Category Archives: Philippines, Republic of the

Archdiocesan Shrine of Santo Niño (Tondo, Manila)

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Archdiocesan Shrine of Sto. Nino de Tondo

This church, also known as Santo Niño de Tondo Parish or Tondo Church, is under the jurisdiction of the Archdiocese of Manila.  The church is home to the second oldest Sto. Niño (which originally came from Acapulco, Mexico) in the Philippines, next to the Sto. Niño De Cebu (1521).

The Neo-Classical façade

It was first built around 1625, damaged during the November 30, 1645 Luzon earthquake, and destroyed in 1661 for fear that Koseng (Koxinga), a Chinese pirate from Hermosa Island (Formosa, now Taiwan) might use it as its headquarters.

Historical plaque installed by Philippines Historical Committee in 1939

It was rebuilt that same year and completed in 1695.  In 1734, its facade and two bell towers were rebuilt during the term of Father Diego Bergaño.  The church was damaged during the 1740 earthquake, rebuilt, for the third time, by Fr. Manuel Diez Gonzalez in 1741, heavily damaged during the June 3, 1863 earthquake, rebuilt for the third time by Father Manuel Diez Gonzalez and completed around 1874 by Father Casimiro Herrero (parish priest of Tondo from 1874 to 1880) who followed the plans of architect Luciano Oliver in 1873.

Historical plaque of Decree of Erection as a Archdiocesan Shrine

In 1893, an organ imported from the renowned Amezua Organeros of Barcelona, Spain and was installed. It had one main keyboard with 56 keys and a pédalier with 19 keys and four combinations. During the Japanese occupation of the Philippines, the church was used as a cuartel. In 1997, aside from major repairs, carillon bells were installed by Msgr. Emmanuel Sunga.

The shrines interior

Measuring 65 meters (213 feet) long, 22 meters (72 feet) wide and 17 meters (56 feet) high, this church has a majestic, adobe stone-faced and scantily ornamented Neo-Classical facade with a recessed main entrance, rectangular  Ionic  pilasters, semicircular arched open and blind windows, pedimented square blind windows and a triangular pediment with a centrally located clock at the tympanum and topped by a belfry tempietto.

The main altar and retablo

Massive buttresses support the discordant domes of the flanking bell towers and its bases have openings to the side aisles.    There are also blind arched openings that contrast with the rectangular voids and a triangular pediment. Its interiors is composed of a main central nave  flanked by two aisles that are linked by solid columns.

Archdiocesan Shrine of Santo Niño: 600 Lorenzo Chacon Street, Tondo, Manila. Tel: (632) 245-5412.  Fax: (632) 245-5417. Feast of the Holy Child: Third Sunday of January.

Diocesan Shrine and Parish of St. Joseph of Navotas (Navotas City, Metro Manila)

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Diocesan Shrine and Parish of St. Joseph of Navotas

This city’s church had its beginning as a temporary chapel started in November 1859 and finished the next year. In 1860, bell tower was added and the convent rebuilt by Fr. Matias Novoa (and continued by Fr. Julian Diez).

A stronger stone structure was started in January 1868 by Fr. Manuel Perez and finished by Fr. Guillermo Cuevas on October 23, 1877. The strong July 1880 earthquake destroyed the convent. In 1889, the present church was started by Fr. Mariano Rivas and continued and finished by Fr. Tomas Agudo from 1892 to August 1895.

Historical plaque installed by the National Historical Commission in 2021

The February 14, 1934 earthquake destroyed the sanctuary and ceiling of the church. During World War II, the church was used by the Japanese as their headquarters and as a prison.  From 1964 to March 1968, the church was renovated with two wings for side altars built.  The facade was plastered with white cement which concealed the richness of the original stone which was probably secured from Malabon quarries.

The church interior

On June 28, 2003, the church was placed under the jurisdiction of the Diocese of Caloocan and, on May 1, 2021, the Feast of St. Joseph the Worker, the church was declared as a Diocesan Shrine.

Main altar and retablo

The church has a simple, massive Neo-Classic facade with three main openings, two pairs of attached pilasters supporting a Greek pediment with a rose window and semicircular arched arcade.  Latticework (calado) above the main entrance allows light and ventilation inside the church.  On the upper part of the church facade is the inscription of the year “1892.”

Side altar

Inside are a main nave and two aisles.  On the upper panel of the main wooden floor are four bas-reliefs depicting Augustinian symbols.  On pedestals are the statues of St. Monica and St. Augustine.  The old retablo was removed during the 1964 to 1968 renovation and the main altar has been restored.

Choir loft

Diocesan Shrine and Parish of St. Joseph of Navotas: Mariano Naval St., Brgy. San Jose, 1485 Navotas City. Tel: (02) 8282-9126.  Feast of St. Joseph of Navotas: First Sunday of May.

How to Get There: Navotas City is located 14.3 kms. (a 35-min. drive) from Manila and 6.3 kms. (a 25-min. drive) from Malabon City.

Church of St. Bartholomew the Apostle (Malabon City, Metro Manila)

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Church of St. Bartholomew the Apostle)

This church, one of the most beautiful examples of Spanish ecclesiastical architecture in the country, was first built in 1621 by Fr. Diego de Robles and Fr. Francisco Valencia added the transept in 1835.  In 1854, Fr. Raymundo Cueto added the two lateral aisles and the barrel vault (media naranja) dome under the direction of Architects Viña and Urquiza.  The construction of the Parthenon-like facade and the two bell towers was supervised by Father Martin Ruiz and directed by Architect Luciano Oliver.

Historical plaque installed by the National Historical Commission in 2015

The church was heavily damaged during World War II and its facade was restored in 1951 by Filipino secular Fr. Trinidad.  In 1958, the dome, transept, main altar and bell tower were repaired by Father Reyes.  The church measures 70.14 m. (230.1 ft.) long, 20.05 m. (82.2 ft.) wide and has a central nave, two lateral aisles, a transept and a barrel vault dome topped by a campanile.

The entrance porch with imposing colonnade

Its Graeco-Roman temple facade has an entrance porch supported by an imposing colonnade with eight Ionic columns which, in turn, supports a protruding triangular pediment.    Above the main entrance (a Jubilee door decorated with wood carvings) is the inscribed Augustinian  symbol and the year “1861.”

The church interior

Two three-storey bell towers, with seven bells, flank the recessed front facade. One bell is dedicated to St. Rita of Cascia, another to St. Bartholomew the Apostle while another bell has the name of Fr. Guillermo Diaz, OSA (minister of Tambobong from 1881 to 1885) inscribed on it.

The numerous paintings, framed with gold leaf, lining the church ceiling 

The church ceiling is lined with numerous paintings framed with gold leaf. The sanctuary has a simple yet elegant retablo with an image of St. Bartholomew the Apostle above which is the image of the Blessed Virgin Mary, the tabernacle below, and the images of St. Augustine and St. Nicholas de Tolentine on both sides.

The main altar and retablo

Church of St. Bartholomew the Apostle: Rizal Ave. Extension, Brgy. San Agustin, Malabon City. Tel/Fax: (632) 281-1266.  Feast of St. Bartholomew the Apostle: August 24. Coordinates: 14°39′32″N 120°57′05″E.

How to Get There: Malabon City is located 10.1 kms. (a 25-min. drive) north of Manila, 6.3 kms. (a 20-min. drive) from Navotas City and 5.5 kms. (a 15-min. drive) from Valenzuela City.

Cathedral Parish of St. Roch (Caloocan City, Metro Manila)

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Cathedral Parish of St. Roch

Commonly known as Caloocan Cathedral, it is the cathedral or seat of the Roman Catholic Diocese of Kalookan.  The cathedral, dedicated St. Roch (San Roque in the Philippines), started as a small visita (chapel-of-ease) initiated by Manuel Vaquero (assistant priest of Tondo, Manila) in 1765 in Libis Aromahan (Sitio de Espinas), one of the districts of Caloocan. In 1819, a new and bigger church was constructed by Vicente de San Francisco Xavier on its present site in Paltok, an elevated district in the town of Caloocan, and was finished in 1847 under Cipriano Garcia.

Historical plaque installed by the National Historical Commission in 2022

During the Philippine Revolution against the Spaniards, San Roque Church served as the meeting place of the Katipuneros coming from the west coast of Manila going to Balintawak. On February 10, 1899, during the Philippine–American War, the church was partly destroyed by US forces when Gen. Antonio Luna sought refuge at the church.

The main entrance

After its capture, the Americans used the whole area around the church as a field hospital. In 1900, American Gen. Arthur MacArthur, Jr. invaded Caloocan and San Roque Church was made caballeriza by the regiment of Col. Frederick Funston.

Entrance portico and driveway

In 1914, after the war, the church was reconstructed by the Confradia de Sagrado Corazon de Jesus under the administration of parish priest Fr.Victor Raymundo.

In 1934, Eusebio Carreon put black and white tiles along the aisles and, in 1947, Pedro Abad renovated the façade.  In 1962, Pedro Vicedo built additional wings on both sides of the church. In 1979, Fr. Boanerges “Ben” A. Lechuga renovated the church and, on November 30, 1981, it was blessed by Manila Cardinal Jaime Sin.

The new cathedral wing

In the Jubilee Year 2000, San Roque Church was declared one of the Jubilee Churches in the Roman Catholic Archdiocese of Manila.  After the new Diocese of Kalookan was created by Pope John Paul II on June 28, 2003, the church was elevated to a cathedral. On December 11, 2015, a relic from the bone of St. Roch, a gift from Pope Francis for the 200th anniversary of the parish, was brought out for public veneration in a vigil and deposited to the altar table during the dedication rite of the cathedral. On August 13, 2017, another bone relic of St. Roch was given to the cathedral from the Chapel of the Holy Relics in Cebu.

1899 photo of the church facade

AUTHOR’S NOTES:

The 1947 and 1979 renovations may have made a number of changes to church’s 1899 Baroque-style façade.   The first level still features statued niches and Tuscan and flat pilasters.  However, the entrance portico and flanking undulating walls and wings are new additions. The portico features Composite columns and is topped by a triangular pediment with a raking cornice topped by a balustrade.  The main entrance, formerly semicircular arched, now has a segmental arch.  

The second level, with its original massive flat pilasters, now features semicircular arched windows instead of rectangular ones.  The pediment still has its massive, central, two-level bell tower with semicircular blind and open windows.  The second level, with a balustrade, houses the bell. However, the tower is now topped by an empty niche and a cross.

The cathedral interior

Cathedral Parish of St. Roch: cor. of 10th Ave. and A. Mabini St., Poblacion, 1400 Caloocan City,  Tel: 8288-5252 and 8287-3693.  Feast of St. Roch: August 16.

How to Get There: Callocan City is located 27.7 kms. (a 50-mins. drive from Manila, 19.2 kms. (a 45-min. drive) from Malabon City and 10.5 kms. (a 35-min. drive) from Valenzuela City.

Sanctuario de Santo Cristo (San Juan City, Metro Manila)

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Sanctuario de Santo Cristo

This church, also known as the Church of San Juan del Monte, is an excellent example of Colonial church architecture.  The first church and convent, built from 1602 to 1604, was burned during the Chinese uprising in 1639.  The second adobe church and convent, built in 1641, was burned on July 1763 during the British Occupation of Manila.

The Earthquake Baroque façade

A massive stone church, built in 1774, was used by the Katipuneros in 1898 as a place of refuge.  It has since been renovated many times until the 1990s. The present church, designed by Architect Lorenzo del Castillo, retained the old Earthquake Baroque façade but a twin of the existing tower was built at the right side.

Plaque installed by the Historical Research and Markers Committee in 1937

Both towers, linked by two arches and surmounted by a shrine containing a cross, has one bell weighing 267 kgs. (589 lbs.) and the other 207 kgs. (456 lbs.).  Cast at the Quintana Factory in Saldaña, Palencia, Spain, one is named, following tradition, after the Santo Cristo and the other after Our Lady of the Rosary..

The convent with the two century-old acacia trees in front

Work on the façade began on October 10, 1977 with stones from the old convent used in the new parts of the façade. The niches of the façade were installed (on November 1990) with concrete statues of eight Dominican saints—Louis Bertrand, Antoninus of Florence, Albertus Magnus, Catherine of Siena, Saint Dominic, Thomas Aquinas, Rose of Lima (a patron saint of the Philippines) and Vincent Ferrer.

It has an attractively renovated interior.  The ceiling, designed by Architect Adolfo Benavides, was started on May 8, 1973 and finished by December 12 that same year.

Four concrete statues of Dominican saints in niches at the narthex

The 16 beautiful stained glass windows, designed by Cenon Rivera (former Dean of Fine Arts at the University of Santo Tomas) and made by Kraut Art and Co., depict the fourteen Stations of the Cross, Our Lady of the Rosary and the Dominican saints Thomas Aquinas, Albert the Great and Vincent Ferrer. Six smaller windows, later mounted in the apse, depict Saints Matthew and Luke; an allegory of the Sermon on the Mount; Saint Paul Preaching to the Gentiles; and Saints Mark and John.

The beautiful church interior featuring a ceiling designed by Arch. Adolfo Benavides, and stained-glass windows designed by Cenon Rivera

The sanctuary and exedra, featuring a mosaic of the Resurrection executed by Ireneo Robles, a young artist from the University of Santo Tomas, was started on February 6, 1974 and finished on April 6 that same year.

The exedra featuring a mosaic of the Resurrection executed by Ireneo Robles

The church, under the jurisdiction of the Archdiocese of Manila, is the seat of the Confraternity of Santisimo Cristo de San Juan del Monte, approved by Pope Innocent X on March 4, 1648.  On April 24, 2016, two century-old acacia trees beside the church were declared as heritage trees by DENR NCR.

 

Sanctuario de Santo Cristo: 183 F. Blumentritt cor. of A. Bonifacio St., 1500 San Juan City.  Tel: (02) 8724-5466 to 69. Feast of the Santo Cristo: May 3.  Feast of Our Lady of the Most Holy Rosary: October 6.  Coordinates:14°35′54″N 121°01′50″E.

How to Get There: San Juan City is located 7.1 kms. (a 20-min.drive) from Manila and 7.8 kms. (a 25-min.drive) from Pasig City.

Diocesan Shrine of St. Martha and Parish of St. Roch (Pateros, Metro Manila)

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Diocesan Shrine of St. Martha and Parish of St. Roch

Starting as a temporary chapel made of light materials; the town’s present stone church was started in 1815 by Fathers Andres Vehil (or Veil) and Manuel Pelaes following the plans drawn by Father Santos Gomez Marañon. In 1821, Father Raymundo Martinez built the bell tower.

Historical plaque installed by National Historical Commission in 2015

It was damaged during the June 3, 1863 earthquake where the roof sank, the walls cracked and the bell tower crumbled from the dome down to the second level.  The church was repaired in 1892 by Father Nicolas Gonzalez and its restoration was completed by Father Tomas Espejo in 1893.

Historical plaque installed by National Museum of the Philippines in 2017

On March 14, 1899, during the Battle of Pateros, the church was destroyed for the second time.   During World War II, the church served as a prison and, in December 1944, Japanese soldiers killed many civilians inside the church.

The church interior

On August 21, 2003, the church was placed under the jurisdiction of the newly-established Diocese of Pasig and, on February 7, 2009, the church was declared as a Diocesan Shrine.  In 2014, the original Spanish-style altar was replaced. On September 28, 2017, the church was declared as an Important Cultural Property by the National Museum of the Philippines.

The main altar and retablo

The church’s plain, Baroque-style facade has a protruding portico, centrally located coupled columns, single columns at the sides (ending in finials), a triangular pediment, a center window with balustrade at the second level and segmental and semicircular arched openings.  On its right is a four-storey bell tower.  The masonry convent, now a school, was where General Emilio Aguinaldo spent the night (January 1-2, 1897) as a guest of Father Tomas Espejo.

The four-storey bell tower

Diocesan Shrine of St. Martha and Parish of St. Roch: B. Morcilla Street, Barangay San Roque, 1620 Pateros.  Tel: 8642-8219.  Feast of St. Martha of Bethany: Second Sunday of February. Feast of St. Roch: August 16.

How to Get There: Pateros is located 19.5 kilometers (a 45-minute drive) from Manila and 3.8 kilometers (a 15-minute drive) from Pasig City.

Mixing Hospitality and Sustainability at Savoy Hotel Manila

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Savoy Hotel Manila

The 4-star, 11-storey, 684-room Savoy Hotel Manila (SHM), the Philippines’ Leading Airport Hotel for four consecutive years (2021 to 2024) is, aside from hospitality, also dedicated to sustainability through practices that contribute meaningfully to environmental solutions and the Philippines’ ongoing efforts against food scarcity.

Check out “Hotel and Inn Review: Savoy Hotel Manila“

A proud advocate of sustainable tourism, the hotel is an official signatory of the Glasgow Declaration on Climate Action in Tourism, launched on November 4, 2021. The declaration’s goals include cutting greenhouse gas emissions by half by 2030, achieving Net Zero by 2050 or earlier, and annually reporting progress on climate action plans.

The Vertical garden overlooking the swimming pool

A testament to this is its Vertical and Rooftop Gardens, where guests enjoy fresh, locally grown produce such tomatoes, eggplant, Chinese kale, red amarante, cucumber, romaine lettuce and herbs (such as dill), all grown through a sustainable hybrid farming system and watered through a clever catchment system, thus reducing the hotel’s dependence on external food sources. Since 2022, they’ve grown 456 kgs. of herbs and vegetables.  To further reduce waste, the hotel recycled and repurposed over 500 laundry chemical containers from its Housekeeping Department and used plant boxes made from scrap materials, minimizing the carbon footprint between garden and plate.

The Rooftop Garden of SHM

In line with these goals, the hotel has introduced the innovative WeSave Sustainability Program, which aims to reduce its operational impact, such as greenhouse gas emissions, measure its carbon footprint, reach carbon neutrality by 2030, foster a culture of recycling, and integrate eco-friendly practices into daily operations.

Sign encouraging guests to reuse towels and linens (photo: Mr. Monch Henares)

The in-room Green Program encourages guests to reuse towels and linens to significantly reduce water and energy consumption.

The wooden magnetic key card (photo: Ms. Maria Rona Beltran)

In lieu the usual single-use plastic  sachets, SHM also utilizes refillable body wash, conditioner and shampoo dispensers in the showers. To promote proper waste disposal, the trash bins are also segregated.  Even the magnetic card keys are made of wood instead of plastic.

Refillable body wash, conditioner and shampoo dispenser (photo: Ms. Nicole Paler)

The program also answers to the sustainability campaign of Megaworld Corporation, MEGreen, in contributing to greener townships. In fact, Megaworld maintains a 9-hectare, solar-powered Central Nursery in Tanza, Cavite, opened in 2016, that propagates sampaguita as well as provide all of the tree seedlings, plants and flowers for their Luzon townships.  The project intertwines Filipino culture, sustainability, and social responsibility through activities such as sampaguita planting, storytelling, and livelihood programs that have benefited over 5,000 families.

The dedicated staff, the backbone of the hotel’s sustainability efforts, embody this commitment by making eco-friendly practices a natural part of their daily routines both at work and at home. A rigorous food waste management system measures waste and identifies spoilage patterns by analyzing every aspect of the food handling process. Future menus align servings with actual consumption, reducing waste and optimizing efficiency for both guests and the environment.  Through its “Waste We Can” Program, they successfully  diverted 2.5 tons of recyclable waste from landfills.

SHM General Manager Ferdinand “Den” Navarro

Since 2021, under the forward thinking and energetic leadership of General Manager Ferdinand “Den” Navarro, SHM has embrace a comprehensive, heartfelt and holistic sustainability program anchored on three core pillars: People, Planet, and Business—a testament to their dedication to responsible and community-driven hospitality and deep commitment to positive impact, both within and beyond its walls.  Navarro, an OFW for 17 years and a seasoned hotelier, explains, “Our unwavering commitment to being the Philippines’ Leading Airport Hotel ensures that every guest receives exceptional service and comprehensive amenities while actively participating in our sustainability efforts.”

Sustainability champion Mr. Karlo Evangelista, SHM’s Compliance Manager, also added “It’s easy to think of what projects to implement and spend money on, but if people don’t embrace these initiatives then they won’t be sustainable. So it’s about culture, not just the program.”

The “Farm On” Program of SHM

Since 2022, to nurture a culture of sustainability internally, SHM integrated programs  into its employee orientation.  Employees participate in a range of fun and impactful activities such as “Farm On,” a farming challenge that promotes growing food in urban spaces; the “Trashion Show,” a fashion event featuring upcycled materials; “We Race For Green,” a sustainability-themed Amazing Race; and an annual eco-concious Christmas decorating contest.

In 2022, they took part in the “Trash to Can” Program, they transformed waste into value while promoting recycling awareness.  In 2024, they turned over an incredible 12,695.7 kilos of recyclables to BEST (Basic Environmental Systems & Technologies, Inc.).

Plaque of Appreciation given by BEST to SHM for their “Trash to Cash Back” Program

On May 20 that same year, SHM also collaborated with Scholars of Sustenance (SOS) , a food rescue organization, to help combat food insecurity and reduce food waste.

Another testament to the hotel’s commitment to sustainability is the Sampaguita Project, an initiative by Megaworld Hotels & Resorts (MHR) launched in 2023. It aims to revitalize the sampaguita (Jasminum sambac) industry by incorporating the Philippines’ national flower into its branding and supporting communities in the City of San Pedro, Laguna, once known as the “Sampaguita Capital of the Philippines.”

Megaworld’s Central Nursery in Tanza, Cavite

In fact, Megaworld maintains a 9-hectare, solar-powered Central Nursery in Tanza, Cavite, opened in 2016, that propagates sampaguita as well provides all of the tree seedlings, plants and flowers for their Luzon townships.  On October 10, 2024, the Sampaguita Project was recognized as the Most Outstanding Marketing Campaign at the prestigious 10th Virtus Awards, standing out among 14 campaigns. 

Megaworld Hotels and Resorts executives at the 10th Virtus Awards

SHM Executive Chef Christian “Kit” T. Carpio, also the F&B Chairman for Sustainability of Megaworld Hotels and Resorts, is also involved in the hotel’s sustainability initiatives through culinary -related activities.  He infused and enhanced Savoy Cafe’s menu with sampaguita, adding a fresh flavor to a meal or drink.  

SHM Executive Chef Christian “Kit” T. Carpio

Some of their signature dishes include the Sampaguita Boursin & Salmon Tartlets, Roasted Vegetable and Sampaguita Terrine, the Sampaguita Rubbed Pork Barbeque, Sampaguita Polvoron, Gambas Royale and Mango Sampaguita Cheesecake.

Pan-Seared Sea Bass with Rice Pilaf (photo: Mr. Teddy Pelaez)

Sampaguita-infused non-alcoholic drinks include the Sampaguita Mojito, Sampaguita Orange,  Sampaguita Bliss, Sampa-Lamigulaman ( a usual welcome drink) and  Sampaguita Fruit Punch. Sampaguita is also infused with pantry items such as the Sampaguita Butterscotch Spread, the Sampaguita Gourmet Tuyo, the Sampaguita Olive Tapenade, the Sampaguita Bacon & Onion Marmalade and the Sampaguita Salsa Rosa.  

Barbecue Rubbed Pork Belly (photo: Mr. Teddy Pelaez)

SHM not only redefining hospitality but also left an indelible mark on sustainability’s future by forging an innovative collaboration and partnership with Diversey, a global leader in hygiene and cleaning solutions. Actively redefining the way the hospitality sector interacts with the world, at the heart of this partnership are Diversey’s transformative sustainability projects: Linens for Life: Weaving Threads of Compassion, Soap for Hope: Recycling Cleanliness, and Coffee Briquettes: Brewing Sustainability. These initiatives, not merely about reducing waste and sustainability, are designed to create a lasting impact on both the environment and the communities that surround SHM.

L-R: Mr. Jigz Violan (SHM Senior Supervisor), Mr. Gerson D. Damayo (SHM Landscaper), Ms. Ma Theresa “Thess” dela Paz (SHM Director for Marketing and Communications), Mr. Greg de Garriz (SHM Director of Human Resources), Mr. Ferdinand “Den” Navarro (SHM General Manager), Mr. Karlo Evangelista (SHM Compliance Manager), Mr. Noel Bigornia (SHM Area Chief Steward), Ms. Vyva Corpus (Diversey Sector Manager), Ms. Evangeline Andres (NML community sewer) and Mr. Daniel Zarraga (Diversey Territory Manager).

In Linens for Life, instead of discarding its used and worn-out linens, SHM chose a more compassionate path by repurposing these linens which find a second life in the hands of the Nagkakaisang Mamayan ng Legarda (NML) community who transform them into tote bags, cart linens, and more, reducing waste, creating a sustainable livelihood and fostering an atmosphere of shared responsibility and collaboration.

Second and fifth from left are Mr, Daniel Zarraga (DIversey Territory Manager) and Mr. Karlo Evangelista (SHM Compliance Manager)

In the Soap for Hope program, instead of discarding used soap bars generated from its operations, SHM collects them, giving them a new lease on life by recycling them for distribution to countless individuals in the underserved communities in need, thus promoting, not only hygiene, but also a sense of well-being. This initiative and simple act of kindness not only showcases SHM’s dedication to reducing waste but also its resolve to extend a helping hand to those less fortunate.

In the Coffee Briquettes program, SHM collects its used wet coffee grounds (which, when discarded as waste, emits methane, a greenhouse gas 28 times more damaging than carbon dioxide), upcycling them by ingeniously transforming them into charcoal briquettes, a valuable resource which emits a much lower carbon footprint than other other traditional and commercialized charcoal.

The author (center) at the Rooftop Garden of SHM

For its sustainability efforts, SHM has been the recipient of a number of awards and citations such as the following:

  • In November 2022, their WeSave Sustainability Program received a “Badge of Honor” from the United Nations Environment Programme (UNEP), in collaboration with the Department of Tourism (DOT) and the Philippine Center for Environmental Protection and Sustainable Development Inc.
  • Additionally, the program’s dedication to reducing food waste earned it the “Guardians of the Grub Badge” from the UK-based Waste and Resources Action Programme (WRAP), a testament to the hotel’s commitment to sustainability.
  • Most recently, SHM was named one of the top six finalists in the Business Marketing category of the Green Destinations Story Awards 2024 at the ITB Berlin tourism conference.
  • Their Good Travel Story, “WeSave – Empowering Sustainability, Transforming Lives in Pasay City,” has also been nominated for the 2024 “People’s Choice Award,” allowing the public to vote for their favorite destination and Good Practice Story from the 2023 Green Destinations Top 100 competition.

SHM General Manager Mr. Ferdinand “Den” Navarro and Compliance Manager Mr. Karlo Evangelista holding the UNEP Badge of Honor

Savoy Hotel Manila: 101 Andrews Ave., Newport City, 1309 Pasay City. Tel: +63 (02) 5317-2869.  E-mail: stay@savoymanila.com. Website: www.savoyhotelmanila.com.

Casa de Segunda (Lipa City, Batangas)

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Casa de Segunda

After lunch at Liam’s Lomi House, we still had time to kill before checking in at The Zen Villas Resort so we decided to visit Casa de Segunda which was just a 1.7 km. (10-min.) drive away.

Also known as Luz–Katigbak House, the well-preserved Casa de Segunda is a heritage house built in the 1880s and owned by Don Manuel Mitra de San Miguel-Luz and Doña Segunda Solis Katigbak, Dr. José Rizal’s first love.

The quatrefoil-shaped, brick fountain

In 1956, the house was repaired by Paz Luz-Dimayuga who  serves as one of the caretakers of the house museum and, in 1996, after the house and its surrounding compound was renovated, was declared as a national Heritage House by the National Historic Institute.

Our guide discussing the history of the house at the zaguan

The present heiresses, the great-granddaughters of Doña Segunda Katigbak-Luz, maintain and manage the house, as well as Ms. Lilith Malabanan (great great grandchild of Segunda), who lives near Casa de Segunda.  At present, the house was converted into a museum.

Portrait of the young Segunda Katigbak

We entered the house through a nondescript entrance gate (designed by Lucila “Luchi” Reyes-Resurreccion during the 1996 renovation) and into an inner courtyard, with weathered red tiles, whose focal point is a quatrefoil-shaped, brick fountain, fishpond, and an orchard.

Portraits of Segunda’s parents and photos of the families of Luz-Katigbak heirs

Upon entry, we were met by a caretaker who lives at the adjoining replica of a 19th-century house, which was occupied by one of the Luz–Katigbak heirs.

The zaguan

She acted as our guide around the house which we entered via the zaguan (entrance), the storage area for agricultural harvests and the family’s carroza (processional carriage) for the revered santo and, now, the receiving area for the visitors of the museum.

The comedor (dining area)

Its floor is paved with black-and-white machuca tiles which were partially damaged during the bombing of Lipa during the World War II.  It featured information materials, cultural artifacts and a copy of a portrait of Segunda as well as the portrait of her parents and photographs of the families of the Luz–Katigbak heirs.

The entresuelo (servant’s quarters) which also served as an office

According to her, the Luz–Katigbak House was one of the houses built by Don Norberto Calao Katigbak, a gobernadorcillo, from 1862 to 1863, who was known to own big parcels of land in Batangas.

Ascending the hagdan (grand staircase) to the piso principal (main floor)

The Katigbaks were one of the richest families in the province. Part of their wealth was attributed to the coffee industry, being one of the major business ventures in the past. Norberto was married to Doña Justa Mitra de San Miguel-Solis and their daughter was Doña Segunda Solis Katigbak (1863-1943).

The sala mayor (living area)

Our National Hero José Rizal was captivated by the 14-year old, charming and graceful Segunda whom he met through his sister, Olimpia who was one of her classmates at Colegio de la Immaculada Concepcion de la Concordia in Santa Ana, Manila.

Antique piano and violin

Don Mariano Solis-Katigbak, Segunda’s older brother, also was a close friend and classmate of Rizal at Ateneo Municipal. However, as Segunda was already betrothed to her uncle Don Manuel Mitra de San Miguel-Luz (1858-1942) from a wealthy family in Lipa, Batangas), Rizal never proposed.

Full length Venetian mirror

Eventually, Don Manuel and the 16-year old Doña Segunda got married, on January 12, 1879, and had 14 children, 9 of whom survived to mature age.

A pair of butakas (birthing chairs)

Known in the province as a family of scholars, political leaders, professionals and artists, one of its descendants of the Luz–Katigbaks is Arturo R. Luz, a National Artist for Visual Arts.

Painting of San Sebastian Cathedral

This house was originally built on a square plan, with an azotea (terrace) extending it into an L-shaped plan.  The adobe wall, at the ground floor, was plastered with lime mortar.

Manual sewing machine

The house was also one of the set locations for Pulang Lupa, a 2024 Philippine drama series starring Barbie Forteza, Sanya Lopez, David Licauco and Alden Richards.

Oratorio (prayer area)

From the zaguan, we moved on to the comedor (dining area), below the azotea, which has a pleasant view of the inner courtyard.  We also entered the entresuelo, meant to be the servants’ quarters but sometimes used as an office.

The master bedroom with narra 4-poster bed and two butakas

We then went up the hagdan (grand staircase) leading up to the sala mayor (living room), at the piso principal (main floor), whose flooring were made out of mid-sized narra planks, of deep warm color. It is furnished with 19th century furniture (including a large, chic Venetian mirror), valuable heirloom pieces, paintings and antique portraits.

Vanity table with full length mirror

The three sides of the room were surrounded by wood and capiz sliding windows, which protect the room from rain water without blocking the sunlight, and persiana panels which serves as the second layer of the windows, providing ample protection from sunlight.

The children’s bedroom

Below the pasamano  (window sills) are ventanillas with balusters, which draw up the prevailing breeze inside the house. The transom (upper part of the window) was protected by wood and capiz panels, in a diagonal pattern, which maintain soft lighting in the house.

The azotea (terrace)

On both sides of the staircase are the cuartos (bedrooms) while behind it is an impressive oratorio (prayer area) featuring a magnificent, locally-made Batangas uno mesa altar with statues of saints displayed on top. Two antique frames encase Segunda’s novena and prayer pamphlets.

A retablo ((altarpiece)

The master bedroom is furnished with a carved, 4-poster narra bed, accentuated with crocheted bed fineries, lace curtains, an aparador (wardrobe) and a vanity table with a full-length mirror.  We finally visited the azotea, whose open portions are protected by restored balusters and, from there, went down a staircase, to the inner courtyard.

L-R: Reden Espinosa,  Beth Espinosa,  Grace, Jandy and the author

Casa de Segunda: 96 Rizal Street, 4217 Lipa City, Batangas.  Tel: (043) 784 1952. Mobile number: (0977) 425-7598. Admission: Php100 (Php75 for seniors and PWD). Open daily, 8 AM to 5 PM.

St. Augustine Metropolitan Cathedral (Cagayan de Oro City, Misamis Oriental)

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St. Augustine Metropolitan Cathedral

Just walking distance from the City Museum of Cagayan de Oro and Heritage Studies Center is the Neo-Gothic-style St. Augustine Metropolitan Cathedral, the ecclesiastical seat of the Archdiocese of Cagayan de Oro (canonically erected on January 23, 1933).

Check out “City Museum of Cagayan de Oro and Heritage Studies Center“

The Neo-Gothic-style facade

This church was first built in 1624 by Father Agustin San Pedro but both church and convent burned down in 1778.  Rebuilt in 1780 by Father Pedro de Santa Barbara, it again burned down in 1831.

The cathedral interior

In 1845, it was rebuilt with coral stones imported from China by Augustinian Recollect Father Simon Loscos de Sta. Catalina but it was destroyed during the World War II bombardment in 1945.  Only the facade and the wooden cross in front survived.

A 1925 photo of the church’s original Baroque-style facade

The present Neo-Gothic-style cathedral was built from 1946 to 1951 by Archbishop James T.G. Hayes, S.J.D.D., the first bishop of Cagayan de Oro.

AUTHOR’S NOTES:

Comparing an old 1925 and present photo of the church, the Baroque-style facade of the church seemed to have survived the 1945 bombing but it was greatly altered during the rebuilding.  The semicircular arched windows were replaced by Gothic-style lancet windows, a portico was added and the finials at the ends of the triangular pediment (its raking cornice now adorned with drip molding) were not restored.

Only the base (now square), of the formerly octagonal bell tower (beneath which is the grave of Father Ramon Zueco de San Joaquin who died in 1889 in Cagayan de Oro), on church’s left, remains. A new bell tower, on the church’s right was, instead, built.

Stained glass window

Its nine century-old stained glass windows, the work of well-known masters, depict the life of Christ and came from the Chapel of the Sisters of the Sacred Heart (now the Church of the Sacred Hearts of Mary and Jesus), an old  Gothic-style chapel built in 1882 in New York.

Stained glass window

The bells, hung in the new bell tower in 1950, were fashioned from the church’s old bells shattered during World War II – San Agustin (1807), Santa Ana (1813) and El Salvador (1857).

The Relic Chapel

Just outside the porte-cochere is a wooden Sta. Cruz built by Augustinian Recollect friars in 1888, the only relic that remains of the church’s Hispanic past.

The Spanish-era wooden cross

St. Augustine Metropolitan Cathedral: Barangay I, Cagayan de Oro City, Misamis Oriental.  Tel: (088) 857-2139.  Feast of St. Augustine, Bishop of Hippo: August 28.

How to Get There: Cagayan de Oro City is located 94.4 kilometers (a 2-hour drive) from Malaybalay City (Bukidnon) and 88.7 kilometers (a 1.75-hour drive) from Iligan City (Lanao del Norte).

City Museum of Cagayan de Oro and Heritage Studies Center (Misamis Oriental)

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City Museum of Cagayan de Oro and Heritage Studies Center

We still had time to kill as we made our way to Laguindingan Airport for our return flight to Manila, so Wyller Manus, our Bukidnon tour guide, suggested we make a stopover at Cagayan de Oro City to visit the 3-storey City Museum of Cagayan de Oro and Heritage Studies Center.

Museum facade

Here, we were welcomed and toured around the museum by Mr. Jesus Christopher “JC” F. Salon, acting curator of the museum.

Mr. Christopher F. Salon (third from left) discussing the Higaunon Bancaso (ritual table)

Located across the street from Gaston Park, this museum, a fine example of adaptive reuse, is housed in an old cylindrical water tower that sourced water, for 3,000 people, from Mahuganao Spring, Brgy. Cugman in Malasag Hills.

Exhibit on the indigenous people of Cagayan de Oro

Built from 1919 to 1922, it survived the September 1944 American bombing during World War II and is considered as the city’s oldest known surviving public structure.

Exhibit on Cagayan de Oro’s early history

In the late 1970s, the National Waterworks and Sewerage Authority (NAWASA) took over the water system and stopped using the tower and it was abandoned.

Exhibit on Spanish Period

Between 1994 to 2000, it was used as a temporary office of Barangay 1 and, in 2001, it was used as a makeshift darkroom by photographers from the Golden Friendship Photographers Association, Inc. (GoFPAI).

Spiral stairs leading to second floor

On December 1, 2008, then City Mayor Constantino Jarula had the tank renovated and turned into a city museum.

Exhibit on Cagayan de Oro during the American Period

The museum houses old photographs of the city’s significant events and personalities; fascinating exhibits that trace the city’s evolution, from its early indigenous roots to its contemporary developments; as well as a diverse collection of some archaeological finds.

Bamboo spikes used by guerillas to trap and maim enemy targets

Its well-curated displays provide insights into the indigenous cultures, colonial influences, and the vibrant community life that defines Cagayan de Oro. The floors are accessed via spiral staircases.

Rayadillo uniform and sword

A Philippine bolo and a Japanese sword

At the Ramon and Rosario Chavez Gallery, at the first floor, JC first showed us the Higaunon Bancas0 (ritual table), a very important cultural artifact of the indigenous Higaunon community.

Third floor gallery

The Filomeno M. Bautista Gallery, at the second floor, showcases the history of the city during the Philippine-American War (notably the battle around 1900) and World War II.

Third floor gallery

The third floor houses the museum’s newest exhibit (opened last November 21) which showcases the history and modernization of the city after World War II.

The motorela

A notable artifact here is the Parker 51 fountain pen used to sign Republic Act No. 521, the law that created the city.

An antique radio

City Museum of Cagayan de Oro and Heritage Studies Center: Gaston Park, Fernandez St., Brgy.1, 9000 Cagayan de Oro City, Misamis Oriental.  Mobile number: (0915) 881-0719.  E-mail: hccc.cdo@gmail.com. Open Tuesdays to Sundays, 8 AM to 5 PM.