Category Archives: PLACES OF INTEREST

Wat Mahathat (Ayutthaya, Thailand)

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From Bang Pa-in Palace, our tourist bus next traveled, 10 kms., to the very heart of the city of Ayutthaya.  Here, we dropped off at Wat Mahathat (Temple of the Great Relics) in Ayutthaya World Heritage Historical Park, perhaps the most striking of all of the temples in the city. Wat Mahathat was said to have been built in 1384 by King Rachatirat as a symbolic center  to enshrine a relic of the Buddha although others say it was more likely built during the reign of King Boromaraja I (1370-88). The temple was also the residence of the Sangaraja, the Supreme Patriarch or leader of the Kamavasi (City Dwelling) sect of Thai Buddhist monks.

Wat Mahathat

During the fall of Ayutthaya in 1767, Wat Mahathat was set on fire by Burmese invaders. The monastery was restored and remodeled many times in the later Ayutthaya period, until it finally collapsed on May 25, 1904. Only the symmetrical laterite base of the main prang (Khmer-style tower), with staircases on the 4 sides, and some of its upper structure remains. There are rows of headless Buddhas and traces of rows of columns that once supported the roof structure of the verandah that enclosed the chedi.

The Much-Photographed Buddha in a Tree

Scattered around the temple are some important remains of variously-shaped prangs and chedis, in particular an octagonal chedi with a truncated spire in the Ceylonese style. Nearby, the head of a still much-revered statue of the Buddha lies on the ground. The much photographed stone head of one Buddha is entwined in the roots of a Banyan tree.  Although only partially restored, the existing ruins are still vast and imposing, giving us an insight into what was once a most important religious center.

Octagonal Chedi

As in most architecture of the early period of Ayutthaya, Wat Maha That consisted basically of a large, 46 m. (150 ft. ) high central prang surrounded by 4 subsidiary prangs at the 4 inter-cardinal points, standing on a raised square platform. Around 1625, the top portion of the main central prang collapsed, but was restored and heightened by some 4 m. (13 ft.) in 1633. In 1911, the main prang collapsed again and only the foundation of the main prang remains at present.

Base of Central Prang

East of the main prang is the rectangular, 40 m. by 20 m. Wihan Luang (Royal Assembly Hall), orientated towards Khlong Pratu Khao Pluak. The vihara had a front porch (east) which could be reached by 3 staircases. There was also an entry into the hall from both sides. Behind the main pedestal were two exits leading down to the gallery. The multi-tiered roof of the viharn was supported by 2 rows of columns. The hall contained mural paintings of the Vessantara Jataka. Wihan Luang has undergone several restorations in the past as well as in recent times.

Wihan Luang (Royal Assembly Hall)

West of the main prang is the rectangular Phra Ubosot (Ordination Hall).  The hall had a double entry to the west and two exits on the sides, near the main pedestal which contained the presiding Buddha image. The hall was surrounded by an inner wall called kamphaeng kaew (literally “crystal wall”), forming an inner court which gave access to the, gallery. Outside and around the ubosot were 8 boundary stones or marker slabs (bai sema) at the 8 cardinal points in order to demarcate the sacred area of the Sangkha (Buddhist brotherhood).

Phra Ubosot

In 1956, a secret chamber was uncovered in the ruins; among the treasures found inside were a solid gold lion sitting in a fish-shaped container decorated with a gilded motif and filled with other gold accessories, gold jewelry, a gold casket containing a relic of the Buddha, and fine tableware.

Wat Mahathat: cor. Chikun Road and Naresuan Road, Tha Wasukri sub-district, Ayutthaya, Thailand.

Bang Pa-In Royal Palace (Ayutthaya, Thailand)

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On our second day in Thailand, we decide to go out of the city and visit the old Thai capital of Ayutthaya, a UNESCO World Heritage Site.  We made our travel arrangements with a  travel agency based near our hotel lobby at the ground floor. The 60-km. trip, via an airconditioned tourist bus, took just 1 hr.  Our first stop, upon reaching Ayutthaya, was the Bang Pa-In Royal Palace, also known as the Summer Palace.

Bang Pa-In Royal Palace

This palace complex, located along the bank of the Chao Phraya River, was originally constructed by King Prasat Thong  in 1632 but, after the sack of Ayutthaya in 1767, it lay empty and overgrown throughout the late 18th century and early 19th century.  King Mongkut (Rama IV) began to partially restore the site in the 1850s. Most of the present European-style buildings were constructed between 1872 and 1889 by King Chulalongkorn (Rama V).

Entry Promenade

Today, the palace remains largely open to visitors, as King Bhumibol Adulyadej and his family uses it only rarely for banquets and special occasions. However, as at all royal sites, proper dress was required and Grace and Cheska had to rent colored polo shirts to cover their shoulders. The grounds are not too large to be covered on foot. From the entrance, we walked along a formal entry promenade.

Ho Haem Montien Devaraj (Golden Palace of the God King)

The buildings, very European in design, are laid out along a long rectangular, artificial and ornamental lake lined with formal landscaping. The lake serves to divide the “public” outer area of the palace from the inner private areas. Along the route, we passed the Ho Haem Montien Devaraj (Golden Palace of the God King) or King Pasart Thong Shrine. This Khmer-style, stone prasat (residence of a king or god with a corncob-shaped super-structure ), under a banyan tree, was built by King Rama V in 1879 to replace an old shrine built by villagers as an offering to King Prasart Thong of the Ayutthaya period.

Saphakhan Ratchaprayun (Exhibition Hall)

On the left bank of the lake is the colonial-style, 1-storey, Neo-Classical style  Saphakhan Ratchaprayun (Exhibition Hall).  Originally built for the King’s brothers, it now houses a small museum covering the history of the palace.

Warophat Phiman (Excellent and Shining Heavenly Abode)

The one-storey Warophat Phiman (Excellent and Shining Heavenly Abode) was King Chulalongkorn’s residence and throne hall. It is richly decorated in turn-of-the-century European aristocratic style, with quirky Thai touches here and there.  Its audience chambers and anterooms are decorated with oil paintings, commissioned by King Chulalongkorn in 1888, depicting significant events in Thai history and scenes from Thai literature.  The private apartments of this building are still used by the king and his family whenever they reside in the palace.

Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall

Opposite the lake, to the east, is the 2-storey, elaborately-constructed Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall, considered the principal building in the palace complex.  Completed in 1877, this  building  was built from wood and decorated with mahogany furniture ordered directly from Europe. However, it was destroyed by fire during the restoration in 1938. Its modern reconstruction, tinted alternately in dark and light green, has a more “Paris Metro” Art-Deco feel to it. Its balcony is similar in design to that of a Swiss chalet. The building is still occasionally used by the royal family and is not open to the public.

Krajome Trae

At the end of the promenade, the lake took on a more natural shape and, from a circular Spanish-style pavilion (Krajome Trae), we saw the “signature piece” of Bang Pa-In, the gracefully elegant Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom) in the middle of the lake. The only example of classical Thai architecture within the palace, it was built by King Chulalongkorn (Rama V) in 1876 and has 4 porches and a spired roof. From Krajome Trae, we fed the fishes with pieces from a previously paid for loaf of bread.

Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom)

Opposite the Krajome Trae is the Devaraj-Kunlai (The God King Goes Forth) Gate, the principal entrance to the Inner Palace.  It is connected to the Varobhas Bimarn Mansion (located in the Outer Palace) by a covered bridge with a louvered wall from which the court ladies could look out without being seen themselves.

Devaraj-Kunlai (The God King Goes Forth) Gate

The highlight of our visit was the opulent, Chinese-style Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light), the only royal residence open to the public.  Constructed in the Chinese Emperor style and made entirely of materials imported from China, it took 10 years to build and was completed in 1889.

Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light)

It was a royal offering to King Chulalongkorn (Rama V) by the Chinese Chamber of Commerce represented by Chinese merchant Phraya Choduk Ratchasetthi (Fak) as a token of the long-lasting brotherly relationship between the Thai and Chinese peoples. King Chulachomklao usually made a royal visit here during the cool season.

Phra Thinang – Interior

Here, we had to remove your shoes to enter.  Full of red, gold, dark woods and inlaid mother of pearl, it has a stupendous dragon sculpture inside carved from camel bone and a Chinese-style throne room at the ground floor. the upper storey houses an altar enshrining the name plates of King Mongkut and King Chulalongkorn with their respective queens.

Before returning, we climbed the 112-step spiral staircase up the 30 m. high, 3-storey and brightly painted Ho Withun Thasana (Sage’s Lookout), built in 1881, following in the footsteps of King Rama V who, when residing in Bang Pa-In Palace, used this hall as the place to get the bird’s eye view of the surrounding area. This hall was constructed in the form of a tower between Utthayan Phumisathian and Wehat Chamrun.  Only the first two floors are open to the public.

Ho Withun Thasana (The Sages Lookout)

Back at the entrance, we returned the shirts and bought some soft drinks and snacks (10-20 baht) before boarding our bus.

Bang Pa-In Palace: Bang Pa-In District, Ayutthaya, Thailand. Open daily, 8 AM-4 PM.

Jim Thompson House (Bangkok, Thailand)

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After our Bangkok city tour, we asked our guide to to drop us off at Jim Thompson’s House, another of the city’s popular tourist destinations. We alighted at a non-descript lane, at the end of which was the entrance of the Jim Thompson House, standing on 1 rai (about half an acre) of land beside Klong Maha Nag and enveloped by verdant and beautifully landscaped gardens.

Entrance of the Jim Thompson House

Its jungle landscape (palm trees, ficus, flowering bananas, the flame of the forest, golden bamboo, rain trees and a myriad of other flowering and non-flowering plants, shrubs and bushes), in the midst of the city, gives the house its unique appeal.

Jim Thompson Museum Garden

Upon entering, we first paid the entrance fee and decided to view an exhibit of Thai silk at the Jim Thompson Art Center.  The art center also had a running video presentation of the life of Jim Thompson which we viewed.

Exhibit of Thai Silk at the Art Center

Self-made American entrepreneur James Harrison Wilson Thompson, born in Greenville, Delaware in 1906, studied architecture at the University of Pennsylvania and was a practicing architect in New York City until 1940.  During the Second World War, Thompson was assigned to the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency (CIA), a move which offered him an opportunity to see more of the world.  In 1946, he assumed the duties of OSS station chief in Thailand and had developed a certain fondness for the country and its people. He later settled down in Bangkok and went into business in Thailand, founding the world renowned Jim Thompson Thai Silk Company.  Jim mysteriously disappeared in the jungles of the Cameron Highlands in Malaysia in 1967 while on an Easter weekend holiday with friends.

After our visit to the art center, we decided to have lunch at its coffee shop and check out the souvenir shop. We then availed of a guided tour of his charming complex of six traditional Thai-style, teak houses  as well as its showcase collection of Southeast Asian objets d’art.  Before doing so, we were required to leave our bags in lockers to prevent their knocking off many of the valuable antiques in the house.  We were also not allowed to take pictures inside the house.

Jim Thompson House – Exterior

The teak structures were purchased by Jim from several owners from various parts of Thailand, knocked down, brought to the site, re-assembled again and completed in 1959.  The house’s supporting columns and walls lean slightly inward, adding to the illusion of height and grace. The relatively few, purely decorative elements are largely confined to panels carved in Chinese designs under the windows and sometimes over the doors, and the curved, stylized ends of the steep roof (characteristic of traditional Thai houses), probably adaptations of naga (serpent) motifs that adorn Khmer temples.

Jim Thompson House – Interior

The houses are elevated to facilitate the circulation of air, offer a more comfortable living space and protect the home from the risk of floods, in the monsoon season, as well as from hostile wildlife.  The open space was also used as a living area in the hot season, as storage for the season’s harvest, and as a place to keep livestock.

There were a great number of windows and doors, all carefully aligned to facilitate an uninterrupted flow and aid the circulation of air. The walls, though generally left unpainted, were sometimes oiled. The broad overhangs of its roof protect the interior from both sun and rain.

Jim Thompson House: 6 Soi Kasemsan 2, Rama 1 Road, Bangkok, Thailand.  Tel: (662) 216-7368 Fax: (662) 612-3744.   Open daily, 9 AM-5 PM.  Last guided tour at 5 PM.  Website: www.jimthompsonhouse.com.

Wat (Bangkok, Thailand)

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After our short visit to Wat Traimit, we all returned to our van and moved on to our next stop, the 80,000-sq. m. (20-acre) Wat Pho (Wat Phra Chetuphon Vimolmangklararm Rajwaramahaviharn), the largest in Bangkok and, technically, the oldest wat, being built around 200 years before Bangkok became Thailand’s capital.

Wat Pho (Wat Phra Chetuphon Vimolmangklararm Rajwaramahaviharn)

However, the present temple bears virtually no resemblance to its original structure as it was almost entirely rebuilt by King Rama I when the capital was moved to Bangkok. Wat Pho also holds the dual honors of having Thailand’s largest reclining Buddha image and having the most number of Buddha images.

One of Wat Pho’s 4 Entrances

The temple complex, with more than 20 buildings and structures, is walled in on 4 sides with entrances at each side. We entered the complex via the entrance at Chetuphon Road which  splits the grounds of the temple into 2, the northern section generally being the only one most people go to.

Gate Guardians at the Sheltered Gateha

Standing on both sides of the sheltered entrance gate are the gate guardians lan than nai tvarapala, fierce-face Thai-Chinese style rock giants wearing a tight suit of armor and holding a weapon in one hand. Several Chinese statues also line the outside of temple buildings, a reflection of the Chinese influence during the reign of King Rama III.

Inner Wall of the Vihara of the Reclining Buddha

After paying the admission fee, we first visited the Vihara of the Reclining Buddha or Phra Buddhasaiyas (Viharn Phranorn).  We had to remove our shoes and sandals before doing so.  The inner wall of this vihara is decorated of the mural paintings of “Mahawong” (Historical annals of Ceylon) above the windows; and the “13 Savida Atadagga Disciples (Priestess),” “10 Upasaka Atadagga Disciples” and “10 Upasika Atadagga Disciples” between each window.

Detail of Mural Painting at Inner Wall

Inside, we were highly impressed by the gold-plated Reclining Buddha (Phra Buddhasaiyas), made of stuccoed bricks gilded with gold leaves and designed to illustrate the passing of the Buddha into nirvana.  Its dimensions were indeed huge,  being 46 m. long and 15 m. high. The soles of the 3 m. wide and 5 m. long feet and the eyes are exquisitely engraved with mother-of-pearl decoration of 108 auspicious lakshanas (characteristics) of the true Buddha.

Reclining Buddha

We also visited the Phra Uposatha, the ubosot (main chapel or assembly hall) and the heart of the temple.  It was built, in Ayutthaya style, during the reign of King Rama I and reconstructed and enlarged during the reign of King Rama III.  All the hardwood windows and doors have crown–like spires and colored glazed tiles.  Double marble boundary walls (kampaengkaew), surrounding the main chapel, have 8 sheltered gates and 8 sculpted boundary stones (bai sema). The outer side of the kampaengkaew is decorated with carved stones portraying natural scenes of mountains, trees and animals.
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Phra Uposatha (Main Chapel))

Inlays of mother–of–pearl, on the outer side of the entrance door panels, depict episodes from the Ramakien (the Thai version of the world famous Ramayana Indian epic) while, on the inner side, are painted specimens of ecclesiastical fans of rank which are presented to the monk sovereigns.

Phra Buddha Deva Patimakorn

It is enclosed by 394 bronze Buddha images. Outside the ubosot, there are 152 marble slabs depicting the second half of the epic Ramakian story.  Inside is the Phra Buddha Deva Patimakorn, a seated Buddha image on a 3-tiered pedestal called Phra Pang Smadha (Lord Buddha in the posture of concentration).  Some of the ashes of King Rama I are kept under the pedestal.

Row of Buddha Images at Phra Rabiang

We also took time to explore the large grounds of the temple which contains more than 1000 Buddha images, most taken from the ruins of deserted temples of the former capitals of Ayutthaya and Sukhothai. The Phra Rabiang is a double cloister surrounding the courtyard of the chapel.  Connected by 4 main direction viharas, its gallery is lined with hundreds of Buddha images.

Phra Buddha Lokanart Sartsadajarn

The image of Pang Marnvichai (Enlightened Lord Buddha under the Bodhi Tree) and the 10 m. high bronze Buddha image, Pra Buddha Lokanart Satsadajarn, which was brought from Wat Phra Sri Sanpej in Ayutthaya, is in the East Vihara. The inscription of Wat Pho’s establishment is also kept here.

Pang Nak Prok (Buddha Under the Naga’s Hood)

The image of “Lord Buddha Preaching the First Sermon to the Five Disciples” is in the South Vihara, the image of Phra Paleylai in the North Vihara and the image of Pang Nak Prok (Buddha Under the Naga’s Hood) in the West Vihara.  The inner side cloister contains 150 Buddha images while another 244 images are located on the outer side, all brought from the northern provinces during the reign of King Rama I. Today, all Buddha images are covered with gold leaves and provided with large glass frames to protect them from birds, bats and dirt. Posted on all columns along the cloister are Thai prosody framed in 100 stone inscriptions by the order of King Rama III.

Phra Mondob (Scripture Hall)

Nearby is the Phra Mondob (Scripture Hall), built during the reign of King Rama III.  It is walled in and has displays of Buddha statues, old ceramics and glassware, tripitaka (teachings of Buddha) and traditional Thai books written on palm leaf manuscripts. It is crowned with a gabled tetrahedron decorated with multicolored Chinese ceramic bowls.  There are porticoes at the 3 directions of the Mondob. The library is also impressively decorated with figures and pagodas made of porcelain, in much the same way as Wat Arun, across the Chao Phraya River.

The 4 Chedis of Phra Maha Chedi Si Rajakarn

Also near here is the Phra Maha Chedi Si Rajakarn, a group of 4 huge, 42 m. high chedis (round pagodas), constructed to honor the reigns of the first 3  Chakri kings (2 for King Rama III): King Rama I (Phra Maha Chedi Sri Sanpetdayarn, green), King Rama II (Phra Maha Chedi Dilok Dhammakaroknitarn, white), King Rama III (Phra Maha Chedi Muni Batborikharn, yellow) and King Rama IV ( Phra Maha Chedi Song Phra Srisuriyothai, dark blue).

Bell Tower

Also around the grounds are 91 massive chedis, of varying sizes, along with chapels, rock gardens, an array of different types of statues, inscriptions, bell towers and resident fortune tellers.

Wat Pho: Chetuphon Rd., Phra Nakhon (Rattanakosin) District, Bangkok, Thailand.Tel: 662-226-0335  and 662-226-0369. Open daily, 8 AM-5 PM.

How to Get There: airconditioned buses 6, 8 and 12 all stop near Wat Pho.  The Tha Tien express boat pier is also very near. Ordinary buses 1, 25, 44, 47, 62 and 91 stop along Maharat Rd.; and bus 44, 47 and 91 along  Thaiwang Rd. on the north side of Wat Pho, south of Wat Phra Kaew. Wat Pho is also just a short river crossing away from Wat Arun.

Wat Traimit (Bangkok, Thailand)

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The next day, we were scheduled for our half day city tour. After breakfast at the hotel, we were picked up by our Thai lady guide at the hotel lobby and we boarded our tourist van at the driveway.  Our first stop, at the end of Chinatown’s Yaowarat Rd. (near Hualampong Railway Station), past the Odeon Circle (dominated by the huge, symbolic Chinese gate), is the relatively plain looking Wat Traimit, the Temple of the Golden Buddha. This was the second such visit for me and Grace and a first for Jandy and Cheska.

Chinatown Gate

After paying the 40 baht admission fee for the4 of us, we climbed a flight of steps to get to the third level of its impressive chapel which was just opened last year (February 14, 2010). Here, perched high atop a 4-storey, marble-clad ziggurat and in the mara conquering attitude, is the 5.5-ton, 10-ft. (15.75 ft. from the base to the top of the crown) high  Golden Buddha, the largest, solid gold (about 83%) Buddha image in the world.

Wat Traimit

On the second level of the chapel is a museum on the history of the Golden Buddha and the method of casting golden Buddha statues. The first level houses the Yaowarat Chinatown Heritage Center which preserves the history of the Chinese immigrants in Bangkok and Thailand.

The Chapel Housing the Golden Buddha

The Golden Buddha, an excellent example of the gracious Sukhothai style, has an unusual and colorful history.  It was cast sometime in the 13th century and was, at some point,  covered in plaster lacquer and stucco to hide the valuable icon from the besieging Burmese. Apparently everyone forgot about what was hidden beneath. A member of King Rama III’s court had the statue moved to Bangkok and installed inWat Phraya Krai along Charoen Krung Rd., Yannawa district near the Taksin Bridge and where the Mandarin Oriental Hotel is today. That temple fell into disuse, was completely abandoned around 1931 and demolished in 1957.

Golden Buddha

In 1955, when the image was being hoisted by a crane to its present location at into its new home at Wat Traimit, the cable broke, dropping the statue into the mud and chipping off some of the plaster, thus revealing the gold underneath. Bits of the plaster as well as the old pulley and rope used to hoist the Buddha are on display in the interpretive center below the chapel.

Wat Traimit: Traimit Rd., Samphanthawong District, Chinatown, Bangkok, Thailand.  Tel : 0 2225 9775. Open daily, 9 AM-5 PM.

How to Get There: Take the Metro to Hua Lamphong MRT Station.  From there, the temple is just 300 m. away. You can also take Bus No. 4, 7, 21, 25 and 501.

Calaguas Islands (Vinzons, Camarines Norte)

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A pristine paradise discovered

Part of my itinerary during my first week of February visit to Camarines Norte was to camp overnight at the famed Calaguas Islands, a group of 17 islands northeast of Daet under the jurisdiction of the town of Vinzons.   This was not to be as three days of continuous rain prevented us from doing so.  Two months later, I was again invited back in the province during the peak of summer, covering the 4th Bagasbas Summer Festival in Daet with blogger Mark Vincent Nunez.  This time the weather was perfect, with bright sunshine, clear skies and calm seas, and Mark and I were again invited by Provincial Tourism Officer Atty. Debbee Francisco to visit these islands  famed for their Boracay-like (minus the commercial development) white sand beaches.

Minaongan Fish Port in Paracale

Aside from Debbee and Mr. Amable Miranda, a member of her staff, and ABC TV 5 crew Ms. Justine Santos and cameramen Mr. Amor Casiano and Mr. Dencio Suing; Mark and I were joined by participants of the summer surf festival who availed of the special participant’s price of PhP1,350 per person (normal rates range between PhP1,800-2,300) which included the boat ride to and from the island, tents and two meals with snacks. They include Ms. Joie Lacson, Ms. Iya Yujuico, Ms. Katrina Cruz, Ms. Lei Reinares and Mr. Philipp Cabales of www.pakyaw.com; Mr. Arnel Pahuway of World Vision; and Mr. Darryll Montebon of Jubilee Christian Academy.

Survivor Calaguas

From Daet, we all boarded a van for the 38-km. drive to Minaongan Fish Port in Paracale, arriving there by 2:30 PM.  Here, we all boarded a large, 25-pax outrigger boat.  Provisions for our overnight stay were loaded as well.  The boat ride took all of two hours, passing a number of rocky outcrops and beautiful islands with white sand beaches, and we landed on a cove called Mahabang Buhangin (“long sand”) at the 8 km. long Tinaga Island, the most frequented camping and swimming site for tourists. The beach was everything it was hyped up to be: powdery fine white sand, crystal clear waters and blue skies.

On our way

It was now late in the afternoon (4:45 PM) when we landed and, once the provisions were landed, we all set up our respective tents in a shaded area, Mark and I staying in one of the seven tents.  A comfortable hammock was already in place.  As the beach faced the west, we were in for a magnificent sunset show.  After a delicious dinner of grilled fish and chicken, we all shared a good chat and laughs while toasting marshmallows over a bonfire. It was already late in the night when we called it a day.

Sunset at Mahabang Buhangin

Come morning, we awoke to a delicious Filipino breakfast of fried rice, fried egg, hot coffee and crispy dilis (anchovies) and espada.   Dabbing on a lot of sunblock, we all savored the sand, sun and sea, doing snorkeling, sunbathing as well as swimming.  Later, some of us tried to burn our excess calories by walking along the beach and then climbing up a nearby hill.   The view up there was fantastic, with a bird’s eye view of Mahabang Buhangin on one side and the nearby Guintinua Island and other smaller islands on the other side.  A photographer’s dream, it was truly beauty from every camera angle. which we all indulged in, kamayan style.

Mahabang Buhangin seen from the hill

Our cameras also espied boatloads of tourists coming in from the mainland, it being a Sunday weekend.  It was time to go and, it was with regret that we went down the hill.  Back on the beach, many boats were unloading their cargo of tourists, surfer friend Mr. Oween Andrade and his family among them, plus their provisions.  It was just fitting that we left by 10 AM, giving up our campsite to these tourists, as we wanted to avoid the influx of this maddening crowd.  We thus left the island with bittersweet memories, hoping one day to again savor its beauty. Quoting from the lyrics of an Ogie Alcasid song, “Sana Maulit Muli.”

Posing with Guintinua Island on the background

 

Church of the Holy Child (Mabini, Pangasinan)

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Church of the Holy Child

The Church of the Holy Child, already in existence in the 19th century, has withstood several natural and man-made calamities over the past decades.  In 1832, a great flood submerged the convent and, in 1852, the church was struck by a lightning. It was repaired by Fr. Mariano Torrente (1858 to 1872) and, after a flood in 1881, by Fr. Epifanio Vergara (1893 to 1898).

The church’s Early Renaissance facade

A strong earthquake on December 12, 1999, destroyed the 1830 church, collapsing the stone walls, facade, and the altar but leaving a few structural components and the foundation intact. In 2005, the church was restored and blessed and, in 2006, the old convent and the parish office were transferred to the other side of the church which used to be a chapel before the restoration of the church.

The altar retablo

The church’s Early Renaissance facade has tall, paired Doric columns on pedestals reaching up to the pediment and flanking the semicircular arch main entrance.  Above it are semicircular arched windows while the pediment has a statued niche flanked by circular windows.  The bell tower is a later addition.

Plaque commemorating the quadricentennial of the parish

Church of the Holy Child: Sto. Niño St., Brgy. Poblacion, Mabini, Pangasinan. Feast of the Holy Child: Third Sunday of January.

How to Get There: Mabini is located 322 kms. from Manila an 54.5 kms. (a 1-hour drive) from Lingayen via the Olongapo-Bugallon Rd..

Enchanted Cave (Bolinao, Pangasinan)

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Enchanted Cave

After our Solomon’s Paradise sojourn, we next proceeded along the road to Enchanted Cave, one of three caves (the others are Cindy’s Cave and Wonderful Cave) in Brgy. Patar in Bolinao.  Located in a private property it is, however, open to the public (in early 2000) but, you’ll have to pay an entrance fee of PhP30 if you’ll just look at the place and take pictures, and PhP40 if you’ll swim.  This was to be my second visit to the cave (the first was in March 2005).  The owner allowed us entry into the premises and, as we were in a rush, skipped the usual orientation by its staff. Along its paved walkway amidst a lush garden and huts, we noticed, mixed with the garden landscape, fossilized remains of giant clams discovered in the hilltop, 2 kms. from the cave, and estimated to be about 2-3 million years old.   The fact that it was a cave made of coral limestone is evidence that the place was under water for millions of years and that the beach head of Bolinao extended almost a kilometer from the current beach line.

Fossilized clams

We then carefully went down, through a small opening with paved steps and railing, to the cave’s 30-m. freshwater (which some say is unusual for a coral cave) pool with cool and crystal clear water. Adequately lit, it was very humid and musty inside.  According to the caretaker, the pool, connected to an underground river, has depths of 3-6 ft., during low tide, and 3-10 ft. during high tide.  Swimmers are restricted by management from entering certain areas clearly marked by ropes.  Some scenes in the 1996 movie Ang Pinakamagandang Babae sa Balat ng Lupa (starring Ruffa Gutierrez) and the popular 2008 GMA 7 telenovela Dyesebel (starring Marian Rivera and Dingdong Dantes) were shot here.  Actor Piolo Pascual was also said to have visited the cave.

Enchanted Cave: Brgy. Patar, Bolinao, Pangasinan.

Abrac Beach and Solomon’s Paradise (Bolinao, Pangasinan)

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Abrac Beach

After our Cape Bolinao Lighthouse tour, we proceeded to nearby Abrac Beach for an ocular visit.  This white sand beach, open to the public, has no entrance fee but has native-style picnic huts for rent (PhP150-300) and a number of souvenir shops selling snacks, T-shirts (promoting Bolinao of course), shell handicrafts and other souvenirs.  The Treasures of Bolinao Resort can be seen to the right of the beach.  Going down to the beach from our picnic hut was via a steep berm.

Solomon’s Paradise main building

We next moved on to the 3-km. long Patar Beach where we visited Solomon’s Paradise Bar Grill Resort.  Operated by the nice and friendly Australian Brett Solomon and opened last March 2008, the place truly lived up to its name, being located in a short but very private white sand cove between towering, wave undercut rock formations. Both rock formations have two sea-sculpted caves and each had small huts on top where one could do quiet contemplation while enjoying the invigorating sea breeze and admiring the huge South China Sea waves crashing against the rocky shore, a scene truly reminiscent of the movie “Wuthering Heights.”    

Native-style accommodations

The resort has a main building with roof deck (where you can watch the sunset or dine al fresco) and a well-stocked bar.  Behind it are accommodations for guests consisting of a native-style rowhouse with 3×4 m. fan-cooled rooms (PhP1,600-2,000 for 2 people and PhP2,500-2,900 for 4 people) with common verandah.  In front is a beach volleyball playing area.  Common toillets and baths for guests are located at the main building.  The resort is a 3-min. drive from Cape Bolinao Lighthouse.  Though we arrived at the resort during high surf, during calmer moments guests can swim at private coral-lined “bathtubs” and explore the sea caves.  Maybe next time we could make that happen.

Solomon’s Paradise cove
Solomon’s Paradise Bar Grill Resort: Patar Beach, Abrac, Brgy. Patar, Bolinao, Pangasinan. Mobile numbers: (0905) 398-1470 (Globe) and (0928) 474-8845 (Smart). E-mail: solomonsparadise@yahoo.com.  Website: www.solomonsparadise.multiply.com.

Cape Bolinao Lighthouse (Pangasinan)

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Cape Bolinao Lighthouse

After our visit to Bolinao Marine Laboratory, we were invited by our host for lunch at Bolinao‘s Tourist Center.  After lunch, we next drove up a 107–m. (351-ft.) high promontory in Brgy. Patar called Punta Piedra Point. On top was the century-old Cape Bolinao Lighthouse, built by American, Filipino and British engineers in 1903 and one of 5 major lighthouses in the country. The original apparatus was made in England and its lantern, with three wicks and chimney, was imported from France.  This 30.79-m. (101-ft.) high lighthouse, the second tallest lighthouse (after Cape Bojeador Lighthouse in Burgos, Ilocos Norte) in the country and 1 of 2 in the town (there is another small lighthouse in Guiguiwanen, Brgy. Luciente 1), guards the entrance to Lingayen Gulf and its light, could be seen 44 kms. (26 miles) out.  It is operated by the Philippine Coast Guard (PCG).

Destruction wrought by typhoon Emong

During the lighthouse’s first 80 years of operation, it was fueled by kerosene . When the Pangasinan I Electric Cooperative extended its power lines to Patar, the lanterns were powered by electricity.  Just like my first visit in 2005, I wasn’t able to climb its 134-step winding stairway as its gate was locked and the caretaker nowhere to be found.  It was also depressing to see the destruction wrought by Typhoon Emong which unroofed its administration building.  Solar panels which recharged its two beacon lights, set up via a 1999 loan package extended by the Japanese government, were also destroyed.  Just the same, the lighthouse still remains an attraction by itself. Spectacular sunsets and the deep blue sea can be watched at its view deck.