Category Archives: Personalities

Panumpaang Bayan (Tanza, Cavite)

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From the Tejeros Convention Site in Rosario, Jandy and I were back on the road again, this time proceeding to the next historical town of Tanza and on to its church and convent.  Over a hundred years ago, Gen. Emilio Aguinaldo also followed our lead, proceeding, after his election as President of the revolutionary government in Tejeros, the day before, to the hall of the town’s 2-storey parish convent (now called the Panumpaang Bayan or Oath Taking Hall), built in the 1860s.

Parish Convent Hall (Panumpaang Bayan)

Here, around 8 PM on March 23, 1897, Gen. Aguinaldo and Gen. Mariano Trias took their oath of office in a solemn ritual, before Fr. Cenon Villafranca, as President and Vice-President, respectively, of the revolutionary government that replaced the Katipunan.  The next day, around 1 AM, Pascual Alvarez (as Director of the Interior), Severino de las Alas (as Director of Justice), Emiliano Riego de Dios (as Director of War) and the reluctant Artemio Ricarte* (as Captain-General or General-in-Chief), one by one, also took their oath of office.  The first cabinet meeting also took place here.

*It was said that Ricarte was forced to take his oath of office so that he could leave the place unmolested.  In fact, he signed a protest regarding this, stating that he could not accept the position of Captain-General because the election in Tejeros (Rosario, Cavite) did not reflect the real “will of the people” and that he took his oath because he feared for his life.

AUTHOR’S NOTES

In 2012, the renovation of the convent was started and, on March 23, 2014 (the 117th anniversary of the oath taking), its second floor was inaugurated as the Sta. Cruz Convent Museum.  It now houses historical memorabilia, the black flag used by Gen. Mariano Llanera, paintings that depict the history and arts of Tanza, antique furniture and life size diorama depicting the “Oath in Tanza.” It is open Tuesdays to Sundays, 8 AM to 5 PM. Admission is free.

Panumpaang Bayan: Brgy. Poblacion 1, Tanza.

Home of Another Aguinaldo (Kawit, Cavite)

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After my visit to the Aguinaldo Shrine, Jandy and I returned to our car and retraced our way back to Brgy. Binakayan, also within Kawit, this time in search of the home of where Baldomero Aguinaldo (February 26, 1869-February 14, 1915), Emilio Aguinaldo’s first cousin, lived as an adult.

Check out “Aguinaldo Shrine” and “Liwasang Emilio Aguinaldo“

Baldomero was also a lieutenant-general during the Philippine Revolution (he figured in the battles of Binakayan-Dalahican, Noveleta, Zapote River, Salitran and Alapan), Emilio’s right-hand man and a member of the latter’s cabinet (Auditor General, Director of Finance, Secretary of the Treasury, Auditor of War and Secretary of War and Public Works).  He also helped draft and signed the Constitution of Biak-na-Bato. During the Philippine-American War, he returned to the battlefield as commanding general of the Southern Luzon provinces.

Baldomero Aguinaldo Shrine

Built with narra and molave wood in 1906 and now painted in pastel blue and white, this typical 2-storey country home of a gentleman farmer was turned over by his grandson, former Prime Minister Cesar E.A. Virata (who also happens to be the father of my U.P. classmate Steven) to the Philippine government in 1982. This shrine has a museum on the ground floor with a diorama of the Battle of Binakayan.  On the second floor are antique furniture such as a turn-of-the-century upright piano.  Opposite the house is the former kamalig (storage shed for produce), now a museum showcasing Cavite’s role in the revolution.  On the walls are photographs and drawings of Cavite’s military heroes.

Behind the house, in a quiet corner, is the family plot where Baldomero, his wife (Petrona Fauni Reyes-Aguinaldo), their 2 children (Leonor and Aureliano) and their spouses (Dr. Enrique T. Virata and Liwanag Virata) are all buried.  The shrine is now administered and managed by the National Historical Institute (NHI) which installed a historical marker here on June 12, 1983.

NHI Historical Marker
Baldomero Aguinaldo Shrine: Brgy. Binakayan, Kawit, Cavite.  Open Tuesdays to Saturdays, 8 AM to 4 PM.  Admission is free.  Lectures and guiding service can be arranged.

Ganduyan Museum Tour with Ms. Christina Aben (Sagada, Mountain Province)

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Ganduyan Museum

Jandy and I were now on our third and final day in Sagada and we still had time to kill before leaving on the 10 AM G.L. bus.  After a Filipino breakfast at Ganduyan Inn’s cafe, we decided to visit the next door Ganduyan Museum, managed by Marina Biag’s mom Ms. Christina Aben.   Since the early 1970s, Ms. Aben has amassed a spectacular and meticulous collection of tribal artifacts with a passionate curator’s eye for quality and rarity, all detailing the rich but vanishing Cordillera Igorot culture.  Wishing to share her passion for unique Igorot art and culture with the world, she placed them all in a one-room, second floor museum which she opened in 1984. Because of the museum’s limited space,  Ms. Aben, with a designer’s eye for presentation, carefully chooses what to display and how to display it.

Ms. Christina Aben

The museum closed down in 1986 and it remained so when Jandy and I first visited Sagada in 1998.  It was open that morning and we were personally met by Ms. Aben who escorted us up the stairs to the museum, removing our shoes first at the stair’s foot before going up.  She’s a cancer survivor and a housewife with a high school education who speaks impeccable English. Ms Aben is also an enthusiastic, erudite and well-informed hostess who loves to share the meaning and importance of every museum piece to anyone willing to listen.

Ganduyan Museum – Display

The museum was a veritable treasure trove of antique basketry, weapons, farm tools, trade beads, jars, wooden items and textiles from the Cordillera region, all offering an insight into the rich culture of the Cordillera Igorots.  Ms. Aben gladly explained the history and significance of each individual item on display, starting with her trade bead collection which came at a time when the Igorots traded with the Chinese, Indians, Arabs and other foreigners from the lowlands.   Beads include alligator teeth and mother-of-pearl shells not found in the Cordilleras.  Beaded necklaces from different tribal groups of the Cordilleras (Kalinga, Nabaloi, Ifugao or Igorot)have beading patterns that differ from one ethnic tribe to another.

Ganduyan Museum – Display

We next moved on to the men’s accessories section.  These include a money belt, a warrior’s purse,  pipes, caps (used as pillow and water cup), woven g-strings, anklets, armlets, spoons and amulets (including a snake vertebra believed to increase the warrior’s physical and internal prowess). Drinking  cups for wine, both for men and women, vary in size and kind. Igorots treated status with utmost importance, from clothing (the rich could wear clothes that the poor could not), kitchenware (made from wood,  metal and, sometimes, animal bone, all  classified by social class) and even in death.  Doors, scarves, table runners, warrior’s shields and other accessories are decorated with the lizard (or gecko), animals said to bring luck and longevity.  The many weapons of head hunters of the Cordilleras on display include shields with concave ends (meant to trap the enemy at the neck before the warrior goes for the kill and chops the head off).

Ganduyan Museum: Poblacion, Sagada, Mountain Province.  Open daily, 8 AM-7 PM.  Admission: PhP25.

Home of "The Other Rizal" (Los Banos, Laguna)

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The Paciano Rizal Shrine

My next stop in my Laguna (Calamba City to Sta. Cruz) joy ride with my son Jandy was the charming resort town of Los Banos.  The town is famous for its hot medicinal sulfur springs that flow from the foot of Mt. Makiling and its present name is derived from the Spanish word for “The Baths.” These thermal springs were discovered in 1590 by Franciscan martyr St. Peter Baptist (San Pedro Bautista).   Today, most of the sulfur springs are piped into the pools and baths of the many hot spring resorts that line the National Highway.  This is the Los Banos that most people know and not many people know this town’s association with “the other Rizal.”

The old Los Banos Municipal Hall

To find out, I parked my Toyota Revo at the old municipal hall (a new one is being built along the National Highway).  Beside the town’s fire station is the inconspicuous retirement home of Paciano Mercado Rizal, Jose Rizal‘s elder (and only) brother who was also a revolutionary general (he led the defense of Laguna) and Emilio Aguinaldo‘s first Minister of Finance.  Though not as popular as the Jose Rizal Shrine in Calamba, this shrine, jutting out to Laguna de Bay, was built atop a hot spring in 1927 by Andres Luna de San Pedro (son of master painter Juan Luna) when Paciano’s original nipa hut was destroyed in a typhoon in 1926.

The back of the house

Rizal lived here, as a gentleman-farmer, with 2 helpers (with occasional visits from his grandsons, from daughter Emiliana, Franz and Edmundo), until his death from tuberculosis on April 30, 1930.  First buried in Manila North Cemetery, his remains were later transferred here, with full military honors, in 1985.  A historical marker was installed here on April 13, 1983 and the house was declared as a National Historical Shrine by the National Historical Institute on July 31, 1992.

Laguna de Bay

This modest American-style, one-bedroom bungalow was turned into a Japanese garrison during World War II, resulting in the loss of much of Paciano’s personal effects. Still around are some photos of his grandchildren, binoculars he used during the revolution, a pair of his shoes and a Quiroga bed.  Rizal’s spinster sisters Josefa and Trinidad are also buried in the sprawling garden which has a bronze statue of Paciano Rizal, on a pedestal, in his general’s uniform.  The shrine has a view of Talim Island. At the back of the house is the Paciano Rizal Park.

Pinyasan Festival 2011 (Daet, Camarines Norte)

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Pinyasan Street Dancing Competition

My last visit to Camarines Norte literally hit two birds with one stone as we covered the 150th birth anniversary of National Hero Jose Rizal (June 19) and the Pinyasan Festival (June 15-24) which coincided with Daet‘s 428th foundation anniversary and the quadricentennial of its St. John the Baptist parish.  Daet Mayor Tito Sarion, who was a town councilor in 1993, started the town’s Pinyasan Festival. Back in the1990s, while attending a Philippine Travel Mart Convention, Tito conceived of the idea of promoting a local festival in honor of the Formosa pineapple, the sweetest variety among home-grown pineapples in Camarines Norte and a major fruit product. The festival has significantly boosted the popularity of the pineapple (its other potentials then only known by local farmers and traders) and fortified industries related to it.   Today, foreign firm Sunzu Agri-Development, Inc. has a pineapple processing plant at Brgy Caayunan in Basud while another newly-established agro-industrial firm (Flora Farms Integrated, Inc.) in Brgy. Pamorangon in Daet has ventured into the production of food and other products derived from pineapple. There is also a Pineapple Island Resort-Hotel (Calasgasan, Daet), a new bus firm (Pineapple Gold Express) and countless newly created food recipes that include pineapple as ingredient.  Neighboring Basud town and local cooperatives, with the help of the local government and national agencies, have created new fiber products and the popular pineapple pie,  a contribution to the One Town One Product (OTOP) program, harnessing local creativity in to exploring product possibilities extracted from the fruit and sustaining a now major industry.

Mayor Tito Sarrion

This year is the 19th edition of the festival and this would be my first Pinyasan. Our three-day (June 17-19) visit to Daet didn’t extend to June 23, the day of the Grand Float Parade, but we did get to see the Miss Pinyasan/Miss Daet 2011 beauty contest and the Street Dancing and Best Marching Band Competition the next day. We had just returned from our Calaguas Islands tour when Bernard, Lee, TJ and I were invited to cover the beauty contest’s Coronation Night.   From the Bagasbas Lighthouse Resort (where we were booked), we were brought first to the Terrace Grille for dinner.  Here, we espied the candidates and guest Ms. Universe runner-up Ms. Venus Raj as they were about to leave and met up with Daet Mayor Tito Sarrion.  The pageant proper was held at Provincial Gym.  Ms.  Abigail “Abby” Ortega was crowned as Miss Pinyasan.  Runners-up were Ms. Renei Victoria Almoneda (Miss Daet, also Best in Swimsuit, Festival Costume Design and Evening Gown), Ms. Nicole Anne C. Gange (Miss Tourism and Miss Photogenic), Ms. Princess Joy Burce (First Runner-up), and Ms. Erika Bianca “Ekaa” Lasay (Second Runner-up).

Miss Pinyasan/Miss Daet 2011 winners
The next day, all four of us had our lunch at the K Sarap Snack Bar along Vinzons Ave.  Right after lunch, we went out along the Vinzons Ave. (and, later, to the First Rizal Monument) to watch the Street Dancing and Best Marching Band Competition.  The winners of the Miss Pinyasan (minus First Runner-up Ms. Burce) and town officials in a float (led by Mayor Sarrion) also joined the parade.  There were also a number of karetelas bedecked with pineapples and flowers.  The winners of the Street Dancing Competition were Barangay Cobangbang (first), Barangay 7 (second) and  Barangay Lag-on (third).  In the elementary school level, the Best Marching Band Competition winners were Talisay Elementary School (first), Daet Elementary School (second) and Gregorio Pimentel Elementary School (third), while at the high school level, the winners were St. Francis Parochial School (first), Tulay na Lupa National High School (second) and San Roque National High School (third).
 
Best Marching Band Competition

Casa San Miguel: Zambales’ Center for the Arts

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The Pundaquit Virtuosi in concert


Upon the culmination of the 3-km. Novice Race, Bernard, Lally, Kara, Art, Amadis and I left Anvaya Cove in Morong (Bataan) to attend the concert of the Pundaquit Virtuosi at Casa San Miguel (CSM), in San Antonio in Zambales as guests of internationally-acclaimed violinist Alfonso “Coke” Bolipata.  Bernard and Lally’s 15-year old son George, a violin student at CSM, went there earlier. CSM, the CCP of Zambales, is the province’s sole center for culture and the arts and is the venue for the annual Pundaquit Arts Festival. The concert, held at the Ramon Corpuz L. Concert Hall for intimate performances, was already at its closing stages when we arrived in the evening, just in time to witness its final number and, after heartwarming applause, its accompanying encore.  After that performance, we joined in on the dinner prepared for guests by Coke.     

Casa San Miguel


Casa San Miguel, a 45-min. drive from Subic, is set amidst a mango orchard between the mountain and the sea, a setting which encourages and inspires artists to hone their skills freely as they play harmoniously with the sounds of the surrounding scenery.  It started out as a seaside family retreat built in 1921. In 1993, Coke, after returning from his studies at the Julliard School of Music in New York and the University of Indiana, established an art center there after the old house burned down. To start up the center, Coke offered workshops designed to identify and develop potential talents in classical music, theater, shadow play and visual arts. He even taught the children of farmers and fisher folk for free. The center is committed to exposing the community to different cultural forms, particularly classical music, as well as to the continued development and support of the Filipino artist and to the development of the new artist and audiences for the next generation.

 
Ramon L. Corpus Concert Hall


This art center, now a playground for the music, theater and visual art prodigies of Zambales, has a grand 3-storey brick building that serves as the home of the Bolipatas’ protégés. The airconditioned, 300-pax Ramon L. Corpus Concert Hall (named after Coke’s grandfather), on the ground floor, has a 7-ft. grand piano and crisp, clear acoustics.  It houses several chamber orchestra concerts, theater plays, operettas, and ballet productions.  Celebrated Filipino classical pianist Cecile Licad performed here during a recent concert.  

Casa San Miguel bedroom


Upstairs are separate concert halls for intimate performances and music lessons while at the third and attic floors are 7 bedrooms with views of Mt. Pundaquit and Mt. Maubanban on one side and the South China Sea on their other.  The 2-storey Anita Gallery (at the center’s western wing), whose wide spaces and translucent walls are a blank canvas for creativity, was named after the modernist/genre painter Anita Magsaysay-Ho, a native and niece of Ramon L. Corpuz.  This gallery has exhibited the works of brilliant artists such as Carlo Gacubo, Don Sanlubayba and Borlongan.  A coffee shop, called Kapepe, serves light snacks, dinner and refreshments using organically grown vegetables harvested from the Casa San Miguel farm and the nearby sea. Outside is a 1,000-seat, circular outdoor theater that serves as an alternative venue for productions  that require more space such as full-orchestra concerts and elaborate theater and dance performances. There is also a sunken terraced garden, with a miniature stage (where masses are held on Sundays), designed to offer visitors a meditative retreat while waiting for the beginning of a performance.

 
Pundaquit Virtuosi rehearsal with Coke Bolipata


Every 3 months, CSM regularly holds classes for violin, cello, viola, visual arts, theater production and shadow play with young and talented students attending classes given one-on-one by Coke and assistant teachers every weekend. To date, the center has 150 scholars (1,200 since 1996) who are provided with free board and lodging.  In exchange, they are required to devote a portion of their residency period to lecturing, giving demonstrations and workshop-seminars; or to teaching skills to the surrounding communities as part of their development and enhancement. The artists also have the optional opportunity to present their products, finished or unfinished (as a work-in-progress), at CSM’s different venues.   Classes culminate with a performance or exhibit held at CSM. Some of CSM’s graduates make up the Pundaquit Virtuosi which is divided into Quadros (those skilled in arts) and Cuedras (those skilled in music). Last June 6, 2007, in Makati City, the Pundaquit Virtuosi had the honor of performing with the famed New York sextet of Juilliard School, violinists William Harvey and Frank Shaw, and cellist Jeremiah Shaw. In collaboration with various organizations and the community, the Pundaquit Chamber Players, CSM’s resident ensemble, performs at the Pundaquit Festival which is held yearly, between October and April. 

L-R: George Supetran, the author, Lally Supetran, Coke Bolipata, Bernard Supetran, Amadis Ma. Guerrero  and Kara Santos


Casa San Miguel Center for the Arts: Brgy. Pundaquit, San Antonio, Zambales.

Arrival in Pagudpud (Ilocos Norte)

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The eco-friendly Kapuluan Vista Resort

We left the coastal town of Claveria, our last Cagayan destination, by 5:30 PM and it was already nighttime when our bus crossed the border into Ilocos Norte and the resort town of Pagudpud.  The weather still wasn’t cooperating with us and it was still raining when we arrived, by 7:30 PM, at Kapuluan Vista Resort where we were welcomed by Mike and Alma Oida, the resort’s gracious Fil-American owners.  Gabby Malvar, Dandi Galvez, Kim Madridejos, Roland “Jun” Fontilla, Frank Dizon and I were assigned to a six-bed dorm. Though not airconditioned, we certainly didn’t need it as the cool sea breeze wafted into the room.

Check out “Resort Review: Kapuluan Vista Resort“

Grilled fish and liempo main course

The gloomy weather was somewhat offset by the warmth and hospitality of our young hosts and their staff and our delicious dinner, served on a banig place mat, which consisted of cilantro soup and garden salad with dressing for starters, a main course of tender grilled fish and liempo (pork belly) with tomato salsa, and buko pandan with homemade vanilla ice cream for dessert.  Most of the herbs and vegetables served here are grown and picked daily from the resort’s organic garden.  Breakfast, on the still raining and windy early morning, consisted of a Filipino breakfast of Vigan longanisa with fried egg and garlic fried rice.

Pagudpud – a new surfing haven

While dining, Mike, an avid surfer and fitness buff who can still speak fluent Tagalog, and the Ilocano-speaking Alma (whose roots are in La Union) regaled us with their story of how these newlyweds, who both worked for Ikea, were drawn to the waves and rustic beauty of Pagudpud’s Blue Lagoon six years ago, liking it so much that they resigned from their jobs, packed up all their belongings in the US and decided to settle here. They bought an 8,000 sq. m. undeveloped piece of heaven near the Dos Hermanos rock formation where they built their eco-friendly dream home and resort.

Kapuluan Vista Resort: Sitio Baniaran, Brgy. Balaoi, Pagudpud, Ilocos Norte.  Tel: (072) 888-2809.  Mobile numbers: (0920) 952-2528 and (0920) 928-5273.  E-mail: kapuluan_vista_resort@yahoo.com.  Website: www.kapuluanvistaresort.com.

A National Artist and a Haven for his Art (Tuba, Benguet)

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After our Lakbay Norte 2 visit to Tam-awan Village in Pinsao Proper in Baguio City, we all returned to our bus and proceeded to Asin Rd. in Tuba, 6 kms. from the city, to visit a prominent Filipino artist who has taken up permanent residence in the Philippines’ “Summer Capital.”

The author with Benedicto “Bencab” Cabrera

The city, whose lovely natural environment and the rich Cordillera cultural heritage has inspired creativity, has become a natural haven for artists and now home to a growing number of gallery cafes and exhibits that showcase the paintings and sculptures of groups of local as well as visiting artists.

He is one of many who shared a passion for indigenous art, injecting local elements and techniques in their works, and dedicated to nurturing and preserving Cordilleran culture. That man is painter, printmaker and 2006 National Artist for the Visual Arts Benedicto R. Cabrera, more popularly known as BenCab.

He’s not named Benjamin as mentioned in other write ups though I wish he had the same first name as me. He, together with popular local artists such as solar artist Jordan Mang-osan, mixed-media painter John Frank Sabado and self-taught artist Ged Alangui set up the Chanum Foundation.

The author seated at a hagabi (a rich Ifugao’s bench)

Chanum which, in Ibaloi, means “water,” was the name adopted to symbolize its vision and role to be as nurturing and life-giving as a spring in the once vast pastureland of Pinsao.

After passing a woodcarver’s village with rows of shops selling a fabulous collection of carved figures, in varying sizes, ranging from giant statues to “stickmen,” we arrived at the ultra-modern BenCab Museum, built on a promontory.

Here, we were welcomed by BenCab himself. A Baguio resident for a quarter of century now, Bencab set up this permanent home for his art as well as his personal collection of the works of other acknowledged Filipino masters and rising contemporary artists and his collection of Cordillera artifacts.  After the interview, we explored the different areas of the museum.

The BenCab Gallery features the artist’s own works over a continuing artistic career that spans more than four decades.

The Cordillera Gallery is the repository of BenCab ’s collection of Cordilleran tribal artifacts and indigenous crafts such as bulols (rice granary gods); functional carved objects such as furniture, spoons, bowls and other utilitarian implements such baskets; and tribal weapons.

The Philippine Contemporary Art Galleries (1 and 2) houses the artist’s collection of paintings, drawings, prints and sculpture accumulated by BenCab through the years.

Philippine Contemporary Art Gallery

The Maestro Gallery houses a selection of works acknowledged masters of Philippine art such as Lee Aguinaldo, Roberto Chabet, Victorio C. Edades, Jose Joya, Cesar Legaspi, Arturo Luz, Anita Magsaysay-Ho, Juvenal Sanso, Fernando Zobel and others.

Erotic Gallery – Sculpture

Erotica Gallery

The Erotica Gallery houses paintings, drawings, sculpture and other artworks by various artists with an erotic subject or theme. The Print Gallery exhibits vintage maps, prints, photographs and postcards on the Philippines as well as contemporary prints and photographs.

The tall Sepia Gallery, adjoining the museum shop (which sells art books, paper products such as postcards, and notepads, highland art & crafts such as wood carvings and textiles as well as other souvenir items from t-shirts, and caps), is a venue for changing exhibitions.

Patio Salvador, an open terrace adjoining the Indigo Gallery, is used for receptions and sculpture shows while the Larawan Hall serves as a function room for art workshops, meetings, seminars, art film showings, and other related activities.

 

Prior to leaving, we enjoyed a merienda of clubhouse sandwiches and pasta dishes at Cafe Sabel, the museum’s coffee shop which overlooks the hill beyond and the mini-forest and duck pond below the museum.

Also below the museum is the farm and garden which showcases organic farm produce (seasonal vegetables, herbs, strawberries, sweet potatoes, coffee and ornamentals) and the typical Ifugao, Kalinga and Bontoc indigenous architecture.

Cafe Sabel

A river, which meanders through the property, has cascading waterfalls on one end.  There is an aviary housing peacocks and various birds,plus  ducks, geese, turkeys and other local livestock.

The organic farm below

BenCab Museum: Km. 6, Asin Rd., Tadiangan, Tuba, Benguet.  Tel: (074) 442-7165.  Mobile: (0920) 530-1954.  E-mail: bencabartfoundation@gmail.com.  Website: www.bencabmuseum.org. Open Tuesdays to Sundays, 9 AM-6 PM.  General Admission: PhP100.  Students and Senior Citizens (with valid ID): PhP80.

Ramon Hofilena: The "Father of Heritage Conservation" in Silay City (Negros Occidental)

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Manuel Severino Hofilena Heritage House

Certainly one of the highlights of our three-day visit to Silay City (Nregros Occidental), with my wife Grace and children Jandy and Cheska, was, aside from attending the 8th Locsin Family Reunion (my first), our tour of some of Silay’s 31 ancestral homes, accompanied by my young Silayanon cousin  Neil Solomon “Solo” Locsin.  Our longest visit was at the Manuel Severino Hofilena Heritage House, an illustrado’s house built in 1934.  A visit here was by appointment with current owner Ramon “Monching” Hofilena but Solo set it up for us with call to him. On hand to greet us was the 72-year old Ramon Hofilena himself.  

Ramon Hofilena

Since 1962, Monching has been welcoming visitors to his family’s ancestral house, the first Heritage House in Silay to be opened to visitors.  Also, since his return from New York in the 1970s, Monching has also been on a life-long crusade  to restore and protect Negrense cultural heritage.  He organized the Annual Cultural Tour of Negros Occidental (ACTNO), the longest running (nearly 40 years) cultural tour in the world.  Its itinerary includes Bacolod  City, Silay City (Jalandoni and Hofileña heritage homes), Victorias City (Church of St Joseph the Worker); Manapla (Chapel of the Carwheels) and Talisay City (PhP600/person, limited to 55 people).  The tour is often conducted yearly on all Saturdays of December, except holidays, from 9 AM to 5:30 PM.

The living room

The interiors of the house to be  exudes touches of genteel elegance.  The formal living room still has its original 1930s Art Deco period furniture.  Beside it is a 150-200 year old, German-made M.F. Rachals upright piano handed down by Monching’s great grandmother. Monching, a lover of art and culture, gave us a two-hour guided tour of his collection of museum-worthy pieces such as  antique lamps and chandeliers, large Ming dynasty jars, copies of the world’s first pocket books, silver picture frames (with pictures of his parents and 8 siblings; all of whom were involved in the arts: piano teachers, ballet and flamenco dancers, theater artists), a dining table set with fine china, silverware, wooden images of St. Vincent Ferrer, saved from the island’s old churches), wine glasses and silver candelabras, none of them reproductions.

The dining room


The comedor (dining room) has hardwood and glass cabinets (plateras ) that display Pre-Hispanic Chinese porcelain and ceramics, all of them archeological finds discovered in Silay (some an incredible 3,000 years old).  Monching also has a  collection of small dolls (said to be the smallest in the world, you need a magnifying glass to appreciate them) and curios from around the world, including tektites (meteorite stones) and anting-antings (good luck amulets).  The house also has an old press from Silay Printmaking (founded in 1970), the oldest printmaking workshop outside Manila.  Monching is working to popularize printmaking as an art form.  

Monching shows us his painting collection

Upstairs, lining the walls, are Monching’s  impressive collection (the most comprehensive personal collection on public display) of more than 1,000 works by foreign artists Francisco Goya, Pablo Picasso, Albrecht Durer, Katsushika Hokusai and Utagawa Hiroshige; National Hero Dr. Jose Rizal (when he was 15 year old student at Ateneo) and works of local artists from the 19th century to the present – Juan Luna, Felix Resurreccion Hidalgo, Ang Kiukok, Fernando Amorsolo, H.R. Ocampo, Jose T. Joya, Cesar Legaspi, Napoleon Abueva, Vicente Manansala and Bencab (Benedicto Cabrera).  Monching, with much emotion, gives special mention to abstract expressionist paintings of Conrado Judith, a poor and unknown Silaynon high-school graduate with no formal art education who died from tuberculosis at the age of 34. His canvas paintings, some damaged by sun and rain, were discovered by Monching in his thatch house.

L-R: Ramon Hofilena, Solo Locsin, Grace, Jandy, me and Cheska
Manuel Severino Hofilena Heritage House: Cinco de Noviembre St., Silay City, Negros Occidental.  Visits are by appointment.  Tel: (034) 495-4561.

An Audience with Sen. Edgardo J. Angara (San Luis, Aurora)

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Once settled in at Carlito’s Inn, I got a call in the evening from Sen. Edgardo J. Angara’s secretary approving my request, made at the Provincial Tourism Office booth at Ermita Hill, for us to visit his resthouse at Dicasalarin Cove in nearby San Luis town.  Come morning and after breakfast at the inn, we proceeded to the Fish Port at Brgy. Cemento, our pickup point, and parked the Toyota Revo there.  From hereon, it was all sea travel as the road to the cove, previously attempted by us the previous day, was still unpassable.  Normally, scheduled boats (available up to 2 PM only) transport visitors to Dicasalarin Cove from Sabang in about 45 mins. and we were expecting to be picked up by an outrigger boat.  You can only imagine our surprise when the senator’s speedboat was, instead, waiting for us at the pier.  Thus, we got there in style and in less than half the time, all of us thoroughly enjoying this welcome and unexpected treat.

Traveling in style and speed

Upon nearing the cove, the boat slowly inched its way to a delta where a river met the sea.  The cove lies where the foothills of the Sierra Madre Mountains meet the Pacific Ocean.  Upon alighting, it was just a short hike from the secluded white sand beach to the resthouse’s simple log gateway.  Picnic huts and wooden tables, ideal for al fresco dining and all shaded from the hot sun by trees, plus interconnected log cottages, all covered with thatched roofing, are found all over the compound. We were billeted in one of the cottages where we freshened up for our meeting with the senator.

The Ifugao Village

Our gracious host, fresh from his working tour around his property, soon arrived and joined us all at an open-air cabana where a delicious seafood lunch was prepared.  The senator, who also happened to be U.P. president during my college days in the late 1970’s and early 1980s, narrated his plans for the place, providing a land route by clearing and paving the road we previously attempted, creating an Artists Village and also building a lighthouse atop the hill.

With Sen. Edgardo Angara