Saigon Opera House (Ho Chi Minh City, Vietnam)

The iconic, stately and elegant Saigon Opera House, also known as the Ho Chi Minh Municipal Theater, is hard to miss as it is located at the intersection of Ð Dong Khoi and ÐL Le Loi.  The front of the building is a good place to take photos or maybe just sit round and spend some time people-watching. A Highland Coffee Shop outlet is located behind the building. During our visit, a pre-nuptial photo shoot was ongoing at the bottom of the steps in front of the theater.

Saigon Opera House

Saigon Opera House

Unfortunately, we weren’t allowed to see the inside unless we watched an actual performance (plays, concerts, ballet, opera, and Vietnamese traditional dance) or the 60-min. AO Show (6 PM and 8 PM), a show fusing dance, circus and musical forms in a vibrant and light-hearted series of sketches.  However, prices for these performances don’t come cheap. For the AO Show, admission ranges from 630,000 VND to 1,470,000 VND (US$29.7 to US$69.3).

A venue for pre-nuptial photo shoots

A venue for pre-nuptial photo shoots

This grand, 1,800-seat colonial building, an example of French Colonial architecture in Vietnam, was designed, as the Opėra de Saigon, by architect Felix Olivier and its construction, started in 1898, was supervised by architects Ernest Guichard and Eugène Ferret. The theater was completed on January 1, 1900. Its applied ornaments, balustrades, cartouches and roof are particularly French while the large central arch, Ionic columns, coffered ceiling and the caryatids (though less modestly clothed than Greek examples) are Greco-Roman motifs.

The veranda and richly-engraved arch

The veranda and richly-engraved central arch

In 1944, the theater was damaged by the Allied air attacks and, in 1954, was used as a temporary shelter for French civilians arriving from North Vietnam. After 1956, the building was restored and used as the home of the Lower House assembly of South Vietnam and it was not until 1975, after the fall of Saigon, that it was again used as a theater. In 1995, the theater was again restored.

A scantilly clad carytid

A scantily clad caryatid

Shaped like the Opéra Garnier in Paris, the Municipal Theater is a smaller counterpart of the Hanoi Opera House (built between 1901 and 1911).  Influenced by the flamboyant style of the French Third Republic, its ornate façade, decorated with inscriptions and bas reliefs, is shaped like France’s Petit Palais (“little palace”) which was also built in 1900. In 1943, some of its decorations, engravings and statues were removed from the theater façade (to make the the theater look more youthful) but, in 1998, during the 300th anniversary celebration of Saigon, a portion was restored by the city government.

Bas reliefs and paired Ionic colums

Bas reliefs and paired Ionic colums

This opera house has an 800-seat main seating floor plus two levels of seating above; a sweeping staircase; and all the inscriptions, décor, and furnishings were designed and drawn by a French artist and sent from France. It now hosts the Ho Chi Minh City Ballet Symphony Orchestra and Opera (formerly the Ho Chi Minh City Symphony and Chamber Orchestra), one of the city’s premiere entertainment companies.

Deatil of bas relief

Deatil of bas relief

The theater is equipped with state-of-the-art lighting and sound systems, and safety equipment. Many of its original architectural and decorative features, including a stone veranda, white stone statues at the entrance, colorful granite tiled floors, chandeliers, bronze statues in front of the stairs, richly-engraved auditorium arch and wall statues, have been incorporated. In 2009, an outdoor lighting system was installed on the roof of the Opera House.

The author, Jandy, Osang and Violet

The author, Jandy, Osang and Violet

Saigon Opera House: 7 Lam Son Square, Ben Nghe Ward, District 1, Ho Chi Minh City. Tel: 08 3829 9976.

People’s Committee Building (Ho Chi Minh City, Vietnam)

People Committee Building

People Committee Building

The 2-storey People’s Committee Building, one of the city’s most prominent landmarks and one of the most photographed buildings in Vietnam, is the home of the Ho Chi Minh City People’s Committee. Formerly the Hôtel de Ville de Saïgon, it was designed in the French colonial style by famous French architect P. Gardes and was modelled after the Hotel de Ville (City Hall) of Paris.

Tower with Mansard roof

Tower with Mansard roof

Built between 1901 and 1908, it was renamed as the People’s Committee Building after April 1975.  This building, noted for its beautiful gardens and ornate facade, is often referred to as the “Gingerbread House” due to the impressive exterior’s cream and white facade and ornate features. It has a main hall, rectangular wings and a central clock tower.

Broken segmental arch with statue of a woman, a child and 2 wild beasts

Segmental arch with statue of a woman, a child and 2 wild beasts

The central façade, flanked by two towers with red-tiled Mansard roofs, has broken segmental arches with statues.  In the middle is a statue of a standing woman and a child with two wild beasts while flanking it are statues of seated women with swords. There are also sculpted cornices and delicate bas-reliefs on the walls, a popular feature of French colonial style.

Segmental arch with statue of a seated woman with a sword

Segmental arch with statue of a seated woman with a sword

It was regrettable that tourists such as us as well as the general public weren’t allowed inside this working government building.  Only civil servants and cleaners are allowed.  Its elegant interior is said to be lit with crystal chandeliers.

The clock tower

The clock tower

Standing on a small, lovely park (with beautiful flowers, trees and a fountain) in front of the building is the iconic bronze statue of revolutionary leader and National Hero Ho Chi Minh, sitting and reading a book to a little girl, with a protective arm around her.  Called “Uncle Ho and Children,” it was made by artist Nguyen Minh Chau.

Bronze statue of Uncle Ho and Children

Bronze statue of Uncle Ho and Children

Too bad we also didn’t visit after dark as this extremely photogenic building, beautiful by day, is also stunning at night as it is spectacularly floodlit by colorful lights installed by engineers and artists from Lyon (France).

Jandy, the author, Violet and Osang

Jandy, the author, Violet and Osang

People’s Committee Building: 86 Le Thanh Ton St., District 1, Ho Chi Minh City

The Spanish-Era Structures of Patnongon (Antique)

From the Gen. Leandro Fullon National Shrine in Hamtic Poblacion, we moved on, 32 kms. away, past the capital town of San Jose de Buenavista and Belison, to the town of Patnongon.  Along the National Highway are the ruins of the parish of St. Augustine, once considered the best church in the province.

St. Augustine Academy of Patnongon

St. Augustine Academy of Patnongon

The main entrance

The main entrance

Started in 1860 by Fr. Manuel Asensio, it was finished in 1895 by Fr. Eustaquio Heria. In 1896, Fr. Joaquin Fernandez renovated the church by adding a patio.

NHI Plaque

NHI Plaque

Statue niche

Statue niche

The old bell tower

The old bell tower

Damaged during the Philippine Revolution, it was repaired from 1896 to 1899 and, in 1906, it was transferred to the Mill Hill Fathers of England.  Destroyed during World War II, it was converted to the St. Augustine Academy of Patnongon in 1962.

Ruins of Spanish-era municipal hall

Ruins of Spanish-era municipal hall

Nearby are the ruins of the town’s former 2 storey, Spanish-era municipal building.  This 15 m. by 21 m., roofless structure is now fenced off, its gray walls slowly deteriorating due to the elements, local government neglect and indifference, and the strangling presence of a balete tree.

A balete tree slowly strangling the walls

A balete tree slowly strangling the walls

An interior wall and arch

An interior wall and arch

I was saddened by the sight of this graphic memorial to our Spanish past being left to rot.  In my opinion, it could still be restored and put to good use, either as a museum or a government office.  All it takes is political will aside from local government or private sector funding.

How To Get There: Patnongon is located 25 kms. from San Jose de Buenavista, 9.5 kms. from Belison, 17.3 from Bugasong and 122 kms. from Iloilo City (Iloilo).

Filipino Heroes Memorial (Corregidor Island)

Our Corregidor Island tour included visits to the Japanese Garden of Peace and the Filipino Heroes Memorial, both a first for me as well as the rest of my family.

Check out “Japanese Garden of Peace

Filipino Heroes Memorial

Filipino Heroes Memorial

Our first stop was the Filipino Heroes Memorial, one of the most recent additions to Corregidor.  This is a 6,000-sq. m. complex at Tailside designed by Arch. Francisco Mañosa and inaugurated on August 28, 1992 by Pres. Fidel V. Ramos.  It consists of 14 murals, chronologically encircling the park, done by sculptor Manuel Casal.  It depicts famous as well as obscure heroes who revolted and battled heroically through the centuries; from the Battle of Mactan (1521) to the People Power Revolt at EDSA (1986).

The Battle of Mactan

The Battle of Mactan

EDSA Revolution

EDSA Revolution

Other murals depicted include Datu Sirongan and Sultan Kudarat in Mindanao (16th to 17th century),  the Bankao’s Apostasy in Leyte (1621), Sumuroy Rebellion (1645-50), the Dagohoy Revolt (1744), the Palaris Revolt in Pangasinan (1782), Diego and Gabriela Silang in the Ilocos (1763), the Hermano Pule Revolt (1840-41), the Philippine Revolution (1896), the Filipino-American War of 1899, World War II and the Guerilla Movement.

Dagohoy Revolt

Dagohoy Revolt

Hermano Pule Revolt

Hermano Pule Revolt

Filipino-American War

Filipino-American War

World War II

World War II

A statue of a Filipino guerrilla was also sculpted by Manuel Casal. A piece of trivia we gathered from our tour guide was that, during the Japanese Occupation, Filipinos guerillas and spies disguised themselves as farmers. To distinguish the farmer from the guerilla, the Japanese employed the palm test: True farmers have hard, calloused palms, guerillas didn’t. There is a room dedicated to photos of prominent Filipinos who died for freedom and liberty.

Statue of the Filipino Guerilla

Statue of the Filipino Guerilla

Beside the Filipino Heroes Memorial is a small park dedicated to President Sergio Osmena, the second president of the Philippine Commonwealth. Erected in this park is the statue of Osmena which was inaugurated on May 23, 1998 through the efforts of the Corregidor Foundation and the Cebu Newspaper Workers’ Foundation with the assistance of the late Sen. Marcelo B. Fernan.

Statue of Pres. Sergio Osmena

Statue of Pres. Sergio Osmena

Sun Cruises, Inc. (SCI) – Reservation Office: CCP Terminal A, CCP Complex, Roxas Blvd., Manila.  Tel: (632) 831-8140 and (632) 834-6857 to 58.  Fax: (632) 834-1523.  E-mail: suncruises@magsaysay.com.ph.

Sun Cruises, Inc. (SCI) – Sales Office: 21/F,  Times Plaza Bldg., Ermita, Manila.  Tel: (632) 527-5555 local 4511 and 4512.  Fax: (632) 527-5555 local 4513.  E-mail: sales@suncruises.com.ph.

A Family Trip to Corregidor

For the fifth time around I was again traveling back to historic Corregidor Island but, this time, I was traveling with my loved ones – my wife Grace, my son Jandy, my daughter Cheska, my 1 year old grandson Kyle and Cheska’s fiancée Marve. With an overnight stay at Corregidor Inn included in our package, it was going to be a true family outing.

My family at Battery Way

My family at Battery Way

Exploring Battery Hearn

Exploring Battery Hearn

This was to be Grace and Jandy’s second visit to Corregidor and the first for the rest. It being a long weekend, the 150-pax, airconditioned MV Sun Cruiser II was fully booked, with chance passengers waiting on the sidelines. We left the Sun Cruises Terminal a little past 8 AM and, after a 26-km. journey, arrived on the island in a little over an hour.

Author at ruins of Middleside Barracks

Author at ruins of Middleside Barracks

Our tranvia (pre-war-styled street cars) tour bus No. 5 awaited us upon our arrival at North Dock. Our guided tour again consisted of short stopovers at Battery Way (four 12” mortars capable of firing in any direction), Battery Hearns (a 12” seacoast gun), ruins of Middleside and “Mile Long” Barracks, the Spanish Lighthouse (where Grace, Marve, Cheska and Jandy climbed to the top), the famous flagpole and the Pacific War Memorial (with its museum and steel wing-shaped “Eternal Flame” sculpture).

Check out “Pacific War Memorial Museum

Cheska and Marve at Malinta Tunnel

Cheska and Marve at Malinta Tunnel

Kyle and Grace at South Beach

Kyle and Grace at South Beach

Marve, Cheska and Jandy availed of the optional, 30-min., vividly-staged  light and sound show called the “Malinta Experience” (PhP200/pax), a re-enactment of dramatic World War II events.  As they started the show from the east entrance, while Grace, Kyle and I were driven to South Beach where Kyle frolicked on the gray sand.  Back in our bus, we met up with the others at the tunnel’s west entrance.  This culminated our island tour.

Author at the Pacific War Memorial

Author at the Pacific War Memorial

Jandy at the Memorial altar

Jandy at the Memorial altar

Cheska, Kyle, Marve and Jandy at the Eternal Flame

Cheska, Kyle, Marve and Jandy at the Eternal Flame

Finally, we were driven to the 31-room Corregidor Inn where a filling buffet lunch awaited us at La Playa Restaurant.  We were allowed to check into our suite by 2 PM and, as I climbed the stairs, I noticed framed copied of 2 of my Business Mirror articles (“Adventure Island” and “Adventour Challenge: Corregidor’s Amazing Race”) hung by the stair landing.  Quite flattering to say the least.  I hope to add a third with this visit.

Check out “Hotel and Inn Review: Corregidor Inn

Adventure Island

Adventure Island

Adventour Challenge: Corregidor's Amazing Grace

Adventour Challenge: Corregidor’s Amazing Grace

The first time I stayed overnight at the inn, I checked in at an airconditioned standard twin room with bath (one of 30) but, this time around, we all stayed at the inn’s lone but more opulent and roomy airconditioned  suite located at the end of the hall, equally furnished with exquisite rattan furniture.  It too didn’t have cable TV but we didn’t mind as it allowed for more family bonding time.

The 31-room Corregidor Inn - the best in the island

The 31-room Corregidor Inn – the best in the island

The opulent suite

The opulent suite

Family bonding time at La Playa Restaurant

Family bonding time at La Playa Restaurant

Corregidor Inn: Signal Hill, Brgy. San Jose, Corregidor Island, Cavite.  Mobile number: (0917) 527-6350. E-mail: corregidor_inn@suncruises.com.ph.  Website: www.corregidorphilippines.com/corr_inn.html.

Sun Cruises, Inc. (SCI) – Reservation Office: CCP Terminal A, CCP Complex, Roxas Blvd., Manila.  Tel: (632) 831-8140 and (632) 834-6857 to 58.  Fax: (632) 834-1523.  E-mail: suncruises@magsaysay.com.ph.

Sun Cruises, Inc. (SCI) – Sales Office: 21/F,  Times Plaza Bldg., Ermita, Manila.  Tel: (632) 527-5555 local 4511 and 4512.  Fax: (632) 527-5555 local 4513.  E-mail: sales@suncruises.com.ph.

Save the Manila Metropolitan Theater!!!

Just a day after my birthday, I joined my media friend Mr. Fernando “Rannie” Bernardo and Ms. Melissa Grace Dizon (La Consolacion College School of International Hospitality Management professor) in a group being assembled  by Mr. Lawrence “Rence” Chan (who hosts the Royal Postal Heritage Tour), of the Filipinas Stamp Collectors’ Club, that was to be part of a special documentary tour with the GMA 7 I-Witness team.  The documentary was to feature the sorry plight of the now-abandoned and unused Metropolitan Theater (fondly called “The Met”), for me a precious and stunning icon of the Filipinized Art Deco genre that needs to be preserved for other generations to see and appreciate.

The Manila Metropolitan Theater

Aside from Rence, Ronnie, Melissa  and I, our group also consisted of Ms. Ma. Fatima T. Flores (a B.S. Architecture student from FEU), Mr. Efren C. Taburnal, Jr.; Ms. Gemma Suguitan-San Jose (of the Southern Luzon Association of Museums); Ms. Maria Ronna Beltran (a blogger); Mr. Dong Despojo (Prima Camera Club); Mr. Noel Aguilera Acedillo (Prima Camera Club); Ms. Bettina Arriola (an art teacher) and Ms. Marian L. Barro (a U.P. Manila student).

Our documentary group

However, due to some miscommunication between GMA 7 and Rence, the scheduled tour did not push through.  Even worst, we were not allowed entry by the security guards.  Just the same, so as not to make this an exercise in futility, Rence proceeded to give us a moving documentary on the history of the Met. The theater, along the Pasig River and in front of the equally classic Manila Post Office, was designed, in  the Art Deco style (then a rage in the U.S.A.), by National Artist (for Architecture) Arch. Juan M. Arellano.

Inaugurated on December 10, 1931, it seats 1,670 (846 in the orchestra section, 116 in loge and 708 in balcony) and was the biggest in the Far East at that time. During its heyday as the “Grande Dame” of theaters, the Met played host to vaudeville acts, zarzuelas, operas, pageants, Filipino and Spanish plays, and performances by well-known artists such as violinist Maestro Jascha Hefertz and composer/conductor Dr. Herbert Zipper (who conducted the Manila Symphony Orchestra).

Severely damaged (losing some of its roofing and some walls destroyed) during the liberation of Manila in 1945, the theater was rebuilt, fell into decay in the 1960s (where it became an ice cream parlor, boxing arena, garage, motel and gay club) and was meticulously restored to its former glory by Arch. Otillo Arellano (Juan Arellano’s nephew) and former First Lady Imelda R. Marcos and rededicated on December 17, 1978.

However, it again fell into decay. Worst, a nondescript, 24-hour Park n’ Ride bus terminal and parking structure, with its accompanying itinerant vendors and equally unsightly food stalls, was built behind the theater by then Manila Mayor Lito Atienza, compromising the theater’s once-privileged landscape.

Stained glass panels above main entrance
Detail of bas-relief curlicues

In 1996, it was closed due to a long-running financial dispute between the city government and the Government Service Insurance System (GSIS) over its ownership and management. On June 3, 2010, after extensive renovations (the main roof and 2 minor ones were repaired), it was again reopened by Pres. Gloria Macapagal-Arroyo and Manila Mayor Alfredo S. Lim but again slowly deteriorated due to disuse, typhoons (Angela) and water infiltration.  Water and electricity has been cut off.  The main entrance is now home to the homeless vagabonds and its arcades are filled with garbage and stinks to the high heavens with urine.

Tiara-like pediment with minarets
The theater’s still exuberant and symmetrical exterior, with its tiara-like pediment with stylized minarets, has rectangular stained glass panels (by Kraut Art Glass of Germany), bas-reliefs with curlicues or mask-like chimeras; whimsical rope designs; friezes; colorful ceramic tiles; capiz shell main entrance lamps; intricate grille work at the doors and windows; and is also enhanced by sensuous, exotically-draped female statues, said to be Siamese dancers, done by Italian sculptor Francesco Riccardo Monti (who lived in Manila from 1930 until his death in 1958). It used to house the Museum of Philippine Costumes and Dolls, a GSIS district office, an LBC branch and a travel agency.
 
Female statues done by Monti
Detail of column with capiz lamps
Theater arcade
Another statue by Monti
NHI plaque

Such a beautiful Art-Deco masterpiece deserves a much better fate and should not follow the demise of other gems such as the Manila Jai Alai Building and Meralco Building.

Manila Metropolitan Theater: Padre Burgos Ave., Liwasang Bonifacio (near LRT Central Terminal), Manila

The Andres Bonifacio Monument (Caloocan City)

A few days ago, I again got an invitation from Valenzuela City historian and museum curator Mr. Jonathan C. Balsamo, this time to attend the opening of the Valenzuela City Museum, the city’s second (after Museo Valenzuela). To get there, I took the LRT (Light Rail Transit) from the Gil Puyat Station (near which I parked my car), along Taft Ave., all the way to its terminus at at the Andres Bonifacio Monument.  At its end is the beginning of the MacArthur Highway (or Manila North Rd.), where I was to take a Malanday or Malinta-bound jeepney to Valenzuela City Hall.  West of the monument is Samson Rd..  As I still had time on my hands, I decided to view the monument up close.
 
The Andres Bonifacio Monument
Popularly called Monumento, the monument, dedicated to the lifework of Katipunan founder (July 7, 1892) Andres Bonifacio (the “Great Plebeian”), is also the terminal point of bus and jeepney routes.  The move to build it came from former Katipuneros, particularly Bonifacio friend Guillermo Masangkay.  On February 23, 1918, the Philippine Legislature passed Act No. 2760, approving the erection of a national monument in memory of Bonifacio. Eight years later, on August 29, 1930, a jury, headed by Arch. Andres Luna de San Pedro (the son of Spoliarium painter Juan Luna) and composed of sculptor Vicente Francisco and Arch. Tomas B. Mapua, was created and convened to select the best design for the monument.
 
Andres Bonifacio
The design chosen was from sculptor (and later National Artist for the Visual Arts in 1973) Guillermo E. Tolentino. On November 30, 1929,  its cornerstone was laid by First Lady Doña Aurora A. Quezon and was started in 1931 with the help of sculptor Anastacio T. Caedo.  It was inaugurated on November 30, 1933.  On August 17, 2002, it was declared as a National Monument, by the National Historical Institute, and a National Cultural Treasure, by the National Museum, on November 30, 2009. 
The ravages of Spanish colonial rule
The execution of Frs. Gomez, Burgos and Zamora
The monument, Caloocan City’s most famous landmark, is said to face Tondo (Manila), Bonfacio’s birthplace.  This sculptural masterpiece has 23 bronze figures surrounding a four-sided, 40-ft. high marble pylon that rises from a 4-sided marble base and is topped by the winged figure of victory.   At its base is a platform-like structure with figures symbolizing the causes of the Philippine Revolution.
 
NHI plaque
The pylon has 5 parts, each representing the 5 aspects of the Katipunan. The monument stands on a base in the shape of an octagon whose 8 sides symbolize the first 8 key provinces (Batangas, Bulacan, Cavite, Laguna, Manila, Nueva Ecija, Pampanga and Tarlac) placed under martial law for revolting against Spain and the 8 rays in the Philippine flag. The 3 steps leading up to the monument represent the 3 centuries (333 years to be exact) of Spanish rule.
 
Winged Victory
Bonifacio Monument: intersection of EDSA (Epifanio de los Santos Ave.), MacArthur Highway, Samson Rd. and Rizal Ave. Ext. (Avenida), Caloocan City, Metro Manila

A Walking Tour of Escolta (Manila)

I have been dying to do a walking tour of Escolta , Manila’s historic version of High Street. During the Spanish era, this short (less than a kilometer long) stretch was linedwith rows of camarines (1-storey Chinese shops). On his way to his office in Intramuros from Malacanang, the Spanish governor-general would usually pass here with his escolta (official escorts), hence the derivation of its name (from the Spanish word escortar meaning “to escort”).  Later, these camarines along Calle Escolta were replaced by bahay-na-bato  (stone houses) adorned with Neo-Classical elements such as Greek columns and caryatids and, towards the end of the Spanish regime, by European establishments, the only ones permitted to do business along the cobblestones (imported from Hong Kong) of this narrow, historic thoroughfare.

Escolta – A shadow of its former self

From the early 1900’s to the 1960s, Escolta was the country’s premier shopping mecca, with high-end stores such as La Estrella del Norte and Puerta del Sol, which marked the east and west entrances of Escolta.  It is also home to H.E. Heacocks and Oceanic (for fine household items);  Berg’s (for fashionable clothes);  Hamilton Brown and Walk-Over Shoe Store (for quality leather shoes); 2 high-class cinema theaters (Capitol and Lyric) which brought the glitz and glamour of Hollywood to Manila; restaurants (Henry’s Donuts, Max’s Fried Chicken, Dencia’s Pansit Malabon, Savory Restaurant, etc.); and Botica Boie (for mixed potent medicines).  Founded in 1830, the latter also served the best ice cream sodas, brewed coffee and clubhouse sandwiches in its glass-in mezzanine overlooking the street.  With the emergence of commercial and business districts of Makati City and Quezon City, the prestige of Escolta gradually faded.

The First United and Regina Buildings

Needing to buy some lighting fixtures along nearby Soler St., I decided to include a visit to Escolta  in my itinerary.  From Gil Puyat Ave., I took the LRT and dropped off at Carriedo Station.  The first notable piece of architecture I encountered was the Neo-Classical-style Don Roman R. Santos Building, fronting Plaza Lacson (formerly Plaza Goiti).  When the Japanese bombed the city during World War II, only 3 of its 5 floors were finished.  Luckily, it survived and the building was finished in 1957.  The building once housed the headquarters of Monte de Piedad and Prudential Bank and, later, a shopping mall (South Super Mart).  When the mall closed, Bank of the Philippine Islands (BPI) took over the building. Its entrance has Ionic columns with a triangular pediment, within which is a big clock flanked by bas-relief sculptures.

Don Roman R. Santos Building

Both ends of Escolta open into impressive open spaces  (Plaza Sta. Cruz and Plaza Moraga).  Though no longer the premier shopping district it used to be, strolling along Escolta is still a rewarding experience as one could still find traces of its glorious past.  Upon crossing the little Visita Bridge spanning Estero de la Reina, at the Sta. Cruz entrance of Escolta, I was attracted by 2 impressive, eye-catching (though marred by entangled electrical cables) buildings facing each other – the fancy, Art Deco-style First United Building and the elegant Beaux Arts-style Regina Building.

First United Building

The pink and white First United Building, formerly the Perez-Samanillo Building, is one of the few surviving examples of the Art Deco architectural style in Manila. Built in 1928 by Andres Luna de San Pedro (Juan Luna’s son), it’s awesome façade has a large amount of architectural and decorative elements.  Its central bay rises towards a crowning block rendered with a bas-relief of the Creation. Once described as Manila’s foremost business address, it prides itself with providing maximized space, abundant lighting and ventilation to its tenants.

Check out “First United Building

Regina Building

The graceful, white Neo-Classical-style Regina Building, built in 1934, its design (with traces of Renaissance Revival) also attributed to Andres Luna de San Pedro, was originally designed as a 3-storey commercial building. A fourth floor was added by Arch. Fernando H. Ocampo (founder of the UST College of Architecture and designer of the UST Central Seminary and the 8th Manila Cathedral) when the de Leon family bought the building from the Roxases. The staff of the late Sen. Vicente Madrigal (grandfather of Sen. Jamby Madrigal) rented a suite in this building.  Also on the same floor, across the hall, was the office of Madrigal Shipping, then the world’s largest tramp steamship company.

Burke Building

Further out was the Burke Building, with its simple balance lines.  Built in 1919, it was named after the cardiologist William J. Burke who introduced and installed the first electrocardiograph in the country.  Also a philanthropist, he donated the land for the street (Calle David, renamed W. Burke St. in 1990).  The first Otis elevator in the Philippines was installed in this building.

Natividad Building

The charming, Beaux Arts-style Natividad Building, one of the most beautiful landmarks in the area, is one of the oldest buildings along Escolta.  It was burned during the 1945 Battle of Manila (leaving only its exterior shell) and was later restored.  In the 1950s, this building housed the office of the Insurance Commission.  Its alluring, ivory and white-colored facade, evocative of a French café in a Parisian neighborhood, has four levels alternately decorated with arched and square windows with cornices with tooth-like dentils underneath it.

Calvo Building

The stunning, Beaux Arts-style Calvo Building, built in 1938, was also designed by Arch. Fernando Ocampo.   This 4-storey building, with its  richly-decorated facade, once housed the Philippine Bank of Commerce, the popular MV Villar Records Store and the original radio station of Robert “Uncle Bob” Stewart’s Channel 7. On its roof deck was Luisa, a popular soda fountain. Today, Mercury Drug and Tropical Hut flank the entrance to the building, with Wah Yuen Hot Pot and Seafood Restaurant in its Calle Soda side. Its mezzanine  is home to the little-known Escolta Museum.

Check out “Escolta Museum” and “Calvo Building

Across the street from the Calvo Building is the decaying and dilapidated shell of the majestic, Mesopotanian-inspired Art Deco-style Capitol Theater. Built in the 1935, this theater, designed by National Artist Arch. Juan Nakpil, had a seating capacity of 800 and an unusual double balcony.  Its lobby once mounted a beautiful wall mural by the late Filipino modernist and National Artist Victorio C. Edades. Now abandoned, it ceased operations in the late 1980s.

Capitol Theater

On the face of its western tower were bas-reliefs, evocative of Art Deco lines and curves, showing Filipinas (one holding a mask and another holding a lyre) in traje de mestiza frame and set in a tropical landscape, attributed to the Italian atelier of Francesco Ricardo Monti. The bigger, 1600-pax Lyric Theater, another Art Deco masterpiece designed by Modernist Arch. Pablo S. Antonio, was demolished in the early 1980s.

Burke Building: 321 W. Burke St., cor, Escolta St., Binondo, Manila

Calvo Building: 266 Escolta St. cor. Calle Soda, Binondo, Manila.  Tel: (632) 241-4762.

First United Building: 413 Escolta cor. David St., Binondo, Manila.

Natividad Building: Escolta cor. Tomas Pinpin St., Binondo Manila

Regina Building: W. Burke St., cor, Escolta St., Binondo, Manila

Roman S. Santos Building: Escolta cor. Yuchengco St., Binondo, Manila

Calvo Building (Escolta, Manila)

Calvo Building

The historic Calvo Building, an outstanding example of Beaux Arts architecture, is one of the remaining buildings from the earlier part of the 20th century along Escolta Street. It was designed by architect and civil engineer Fernando H. Ocampo, Sr. (of Arguille & Ocampo Architects) and inaugurated on August 14, 1938 on the land owned by the couple Angel Calvo and real estate businesswoman Emiliana Mortera Calvo.

Plaque installed by National Historical Commission of the Philippines in 2018

On November 1944, during World War II, it was temporarily used by Japanese Imperial Forces and was destroyed during the 1945 Battle of Manila and restored in 1946. On August 14, 2018, a historical marker (entitled Gusaling Calvo) was installed by the National Historical Commission of the Philippines.

Cartouche above the arched window

This 4-storey building was one of the most prestigious business addresses of its time.  Its tenants were:

  • Philippine Bank of Commerce (ground floor)
  • Lissar Commercial (ground floor)
  • Aquino-Lichauco Law Offices (second floor)
  • Offices of Araneta & Co. (third floor)
  • MV Villar Records Store – then Manila’s biggest vinyl record bar
  • Sabater Optical
  • Mareco Broadcasting – owner of 105 Crossover FM
  • Mabuhay Records – a recording company that produced albums for kundiman legends Ruben Tagalog, Sylvia dela Torre and Pilita Corrales
  • Sorriente-Santos Department Store – the first store that introduced the “buy-one-take-one” selling strategy.
  • Luisa & Son (roof deck) – a pre-war soda fountain popular with Manila’s high society.

The truncated corner

On March 1, 1950, the GMA Kapuso Network was also born at a makeshift studio at the fourth floor of the building (before moving to its present location in Diliman, Quezon City) when former American war correspondent for United Press Robert “Uncle Bob” Stewart (who eventually fell in love with a Filipina and the country as a whole) transmitted the first signal of  Republic Broadcasting System, now radio station DZBB-AM. Stewart would later expand his media enterprise into television, and Radio Broadcasting System would later be renamed GMA.

Today, Uno Seafood Wharf Palace, Mercury Drug and Tropical Hut flank the entrance to the building, with Wah Yuen Hot Pot and Seafood Restaurant in its Calle Soda side.

Old pre-World War II photo of Calvo Building without its fourth floor

Its mezzanine is home to the little-known Escolta Museum which contains memorabilia from the past.  During the post-war years, a fourth floor was added to the three-storey edifice.

Check out “Escolta Museum”

The ground floor lobby

Its front being a flagstop for the tranvia (electric tram line), it is the only building along Escolta that is pushed back. It house one of the few classic-style and rare, manually operated Otis elevators.

The richly-decorated and stunning facade at the second level has arched windows (except at the truncated corner) flanked by Ionic pilasters, above which is a cornice embellished by garlands and gracefully broken, in alternating sections, by cartouches supported by corbels above the window’s arch.

Photo of Don Angel Calvo

Calvo Building: 266 Escolta cor. Soda Sts., BinondoManila. Coordinates: 14.597141°N 120.978221°E.

How to Get There: The building is accessible from the LRT1-Carriedo station. The Pasig Ferry also has an Escolta stop.

A Tour of Valenzuela City

After the video documentary presentation on the life of Dr. Pio Valenzuela, I requested museum curator Mr. Jonathan C. Balsamo for a tour of the city’s historical sites using their open pickup.  Sandy, Mark, Ronnie and Violeta  joined us.  Jandy and Violeta stayed inside the pickup’s airconditioned cabin while Mark, Sandy, Jonathan, Ronnie and I rode on the open cargo area as we traversed the city’s very narrow streets exposed to the hot, late morning sun.

Arkong Bato

Our first stopover was at Arkong Bato (Spanish for “stone arch”), along the only road that links MacArthur Highway with the North Luzon Expressway (NLEX).  This arch was built in 1910 along the old national road passing through the old town of Polo before the construction of MacArthur Highway.  It formerly marked the boundary of Rizal (where Malabon formerly belonged) and Bulacan (where Polo formerly belonged).  Today, it marks the boundary between Brgy. Santulan (Malabon City) and Brgy. Arkong Bato (Valenzuela City).

San Gabriel House
The former Valenzuela City Emergency Hospital

We next proceeded to the old town proper and made a stopover at Liwasang Rizal, the old town plaza with its own simplified replica of the Rizal Monument (its base somewhat shorter because the plaza’s grounds were elevated through the years).  Surrounding it are the old town hall (now home to the former Valenzuela City Emergency Hospital), the San Diego De Alcala Church and the old but still wonderfully preserved, 2-storey San Gabriel house (now home to Aida Carinderia).  The latter has capiz sliding windows, intricate woodwork and double roofs typical of houses built during the Spanish and American eras.  This house should be added to the list of the city’s tourist attractions.

Church of San Diego Alcala Ruins

Beside the church are the ruins of the oldest church in Valenzuela, built by Fr. Juan Taranco and Don Juan Monsod and later expanded and completed by Fr. Jose Valencia, aided by Capt. Juan Tibay, in 1632.  In 1852, the church was fully repaired and remodelled by Fr. Vicente but was razed to the ground during World War II.  Only the octagonal bell tower and the arched main entrance have been preserved.

Gabaldon-style building of Pio Valenzuela Elementary School

From the church, we also walked to the nearby American-era, Gabaldon (named after Assemblyman Isauro Gabaldon of Nueva Ecija, author of Act No. 1801, better known as the Gabaldon Act)-style schoolhouse of Pio Valenzuela Elementary School, one of a number of heritage schoolhouses, built in the Philippines between 1907 and 1946, that follow standard plans designed by American Arch. William Parsons.

Church of San Roque

Back to our pickup, we next proceeded to the San Roque Church which dates to 1763.  The church facade has a semicircular arched main entrance flanked by statue niches and twin bell towers with pyramidal roofs.  The wall above the triangular pediment as well as the wings on the sides of the church are probably modern additions.  Our last destination in our city tour was the 2-storey Pio Valenzuela House.  The original house was, together with its antique furniture, razed during World War II.

Dr. Pio Valezuela House

The marker in front of the house erroneously identifies it as the birthplace of Dr. Pio.  He was actually born in Brgy. Tagalag, its actual location already unknown even to his relatives.  This house was where Dr. Pio lived and died.  Only a caretaker lives here.  The grounds of the house were partly flooded, a result of it being situated on one of the lowest parts of the city.  Valenzuela City is located on swampy land crisscrossed by rivers.

Historical Marker

Arkong Bato: Brgy. Arkong Bato
San Roque Church: Brgy. Mabolo
Pio Valenzuela House: Velilla St., Brgy. Pariancillo Villa