Category Archives: Historical Sites

St. Patrick’s Cathedral (New York City, U.S.A.)

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St. Patrick’s Cathedral

Our third, and final, mass in the U.S. was held at the decorated  Gothic Revival-style Cathedral of St. Patrick (commonly called St. Patrick’s Cathedral), the seat of the archbishop of the Roman Catholic Archdiocese of New York (created in 1808 and made into an archdiocese by Pope Pius IX on July 19, 1850). Held on the first Friday of July, this was our second visit to the cathedral (the first was 13 days ago) and we attended this mass to pray for a safe journey back to Manila, our flight back being just 8 hours away.

The cathedral is located on the east side of Fifth Avenue, between 50th and 51st Streets in Midtown Manhattan. Directly across the street is the Rockefeller Center and it specifically faces the Atlas statue. A prominent landmark of New York City, the land on which the present cathedral sits was purchased in 1810 and it was designed by James Renwick, Jr.  In 1976, the cathedral and its associated buildings were declared a National Historic Landmark.

Here’s some interesting trivia regarding St. Patrick’s Cathedral:

The 100.6 m. high spire

St. Patrick’s Cathedral currently has two pipe organs, both built by the firm of George Kilgen & Son of St. Louis, Missouri. They consist of more than 9,000 pipes, 206 stops, 150 ranks and 10 divisions.

The cathedral interior

The Gallery Organ,  located in the Choir Gallery below the Rose Window over the Fifth Avenue entrance and in the Triforium, near the South Transept, was edicated on February 11, 1930. It took 3 years to build at a cost of US$250,000. Designed by Robert J. Reiley, consulting architect of the Cathedral, it has one of the nation’s most glorious wood facades and is adorned with angels and Latin inscriptions. Containing 7,855 pipes, ranging in length from 32 ft. to 1/2 inch, its longest pipes run horizontally across the North and South Triforia.

The pulpit

The Chancell Organ,  located in the North Ambulatory next to the Chapel of St. Joseph, was dedicated on January 30, 1928. It has 1,480 pipes; located on the opposite side of the Ambulatory, diagonally across from the console, and is encased in a carved oak screen ornamented with Gothic elements of design and symbolism.

Stained glass windows

Here is a timeline of the cathedral’s construction:

  • On August 15, 1858, the cornerstone was laid, just south of the diocese’s orphanage.
  • Work began that same year, was halted during the Civil War,and resumed in 1865.
  • In 1878, the cathedral was completed and was dedicated on May 25, 1879.
  • In 1879, the cathedral’s first organ, composed of 4 manuals with 51 stops and 56 ranks, was built by George Jardine & Son, one of New York’s most distinguished organ builders, and installed.
  • In 1880, the archbishop’s house and rectory were, both by James Renwick, Jr.
  • In 1880, an organ by J.H. & C.S. Odell (then also from New York City), composed of 2 manuals with 20 stops and 23 ranks, was installed in the chancel.
  • An adjacent school, no longer in existence, was opened in 1882.
  • The spires were added in 1888, and at 329 feet and 6 inches (100.4 meters) were the tallest structures in New York City and the second highest in the United States.
  • From 1901 to 1906, an addition on the east, including a Lady chapel (designed by Charles T. Matthews), was constructed.
  • Between 1912 and 1930, the Lady Chapel’s stained-glass windows were made by English stained glass artist and designer Paul Vincent Woodroffe.
  • In 1927 and 1931, the cathedral was renovated, the sanctuary was enlarged and two great organs were installed.
  • In the late 1930s and early 1940s, the cathedral’s main altar area was renovated under the guidance of Archbishop (and later cardinal) Francis Spellman. The previous high altar and reredoswere removed (now located in the University Church of Fordham University). New items include the sanctuary bronze baldachin and the rose stained glass window.
  • In the 1940s and 1950s tonal changes were made on the two organs.
  • In the 1970s and 1980s, additional renovations were made on the organs by Jack Steinkampf of Yonkers, New York, particularly in the revoicing of flutes and reeds, and the addition of the Trumpette en Chamade.
  • In the 1980s, the altar was further renovated, under the direction of Cardinal John Joseph O’Connor. To be more visible to the congregation, a stone altar was built from sections of the side altars and added to the middle of the sanctuary. However, in 2013, this altar was removed.
  • In 1993, the organs underwent major restoration. new consoles for both the Gallery and Chancel Organs to replace the original ones (which had deteriorated beyond repair) were acquired. Robert Turner (of Hacienda Heights, California) constructed twin, 5-manual consoles while Solid State Logic, Ltd. of England designed and engineered the combination action. Fiber-optic wiring were used to enable both consoles to control the Gallery, Chancel and Nave Organs at the same time. In 1993, the Gallery console was finished and installed in time for Christmas Midnight Mass. In early 1994, the Chancel console was installed. In 1995, the entire Chancel Organ was restored
  • On September 15, 2007, the 10th anniversary of the organ’s renovation, the organs were blessed. The Bicentennial Concert Series was also inaugurated with a performance James E. Goettsche, the Vatican Organist.
  • In 2012, an extensive US$177 million restoration of the cathedral was begun and lasted 3 years. The exterior marble was cleaned, the stained glass windows were repaired and the ceiling was painted, among many restorations. On September 17, 2015, the restoration was completed before Pope Francis visited the cathedral on September 24 and 25, 2015.

The cathedral ceiling

Beneath the high altar is a crypt in which the nine past deceased Archbishops of New York as well as notable Catholic figures that served the Archdiocese are entombed. They include:

Plaque commemorating Pope Paul VI’s October 4. 1965 visit

The galeros of Cardinals McCloskey, Farley, Hayes and Spellman (also worn by Pope Pius XII, as Cardinal Eugenio Pacelli, until the latter’s election to the papacy at the 1939 Papal conclave) are located high above the crypt at the back of the sanctuary. In 1965, the ceremony of the consistory was revised by Pope Paul VI and therefore no galero was presented to Cardinal Cooke or any of his successors.

Plaque commemorating Pope John Paul II’s second Papal visit

Requiem Masses were said at the cathedral for the following notable people:

Special memorial Masses were also held at the cathedral for the following:

The cathedral or parts of it were featured in a number of movies, TV shows, songs and literary works:

  • The climax of Beneath the Planet of the Apes (1970), where Taylor destroyed Earth with the Alpha–Omega bomb, were set in the cathedral’s underground ruins. Centuries earlier, mutant humans surviving a nuclear holocaust founded a religion on the bomb (later depicted in Battle for the Planet of the Apes). They reconsecrated the cathedral to their new religion and installed the bomb in front of the organ pipes in place of the crucifix.
  • The TV show Futurama, Fry, Leela, et al. are visiting the sewer mutants beneath the ruins of Old New York and Fry sticks his head in the cathedral, sees the bomb, and says, “So you guys worship an unexploded atomic bomb?” A mutant replies, “Not really, it’s mostly a Christmas and Easter thing.”
  • Nelson DeMille‘s 1981 novel, Cathedral, concerning a fictional seizure and threatened destruction of the cathedral by members of the Irish Republican Army on St. Patrick’s Day, is mostly set in and around the cathedral and details of the cathedral’s structure contribute important elements to the plot.
  • The cathedral is also featured in the 1990 film Gremlins 2: The New Batch.
  • In Giannina Braschi‘s novel, Empire of Dreams (1994), the ringing of the church bells at the cathedral marks a pastoral revolution in New York City.
  • The cathedral was referenced in the song Not A Love Story by musical-theatre songwriters Kait Kerrigan and Brian Lowdermilk. 

The author and son Jandy at St. Patrick’s Cathedral

St. Patrick’s Catheral: 5th Ave, New York, NY 10022, USA.

Bell in Hand Tavern (Boston, Massachusetts, U.S.A.)

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Bell in Hand Tavern

The Bell in Hand Tavern, located in the heart of Government Center, next to Faneuil Hall Marketplace, was established by Jimmy Wilson, Boston’s last known town crier who, for 50 years,  reported on everything from the Boston Tea Party to the birth of the nation.

The author (right) with son Jandy in front of the tavern

Upon retirement, Jimmy opened a tavern in 1795 at the Exchange Coffee House in Congress Square along Elm St. (where City Hall is now) and called it, appropriately enough, The Bell and Hand. Daniel Webster, Paul Revere, and William McKinley were known to have frequented the tavern.

The historical plaque posted outside the tavern

Though touted as “America’s oldest continuously operating pub,” this bar, currently managed by Eddie and Bryna Kaplan, is housed in two floors of a three-storey building that only dates back to 1844. The sculpture of hand holding the bell dominates the middle of the bar as you entered from either Marshall Street on the right or Union Street on the left.

The circa 1844 building housing the tavern

This watering hole features typical bar fare and has five bars, karaoke on Tuesday, and live music nightly.  The uniquely designed rooms, all having a character of its own, are used for private as well as corporate functions. The interiors consist of exposed brick and traditional wood.

The tavern’s interior

Bell in Hand Tavern: 45 Union St.,  Boston, Massachusetts 02108.  Open Sundays – Thursdays 11:30 AM – midnight, and Fridays and Saturdays, 11:30 AM – 2 AM. Tel: (617) 227-2098.  Website: www.bellinhand.com. E-mail: info@bellinhandtavern.com. Coordinates:   42°21’41″N   71°3’25″W.

How to Get There:  Green/Orange Line to Haymarket

Copp’s Hill Burying Ground (Boston, Massachusetts, U.S.A.)

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Copp’s Hill Burying Ground

The historic, 12,000 sq. m. (3 acre) Copp’s Hill Burying Ground, the second (and largest) cemetery in Boston (second only to the King’s Chapel Burying Ground founded in 1630), was founded on February 20, 1659. Originally named “North Burying Ground,” it is situated on land (where a wind-powered grinding mill once stood) on Copp’s Hill (named after early settler and local cobbler William Copp whose children were buried here in the 1660s) bought by the town from John Baker and Daniel Turell.

Now named “Copp’s Hill Burying Ground” (although often referred to as “Copp’s Hill Burial Ground”), it is the final resting place of over 10,000 people (buried between 1660 and 1968) and contains more than 2,200 marked graves (60% of which date to before the American Revolution), including the remains of various notable Bostonians (29 Boston Tea Party participants and 43 Revolutionary War veterans) from the Colonial Era into the 1850s.

On January 7, 1708, the cemetery was extended when the town bought additional land from Judge Samuel Sewall and his wife Hannah (part of a  pasture which she inherited from her father, John Hull, master of the mint).  On June 17, 1775, because of its height and panoramic vista, the British used this vantage point on the southwest side to establish earthworks and train their North Battery cannons on Charlestown during the Battle of Bunker Hill. Legend has it that British troops used gravestones for target practice (many have interpreted the round scars of the Capt. Daniel Malcolm grave marker to be the result of musket balls being shot at close range).

On December 18, 1809, it was further extended when the town bought, for US$10,000, additional land from Benjamin Weld and his wife Nabby after they had bought it from Jonathan Merry, who had used it as pasture.  Ten years later, Charles Wells (later mayor of Boston) bought a small parcel of land from John Bishop of Medford which he used as a cemetery. Later, this was merged with the adjacent North Burying Ground. It is no longer possible to discern the original boundaries of the cemetery because of this complicated history.

Along the Snow Hill Street side, in a potter’s field, are many unmarked graves of more than 1,000 free  African Americans who lived in the questionably named “New Guinea” community at the foot of the hill. In addition, there are 227 tombs, most of which bear inscriptions that are still legible. In addition, the grave markers and their epitaphs of thousands of artisans and tradesmen buried here reflect the nature of the 17th and 18th century economy of the North End.

Prince Hall Memorial

Reputedly, the oldest grave stone is that of Grace Berry, wife of Thomas Berry, who according to the inscription, died May 17, 1625 (5 years before Boston was settled). The well preserved stone is of old Welsh slate with quite distinct carving; the edges are ornamented with curves and at the top are carved two cherubs and the angel of death.

Grace Berry Tomb

The tomb erected by Isaac Dupee, perhaps the most ornate monument in the ground, bears a beautifully carved coat-of-arms, together with a tribute in verse.

Isaac Dupee Tomb

The town continued to maintain the site intermittently but, by 1840, the cemetery had fallen into near disuse and, by 1878, it was badly neglected. When the Freedom Trail  created in 1951, the cemetery was not an official stop but it has since been added and is now much-frequented by tourists and photographers. In 1974, the site was added to the National Register of Historic Places. Now owned by the City of Boston Parks and Recreation Department, it is part of the Historic Burying Grounds Initiative.

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Michael Malcom Grave stone

Notable persons buried here include:

Copp’s Hill Burying Ground: 21 Hull St. cor. Snowhill St., Boston, 02113 Massachusetts, U.S.A. Tel: 617-635-4505.  Open daily. 10 AM  – 5 PM.

Paul Revere House (Boston, Massachusetts, USA)

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Paul Revere House

The Paul Revere House, the colonial home (for about 20 years) of famous legendary American patriot, famous “Midnight Rider,” silversmith, businessman and entrepreneur Paul Revere during the time of the American Revolution, is the oldest remaining structure in downtown Boston and also the only official Freedom Trail historic site that is a home.

Check out “Freedom Trail“

It occupies the former site of the Second Church of Boston’s parsonage, home to Increase Mather and Cotton Mather, which was destroyed in the Great Fire of 1676. The original three-story house, built about 1680, was first owned by Robert Howard, a wealthy a wealthy Boston slave merchant. Howard’s L-shaped townhouse contained spacious rooms and its exterior would have been enhanced by features such as a second-floor overhang and casement windows.

From 1770 to 1800, Paul Revere owned this house.  Although he and his family may have lived elsewhere for periods in the 1780s and 1790s, they lived there during the American Revolution – the most transformative and uncertain era of their generation. The rear chimney (c. 1790) including the kitchen (that visitors see in the first room they enter) were believed to have been added during the Revere occupancy.

After Revere sold the house in 1800, the home became a sailor’s boarding house for many years in the nineteenth century and, by the turn of the twentieth century, the old house had become a tenement with the ground floor remodeled for use as shops. At various times, it became a candy store, cigar factory, bank and vegetable and fruit business. In 1902, to prevent demolition, John P. Reynolds Jr. (Revere’s great-grandson) purchased the building and its restoration took place under the guidance of Joseph Everett Chandler, an architect and historic preservationist. In April 1908, the Paul Revere House opened its doors to the public as one of the earliest historic house museums in the United States.

Around the middle of the eighteenth century, the Paul Revere House went through two major and substantial renovation processes.  First, to bring the house in line with the Georgian architectural style  becoming prevalent at that time, the roofline facing the street was raised substantially.   Second, a two-story lean-to was added in the ell between the two 17th-century portions of the house. In 1907–1908, restorers returned the roofline to its original pitch, albeit without a gable (giving rise to a commonly held misconception that the attic had been removed), and the lean-to was removed.

On January 20, 1961, it was designated as a National Historic Landmark and, on October 15, 1966, added to the National Register of Historic Places. It is now operated as a nonprofit museum by the Paul Revere Memorial Association.

The main block of the three-storey house consists of four structural bays demarcated by heavy framing posts and overhead beams, all typical of early Massachusetts Bay timber construction. Within this main block, the larger ground floor room is dominated by its chimney bay and adjoining lobby entrance. As the Revere House was set quite close to neighbors, its double casement windows were installed in the rear elevation rather than the more common placement in a gable.  The two-storey extension, behind the Revere House, was unlike some contemporary Boston houses which had separate kitchen buildings. Its heavy beams, large fireplaces, and absence of interior hallways are typical of colonial living arrangements. Several pieces of furniture, believed to have belonged to the Revere family, are found at the two upstairs chambers.

Despite the renovation (which returned the house to its conjectured appearance around 1700), 90% of the structure (including two doors, three window frames, and portions of the flooring, foundation, inner wall material and raftering) is original to 1680.  However, none of the window glass is original.

In December 2016, the Paul Revere Memorial Association opened, after a purchase in 2007 and US$4 million in renovations, the new, 3,500 sq. ft. Visitor and Education Center, connected to the house by an elevated walkway.  For the first time, the renovations permitted wheelchair access to the second floor of the house. The education center provided additional exhibit space on Revere’s Midnight Ride, his work as a silversmith and his industrial work after the American Revolution.  Classrooms and a library also allowed for expanded research and educational outreach.

Immediately adjacent and across the entry courtyard (the original site of the John Barnard House) is the brick Pierce–Hichborn House.  Built about 1711 as an early Georgian house, it is also operated as a nonprofit museum by the Paul Revere Memorial Association.

Paul Revere House: 19 North Square, Boston, Massachusetts 0213.  Tel: 617-523-2338. Fax: 617-523-1775. E-mail: staff@paulreverehouse.org. Website: www.paulreverehouse.org. Admission: Adults (US$5.00), Seniors and College Students (US$4.50) and Children – ages 5-17 (US$1.00). Open Daily – Summer: April 15 – October 31 (9:30 AM to 5:15 PM), Winter: November 1 – April 14 (9:30 AM to 4:15 PM). It is closed on Mondays during January, February and March as well as Thanksgiving, Christmas and New Year’s Day. The first floor of house is accessible via the courtyard ramps while the second floor is accessed by taking the elevator in the visitor center and then connecting to the house via the walkway.

Massachusetts State House (Boston, U.S.A.)

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The Massachusetts State House (also known as the Massachusetts Statehouse or the New State House),  with its instantly recognizable golden dome, is situated on 27,000 sq. m. (6.7 acres), covering two city blocks, of land on top of the Beacon Hill neighborhood of Boston.  Located opposite the Boston Common, it is the state capitol and seat of government for the Commonwealth of Massachusetts.

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Massachusetts State House

Housing the Massachusetts General Court (state legislature) and the offices of the Governor of Massachusetts, the building was designed by architect Charles Bulfinch (for its design, he made use of two existing buildings in London: William Chambers‘s Somerset House, and James Wyatt‘s Pantheon).  Considered a masterpiece of Federal architecture and among Bulfinch’s finest works, the building, built on land once owned by John Hancock (Massachusetts’s first elected governor), has repeatedly been enlarged since.

The author at the Bullfinch Entrance

Here is the historical timeline of the building:

  • On July 4, 1795, the Masonic cornerstone ceremony, presided by Paul Revere (Deputy Grand Master of the Grand Lodge of Massachusetts) took place.
  • It was completed in January 1798 at a cost of $133,333 (more than five times the budget). Before its completion, Massachusetts’s government house was the Old State House on what is now Washington Street.
  • In 1802, the leaking original wood dome was covered with copper sheathing by Paul Revere‘s Revere Copper Company. Revere was the first American to roll copper successfully into sheets in a commercially viable manner.
  • In 1895, the original building was expanded with an annex designed in the Italian Renaissance Revival style by Bostonian architect Charles Brigham.
  • In 1917, the east and west wings, designed by architects Sturgis, Bryant, Chapman & Andrews, were completed.
  • In 1874, the dome was first painted gray and then light yellow before being gilded with 23 karat gold leaf.
  • During World War II, the dome was painted gray once again, to prevent reflection during blackouts and to protect the city and building from bombing attacks.
  • On December 19, 1960, the building was designated as a National Historic Landmark for its architectural significance.
  • On October 15, 1966, it was added to the National Register of Historic Places (NRHP).
  • In 1997, at a cost of more than $300,000, the dome was re-gilded, in 23k gold.

The golden dome

The building’s red brick walls, white pillars and trim, and golden dome catch the sun in every season. The dome is topped with a gilded, wooden pine cone which symbolizes both the importance of Boston’s lumber industry, during Early Colonial times, and of the state of Maine, which was a district of the Commonwealth when the Bulfinch section of the building was completed.

General Hooker Entrance

In front of the building, on the grounds below the central colonnade,  are the equestrian statue of American Civil War General Joseph Hooker  (done by renowned Massachusetts sculptor Daniel Chester French) as well as those of orator Daniel Webster (sculpted in bronze by Hiram Powers in 1858) and educator and statesman Horace Mann (dating from 1865, it was sculpted by Emma Stebbins).

Equestrian statue of Gen. Joseph Hooker

On the west wing plaza is the statue of former US President John F. Kennedy (designed by Isabel McIlvain, it was dedicated on May 29, 1990) while on the lawns below the two State House wings are the somber statues of Anne Hutchinson (sculpted by Cyrus Edwin Dallin in 1922) and early Boston Quaker Mary Dyer, both religious martyrs of Colonial days,. Inside the building is a statue of William Francis Bartlett, an officer in the American Civil War.

Statue of Mary Dyer

Massachusetts State House: 24 Beacon Street, Boston, Massachusetts 02108. Tel: (617) 727-3676. Open Mondays to Fridays, 8 AM – 6 PM.  Coordinates: 42°21′29.4″N 71°3′49.3″W.

King’s Chapel (Boston, Massachusetts, U.S.A.)

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King’s Chapel

The King’s Chapel, proudly one of the 16 historic sites (the fifth stop) on Boston’s Freedom Trail, is housed in what was formerly called the “Stone Chapel,” an 18th-century structure. The chapel, an independent Christian unitarian congregation affiliated with the Unitarian Universalist Association and the first Anglican church in colonial New England and overwhelmingly Puritan Boston, was founded on June 15, 1686 by Royal Governor Sir Edmund Andros  during the reign of King James II. Notable members and attendees included George Washington, Paul Revere, Thomas Hutchinson, Charles Sumner, Charles Bulfinch, Oliver Wendell Holmes  and many more.

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The exterior columns of chapel colonnade

The chapel was originally a wooden church built in 1688. The present larger stone (made with Quincy granite) chapel building, started in 1749 (its cornerstone was laid on August 11) and completed in 1754, was built around the wooden church.

One of the finest designs of the noted colonial architect Peter Harrison (dubbed as “America’s first architect”) of Newport, when the stone church was completed, the wooden church was disassembled, removed through the windows of the new church and the  wood shipped to Lunenburg, Nova Scotia where it was used to construct St. John’s Anglican Church.

National Historic Landmark Plaque

During the American Revolution, the chapel sat vacant or a few short months as Loyalist families left for Nova Scotia and England, but reopened, following the loss of its minister (the Rev. Henry Caner), for the funeral of Gen. Joseph Warren who was killed at the Battle of Bunker Hill (June 17, 1775). In 1782, those who remained reopened the church. In 1960, the chapel was designated a National Historic Landmark  for its architectural significance. On Halloween night of 2001, the church was destroyed by fire but has since been rebuilt.

The chapel’s magnificent interior

The chapel bell, cast in England and hung in 1772, cracked in 1814 and was recast by Paul Revere (the largest bell cast by the Revere foundry and the last one cast by Paul Revere himself) and rehung. Ever since, it has been rung during Sunday morning services.

Plaque commemorating congregation members who died during the American Civil War

The exterior columns of the colonnade (completed after the American Revolution), which appear to be stone, are, in fact, wood painted in a cost-saving trompe-l’oeil.

Plaque commemorating congregation members who died during World War I and World War II

The magnificent interior, considered the finest example of Georgian church architecture in North America, features wooden columns which have Corinthian capitals hand-carved, in 1758, by William Burbeck and his apprentices.

The wooden columns with hand-carved Corinthian capitals

The current uniform appearance of the seating, in box pews, dates from the 1920s. The pews were mostly originally owned by the member families who paid pew rent and decorated the pews according to their personal tastes.

The box pews

The chapel first organ was acquired in 1723. The present organ, the chapel’s sixth, was built by C.B. Fisk in in 1964. Decorated with miters and carvings from the Bridge organ of 1756, it is slightly below average in size compared with most mid-1900s European chapel organs.

Within the King’s Chapel is a monument to London merchant Samuel Vassall, brother of the colonist William Vassall (who frequently clashed with John Winthrop, and eventually removed himself to Scituate, Massachusetts), a patentee of the Massachusetts Bay Company (also named a member of the company in its 1629 Royal Charter), an early deputy of the Massachusetts Bay Colony and a Member of Parliament (1640–1641) representing London.

Monument to London merchant Samuel Vassall

Kings Chapel: 58 Tremont Street cor. School Street, Boston, Massachusetts, MA 02108,  U.S.A. Open daily, 10 AM – 4:30 PM.  Tours: 10 AM to 5 PM, Mondays through Saturdays; and 1:30 PM to 5 PM on Sundays. Tel:+1 617-523-1749. Website: www.kings-chapel.org.

Boston Common (Massachusetts, USA)

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Boston Common

The 20-hectare (50-acre) Boston Common (also known as the Common), a central public park in downtown Boston, is bounded by Tremont Street (139 Tremont St.), Park Street, Beacon Street, Charles Street, and Boylston Street.  The Common is part of the Emerald Necklace of parks and parkways that extend from the Common south to Franklin Park in Jamaica Plain, Roxbury and Dorchester.

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The southern end of Boston’s Freedom Trail, a visitors’ center for all of Boston is located on the Tremont Street side of the park. This public park, forming the southern foot of Beacon Hill, is managed by the Boston Park Department and cared for by Friends of the Public Garden, a private advocacy group which also provides additional funding for maintenance and special events.

Here are some interesting trivia regarding this park:

Boston Common originally included the entire block northeast of where Park Street is now, bounded by Beacon Street and Tremont Street. In 1660, the Granary Burying Ground was established on this land as part of the Common but, in 1662, the land was separated from the Common.  The southwest portion of the block, including the Granary and a house of correction, was taken for public buildings and the north portion of the block was used for housing.

The Site of Fox Hill Plaque – erected in 1925 to the southern pillar of the Charles Street gate to mark the site of one of the most prominent features of the early Common.

Here is a historical timeline of the park:

  • In 1634, the Puritan founders of the Massachusetts Bay Colony bought the land from William Blaxton (often given the modernized spelling “Blackstone”), the first European settler of Boston.
  • During the 1630s, it was used by many families as a cow pasture.
  • Before the American Revolutionary War, the Common was used as a camp by the British.  From here they left for the Battle of Lexington and Concord.
  • Up until 1817, it was used for public hangings(most of which were from a large oak which was replaced with a gallows in 1769).
  • On June 1, 1660, for repeatedly defying a law that banned Quakers from the Colony, Quaker Mary Dyer (one of the four Quakers, known as the Boston martyrs, executed on the Common) was hanged there by the Puritans.
  • On May 19, 1713, in reaction to a food shortage in the city, 200 citizens rioted on the Common, later attacking ships and warehouses of wealthy merchant Andrew Belcher, who was exporting grain to the Caribbean for higher profits. During the riot, the lieutenant governor was shot.
  • Since 1728, Tremont Mall, the first recreational promenade (an imitation of  James’s Park in London), had been in place.
  • In 1804, the bordering Sentry Street was renamed Park Place (later to be called Park Street), acknowledging the reality of its becoming a park (renaming the Common as Washington Park was also proposed).
  • In 1830, Mayor Harrison Gray Otis formally banned cows from grazing on it. True park status seems to have emerged during that time.
  • By 1836, an ornamental iron fence fully enclosed the Common and its five perimeter malls or recreational promenades.
  • In 1913 and 1986, prehistoric sites were discovered on the Common indicating Native American presence in the area as far back as 8,500 years ago
  • In 1977, the Common was designated as a Boston Landmark by the Boston Landmarks Commission.
  • On February 27, 1987, it was declared a U.S. National Historic Landmark.
  • On August 27, 2007, two teenagers were shot on the Common (one of the bullets fired during the shooting struck the Massachusetts State House). A strict curfew has since been enforced, which has been protested by the homeless population of Boston.

Blackstone Memorial Tablet, near the corner of Park Street and Tremont Street, was designed and erected in 1913 by R. Clipston Sturgis. It recalls the founding of Boston Common in 1634.

Today, the Common serves as a public park for all to use for formal or informal gatherings. Events such as concerts, protests, softball games, and ice skating (on Frog Pond) often take place in the park. Notable formal or informal gatherings that took place here include:

  • In early 1965, a hundred people gathered on the Common to protest the Vietnam War.
  • On April 23, 1965, Dr. Martin Luther King Jr. delivered a speech here to protest racial imbalance in schools and housing.
  • On October 15, 1969, a second Vietnam War protest happened here, this time with 100,000 people protesting.
  • On August 31, 1967, Judy Garland gave her largest concert ever (100,000+) on the Common.
  • On October 1, 1979, Pope John Paul II said mass to an estimated 400,000 people.
  • On May 31, 1990, on his way to Washington D.C. to sign agreements with U.S. President George H.W. Bush, Mikhail Gorbachev gave a speech in the Common.
  • On October 21, 2006, 30,128 Jack-o’-lanterns were lit simultaneously around the park at the Life is good Pumpkin Festival, setting a new world record. The previous record, held by Keene, New Hampshire since 2003, was 28,952.
  • On January 21, 2017, approximately 175,000 people marched from the Common to the Back Bay vicinity to profess resistance to the perceived anti-women viewpoints held by president Donald Trump.
  • On August 19, 2017, in the wake of events in Charlottesville, VA the week before, approximately 40,000 people marched from Roxbury Crossing to Boston Common to protest hate speech and white supremacy. A right-wing “Free Speech” rally had been planned on Boston Common, which some feared would draw members of the KKK, Neo Nazis and other hate groups. Boston Mayor Marty Walsh deemed the “Fight Supremacy” counter protest a great success.

Boston Common Frog Pond, renowned for its winter skating program and skating activities, features public skating, skating lessons, and skating programs for students.

The Boston Common Frog Pond, sitting at the heart of Boston Common, is managed by The Skating Club of Boston in partnership with the City of Boston.  It is home to a winter ice skating rink and learn-to-skate school, a reflecting pool in the spring and fall, and a summer spray pool and children’s carousel. At the southwest corner of the Common lie softball fields.

John Paul II Plaque

A grassy area, forming the western part of the park, is most commonly used for the park’s largest events. Under this part of the Common lies a parking garage.  A granite slab there commemorates Pope John Paul II‘s October 1, 1979 visit to Boston.

Robert Gould Shaw Memorial

The Robert Gould Shaw Memorial, a bronze relief sculpture unveiled on May 31, 1897 by Augustus Saint-Gaudens, stands at 24 Beacon cor. Park Street, the northeast corner of the Common, opposite the State House It depicts Col.  Robert Gould Shaw leading the Afro-American 54th Massachusetts Volunteer Infantry as it marched down Beacon Street on May 28, 1863.

The 126-ft. high, Neo-Classical Soldiers and Sailors Monument, a victory column on Flag Staff Hill in the Common, was designed by Martin Milmore.  Erected in memory of Massachusetts soldiers and sailors who died in the American Civil War, its construction began in 1874 and the monument was dedicated on September 17, 1877.

Soldiers & Sailors Monument

The Boston Massacre Memorial, dedicated November 14, 1888, was designed by Robert Kraus.  The bas relief depicts the events before the Old State House on March 5, 1770, featuring Crispus Attucks, the first to fall. The bronze figure represents Revolution breaking the chains of tyranny.

One of four 8 foot high carved granite figures, at the Soldiers and Sailors Monument, representing the northern, southern, eastern and western sections of the reunited nation

The Oneida Football Monument memorializes the Common as the site of the first organized football games in the United States, played by the Oneida Football Club in 1862.  Plaque to the Great Elm tree celebrates the legacy and importance of the Great Elm Tree to the Boston Common.  A major storm that included heavy winds toppled it on February 15, 1876.

Brewer Fountain

The 6.7-m. (22-ft.) tall, 6,800-kg. (15,000-pound) Brewer Fountain, standing near the corner of Park and Tremont Streets, by Park Street Station, is a bronze fountain cast in Paris and gifted to the city by Gardner Brewer. It began to function for the first time on June 3, 1868.

Memorial to the Nurses of the Armed Services

The Boylston and Park Street stations, the first two subway stations in the Western Hemisphere, lie underneath the southern and eastern corners of the park, respectively.  Both stations have been in near-continuous operation since the opening of the first portion of the Tremont Street Subway (now part of the MBTA‘s Green Line) on September 1, 1897.

Royal Navy Plaque, installed on the western entrance to Boston Common, bordering the Public Garden, is a token of gratitude from the Royal Navy to the people of Boston, for their hospitality during World War II.

The Parkman Bandstand, in the eastern part of the park, is used in musical and theatrical productions, concerts, rallies, and speeches. Recent notable gatherings include the Boston Freedom Rally and a 2007 Presidential Primary rally in which both Barack Obama and Deval Patrick gave speeches from the bandstand. It was built in 1912 from a design by Derby, Robinson & Shephard at a cost of $1 million on the site of the Cow Pond (also known as the Horse Pond).  It was restored in 1996. 

Parkman Bandstand

Boston Common: 139 Tremont St, Boston, Massachusetts 02111. 

Park Street Church (Boston, Massachusetts)

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Park Street Church

The Park Street Church, an active, thriving missionary-centered Conservative Congregational church with 2,000 in Sunday attendance and around 1,000 members, is a historical stop on the Freedom Trail located next to the historic Granary Burying Ground.

Check out “Freedom Trail“

Its cornerstone was laid on May 1, 1809 and its construction, under the guidance of architect Peter Banner (his design is reminiscent of St. Bride’s Church in London by famous British architect Christopher Wren), chief mason Benajah Young  and woodcarver Solomon Willard, was completed by the end of the year. On January 10, 1810, it had its first worship service.

The church became known as “Brimstone Corner,” in part because of the fervent missionary character of its preaching and, in part, because of the gunpowder stored in its crypt (which gave off a ferocious smell of sulfur) during the War of 1812.

The church’s beautiful white steeple, a landmark visible from several Boston neighborhoods, rises to 66 m. (217 ft.), making the church the tallest building in the United States from 1810 to 1828. The red brick façade has white accents.  There is a little museum on the first floor.

The church is the site of a number of historical events:

Park Street Church: 1 Park St. cor. Tremont St., Boston, Massachusetts 02108. Tel: (617) 523-3383.  Website: www.parkstreet.org. Open Wednesdays – Fridays, 9:30 AM -3 PM. Worship services: Sundays 8:30 AM, 11 AM and 4 PM. Admission is free.

How to Get There: The church located right across from the Park Street subway stop (Red Line) at the edge of Boston Common.

Freedom Trail (Boston, Massachusetts, U.S.A.)

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Bunker Hill Monument

The iconic Freedom Trail, a unique collection of explanatory ground markers, museums, notable churches, meeting houses, burying grounds, parks, a historic naval frigate, and historic markers that tell the story of the American Revolution and beyond, is a 2.5-mile (4-km.) long path through downtown Boston, Massachusetts, that passes by 16 locations significant to the history of the United States. Marked largely with brick, it winds between Boston Common to the Bunker Hill Monument in Charlestown.

Old State House

Old North Church

Park Street Church

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Overseen by the City of Boston’s Freedom Trail Commission, the Freedom Trail is supported, in part, by grants from various nonprofits and foundations, private philanthropy, and Boston National Historical Park.

Copp’s Hill Burying Ground

Granary Burying Ground

Check out “Copp’s Hill Burying Ground” and “Granary Burying Ground” 

While most of the sites are free or suggest donations, the Old South Meeting House, the Old State House, and the Paul Revere House charge an admission fee.

Boston Common

Author and son Jandy at Boston Massacre Site

In 1951, local journalist William Schofield suggested building a pedestrian trail to link important local landmarks and Boston mayor John Hynes decided to put Schofield’s idea into action.

Faneuil Hall

Massachusetts State House

Check out “Massachusetts State House“

The official trail sites are (generally from south-to-north):

  1. Boston Common (139 Tremont St.) – dating from 1634, it is the oldest city park in the city.
  2. Massachusetts State House – designed by noted architect Charles Bulfinch and completed in 1798, it the state capitol and seat of government for the Commonwealth of Massachusetts.
  3. Park Street Church – built in 1809, it is an active Conservative Congregational church in Downtown Boston
  4. Granary Burying Ground – Boston’s third-oldest cemetery, founded in 1660,it is the final resting place for many notable Revolutionary War-era patriots, including Paul Revere, the five victims of the Boston Massacre, and three signers of the Declaration of Independence: Samuel Adams, John Hancock, and Robert Treat Paine.
  5. King’s Chapel and Burying Ground – completed in 1754, the chapel is one of the finest designs of the noted colonial architect Peter Harrison.  The Burying Ground is the oldest cemetery in the city.
  6. Benjamin Franklin statue and former site of Boston Latin School
  7. Old Corner Bookstore
  8. Old South Meeting House (where the Boston Tea Party began in 1773) – 310 Washington St, Boston, MA 02108, USA. Open 9:30 AM – 5 PM. Admission: adults (US$5), children under 5 years are free.
  9. Old State House (the original seat of colonial government & later state capitol, today housing historical exhibits) – 206 Washington St, Boston, MA 02109, USA. Open 9 AM – 5 PM. Admission: adults (US$10), children 6-18 years are free.
  10. Site of the Boston Massacre – site of a confrontation, on March 5, 1770, in which British soldiers shot and killed several people while being harassed by a mob
  11. Faneuil Hall – a marketplace (open 11AM -7PM) and a meeting hall since 1743, it was the site of several speeches by Samuel Adams, James Otis, and others encouraging independence from Great Britain.
  12. Paul Revere House – the colonial home (for about 20 years) of famous legendary American patriot, famous “Midnight Rider,” silversmith, businessman and entrepreneur Paul Revere during the time of the American Revolution
  13. Old North Church – built in December 1723, itis the location from which the famous “One if by land, and two if by sea” signal is said to have been sent.
  14. Copp’s Hill Burying Ground – established in 1659, it is the city’s second cemetery.
  15. USS Constitution (interactive museum near the 1797 wooden frigate made famous as “Old Ironsides” in the War of 1812) – Building 22, Charlestown Navy Yard, Charlestown, MA 02129, USA. Open 9 AM – 6 PM. Admission: suggested donation of US$5-$10 for adults, US$3-$5 for children.
  16. Bunker Hill Monument – erected between 1825 and 1843,commemorate the Battle of Bunker Hill, which was among the first major battles between British and Patriot forces in the American Revolutionary War, fought there June 17, 1775.

The Black Heritage Trail crosses the Freedom Trail between the Massachusetts State House and Park Street Church. The Boston Irish Famine Memorial is also located along the Freedom Trail.

King’s Chapel

Paul Revere House

Check out “Paul Revere House“

The National Park Service, via a visitor’s center, offer tours, provide free maps of the Freedom Trail and other historic sites, and sell books about Boston and United States history.

USS Constitution

Check out “The USS Constitution – Old Ironsides“

Boston Common Visitor’s Center: 139 Tremont St., Boston, Massachusetts 02111.  Website: www.thefreedomtrail.org. Open Mondays –Fridays, 8:30 AM – 5PM, and Saturdays & Sundays,
9AM – 5PM.

The Copley Place Visitor Information Center: Copley Place Mall (center court), 100 Huntington Ave., Boston, Massachusetts  02116.  Open Mondays – Saturdays, 9AM – 8PM, and Sundays, 9AM – 6PM.

Donald W. Reynolds Center for American Art and Portraiture (Washington D.C., U.S.A.)

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The Donald W. Reynolds Center for American Art and Portraiture, actually a collection of institutions housed in the historic, gloriously renovated Old Patent Office Building, served as one of the earliest United States Patent Office buildings.  Here, Neo-Classicism meets 21st-century exuberance.

The Donald W. Reynolds Center for American Art and Portraiture

Covering an entire city block defined by F and G Streets and 7th and 9th Streets NW, just south of  Chinatown in downtown Washington, it now houses two Smithsonian Institution museums – the National Portrait Gallery and the Smithsonian American Art Museum.

The building’s Greek Rival-stye facade

It also houses the Lawrence A. Fleischman Gallery of the Archives of American Art; an art conservation facility (Lunder Conservation Center); an enclosed, 28,000-sq. ft. courtyard (Robert and Arlene Kogod Courtyard); a 20,400 sq. ft. open storage facility (Luce Foundation Center); a new 356-seat underground auditorium (Nan Tucker McEvoy Auditorium) and other operations within the Old Patent Office complex. By the end of 2007, more than 786,000 people had visited the two museums and, 10 years later, during the time of my visit, 1.3 million people have visited the place.

Check out “Donald W. Reynolds Center for American Art – National Portrait Gallery” and Portraiture and “Donald W. Reynolds Center for American Art and Portraiture – Smithsonian American Art Museum”

Before it became what it is today, through the Civil War and into the post-war period, the building was once home to many early government departments. It was used as a hospital, and The Bureau of Indian Affairs, the General Land Office, and the Bureau of Pensions jointly occupied the building with the Patent Office.

National Portrait Gallery

Both Clara Barton and American poet Walt Whitman worked as nurses there during the American Civil War. From 1854 to 1857, Barton worked in the building as a clerk to the Patent Commissioner, the first woman federal employee to receive equal pay. From January 24 to June 30, 1865, Waltman, who frequented “that noblest of Washington buildings” and read to wounded men, worked in Bureau of Indian Affairs before being fired for having a copy of Leaves of Grass in his desk.

Smithsonian American Art Museum

Here is the historical timeline of the building:

  • In 1836, construction of the building was started.
  • In 1851, architect Robert Mills was summarily dismissed as Congressional committees questioned his competence and his insistence on design changes that inserted unnecessary supporting columns and tie-rods. Construction continued under the direction of Thomas U. Walter, one of Mills’ harshest critics
  • During the Civil War, the building was turned into military barracks, hospital, and morgue. Wounded soldiers lay on cots in second-floor galleries, among glass cases holding models of inventions that had been submitted with patent applications.
  • In 1865, the building was completed
  • In March 1965, it was chosen as the venue for Lincoln’s Second Inaugural Ball.
  • In 1877, the building’s west wing suffered a fire, destroying some 87,000 patent models
  • From 1877–1885, it was restored by Adolf Cluss in the style he termed “modern Renaissance.”
  • In 1887, the Bureau of Pension moved to the new  Pension Bureau Building.
  • In 1898, the General Land Office and the Bureau of Indian Affairs vacated the building.
  • In 1932 the United States Civil Service Commission and the Government Accounting Office occupied the building after the Patent Office vacated it.
  • In 1942, the Government Accounting Office vacated the structure after its new headquarters nearby was complete.
  • In 1952, legislation to tear down the building and sell the land so a private parking garage could be built on the centrally located site was introduced in Congress in the waning days of the 82nd United States Congress but did not pass.
  • On March 21, 1958, Congress unanimously passed legislation authorizing the transfer of the building to the Smithsonian for a national art museum. President Dwight Eisenhower signed the legislation a few days later. Congress appropriated $33.5 million for the renovation.
  • In 1962, Congress passed legislation establishing the National Portrait Gallery
  • In November 1963, the Civil Service Commission moved out of the structure.
  • Starting in 1964, the Faulkner, Kingsbury & Stenhouse firm of architects supervised the renovation of the interior as museum space.
  • In November 1964, preparations for the buildings renovation began
  • On January 12, 1965, the building was designated as a S. National Historic Landmark.
  • By May 1965, the Grunley, Walsh Construction Co. began demolition of non-historic interior structures.
  • On October 15, 1966, it was added to S. National Register of Historic Places (NRHP reference No. 66000902).
  • By April 1968, the $6 million renovation was complete
  • In January 1968, the National Museum of American Art (now the Smithsonian American Art Museum) and the National Portrait Gallery opened. The north wing housed the art museum and the south wing housed the portrait gallery. Office space and a cafe occupied the east wing. The center courtyard had outdoor eating space for the cafe and several large trees.
  • In 1970, the renovation won the American Institute of Architects National Honor Award.
  • In 1995, the Smithsonian revealed that the building was in serious disrepair. The roof leaked, netting had to be placed in some galleries to catch falling ceiling plaster, window frames were rotting, the floor tiles in the Great Hall were crumbling, and the exterior facade was so degraded it was shedding fist-sized pieces of rock.
  • In January 1997, the Smithsonian announced that the building would close in January 2000 for a two-year, $42 million renovation (the estimated cost of the renovation then grew, initially in 2000 to $110-120 million). Hartman-Cox Architects was hired to oversee the conservation and repair. To be restored were the porticos modeled after the Parthenon in Athens, a curving double staircase, colonnades, vaulted galleries, large windows, and skylights as long as a city block.
  • Just three years later, as the renovation was about to begin, the cost of repairs had risen to $110 million to $120 million.
  • Prior to the building’s closure in January 2000, a decision was reached to allot about one-third of the building’s total space to the National Portrait Gallery while simultaneously eliminating the informal north–south division between the National Portrait Gallery and Smithsonian American Art Museum. The Smithsonian resolved the dispute practically – Art that best fit an exhibition space got it. Modern art, which often tends toward large canvases, was installed on the high-ceilinged third floor.
  • By March 2001, as the cost of the renovation rose to $180 million, Nan Tucker McEvoy (a California newspaper heiress and arts patron) donated $10 million for the renovation.
  • Later in 2001, the Henry Luce Foundation gave another $10 million.
  • In June 2001, reconstruction costs were estimated at $214 million.
  • In July 2001, the reopening was pushed back even further to July 2006.
  • In 2003, the government increased its contribution to $166 million and more than $40 million in private funds had been raised.
  • In August 2003, Congress approved a major change to the renovation design – adding a glass roof to the open courtyard in the center of the Old Patent Office Building.
  • In March 2004, the Smithsonian announced that architect Norman Foster of Foster and Partners would design the glass canopy.
  • In early November 2004, the National Capital Planning Commission(NCPC), which has statutory authority to approve all buildings and renovations in the D.C. metropolitan area, approved the preliminary design for the glass canopy.  That same month, real estate development executive Robert Kogod and his wife, Arlene (heiress to Charles E. Smith Construction fortune) donated $25 million to complete the canopy. By then, costs had risen to $298 million. $60 million in private funds still needed to be raised.
  • In January 2005, the United States Commission of Fine Arts, an advisory commission on design, approved the canopy.
  • In April 2005, the Smithsonian said that the canopy would not be ready by the time the museum reopened in July 2006, and would be installed in 2007.
  • On June 2, 2005, the the National Capital Planning Commission (NCPC) reversed its preliminary approval of the canopy
  • On August 4, 2005, the Smithsonian brought five alternatives to the NCPC.
  • On September 8, 2005, the NCPC reversed itself yet again, and approved one of the revised designs. The delay cost the Smithsonian $10 million.
  • In October 2005, the Donald W. Reynolds Foundation made a $45 million donation to the NPG to finish both the building renovation and the canopy. The Smithsonian agreed to call the two museums, the conservation center, courtyard, storage facility, and other operations within the Old Patent Office complex the “Donald W. Reynolds Center for American Art and Portraiture” in appreciation for the gift.
  • On July 1, 2006, after undergoing extensive renovations, the building and the Smithsonian American Art Museum was reopened. The total cost of the building’s renovation was $283 million.
  • In just two months, attendance at the renovated building rose significantly to 214,495.
  • On October 7, 1968, the National Portrait Gallery opened to the public.
  • In September 2007, video security cameras were hastily installed to stop vandalism as some patrons spit on art they did not like, while others kissed or touched some paintings.

Luce Foundation Center

The massive building, designed in the Greek Revival style by architect Robert Mills and Thomas U. Walter, took 31 years to complete. Mills spanned the interior spaces with masonry vaulting without the use of wooden beams. Skylights and interior light courts filled the spaces with daylight. It has a sandstone and marble façade, and a central portico modeled after the the Parthenon of Athens, a departure in Washington where previously ambitious public buildings had been based on Roman and Renaissance precedents.

The Donald W. Reynolds Center for American Art and Portraiture: 8th and F St. NW, Washington, D.C. 20001.  Tel: 202.633.1000 (recorded information/live voice).  E-mail:  info@si.edu.  Website:   www.si.edu/visit.  Coordinates: 38.89778°N 77.022936°W