Archdiocesan Shrine of Santo Niño (Tondo, Manila)

Archdiocesan Shrine of Sto. Nino de Tondo

This church, also known as Santo Niño de Tondo Parish or Tondo Church, is under the jurisdiction of the Archdiocese of Manila.  The church is home to the second oldest Sto. Niño (which originally came from AcapulcoMexico) in the Philippines, next to the Sto. Niño De Cebu (1521).

The Neo-Classical façade

It was first built around 1625, damaged during the November 30, 1645 Luzon earthquake, and destroyed in 1661 for fear that Koseng (Koxinga), a Chinese pirate from Hermosa Island (Formosa, now Taiwan) might use it as its headquarters.

Historical plaque installed by Philippines Historical Committee in 1939

It was rebuilt that same year and completed in 1695.  In 1734, its facade and two bell towers were rebuilt during the term of Father Diego Bergaño.  The church was damaged during the 1740 earthquake, rebuilt, for the third time, by Fr. Manuel Diez Gonzalez in 1741, heavily damaged during the June 3, 1863 earthquake, rebuilt for the third time by Father Manuel Diez Gonzalez and completed around 1874 by Father Casimiro Herrero (parish priest of Tondo from 1874 to 1880) who followed the plans of architect Luciano Oliver in 1873.

Historical plaque of Decree of Erection as a Archdiocesan Shrine

In 1893, an organ imported from the renowned Amezua Organeros of Barcelona, Spain and was installed. It had one main keyboard with 56 keys and a pédalier with 19 keys and four combinations. During the Japanese occupation of the Philippines, the church was used as a cuartel. In 1997, aside from major repairs, carillon bells were installed by Msgr. Emmanuel Sunga.

The shrines interior

Measuring 65 meters (213 feet) long, 22 meters (72 feet) wide and 17 meters (56 feet) high, this church has a majestic, adobe stone-faced and scantily ornamented Neo-Classical facade with a recessed main entrance, rectangular  Ionic  pilasters, semicircular arched open and blind windows, pedimented square blind windows and a triangular pediment with a centrally located clock at the tympanum and topped by a belfry tempietto.

The main altar and retablo

Massive buttresses support the discordant domes of the flanking bell towers and its bases have openings to the side aisles.    There are also blind arched openings that contrast with the rectangular voids and a triangular pediment. Its interiors is composed of a main central nave  flanked by two aisles that are linked by solid columns.

Archdiocesan Shrine of Santo Niño: 600 Lorenzo Chacon Street, Tondo, Manila. Tel: (632) 245-5412.  Fax: (632) 245-5417. Feast of the Holy Child: Third Sunday of January.

Diocesan Shrine and Parish of St. Joseph of Navotas (Navotas City, Metro Manila)

Diocesan Shrine and Parish of St. Joseph of Navotas

This city’s church had its beginning as a temporary chapel started in November 1859 and finished the next year. In 1860, bell tower was added and the convent rebuilt by Fr. Matias Novoa (and continued by Fr. Julian Diez).

A stronger stone structure was started in January 1868 by Fr. Manuel Perez and finished by Fr. Guillermo Cuevas on October 23, 1877. The strong July 1880 earthquake destroyed the convent. In 1889, the present church was started by Fr. Mariano Rivas and continued and finished by Fr. Tomas Agudo from 1892 to August 1895.

Historical plaque installed by the National Historical Commission in 2021

The February 14, 1934 earthquake destroyed the sanctuary and ceiling of the church. During World War II, the church was used by the Japanese as their headquarters and as a prison.  From 1964 to March 1968, the church was renovated with two wings for side altars built.  The facade was plastered with white cement which concealed the richness of the original stone which was probably secured from Malabon quarries.

The church interior

On June 28, 2003, the church was placed under the jurisdiction of the Diocese of Caloocan and, on May 1, 2021, the Feast of St. Joseph the Worker, the church was declared as a Diocesan Shrine.

Main altar and retablo

The church has a simple, massive Neo-Classic facade with three main openings, two pairs of attached pilasters supporting a Greek pediment with a rose window and semicircular arched arcade.  Latticework (calado) above the main entrance allows light and ventilation inside the church.  On the upper part of the church facade is the inscription of the year “1892.”

Side altar

Inside are a main nave and two aisles.  On the upper panel of the main wooden floor are four bas-reliefs depicting Augustinian symbols.  On pedestals are the statues of St. Monica and St. Augustine.  The old retablo was removed during the 1964 to 1968 renovation and the main altar has been restored.

Choir loft

Diocesan Shrine and Parish of St. Joseph of Navotas: Mariano Naval St., Brgy. San Jose, 1485 Navotas City. Tel: (02) 8282-9126.  Feast of St. Joseph of Navotas: First Sunday of May.

How to Get There: Navotas City is located 14.3 kms. (a 35-min. drive) from Manila and 6.3 kms. (a 25-min. drive) from Malabon City.

Church of St. Bartholomew the Apostle (Malabon City, Metro Manila)

Church of St. Bartholomew the Apostle)

This church, one of the most beautiful examples of Spanish ecclesiastical architecture in the country, was first built in 1621 by Fr. Diego de Robles and Fr. Francisco Valencia added the transept in 1835.  In 1854, Fr. Raymundo Cueto added the two lateral aisles and the barrel vault (media naranja) dome under the direction of Architects Viña and Urquiza.  The construction of the Parthenon-like facade and the two bell towers was supervised by Father Martin Ruiz and directed by Architect Luciano Oliver.

Historical plaque installed by the National Historical Commission in 2015

The church was heavily damaged during World War II and its facade was restored in 1951 by Filipino secular Fr. Trinidad.  In 1958, the dome, transept, main altar and bell tower were repaired by Father Reyes.  The church measures 70.14 m. (230.1 ft.) long, 20.05 m. (82.2 ft.) wide and has a central nave, two lateral aisles, a transept and a barrel vault dome topped by a campanile.

The entrance porch with imposing colonnade

Its Graeco-Roman temple facade has an entrance porch supported by an imposing colonnade with eight Ionic columns which, in turn, supports a protruding triangular pediment.    Above the main entrance (a Jubilee door decorated with wood carvings) is the inscribed Augustinian  symbol and the year “1861.”

The church interior

Two three-storey bell towers, with seven bells, flank the recessed front facade. One bell is dedicated to St. Rita of Cascia, another to St. Bartholomew the Apostle while another bell has the name of Fr. Guillermo Diaz, OSA (minister of Tambobong from 1881 to 1885) inscribed on it.

The numerous paintings, framed with gold leaf, lining the church ceiling 

The church ceiling is lined with numerous paintings framed with gold leaf. The sanctuary has a simple yet elegant retablo with an image of St. Bartholomew the Apostle above which is the image of the Blessed Virgin Mary, the tabernacle below, and the images of St. Augustine and St. Nicholas de Tolentine on both sides.

The main altar and retablo

Church of St. Bartholomew the Apostle: Rizal Ave. Extension, Brgy. San Agustin, Malabon City. Tel/Fax: (632) 281-1266.  Feast of St. Bartholomew the Apostle: August 24. Coordinates: 14°39′32″N 120°57′05″E.

How to Get There: Malabon City is located 10.1 kms. (a 25-min. drive) north of Manila, 6.3 kms. (a 20-min. drive) from Navotas City and 5.5 kms. (a 15-min. drive) from Valenzuela City.

Cathedral Parish of St. Roch (Caloocan City, Metro Manila)

Cathedral Parish of St. Roch

Commonly known as Caloocan Cathedral, it is the cathedral or seat of the Roman Catholic Diocese of Kalookan.  The cathedral, dedicated St. Roch (San Roque in the Philippines), started as a small visita (chapel-of-ease) initiated by Manuel Vaquero (assistant priest of Tondo, Manila) in 1765 in Libis Aromahan (Sitio de Espinas), one of the districts of Caloocan. In 1819, a new and bigger church was constructed by Vicente de San Francisco Xavier on its present site in Paltok, an elevated district in the town of Caloocan, and was finished in 1847 under Cipriano Garcia.

Historical plaque installed by the National Historical Commission in 2022

During the Philippine Revolution against the Spaniards, San Roque Church served as the meeting place of the Katipuneros coming from the west coast of Manila going to Balintawak. On February 10, 1899, during the Philippine–American War, the church was partly destroyed by US forces when Gen. Antonio Luna sought refuge at the church.

The main entrance

After its capture, the Americans used the whole area around the church as a field hospital. In 1900, American Gen. Arthur MacArthur, Jr. invaded Caloocan and San Roque Church was made caballeriza by the regiment of Col. Frederick Funston.

Entrance portico and driveway

In 1914, after the war, the church was reconstructed by the Confradia de Sagrado Corazon de Jesus under the administration of parish priest Fr.Victor Raymundo.

In 1934, Eusebio Carreon put black and white tiles along the aisles and, in 1947, Pedro Abad renovated the façade.  In 1962, Pedro Vicedo built additional wings on both sides of the church. In 1979, Fr. Boanerges “Ben” A. Lechuga renovated the church and, on November 30, 1981, it was blessed by Manila Cardinal Jaime Sin.

The new cathedral wing

In the Jubilee Year 2000, San Roque Church was declared one of the Jubilee Churches in the Roman Catholic Archdiocese of Manila.  After the new Diocese of Kalookan was created by Pope John Paul II on June 28, 2003, the church was elevated to a cathedral. On December 11, 2015, a relic from the bone of St. Roch, a gift from Pope Francis for the 200th anniversary of the parish, was brought out for public veneration in a vigil and deposited to the altar table during the dedication rite of the cathedral. On August 13, 2017, another bone relic of St. Roch was given to the cathedral from the Chapel of the Holy Relics in Cebu.

1899 photo of the church facade

AUTHOR’S NOTES:

The 1947 and 1979 renovations may have made a number of changes to church’s 1899 Baroque-style façade.   The first level still features statued niches and Tuscan and flat pilasters.  However, the entrance portico and flanking undulating walls and wings are new additions. The portico features Composite columns and is topped by a triangular pediment with a raking cornice topped by a balustrade.  The main entrance, formerly semicircular arched, now has a segmental arch.  

The second level, with its original massive flat pilasters, now features semicircular arched windows instead of rectangular ones.  The pediment still has its massive, central, two-level bell tower with semicircular blind and open windows.  The second level, with a balustrade, houses the bell. However, the tower is now topped by an empty niche and a cross.

The cathedral interior

Cathedral Parish of St. Roch: cor. of 10th Ave. and A. Mabini St., Poblacion, 1400 Caloocan City,  Tel: 8288-5252 and 8287-3693.  Feast of St. Roch: August 16.

How to Get There: Callocan City is located 27.7 kms. (a 50-mins. drive from Manila, 19.2 kms. (a 45-min. drive) from Malabon City and 10.5 kms. (a 35-min. drive) from Valenzuela City.

Sanctuario de Santo Cristo (San Juan City, Metro Manila)

Sanctuario de Santo Cristo

This church, also known as the Church of San Juan del Monte, is an excellent example of Colonial church architecture.  The first church and convent, built from 1602 to 1604, was burned during the Chinese uprising in 1639.  The second adobe church and convent, built in 1641, was burned on July 1763 during the British Occupation of Manila.

The Earthquake Baroque façade

A massive stone church, built in 1774, was used by the Katipuneros in 1898 as a place of refuge.  It has since been renovated many times until the 1990s. The present church, designed by Architect Lorenzo del Castillo, retained the old Earthquake Baroque façade but a twin of the existing tower was built at the right side.

Plaque installed by the Historical Research and Markers Committee in 1937

Both towers, linked by two arches and surmounted by a shrine containing a cross, has one bell weighing 267 kgs. (589 lbs.) and the other 207 kgs. (456 lbs.).  Cast at the Quintana Factory in SaldañaPalencia, Spain, one is named, following tradition, after the Santo Cristo and the other after Our Lady of the Rosary..

The convent with the two century-old acacia trees in front

Work on the façade began on October 10, 1977 with stones from the old convent used in the new parts of the façade. The niches of the façade were installed (on November 1990) with concrete statues of eight Dominican saints—Louis BertrandAntoninus of FlorenceAlbertus MagnusCatherine of SienaSaint DominicThomas AquinasRose of Lima (a patron saint of the Philippines) and Vincent Ferrer.

It has an attractively renovated interior.  The ceiling, designed by Architect Adolfo Benavides, was started on May 8, 1973 and finished by December 12 that same year.

Four concrete statues of Dominican saints in niches at the narthex

The 16 beautiful stained glass windows, designed by Cenon Rivera (former Dean of Fine Arts at the University of Santo Tomas) and made by Kraut Art and Co., depict the fourteen Stations of the CrossOur Lady of the Rosary and the Dominican saints Thomas AquinasAlbert the Great and Vincent Ferrer. Six smaller windows, later mounted in the apse, depict Saints Matthew and Luke; an allegory of the Sermon on the MountSaint Paul Preaching to the Gentiles; and Saints Mark and John.

The beautiful church interior featuring a ceiling designed by Arch. Adolfo Benavides, and stained-glass windows designed by Cenon Rivera

The sanctuary and exedra, featuring a mosaic of the Resurrection executed by Ireneo Robles, a young artist from the University of Santo Tomas, was started on February 6, 1974 and finished on April 6 that same year.

The exedra featuring a mosaic of the Resurrection executed by Ireneo Robles

The church, under the jurisdiction of the Archdiocese of Manila, is the seat of the Confraternity of Santisimo Cristo de San Juan del Monte, approved by Pope Innocent X on March 4, 1648.  On April 24, 2016, two century-old acacia trees beside the church were declared as heritage trees by DENR NCR.

 

Sanctuario de Santo Cristo: 183 F. Blumentritt cor. of A. Bonifacio St., 1500 San Juan City.  Tel: (02) 8724-5466 to 69. Feast of the Santo Cristo: May 3.  Feast of Our Lady of the Most Holy Rosary: October 6.  Coordinates:14°35′54″N 121°01′50″E.

How to Get There: San Juan City is located 7.1 kms. (a 20-min.drive) from Manila and 7.8 kms. (a 25-min.drive) from Pasig City.

Diocesan Shrine of St. Martha and Parish of St. Roch (Pateros, Metro Manila)

Diocesan Shrine of St. Martha and Parish of St. Roch

Starting as a temporary chapel made of light materials; the town’s present stone church was started in 1815 by Fathers Andres Vehil (or Veil) and Manuel Pelaes following the plans drawn by Father Santos Gomez Marañon. In 1821, Father Raymundo Martinez built the bell tower.

Historical plaque installed by National Historical Commission in 2015

It was damaged during the June 3, 1863 earthquake where the roof sank, the walls cracked and the bell tower crumbled from the dome down to the second level.  The church was repaired in 1892 by Father Nicolas Gonzalez and its restoration was completed by Father Tomas Espejo in 1893.

Historical plaque installed by National Museum of the Philippines in 2017

On March 14, 1899, during the Battle of Pateros, the church was destroyed for the second time.   During World War II, the church served as a prison and, in December 1944, Japanese soldiers killed many civilians inside the church.

The church interior

On August 21, 2003, the church was placed under the jurisdiction of the newly-established Diocese of Pasig and, on February 7, 2009, the church was declared as a Diocesan Shrine.  In 2014, the original Spanish-style altar was replaced. On September 28, 2017, the church was declared as an Important Cultural Property by the National Museum of the Philippines.

The main altar and retablo

The church’s plain, Baroque-style facade has a protruding portico, centrally located coupled columns, single columns at the sides (ending in finials), a triangular pediment, a center window with balustrade at the second level and segmental and semicircular arched openings.  On its right is a four-storey bell tower.  The masonry convent, now a school, was where General Emilio Aguinaldo spent the night (January 1-2, 1897) as a guest of Father Tomas Espejo.

The four-storey bell tower

Diocesan Shrine of St. Martha and Parish of St. Roch: B. Morcilla Street, Barangay San Roque, 1620 Pateros.  Tel: 8642-8219.  Feast of St. Martha of Bethany: Second Sunday of February. Feast of St. Roch: August 16.

How to Get There: Pateros is located 19.5 kilometers (a 45-minute drive) from Manila and 3.8 kilometers (a 15-minute drive) from Pasig City.

St. Augustine Metropolitan Cathedral (Cagayan de Oro City, Misamis Oriental)

St. Augustine Metropolitan Cathedral

Just walking distance from the City Museum of Cagayan de Oro and Heritage Studies Center is the Neo-Gothic-style St. Augustine Metropolitan Cathedral, the ecclesiastical seat of the Archdiocese of Cagayan de Oro (canonically erected on January 23, 1933).

Check out “City Museum of Cagayan de Oro and Heritage Studies Center

The Neo-Gothic-style facade

This church was first built in 1624 by Father Agustin San Pedro but both church and convent burned down in 1778.  Rebuilt in 1780 by Father Pedro de Santa Barbara, it again burned down in 1831.

The cathedral interior

In 1845, it was rebuilt with coral stones imported from China by Augustinian Recollect Father Simon Loscos de Sta. Catalina but it was destroyed during the World War II bombardment in 1945.  Only the facade and the wooden cross in front survived.

A 1925 photo of the church’s original Baroque-style facade

The present Neo-Gothic-style cathedral was built from 1946 to 1951 by Archbishop James T.G. Hayes, S.J.D.D., the first bishop of Cagayan de Oro.

AUTHOR’S NOTES:

Comparing an old 1925 and present photo of the church, the Baroque-style facade of the church seemed to have survived the 1945 bombing but it was greatly altered during the rebuilding.  The semicircular arched windows were replaced by Gothic-style lancet windows, a portico was added and the finials at the ends of the triangular pediment (its raking cornice now adorned with drip molding) were not restored.

Only the base (now square), of the formerly octagonal bell tower (beneath which is the grave of Father Ramon Zueco de San Joaquin who died in 1889 in Cagayan de Oro), on church’s left, remains. A new bell tower, on the church’s right was, instead, built.

Stained glass window

Its nine century-old stained glass windows, the work of well-known masters, depict the life of Christ and came from the Chapel of the Sisters of the Sacred Heart (now the Church of the Sacred Hearts of Mary and Jesus), an old  Gothic-style chapel built in 1882 in New York.

Stained glass window

The bells, hung in the new bell tower in 1950, were fashioned from the church’s old bells shattered during World War II – San Agustin (1807), Santa Ana (1813) and El Salvador (1857).

The Relic Chapel

Just outside the porte-cochere is a wooden Sta. Cruz built by Augustinian Recollect friars in 1888, the only relic that remains of the church’s Hispanic past.

The Spanish-era wooden cross

St. Augustine Metropolitan Cathedral: Barangay I, Cagayan de Oro City, Misamis Oriental.  Tel: (088) 857-2139.  Feast of St. Augustine, Bishop of Hippo: August 28.

How to Get There: Cagayan de Oro City is located 94.4 kilometers (a 2-hour drive) from Malaybalay City (Bukidnon) and 88.7 kilometers (a 1.75-hour drive) from Iligan City (Lanao del Norte).

Old Guiob Church (Catarman, Camiguin)

Old Guiob Church Ruins

After our merienda at The Beehive, we again boarded our multicab for the short 3.3-km. (10-min.) drive to the Church of St. Roche Ruins, our last destination.  Also called the Old Gui-ob Church (Cotta Batto), it is Camiguin’s version of Albay’s Cagsawa Ruins.

Check out “The Beehive” and “Cagsawa Church Ruins

Entrance to the ruins

The National Cultural Treasure plaque

This coral and stone-hewn church, built in 1623 as the parish of San Roque (St. Roche), was half buried by lava flows during the May 1, 1871 eruption of Mt. Hibok-Hibok that created the 838-meter high Vulcan Daan (locally called Tandang Bulkan), a volcanic fissure that spewed out lava and destroyed the town.

Check out “Old Guiob Church Ruins (2001)

All that remains are haunting ruins of the 400-year old church, the rectory and, at the back of the church, the base of the bell tower, beside which is a centuries-old camel tree (locally called doldol). Near the tower is a modern, solar-powered lighthouse.

During my first visit in 2001, a small chapel has been built within the ruins but it has now been removed.

On September 28, 2017, 16 years after our first visit, the church ruins, the nearby Sunken Cemetery and the Moro watchtower were declared as National Cultural Treasures by the National Museum of the Philippines.

Check out “Sunken Cemetery

The author (left) with his son Jandy

The moss-covered, roofless ruins, shaded by large trees,  is now a popular tourist attraction in the province and is a peaceful place to roam around.

Church of St. Roche Ruins: National Highway, Brgy.Bonbon, Catarman, Camiguin. Admission: Php50/pax.

How to Get There: The ruins are located 16 kilometers from Catarman and 20 kilometers from Mambajao proper.

Church of St. Charles Borromeo (Mahatao, Batanes)

Church of St. Charles Borromeo

From Maydangeb White Beach, we traveled the remaining 2.4 kms. (a 5-min. drive), to Mahatao town proper, making a stopover at the town’s Spanish-era Church of St. Charles Borromeo.

Check out “Maydangeb White Beach”

The church complex

The first church, made with light material and completed by Dominican friars in 1789, was destroyed by a strong typhoon in 1872 and the present structure was rebuilt, with stone and lime, in 1873 by Father Crescencio Polo, OP (who also remodeled the stone and mortar convent attached to the church).

Plaque installed by National Historical Institute in 2008

On September 19, 1898, during the Philippine Revolution, the flag of the Katipunan was raised in the campanille and the church was ransacked (the original gold Episcopal crosier of the image of San Carlos as well as the gold jewelry pieces of the Lady of the Rosary and the Santo Niño were stolen).

Plaque installed by National Commission for Culture and the Arts in June 2005

In the 20th century, the cogon roof was replaced with galvanized iron and, sometime in 1990, the choir was removed.  On July 31, 2001, the church was declared as a National Cultural Treasure by the National Museum of the Philippines.

The church’s interior

It has an espadaña-style façade similar to Basco Cathedral and the Church of St. Vincent Ferrer in Sabtang, with two round arches at roof levels for the bells (one of which is dated 1874).  The outer walls have uneven wall thicknesses due to the addition of massive step buttresses that serve as stairways for servicing its then cogon-covered roof.

Check out “Cathedral of the Immaculate Conception” and “Church of St. Vincent Ferrer”

The main altar

The church’s Baroque style interiors showcases floral designs with sunburst ornaments painted in polychrome and gilt, lending a golden glow among the statuary. On the center of the main retablo is the statue of St. Charles Borromeo (the patron saint) surrounded by statues of St. Joseph, St. Dominic de Guzman and St. Rose of Lima.

Right side altar housing statue of Our Lady of the Rosary

Two side altars house the statue of the Our Lady of the Rosary, on the right, and of the Sacred Heart of Jesus on the left.

Left side altar housing statue of the Sacred Heart of Jesus

The second floor of the church convent, on the right side of the façade, is not the typical volada (cantilevered gallery) for convents in the Philippines but an open extended deck. At the back of the convent are remains of an old circular well.

The church’s convent

Within the church’s courtyard is a stone structure that once housed the beatario.  Elsewhere in the courtyard and the elementary school are Spanish-era stone lampposts said to have been used as guiding lights to guide fishermen and early mariners safely to the anchorage just beyond the town’s seaport.

One of two Spanish-era stone lampposts

Church of St. Charles Borromeo: National Road, Brgy. Uvoy (Poblacion), Mahatao, 3901 Batanes. Mobile number: (0921) 766-2282. Feast of St. Charles Borromeo:  November 4.

How to Get There: Mahatao is located 13.4 kms. (a 30-min. drive) south of Basco.

Provincial Heritage and Tourism Office (PHTO): Mobile number: (0929) 230-5934. Website: www.breathtakingbatanes.com.

Church of St. Antonius of Florence (Uyugan, Batanes)

Church of St. Antonius of Florence

From Mutchong View Point, it was to be a long 20.1-km. (40-min.) drive to the Honesty Coffee Shop in Ivana. Five minutes into our trip, we made a short stopover at the Church of St. Antonius of Florence near the municipal hall at the town center of Uyugan.

Check out “Mutchong View Point” and “Honesty Coffee Shop”

View of church from the left. Note the pair of step buttresses on the side

The smallest of all the Spanish-era churches in Batanes, this simple church was built in 1871 by Dominican Fr. Fabian Martin (term: 1844 to 1878) and is one of the churches frequented by Fr. Jerry Orbos during his Pilgrimage Tour.

AUTHOR’S COMMENTS:

This single nave church, also built in the espadaña style, has one segmental arch for a bell (now gone) on the upper portion of its Baroque and Gothic-style façade which is buttressed by massive flat pilasters from the foundation to the top.  

Gothic influences are seen from the gables over the narrow, semicircular arched main entrance, the flanking statue niches and the window (above which is the Dominican Order’s seal with its motto “Veritas”) over main entrance. On the sides are step buttresses that serve as stairways for servicing its then cogon-covered roof.   

The church’s single nave interior

Church of Antoninus of Florence: Brgy. Kayuganan, 3903 Uyugan.  Feast of Antoninus of Florence: May 10.

How to Get There: Uyugan is located 22.2 kms. (a 45-min. drive) from Basco and 11.9 kms. (a 25-min. drive) from Ivana. 

Provincial Heritage and Tourism Office (PHTO): Mobile number: (0929) 230-5934. Website: www.breathtakingbatanes.com.