the first quarter of the 1900s.  Fr. Garcia also built the convent whose ground floor he converted into a clinic. On February 1873, Fr. Ezekiel Moreno came and stayed at this famous rectory cum hospital for hydrotherapeutic treatment.

Church of St. Nicolas of Tolentino

Church of St. Nicolas of Tolentino

However, this church was destroyed as was its second replacement which was built with light materials.  The present structure, the third on the site, was started in 1936 by Fr. Luis Alvarez and completed by Fr. Santiago Vida.  On September 9, 1939, it was blessed by Msgr. Guglielmo Piani, Apostolic Delegate to the Philippines.  The remains of Fr. Fernando Cuenca and Gen Aniceto L. Lacson are kept here.

The church interior

The church interior

The only church left in the perpetual care of the Augustinian Recollects in the Diocese of Bacolod, it has a High Renaissance façade, a projecting portico on the main entrance and is flanked by two domed bell towers with tempiettos at the top of the dome and the base of the tower.

The altar retablo

The altar retablo

How To Get There: Talisay City is located 7.3 kms. (a 10 to 15-min. drive) north of Bacolod City.

Chapel of St. Joseph the Worker (Victorias City, Negros Occidental)

The highlight of our visit to the Victorias Milling Co. (VICMICO) was the Chapel of St. Joseph the Worker, an artistic landmark in the Western Visayas that heralded the birth of Filipino religious art in the country.  This modern and futuristic  church, also called the Ossorio Chapel, was designed by New York architect Anthony Raymond (an apprentice of the great American architect Frank Lloyd Wright) and was built, on the site of the old factory, from 1948 to 1949.  Earthquake-proof, its tower and nave are connected by movable beams.

The Chapel of St. Joseph the Worker

The Chapel of St. Joseph the Worker

This Chapel, built for VMC personnel and their families, was once featured in Life Magazine (as well as Liturgical Art Magazine) as “The Church of the Angry Christ.”  It features mosaic panels formed with bits of broken bottles of soda, milk of magnesia and other colored bottles gathered by parishioners.

The chapel interior

The chapel interior

A symbol of avant garde art, it depicts the angry Christ (God the Son), with a flaming heart and seated on skulls and a serpent (which represents death), on Judgment Day with big eyes and long, outstretched hands (symbolizing His welcoming of the faithful who were called to this continual last judgment), being received by God the Father, represented by 2 huge, red-orange hands.  The Holy Spirit, represented by a descending dove with multi-colored wings, hangs above. All over the place are multi-colored angels.

The controversial mural

The controversial mural

Christ is flanked by brown-skinned Filipinized saints in native attire, standing as witness to Christ’s resurrection – St. Joseph and the St. John the Baptist on the left and Mary and St. John the Evangelist on the right.  The first Filipinism in liturgical art, its singular rendition of brown-skinned Filipinos as Catholic saints has deliberately “Filipinized” traditional Biblical themes, thus giving it a Filipino face.

Triangle with an overseeing eye

Triangle with an overseeing eye

The controversial altar mural, done in a psychedelic splash of primary colors, was also criticized in the 1950s because of its solid, vibrant colors and striking brush strokes.  It also created a stir in conservative church circles for its depiction of Jesus Christ as angry and fierce-looking, instead of a merciful and gentle god. The altar’s beam has a triangle with an overseeing eye, looking at those who are called – the faithful attending the mass.

Skylight above altar

Skylight above altar

Belgian-born American liturgical artist Adelaide “Ade” de Buthune, the Baroness of Schaerbeek, assisted by Romulo Sta. Ana, was commissioned to decorate the baptistery (depicting Christ being baptized as a Filipino), the tabernacle, the mosaic outer walls (particularly the mosaic of Joseph’s wedding to Mary) and murals at the back.

A sculpture of Benjamin VValenciano

A sculpture of Benjamin VValenciano

Local engraver Arcadio Anore executed Bethune’s designs for the brass plates decorating the pulpit, baptistery and other parts of the church. Local artist Benjamin Valenciano, a carpenter from Victorias, did the the crucifix, the Stations of the Cross and the images of Joseph and Mary, garbed as ordinary brown-skinned Filipinos.

Bell tower

Bell tower

Philippine-born American abstract expressionist Alfonso A. Ossorio, the New York-based artist son of Don Miguel Ossorio, did the mural decoration of the altar within 11 months.  Alfonso studied Fine Arts at Harvard University (Cambridge, Massachussets, U.S.A.) and continued his studies at the Rhode Island School of Design. Among his friends were the famous abstract expressionist artists Jackson Pollock and Clyfford Still.

The Last Supper

The Last Supper

As painting medium, Alfonso used ethyl silicate 40, recommended to him by Ralph Mayer, a paint chemist, as appropriate for the tropics as it fghts humidity and withstands the dampness. Up to now, the murals have not been retouched and their bright colors still looks magnificent.

The Virgin Mary with the Holy Spirit

The Virgin Mary with the Holy Spirit

The front facade of the church has a mural showing three scenes from the life of St. Joseph – the marriage to Mary, the workshop at Nazareth, and the death of Joseph. There;s also the comic-like painting outside depicting “The Prodigal Son” (believed to be a pioneering work on the comics art in the Philippines) while the back of the church depicts “The Last Supper” and “The Virgin Mary with the Holy Spirit.”

The workshop at Nazareth

The workshop at Nazareth

Outside the church is a Carabao Sundial, built in December 1975 by Senior Machine Shop students of Don Bosco Institute, led by Hezekiah B. Katalbas and Vicente Gonzaga, with the assistance of VMC management.  Its horn is exaggerated to become the dial face.

The Three Kings

The Three Kings

As it features the works of world famous artists, this chapel should be protected and preserved for other generations to appreciate and, to ensure its preservation, it should be declared as a National Heritage Site or National Cultural Treasure.

The Carabao Sundial

The Carabao Sundial

Church of St. Joseph the Worker: Victorias Milling Co. (VICMICO), Victorias City, Negros Occidental.

How to Get There: Victorias City is located 34 kms. (a 45-min. bus or jeepney drive) northeast of Bacolod City.  Upon reaching the intersection of the National Highway and the road leading to VMC, hire a tricycle that goes straight to the church.

Chapel of the Cartwheels (Manapla, Negros Occidental)

From the mansion, Mark next drove us a short distance, across the field behind the Gaston Mansion, to the hacienda’s unique chapel.  Built during the hacienda days of the 1960s, it is probably the most native-looking of all Philippine churches.

Chapel of the Cartwheels

Chapel of the Cartwheels

Built by secular priest Msgr. Guillermo “Gigi” Gaston for the farm’s workers, its farming motif is reflected in its facade made mainly from various farm implements including plows, mortar (candle holders) and pestles (a holy water container), all indigenous to Hacienda Rosalia, as well as margaha sand and rocks from the nearby seashore.  The chapel’s benches were each made with slabs of hardwood by families who attended the mass.

The chapel's interior

The chapel’s interior

Its tall roof is a stylized wooden salakot (headgear) and the walls are made of artistically-linked discarded carabao cartwheels, an idea thought of by Msgr. Gaston who knew that the farm workers and their families could easily relate to this simple but widely used object in the farms where they worked.

The chapel's altar

The chapel’s altar

For him, the cartwheel also symbolizes the Holy Trinity with God the Father as the center of the wheel; Jesus Christ as the spokes surrounding it, leading the people towards God; and the the Holy Spirit as the outer rim  who ensures that the people don’t get lost on their way towards the center.

Seating area for the priest and 2 sacristans

Seating area for the priest and 2 sacristans

A huge, centuries-old boulder serves as the altar and the wall behind it is made of native stone and punctured by 3 cartwheel-shaped stained glass windows (representing God the Father, God the Son and God the Holy Spirit) with broken pieces of glass bottles (wine, milk and soda) in different colors, giving the altar a more creative and lively look. Boulders were also used as the podium top and seats for the sacristans.

Stained glass window

Stained glass window

The sliding doors feature mats of 128 panels portraying Biblical events and the usual Christ on the cross is modified by a farmer crucified on a cartwheel. Masses,  attended by hacienda farm workers and their families, are still being held in the chapel. The chapel, also open to guests and tourists who visit the town, is also a popular venue for weddings.

Christ on a crucified on a cartwheel

Christ crucified on a cartwheel

Chapel of the Cartwheels: Hacienda Rosalia, Manapla, Negros Occidental.

How to Get There: Manapla is located 44.7 kms. (a 1-hour drive) northeast of Bacolod City.

Church of St. John of Sahagun (Tigbauan, Iloilo)

Just 5 kms. from Guimbal, I made my last stopover at Tigbauan where I visited its  old reddish coral and limestone church which was built, together with the convent, by Fr. Fernando Martin in 1867.  The convent was destroyed during the January 25, 1948 Lady Caycay earthquake.

Church of St. John of Sahagun

Church of St. John of Sahagun

Its facade has fine Spanish Churrigueresque stone carvings; a sustained crescendo rising from the elaborate Baroque main entrance arch (with a cherub with bent wings marking its keystone) upwards through its 3-storey height into cornice, keystones, pilaster and spandrels, prolix with whorls and scrolls following foliate and floral designs.  Its pilasters, reminiscent of Mexican estipites, are decorated with floral motifs.

The fine Spanish Churrigueresque facade

The fine Spanish Churrigueresque facade

The main entrance

The main entrance

The image of the Augustinian St. Nicolas of Tolentino, ensconced in an elaborately carved rectangular niche in the first tier, is flanked by pilasters embellished with flowers and upon it is a depiction of San Juan.

A cherub with bent wings marking the main entrance's keystone

A cherub with bent wings marking the main entrance’s keystone

The Augustinian motif

The Augustinian motif

The little image of the Holy Jesus (Sto. Nino) is on the following tier.  The finely carved Augustinian motif of the pierced heart and bishop’s hat, capping the exquisite masterwork of unknown artists, is surrounded by a retablo-like floral frieze which fills the central section.

The image of the St. Nicolas of Tolentino in an elaborately carved niche

The image of the St. Nicolas of Tolentino in an elaborately carved niche

The little image of the Holy Jesus on the following tier

The little image of the Holy Jesus on the following tier

A pair of little angles is located at the sides and floral designs rest on the base of the triangular pediment.  Behind its rectory was the first Jesuit school for boys in the Philippines established in 1592 by Fr. Pedro Chirino, S.J..

How To Get There: Tigbauan is located 22.48 kms. from Iloilo City, 4.8 kms. from Guimbal and 11.2 kms. from Oton.

Church of St. Nicolas of Tolentino (Guimbal, Iloilo)

About 20 kms. past San Joaquin and 8 kms. past Miag-ao, I again made a stopover at Guimbal where I visited its gorgeous and ornate church.  It was started by Augustinian Fr. Juan Aguado (parish priest from 1742 to 1744, 1753) using yellow sandstone/coral rock called igang quarried from Guimaras Island   Fr. Juan Campos (1769 to 1774) finished it by adding the half dome covering the segmental pediment as well as the paired columns with lintel.

The gorgeous Church of St. Nicolas of Tolentino

The gorgeous Church of St. Nicolas of Tolentino

The church was damaged during the July 13, 1787 earthquake, further enlarged in 1893 by Fr. Jose Orangren, burned in December 1895 and restored a month later by Fr. Agustin Llorente (who also built the current bell tower).  It was  also seriously damaged during the Japanese Occupation and the January 25, 1948 Lady Caycay earthquake.

Rosettes on the main entrance arch

Rosettes on the main entrance arch

The church’s facade has paired, rounded pilasters, with Corinthian capitals; archetypal, classic finials; Morrish-inspired spires; and a lintel that seems to support a half dome, which almost covers the segmental pediment.

Statued niche on the right

Statued niche on the right

Statued niche on the left

Statued niche on the left

The curved lines of the upper side wall starts from the ends of the lintel.  The semi-circular arched doorway, flanked by statued niches, has decorative, Asian-inspired rosettes following the outline of the arch.

The paired Corinthian pilasters

The paired Corinthian pilasters

 

Detail of Corinthian capital

Detail of Corinthian capital

The 4-storey bell tower, on the church’s right, has semi-circular arch windows on the square-shaped second and third storeys, and pointed arch windows on the hexagonal-shaped fourth storey.

The 4-storey bell tower

The 4-storey bell tower

The convent, built by Fr. Juan Campos in 1769, was destroyed during the 1948 Lady Caycay earthquake. Fronting the church is a beautifully manicured park while nearby is the new municipal hall as well as old municipal hall (Casa Real).

Side facade

Side facade

The Casa Real, the first municipal building of Guimbal, was also the site of the tribunal and a school.  Recently renovated, it now houses the Hall of Justice (Regional Trial Court, Municipal Circuit Trial Court, Guimbal Municipal Police Station and the Bureau of Fire Protection).

New Guimbal Municipal Hall

New Guimbal Municipal Hall

Old municipal hall (now Hall of Justice)

Old municipal hall (now Hall of Justice)

How to Get There: Guimbal is located 28.48 kms. (a 30 to 35-minute drive) from Iloilo City, 4.8 kms. from Tigbauan and 8 kms. from Miag-ao.