The Jesuit House (Cebu City, Cebu)

The author at The Jesuit House

The grand opening of One Central Hotel & Suites had just ended and, as we still had a little over an hour to make it to the Jesuit House (claimed to be the oldest dated house in the Philippines), Rona, Rhea and I took a taxi to quickly get there. However, the driver only spoke Cebuano, which none of us spoke, and, coupled with that, didn’t know the destination.  But, thanks to Waze, we were able to make our way there.

Check out “Hotel and Inn Review: One Central Hotel & Suites

The entrance to the Jesuit House (also called Museo de Parian sa Sugbo) was through the main gate of Ho Tong Hardware along Zulueta Street. A streamer, with the words “Welcome To The Jesuit House of 1730,” hangs on the hardware gate. Most people, including us, would probably  have just passed by the area, ignorant of the historical treasure inside as a towering fence, built to protect it from theft (it still is a warehouse for the present owner’s business),  hides the house from street view.

At the office, we paid the admission fee and waited, at the adjoining coffee shop, for museum curator Christian Joseph Bonpua who was to guide us through the museum. The knowledgeable and versatile Christian was well versed in the history of the Jesuits in relation to the Philippines (considering he was a graduate of the Dominican-run University of Sto. Tomas), sharing a lot of historical and current facts. 

Museum curator Christian Joseph Bonpua

He  presented a birds eye view of the history of the Jesuit house during the Spanish and American periods of history via a video presentation.  The Jesuit House is actually two houses connected by a bridge.

“Ano de 1730” plaque atop the entrance (photo: Ms. Rhea Vitto-Tabora)

During our guided tour, Christian pointed to a low relief plaque, bearing the date “Año 1730,” on the inside wall above the main house’s entrance door, an artifact in itself. However, the house’s history remains murky, even contentious.  Some historians argue over the exact year of the house’s construction, some saying that the date on the relief plaque was not 1730 but 1750, pointing out that the third number from the left resembled “5” more than “3.” One piece of evidence hints that the house was built even earlier.

Airconditioned ground floor gallery

In his book Pictorial Records and Traces of the Society of Jesus in the Philippines and Guam prior to 1768, published in 1936, Fr. William Repetti, S.J. (1884-1966), a seismologist (he was Chief of the Section of Seismology and Terrestrial Magnetism of the Manila Observatory, 1920 to 1936) and archivist of the Jesuits, noted the existence of this house, identifying this old structure as the “Jesuit House of 1730.”

It is also widely believed that a tower once stood beside the house. An old, badly damaged painting of the house showed that it was attached to what is believed to be a watchtower for spotting seafaring raiders. In his book, Fr. Repetti also included a reproduction of this old painting of the house. Today, pictures of Fr. Repetti’s visit as well as a framed drawing of that painting hangs on the Jesuit house wall.

However, recent restoration works proved that the house could even be older than 1730. A coin, found buried in one post of the original house, was dated to the Ming Dynasty (1368–1644).  Broken ceramics, also pointing to the Ming Dynasty, were also dug out.

Display of pottery shards

It gives the idea that the house may have gone through a number of transformations and that its first owner may  have been Chinese (the Chinese were among the early settlers in the area). In her book Life in Old Parian, memoirist Concepcion G. Briones happily noted that the house has now come full circle – somehow it is back to Old Parian hands (as the current owner is Filipino-Chinese).

Japanese porcelain shards

Chinese influence in the house construction can be seen in rafters that feature a design resembling a pagoda plus the intricate carvings on the trusses also show that Chinese artisans may have worked on it.  Sy believes the Jesuit house is even older than the Yap-Sandiego Ancestral House because its second level, like the ground floor, is still made of cut coral stones, indicating it was built before a Spanish decree disallowed this practice.

Statue of St. Ignatius of Loyola

The decree, indicating that the second level of all houses should be made of wood, was made to prevent the loss of life after a number of houses using coral stone on both floors were destroyed and many lives were lost during a strong earthquake.

Check out “Yap-Sandiego Ancestral House

The remarkably preserved house, sitting on around 2,000 sq. m. of land, served as the residence of the second highest official of the Jesuit society in the Philippines.  Other priests of the order or deacons going to or coming from other provinces for missions were also received here. Historians say that the Jesuits were indeed in possession of the house until 1768 when, following their suppression in Europe, they were expelled from the Philippines. The Jesuits are credited to have introduced masonry construction to the Philippines.

Old movie projector

In 1910, after having been built and occupied by the Jesuits, this huge stone-and-tile mansion bordered by two streets on a lot in old Panting, adjacent to Parian, was bought by Don Luis Alvarez y Diaz, the Alvarez family patriarch.  The Alvarez family, originally from Asturias (Spain), settled in Cebu via Lawis, Leyte.

Scaled model of a Chinese junk

Who Don Luis brought it from is still mystery but, based on a lead provided by Edwina Link-Harris (Don Luis’ granddaughter), it is surmised that it may have been from Don Cristobal Garcia, a Spaniard and a Tabacalera agent of the then municipality of Cebu who returned to Spain. At one point in time, Don Jose Alvarez leased the house to Gov. Sergio Osmeña who used it as a meeting place for Cebu’s elite. The Alvarez family are the current owners of Montebello Villa Hotel.

Diorama of the the old Parian area, showing the now non-existent Church of St. John the Baptist, the Jesuit House and other landmarks.

During World War II, the house was also used by the American forces.  In the 1960s, the house was leased to Peping “Jap” Rodriguez, an Alvarez kinsman, for use as a club. Within the decade it again changed hands, this time going to the Sy family. Jaime “Jimmy” Sy, the current owner, inherited the property from his father.  Jimmy, who operates Ho Tong Hardware, is married to the former Margie Vaño of the Old Guard, related to the Sanson-Velosos, the Coromina-Fortiches, and the Escaños.

Stairs to second floor

Dr. Michael Cullinane (associate director of the Center for Southeast Asian Studies), an American historian on the Philippines, has a different version of the house’s history. Unearthing the earliest record on the house, he revealed that it once belonged to the pious Villa family of the Chinese mestizo principalia (local aristocracy). Around 1880, the Villas gave the house to the Jesuits on certain conditions, including one on the dedication of specific prayers for living and dead members of the family.


Jimmy questioned this claim, saying that, even before 1880, the house was already in the possession of the Jesuits as indicated on the Jesuit seals, carved in two separate places in the house, which are definitely in the 18th-century style, as well as the legend “1730,” which is definitely in 18th-century calligraphy. Fr. Rene Javellana, SJ, a Jesuit art historian and professor based at the Ateneo de Manila, supports Jimmy on his contention as the Jesuit presence in Cebu was not reestablished until the erection of Our Lady Queen of China, Sacred Heart Parish in 1952, debunking the 1880 deed.

The two-storey house, along the defunct main entrance on narrow Binakayan Street, has cut coral stone walls with original molave (tugas) hardwood floors of alternating planks of dark and light shades, carved decorative corbels that support the ceiling, stout posts made from the trunks of trees, and a terracotta clay tile roof (a double row of tiles, with each row with a tile atop the other, facing down and cupped by a single tile facing up in the kulob-hayang pattern).

Antique sala set and television

The ground-level interior space (zaguan) has terracotta flooring.  It has 3 m. high ceilings and big door and window openings. Its second floor is connected, by a covered wooden walkway, to a smaller house.  The smaller house is the building we entered. A bipartite building, the smaller house’s lower storey is of coralline limestone while the upper portion is wood, typical of Fil-Hispano colonial houses.

Antique cash register

Antique typewriter, cameras and telephones

According to a 1989 essay written by Fr.  Javellana, the smaller house is believed to have served as an azotea or recreation area.  Another possible explanation, according to Sy, for why this structure was built separately but close to the main house and connected to it at the second level through a wooden bridge, is that it could have functioned as a kitchen situated outside of the house in case of fire.


This house annex, though still retaining its original wood reliefs, the corbels that support the ceiling, the huge, uncut tugas posts and big planks of tugas floorboards lined side by side, already has a galvanized iron roof and renovated modern walls. The presence of disjointed smaller corbels indicates that the ceiling was much higher today than when it was first built.

Tugas (molave) post and coralstone wall at second floor

The original wooden staircase leading up to the livable space on the second floor, described by Fr. Repetti as having a newel post and decorated with intricate carvings or motifs (similar to the monastery of the Basilica Minore del Sto. Niño), is also gone. It is said that, when they left, the Alvarez family brought the banister and post with them and used these in a house they had built in Bohol.

A towering concrete fence, resting on the original fence of coral stone (said to be older than the house), hides the house from street view. The original entrance to the property, through a narrow road called Binakayan near Colon, has been closed off to protect, on the gate’s lintel, the monograms of Jesus, Mary and Joseph.

Though the Sys do not live in the house anymore, they turned the house into a semi-public museum in 2008, making it as a repository of antique furniture and other items (including a jukebox, old GE electric fan and an antique payphone) they’ve collected over the years, thus preserving it as a testament to Cebu’s rich cultural heritage.


In addition to the antiques collected by the Sy family, the museum also features a diorama showing the house during the Spanish era as well as the old furniture owned by the previous owners and items (Ming Dynasty coins, pottery shards, animal bones, etc.) that were unearthed at the location and displayed at the airconditioned ground floor gallery.

Cross at fence

Typical of its time, everything about the house was generous, almost grand and made to last generations. Even with the clutter of warehouse items, the innate importance of the Jesuit House was immediately apparent to us visitors.

Bas relief at the coralstone fence

The Jesuit House: Hotong Hardware, 26 Zulueta St., Brgy. Parian, Cebu City, 6000 Cebu. Tel: (032) 255 5408.  Admission: PhP50/pax (PhP15 for students). Open daily, 8 AM – 12 noon and 1 – 5 PM.  The museum is one of the stops of the annual Gabii sa Kabilin where locals and visitors alike can take a tour of the rich heritage of Cebu City.

How to Get There: The Jesuit House, across the Heritage of Cebu Monument built right on the old Parian plaza, is a few steps away from the obelisk that marks the start of Colon Street at its northern end. Taxi drivers may not be familiar with the Jesuit house so just say you want to go to the Parian Fire Station, which is 10-15 mins. away from Fuente Osmena.  From Ayala Center, take a 13C jeepney and drop off at the Heritage of Cebu Monument. From Colon, take the 01K jeepney and also drop off the monument. 

Casa Gorordo Museum (Cebu City, Cebu)

The author in front of Casa Gorordo Museum

From the Yap-Sandiego Ancestral House, Rhea, Rona, Javelyn and I walked the short 140 m., via Eduardo Aboitiz St., to the Casa Gorordo Museum.  Upon entry, we first registered ourselves at the museum office and paid the PhP120 per pax admission fee.

Check out “Yap-Sandiego Ancestral House

As a guided tour was still ongoing, we waited for our turn at a patio that now serves as an airconditioned waiting room for visitors, its furniture partially made of bamboo.

Visitors Waiting Room

Near the patio is the zaguan, the old basement storage area for crops and livestock.  After a few minutes our guide arrived in the person of museum curator Florencio Moreno II who explained the rooms and the artifacts.

Javelyn, Rona and Rhea with museum curator Florencio Moreno II

Located at the middle of the historic Parian District, this historic, two-storey, former bahay na bato (a typical architectural type during the Spanish colonial period) was built in the 1850s and was originally owned by Alejandro Reynes y Rosales.  In 1863, it was bought by Juan Isidro Gorordo, a Spanish merchant.

Plaque installed by National Historical Institute

According to historian Resil Mojares (author of the book “Casa Gorordo in Cebu: Urban Residence in a Philippine Province 1860-1920”), four generations of the Gorordo family, from 1863 to 1979, have lived in this house, including Bishop Juan Perfecto Gorordo y Garces (1862 to 1934), the first Filipino bishop of Cebu.

Portrait of Cebu Bishop Juan Gorordo

In 1980, it was acquired by the Ramon Aboitiz Foundation, Inc. (RAFI). Between 1980 and 1981, after it was acquired by RAFI, the house underwent extensive renovation and restoration works and, on December 15, 1983, was officially opened to the public as a museum. On September 24, 1991, Casa Gorordo Museum was designated as a National Historical Landmark by the National Historical Institute.

Paintings and Farming Implements

In 2005, to replace aging elements, a major second renovation was undertaken. In late 2013, it was again closed to give way to an enhancement project and reopened to the public on November 2016 with an upgrade aimed at elevating visitors’ experience by incorporating more interactive presentations and digital technology.

1939 Schwinn Mead Ranger Bicycle

The museum is maintained by RAFI through its Culture and Heritage Unit. The foundation aims to promote, through the museum, the importance of history and culture to the kids and millennials. RAFI also continued the house traditions of the Gorordo family, which include the Sinug sa Casa Gorordo (the original Sinulog steps done a day after the festival’s grand parade), the Kuwaresma procession, Pista ni San Juan and the display of the Gorordo Belen.

Mobility in Early 20th Century

The house, surviving two turbulent revolutionary conflicts and the Second World War, showcases mid-19th century and early 20th century Philippine culture and lifestyle.  It has an enriched artifact collection reflecting the lifestyle of Cebuanos from the late 1800s to the pre-World War II years.


It has a courtyard, a terra-cotta tile roof with Chinese upturned eaves, bayong (mahogany) wood sidings, ground floor with coral stone blocks (glued with egg whites), tugas (molave) and narra hardwood flooring and capiz windows.

1860s Tankard

1880s Flat Iron

The stonewalled ground floor displays contemporary paintings by Cebuano artists; miniature furniture sets; a 1939 Schwinn Mead Ranger bicycle; an 1860s tankard, an 1880s flat iron (plantsa); a corn mill (gilingan ng mais); models of vehicles used in Cebu; ceramics; pottery; eighteenth and nineteenth century agricultural implements (plow, tools, etc.) and other household objects such as a duwang (a large hardwood basin), four big palo-palo, clothes wringers and dryers, and a wooden for ironing clothes.

Miniature Furniture Set

Now an interactive museum mixing a little bit of old and new, Moreno also showed us a 3D virtual map (the only one in the city that has this map), an interactive exhibit that showcases the history of Cebu City from 1614 to 1945.

Mini Theater

At the mini-theater which can accommodate 30 to 40 people, we were shown a short, 10-min. film that traces the development of the payag or bahay kubo (native house) to become the balay nga tisa (house with clay tiled roof) such as Casa Gorordo. There’s also a diorama of Cebu’s social life with prominent families, originally from or linked to Cebu’s Parian district, listed.

Interactive Exhibit of Prominent Cebuanos in Old Parian

After a short flight of four stone steps which ends in a descanso (landing), we went up a higher flight of wooden stairs with banisters that lead us to a caida (anteroom) and the sala (living room) fronting the street and flanked by two bedrooms.

Stairs leading to the second floor

Intricate wood carvings on the ceiling divide the house into function rooms. The sala has rattan sets and Vienna chairs, cabinets and tables.

Second floor living area

The bedrooms have canopied, four-poster beds, made of narra or molave, with delicate carvings; rocking chair and baby crib.

Master’s Bedroom

Ladies’ Room

The Ladies’ bedroom has a crescent moon-shaped mirror said to bring good luck.

Crescent-shaped mirror of Ladies’ Room

The library has old photographs of Cebu during the early American era, books (including faded copies of Rizal’s novels) and an old globe with the former names of countries.

Old globe with the former names of countries at Library

The office has nineteenth century period furniture.

Comedor (Dining Area)

The comedor (long dining hall) showcases gold and silver kubiertos (silverware), antique plates and tazas (cups).

China Cabinet

The kitchen, with American colonial fixtures, also has eighteenth century water jars and cooking utensils.

American-era, ceramic Berkefeld Water Filter at kitchen

There’s also a chapel as Juan Gorordo, the first Filipino Bishop of Cebu, was one of the house occupants.


Prior to leaving the museum, Rona, Rhea and I engaged in some cosplay by having our “period photos” taken, at a photo studio (obviously a late addition), wearing period costumes.

Victor gramophone

Other interesting items include a giant grandfather clock, a Victor gramophone and an 1890 Singer Sewing machine.

Azotea (Patio)

The second floor also has an unusual trellised azotea (patio), overlooking the garden (where there’s a deep but not functioning well), with 80-year old flower vines (called the “Bridal Bouquet”).

The unused well at the courtyard

Recently, the patio has been the venue for book launchings and lectures.

Museum Shop

Across the patio is a museum shop (which also underwent enhancement) that sells Casa Gorordo Museum-branded merchandise that cannot be bought from other stores.  From here, a stairs leads down to a ground floor coffee shop.

Museum Cafe

Casa Gorordo Museum: 35 Lopez Jaena St., Cebu City, Cebu. Open Tuesdays to Sundays, 9 AM to 12 noon and 2 to 6 PM.  Closed on Mondays and holidays. The museum offers different informal guided tour packages, ranging from P120 to P180. The P180 rate will include a tour guide, free use of tablets (to scan the QR codes affixed to the items on exhibit, which give more detailed information), free earphones, a booklet, a souvenir item, and a free drink at the museum cafe.  A 20% discount is given to senior citizens, students (13 to 18 years of age), and undergraduate college students. Tel: (032) 411-1767 (RAFI Culture and Heritage Unit) and (032) 418-7234 loc. 532.  E-mail: Facebook page: RAFI-Casa Gorordo Museum.

Yap-Sandiego Ancestral House (Cebu City, Cebu)

Yap-Sandiego Ancestral House

After breakfast at One Central Hotel, we still had time to kill before the 1 PM grand opening of the hotel, so I, together with lady media colleagues Maria Rona Beltran, Rhea G. Vitto-Tabora and Javelyn J. Ramos, decided to do some museum sightseeing.  Outside the hotel, we hailed a jeepney that took us to the Yap-Sandiego Ancestral House, part of the Casa Gorordo Museum Complex.

Check out “Casa Gorordo Museum”

After paying the PhP50 admission fee to a lady receptionist clad in old Filipiniana dress and logging our names in the visitors’ logbook, we were toured around the house by a well-versed guide.

L-R: Ms. Maria Rona Beltran, Ms. Rhea G. Vitto-Tabora, Ms. Javelyn J. Ramos and the author

The Spanish-Colonial era Yap-San Diego Ancestral House, in Cebu City’s Parian District (founded in 1590 after the arrival of Chinese traders), is said to be the first Chinese house built outside of China.

Listening to our guide explaining the history of the house

Often referred to by the locals as the Balay nga Bato ug Kahoy (“House of Wood and Stones”), this ancestral house was built, sometime between 1675 and 1700, and is considered as one of the oldest existing residential structures in the country and a proof that the Parian district in Cebu City was a bustling barangay where houses are often designed with a second storey.

The house was originally owned by Don Juan Yap, a Chinese merchant, together with his wife, Doña Maria Florido.  They had three children, namely: Maria, Eleuterio and Consolacion.

Portrait of house owners Val and Ofelia Sandiego

In the 1880’s, their eldest daughter, Maria Florido Yap, married Don Mariano Avendano San Diego from Obando, Bulacan, who was, at that time, the Parian’s cabeza de barangay (district head). Since then, the structure had become a busy center of activity in Parian.

In 2008, the house was handed down to the aforementioned Val Mancao San Diego, Doña Maria’s 10th generation great great grandson, and his wife Ofelia Zozobrado-San Diego.

An art collector, one of Cebu’s famous choreographers and a heritage icon, Val believe that this ancestral house was part of Cebu’s history and heritage so he carefully restored his ancestor’s home and turned it into a private museum.

Fine china

And though there have been offers to buy the house from him, he still continues to ignore such proposals and vows never to sell this historical house in his lifetime, no matter what the offer is.

Religious statuary

Though Val and his family don’t live in this house, every so often, during weekends, they still come over to stay at the house. This ancestral house was been featured in the book Chinese Houses of Southeast Asia of noted Chinese cultural historian Ronald G. Knapp (2010, Tuttle Publishing)

An antique harp

This 2-storey house, its design combining Spanish and Chinese architectural influences, has a ground floor built with coral stone, glued with egg whites, and a second floor built with tugas (molave) and balayong wood. The curving roof was made of tisa (red terra cotta clay tiles) from China, each piece weighing 1 kilogram.

Four-poster beds

Outside is a beautiful garden (a boat from the 1800s is currently being used as a flower bed) and a still functional old well (its water is only used for the plants).

The beautiful garden

The ground floor was unpaved (since it was only used as a warehouse or kamalig) but, before we ascended the second floor’s creaking staircase, we had to wear shoe cover booties to protect the hardwood floor upstairs from scratches.


The house was filled with well-crafted life-sized statues, religious icons and images of santos, especially of the Sto. Niño (including one sitting on a rocking chair) and angels, in every size and material imaginable (the family was known to be deeply religious).

Dining Area

There’s also an impressive array of new contemporary and ancient artworks; priceless, century-old antique pieces; a wooden harp; fine china and cutlery; antique décor; clay jars for storing water and Cebuano-made native period furniture made of balayong, tugas and narra.

Most the old items which were preserved here came from Carcar, Cebu. The front door has a knocker that came from a Chinese temple.

The bedroom had a four-poster bed and a wooden baby crib. Also at the second floor is a banggerahan with its rack for drinking glasses and cups. Having survived natural calamities and earthquakes, the house has retained over 90% of the original structure.

Yap Sandiego Ancestral House: 155-Lopez Jaena corner Mabini St., 6000 Parian District, Cebu City, Cebu. Open daily, 9 AM – 7 PM. Admission: PhP50 per person.  Tel: (032) 514-3002, 514-3003 or 253-5568. Facebook:

How to Get There: From Marina Mall, ride a multicab or jeepney that carries a ‘highway’ signage and tell the driver to drop you off at Maguikay. From there, ride any Mandaue jeepney (with a “Catedral” or “Colon” signage) that will take you to Cebu Metropolitan Cathedral or Colon Street. Upon reaching these landmarks, The Yap-San Diego Ancestral House is just a walk away. At SM Cebu or near Radisson Blu Hotel, you can ride a jeep with 01K code. Go down at Shamrock and take a short walk to the right where you’ll find the Parian Plaza and its Heritage of Cebu Monument. The house is just a few steps away from it.

Check out “Heritage of Cebu Monument

Pres. Carlos P. Garcia Heritage House (Tagbilaran City, Bohol)

Pres. Carlos P. Garcia Heritage House

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

The 2-storey residence of former Philippine President Carlos P. Garcia, it was built from 1953-1954 on the former residence of the Jorolan family. As Garcia spent most of the year in Manila, the Tagbilaran house was just a vacation house.

NHI Plaque

Years after Garcia’s death, the house was rented to the Provincial Government of Bohol for use as a provincial museum. The collection consists of preserved local flora and fauna, small replicas of the century-old churches, as well as artifacts sourced from different parts of the province.

The ground floor. On the left is the piano donated by the Japanese Embassy

On September 4, 2009, it was declared as a heritage house by the National Historical Commission of the Philippines. On November 25, 2011, the management of the museum was transferred, from President Carlos P. Garcia Foundation, Inc. (PCPGFI), to the Bohol provincial government. The Bohol Provincial Museum collection is now located in the Bohol Branch of the National Museum of the Philippines, in the Provincial Capitol Complex.

The president’s work desk

Locals refer to it as the White House largely because of the dominant color of the house paint. On display are the president’s memorabilia such as photographs, medals and certificates, suits, and books.

Pres. Garcia’s suit

The president’s chess set

Portrait of Pres. Garcia and wife Leonila

Also on display are the opulent the wardrobe of the Mrs. Garcia and their only daughter, paintings, and furniture belonging to the Garcia family including the former president’s bed and work desk, the chess set which Garcia played with professor friends every night and the Yamaha grand piano given by the Embassy of Japan.

President Carlos P. Garcia Heritage House: F. Rocha cor. A. Holtanosa Sts., Tagbilaran CityBohol. While admission is free, a donation box is set up by the entrance.

How to Get There:  The house is just a few blocks away from the Bohol Provincial Capitol and the Cathedral of Saint Joseph the Worker.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail:

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: Website:  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

The Ancestral Houses of Sitio Ubos (Tagbilaran City, Bohol)

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

Tagbilaran City has a number of heritage houses that can be found in Sitio Ubos (Lower Town), the oldest district of the city. During this period, old rich Chinese families built their houses in this formerly major port town in the city to establish their wealth. In 1916, there were only four families living there – the Oppus-Borjas, the Rochas, the Manigques and the Butalids. Through the positioning of their houses, the Rochas almost wholly owned the place, showing their great economic clout. We visited three of these, all located in close proximity to each other.

Fortich-Rocha House

The first house we visited was Fortich-Rocha House, the home of Don Fernando Gorraiz Rocha. Formerly a renowned schoolteacher (known as Maestro Andoy) in the Spanish school for boys and also a former governor of Bohol in the early 20th century, Don Fernando lived here with his wife, Dona Catalina Fortich, a local lady of Spanish extraction. The house, probably built before the 1850’s, was made with wooden boards and had a nipa roof.

The ground floor of this house once served as a bazaar.  However, the house was made popular by the baking skills of the Las Hermanas Rochas, the unmarried sisters of Don Fernando, who once produced the best pastries in town – hojaldres, broas, kinatloan and the plebeian fare called dugmok (toasted left-over bread).

Antonio Rocha House

The most distinct and impressive house in Sitio Ubos today is probably the house of the mestizo sangley Don Antonio Rocha, once the escribiente (clerk) of the Tagbilaran parish.   It has a tile roof and stone skirting at the ground floor. On the back wall is inscribed the date 1831, most likely the year when this house was built. In the 1970’s, the owners rented out some of the rooms to students in Tagbilaran.

Later on, the owner sold it to a Manila-based antique collector who shelled out some earnest money so as to gain foothold in the house, after which he began methodically stripping the house of valuable antiques, including the frame of an Antonio Rocha painting.  He then sold it to the present Swiss owner.

On the opposite side of the road is the impressive Beldia House, built in 1858 by Don Esteban Butalid, a gobernadorcillo and businessman. Don Manuel Timoteo Hidalgo, the brother-in-law of Jose Rizal (married to sister Saturnina), stayed in the house for four months (in January 1889 and then again in December of the same year) during his exile to Bohol.  It is also possible that Jose Rizal himself may have visited the house when he supposedly toured Bohol in 1894. During the Spanish regime, the house served as a provisional municipio before a new one, long since disappeared, was built high on the cliff above Sitio Ubos. In 1971, Judge Antonio Beldia bought the house from the Butalid-Calceta-Gallares family corporation.

The Beldia House

The Beldia House, with its elegant floating volada atop massive masonry walls, has a lot in common with its neighbor, the equally outstanding and exceptional Antonio Rocha House.  Both have curving gambrel roofs of clay tiles with its bent-down ridges.  Unique in the province, it gives the houses a distinct Chinese feel. Likewise, both houses have massive ground floor walls made with coral stone.

Hidden in one of the side walls (which used to be the main façade), fronting a now vanished road, is the original main entrance, now serving as window to the former office of the late Judge Beldia. Its elaborate Neo-Classic facade, unique in Boholano domestic architecture, is flanked by two pilasters with particularly attractive Composite capitals (a whimsical interpretation of the Corinthian model) hewn from coral stone.  Its three-centered arch is topped by an architrave of Classic proportions.

Originally having a U-shaped floor plan, the house’s internal courtyard has now been roofed over and now serves as the main entrance. The upper floor has since undergone considerable alterations.  There are new jalousie windows and the old wooden panels were largely replaced by contemporary materials.

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: Website:  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Balili Heritage House (Tagbilaran City, Bohol)

Balili Heritage House

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

Our first stop in our Tagbilaran City tour was the majestic, two-storey Balili House, built sometime in 1934 by the then bachelor Mr. Eladio Balili, a history teacher of  Bohol National High School and businessman  (dried fish, lumber, furniture, transport and construction),  who later married Ms. Pancrasia “Caring” Castro.

The grand concrete stairway leading up to the porch

Barely visible from the street, its main facade is crowned by a wide overhanging gable roof with roof eaves adorned with Art Nouveau carvings.

The park-like garden

We passed through a park-like garden before climbing a sweeping grand concrete stairway leading to the artistically designed, second floor porch with its rounded corners, rough-hewn wooden posts, topped by semicircular arches with embroidery-like carvings on the fringes.

Arch. Gloria Balili-Katz (right) briefing members of media

The delicate calado wood carvings (in harp design), lattice screens, and barandillas (framed by carved wooden harps and friezes) underneath the windows add grace and playfulness to the house. The two sets of sliding capiz windows, with air vents above it, flank the porch on both sides.

February 18, 1957 (Eladio’s 58th birthday) picture of the Balili Family. Gloria is at the center

Elegant wooden canopies, with tooth-like fringes, protect the windows. The house has a square floor plan, unusual for Bohol houses.

The dining area

Upon entry, we were all welcomed by architect Gloria Balili-Katz, the youngest (of seven children) of Eladio and Pancrasia who gave us a tour of the well-preserved, incredibly beautiful mansion. According to her, the house served as a venue of grand social functions of Tagbilaran which were attended by prominent political and social personalities from both the local and national level.

Photo of Roxas-Quirino meeting on March 9, 1946

One such grand gathering was the March 9, 1946 meeting of then Pres. Manuel A. Roxas with senator (and later president) Elpidio R. Quirino, former governor Perfecto Balili (the brother of Eladio) and other important local political personalities. In March of 1942, during World War II, the Balili Mansion was requisitioned for use by high ranking Japanese military officers.

In the 1950s, after building a new larger house on the huge compound, Eladio finally moved out. The descendants of Eladio also preferred to build their own homes on the large family compound. The house was rented out but its last tenants moved out in 1998. For various reasons (accessibility, water supply, fear of ghosts, etc.), it was vacant for more than a decade.

Office desk with the agila chair (which Roxas sat on) behind it

Today, this well-maintained, virtually unchanged “sleeping beauty” has reawakened after it was converted into The Oasis lodging house (PhP450/pax for a fan-cooled room and PhP750/pax for an airconitioned room).  Meals are available upon request.

Antique wall-mounted clock

Inside are wooden walls (above which are calado woodwork) and ceiling, old photographs (including the photo of the Roxas-Quirino meeting) and floor of wide hardwood planks. Antique furnishings include the wooden chair (where Roxas sat on) with an agila (eagle) at its crest, an office desk, a butaka (a chair with long arm rests) and an old clock.

The sliding capiz windows with ventanillas below it

Balili Heritage House: 6 J. Borja St., Tagbilaran City. Tel: (038) 411-2511.  Mobile number: (0918) 299-1865. Website:

How to Get There: the house is located near the old Holy Spirit School, in front of Mang Inasal.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail:

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: Website:  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Bonifacio Trial Museum (Maragondon, Cavite)

This two-storey bahay-na-bato (stone house) was the site where Andres and Procopio Bonifacio were court martialed by a military court presided by Gen. Mariano Noriel from May 5 to 6, 1897. The court  found the two accused guilty of treason and recommended execution.

Bonifacio Trial Museum

Built by Teodorico Reyes in 1889, this house was formerly known as the Roderico Reyes House (which was the name of the former owner). The house now belongs to Mr. Jose Angeles.  In 1999, it was fully restored and declared as a National Heritage Site. Today, this stone, brick and wood ancestral house has been converted into a museum called the Museo ng Paglilitis ni Andres Bonifacio or Bonifacio Trial Museum. It was formally inaugurated on November 28, 2014.

The house has capiz sliding windows, ventanillas and calado woodwork on the eaves

The museum has five galleries.  Gallery 1 (Maypagasa) provides a short background on Andres Bonifacio and the Katipunan; Gallery 2 (Pagsalubong) focuses on the conflict between the two Katipunan factions in Cavite, the Magdalo and Magdiwang; Gallery 3 (Pagdakip) narrates the events leading to Bonifacio’s arrest; Gallery 4 (Ang Paglilitis) re-enacts the Bonifacio brothers’ court martial through a light and sound presentation; and Gallery 5 (Kadakilaan) recounts the anguish of Bonifacio’s widow, Gregoria de Jesus, in learning of her husband’s death.

National Historical Institute (NHI) Plaque

The museum also has an audio-visual corner offering a brief documentary about the trial and death of Andres Bonifacio and an e-learning room for online lessons on the history of the Philippines. The shrine is administered and managed the National Historical Commission of the Philippines (formerly the National Historical Institute).

Philippine Historical Committee (PHC) Plaque

Bonifacio Trial Museum: Col. Crisostomo Riel St., Brgy. Poblacion 1-A, Maragondon, Cavite. Mobile number: (0917) 553-7375 (Mr. Melanio Guevarra – museum curator). E-mail: Open Tuesdays to Saturdays, 8 AM – 5 PM. Admission is free.

The Ancestral Houses of Camalig (Albay)

Gonzales Ancestral House

Gonzales Ancestral House

After lunch at Rayben’s Place Restobar & Grill, we decided to burn some calories by doing a walking tour of some of Camalig’s Spanish and American-era ancestral houses.  All were within walking distance from the municipal hall.

Camalig Municipal Hall

Camalig Municipal Hall

Most of these bahay na bato (stone houses) typically have persiana (sliding wooden louver storm windows); ventanillas (openings with wooden balusters called barandillas) below the windows; and bandejado (decorative panels).

Capiz shell sliding windows (Melba Moyo House)

Capiz shell sliding windows (Melba Moyo House)

Media agua (awning), supported by wooden or ornate iron braces, wraps around over windows which use concha (checkerboard capiz shell panels) for its espejo (wrap around transom).

Persiana louvers (Gonzales Ancestral House)

Persiana louvers (Gonzales Ancestral House)

Eave calado and persiana louvers (Don Sixto Nuyda House)

Eave calado and persiana louvers (Don Sixto Nuyda House)

Their interiors have high ceilings; calado (wooden fretwork) on the upper walls; antique furniture and wide wooden floor planks.

Don Sixto Nuyda House - interior

Don Sixto Nuyda House – interior

The Nolasco House, built in the early 19th century, was owned by Diego Nolasco, a former town mayor.  The house was once used as the town’s temporary municipal hall.  Ruins of the old house, believed to be the municipal hall and judicial building, can be seen at the rear of the existing structure.

Nolasco Ancestral House

Nolasco Ancestral House

The Jaime Moyo Ancestral House, originally owned by Heron Moyo (brother of Teodoro Moyo whose descendants own the Melba Moyo House), is presently owned by Heron’s son, Jaime.  During World War II, it was once occupied by Japanese Gen. Tomoyuki Yamashita.

Jaime Moyo House

Jaime Moyo House

The Gonzales Ancestral House, presently owned by Ms. Ninibeth Gonzales, was built in 1920 and is one of the best-preserved ancestral houses in the town.  Its media agua is supported by ornate iron braces.

Ventanilla with barandillas (Gonzales Ancestral House))

Ventanilla with barandillas (Gonzales Ancestral House))

Ornate iron braces (Gonzales Ancestral House)

Ornate iron braces (Gonzales Ancestral House)

The Anson Ancestral House was originally owned by Toribia Iglesia Moya, sister of former capitan municipal (1877-1878) Doroteo Iglesia Moya and mother of Anacleto Moya Solano, last capitan municipal (1897-1900) and first presidente municipal (1901-1902) during the American era.

Anson's Ancestral House

Anson Ancestral House

It was later bought by the Ansons and transferred to the Valencianos in 1920 and returned to the Ansons in 1980.  It is distinguished by its outdoor main staircase leading to the living room and azotea.  During the Spanish era, it was used as quarters for the guardia civil.

Stairrway leading to living room

Outdoor stairway leading to living room (Anson Ancestral House)

The Melba Moyo House, built in 1932, was first owned by Barbara Nieves Moyo who late bequeathed it to her son Teodoro Moyo.  After Teodoro’s death, the house was manage by his wife Melba Grageda Moyo.  During World War II, high-ranking Japanese officials lived here.

Melba Moyo House

Melba Moyo House

One house we did get to enter, with the permission of the owner, was the Don Sixto Nuyda House, built in Geometric style of architecture in the 19th century by the previously mentioned capitan municipal Doroteo Iglesia Moya.

Don Sixto Nuyda House

Don Sixto Nuyda House

The Nuydas are affiliated with the Moyas through nephew Marcos Obligacion who took a Nuyda wife. Justino Napay Nuyda, a Bicolano zarzuela (a lyric-dramatic entertainment genre of Spanish origin) writer and the first Albay Second District congressman (1935-1941), once resided here.

Diamond-patterned concha windows (Don Sixto Nuyda House)

Diamond-patterned concha windows (Don Sixto Nuyda House)

We entered the house  via a uniquely designed stone porch that corresponds to the gillian of traditional Filipino pile houses.  Inside is an exemplary showcase of diamond-patterned concha.  It was damaged during the 2006 typhoon Reming which left 66 people dead in Albay.  The ground floor has been boarded up.

Don Sixto Nuyda House - Interior

Don Sixto Nuyda House – Interior

Mayor’s Office: Municipal Hall, Poblacion, Camalig, 4502, Albay. Tel.: (052) 484-1965

Municipal Tourism, Culture and Arts Office: Camalig Tourism  and Pasalubong Center, Brgy. 2, Camalig, Albay.  Mobile number: (0927) 621-3315.  E-mail:

Provincial Tourism and Cultural Affairs Office (PTCAO): Albay Tourism Bldg., Albay Astrodome Complex, Capt. F. Aquende Drive, 4500 Legaspi City, Albay.  Tel: (052) 481-0250 and (052) 742-0242. E-mail: and

House Museum of Alexandre Chavchavadze (Georgia)

After lunch at Pheasant’s Tears in Sighnaghi, Buddy, Pancho, Melissa, Riva, our guide Sopho and I continued on the final leg of our 3-day, GNTA-sponsored Georgian Countryside Tour, a 50-km./40-min. drive to the village of Tsinandali in the Kakheti region (79 kms. east of Tbilisi).

The house-museum (photo - Ms. Riva Galvestan)

The House Museum of Alexandre Chavchavadse (photo:- Ms. Riva Galvestan)

The village, lying in the Alazani River valley, was inherited by the 19th century aristocratic poet (considered to be the founder of Georgian romantic poetry), writer, military leader, diplomat, public figure and inventor Alexandre Chavchavadze (1786-1846), one of the most important figures of his time, from his father, Prince Garsevan  Chavchavadze.

Alexandre Chavchavadze (photo -

Alexandre Chavchavadze (photo:

Alexandre refurbished the estate, constructed a new Italianate palace and, in 1835, built a decorative garden, a tranquil refuge in the shadow of the dramatic neighboring Caucasian Mountains. Here, he frequently entertained his foreign guests with music, wit and, most especially, the fine vintage wine made at his estate winery (marani), Georgia’s oldest and largest.

The park (photo: Ms. Riva Galvestan)

The park (photo: Ms. Riva Galvestan)

Familiar with European ways, Alexandre combined European and centuries-long Georgian winemaking traditions when he built the winery in 1846.  He died  in a bizarre accident in Tbilisi when his cloak got caught in the wheel of his carriage and he was thrown out, hitting his head on the ground.

Another view of the garden

Another view of the garden

Alexandre’s vineyard is still cultivated to this day and the highly regarded dry white Tsinandali is still produced here. Visitors can see a bottle of Saperavi wine from 1839, the first harvest at Tsinandali, plus a unique collection of 16,500 bottles of other sorts of wines from many countries.

The author waiting outside the manor's iron gate (photo - Ms. Riva Galvestan)

The author waiting outside the manor’s iron gate (photo: Ms. Riva Galvestan)

On February 8, 1886, after David Chavchavadze’s (Alexandre’s son) death, the Chavchavadze family estate and park were acquired by the Estate Department of the Russian Empire and passed to the property of Tsar Alexander III and the Imperial family due to the failure to pay the debt to the Russian Public Bank.

Photo of Chavchavadze's descedants (photo -

Photo of Chavchavadze’s descedants (photo:

David had to mortgage the house to raise 14,000 silver rubles as ransom for the 23 women and children (including his wife and children) as well as servants of the household kidnapped on  September 1854 by the charismatic Muslim leader Imam Shamyl and his Lezgin tribesmen from the Dagestan mountains.

Melissa at the stairway (photo: Ms. Riva Galvestan)

Melissa at the stairway (photo: Ms. Riva Galvestan)

In 1887, the Tsinandali garden was renovated and, in 1917, was passed to the state. On August 1, 1947, the estate was organized into a museum and, in 2008, underwent renovation works when its rooms were restored with 19th century furnishings.

The White Salon (photo -

The White Salon (photo –

The 18-hectare house-museum, now leased to the Silk Road Group, a Georgia-based company, often hosts various exhibitions of works of various prominent Georgian and foreign artists such as Salvador Dali, Elene Akhvlediani, Levan Mekhuzla, Dimitri and Sandro Eristavi, Sergo Kobuladze and Karlo Kacharava. Each season, new exhibits make museum even more attractive, turning it into an important cultural site.

Dining Room (photo:

Dining Room (photo:

The perfect mixture of Georgian and European architectural cultures, this relatively small and unpretentious, 2-storey manor house, made with local sandstone, symbolizes the values Aleksandre Chavchavadze wanted to establish in Georgia. The exterior facade features unusually fine stonework and a veranda that incorporates Eastern ornamental woodwork and decorative elements that wraps around two sides of the house.

Crockery (photo:

Crockery at the dining table (photo:

The rectangular house is situated in the midst of a beautiful and serene 18-hectare park. Its unique and interesting layout features a mixture of natural and decorated gardens. The first landowner in Georgia to employ European landscape designers, Alexandre had the park was renovated in 1887 by the famous landscape designer Arnold Ragel.

Bedroom (photo:

Bedroom (photo:

The park, a harmonious synthesis of wilderness and decorative landscapes, incorporates a number of existing oak, lime and maple trees (now 400 to 500 years old) and consists of orchards, walks and paths lined with vines, flowerbeds, and traditional Georgian rose bushes. On August 20, 1987, the Georgian government placed Tsinandali park on the list of the National Monuments of Landscape Architecture.

The Library (photo:

The Library (photo:

We arrived at the estate just before closing time, parking along a driveway flanked by superb sentinels of cypress trees.  From the imposing iron entrance gate, we walked toward the house, anxious to get away from the biting cold.  Upon entering, we were met by our English-speaking Georgian guide who directed us, up the grand stairway, to the second floor where we were to explore nine rooms of the house that show what the good life in Kakheti must have been like in the 19th century. The exhibits, exclusively devoted to Alexandre’s memorabilia and that of his family, were captioned in Russian and Georgian only.

Nina's French piano (photo:

Nina’s French piano (photo:

Our guide showed us objects that represent both the poet’s life and creative work –  his epistolary and iconography archive; editions on various subjects in French, German, English, Polish and Armenian languages; manuscripts; works of photographer Ermakov; samples of painting and lithography; household objects; crockery (Chinese, Japanese, French, German, Italian, Georgian, Russian) and musical instruments.

L-R: Melissa, Sopho, our Georgian guide and Consul Cunanan (photo - Ms. Riva Galvestan)

L-R: Melissa, Sopho, our Georgian guide and Consul Cunanan (photo – Ms. Riva Galvestan)

The museum still had some of its original Georgian, Russian and French  furniture, including the French piano (the first recorded piano in Georgia) with a folding keyboard, bought from Europe and given by Alexander Griboedov to his wife Nina (Alexandre’s daughter). There were also interesting paintings and photos of people and events associated with the house, including the Lezgin raid. There’s also a reproduction of the Winterhalter portrait of Chavchavadze’s wife Salome. Photography wasn’t allowed inside.

The hallway leading to the wine cellar (photo: Ms. Riva Galvestan)

The hallway leading to the wine cellar (photo: Ms. Riva Galvestan)

There is a souvenir shop on the ground floor of the museum where one can find arts and crafts from the Kakheti region. Copies of Nino Chavchavadze’s handkerchief and of artifacts from archaeological excavations in Georgia are among the items for sale.   Before leaving, we had coffee at the museum’s café.

The wine cellar

The wine cellar

Tsinandali Museum: 2217 M-42, Tsinandali, Telavi District. Tel: (+995, 350) 3 37 17. Mobile number(+995 5 99) 71 41 22.  E-mail: Website:  Open Mondays to Thursdays, 10 AM – 6 PM, Fridays to Sundays, 10 AM – 7 PM. During the winter months, the museum closes at 5 PM.

Souvenir shop

Souvenir shop

Admission: standard (5 GEL, includes entrance to the garden, museum and vineyard as well as a guide to the museum exhibits), standard + tasting of one sort of Georgian wine (7 GEL), standard + tasting of various Georgian wines (20 GEL), visiting only park (2 GEL), schoolchildren (3 GEL) and university/college students (4 GEL). Entrance is free on May 18 (International Museum Day). Admission is also free for “Museum Honored Guests,” ICOM & UNESCO, children under school age and socially deprived, and refugees. 

Georgia National Tourism Administration: 4, Sanapiro St, 0105, Tbilisi, Georgia. Tel: +995 32 43 69 99. E-mail: Website:;

Qatar Airways has daily flights from Diosdado Macapagal International Airport (Clark, Pampanga) to Tbilisi (Republic of Georgia) with stopovers at Hamad International Airport (Doha, Qatar, 15 hrs.) and Heydar Aliyev International Airport (Baku, Azerbaijan, 1 hr.). Website:

The Chinese Compound (Pasay City)

From My Mother’s Garden, we began the afternoon leg of our AAP-sponsored Pasay Media Familiarization Tour, proceeding, along F.B. Harrison St., to a compound where, upon entering its red main gate, I was instantly transported to another place and time smack in the middle of urban chaos, which makes for an interesting contrast.

The Chinese Compound

The Chinese Compound

Set amidst lush greenery is an interesting enclave of 15 post-World War II, medium-sized and nearly identical 2-storey houses.  All these houses, designed to facilitate air flow before the introduction of air-conditioning, have high ceilings, large windows and a second floor balcony.  Its floors are laden with Machuca tiles.

The boutiue hotel

The boutiue hotel

Formerly a residential abode for the Chinese owner’s large family (it is called the Chinese Compound), this tree-lined compound simply awed me with its old-world charm and serenity.  Some of these 1950s houses are just regular homes of people not connected to the artistic world  but several of the homes now house several interesting establishments such as the art gallery of Albert Avellana (Avellana Art Gallery), the atelier of top fashion designer Jesus “Jojie” Lloren and the furniture showroom (Artelano 11 Furniture Gallery- A11) of interior designer Eric Paras which occupies 2 houses.

Artelano 11 Furniture Gallery

Artelano 11 Furniture Gallery

Five of the houses are also being turned into a boutique hotel, an example of adaptive reuse.  It will have a swimming pool and a restaurant.  We all toured each of these establishments (save for the boutique hotel which was still being constructed) which made the compound an artistic hotbed ever since it was occupied by creative souls. All are filled with art, classic French crockery, rustic table settings and furniture and decor that channel everything from Art Deco to mid century to a more industrial style. The space is reputed to be a source for well-known interior designers all over the country.

An A 11 furniture showroom

An A 11 furniture showroom

The Artelano 11 Furniture Gallery, opened last January 2013, houses, in a home setting, many of Eric’s designer furniture plus some  items he brought in from elsewhere.  They include a double-tiered, mid-century side tables; metal-based furniture pieces such as an iron bed frame with a wood-framed screen upholstered in toile de jouy fabric; a mid-century ambassador’s chair finished in black; an antique writing desk refinished in a dark hue; table tops and shelving units with thick slabs of exotic wood; a 4-panel screen, hung with small artwork, made with old doors; low console table, for Eric’s line of lighting, made from an enormous wood column; a metal framed lamp, topped by a marble cylindrical shade, with geometric patterns; a marble wash basin filled with decorative woven rattan balls; a pair of side tables, topped with polished white marble, with hollowed wood bases etched with designs in a random pattern; a cylindrical center table base wrapped with metal strips in a loose weave pattern; and Eric’s collection of colorful ceramic accessories.

Another A 11 showroom

Another A 11 showroom

The Avellana Art Gallery, opened in 1997, specializes in eye-catching Filipino art. Its genteel old space was turned by Albert into a retro-modern gallery for the functional art.  The two floors are full of art, with the top floor being used for moving exhibitions, a perfect venue for new and more established artists.  At the entrance lobby is the sculpture “Love From Above” by Pidge Reyes.

Avellana Art Gallery

Avellana Art Gallery

Love from Above by Pidge Reyes

Love from Above by Pidge Reyes

At the atelier of Jojie Lloren, we were welcomed by the mild-mannered and pleasant designer himself.  We all listened to him at his spacious living room, sitting at contemporary chairs around an old round table. His atelier looks a bit French Art Nouveau, the compact space of his workshop made stylish and beautified, in the bayanihan spirit, by his close friends.

Listening to Jojie Lloren at his atelier

Listening to Jojie Lloren at his atelier

There were furniture pieces (couch, ceramic garden stools, etc.) from Eric Paras’ A11, a louver screen from Albert Avellana, a bird cage from designer James Reyes, and a chandelier from lighting designer Ricky David; all these things close to Jojie’s heart.  Jojie also added period pieces he bought from thrift shops along Evangelista St. in Makati. His display of Filipino religious includes antique Marian medallions ((that spell out his name) and modern Marian prints by Virgilio Aviado.  There are also paintings, including one from Popo San Pascual.

Reception area with a chandelier from Ricky David, couch from Eric Paras and louver screen from Albert Avellana

Reception area with a chandelier from Ricky David, couch from Eric Paras and louver screen from Albert Avellana

Despite the heavy Pasay traffic and braving the pollution and the gritty stretch of urban decay on that day, the sudden change of atmosphere, once inside this place of calm, was truly worth the extra effort.

Religious art collection of Jojie

Religious art collection of Jojie

Avellana Art Gallery: Unit A-19, 2680 F.B.Harrison St., Pasay City. Tel: (632) 833-8357. E-mail:  Open Mondays to Saturdays, 10 AM to 7 PM.

Atelier of Jojie Lloren: Unit A-17 2680 F.B Harrison St., 1300 Pasay City.  Tel: (632) 556-4725, (632) 641-9347 and (632) 401-1194. Fax: (632) 896-7199. E-mail:

Artelano 11 Furniture Gallery: Unit A-11, 2680 F.B. Harrison St., 1300 Pasay City.  Tel: (632) 832-9972.  Mobile number: (0917) 837-0115. E-mail:  

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: Website:

AAP Travel: G/F, Sea Tower Bldg., 2332 Roxas Blvd. cor. Arnaiz Ave., Pasay City. Tel: (632) 551-0025.  Fax: (632) 551-0014. E-mail: