Church of Our Lady of the Pillar (Cauayan City, Isabela)

Church of Our Lady of the Pillar

Come morning of our fourth day in Isabela, we toured the nearby (3-km.) Church of Our Lady of the Pillar.  This church, built with stone, mortar and bricks, was begun in 1825 by Dominican Fr.  Juan Prieto and finished in 1830.

The Baroque facade

During World War II, the church was heavily damaged (parts of the church, the sides of the presbytery were hit) and the convent was destroyed. This church, as well as the Church of St. Rose of Lima in Gamu, and the Church of Our Lady of Atocha in Alicia, are examples of what is called as the “Cagayan Style” of Spanish churches that was inspired by the Tuguegarao church.

Check out “Church of Our Lady of Atocha” and “Church of St. Rose of Lima

Bas-reliefs featuring curlicues

The left side of the church

AUTHOR’S NOTES

The church’s two-level, Baroque brick (portions of the bricks have bas-reliefs and numbers and symbols etched on it) façade, similar to the Church of Our Lady of Atocha in Alicia, has a semicircular arched main entrance flanked by semicircular arched windows.

The second level has a centrally located statued niche flank by semicircular arched windows. The undulating pediment, with its centrally located rose window, is topped by finials.

 

Check out “Church of Our Lady of Atocha

The modern church interior

The rear of the church

The modern interior of the church has a fresco (The Coronation of the Blessed Virgin Mary) above the altar.

The Coronation of the Blessed Virgin Mary

The top level of its beautiful five-storey bell tower on the right was later destroyed during the violent December 27, 1949 Intensity 7 earthquake, leaving only the base, and the upper level is a modern addition.

The old church bells and a plaque narrating the history of the parish

During our visit, we were allowed to climb to the very top of the tower where we had a panoramic bird’s eye view of the city and the surrounding countryside.

The Parish PastoralCenter

Candle house with a huge statue of Our Lady of the Pillar above it

Displayed on the right side of the church, between a plaque detailing the history of the parish, are two old church bells, dated 1792 and 1843 respectively.  Around the church are huge statues of the Pieta and Jesus Christ, a Candle House (above which is a huge statue of Our Lady of the Pillar) and a 2-storey Parish Pastoral Center (inaugurated on April 12, 2014) with function rooms and a parish museum.

Statue of the Pieta

At the rear are bas-reliefs of The Last Supper, The Holy Face of Jesus and The Sorrowful Mother.

Bas-reliefs of The Holy Face of Jesus, The Sorrowful Mother and The Last Supper

Church of Our Lady of the Pillar: Mabini St., Cauayan City, Isabela. Tel: (078) 652-2014 and (078) 634-5049. Feast of Our Lady of the Pillar: October 12.

How to Get There: Cauayan City is located 374 kms. (a 9-hour drive) from Manila and 33 kms. from Ilagan City.

Isabela Museum and Library (City of Ilagan, Isabela)

Isabela Museum and Library

On our third day in Isabela, a break in the Bambanti Festival proceedings brought us to the Isabela Museum and Library. Upon arrival, we were welcomed by Mr. Jesus Fernandez Ordonez, Museum Researcher II who was to tour us around the museum.

The Neo-Classical facade

The two-storey museum showcases Isabela’s history and cultural heritage. Among the museum’s collections are antique furniture, fossils, ethnographic items, heirloom pieces, visual arts (photographs, paintings, sculpture, and graphic arts), artworks, historical and cultural dioramas and miniature models of provincial landmarks, among others.

Display at museum lobby

The building where the museum is located, built in 1946, once housed the province’s old capitol until 1991.  When a provincial capitol buiding was built in Brgy. Alibagu, Gov. Benjamin G. Dy decided to convert the old building into a museum and library.

Bambantii Festival Exhibit

Architect Baltazar Gigantone was commissioned to redesign the building into a museum.  On May 11, 1991, the new museum was inaugurated during the 143rd founding anniversary of the province.  In 2019, the museum was rehabilitated by Gov. Faustino G. Dy III.

Diorama of the Capture of Emilio Aguinaldo

Upon entry, one of the first exhibit we noticed was the diorama of the March 23, 1901 capture of Pres. Emilio Aguinaldo in Palanan by American Gen. Frederick Funston. One by one, we toured the museum’s numerous galleries.

Farming Implements

The Cultural Heritage/Antiques Gallery, on the right wing, is the first gallery we visited.  It displays, as its name implies, antique furniture, religious artifacts (monstrances, statuary, chalices, candle holders, etc.), relics from old structures (St. Matthias Church, Bungad Bridge, San Vicente Ferrer Chapel, San Pablo Church Ruins, Casa Real, etc.), burnay pottery, ceramic water filter (ca. 1930 – 1960), World War II memorabilia (M1 helmets, canteens, mess kits, Japanese rifle, nesting cups, etc.)and Scouting Jamboree memorabilia.

Check out “Church of St.Matthias

Sewing machines, typewriters, etc.

Old appliances, office equipment and everyday items on display include typewriters (Underwood, Royal, etc.), gas-operated flat irons, single-burner mini gas stoves, Singer sewing machines, prinsa (old style metal pan filled with hot coals), Gramophone records, an abacus, ash trays, case gin bottles (cuatro cantos), a Mansfield automatic film projector, Canon cameras, an  Olympia adding machine,  Paymaster check writer/printer, Gramophone, farming implements and a dadapilan (sugar cane crusher) and old wooden storage chests.

Cooking Implements and Wooden Chests

Burnay Pottery

The adjoining gallery houses the memorabilia of the late Sen. Heherson Alvarez (clothes, books, photos, etc.), the Governors’ Memorabilia and the Portraits of Power Gallery.

Portraits of Power Gallery

Memorabilia of Sen. Heherson Alvarez

On the left wing are the Awards and Bambanti Festival Gallery (gowns, photos, etc.), the Selyo Gallery (displays first day of issue Philippine stamps), Revolving Exhibit Gallery and Numismatics Gallery (displays coins and paper currency).

Selyo Gallery (Philippine stamps, first day of issue)

Numismatics Gallery (coins and paper currency)

Awards and Bambanti Festival Gallery

Another room houses the Contemporary Arts Gallery (Art Capital of the North Gallery, Visual Arts and Scaled Models).

Contemporary Arts Gallery

Scaled models

The Tilamsik ng Liwanag (Splash of Light”) Gallery displays replicas of Katipunan flags and photos of historical events (the Propaganda Movement, Katipunan Movement, Philippine Revolution, the Malolos Constitution, Philippine-American War, World War II, the Japanese Occupation, Martial Law years, People Power Revolution, etc.) and personalities (Jose Rizal, Emilio Aguinaldo, Manuel L. Quezon, etc.).

Tilamsik ng Liwanag (Splash of Light”) Gallery

The library has 21,793 books (including the minutes of session of the Provincial Board, from 1909 to 2011, the oldest in the country).

Library

Minutes of Session of the Provincial Board, the oldest in the country

Isabela Museum and Library: Arranz St., Brgy. Osmena, City of Ilagan, Isabela.  Tel: (078) 307-3004 and (078) 323-3146.  E-mail: isabelamuseumandlibrary@gmail.com and isabelatourismoffice@gmail.com. Open Mondays to Fridays, 8 AM – 5PM.

CVRC Agro-Eco Tourism and Organic Farm (City of Ilagan, Isabela)

CVRC Agro-Ecotourism and Organic Farm

The Cagayan Valley Research Center (CVRC) Agro-Eco Tourism and Organic Farm, strategically located at the back of  the Ilagan Public Market and adjacent to the National Highway, was accredited by the Department of Tourism (DOT) on May 23, 2016.

Vermicompost Production Area

The CVRC is one of the Bureau of Agricultural Research’s active partners in research and development (R&D) in the region and is also a certified third party organic farm as issued by the OCCP, certified last August 2017 and renewed last October 29, 2018.  On June 5, 2016, it was also accredited as a learning site.

Cagayan Valley Research Center – Annex

Learning Center and Museum for Organic Agriculture

The farm has an approximate are of 32 hectares of which 8 hectares is for the experimental farm, 10 hectares for the non-experimental farm and 14 hectares for the expansion area.

Personnel transplanting seedlings into trays

It offers organic vegetables, edible landscaping and vermicompost production which are open for public visits and stakeholders, particularly farmers, entrepreneurs and students.

Plant Genetic Resources Center

Organic Seed Storage Display House

It is home to the Cagayan Valley Research Center – Annex, the Plant Genetics Resources Center, Organic Seed Storage Display House, the Learning Center and Museum for Organic Agriculture, Herbal Garden, Children’s Park, Alphabet Garden, Pinakbet Park, a butterfly sanctuary, sunflower garden, tunnel garden, a floating restaurant, Youth Garden, a kid zone garden and the Children’s Park with a haven of organic plants and vegetables.

Alphabet Garden

Mushroom Production Area

The Cagayan Valley Research Center – Annex, a satellite station of the CVRC, is the regional show window of the Department of Agriculture that is responsible for the promotion of soil and water management and conservation measures for agricultural development.

Herbal Garden

Solar System Garden

The Plant Genetics Resources Center (PGRC), inaugurated in May 2018, caters to the conservation of collected germplasm of major crops in the Cagayan Valley.

Children’s Park

Bahay Kubo

Here, you can pick and pay (bingwit mo, bayad mo) for your vegetables and they also have a fishing area, picnic cottages and offer bikes for rent (Php50/hour).  They also sell chickens, ducks, mushrooms, lettuce and other vegetables.

Statue of a Carabao Cooling Itself in Mud

Statues of Children Playing Luksong Tinik

CVRC Agro-Eco Tourism and Organic Farm: Purok 2, Brgy. San Felipe, 3300 City of Ilagan, Isabela.  Mobile number: (0956) 096-3388 and (0927) 910-1166.  E-mail: cvrc.rfo@da.gov.ph and da.cvrc@yahoo.com.  Website: www.cagayanvalley.da.gov.ph. Admission: Php20.

Mangi Food Hauz and Pasalubong Center (City of Ilagan, Isabela)

Mangi Food Hauz and Pasalubong Center

On the afternoon of our second day in Isabela, we were driven to the Mangi Food Hauz and Pasalubong Center which is run by the Department of Agriculture-Cagayan Valley Research Center (DA-CVRC)   Employees Multi-purpose Cooperative.  Mangi is the Ybanag word for “corn.”

Ms. Elizabet Allam

Located just adjacent to the Isabela Police Provincial Office and the Ilagan Public Market, the food house is an innovative breakthrough of the DA-CVRC, promoting corn and its products.  The City of Ilagan is the country’s Corn Capital (with 80% of the population being corn farmers) and this restaurant offers corn fare such as corn coffee, energy ball, puto, nachos, inandappel,  corn shake, pansi de mangi, pastillas de mangi, all made with corn.

Corn-based food products

Here, we were welcomed by its manager Ms. Elizabeth S. Allam.  Ms. Allam has developed various corn recipes such as creamy cornbonara (with flat noodles made of purple corn), pinataro (its take on ginatan where the galapong is corn-based), cornganisa (a vegan sausage composed of mushrooms, malunggay, tofu and, of course, corn), and creamy corn pizza (corn is used for the topping, sauce and dough).

During our visit, Elizabeth introduced to us their decadent soft-serve ice cream – cornbetes. This corn-based product was launched by DA-CVRC Chairman William Contillo on October 12, 2019, the second day of the “Kain Na” Food and Travel Festival, North Luzon Edition at the Ayala Technohub in Baguio City. We each tasted the pure flavors of corn with crunchy corn kernels.

Cornbetes

Mangi Food Hauz and Pasalubong Center: Acacia St., Brgy. Baligatan, 3300 City of Ilagan, Isabela.  Mobile number: (0977) 213-1136, (0915)902-5266 and (0939) 115-6879.  E-mail: dacviarcempc@yahoo.com.

Bateria (San Esteban, Ilocos Sur)

Moro Watchtower (Bateria)

Part of Santiago Cove Hotel and Restaurant-sponsored tour

This old but very pretty, 10.4-m. high, circular Spanish-era watchtower, located on a park at the headland of the sandy cove, is one of four Spanish-era watchtowers in Ilocos Sur (the others are located in Santiago, Narvacan and Bantay).  Visible from Villa Quirino Point, it is the oldest landmark of San Esteban (Ilocos Sur).

Built by Augustinian Fr. Damaso Vieytez OSA (who became the first parish priest of San Esteban in 1848), Don Agustin Santiago and Don Domingo Sumabas, it has a diameter of approximately 8.5 m. and was built with sandstone, lime and mortar.

Historical marker. In my opinion, the 16th century date of construction is wrong. Should be the 19th century

A major landmark of the town, it was also called the Moro Watchtower and is one of the most intact Spanish-era watchtowers in the country.

The free standing concrete platform supported by concrete columns. In the middle is a skylight to illuminate the lower level. The platform is accessed by s steel stairway.

Accessed by a steel stairway, it has one entrance and a crenellated top where a row of cannons were once installed (hence the name bacteria, the Spanish word for “battery”).  Today, only tower viewer binoculars are installed.

View of the lower level from the skylight

The Philippine Tourism Authority ((now the Tourism Infrastructure and Enterprise Zone Authority or TIEZA) has declared it as a Tourism Site and it has been registered in the National Historical Institute (NHI), now the National Historical Commission  of the Philippines (NHCP).   In December 2015 , the National Museum of the Philippines declared it as a National Cultural Treasure (Category I).

The concrete platform with stainless steel railings

In 2016, it was renovated by the National Historical Commission  of the Philippines (NHCP) who, together with the local government, also made improvements of the park including the addition of concrete picnic tables.  The banyan tree which once grew around the tower is now gone.

View of the sea from the watchtower

View of the shoreline and the park

Bateria: Brgy. Bateria, San Esteban, 2706 Ilocos Sur. Admission is free.

Santiago Cove Hotel and Restaurant: Sabangan Beach, Brgy. Sabangan, Santiago 2707, Ilocos Sur.  Mobile number: (0917) 115-4495 (Globe), (0917) 654-2078 (Globe), (0968) 851-5446 (Smart) and (0955) 773-9793 (Rodrigo’s).  E-mail: hsantiagocovehotel@gmail.com.

Mapisi Rock (Santiago, Ilocos Sur)

Mapisi Rock

Part of Santiago Cove Hotel and Restaurant-sponsored tour

Derived from the Ilocano word mapisi meaning “to cut,” Mapisi Rock (or “Biak-na-Bato”) is a towering boulder that has been cut in the middle by natural forces, probably by an earthquake.  The base of the rock has also been undercut by sea waves.

Concrete picnic sheds painted in Santorini blue and white accents

It is located along the white sand Apatot Beach and is just 4 kms. away from the National Highway.

Paved stairs and walkways

 

The area around the rock has been developed into a picnic site, with lighting, paved walkways and stairs plus public toilets and concrete picnic tables and sheds painted in Santorini-inspired colors of blue and white.

The author at Mapisi Rock

Offshore is a small rock formation which resembles a dragon’s head. Mapisi Rock is a favorite of visitors who usually climb the rock for some buwis buhay shots.

The dragon head-like rock formation located offshore

Here, you have great sea views and, come dusk, you can also watch the setting sun from here.

Dusk at Mapisi Rock (photo: Mr. Roel Hoang Manipon)

Mapisi Rock: Brgy. Ambucao, Santiago, Ilocos Sur.  Admission: Php10/pax.

Santiago Cove Hotel and Restaurant: Sabangan Beach, Brgy. Sabangan, Santiago 2707, Ilocos Sur.  Mobile number: (0917) 115-4495 (Globe), (0917) 654-2078 (Globe), (0968) 851-5446 (Smart) and (0955) 773-9793 (Rodrigo’s).  E-mail: hsantiagocovehotel@gmail.com.

Casa Byzantina (Las Casas Filipinas de Acuzar, Bagac, Bataan)

Casa Byzantina

Our land tour, via coaster, of Las Casas Filipinas de Acuzar (Spanish for “Acuzar’s Philippine Houses”) ended at Casa Byzantina .  Also known as the “Don Lorenzo del Rosario (a signer of the Malolos Constitution and one of the numerous building contractors in Binondo) House,” it is a three-storey, intricately designed mixed-used “floral” bahay na bato (stone house) originally located at the corner of Madrid and Penarrubia Streets at San Nicolas, Binondo, Manila.

Designed in 1890 by Catalan architect Joan Josep Jose Hervas y Arizmendi , it is the only existing building designed by him in the Philippines.

Born in BarcelonaSpain in 1851, architect Joan Josep Jose Hervas y Arizmendi got his degree in 1879 and, from 1892 to 1898, became the municipal architect (or arquitecto municipal) of Sitges and Tortosa in Spain and in ManilaPhilippines. Some of his works were private residences such as Casa Perez Samanillo (Circulo Ecuestre at present), owned by the Perez-Samanillos, former Manila residents (they owned the Perez Samanillo building at Escolta, Manila), in 1910, for which he was awarded the 1911 Barcelona City Council Prize.   His other works include Hotel de Oriente and La Insular Fabrica de Tabacos y Cigarillos.  He died in 1912.

The Moorish door transom at the exterior

So called  because of its Byzantine ornamentation, it has a half-moon opening above the large entrance with grill works, arches above the windows of the third floor, engaged columns, and appliqued carvings. However, the house reflects more of the Neo-Mudejar (Spanish-Moorish) architectural style  as seen by its Moorish door transom on the exterior, which is echoed in the interior wooden arches and transom traceries.  A mirador (balcony) crowns the roof above the interior’s stairs with turned balusters. The stairs, leading up to the second and third floors, provides access to both wings of the house.

Media group posing in front of Casa Byzantina

In 1869, as the streets at the commercial concentrations at Binondo and San Nicolas districts in Manila were narrow, corner buildings were mandated to be built with a chamfer (or chaflan) and, in compliance with this municipal building regulation (which also led to the creation of eight-sided open spaces, or plazoletas, at every street corner), the house was built with a chamfered corner.

Historical plaque

Its first storey (which served as commercial spaces) was made of adobe stones and bricks while the two upper storeys (which served as residential spaces) were built with various sturdy Philippine hard woods.  Galvanized iron sheets were used for roofing.

Used as commercial and residential space, during the 20th century, the house was occupied by a succession of tenants. In 1914, it was the first home of the the Instituto de Manila which rented it for elementary and high school classes until 1919 when the institute moved to Sampaloc, Manila, eventually becoming the University of Manila. In 1939, despite its neglected state, it was cited by Tribune magazine.

The hotel lobby

After World War II, the nearby community decayed and the land reclamation for the North Harbor. The old houses became tenements and some were torn down to make way for commercial buildings. Casa Byzantina was leased to various tenants.

By 2000, it was in a miserable condition. After eight years, the house was declared structurally unsound. Yet, despite its condition, more than 50 informal, urban poor families were still occupying the house. In 2009, the house was sold, dismantled, and brought to Bagac, Bataan.

Grand staircase

Now transformed into an elegant first class hotel, it is now considered as the most expensive hotel in the resort. This luxurious six-bedroom accommodation, complete with luxurious amenities, 24/7 butler service and free cocktails, has 7 bathrooms and sleeps 16.

Casa Byzantina: La Casas Filipinas de Acuzar, Brgy. Ibaba, Bagac, 2107 Bataan. Tel: (632) 8833-3333 local 116-117.  Mobile number: (0917) 872-9361. E-mail: reserve@lascasasfilipinas.com. Website: www.lascasasfilipinas.com. Coordinates:  14°36′09.6″N 120°23′06.9″E

How to Get There: It is a three-hour drive from Manila via NLEx and SCTEx. There is a shuttle service plying the Manila-Bataan route daily with New World Hotel Makati and Astoria Plaza as pickup and drop off points. For inquiries, call (63-2) 332-5338 and (63-2) 332-5286. The resort is accessible from the southeast through a two-lane road from the poblacion of Bagac.

Arrival at Las Casas Filipinas de Acuzar (Bagac, Bataan)

Las Casas Filipinas de Acuzar

From Le Charme Suites, we all boarded our coaster for the 68-km. (1 hour and 45-min. drive), via the Gov. J.J. Linao National Rd., to Las Casas Filipinas de Acuzar (Spanish for “Acuzar’s Philippine Houses”) in Bagac, Bataan province’s newest and certainly most upscale beachside resort.  This beach resort, hotel, convention center and heritage destination rolled into one was designed to resemble a historic Filipino town, was to offer us a taste of the Philippine’s past come to life.

The gated stone entrance, with its keystone jauntily carrying the resort’s elaborate coat-of-arms, welcomed us. The resort, covering an area of around 40 hectares (99 acres), lies in a vast sand-filled estuary bisected near the beach by a small river, with seaside farms stretching off to the north.

Casa Maranao

From the driveway, we espied, across the Umagol River, Casa Maranao, a torogan (a Maranao royal clan house) from Lanao in Mindanao. Built in 1873, it was owned by Sabino Lakowa and its last owner was Dimaawan, the second child of Sabino.  It features panolong, wing-like carvings that flare out from its floor beams, symbolizing the wealth and importance of its occupants.  There are also okir, beautiful carvings that depict the naga (serpent or dragon from Sanskrit literature), and pako rabong amarilis (asymmetrical growing ferns).

Arrival at Casa New Manila

This resort was painstakingly built up in over ten years of intermittent construction.  It has a vast, open-air depository of planks, stone blocks, and tiles salvaged from their original owners or bought from junk shops in Manila.  From these materials, future houses and structures in the complex will be constructed.

Comprised of a collection of several dozen “heritage houses” and buildings, each representing an aspect of national Filipino history, they are an outcome of an organic process of selecting and emplacing salvaged ancestral houses from all over Luzon that were specifically evaluated and chosen based on their individual cultural, historical and architectural value and features.

The buildings at Las Casas Filipinas de Acuzar range in style from mansions to wooden stilt houses. With its rear ringed by the forests of nearby Mt. Natib and its front splashed by the South China Sea, these ancient wood, tile and stone structures were given a new lease in life, reincarnated as vacation houses, offices, restaurants, and hotel suites and facilities in Las Casas.

It had its beginnings in 2003 when real estate magnate and architect Jose Rizalino “Jerry” Acuzar, the owner of New San Jose Builders, Inc., decided to open an estate just outside of his hometown of Balanga.  Ultimately settling upon a 400-hectacre tract of land near the fishing village of Bagac, he built a quaint manor home and a series of small cottages.

When he was young, Jerry, on his way to school, had memories of passing by the decaying mansions along F.R. Hidalgo Street in Quiapo.   In 2008, he was fatefully offered parts of a historic home from the Cagayan Valley. Subsequently, in an effort to restore it back to its former glory, he dismantled and reconstructed the building on his estate.

Our raft ((balsa) awaits ….

Later on, he was offered heritage homes that were being sold and he decided to transplant these endangered specimens of colonial heritage architecture to his beachfront property. Acquired and transported from varying locations across the country, each historic structure was meticulously dismantled from their original location before being reassembled and carefully restored inside the premises of the Las Casas Filipinas by a skilled group of architects. In cases where an authentic reconstruction was not possible, materials that were as close to the original were used to complete the project. Needless to say, each building’s legacy is as unique as its architecture.

However, this method of heritage conservation has been contentious among conservationists since they believed that their original communities could have benefitted from the structures had they been restored on site. The heritage park’s proponent Gerry Acuzar claimed that he went with the method in order to save the structures from decay and neglect.

While the estate remained private, many heard about what he was doing and wanted to see his reconstructed heritage houses. Seein an opportunity to make the location accessible to the public, Acuzar continued financing his work in restoring the heritage houses. As Acuzar’s team of artisans grew, the destination gradually expanded into 63 heritage homes and 34 structures built in the style of the historic houses on-site.

In March 2010, Acuzar debuted his private estate as a beach resort, opening it to the public as the Las Casas Filipinas de Acuzar and placing it under the management of Genesis Hotels and Resorts Corporation.  It has since established itself as one of the most luxurious holiday destinations in the world, every year hosting hundreds of enthusiastic cultural heritage visitors. In early 2020, due to community quarantine measures imposed in response to the COVID-19 pandemic, Las Casas Filipinas temporarily closed but eventually reopened in July 2020.

The Umangol River

The work accomplished by Acuzar and his team had earned the resort great praise. In 2021, the heritage park was lauded and recognized for its preservation efforts and their continued stewardship by the Department of Tourism, under Secretary Bernadette Romulo-Puyat.  That same year, Historic Hotels Worldwide also bestowed the resort with its Award of Excellence for “Best Historic Hotel in Asia/Pacific.” Since 2017, this fantastic historic resort has been a member of Historic Hotels of America.

View of Casa New Manila across the Umangol River

We first registered ourselves at Casa New Manila, an American-era house built in 1926 by Italian-American Joseph Francisco.  It once stood at Balete Drive for 90 years and was bounded by Espana Extn. (now E. Rodriguez Ave.) and Campanilla, Sampaguita and Ilang-Ilang Sts..  It was later bought by Manuel Alcuas y Tuazon and Rosario Araneta y Zaragoza, scions from two prominent families in Manila. It had wide open verandas (where we had scenic views of the Umagol River and parts of the resort), extended eaves and its original fireplace.  From here, we were to tour the resort by raft.

La Casas Filipinas de Acuzar: Brgy. Ibaba, Bagac, 2107 Bataan. Tel: (632) 8833-3333 local 116-117.  Mobile number: (0917) 872-9361. E-mail: reserve@lascasasfilipinas.com. Website: www.lascasasfilipinas.com. Coordinates:  14°36′09.6″N 120°23′06.9″E.

How to Get There: It is a three-hour drive from Manila via NLEx and SCTEx. There is a shuttle service plying the Manila-Bataan route daily with New World Hotel Makati and Astoria Plaza as pickup and drop off points. For inquiries, call (63-2) 332-5338 and (63-2) 332-5286. The resort is accessible from the southeast through a two-lane road from the poblacion of Bagac.

Baclaran Church (Paranaque City, Metro Manila)

Baclaran Church (National Shrine of Our Lady of Perpetual Help)

Baclaran Church, also known colloquially as the Redemptorist Church  or the National Shrine of Our Mother of Perpetual Help (FilipinoPambansáng Dambana ng Iná ng Laging Saklolo), is a prominent national shrine dedicated to Our Lady of Perpetual Help.  Enshrining the icon of Our Mother of Perpetual Help, the church is 106.7  m. (350 ft.) long, 36 m. (118 ft.) wide and  stands 17.2 m. (56.5 ft.) high on the nave and 12.5 m. (41 ft.) hig on the main aisle.

The author at Baclaran Church

It has a full seating capacity  of 2,000 (9,000 to 11,000 standing) during Masses, with 108 pews seating 15 to 20 adults, and is one of the largest Marian churches in the Philippines, with a floor area of 5,069.2 sq. m. (54,564 sq. ft.).

The left side of the church

Devotion to Our Mother of Perpetual Help is popular amongst Filipino Catholics and, during Wednesdays (popularly called “Baclaran Day” due to congested roads near the shrine),devotees flood the church to attend Mass and pray the Novena to Our Mother of Perpetual Help, introduced to Baclaran by Australian Redemptorist Rev. Fr. Gerard O’Donnell, CSsR.

The right side of the church

Every first Wednesday of every month,liturgies and other activities are simulcast on TV Maria from the Shrine.  The annual  liturgical feast day of the icon is celebrated on June 27.

The church interior

Here’s the historical timeline of the Redemptorist Order  and the church:

The baldachin above the high altar

The Shrine, and its attached convent, were initially dedicated to Saint Thérèse of Lisieux (a grotto statue of the saint on the shrine grounds memorializes her patronage) by Rev. Fr. Denis Grogan, C.Ss.R., the builder of the new church and parish house. However, the Ynchaustí Family, long-time supporters and friends, donated a high altar on the condition that it enshrine the icon of Our Mother of Perpetual Help.

The left side aisle

When the church opened, the shrine became very popular. To accommodate the growing number of devotees, the Redemptorist priests replaced the Our Mother of Perpetual Help icon with a larger version. An estimated 120,000 devotees are currently affiliated with the Shrine.

The right side aisle

The wider Baclaran shrine complex, under the territory of Santa Rita de Cascia Parish (both are part of the Vicariate of Santa Rita de Cascia in the Diocese of Parañaque), located a few blocks away from the Redemptorist Church, serves as the headquarters of the Manila Vice Province of Congregation of the Most Holy Redeemer, while the Cebu Province of the Redemptorists is headquartered in Cebu.

The choir loft area

The original icon, from Germany, was brought into the country in 1906 and is enshrined above the main altar.  During the Second World War, the icon was removed from the church and given to a family for safekeeping but, towards the end of the Japanese occupation of the Philippines, their home was later burned and ransacked. Initially thought to be lost, the icon was found by a De La Salle brother  among other valuable objects that the Japanese had seized and abandoned at the Old Bilibid prison.   At its back paneling, it bears the Papal Arms.  Though there is no access to the icon at the top of the retablo, people touch the tabernacle instead. 

Historical plaque commemorating Pope John Paul II’s visit to the church

The present church, the third to be built on the same site, was designed in the Modern Romanesque style by architect César Concio, Sr.. It took six years to build.  Most of the money came from small donations (the suggestion from the pulpit was 10 Philippine centavos per week) and this often ran out, requiring construction to stop.  For a big space, the church has a light design, with good natural acoustics.

The sanctuary with the high altar, tabernacle and the icon

The elevated sanctuary is separated from the nave by a communion rail.  The marble high altar was brought in from Italy. The baldachin, the beautiful covering of the icon above the altar, has columns and capital made of giallo oro and Bottecino marble.  The gracefully carving altar rails are made of white Carrara marble.

Confessionals

The beautiful retable (retablo in Spanish), the large altarpiece behind the altar, incorporates the tabernacle and serves as the backdrop of the icon.  It contains bronze sculptures of eight pairs of wheat stalks intertwining with each other, with their point of intersection being the tabernacle and the crucifix (surrounded by four doves representing the Holy Spirit).  Floating above it is a bronze sculpture of vine and fruit grapes.  The wheat and grapes, emblematic of abundance of God’s grace, symbolize the bread while wine symbolizes the Eucharist.

Candle Chapel

Located at a once drab southern wall at the back of Candle Chapel is the mixed art (mosaic, sculture and painting) mural entitled Panagpo, the longest mural in a church in the Philippines.  Created in 10 months by visual artist Emil Yap and lead sculptor Lorena Pacampara in 2016, in celebration of the 150th Jubilee of the icon, it was blessed on December 2017.  The mural is about the journey of the icon of Our Mother of Perpetual Help from the island of Crete to Baclaran.  It is 3 m. (10 ft. high) and 213 m. (700 m.) long and has two main sections.

The mixed art (mosaic, sculpture and painting) mural entitled Panagpo

The first, telling the history of the country, from the pre-Hispanic Era, Spanish Colonization Era to the contemporary years, is based on the Canticle of the Sun (written by St. Francis of Assisi).  The second, Sister Moon, depicts the lives pf the “untold, silenced and marginalized sectors.  At the foot of the mural are the country’s flora and fauna, its names written in baybayin, the ancient, pre-Hispanic dialect.

From a blue and green scheme (representing the myth of creation and the colonization years, the panels turn red and orange as it moves further down the country’s history.

The belfry, built closer to Roxas Boulevard some distance from the Shrine itself, has mosaics of the icon on its four faces and is topped by a finial in the shape of a simplified Redemptorist coat-of-arms, particularly the CrossSpear, and sponge on a stick of hyssop.  It houses a 24-bell carillon cast from the world-famous foundry Grassmayr in Austria.

The Crucified Christ. Last December 9, 2017 (the eve of Human Rights Day), a cardboard message (“Stop the Killings”) temporarily replaced the INRI inscription on top of the cross

It was the first time the Shrine had a bell tower since it was built. The carillon bells are automatically programmed to ring 15 minutes before every Mass or Novena service. Until the COVID-19 Pandemic, the belfry hosted the Sinirangan coffee shop at its base. Today, it is located at the Perpetual Help Center and Souvenir Shop.

Grotto with statue of Madonna and Child

The church appeared in the opening scene for the 1979 dramatic film “Ina Ka ng Anak Mo” (starring Nora Aunor); the 1995 action film “Alfredo Lim: Batas ng Maynila” (starring Eddie Garcia);  and in the opening scene for the 2017 romantic comedy film Loving in Tandem.  The church’s votive chapel as well as the altar also makes an appearance in the romantic 2015 film You’re Still The One.  In 2014, the church was also featured in the American reality competition program The Amazing Race Season 25

National Shrine of Our Mother of Perpetual Help: Redemptorist Rd. cor, Roxas BoulevardBaclaranParañaque,1700  Metro Manila.  Tel: (632) 8832-1150. E-mail: baclaranrector@yahoo.com. Website:
www.baclaranchurch.com
. Coordinates: 14.531411°N 120.9930539°E.

 

Beaty Biodiversity Museum (Vancouver, British Columbia, Canada)

Beaty Biodiversity Museum

The Beaty Biodiversity Museum, a natural history museum located on the campus of the University of British Columbia (UBC), lies parallel to one of the main walking routes of the university campus.  This C$50-million museum, as well as the Biodiversity Research Centre, are located in the Beaty Biodiversity Centre housed in a 11,520 sq. m. (124,000 sq. ft.), four-storey building designed by Patkau Architects in 2009 and built by Scott Construction.

It formed the final side of a landscaped quadrangle created by the 2006 construction of the Aquatic Ecosystems Research Laboratory.  The museum has a theater and 1,900 sq. m. (20,000 sq. ft.) of collections and exhibit space.  First opened to the public on October 16, 2010, it has since received over 35,000 visitors per year.The museum was selected by Georgia Straight as among the “Best of Vancouver” for 2013.

Its collections, divided into six main sub-collections (the Cowan Tetrapod Collection, the Marine Invertebrate Collection, the Fossil Collection, the Herbarium, the Spencer Entomological Collection and the Fish Collection) and over 500 permanent exhibits, are mostly displayed in cabinet windows and shadow boxes, although a few are shown through alternative displays like in-ground “excavations” that under glass that visitors can walk on. Most items are accompanied by a description card which briefly outlines details like the species and provenance information.

Djavad Mowafaghian Atrium

The collections, including over two million specimens collected between the 1910s and the present, focus, in particular on the species of British ColumbiaYukon, and the Pacific Coast.The space also includes a “family zone,” with juvenile reading materials and a teaching collection in a Discovery Lab.

Skeleton of Blue Whale

The museum was named after Ross and Trisha Beaty, UBC alumni who donated C$8 million in funding to support its creation. The Biodiversity Centre also received C$16.5 million from each of the BC Knowledge Development Fund and the Canadian Foundation for Innovation, C$3 million from the Djavad Mowafaghian Foundation, and C$6 million from the university.Dr. Wayne Maddison was the founding director was and the current director is Dr. Quentin Cronk of the Department of Botany.

Grace and Kyle checking out the Taxidermy Exhibit

Designed in the interests of sustainability, the building has a green roof and a reed water garden to reduce pollutants and improve drainage of storm water from the building. Except in some of its laboratories, the centre does not have air conditioning.  Instead, through the facility’s concrete walls and by the use of sunshades on the outside of the building, the temperature level is mediated by natural ventilation.

To reduce the building’s use of electricity (which also assists in the preservation of some light-sensitive collections), natural lighting is also optimized. The centre also includes several “recycling hubs” and facilities for the composting of organic waste material.

We entered the museum through the glass-walled, two storey high Mowafaghian Atrium which, in addition to the museum’s gift shop and the Niche Cafe, houses the museum’s signature piece and most prominent display – a magnificent 26-m. (85-ft.) long skeleton of a female blue whale. Canada’s largest, it was found buried in Tignish, Prince Edward Island.  Suspended over a descending ramp by which the main collections are accessed, the display is a “see-through box” whose façade windows have “steel mesh brises-soleils.”

The largest skeleton exhibit in the world suspended without external framework for support, it is one of only 21 blue whale skeletons on public display worldwide. A Discovery Channel documentary, called Raising Big Blue, was first aired in Canada on June 5, 2011 and is frequently screened at the museum’s Allan Yap Theater. It featured the process of recovering, transporting and displaying the whale.  Scout Magazine included the museum’s blue whale exhibit in  list of “1,000 Cool Things about Vancouver.”

Allan Yap Theater

The Cowan Tetrapod Collection, founded in 1943, was named after Dr. Ian McTaggart-Cowan (its first curator).  Originally named the “Cowan Vertebrate Museum,” it is the second largest collection of birds, mammals, reptiles and amphibians in British Columbia.

Taxidermy Exhibit

Combining several pre-existing collections including the K. Racey Collection (over 4,200 birds and mammals), the zoological collections of W.S. Maguire and J. Wynne and the HR Macmillan ornithological collection, it contains over 40,000 items,over 39,000 items of which have been indexed in VertNet, a “collaborative project funded by the National Science Foundation that aims to make biodiversity data free and openly accessible on the web from publishers worldwide.”

They represent over 2,500 species of vertebrates – 18,000 mammals from 540 species, 17,500 birds and 7,000 bird eggs, and 1,600 reptiles and amphibians. The collection holds extensive, representative samples of nearly all species and most subspecies of British Columbia‘s terrestrial vertebrates and marine mammals.

The collection includes older specimens dating back to 1849, as well as rare specimens such as the red panda, the endangered Vancouver Island marmot, and even extinct species such as the passenger pigeon. Although mainly used for research, the collection also holds teaching specimens used by educators, artists, and others throughout the Lower Mainland.

The Marine Invertebrate Collection, started in the 1940s with alcohol-preserved specimens collected by Dr. C. McLean Fraser and Dr. Ian McTaggart Cowan, was primarily used for teaching purposes and eventually grew to several thousand specimens encompassing the major lineages of invertebrate animals.

Marine Invertebrate Collection

In 2006, due to the donation of the Alice Stein collection (consisting of thousands of shells and corals) by Kelly Norton, the collection was expanded and, in the following year, was further expanded with a large donation of shells from Evelyn Hebb Killiam.

Both donations, representing mostly tropical species, include some spectacular examples of global marine biodiversity, such as giant clams and some rare species of cowries.  Items in the collection, not yet been fully catalogued, represent the “major lineages of animals” and include cnidarians, mollusks, annelids, echinoderms, crustaceans, and sponges.

Burgess Shale

The Fossil Collection, part of the Pacific Museum of Earth, Department of Earth, Ocean and Atmospheric Sciences, UBC,was began by Dr. Merton Yarwood Williams (co-founder of the UBC Department of Geology) in 1924.  An initial acquisition of specimens from local mining engineer William John Sutton was exhibited in the Geological Sciences Centre beginning in 1971 and was curated by Joe Nagel (curator from 1971 to 1995).

Permian Period

However, due to financial constraints, the exhibit was closed in 1995. In 2003, the collection became part of the holdings of the Pacific Museum of the Earth but, during its recataloguing process, is being housed in the Beaty Biodiversity Museum.

Comprising over 20,000 items, the Fossil Collection, is highlighted by its stromatolites (rock formations consisting of blue-green algae dating back 500 million years, some of the oldest extant fossils) and examples of the Burgess Shale. In 2018, the museum added, to its permanent exhibitions, 3 casts of early Cretaceous Period  dinosaur trackways from Peace Region area of British Columbia.

The Herbarium, the largest in Canada west of Ottawa, contains more than 650,000 specimens which are used to help researchers identify the plants, describe new species, and track changes in diversity over time. Among the Herbarium’s holdings are 498 type specimens.

In ground “excavation” where visitors can walk on at the Herbarium

Among the oldest collections at UBC, it was established in 1912 by John Davidson (at that time the BC provincial botanist) whose collection of mostly vascular plants was housed in downtown Vancouver at the Botanical Offices on West Pender Street (relocated to the university campus in 1925). This collection is critical to the identification, monitoring, and conservation of plant biodiversity in British Columbia, and is an important resource for scientific research and education.

It has five major collections.  The first, vascular plants of British Columbia (flowering plants, conifers, ferns, and their relatives) as well as Hawaiian plants, tropical prayer plants, and cyanolichens, comprises 223,000 vascular plants and their relatives. Two-thirds of the vascular plants collection is Canadian (45% from British Columbia and 22% from other provinces and territories) while 16% are American (9% from Hawaii and the Pacific coast and 7% from the other states) and 17% from other countries.

The second collection, the most comprehensive of any herbarium, particularly in its coverage of the northeast Pacific Ocean species, consists of 85,000 macroscopic algae (mostly seaweeds).  The third collection, of 242,000 internationally recognized bryophytes (mosses, liverworts and hornworts), is the largest in Canada.

The fourth collection, of 16,000 fungi, includes the largest research collection of macrofungi of British Columbia.  The last collection, of 40,000 lichens , is among the largest in western North America.

 

The Spencer Entomological Collection, the second-largest entomological collection in western Canada, was begun by Dr. George Spencer  (1888-1966) in the 1920s.  Including specimens from as early as the 1830s, it was not a university-recognized collection at the time of its creation but, by the time of Spencer’s retirement in 1958, it comprised over 300,000 items.

In 1953, it was officially founded as a university collection. In 1958, Dr. G.G.E. Scudder assumed the curatorship of the collection and, in his 40 years in that role (from 1958 to 1999), doubled the size of the collection.

Now comprising over 600,000 items (over 500,000 pinned insects, 25,000 on slides, and 75,000 in alcohol), the collection, a number of which have not yet been indexed, focuses on the spectacular insect diversity of British Columbia and Yukon.  In 2003, Dr. Wayne Maddison became the collection’s director and he enlarged the collection of jumping spiders into one of the world’s best through field work in tropical and temperate regions.

The collection has “particularly strong holdings of Hemiptera (true bugs), Odonata (dragonflies and damselflies), Siphonaptera (fleas) and Anoplura and Mallophaga (lice).” It also includes 350 books and other printed materials relevant to the study of entomology.

There are also numerous holotype specimens, such as the plant hopper Achrotile distincta, which Dr. Scudder discovered in 1959 in the Cariboo-Chilcotin and described as a new species in 1963. It also holds historical specimens of species that have disappeared from the province, such as the Limenitis archippus (viceroy butterfly), last collected in Lillooet in 1930.

Fish Collection

The Fish Collection, begun by Dr. C. McLean Fraser, the first head of UBC’s Department of Zoology, the third largest fish collection in Canada.  It holds over 850,000 specimens, over 2,300 of which are included in FishBase, a web-based global fish relational database containing information on practically all fish known to science. The first to index the museum’s collection, FishBase is supported by a research consortium that includes the UBC Fisheries Centre.

They include whole fish stored in alcohol, skeletons, cleared and stained fish, fish X-rays and over 50,000 DNA and tissue samples, with particular strengths in freshwater and nearshore marine species. Locations covered include Canada, the Aleutians, the Malay Archipelago, Mexico, the Galapagos Islands, Panama, and the Amazon River Basin.

Some specimens date back as far as 1904, but cataloguing didn’t begin until 1945. Used in conservation efforts, environmental assessments, and numerous research projects, particularly by the Native Fishes Research Group, the collection has also served as an educational resource in training some of Canada’s leading fish biologists. Dr. Murray Newman was the collection’s first curator and Dr. Wilbur Clemens, G.V. Wilby, Dr. Casimir Lindsey, Dr. Norman Wilimovsky, and Dr. J. Donald McPhail each, over the decades, greatly expanded the collections.

The collection holds 11 holotype specimens (original specimens that were used to describe new species) as well as representatives of pairs of stickleback species, what may be the youngest fish species on Earth, that evolved only recently in British Columbia’s lakes.  The collection has been used in environmental assessments, conservation efforts, and numerous research projects, as well as in educating and training some of Canada’s leading fish biologists. Its specimens have also been used to document regime shifts in the Bering Sea, the formation of new species, and the extinction of others.

The Allan Yap Discovery Lab

Beaty Biodiversity Museum:  2212 Main Mall, Point Grey, University of British Columbia V6T 1Z4, VancouverBritish Columbia.  Tel: 604-827-4955. Fax: 604-822-0686.  Open Tuesdays to Sundays, 10 AM – 5 PM.  Admission: C$14 (regular), C$30-45 (Family)  and free (students, staff and faculty).  E-mail: info@beatymuseum.ubc.ca.  Website:
www.beatymuseum.ubc.ca
.   Coordinates: 49.2636°N 123.2514°W