Heritage of Cebu Monument (Cebu City, Cebu)

Heritage of Cebu Monument

The Heritage of Cebu Monument, a visually and contextually interesting tableau of concrete, bronze, brass and steel sculptures in the historic Parian District, shows scenes of significant and symbolic events in the history of Cebu back from the time of Rajah Humabon to the recent beatification of the Cebuano martyr, Pedro Calungsod.

Battle of Mactan

It was built on the site of the St. John the Baptist Church which was demolished in 1875 by the diocese of Cebu.  This work of art stands on a traffic circle, with narrow streets flanking the sides. Across the street is the Yap-Sandiego Ancestral House.

Check out “Yap-Sandiego Ancestral House

Galleon Trade

The late, multi-awarded Cebuano sculptor Eduardo Castrillo designed and conceptualized the monument and, with the late Senator Marcelo Fernan, together with donations from other private individuals and organizations, funded the construction of the monument.

Plaque

Construction began in July 1997 and, after three years, the monument was inaugurated on December 8, 2000.

Magellan’s Cross

The structures carved into the huge monolith are the Basilica Minore del Santo Niño, the Cebu Metropolitan Cathedral, the St. John the Baptist Church, the Magellan’s Cross, and a Spanish Galleon while scenes depicted are the baptism of Rajah Humabon and his followers to Christianity, the local revolution against the Spanish rule, a procession of the Santo Niño, a Roman Catholic mass, and the April 21, 1521 Battle of Mactan between Lapu-Lapu and Portuguese explorer Ferdinand Magellan. The persons depicted in the monument include the late president Sergio Osmena Sr. and St. Pedro Calungsod.

Spanish Galleon

Heritage of Cebu Monument: Sikatuna St., Plaza Parian, Cebu City, Cebu.

How to Get There: Jeepneys along Colon Street, with the signboard showing “SM” and “Pier,” pass by the monument. You may also take a taxicab as most drivers are familiar with the place. From Ayala Center or SM, it is a 15-20 min. taxi ride.

The Jesuit House (Cebu City, Cebu)

The author at The Jesuit House

The grand opening of One Central Hotel & Suites had just ended and, as we still had a little over an hour to make it to the Jesuit House (claimed to be the oldest dated house in the Philippines), Rona, Rhea and I took a taxi to quickly get there. However, the driver only spoke Cebuano, which none of us spoke, and, coupled with that, didn’t know the destination.  But, thanks to Waze, we were able to make our way there.

Check out “Hotel and Inn Review: One Central Hotel & Suites

The entrance to the Jesuit House (also called Museo de Parian sa Sugbo) was through the main gate of Ho Tong Hardware along Zulueta Street. A streamer, with the words “Welcome To The Jesuit House of 1730,” hangs on the hardware gate. Most people, including us, would probably  have just passed by the area, ignorant of the historical treasure inside as a towering fence, built to protect it from theft (it still is a warehouse for the present owner’s business),  hides the house from street view.

At the office, we paid the admission fee and waited, at the adjoining coffee shop, for museum curator Christian Joseph Bonpua who was to guide us through the museum. The knowledgeable and versatile Christian was well versed in the history of the Jesuits in relation to the Philippines (considering he was a graduate of the Dominican-run University of Sto. Tomas), sharing a lot of historical and current facts. 

Museum curator Christian Joseph Bonpua

He  presented a birds eye view of the history of the Jesuit house during the Spanish and American periods of history via a video presentation.  The Jesuit House is actually two houses connected by a bridge.

“Ano de 1730” plaque atop the entrance (photo: Ms. Rhea Vitto-Tabora)

During our guided tour, Christian pointed to a low relief plaque, bearing the date “Año 1730,” on the inside wall above the main house’s entrance door, an artifact in itself. However, the house’s history remains murky, even contentious.  Some historians argue over the exact year of the house’s construction, some saying that the date on the relief plaque was not 1730 but 1750, pointing out that the third number from the left resembled “5” more than “3.” One piece of evidence hints that the house was built even earlier.

Airconditioned ground floor gallery

In his book Pictorial Records and Traces of the Society of Jesus in the Philippines and Guam prior to 1768, published in 1936, Fr. William Repetti, S.J. (1884-1966), a seismologist (he was Chief of the Section of Seismology and Terrestrial Magnetism of the Manila Observatory, 1920 to 1936) and archivist of the Jesuits, noted the existence of this house, identifying this old structure as the “Jesuit House of 1730.”

It is also widely believed that a tower once stood beside the house. An old, badly damaged painting of the house showed that it was attached to what is believed to be a watchtower for spotting seafaring raiders. In his book, Fr. Repetti also included a reproduction of this old painting of the house. Today, pictures of Fr. Repetti’s visit as well as a framed drawing of that painting hangs on the Jesuit house wall.

However, recent restoration works proved that the house could even be older than 1730. A coin, found buried in one post of the original house, was dated to the Ming Dynasty (1368–1644).  Broken ceramics, also pointing to the Ming Dynasty, were also dug out.

Display of pottery shards

It gives the idea that the house may have gone through a number of transformations and that its first owner may  have been Chinese (the Chinese were among the early settlers in the area). In her book Life in Old Parian, memoirist Concepcion G. Briones happily noted that the house has now come full circle – somehow it is back to Old Parian hands (as the current owner is Filipino-Chinese).

Japanese porcelain shards

Chinese influence in the house construction can be seen in rafters that feature a design resembling a pagoda plus the intricate carvings on the trusses also show that Chinese artisans may have worked on it.  Sy believes the Jesuit house is even older than the Yap-Sandiego Ancestral House because its second level, like the ground floor, is still made of cut coral stones, indicating it was built before a Spanish decree disallowed this practice.

Statue of St. Ignatius of Loyola

The decree, indicating that the second level of all houses should be made of wood, was made to prevent the loss of life after a number of houses using coral stone on both floors were destroyed and many lives were lost during a strong earthquake.

Check out “Yap-Sandiego Ancestral House

The remarkably preserved house, sitting on around 2,000 sq. m. of land, served as the residence of the second highest official of the Jesuit society in the Philippines.  Other priests of the order or deacons going to or coming from other provinces for missions were also received here. Historians say that the Jesuits were indeed in possession of the house until 1768 when, following their suppression in Europe, they were expelled from the Philippines. The Jesuits are credited to have introduced masonry construction to the Philippines.

Old movie projector

In 1910, after having been built and occupied by the Jesuits, this huge stone-and-tile mansion bordered by two streets on a lot in old Panting, adjacent to Parian, was bought by Don Luis Alvarez y Diaz, the Alvarez family patriarch.  The Alvarez family, originally from Asturias (Spain), settled in Cebu via Lawis, Leyte.

Scaled model of a Chinese junk

Who Don Luis brought it from is still mystery but, based on a lead provided by Edwina Link-Harris (Don Luis’ granddaughter), it is surmised that it may have been from Don Cristobal Garcia, a Spaniard and a Tabacalera agent of the then municipality of Cebu who returned to Spain. At one point in time, Don Jose Alvarez leased the house to Gov. Sergio Osmeña who used it as a meeting place for Cebu’s elite. The Alvarez family are the current owners of Montebello Villa Hotel.

Diorama of the the old Parian area, showing the now non-existent Church of St. John the Baptist, the Jesuit House and other landmarks.

During World War II, the house was also used by the American forces.  In the 1960s, the house was leased to Peping “Jap” Rodriguez, an Alvarez kinsman, for use as a club. Within the decade it again changed hands, this time going to the Sy family. Jaime “Jimmy” Sy, the current owner, inherited the property from his father.  Jimmy, who operates Ho Tong Hardware, is married to the former Margie Vaño of the Old Guard, related to the Sanson-Velosos, the Coromina-Fortiches, and the Escaños.

Stairs to second floor

Dr. Michael Cullinane (associate director of the Center for Southeast Asian Studies), an American historian on the Philippines, has a different version of the house’s history. Unearthing the earliest record on the house, he revealed that it once belonged to the pious Villa family of the Chinese mestizo principalia (local aristocracy). Around 1880, the Villas gave the house to the Jesuits on certain conditions, including one on the dedication of specific prayers for living and dead members of the family.

Azotea

Jimmy questioned this claim, saying that, even before 1880, the house was already in the possession of the Jesuits as indicated on the Jesuit seals, carved in two separate places in the house, which are definitely in the 18th-century style, as well as the legend “1730,” which is definitely in 18th-century calligraphy. Fr. Rene Javellana, SJ, a Jesuit art historian and professor based at the Ateneo de Manila, supports Jimmy on his contention as the Jesuit presence in Cebu was not reestablished until the erection of Our Lady Queen of China, Sacred Heart Parish in 1952, debunking the 1880 deed.

The two-storey house, along the defunct main entrance on narrow Binakayan Street, has cut coral stone walls with original molave (tugas) hardwood floors of alternating planks of dark and light shades, carved decorative corbels that support the ceiling, stout posts made from the trunks of trees, and a terracotta clay tile roof (a double row of tiles, with each row with a tile atop the other, facing down and cupped by a single tile facing up in the kulob-hayang pattern).

Antique sala set and television

The ground-level interior space (zaguan) has terracotta flooring.  It has 3 m. high ceilings and big door and window openings. Its second floor is connected, by a covered wooden walkway, to a smaller house.  The smaller house is the building we entered. A bipartite building, the smaller house’s lower storey is of coralline limestone while the upper portion is wood, typical of Fil-Hispano colonial houses.

Antique cash register

Antique typewriter, cameras and telephones

According to a 1989 essay written by Fr.  Javellana, the smaller house is believed to have served as an azotea or recreation area.  Another possible explanation, according to Sy, for why this structure was built separately but close to the main house and connected to it at the second level through a wooden bridge, is that it could have functioned as a kitchen situated outside of the house in case of fire.

Jukebox

This house annex, though still retaining its original wood reliefs, the corbels that support the ceiling, the huge, uncut tugas posts and big planks of tugas floorboards lined side by side, already has a galvanized iron roof and renovated modern walls. The presence of disjointed smaller corbels indicates that the ceiling was much higher today than when it was first built.

Tugas (molave) post and coralstone wall at second floor

The original wooden staircase leading up to the livable space on the second floor, described by Fr. Repetti as having a newel post and decorated with intricate carvings or motifs (similar to the monastery of the Basilica Minore del Sto. Niño), is also gone. It is said that, when they left, the Alvarez family brought the banister and post with them and used these in a house they had built in Bohol.

A towering concrete fence, resting on the original fence of coral stone (said to be older than the house), hides the house from street view. The original entrance to the property, through a narrow road called Binakayan near Colon, has been closed off to protect, on the gate’s lintel, the monograms of Jesus, Mary and Joseph.

Though the Sys do not live in the house anymore, they turned the house into a semi-public museum in 2008, making it as a repository of antique furniture and other items (including a jukebox, old GE electric fan and an antique payphone) they’ve collected over the years, thus preserving it as a testament to Cebu’s rich cultural heritage.

Kitchen

In addition to the antiques collected by the Sy family, the museum also features a diorama showing the house during the Spanish era as well as the old furniture owned by the previous owners and items (Ming Dynasty coins, pottery shards, animal bones, etc.) that were unearthed at the location and displayed at the airconditioned ground floor gallery.

Cross at fence

Typical of its time, everything about the house was generous, almost grand and made to last generations. Even with the clutter of warehouse items, the innate importance of the Jesuit House was immediately apparent to us visitors.

Bas relief at the coralstone fence

The Jesuit House: Hotong Hardware, 26 Zulueta St., Brgy. Parian, Cebu City, 6000 Cebu. Tel: (032) 255 5408.  Admission: PhP50/pax (PhP15 for students). Open daily, 8 AM – 12 noon and 1 – 5 PM.  The museum is one of the stops of the annual Gabii sa Kabilin where locals and visitors alike can take a tour of the rich heritage of Cebu City.

How to Get There: The Jesuit House, across the Heritage of Cebu Monument built right on the old Parian plaza, is a few steps away from the obelisk that marks the start of Colon Street at its northern end. Taxi drivers may not be familiar with the Jesuit house so just say you want to go to the Parian Fire Station, which is 10-15 mins. away from Fuente Osmena.  From Ayala Center, take a 13C jeepney and drop off at the Heritage of Cebu Monument. From Colon, take the 01K jeepney and also drop off the monument. 

Yap-Sandiego Ancestral House (Cebu City, Cebu)

Yap-Sandiego Ancestral House

After breakfast at One Central Hotel, we still had time to kill before the 1 PM grand opening of the hotel, so I, together with lady media colleagues Maria Rona Beltran, Rhea G. Vitto-Tabora and Javelyn J. Ramos, decided to do some museum sightseeing.  Outside the hotel, we hailed a jeepney that took us to the Yap-Sandiego Ancestral House, part of the Casa Gorordo Museum Complex.

Check out “Casa Gorordo Museum”

After paying the PhP50 admission fee to a lady receptionist clad in old Filipiniana dress and logging our names in the visitors’ logbook, we were toured around the house by a well-versed guide.

L-R: Ms. Maria Rona Beltran, Ms. Rhea G. Vitto-Tabora, Ms. Javelyn J. Ramos and the author

The Spanish-Colonial era Yap-San Diego Ancestral House, in Cebu City’s Parian District (founded in 1590 after the arrival of Chinese traders), is said to be the first Chinese house built outside of China.

Listening to our guide explaining the history of the house

Often referred to by the locals as the Balay nga Bato ug Kahoy (“House of Wood and Stones”), this ancestral house was built, sometime between 1675 and 1700, and is considered as one of the oldest existing residential structures in the country and a proof that the Parian district in Cebu City was a bustling barangay where houses are often designed with a second storey.

The house was originally owned by Don Juan Yap, a Chinese merchant, together with his wife, Doña Maria Florido.  They had three children, namely: Maria, Eleuterio and Consolacion.

Portrait of house owners Val and Ofelia Sandiego

In the 1880’s, their eldest daughter, Maria Florido Yap, married Don Mariano Avendano San Diego from Obando, Bulacan, who was, at that time, the Parian’s cabeza de barangay (district head). Since then, the structure had become a busy center of activity in Parian.

In 2008, the house was handed down to the aforementioned Val Mancao San Diego, Doña Maria’s 10th generation great great grandson, and his wife Ofelia Zozobrado-San Diego.

An art collector, one of Cebu’s famous choreographers and a heritage icon, Val believe that this ancestral house was part of Cebu’s history and heritage so he carefully restored his ancestor’s home and turned it into a private museum.

Fine china

And though there have been offers to buy the house from him, he still continues to ignore such proposals and vows never to sell this historical house in his lifetime, no matter what the offer is.

Religious statuary

Though Val and his family don’t live in this house, every so often, during weekends, they still come over to stay at the house. This ancestral house was been featured in the book Chinese Houses of Southeast Asia of noted Chinese cultural historian Ronald G. Knapp (2010, Tuttle Publishing)

An antique harp

This 2-storey house, its design combining Spanish and Chinese architectural influences, has a ground floor built with coral stone, glued with egg whites, and a second floor built with tugas (molave) and balayong wood. The curving roof was made of tisa (red terra cotta clay tiles) from China, each piece weighing 1 kilogram.

Four-poster beds

Outside is a beautiful garden (a boat from the 1800s is currently being used as a flower bed) and a still functional old well (its water is only used for the plants).

The beautiful garden

The ground floor was unpaved (since it was only used as a warehouse or kamalig) but, before we ascended the second floor’s creaking staircase, we had to wear shoe cover booties to protect the hardwood floor upstairs from scratches.

Stairway

The house was filled with well-crafted life-sized statues, religious icons and images of santos, especially of the Sto. Niño (including one sitting on a rocking chair) and angels, in every size and material imaginable (the family was known to be deeply religious).

Dining Area

There’s also an impressive array of new contemporary and ancient artworks; priceless, century-old antique pieces; a wooden harp; fine china and cutlery; antique décor; clay jars for storing water and Cebuano-made native period furniture made of balayong, tugas and narra.

Most the old items which were preserved here came from Carcar, Cebu. The front door has a knocker that came from a Chinese temple.

The bedroom had a four-poster bed and a wooden baby crib. Also at the second floor is a banggerahan with its rack for drinking glasses and cups. Having survived natural calamities and earthquakes, the house has retained over 90% of the original structure.

Yap Sandiego Ancestral House: 155-Lopez Jaena corner Mabini St., 6000 Parian District, Cebu City, Cebu. Open daily, 9 AM – 7 PM. Admission: PhP50 per person.  Tel: (032) 514-3002, 514-3003 or 253-5568. Facebook: www.facebook.com/Yap-Sandiego-Ancestral-House-214835631903226/

How to Get There: From Marina Mall, ride a multicab or jeepney that carries a ‘highway’ signage and tell the driver to drop you off at Maguikay. From there, ride any Mandaue jeepney (with a “Catedral” or “Colon” signage) that will take you to Cebu Metropolitan Cathedral or Colon Street. Upon reaching these landmarks, The Yap-San Diego Ancestral House is just a walk away. At SM Cebu or near Radisson Blu Hotel, you can ride a jeep with 01K code. Go down at Shamrock and take a short walk to the right where you’ll find the Parian Plaza and its Heritage of Cebu Monument. The house is just a few steps away from it.

Check out “Heritage of Cebu Monument

10,000 Roses Café (Cordova, Cebu)

10,000 Roses Cafe

Part of One Central Hotel & Suites-sponsored tour of Cebu City

The 10,000 Roses Café, opened last February 6, 2017, is one of Cebu’s newest craze.  It has a stunning garden in the open area of the facility that are “planted” with 10,000 artificial white roses that are filled with LED lights, the first in the Philippines.

About 3 feet tall, these roses dance with the sea breeze during day time.   Around 6 PM every night, they are lit and transformed into magical lights that glow at night. That’s why it’s best to go there before sunset until closing time.  Because of its unique theme, it instantly became a hit and is, undeniably, the most popular and most sought-after café.

Cordova Tourism Center

Lantaw Floating Restaurant

Located at the end of Cordova Tourism Center, just next to Lantaw Floating Restaurant, many visitors frequent the place to have their pictures taken in a different kind of setting.  It is owned by interior designer Miguel Cho who was inspired by the more than 25,000 LED Roses of the famous Dongdaemum Design Plaza in Seoul, South Korea.

View of the 10,000 Roses from the Cafe Viewdeck

A perfect spot for photographers, the café, situated on a reclaimed wharf property, has a viewing deck, surrounded by glass walls, that offers an amazing view of Mactan Island, the skyline of Cebu City, the neighboring cities and municipalities, the island’s mountain range, the sea and, of course, the roses.

10,000 Roses Cafe

The coffee shop and restaurant serves drinks, pasta, panini, sandwiches, potato fries, nachos with salsa, cheese plate, fruits plate, salad and varieties of coffee, teas and beer.  The ground floor has a modest indoor dining area, with modern and stylish seating, which can accommodate 20 to 25 customers.  The alfresco dining area can accommodate additional 40 to 60 customers.

Indoor Dining Area

Al fresco dining area

The 10,000 Roses Café: Brgy. Day-as, Cordova, Cebu.  Tel: (032) 496 7023. Open daily, 10:30AM to 11PM. Admission: P20/person.

One Central Hotel & Suites: Cor. Sanciangko and Leon Kilat St., Cebu City 6000, Cebu.  Tel: (+6332) 888-8000, 888-8111 and 888-8168.  E-mail: info@onecentralhotel.com. Website: www.onecentralhotel.com.

Return to Wawa Gorge (Rodriguez, Rizal)

Wawa Gorge

The day after my grandson Kyle’s 6th birthday, I together with the rest of my family joined employees of E. Ganzon Inc. in distributing relief goods to residents of Sitio Wawa in Rodriguez (formerly Montalban, it was renamed after Eulogio “Amang” Rodriguez Sr., Montalban’s first mayor and Senate president, in 1982) in Rizal. Last August 11-13, the area was hit by flash flooding that also destroyed the bridge that connects Sitio Wawa with Sitio Sto. Niño.

Sitio Wawa

This wasn’t my first visit to this area.  The first time I was in Wawa was way back in 2004 when I was a guest in a demonstration tour, for teacher representatives from 9 different schools, hosted by Lakbay Kalikasan. At Wawa Gorge, we engaged in the adrenaline-pumping sport of rappelling at the gorge’s metal footbridge.

Check out “Rapelling at Wawa Gorge

Sitio Wawa lies is in between the 426 m. high Mt. Pamitinan and 424 m. high Mt. Binacayan.  Its abandoned reservoir is visited mostly by hikers as the jump-off point for the trek to either beginner-friendly mountain, two of three mountains in the well-loved trilogy hike (the other is 517 m. high Mt. Hapunang Banoi). Guide fee is Php500 per group.

Mt. Pamitinan

The two mountains form a scenic view that appears like a portal to the sky, hence the name wawa, the Dumagat term for “entrance.” Sitio Wawa is a habitat of the Remontado Dumagat, mixed-blood offspring of lowlanders, who fled the Spanish colonizers, and of Negritos, the original setters in the area.

Mt. Binacayan

Legend has it that a giant of extraordinary strength named Bernardo Carpio (our version of Hercules or Atlas) who, in olden times, was trapped by an enkanto (enchanted creature) between Mt. Pamitinan and Mt. Binacayan. He caused earthquakes, landslides and flooding in nearby villages every time he struggles to free himself from his chains or keep the boulders from crushing him or from colliding.

Parking lot for visitors

José Rizal was said to have made a pilgrimage to Montalban to pay homage to Bernardo Carpio, a versatile symbol of freedom. In recent times, Lavrente “Lav” Diaz has used the legend as organic symbol in his 2016 historical fantasy dram film Hele sa Hiwagang Hapis (“A Lullaby to the Sorrowful Mystery”). The riverbed is said to have a boulder with a hollow that forms what look like a gigantic footprint, attributed by locals to Bernardo Carpio.

The E. Ganzon, Inc. group. The author is at left

Historically, the site was used as a hide out by the revolutionary leader Andres Bonifacio who made one of Pamitinan’s caves as the Katipunan’s secret headquarters.  Here, Bonifacio and eight of his men entered the cave on Palm Sunday and came out on Good Friday. Here, they declared independence from Spain on April 12, 1895, over a year before the Revolution started.

The children of Sitio Wawa

Some 500 meters of narrow passage away from the mouth of Pamitinan Cave is the bulwagan (“hall”), a cavern over 50 ft. high and about 50 ft. in radius.  Inscribed on the cavern wall, in what looks like charcoal (possibly soot from a torch), are the words Viva la Independencia.  The Pamitinan pilgrimage is held here in April.

A currently closed hanging bridge

In 1943, the cave was turned into a Japanese armory. Mary Japanese died here from American fire. In 1977, a concrete marker commemorating them was fixed on the cliff wall over the cave’s mouth, above which is a metal plate, inscribed with Japanese characters with English translation, that reads: “Give them eternal rest, O Lord, and let them share Your glory.” In 1985, the cave was declared a National Geological Monument.

The narrow paved trail. along a ridge, leading to Wawa Dam

It is closed for rehabilitation until further notice.  In 1996, the area was declared a Protected Landscape managed by the Department of Environment and Natural Resources (DENR) and the Department of Tourism.

A waterfall emanating from a cave

After lunch at one of the area’s eateries, we decided to make the 500-m. trek, along a ridge, to Wawa Dam, the prominent landmark of Sitio Wawa. Along the narrow, paved trail are stores selling organic vegetables (eggplant, squash, gabi, takway, puso ng saging, pandan leaves, etc.), river shrimps, crabs, eels, carp, charcoal, assorted fruits (bananas, papaya,) etc., snacks and beverages to tourists.

The author at the steel footbridge near the dam

On Tuesdays and Fridays, foot traffic is heavy on the trail, with young men carrying sacks of fruits and vegetables.  After crossing a metal footbridge, we reached the slightly arched dam.  Coupled with the beautiful landscape of 80-160 feet high white rock walls, limestone crags and marble boulders, the dam was perfect for photography.

Wawa Dam

Wawa Dam, also known as Montalban Dam, is an 85 m. 9279 ft.) long  and 12 m. (40 ft.) high gravity dam constructed over the Marikina River. The slightly arched dam is situated in the 360-m. (1,180 ft.) high Montalban Gorge or Wawa Gorge, a water gap in the Sierra Madre Mountains, east of Manila.

Kyle, Grace and Jandy with the dam in the background

The waters of the Upper Marikina River basin, its headwater said to be in Quezon province, runs through the gorge and descends to the lowlands of the neighboring town of San Mateo and Marikina Valley. During summer, cottages are built at the foot of the dam but, as it was the rainy season, they remove the cottages because of the heavy impact of water.

The old, roofless American-era watchtower flanking the dam

The dam was built in 1904, during the American colonial era, started operating in 1909 to provide the water needs for Manila. It used to be the only source of water for the greater Manila area but it was closed in 1962 due to deterioration and lack of water supply and abandoned when it was replaced by the La Mesa-Ipo-Angat watershed system.

The sparsity of its water was most likely due to the logging and quarrying in the mountains. However, due to insufficiency of water supply for Metro Manila, there is now a strong clamor to reuse the dam. Wawa Dam is also pictured in their official seal of the local government of Rodriguez.

The reservoir behind the dam

For those who are not fans of mountain hiking, Wawa Dam’s has picnic spots. If you don’t want to bring your own food and beverages, sari-sari stores, food stalls and a wet market are available in the place. You can rent a bamboo cottage (Php150-500) and toilets are Php10 per use (bring your own toiletries or buy them at the sari-sari stores).

The roofless interior of the old watchtower

Wawa Dam: M. H. Del Pilar Street, Sitio Wawa, Brgy. San Rafael, Rodriguez, RizalPhilippines.

How to Get There:

By Car: Despite the usual traffic, the fastest route to Wawa is via Commonwealth Ave., then take Payatas Road going to Rodriguez Highway until you reach M.H Del Pilar Street. Inside Wawa Village, there’s a parking space where the locals look after your car for any amount. Travel time is around 1.5 to 2hrs.

By Public Transportation: In front of Jollibee, Farmers, Cubao, Quezon City, there’s a UV Express Terminal where you can take the van going to Rodriguez (fare: Php50 per head).  Drop-off at Montalban Terminal.  Here, you can ride a tricycle going to Wawa Village (fare: Php20 per head). From  SM North/Trinoma, you can also ride a UV Express van (fare: Php50) going to Eastwood Montalban and drop off at Eastwood Ministop. Then, ride a jeep going to Wawa (fare: Php8). From the parking lot, you have to walk for 5-10 minutes. Alternatively, from Cubao/SM North/Trinoma, you can ride a bus or jeepney going to Litex and, from there, ride a jeepney going to Montalban Town Center and another jeepney to Wawa. This is much cheaper but a bit of a hassle.

The Fountain at Okada Manila

The Fountain at Okada Manila

The Fountain at Okada Manila, tagged as the world’s largest multicolor dancing fountain, was unveiled last March 31, 2017 in a star-studded launch featuring Miss Universe 2015 Pia Wurtzbach as host, German-Filipino classical crossover singer Gerphil Flores (performing classical music with the 40-piece Manila Philharmonic Orchestra as accompaniment) and American singer-songwriter Robin Thicke (behind the hit “Blurred Lines”) as the main act.

This iconic destination attraction of the Philippines, capable of moving in rhythm with music and lights, draws guests not only around the country but from the world over. The US$30-million fountain has an area of 9.2 hectares, reportedly taking up a third of the property’s land area. In terms of size, it is bigger than the 3.4-hectare Bellagio Fountain of Las Vegas. Like the Bellagio, The Fountain at Okada Manila was designed by WET Designs, a renowned Los Angeles-based water-feature design firm.

WET team of  fountain choreographers infused a local touch to The Fountain’s twofold design inspirations – the festive traditions of the Philippines, and the sampaguita, the country’s national flower.

The fountain, a spectacular show of lights and sounds, is equipped with 739 high-power water nozzles (which can shoot water beyond the height of the Okada Manila hotel building), including WET’s proprietary underwater robots, 2,611 colored lights and 23 high-fidelity speakers. The water in The Fountain can also fill 50 Olympic-size swimming pools.

The Fountain Show, a gift of Okada Manila Chairman Kazuo Okada to the Philippines, is available for free to guests of all ages who watch the show from 6 PM onward. Before the show begins, the peaceful fountain takes the appearance of a manmade lake from the ground. When the show starts, water jets soar high at the centre of the lake, allowing for the projection of abstract videos from two sides.

The water nozzles and colored lights work together to create a sensory experience like no other.  The fountain’s movements, dazzling as it danced in sync to the tune of classics and modern songs, features jets of water racing and spurts twisting and twirling with the feathery grace of a dancer with water blossoms budding, unfurling and forming the eight petals of a massive sampaguita.

Both sides of The Fountain also feature projections during spectacular water shows. A permanent yet invisible performance stage installed in The Fountain’s lake enables performers to give the illusion of being able to walk on water, interact with the water features, and amaze the audience with an enthralling, unforgettable show.  Accompanying this are two other immersive shows: LED Mapping and World of Wonders.  Joining the ranks of Manila’s most iconic landmarks and a bold take on creating a global icon, The Fountain of Okada Manila’s grandeur and accurately choreographed water, light and music performances will rival those in Dubai’s Burj Khalifa and Las Vegas’ Bellagio. Truly, it is a sight to behold.

Okada Manila: New Seaside Drive, Parañaque City, 1701 Metro Manila.  Tel.: (02) 888 0777.

Fountain Show Schedules: Mondays to Thursdays, one song at the top of each hour (6 PM to 10 PM); Fridays to Saturdays, two songs at the top of each hour (6 PM to 12 AM); and Sundays, two songs at the top of each hour (6 PM to 11 PM). Every 8 PM, from Friday to Sunday, the World of Wonders will be performed on the floating stage. A projection mapping show, meanwhile, will be held from Friday to Sunday from 8:30 to 9:30 in the evening.

Church of St. Isidore the Farmer (Labrador, Pangasinan)

Church of St. Isidore the Farmer

The town’s first church and convent, built with wood, was started in 1771 by Fr. Domingo de San Joaquin and finished in 1776. By 1865, after renovations, it measured 57.4 m. in length and 16.5 m. in width. In 1952, the church underwent repairs of World War II damage.

The church’s interior

AUTHOR’S NOTES

The church’s single level, Baroque facade, topped by a plain triangular pediment, has a semicircular arched main entrance flanked by massive square pilasters topped by urn-like finials, and semicircular arched windows.

Above the entrance is a small niche with the statue of St. Isidore the Farmer flanked by semicircular arched windows.  The square bell tower, on the church’s left, is probably a modern addition.

The main altar and retablo

Church of St. Isidore the Farmer: Lingayen-Labrador Road, Poblacion, Labrador 2402. Tel: (075) 549-5055. Feast of St. Isidore the Farmer: May 15.

How to Get There: Labrador is located 359 kms. from Manila.  Within the province, it is located 12.6 kms. from Lingayen, 10.5 kms. from Bugallon and 7.3 kms. from Sual.

Kampana Museum (Lingayen, Pangasinan)

Kampana Museum, probably the only one of its kind in the country

The Kampana (“Bell”) Museum, probably the only museum of its kind in the country, is housed within the compound of the Cathedral of the Epiphany of Our Lord.  It displays an array of six old bells (some dating back to the 1800s) of different sizes (four of them still with their wooden yokes) of the parish on a raised concrete platform within a fenced in, shed-type enclosure.

Check out “Cathedral of the Epiphany of Our Lord

The array of six bells, a number of which are coated with verdigris

During the term of the first Team Ministry (when the “Three Kings” Parish was renamed “Epiphany of Our Lord Parish” in 1965) of the parish (composed of Fr. John R. Palinar, Fr. Jose S. Estrada, Fr. Manuel S. Bravo and Fr. Victor Z. Embuido), these church bells were replaced by new ones (sourced through donations from civic-spirited citizens here and abroad).

 

Bell inscribed with “Isaias Edralin,” probably a parish priest

These old church bells were, in turn, housed in a museum built during the term of the second Team Ministry (composed of Fr. Alberto T. Arenos, Fr. Camilo Natividad and Fr. Jovino Batecan).  The museum was inaugurated on March 31, 2002.

Bell inscribed with “Francisco Treserra,” probably a parish priest

AUTHOR’S NOTES:

Inscriptions on the bells oftentimes indicates the bell’s date of casting, its weight, the name of the saint (San Juan Bautista, Sta. Teresita, Jesus, Maria y Jose, etc.) to which it was dedicated; the name of the town (Lingayen) for which it was commissioned; the name of the parish priest (Francisco Treserra, Isaias Edralin, Felix Sanches, etc.), bishop (Cesar Ma. Guerrero, on February 22, 1929), pope (Pope Pius XI ); when it was cast; and even the name of the bell caster.

A bell inscribed with the names of Lingayen Bishop Cesar Ma. Guerrero and Pope Pius XI

I noticed one bell was cast in 1874, a second in 1883 and another in 1928. One bell is inscribed with “Fundicion de H. Sunico” possibly referring to metalsmith Hilario S. Sunico who cast 176 bells, dated 1872-98. His last known bell was dated 1937.

A bell inscribed with the year “1883”

Many of the bells are wrapped in a blue-green patina due to chemical reaction with air and sea water, over time, that causes copper, brass and bronze to form verdigris.The verdigris layer, which gives the bell its fragile beauty, actually protects the underlying metal from corrosion and degradation, which is why these bells are so durable.

A bell inscribed with “Jesus, Mary and Joseph”

Cathedral of the Epiphany of Our Lord: Poblacion, Lingayen, 2401 Pangasinan.  Tel: (075) 542-6235.

How to Get There: Lingayen is located 227 kms. (a 4.5-hour drive) from Manila and 94.9 kms. (a 3-hour drive) from Baguio City (Benguet).

Church of Our Lady of the Purification (Binmaley, Pangasinan)

Church of Our Lady of Purification

This church, once the largest church in the province during the latter part of the 19th century, was first constructed in the 16th century but burned down in 1745. The succeeding brick church, built towards the west of the former, was begun by Fr. Jose Salvador in 1747 finished by Fr. Francisco Barroso, OP, in 1754.

The right side of the church with some of the original brick facing now exposed

During World War II, the church was heavily damaged (only the walls and the partly damaged bell tower were left after shelling by American warships from January 7-9, 1945) and later rebuilt.

The 5-storey bell tower on the church’s right

AUTHOR’S NOTES:

This church’s 3-level, relatively simple Baroque brick (now plastered over) façade has  semicircular arched main entrance, flanked by semicircular arched windows, at the first level; and a semicircular arched statued niche, flanked by semicircular arched windows, at the second level.

On display in front of the church is a huge 1880 bell that bears the logo Fundicion de Metales de Santos Supangco.

The segmental pediment, separated from the second level by 3 rows of cornices, has a recessed octagonal window (above which is a cornice and a centrally located seal in the tympanumflanked by smaller, recessed octagonal windows. The huge scrolls flowing down from the base of the pediment are typical of the Italian Baroque style.

The 1880 church bell on display outside the church

The 5-storey, square bell tower, on the church’s right, has blind semicircular arched recesses (canopied with triangular segments), at the the first 3 storeys, and semicircular arched open windows at the receding upper levels.  It has 3 bells. One bell, weighing 4,130 pounds and cast in 1804, was once of the three biggest bells in the Philippines.

The main altar and retablo

The church measures 94 m. long and 16.8 m. wide. Juan Fuentes y Yepes, the Bishop of Nueva Segovia, is buried here.  The 35 m. long  transept has a high dome with 4 windows and is supported by 8 elegant columns with Composite capitals. The interior also houses 5 exquisite altars.

The church’s dome

Church of Our Lady of the Purification: Urdaneta Junction, Dagupan–Binmaley Road, Poblacion, Binmaley 2417. Tel: (075) 540-0047.  Feast of Our Lady of Purification: February 2.

How to Get There: Binmaley is located 223 kms. from Manila.

Silliman University’s Anthropology Museum (Dumaguete City, Negros Oriental)

Anthropology Museum

Silliman University’s Anthropology Museum,  a must to visit if you are a tourist in Dumaguete City, was established in 1973 to bring the importance of the Filipino’s cultural heritage to the attention of the public. Formerly housed in the iconic Silliman Hall (the oldest American structure in the country), the museum was relocated to the second floor of Hibbard Hall in 2015.

Hibbard Hall

Hibbard Hall, built in 1932 and named after Dr. David Sutherland Hibbard, one of the founders of the institution, also houses the Office of the University Registrar.. It is a good museum to visit to get first-hand viewing of tools used on different historical ages of the Philippines.

The collections were well documented and arranged. The bulk of the artifacts displayed came from field works, excavations by Sillimanian anthropologists in the 1970s, purchases and donations.This airconditioned museum has seven galleries, from archaeological finds to anthropological artifacts. The first three contains exhibits collected from known cultural or ethnic groups all over the country.

Artifacts include simple tools and instruments such as basketry; woodwork; agricultural and aquatic tools; weapons (bows & arrows, etc.); clothing and ornaments; musical instruments impressive samples of Islamic cultural pieces and even objects of Siquijor “witchcraft” or traditional healing practices. The display is based on two general criteria: the type of social organization (incipient, tribal or sultanate) and the type of economic subsistence (hunting, and gathering, marginal agriculture or farming) under which ethnic group is categorized.

The last four galleries exhibit a variety of very wide-reaching and interesting artifacts, dating to the Pre-Colonial Period, collected from different parts of Negros Island and in the mountain areas of CotabatoOn display are excavated burial jars, clay pots believed to be used during burial rites; porcelain which date back to the Sung Period in the twelfth century; native jewelry; and a long wooden boat coffin with actual remains in it.

The Sultan Omar Kiram Collection tells the curious story of a young man, born in 1914, whose Christian name was Vicente Austria.  He was adopted into a wealthy Christian family and enjoyed the benefits of education and culture of that family. Later, as an army officer, he went to a Muslim village where his former nurse (yaya) recognized him and told him of his real heritage that he was, in fact, from a royal Muslim family and he was really Sultan Omar Kiram, the ruler of the Onayan Sultanate of Lanao del Sur, Mindanao.  He died in 1986 and his collection, which  includes his personal effects (clothes, different kinds of ceremonial swords, prayer beads, etc.),  was donated by his wife.

Rocks and Minerals

There’s also a display of precious gemstones and minerals and a short visual history of the Filipino people (Philippine Revolution, Second World War , Declaration of Independence, EDSA Revolution, etc.).

Anthropology Museum: 2/F, Hibbard Hall, Hibbard Ave., Silliman University, Dumaguete City. Open Mondays-Saturdays, 8 AM – 11:30 AM and 1:30 PM – 4:30 PM;  Sundays and holidays, by appointment. General Admission: PhP50 (Mondays – Saturdays); PhP100 (Sundays and holidays).  Children below 15 years and Filipino students: PhP20 (Mondays – Saturdays); PhP40 (Sundays and holidays).  Senior Citizen: PhP40 (Mondays – Saturdays); PhP80 (Sundays and holidays).