Category Archives: PLACES OF INTEREST

Banaue Grand Terrace Viewpoint (Ifugao)

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After breakfast at Halfway Lodge, we all returned to our jeepney and traveled 3 to 4 kms. (25-mins.) uphill from the town, along the Banaue-Bontoc Rd., to the Banaue Grand Terrace Viewpoint, one of three viewpoints in the town.  The other 2 viewpoints are the NFA Viewpoint and the Dayanara Viewpont, named after 1994 Ms. Universe and former Aga Muhlach girlfriend Dayanara Torres (who later married singer Marc Anthony but has since been divorced).  This would be my first visit to the place as, during my first 2 visits , I just used the town as a jump-off point to Batad Rice Terraces. Besides, the town’s undulating tin roof tops and overhead, tangled electrical wires, weren’t exactly an endearing sight for me.

This popular photo spot, situated on top of a plateau at the outskirts of the town, affords a perfect view of the 2,000 year old, man-made and iconic Banaue Rice Terraces (the one we see in books, magazines, postcards and the PhP1,000 bill) and the magnificent valley to the poblacion. 

Though not included in the UNESCO World Heritage Site inscription, due to the presence of numerous modern structures around the area (making it score low in the integrity criterion of UNESCO), these rice terraces are still a National Cultural Treasure under the Ifugao Rice Terraces.  The early morning cast an extra dimension to the rice terraces. The terraces, on a rather steep incline, occupy a narrow, high spur in the mountain. The best time to see these rice terraces is from February to May when it is least likely that the views will be obscured by fog or clouds. 

View of the town proper from the viewpoint

Elderly, smiling Ifugaos often come here in full tribal regalia and tourists can pose for the camera with them, for a fee or donation of course, or you can be dressed in partial tribal regalia (headgear and shawl) then leave a small donation for its use.  

Dressed up in tribal gear

At the viewpoint are a number of roadside souvenir shops crowded in a small area. They sell a variety of handcarved woodwork, from the iconic bul-ol (rice gods placed in village huts and granaries), spears, canes to Chinese dragons.  They also sell food (strawberry jams and preserves, peanut brittle, wine, etc.), textiles (sweaters, caps, T-shirts, shawls, etc.), ref magnets, trinkets, furniture and basketry.

Also with the area was an inn (the 3-storey Viewpoint Valley Inn) and a restaurant (Banaue Heritage Cafe & Restaurant).

Viewpoint Valley Inn
Banaue Heritage Cafe & Restaurant

There were also wooden scooters on display.  One in particular, with the ornate dragon design, caught our fancy.  We each took poses (at PhP10 per shot) on this scooter.  Also, if we wanted to, we could have taken it on a test drive (for PhP50) down the road but the absence of a built-in brake held me back.

Trying out the dragon scooter

Arrival in Banaue (Ifugao)

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Our bus arrived arrived at Banaue town proper by 7:30 AM, a full hour past the normal 9-hr. trip it would take from Manila. This would be my third visit to the town and the second for Jandy who first visited it last April 11, 1998, nearly 15 years ago (he was just 12 years old at the time). Upon alighting from our bus, we boarded a chartered jeepney that took us to the nearby 2-storey Halfway Lodge where we were to have breakfast at its big, ground floor restaurant.

Jandy and I with (L-R) Jessica, Joy. Desiree and Jasmin

Breakfast was nothing out of the ordinary: an omelet, pork tocino and fried fish plus 3-in-1 coffee but what was unusual, at least to the first timers in this part of the country, was the aromatic tasty and healthy native kintuman (called tinawon in Kalinga) the red rice grown at rice terraces.  This same rice is fermented to produce tapuy (rice wine).  A kilo of this rice sells for PhP85-90.

Halfway Lodge Restaurant

The lodge also has two single rooms and 13 double rooms with ensuite bath or common bath, all capable of accommodating various-sized groups (PhP500 for single person, PhP800 for 2 people and PhP250/head for groups).  Their rooms are said to have no outlets though and you have to charge your electronic gadgets (cellular phones, laptops, etc.) for a fee.  The restaurant balcony had a great view of the town, rice terraces and the Ibulao River (crossed by a hanging bridge).

Kintuman
Pork tocino
Fried fish
Omelette

Halfway Lodge and Restaurant: Poblacion, Banaue, Ifugao. Tel: (074) 386-4082.  Mobile number: (0915) 465-8921 and (0919) 614-2266.  Website: www.banauehalfwaylodge.com.

Enroute to Banaue (Ifugao)

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Jandy and I were supposed to go on a beach camping and island hopping tour in Pagbilao (Quezon) but, at the last minute, my companions backed out and we were left with the possibility of, for the first time in a long while, of spending Holy Week at home.  While on Facebook come Wednesday morning, Ms, Violeta Imperial of Nature Awareness and Conservation Club appeared on chat and ask me where I was spending the holidays and, of course, I answered “nowhere.”  She offered her Sorsogon whale shark watching tour but, wanting to escape the oppressive heat of the city, inquired, instead, about her Sagada/Banaue tour.  There was only one slot left but Violet offered to check if there were Ohayami Bus (the only bus company plying the Manila-Banawe route) seats still on offer.    After about an hour, she told me I was in luck as the bus company had some “chance passenger” seats.

Our tour group

I returned to my usual packing, this time replacing beach wear with cold weather attire (jackets, woolen caps, etc.).  With our backpacks and a take-out Jollibee dinner and half a dozen Krispy Kreme doughnuts, Jandy and I were  brought to the bus terminal by my daughter Cheska and her boyfriend Marve by 8 PM.  Here, we met up with Ms. Jocie Dimaculangan, our tour coordinator, who also had, in her care, sisters Jessica and Jasmin Bez, Ms. Joy J. Tenedero, Ms. Desiree R. Benitez, Ms. Long R. Garcia, Ms. Eureka Joy Bueno, Ms. Diosa Diaz, married couple Lilia Kristina and Aldrin Tejada; and Mr. Donald Jesus G. Danao.

Our Ohayami bus

We soon boarded our bus and Jandy took his assigned seat while I waited for my “chance passenger seat” which turned out to be a plastic monobloc chair placed at the center aisle (there were 6 of us seated that way).  Truly, a first for me.  Our supposed-to-be 9 PM bus left the terminal by 9:30 PM and it had to negotiate holiday traffic to make it to the North Luzon Expressway (NLEX).  It was lights out by then and everybody on the regular seats were soon asleep.  It was a different case for us “chance passengers” as we had to stay awake in case the bus suddenly speeds up or stops.  How I envied the others. Jandy and I were soon wrapped up in our jackets and woolen caps as the bus airconditioning was set to high.

Save Oil Gas and Restaurant

Our bus had a long traffic spell somewhere in Baliwag (Bulacan).  Past that, we made our first stopover for peeing and meals at Sevilla Sweets and Restaurant at San Miguel (Bulacan) by 11 PM.  Afterwards, I somehow was able to get some shuteye until I was rudely awaken by the swaying of the bus as it negotiated the winding Dalton Pass in Nueva Vizcaya.  Now I had to hang on for dear life as my chair moved with each turn.  We made our second and final rest stop, by 4 AM, at the Save Oil Gas and Restaurant in Aritao (Nueva Vizcaya) where I had a cup of chocolate. Peeing at its clean restroom set us off by PhP5 each.

Nature Awareness and Conservation Club, Inc.: 18 Pioneer St., Moonwalk Village, Las Pinas City, Metro Manila.  Tel: (632) 801-1720. Mobile numbers: (0932) 243-9478 and (0915) 510-1600.  E-mail: Mother_Nature888@hotmail.com.

Ohayami Trans: cor. Lacson Ave. and J. Fajardo St., Sampaloc Manila.  Tel: (632) 516-0501. Mobile number: (0917) 561-7344.  E-mail: ohayami@ohayamitrans.com. Website: www.ohayamitrans.com.

A Walking Tour of Escolta (Manila)

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I have been dying to do a walking tour of Escolta , Manila’s historic version of High Street. During the Spanish era, this short (less than a kilometer long) stretch was linedwith rows of camarines (1-storey Chinese shops). On his way to his office in Intramuros from Malacanang, the Spanish governor-general would usually pass here with his escolta (official escorts), hence the derivation of its name (from the Spanish word escortar meaning “to escort”).  Later, these camarines along Calle Escolta were replaced by bahay-na-bato  (stone houses) adorned with Neo-Classical elements such as Greek columns and caryatids and, towards the end of the Spanish regime, by European establishments, the only ones permitted to do business along the cobblestones (imported from Hong Kong) of this narrow, historic thoroughfare.

Escolta – A shadow of its former self

From the early 1900’s to the 1960s, Escolta was the country’s premier shopping mecca, with high-end stores such as La Estrella del Norte and Puerta del Sol, which marked the east and west entrances of Escolta.  It is also home to H.E. Heacocks and Oceanic (for fine household items);  Berg’s (for fashionable clothes);  Hamilton Brown and Walk-Over Shoe Store (for quality leather shoes); 2 high-class cinema theaters (Capitol and Lyric) which brought the glitz and glamour of Hollywood to Manila; restaurants (Henry’s Donuts, Max’s Fried Chicken, Dencia’s Pansit Malabon, Savory Restaurant, etc.); and Botica Boie (for mixed potent medicines).  Founded in 1830, the latter also served the best ice cream sodas, brewed coffee and clubhouse sandwiches in its glass-in mezzanine overlooking the street.  With the emergence of commercial and business districts of Makati City and Quezon City, the prestige of Escolta gradually faded.

The First United and Regina Buildings

Needing to buy some lighting fixtures along nearby Soler St., I decided to include a visit to Escolta  in my itinerary.  From Gil Puyat Ave., I took the LRT and dropped off at Carriedo Station.  The first notable piece of architecture I encountered was the Neo-Classical-style Don Roman R. Santos Building, fronting Plaza Lacson (formerly Plaza Goiti).  When the Japanese bombed the city during World War II, only 3 of its 5 floors were finished.  Luckily, it survived and the building was finished in 1957.  The building once housed the headquarters of Monte de Piedad and Prudential Bank and, later, a shopping mall (South Super Mart).  When the mall closed, Bank of the Philippine Islands (BPI) took over the building. Its entrance has Ionic columns with a triangular pediment, within which is a big clock flanked by bas-relief sculptures.

Don Roman R. Santos Building

Both ends of Escolta open into impressive open spaces  (Plaza Sta. Cruz and Plaza Moraga).  Though no longer the premier shopping district it used to be, strolling along Escolta is still a rewarding experience as one could still find traces of its glorious past.  Upon crossing the little Visita Bridge spanning Estero de la Reina, at the Sta. Cruz entrance of Escolta, I was attracted by 2 impressive, eye-catching (though marred by entangled electrical cables) buildings facing each other – the fancy, Art Deco-style First United Building and the elegant Beaux Arts-style Regina Building.

First United Building

The pink and white First United Building, formerly the Perez-Samanillo Building, is one of the few surviving examples of the Art Deco architectural style in Manila. Built in 1928 by Andres Luna de San Pedro (Juan Luna’s son), it’s awesome façade has a large amount of architectural and decorative elements.  Its central bay rises towards a crowning block rendered with a bas-relief of the Creation. Once described as Manila’s foremost business address, it prides itself with providing maximized space, abundant lighting and ventilation to its tenants.

Check out “First United Building“

Regina Building

The graceful, white Neo-Classical-style Regina Building, built in 1934, its design (with traces of Renaissance Revival) also attributed to Andres Luna de San Pedro, was originally designed as a 3-storey commercial building. A fourth floor was added by Arch. Fernando H. Ocampo (founder of the UST College of Architecture and designer of the UST Central Seminary and the 8th Manila Cathedral) when the de Leon family bought the building from the Roxases. The staff of the late Sen. Vicente Madrigal (grandfather of Sen. Jamby Madrigal) rented a suite in this building.  Also on the same floor, across the hall, was the office of Madrigal Shipping, then the world’s largest tramp steamship company.

Burke Building

Further out was the Burke Building, with its simple balance lines.  Built in 1919, it was named after the cardiologist William J. Burke who introduced and installed the first electrocardiograph in the country.  Also a philanthropist, he donated the land for the street (Calle David, renamed W. Burke St. in 1990).  The first Otis elevator in the Philippines was installed in this building.

Natividad Building

The charming, Beaux Arts-style Natividad Building, one of the most beautiful landmarks in the area, is one of the oldest buildings along Escolta.  It was burned during the 1945 Battle of Manila (leaving only its exterior shell) and was later restored.  In the 1950s, this building housed the office of the Insurance Commission.  Its alluring, ivory and white-colored facade, evocative of a French café in a Parisian neighborhood, has four levels alternately decorated with arched and square windows with cornices with tooth-like dentils underneath it.

Calvo Building

The stunning, Beaux Arts-style Calvo Building, built in 1938, was also designed by Arch. Fernando Ocampo.   This 4-storey building, with its  richly-decorated facade, once housed the Philippine Bank of Commerce, the popular MV Villar Records Store and the original radio station of Robert “Uncle Bob” Stewart’s Channel 7. On its roof deck was Luisa, a popular soda fountain. Today, Mercury Drug and Tropical Hut flank the entrance to the building, with Wah Yuen Hot Pot and Seafood Restaurant in its Calle Soda side. Its mezzanine  is home to the little-known Escolta Museum.

Check out “Escolta Museum” and “Calvo Building“

Across the street from the Calvo Building is the decaying and dilapidated shell of the majestic, Mesopotanian-inspired Art Deco-style Capitol Theater. Built in the 1935, this theater, designed by National Artist Arch. Juan Nakpil, had a seating capacity of 800 and an unusual double balcony.  Its lobby once mounted a beautiful wall mural by the late Filipino modernist and National Artist Victorio C. Edades. Now abandoned, it ceased operations in the late 1980s.

Capitol Theater

On the face of its western tower were bas-reliefs, evocative of Art Deco lines and curves, showing Filipinas (one holding a mask and another holding a lyre) in traje de mestiza frame and set in a tropical landscape, attributed to the Italian atelier of Francesco Ricardo Monti. The bigger, 1600-pax Lyric Theater, another Art Deco masterpiece designed by Modernist Arch. Pablo S. Antonio, was demolished in the early 1980s.

Burke Building: 321 W. Burke St., cor, Escolta St., Binondo, Manila

Calvo Building: 266 Escolta St. cor. Calle Soda, Binondo, Manila.  Tel: (632) 241-4762.

First United Building: 413 Escolta cor. David St., Binondo, Manila.

Natividad Building: Escolta cor. Tomas Pinpin St., Binondo Manila

Regina Building: W. Burke St., cor, Escolta St., Binondo, Manila

Roman S. Santos Building: Escolta cor. Yuchengco St., Binondo, Manila

Carriedo Fountain (Manila)

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Carriedo Fountain

The National Shrine of the Perpetual Adoration of the Blessed Sacrament, more popularly known as Sta. Cruz Church, is surrounded by three open spaces which, in the 1900s, came to be known as downtown Manila – Plaza Sta. Cruz in front, Plaza Goiti at the rear, and a wide street on the right leading to Calle Escolta. The centerpiece of the 1-hectare Plaza Sta. Cruz is the 19th century the Spanish-era Carriedo Fountain (Fuente Carriedo).

Check out “National Shrine of the Perpetual Adoration of the Blessed Sacrament“

Built in May 1882 (at a cost of 745,590 pesos) as part of the Carriedo water works system, it was inaugurated by Governor-General Fernando Primo de Rivera on July 24, 1882. The fountain was built in honor of Don Francisco Carriedo y Peredo (November 7, 1690 – September 1743), 18th-century Capitán General of Manila, who conceived of and eventually funded Manila’s pipe water system.

The centerpiece of the fountain

A Basque from Santander, Spain and general of the Santa Familia galleon, Carriedo raised funds for the construction of the water system of Manila and donated 10,000 pesos drawn from his fortune from the Manila- Acapulco trade. However, he did not live to see his resolve of creating a water system in Manila take fruit.

The lower pedestal and vasque

The fountain was moved three times before its current location at Plaza Santa Cruz, right in front of the Santa Cruz Church. Since Don Francisco resided in Santa Mesa, the fountain was first located at the Rotonda de Sampaloc, the intersection between Legarda, Lacson and Magsaysay streets which today forms the  Nagtahan Interchange that separates Sampaloc from Santa Mesa.

The upper pedestal and vasque

In 1976, due to traffic concerns, the roundabout was cleared and the fountain was then transferred to the Balara Filters Park, in front of the Metropolitan Waterworks and Sewerage System (MWSS) Building right after MWSS moved from their office in Arroceros, Manila, in the latter part of the 1970s.

Seated female figure holding a harp

In the 1990s, then-Manila Mayor Alfredo Lim convinced MWSS administrator Mr. Luis E. V. Sison to bring back the Carriedo Fountain to Manila. A replica of the original fountain, using plaster as the primary material, was built by National Artist Napoleon Abueva.

Cherub sitting on an urn

Two bas reliefs of cherubs, sitting on a shell-like basin, holding tridents. The water spout is between them

During our visit, the fountain wasn’t operating and the stagnant water in the basin was littered with floating garbage and green with algae.

AUTHOR’S NOTES:

This Classical-style fountain features a large circular basin to hold the water at the center of which is a pedestal with statues of four cherubs holding urns. The pedestal is also decorated by bas reliefs of 4 pairs of cherubs, seated on shell-like basins, holding tridents.

The words “A Carriedo” (the letter “A” is a mystery) and “Manila” (below it) are also engraved around this pedestal.

The pedestal supports a large vasque, above which is another smaller pedestal supporting a smaller vasque. Around the smaller pedestal are four bas reliefs of bearded heads (probably depicting Neptune, the Roman god of freshwater and the sea).

Above these heads are four seated female figures, one is holding a trident and the other a harp. This set up is reminiscent of the Statue of Queen Anne at St. Paul’s Churchyard in London (England) which has the seated female figures representing England with a trident; Ireland with a harp; France with a truncheon and a crown; and North America holding a bow and arrow with a quiver at her back, her right foot resting on a severed head.

Above the smaller vasque is an urn-like finial. Water spouts from the top of this finial,   at water spouts between the two trident-wielding cherubs; the urns of the cherubs; the side of the bigger vasque and the inner perimeter of the circular basin.

The words “A Carriedo” and “Manila” engraved on the pedestal

Carriedo Fountain: Plaza Santa Cruz, Manila

Calvo Building (Escolta, Manila)

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Calvo Building

The historic Calvo Building, an outstanding example of Beaux Arts architecture, is one of the remaining buildings from the earlier part of the 20th century along Escolta Street. It was designed by architect and civil engineer Fernando H. Ocampo, Sr. (of Arguille & Ocampo Architects) and inaugurated on August 14, 1938 on the land owned by the couple Angel Calvo and real estate businesswoman Emiliana Mortera Calvo.

Plaque installed by National Historical Commission of the Philippines in 2018

On November 1944, during World War II, it was temporarily used by Japanese Imperial Forces and was destroyed during the 1945 Battle of Manila and restored in 1946. On August 14, 2018, a historical marker (entitled Gusaling Calvo) was installed by the National Historical Commission of the Philippines.

Cartouche above the arched window

This 4-storey building was one of the most prestigious business addresses of its time.  Its tenants were:

  • Philippine Bank of Commerce (ground floor)
  • Lissar Commercial (ground floor)
  • Aquino-Lichauco Law Offices (second floor)
  • Offices of Araneta & Co. (third floor)
  • MV Villar Records Store – then Manila’s biggest vinyl record bar
  • Sabater Optical
  • Mareco Broadcasting – owner of 105 Crossover FM
  • Mabuhay Records – a recording company that produced albums for kundiman legends Ruben Tagalog, Sylvia dela Torre and Pilita Corrales
  • Sorriente-Santos Department Store – the first store that introduced the “buy-one-take-one” selling strategy.
  • Luisa & Son (roof deck) – a pre-war soda fountain popular with Manila’s high society.

The truncated corner

On March 1, 1950, the GMA Kapuso Network was also born at a makeshift studio at the fourth floor of the building (before moving to its present location in Diliman, Quezon City) when former American war correspondent for United Press Robert “Uncle Bob” Stewart (who eventually fell in love with a Filipina and the country as a whole) transmitted the first signal of  Republic Broadcasting System, now radio station DZBB-AM. Stewart would later expand his media enterprise into television, and Radio Broadcasting System would later be renamed GMA.

Today, Uno Seafood Wharf Palace, Mercury Drug and Tropical Hut flank the entrance to the building, with Wah Yuen Hot Pot and Seafood Restaurant in its Calle Soda side.

Old pre-World War II photo of Calvo Building without its fourth floor

Its mezzanine is home to the little-known Escolta Museum which contains memorabilia from the past.  During the post-war years, a fourth floor was added to the three-storey edifice.

Check out “Escolta Museum”

The ground floor lobby

Its front being a flagstop for the tranvia (electric tram line), it is the only building along Escolta that is pushed back. It house one of the few classic-style and rare, manually operated Otis elevators.

The richly-decorated and stunning facade at the second level has arched windows (except at the truncated corner) flanked by Ionic pilasters, above which is a cornice embellished by garlands and gracefully broken, in alternating sections, by cartouches supported by corbels above the window’s arch.

Photo of Don Angel Calvo

Calvo Building: 266 Escolta cor. Soda Sts., Binondo, Manila. Coordinates: 14.597141°N 120.978221°E.

How to Get There: The building is accessible from the LRT1-Carriedo station. The Pasig Ferry also has an Escolta stop.

A Tour of Valenzuela City

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After the video documentary presentation on the life of Dr. Pio Valenzuela, I requested museum curator Mr. Jonathan C. Balsamo for a tour of the city’s historical sites using their open pickup.  Sandy, Mark, Ronnie and Violeta  joined us.  Jandy and Violeta stayed inside the pickup’s airconditioned cabin while Mark, Sandy, Jonathan, Ronnie and I rode on the open cargo area as we traversed the city’s very narrow streets exposed to the hot, late morning sun.

Arkong Bato

Our first stopover was at Arkong Bato (Spanish for “stone arch”), along the only road that links MacArthur Highway with the North Luzon Expressway (NLEX).  This arch was built in 1910 along the old national road passing through the old town of Polo before the construction of MacArthur Highway.  It formerly marked the boundary of Rizal (where Malabon formerly belonged) and Bulacan (where Polo formerly belonged).  Today, it marks the boundary between Brgy. Santulan (Malabon City) and Brgy. Arkong Bato (Valenzuela City).

San Gabriel House
The former Valenzuela City Emergency Hospital

We next proceeded to the old town proper and made a stopover at Liwasang Rizal, the old town plaza with its own simplified replica of the Rizal Monument (its base somewhat shorter because the plaza’s grounds were elevated through the years).  Surrounding it are the old town hall (now home to the former Valenzuela City Emergency Hospital), the San Diego De Alcala Church and the old but still wonderfully preserved, 2-storey San Gabriel house (now home to Aida Carinderia).  The latter has capiz sliding windows, intricate woodwork and double roofs typical of houses built during the Spanish and American eras.  This house should be added to the list of the city’s tourist attractions.

Church of San Diego Alcala Ruins

Beside the church are the ruins of the oldest church in Valenzuela, built by Fr. Juan Taranco and Don Juan Monsod and later expanded and completed by Fr. Jose Valencia, aided by Capt. Juan Tibay, in 1632.  In 1852, the church was fully repaired and remodelled by Fr. Vicente but was razed to the ground during World War II.  Only the octagonal bell tower and the arched main entrance have been preserved.

Gabaldon-style building of Pio Valenzuela Elementary School

From the church, we also walked to the nearby American-era, Gabaldon (named after Assemblyman Isauro Gabaldon of Nueva Ecija, author of Act No. 1801, better known as the Gabaldon Act)-style schoolhouse of Pio Valenzuela Elementary School, one of a number of heritage schoolhouses, built in the Philippines between 1907 and 1946, that follow standard plans designed by American Arch. William Parsons.

Church of San Roque

Back to our pickup, we next proceeded to the San Roque Church which dates to 1763.  The church facade has a semicircular arched main entrance flanked by statue niches and twin bell towers with pyramidal roofs.  The wall above the triangular pediment as well as the wings on the sides of the church are probably modern additions.  Our last destination in our city tour was the 2-storey Pio Valenzuela House.  The original house was, together with its antique furniture, razed during World War II.

Dr. Pio Valezuela House

The marker in front of the house erroneously identifies it as the birthplace of Dr. Pio.  He was actually born in Brgy. Tagalag, its actual location already unknown even to his relatives.  This house was where Dr. Pio lived and died.  Only a caretaker lives here.  The grounds of the house were partly flooded, a result of it being situated on one of the lowest parts of the city.  Valenzuela City is located on swampy land crisscrossed by rivers.

Historical Marker

Arkong Bato: Brgy. Arkong Bato
San Roque Church: Brgy. Mabolo
Pio Valenzuela House: Velilla St., Brgy. Pariancillo Villa

Museo Valenzuela (Valenzuela City)

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I recently got an invitation from Lakbay Norte colleague and now La Consolacion College School of International Hospitality Management Prof. Melissa  Dizon-Dulalia to join a Lakbay-Aral tour of Valenzuela City with her students as guests of City Mayor Sherwin T. Gatchalian.  I brought along, as my photographer, my son Jandy.  We met up with Melissa and her students at La Consolacion College where a chartered airconditioned Genesis bus was waiting for us to bring us to Valenzuela City.    

Museo Valenzuela

Aside from the Melissa’s 42 Tourism Planning and Destination Development Class students, joining us were fellow media colleague Mr. Rogine de Mata Rogelio of Pilipino Mirror; travel photographer Nico Karabatsos; travel agents Mr. Sandy Mella Clamor (Managing Director of Emmaus Travel & Tours) and Ms. Bingbing Rubio (Pogi Travels); and Ms. Violeta  C. Imperial (founder of Nature Awareness & Conservation Club, Inc.).

Mayor Sherwin Gatchalian with media and travel agents
Mayor Gatchalian with La Consolacion College students

We all left La Consolacion College by 8:45 AM and arrived at the 2-storey Museo Valenzuela, beside the National Shrine of Our Lady of Fatima, by 9:20 AM.  Here, we were joined by my good friend and fellow travel blogger Mr. Mark Vincent Nunez (www.mvlnunez.blogspot.com) and travel agent and Valenzuela City resident Ms. Rosanna Kho (Gen. Manager of Kho Travel & Tours).  

Museum curator Jonathan C. Balsamo

At the museum, we were welcomed by museum curator and historian Mr. Jonathan C. Balsamo who presented a video documentary, created by the City Cultural Affairs and Tourism Development Office (CATDO), featuring historical experts’ commentary on the life of local son and least depicted national hero Dr. Pio Valenzuela (July 11, 1869-April 6, 1956), Katipunan co-founder (together with Andres Bonifacio and Emilio Jacinto), mayor of Polo (the former name of the city) from September 6, 1899-February 1900 and Bulacan governor from 1921-1925.  The city was renamed after him on September 11, 1963.

Diorama – Pagkamakabayan and Paglilingkod
Diorama – Pagkamulat and Pagkilala

The museum, which gives public access on factual information on Dr. Pio, is among the major efforts of Mayor Gatchalian to prevent Dr. Pio’s deeds from dying in vain.  It has a bust sculpture of Dr. Pio and a permanent, full-dimensional diorama exhibit, opened last March 16, 2010, of the life of Dr. Valenzuela during and after the Philippine Revolution. The 150 hand-made dolls, fashioned out of resin and wire, were created by artists of the Balikatan sa Kaunlaran National Foundation, the same team behind the Pinaglabanan diorama exhibited at the Museo ng Katipunan in San Juan City. Also on display are the doctor’s memorabilia (clothes, old photos, awards, medical equipment, furniture, etc.).

Pio Valenzuela and wife Marciana de Castro
Dr. Pio’s clothes
The doctor’s medical equipment
Dr. Pio’s swivel chair

It also exhibits paintings of past Valenzuela mayors and a model of San Diego de Alcala Church.  Serving as the cultural and historical center of the city, the museum is also the repository of Valenzuela City’s rich heritage and provides a venue for cultural, historical and artistic presentations as well as seminars on national and local issues.

A picture gallery of Valenzuela mayors
Model of Church of San Diego Alcala

Museo Valenzuela: Fatima Ave., Brgy. Marulas, Valenzuela City, Metro Manila. Tel: (632) 291-0672.

Symbios Holistic and Wellness Sanctuary (San Mateo, Rizal)

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I recently got an invitation from Ms. Melissa Dizon, a professor, former Exec. Director of North Philippines Visitors Bureau (NPVB) and a Lakbay Norte colleague, to join her in a dance-movement therapy session to be conducted by Ms. Riza Regis (an author, she also conducts crystal healing sessions) at the Symbios Holistic and Wellness Sanctuary, an extension of the BioVitale Holistic Center.

Dance-movement therapy session with Ms. Riza Regis

The center, a brainchild of owner Dr. Sonny Viloria (a proponent of complementary medicine which blends scientific Western practices with Eastern mysticism), is located in San Mateo, Rizal.  Aside from dance-movement therapy, the center also offers laughter yoga (by Paulo Trinidad); Reiki healing (by Mr. Arnel Belenzo); meditation, sound therapy and shiva-shi movement (by Ms. Yet) and lectures on natural medicine by Dr. Viloria himself.

Mandala Farm Estates

I met up with Melissa, with her daughter Bianca and her friend Mr. Jon Ryan ” J.R.” Ng (a photographer and magazine writer), very early in the morning at the Jollibee outlet at the Welcome Rotunda in Quezon City.  With J.R. at the wheel of his car, we motored all the way to Mandala Farm Estates where we asked the security guards at the subdivision gate for directions to the center.

The gateway to the center

After some confusion with the given directions, we finally made it to the center’s parking area where we were met by Mr. Ronnie Cruz Bernardo, the center’s de facto media consultant.   From the parking, we entered a marble gateway with wooden swing doors, flanked by a Buddha statue and a door bell, and went down, via a pathway (which varies from a combination of gravel, stones and railway sleepers, to stamped concrete) with a number of horseshoe bends, to the center’s native-style, open-air pavilion.

A pond and foliage-lined horseshoe bend

Another horseshoe bend along the gravel and stamped concrete trail

The pavilion had a floor of polished wooden planks and bamboo slats and wooden columns that supported wooden rafters and a roof of nipa and bamboo.  It is furnished with eclectic furniture from Pampanga, Thailand and Burma, a large area rug plus lots of Eastern statuary of deities (Kuan Yin, Buddha, etc.), all tastefully arranged by Mr. Chris Munar. One side of the pavilion has a breathtaking view of the mountains of Rizal.

Native-style pavilion

The view of mountains from the pavilion

At the pavilion, we were welcomed with a merienda of suman which we washed down with oxygenated water or a refreshing and healthy tea made with lemon grass (tanglad) and camote tops (talbos) infused with mint and sweetened with muscovado sugar.

Lemon grass and camote tops tea

After merienda, Ronnie toured us around the 6,000-sq. m. sanctuary. Near the pavilion are Balinese-style, tastefully designed and furnished cottages (made with concrete as well as local wood, nipa, bamboo and sawali) with capiz windows that can accommodate 6 guests while below the pavilion is a social area (where one can set up tents) with a koi pond and mini fountain.  Beside it is the food tent and the sun therapy (essential for natural healing) area with its pair of cushioned lounge chairs.

Sun therapy area

Balinese-style cottage

Part of the nature trail is lighted, come cool evening, by eco-friendly, solar-powered lamps and the natural light of fireflies (alitaptap).  Just about every nook and cranny of  the center is filled with the healing sound of natural water.  Running within the property is a crystal-clear brook which feeds a man-made, stone-lined lagoon (an ideal swimming area) below with cool spring water.  On one side of the lagoon is an Eastern-themed bas relief while overlooking the lagoon is a wooden meditation platform.

The man-made lagoon
The meditation platform overlooking the lagoon

A pond, with a covered bamboo and nipa platform (where one can do fishing), is filled with organic tilapia, floating duck weed and Azola (mosquito fern), a natural weed that is very rich in protein, vitamins and minerals.  Smaller ponds can also be found along the trail.  The piece de resistance is a small waterfall whose natural beauty inspired Dr. Viloria to buy the property.

Tilapia pond

The center’s resident waterfall

 

A duyan and benches beneath a bamboo grove
The hilltop meditation platform

Up a hill, accessed by a wooden stair, is a meditation platform, a mini version of the pavilion, where one can do yoga, meditate, relax or just take a mid-afternoon siesta while enjoying the great nature view.  Intersperse within a shady bamboo and giant fern grove are a pair of wooden benches and a native hammock (duyan).

A small pond

Come lunch, we were all served, inside a food tent, tawilis, pinakbet, kalabasa in coconut milk, pako (vegetable fern) salad and clam soup, all complement with organic rice cooked in pandan leaves.  This self-sufficient center promotes the locavore lifestyle – eating food that is locally produced.

Food preparation cottage

Meals served here are prepared, by chef Jen (a London-trained therapist and food connoisseur) at her food preparation cottage, from mostly homegrown, organic ingredients; from papayas, guavas, bananas, camote (sweet potatoes), taro, wild spinach, medicinal herbs and spices as well as tilapia and free-range (stress-free with no hormones and antibiotics) native chicken and ducks.   From these, they are able to prepare their very own signature dishes such as laing, chicken adobo, banana heart salad, chicken sinampalukan (sour soup with chicken and tamarind leaves) and tilapia in coconut milk and petsay.

Our locavore lunch

Our merienda cena of lumpiang ubod

Prior to leaving the center, we were all treated to a merienda cena, again at the food tent, of fresh lumpiang ubod, a Negros Occidental (especially in my mom’s hometown Silay City) favorite (and mine).  This spring roll is filled with sautéed ubod (heart of palm), shrimps, tahure (bean cake) and bits of pork.  Its sauce, topped with roasted garlic bits, created a unique flavor. Melissa and I liked  it so much, we shared a second piece.

In the near future, the center plans to include regular hilot (the ancient Filipino art of massage) and dagdagay (a soothing and cleansing routine using native sticks for tired feet, from Ifugao and Mountain Province) service for its regular patrons.

Symbios Holistic and Wellness Sanctuary: Mandala Farm Estate, Timberland Heights, San Mateo, Rizal.
BioVitale Holistic Center: G/F, CRB Bldg., EDSA, Cubao, Quezon City.  Tel: (632) 448-7625 to 26. Mobile number: (0921) 260-8459.

Philippine Air Force Aerospace Museum – Indoor Exhibits (Pasay City)

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While waiting for my father-in-law’s arrival from Kalibo (Aklan) at the NAIA 3 Terminal, I decided to kill time at the nearby Philippine Air Force Museum.  I have visited this museum before, but only got to explore, with Jandy, the 16 “retired” planes and helicopters at the museum’s outdoor Aircraft Park.  The indoor exhibit was just one hour to closing time during that visit.

Philippine Air Force Aerospace Museum

This military heritage and science technology museum was established way back on May 2, 1974 (as the Marcos Museum) but it only opened at its new location on July 1, 2001.  The world-class museum building was inaugurated on June 29, 2007, the 60th foundation anniversary of the PAF.  Surprisingly, this tidy, neat and quite impressive, 2-level museum, a good 2-hr. diversion for those who are also waiting for their plane connections, had a number of weekday visitors.

Science and Technology Section

The Science and Technology Section, at the ground floor, is highlighted by by an indoor static aircraft of various eras  – from pre-World War II to the present – all immaculately restored.  Of World War II vintage is a single-engine, 2-seater, open cockpit and fabric-covered Boeing PT-13D “Kaydet” (also known as Stearman Model 75) primary trainer biplane, a standardized U.S. Army/Navy trainer aircraft created by Boeing-Stearman from 1943-45.  Before World War II, the Philippine Army Air Corps (now the PAF) had Stearman model 73L3 trainers and the armed 76D version.  As part of the U.S. Military Defense Assistance Program (MDAP), the PAF Flying School acquired 50 PT-13/PT-17 “Kaydets.”

PT-13D “Kaydet”

The one on display is PT-13D “Kaydet” 76-7551 code 551 equipped with a 220-HP Lycoming R-680-17 radial engine (max. speed: 125 mph) and fitted with a ground-adjustable McCauley steel black propeller.  The aircraft has a 32-ft., 2-in. wing span and is 24 ft. 10 in. long and 9 ft. 2 in. high.

P-51D “Mustang”

Also of World War II vintage is a propeller-driven  P-51D “Mustang” fighter, manufactured by North American Aviation, the best fighter aircraft of World War II.  Around 100 of these fast and maneuverable aircraft, with 6 wing-mounted guns, were delivered to country in 1952 and assigned to the 6th Tactical Fighter Squadron, 5th Fighter Wing in Basa Air Base (Floridablanca, Pampanga).

SF-260

Beside it is a modern, Italian-made SIAI Marchetti SF-260, a light military trainer with low wings and tricycle undercarriage that is still in use.  The PAF acquired 2 variants in 1967 and initially received 2 SIAI Marchetti SF-260 operated by 102nd Training Squadron (now the PAF Flying School). The one on display had a tail number 15-44 and bore a tactical code 644.  Aside from being used by the flying school, it is also used for counter-insurgency roles.

“Cali” Super Pinto

Also on display are PAF experimental projects presented in ways to inspire young generations of Filipinos to learn on aerospace-related sciences. Of special interest is a prototype of the “Cali” Super Pinto, the first indigenous jet trainer and light attack aircraft in the country.  This turbojet-propelled, mid-monoplane aircraft has a TEMCO model TT-1 Pinto air frame with 2-place tandem seating.

U.S. space capsule
Replica of Wright Brothers’ 1902 glider

Suspended on the ceiling is a locally-made, full scale model of the Wright Brothers’ 1902 glider  and a U.S. space capsule.  The Science and Technology Section also exhibits aircraft mock-ups and miniatures. There is also a souvenir shop on this floor.

Dodge WC-57 Command Car
A row of ejection seats
Canopy and ejection seat systems

Also within this floor is a Dodge WC-57 Command Car (used by former Philippine presidents);  armament and gun system of a Northrop F-5A; F-86F nose landing gear system; canopy and ejection seats (F-86F “Sabrejet,” F-4 “Phantom” and F-5A “Freedom Fighter”); a portable rescue hoist and jet engines.  Kids may sit in the cockpit of an F-86D fighter jet simulator.

Hiroo Onoda Exhibit
Wall of Heroes
Evolution of PAF Uniforms

The Heritage Section, at the second floor of the museum, presents a variety of galleries displaying different military uniforms and their evolution (Evolution of PAF Uniforms); flying gear; dioramas and sand tables of important events involving the Air Force (Dioramas/PAF Model Aircraft); model planes, memorabilia, vintage guns, locally made bombs; a display of things left by Japanese straggler Lt. Hiroo Onoda while hiding in the jungles of Lubang in Mindoro; and skilled drawings and paintings of early military aviation and PAF history.

Past Commanding Generals of the PAF

There are also photographs of past commanding generals of the Philippine Air Force; recipients of the Philippine Medal of Valor and Distinguished Conduct Star (Wall of Heroes); old photographs depicting the history of the Air Force and its Blue Diamonds aerobatics team (Birth of Philippine Aviation) and a photo exhibit of the historic May 29, 1936 Arnacal (short for the names of Filipino pilots Antonio Arnaiz and Juan Calvo) flight from Manila to Madrid (Spain).

Photo exhibit of Arnacal flight

This floor also has a 150-200-pax function room for seminars, workshops, symposia, expositions and other cultural activities, plus a 45-pax mini-theater for small group film showings.\

Philippine Air Force Aerospace Museum: Gozar cor. Alia St., Col. Jesus Villamor Air Base, Pasay City.   Open Mondays to Fridays, 8 AM to 5 PM, Saturdays, 8 AM to 12 noon. Admission is free.  Tel: (632) 832-3498, 854-6729 and 762-6628.