Teus Mansion (City of Manila, Metro Manila)

Teus Mansion

Fourth Part of NCCA Heritage Tour

The stunning, Spanish-Era, Neo-Gothic-style Teus Mansion (beside the Goldenberg Mansion), preserving the legacy of Philippine leadership by displaying rare portraits and historical memorabilia of the nation’s 17 Philippine presidents (that were previously shown in the Kalayaan Hall Presidential Museum and Library), takes its name from Valentin Teus Yrissari (1832-1909), a Spanish businessman, of Basque descent, from Navarra (at the foot of the Pyreness), who arrived in the Philippines in 1847 at the age of 15.  

Check out “Goldenberg Mansion

Entrance porch

In 1856, Teus acquired a local distillery in Hagonoy, Bulacan, owned by Elias Menchatorre.  Later, he merged his operations with Ynchausti y Cia, a company supplying equipment and abaca rope (for ship’s rigging) for steamships, which evolved into the renowned Tanduay Distillers

Historical plaque

In 1871, Valentin became alcalde primero of the Ayuntamiento (City Council) de Manila and, the following year, was honored as Comendador de la Real Orden de Isabela la Catolica. He later married Teresa Ferrater Ponte (1847 – 1892), the niece of the capitán general. Following Ponte’s demise, Valentin, now 62, married Maria Dolores Menendez Valdes de Cornellana Ferrater, Teresa’s 20-year old niece, at San Miguel Church. They had 4 children: Valentin Jr. (who died young), Concepcion (known as Concha), Valentin III (or Tito), and Dolores (affectionately called Lolin).

Busts of presidents lining the main hall

Initially residing in Binondo, Valentin, in a gesture of affection, surprised Dolores with Teus Mansion in the 1890s, a new residence, in the fashionable arrabal of San Miguel, built on the ruins of an older convent probably destroyed during the 1880 earthquake. He and his family would occupy this residence in Manila but, periodically, every five years, Valentin would journey to Spain. In 1909, Valentin unexpectedly died, leaving Dolores to manage the household and the family affairs. After Dolores’s own demise, the family eventually relocated to Spain by selling their interests there.

Presidential Museum
Presidential staff assistant Mr. Ronnie W. Balastigue touring media guests around the museum

The mansion was inherited by Concepción Teus, the eldest child, who rarely visited it, leaving an old man as caretaker.  The once proud mansion deteriorated.  The kitchen roof fell in and the attic became home to a bat colony. In 1974, Concepción opted to sell the mansion (none of her 7 children and 48 grandchildren were interested) to First Lady Imelda Marcos. In 1975, she engaged British interior designer Ronnie Laing and antique dealer Viring de Asis to renovate the Teus Mansion as a guest residence, becoming one of the Marcos mansions

Emilio F. Aguinaldo Exhibit
Manuel L. Quezon Exhibit
Jose P. Laurel Exhibit
Sergio Osmena Exhibit

The former dining room was made into two bedrooms and partitions, in another bedroom, were taken down to create a spacious living-dining area. Bathrooms and closets were cleverly added, their entrances cleverly camouflaged behind aparador (cabinet) fronts. The original downstairs carriageway now serves as an entrance hall. The rest were transformed into 12 bedrooms which, with the existing five upstairs, gave the old home a total of 17 bedrooms.  Notable guests at the Teus Mansion included the Italian-American socialite Cristina Ford, who was close associate of Imelda.

Manuel A. Roxas Exhibit
Elpidio Quirino Exhibit
Carlos P. Garcia Exhibit
Diosdado Macapagal Exhibit

After the People Power Revolution of 1986, the Teus Mansion, and other properties within the Malacañang Palace complex, became possessions of the Government of the Philippines but was left unused and remained closed to the public.

Ferdinand E. Marcos Exhibit
Corazon C. Aquino Exhibit
Joseph E. Estrada Exhibit
Gloria Macapagal-Arroyo Exhibit
Benigno C. Aquino Exhibit
Rodrigo R. Duterte Exhibit

On May 12, 2023, President Bongbong Marcos issued Executive Order No. 26 to conserve and protect cultural heritage sites around Malacañang Palace, including the Teus Mansion. That same year, the Teus Mansion underwent renovations, overseen by First Lady Liza Araneta Marcos, to house collections from the Presidential Museum (formerly located in Kalayaan Hall). The supervision of these properties was transferred to the Social Secretary’s Office from the former Office of the Deputy Executive Secretary for General Administration.

Gallery of First Ladies

The rooms were transformed into galleries exhibiting artifacts, personal belongings, clothing, souvenirs, gifts, photographs, and memorabilia of Philippine Presidents, from Emilio Aguinaldo to Rodrigo Duterte. One or two rooms is devoted to each president,.  Wall text and photographs sustain the main narrative.  Memorabilia from government collections and loans or gifts from presidential families include medals and decorations, commemorative coins, and miscellanea like eyeglasses, a golf club, chess pieces, automobile license plates, a buntal hat and a cap, flyers from long-ago elections, souvenirs of EDSA I, and sculptures like one of President Ramos’ head puffing on a cigar.

Suits of Emilio Aguinaldo and Manuel L. Quezon
Barong tagalog of Jose P. Laurel and suit of Sergio Osmena

The Osmeña Room has a Philippine flag signifying that the Republic was then at war, with the red section above the blue. Barong Tagalog and/or suits of most of the presidents, on mannequins, provide an unintended history of Philippine men’s fashion. The main hall is lined with busts of presidents and there is also a gallery with portraits of First Ladies.

Suits of Manuel A. Roxas and Elpidio Quirino
Casual attire of Ramon Magsaysay and suit of Carlos P. Garcia

AUTHOR’S NOTES:

The two-storey façade, with Neo-Gothic windows (flanked by paired and single flat pilasters), on the upper floor, and quadrilateral windows, on the ground floor, features a protruding central section, topped by a triangular pediment (flanked by 8-petalled finials and topped by an acroterion), holding the porte cochere below.  Below the windows are grilled ventanillas. The massive wrought iron gate of the mansion opens up to a stone courtyard with a circular fountain.

Grand piano at the main sala (living room)
The Osmena flag with the red section above the blue signifying that the country was at war.

Teus Mansion: Gen. Solano cor. J. Nepomuceno (formerly Tanduay) Sts., San Miguel, Manila. Tel:  (02) 8249 8310 local 9009. Open Tuesdays to Sundays, 10 AM to 6 PM. Admission is free.  E-mail: tours_mht@op.gov.ph. Website: www.teusmansion.gov.ph. Coordinates: 14°35′30″N 120°59′22″E.

National Commission for Culture and the Arts (NCCA): NCCA Bldg., 633 General Luna St., Intramuros, Manila, 1002. Tel: (632) 8527-2192. E-mail: info@ncca.gov.ph. Website: www.ncca.gov.ph.

Diocesan Shrine and Parish of Our Lady of Candles (Silang, Cavite)

Church of Our Lady of Candles

This church, under the Diocese of Imus, is the oldest existing stone church in the province of Cavite, having been completed in 1639.  The church and school was first built in 1585 by Franciscan missionaries through forced labor but was destroyed by fire on August 30, 1603. That same year, the church was then rebuilt in wood by Jesuit friars, damaged by an earthquake and rebuilt in stone by Fr. Juan Salazar from 1637 to 1639 and was dedicated to the Nuestra Senora de Candelaria (Our Lady of Candles) in 1640.

During the July 1880 earthquake, the fourth storey of the belfry was destroyed and, during the Philippine Revolution, the church was used by the Guardia Civil (Civil Guards) until they were expelled by Gen. Vito Belarmino on from September 5-6, 1896. In 1937, the original wooden floor was replaced by red clay tiles. Due to a fire in 1950, the ceiling was replaced one meter away from the original location. In 1989, the bell tower restored to its original height. On February 3, 2017, the church and retablo of the Our Lady of Candelaria Parish was declared a National Cultural Treasure by the National Museum of the Philippines and, on May 4, 2021, the church was elevated into a Diocesan Shrine.

National Historical Institute plaque (2008)

The church has a cruciform plan with lateral walls supported by buttresses. The two-storey convent, adjacent to the church, is located on the northeast.

AUTHOR’S COMMENTS:

The church’s simple,  two-level Baroque façade, without any elaborate and magnificent ornamentation, is divided, horizontally, by moldings.  It has a semicircular arched main entrance with large wooden doors at the first level, a semicircular arched niche, flanked by rectangular windows, with a statue of the patroness, and a triangular pediment with a centrally located rose window and topped by a cross. The massive pilasters at the ends are topped by urn-like finials. The four-storey belfry, connected to the main church, has a quadrilateral first floor while the rest of the floors are octagonal.

The church’s four-storey bell tower on the right

Inside are three ornate Baroque-style altars, with distinct, Rococo-influenced retablos with multi-level platforms – one main altar (retablo mayor) and two side altars (colaterales) in each side of the transepts which are mirror images of each other.  All are noted for the presence of local styles such as plants, fruits, flowers, volutes or circular designs and millipedes; and decorative motifs of foliage, angel heads, acanthus crenelationscartouches and empty rectangles.

National Museum of the Philippines plaque

The altars, built from 1643 to 1663, were restored, through application of varnish, during the 1970s by Talleres de Maximo Vicente. In 1989, revarnishing, for preservation, was done. In 2002, the original pastel color of the retablo was restored by carefully removing layers of lacquer, modern varnish, paraffin and soot. In 2004, to complement the modern-day adobe wall-cladding, the golden pillars were restored to beige, with a hint of avocado green, and its rouge flowers to pink.   The ceiling height was also restored to its original location. During the 21st century restoration, a statue of St. Paul holding a sword, located at the right-most portion of the retablo, was stolen, never recovered and a replica was used to replace the original statue.

The churc’s interior

The two three-level side altars have fluted Ionic columns and Corinthian columns;  statues of angels, holding shields, on top of the altars;  and three niches, at the first and second levels, and a single niche at the third level. They contain reliefs except for the central niche of the second storey. One side altar is dedicated to women saints, saints in the New Testaments and martyrs, while the other is dedicated to the Jesuit saints.

The main altar and retablo

The three-level altar mayor, the largest and highest altar among the three altars, has six reliefs; seven alternating niches for saints; reliefs and same divisions like the side altars; and garlanded Corinthians and salomonicas, separating the retablo sections, instead of fluted Corinthian columns.

The left side altar

The six reliefs, depicting the story of Jesus in the life of Mary based on the Mysteries of the Holy Rosary are Ang Pagbisita (Visitation of the Angel Gabriel to Mary), Ang Panunulúyan (Re-enactment of the journey of St. Joseph and Mary in search for lodging in Bethlehem), Ang mga Mago (The Three Kings), Ang Presentasyon sa Templo (The Presentation of Jesus at the Temple), Ang Koronasyon (The Coronation of Mary) and, on the topmost level, a relief of the Sto, Niño de Ternate. At the central niche of the first level is the image of the Nuestra Señora de Candelaria (Our Lady of Candles), the patroness of Silang. Found in the mountains, the statue would always get lost.  When she was transferred, she was then called La Anuncieta. 

Diocesan Shrine and Parish of Our Lady of Candles: J.P. Rizal St., Poblacion, Silang, 4188 Cavite.  Tel: (046) 414-0352.  Feast of Our Lady of Candles: February 2.

How to Get There: Silang is located 63.3 kms. (a 1.5-hour drive) from Manila and 19.7 kms. (a 30-min. drive) from Trece Martires City.

Cathedral Parish of St. Roch (Caloocan City, Metro Manila)

Cathedral Parish of St. Roch

Commonly known as Caloocan Cathedral, it is the cathedral or seat of the Roman Catholic Diocese of Kalookan.  The cathedral, dedicated St. Roch (San Roque in the Philippines), started as a small visita (chapel-of-ease) initiated by Manuel Vaquero (assistant priest of Tondo, Manila) in 1765 in Libis Aromahan (Sitio de Espinas), one of the districts of Caloocan. In 1819, a new and bigger church was constructed by Vicente de San Francisco Xavier on its present site in Paltok, an elevated district in the town of Caloocan, and was finished in 1847 under Cipriano Garcia.

Historical plaque installed by the National Historical Commission in 2022

During the Philippine Revolution against the Spaniards, San Roque Church served as the meeting place of the Katipuneros coming from the west coast of Manila going to Balintawak. On February 10, 1899, during the Philippine–American War, the church was partly destroyed by US forces when Gen. Antonio Luna sought refuge at the church.

The main entrance

After its capture, the Americans used the whole area around the church as a field hospital. In 1900, American Gen. Arthur MacArthur, Jr. invaded Caloocan and San Roque Church was made caballeriza by the regiment of Col. Frederick Funston.

Entrance portico and driveway

In 1914, after the war, the church was reconstructed by the Confradia de Sagrado Corazon de Jesus under the administration of parish priest Fr.Victor Raymundo.

In 1934, Eusebio Carreon put black and white tiles along the aisles and, in 1947, Pedro Abad renovated the façade.  In 1962, Pedro Vicedo built additional wings on both sides of the church. In 1979, Fr. Boanerges “Ben” A. Lechuga renovated the church and, on November 30, 1981, it was blessed by Manila Cardinal Jaime Sin.

The new cathedral wing

In the Jubilee Year 2000, San Roque Church was declared one of the Jubilee Churches in the Roman Catholic Archdiocese of Manila.  After the new Diocese of Kalookan was created by Pope John Paul II on June 28, 2003, the church was elevated to a cathedral. On December 11, 2015, a relic from the bone of St. Roch, a gift from Pope Francis for the 200th anniversary of the parish, was brought out for public veneration in a vigil and deposited to the altar table during the dedication rite of the cathedral. On August 13, 2017, another bone relic of St. Roch was given to the cathedral from the Chapel of the Holy Relics in Cebu.

1899 photo of the church facade

AUTHOR’S NOTES:

The 1947 and 1979 renovations may have made a number of changes to church’s 1899 Baroque-style façade.   The first level still features statued niches and Tuscan and flat pilasters.  However, the entrance portico and flanking undulating walls and wings are new additions. The portico features Composite columns and is topped by a triangular pediment with a raking cornice topped by a balustrade.  The main entrance, formerly semicircular arched, now has a segmental arch.  

The second level, with its original massive flat pilasters, now features semicircular arched windows instead of rectangular ones.  The pediment still has its massive, central, two-level bell tower with semicircular blind and open windows.  The second level, with a balustrade, houses the bell. However, the tower is now topped by an empty niche and a cross.

The cathedral interior

Cathedral Parish of St. Roch: cor. of 10th Ave. and A. Mabini St., Poblacion, 1400 Caloocan City,  Tel: 8288-5252 and 8287-3693.  Feast of St. Roch: August 16.

How to Get There: Callocan City is located 27.7 kms. (a 50-mins. drive from Manila, 19.2 kms. (a 45-min. drive) from Malabon City and 10.5 kms. (a 35-min. drive) from Valenzuela City.

Church of St. Antoninus of Florence (Uyugan, Batanes)

Church of St. Antonius of Florence

From Mutchong View Point, it was to be a long 20.1-km. (40-min.) drive to the Honesty Coffee Shop in Ivana. Five minutes into our trip, we made a short stopover at the Church of St. Antonius of Florence near the municipal hall at the town center of Uyugan.

Check out “Mutchong View Point” and “Honesty Coffee Shop”

View of church from the left. Note the pair of step buttresses on the side

The smallest of all the Spanish-era churches in Batanes, this simple church was built in 1871 by Dominican Fr. Fabian Martin (term: 1844 to 1878) and is one of the churches frequented by Fr. Jerry Orbos during his Pilgrimage Tour.

AUTHOR’S COMMENTS:

This single nave church, also built in the espadaña style, has one segmental arch for a bell (now gone) on the upper portion of its Baroque and Gothic-style façade which is buttressed by massive flat pilasters from the foundation to the top.  

Gothic influences are seen from the gables over the narrow, semicircular arched main entrance, the flanking statue niches and the window (above which is the Dominican Order’s seal with its motto “Veritas”) over main entrance. On the sides are step buttresses that serve as stairways for servicing its then cogon-covered roof.   

The church’s single nave interior

Church of Antoninus of Florence: Brgy. Kayuganan, 3903 Uyugan.  Feast of Antoninus of Florence: May 10.

How to Get There: Uyugan is located 22.2 kms. (a 45-min. drive) from Basco and 11.9 kms. (a 25-min. drive) from Ivana. 

Provincial Heritage and Tourism Office (PHTO): Mobile number: (0929) 230-5934. Website: www.breathtakingbatanes.com.

Church of St. Michael the Archangel (Bacoor City, Cavite)

Church of St. Michael the Archangel

The original church, in one of the oldest parishes in Cavite (established as a separate parish, from Kawit, on January 18, 1752), was made from wood, stone, bamboo and nipa in 1669 and used to face Bacoor Bay.

The church’s Baroque facade

In October 1762, due to its strategic location, the church and convent was destroyed by the British on their way to occupy Cavite Puerto (now Cavite City).  In 1774, it was rebuilt in stone and, from 1788 to 1820, Fr. Domingo Sevilla Pilapil rebuilt the church in stone and mortar, adding the retablo, bell tower and patio.

Plaza Gomes

After the June 3, 1863 Manila earthquake, the church was reoriented inland (to prevent entry of sea water during high tides),  rebuilt, and enlarged with adobe, from 1863 to 1870, by parish priest (from June 2, 1824 to 1872) Fr. Mariano Gomes delos Angeles (of GOMBURZA fame) and Architect Felix Rojas (who later designed the Neo-Gothic Church of Sto. Domingo in Intramuros, Manila).  In 1872, after Fr. Gomes’ execution on February 17, the administration of the church was turned over to the Augustinian Recollect Fr. Juan Gomez.

The church’s three-storey bell tower

The National Historical Commission plaque installed in 2022

On May 31, 1898, during the Philippine Revolution, revolutionaries raised the Philippine flag on the bell tower.  After the revolution, the church was returned to the secular clergy. 

Important Cultural Property Marker

The present structure is what remained of this once longest church in Cavite, which once measured 20 brazas (33.4 m.) long and 5.5 brazas (9.9 m.) wide), after a third of the church was destroyed, on June 13, 1899, during the Philippine-American War.

The church interior

The choir loft area

On December 28, 2020, the church, as well as the nearby Cuenca House, were declared as an Important Cultural Properties by the National Commission for Culture and the Arts, National Historical Commission of the Philippines, and the National Museum of the Philippines.

The main altar

AUTHOR’S NOTES:

The church’s Baroque façade has a segmental arch main entrance (topped by a segmental arch statued niche), flanked by coupled flat pilasters, with Doric capitals and urn-like finials, and narrow, semicircular arched windows.  The triangular pediment has a centrally located, semicircular arch niche with a statue of St. Michael the Archangel.

The three-storey bell tower, on the church’s right, has a square base with coupled flat pilasters (also topped by Doric capitals) and a segmental arch open and blind (where the “Simbahan ng Bacoor” plaque is mounted) windows.  The upper two storeys, in receding planes, are octagonal, with blind and open, semicircular arch windows.

Inside is a narrow nave, exposed roof trusses with no ceiling, a main altar and two side altars.  Along the walls are burial niches.

One of the burial niches along the walls

In 2021, a historical marker and a bust of Fr. Mariano Gomes was installed front of the church convent, built in 1843 by Fr. Gomes.

The convent on the church’s left

The Padre Mariano Gomes Marker

Church of St. Michael the Archangel: Gen. E. Evangelista St., Poblacion, 4102 Bacoor City, Cavite.Tel: (046) 436-0456, 434-5679 (office) and 434-6466 (rectory). E-mail: sanmiguelbacoor@gmail.com.  Feast of St. Michael the Archangel: May 12.

How to Get There: Bacoor City is located 24.5 kms. (a one-hour drive) from Manila and 26.5 kms. (a one-hour drive) from Trece Martires City.  The church, right in front of the city’s Hall of Justice and Justice B. Ocampo Park, is located near the City Hall.

St. Ferdinand Parish Church (City of Ilagan, Isabela)

St. Ferdinand Parish Church

The St. Ferdinand Parish Proto-Cathedral, one of the oldest churches in Isabela, is located beside St. Ferdinand College and Rizal Park.  The present foundations of the present church was built, from 1696 to 1700, by Fr. Miguel Matos, O.P.,  as a mamposteria and brick church.

In 1777, the solid belfry (existing up to present) was started by Fr. Pedro de San Pedro, O.P., and finished, in 1783, by Fr. Joaquin Sancho, O.P.. In 1786, the bell of the church was forged.  On December 20, 1803, the church became the final resting place of Nueva Segovia Bishop Agustin Pedro Blaquer, OSA, who died in Ilagan on December 19, 1803 after he got sick during his visit to Cauayan. He was interred at the Epistle side of the church.

Old photo of the church probably showing the 1930 facade (St. Ferdinand Official Facebook account)

In 1829, Fr. Luis Garcia, O.P., constructed the sacristy  of ladrillo and finished in 1833. The 1866 typhoon destroyed the church dome and Fr. Pablo Almazan, O.P., demolished major portions of the church’s solid walls in order to build a bigger one.  In 1892, Fr. Isidro Martinena, O.P., established a campo santo (cemetery) in Barangay Santo Tomas, located outside of Ilagan poblacion.

Another old photo of the church, probably showing the 1960s renovation as the buttresses are now more prominent and entrance and stained glass windows have been modified. (photo: hiSTORYA)

The present façade and major parts of the church were constructed in the 1930s. It was renovated in the 1960s. The bell tower, sanctuary, sacristy, parish hall and the old campo santo are the remaining traces of the Spanish-era church.

The present Baroque facade. The buttresses  are now rounded and the stained glass windows and blind arches have also been modified.

During a recent renovation, the ladrillo details of the sanctuary, the Epistle side and Gospel side of the church were once again revealed after the cement were chipped-off.  The ladrillo fence of the campo santo could still be recognized.

AUTHOR’S NOTES

The church’s single level Baroque façade has a semicircular arched main entrance flanked by massive circular buttresses (in turn topped by urn-like finials) and semicircular blind arches (with two smaller semicircular arches within).

Above  the main entrance is a corbelled cornice with a blind semicircular arch enclosing three (one big flanked by two small) semicircular arch stained glass windows.  The triangular pediment, with broken curves along the top, has a centrally located blind rose window.

On the church’s left is the original four-storey square bell tower.  It has narrow semicircular windows, paired Solomonic columns (topped by urn-like finials) at the corners and is topped by a pyramidal roof

 

In 1973, the church became the seat of the Roman Catholic Diocese of Ilagan, a suffragan diocese (founded on January 31, 1979) of the Roman Catholic Archdiocese of Tuguegarao. However, in 2003, the diocese was transferred to the new Cathedral Church (and Bishops’ Residence) in Barangay Upi, in Gamu, Isabela.  In 2013, the present cathedral was placed under the patronage of St. Michael the Archangel. Despite the transfer, both city and diocese still remain under the patronage of St. Ferdinand III of Castile, whose feast day is celebrated on May 30. At present, the centuries-old structure is designated as a proto-cathedral by the Roman Catholic Diocese of Ilagan.

The 4-storey bell tower is all that remained of the original Spanish-era church

On October 29, 2023, a mass was held for the celebration of the first Holy Rosary Festival wherein the pilgrim image of the St. Ferdinand Parish – Our Lady of the Most Holy Rosary was episcopally crowned by Most Rev. David William V. Antonio, D.D., STHD., bishop of the Roman Catholic Diocese of Ilagan.

The April 22, 2024 fire that engulfed the church (photo: Rappler)

On April 22, 2024, Monday, at around 11:40 AM, a devastating fire started from the roof of the church while workers were installing steel trusses on the church’s ceiling,  It was extinguished after an hour but most of its interior was destroyed. The final investigation report of the Bureau of Fire Protection (BFP) identified the total cost of the damages is estimated to be around P35-40 million which include antique religious items among others. The Department of Public Works and Highways (DPWH) and Ilagan City Engineering Office conducted a series of tests and studies which revealed that only around 20-30% of the structural integrity of the church remained after the fire took down most of its interior.

The burnt out interior of the church (photo: Philippine News Agency)

Just days after the fire that destroyed the proto-cathedral, the City Government of Ilagan, in coordination with the Roman Catholic Diocese of Ilagan, were able to put up a temporary altar and steel benches covered with aluminum roofing sheets and steel trusses in the church-front courtyard (often referred by locals as the Family Park). Since April 28, 2024, while the clearing and restoration of the church is still ongoing, all regular masses of the parish were temporarily being held, by parish priest Fr. Ric-Zeus Angobang (he became parish priest in August 2023), in the make-shift altar.

St. Ferdinand Parish Church: Centro Poblacion, 3300 City of Ilagan, Isabela. Tel: (078) 624-2467.  Mobile number: (0997) 068-9967.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

Archdiocesan Shrine of Our Lady of the Miraculous Medal (Manila)

Archdiocesan Shrine of Our Lady of the Miraculous Medal (Church of St. Vincent de Paul)

The airy and relatively cool Archdiocesan Shrine of Our Lady of the Miraculous Medal (the original and established center for the propagation of the Miraculous Medal and the Vista Domiciliaria), formerly the Church of St. Vincent de Paul, had its beginning in 1872 when the Vincentians bought a piece of land in the barrio of San Marcelino (a part of the Parish of San Fernando de Dilao in Paco) which was a rice field near the Pasig River.

Plaque installed by the Historical Research and Markers Committee in 1935

The house they built served as refuge to the seminarians and Vincentians housed in the San Carlos Seminary which was destroyed, together with most buildings in Intramuros, by the July 1880 earthquake.

The church portico

A chapel, adjacent to the Vincentian Central House, was built in 1883.  Later, the chapel was used as a church, from 1898 to 1909, when the church and convent of Paco were destroyed by the American forces in retaliation for their initial defeat by the Filipino forces following the declaration of war against the Americans in 1899. The parish was canonically established on December 6 1909 by Archbishop Jeremiah Harty (an alumnus of the Diocesan Seminary in St. Louis, Missouri which was under the direction of the Vincentians).

Historical plaque installed by the National Museum in 2018 declaring the church as an Important Cultural Property

The present concrete church was designed by Architect Andres Luna de San Pedro (son of the great Filipino painter Juan N. Luna) and built in 1912 (the 50th anniversary of the arrival of the Vincentians and the Sisters of Charity in the Philippines) by Belgian missionaries.

Decree of Erection

During World War II, the Japanese occupied the church for almost 7 months and, during the Battle of Manila in February 1945, was badly damaged when the Japanese burned the interior of the church, massacring scholars, professors and Vincentian Fathers who were living there.

Dedication of the archdiocesan shrine

From 1946, the dome, belfries and roof were restored and fitted with a stained glass windows. From 2007 to 2010, the pillars and walls were retrofitted; the galvanized iron of the roof was replaced with long-span, blue-colored sheets; the wooden trusses were replaced with steel trusses; and the entire exterior and interior walls of the church were repainted.

Interior of the church

On September 10, 2022, seismic base isolators (acting like wheels to stabilize the building during earthquakes) were mounted, by RBRA Consulting Firm, on the pillars of the church, making it the first earthquake-resistant church in the Philippines.

Painting of St. Vincent de Paul flanked by stained glass windows

On December 5, 2018, the church was declared as an Important Cultural Property by the National Museum of the Philippines and, on July 16, 2023, it was elevated into an archdiocesan shrine by Manila Archbishop Jose F. Cardinal Advincula.  On that same date, the newly-renovated retablo (altar backpiece) was also blessed.

 

AUTHOR’S NOTES:

The church has a Latin Cross layout and a dome.  Its two-level Baroque façade has balustraded portico with semicircular arched main entrance flanked by flat pilasters (with Corinthian capitals) and two smaller, semicircular arched entrances (topped by festoons) at the first level.  Above the main entrance, at the second level, is a rose window flanked by two semicircular arched windows.  

The triangular pediment, topped by a statue of Our Lady of the Miraculous Medal, has a centrally located bas relief also of Our Lady of the Miraculous Medal. Flanking the façade are two four-storey, square bell towers with semicircular arched windows. The receding fourth level has a balustrade.

The main altar with its newly-renovated retablo (altar backpiece)

Archdiocesan Shrine of Our Lady of the Miraculous Medal: 959 San Marcelino St., Ermita, Manila 1000, Metro Manila.  Telefax: 2525-7853 and 2524-2022 local 101.  Feast of St. Vincent de Paul: September 27.  Feast of Our Lady of the Miraculous Medal: November 27.

How to Get There: The church is located within Adamson University (the church is commonly called Adamson Church), beside the university’s CS Walkway and SV Building.  The nearest bus stop to Adamson University is D. Romualdez Sr./United Nations Ave..

Church of St. Rose of Lima (Gamu, Isabela)

Church of St. Rose of Lima

This church, constructed in 1738 by Fr. Martin Fernandez, OP, was, together with the convent, destroyed by the strong Intensity 6 earthquake on December 29, 1949. From 1950-1951, a wooden church was constructed, next to the ruins of the Spanish church. La Salette missionary, Fr. Maurice Cardenal, started the restoration of the Spanish church. In 1968, a new roof was constructed together with the flooring.

The Baroque-style, brick facade

In March 1978, CICM missionary Fr. John Couvreur, the 75th parish priest, completely renovated the interior of the church and, in March 1979, the ruins of the sacristy were restored and transformed into a week day chapel.  From 1950 to 1951, a new brick bell tower, in Spanish style, was built but was later dismantled and the recovered materials were used to build chapels in several barrios.  From the ruins of the convent, a multi-purpose hall and dormitory were put up for seminars and meetings.

The paired columns (round and square) flanking the main entrance

On June 24, 1993, the roof and ceiling of the church was destroyed by typhoon Goring.  It was restored, in a short time, and a beautiful ceiling was built.  The church houses a life-size image of the Peruvian nun Rose of Lima, the patron saint of embroidery, gardening, and cultivation of blooming flowers.

The National Museum historical plaque

On June 27, 2019, the National Museum of the Philippines and the National Commission for Culture and the Arts (NCCA) recognized the church, and its surrounding complex, as an Important Cultural Property and, on May 12, 2023, a historical marker was installed. This church, as well as the Church of Our Lady of Atocha in Alicia, and the Church of Our Lady of the Pillar in Cauayan City, are examples of what is called as the “Cagayan Style” of Spanish churches that was inspired by the Tuguegarao church.

Check out Church of Our Lady of Atocha and Church of Our Lady of the Pillar

The modern interior

AUTHOR’S NOTES

The church’s Baroque-style, brick façade has a semicircular arch main entrance flanked by paired (one square and one round) pilasters, above which are semicircular arched windows, and semicircular arch niches for statues (currently empty).  The undulating pediment, capped by pinnacles, has a small, centrally located rose window.

On the church’s right is a three-storey, square bell tower, with receding storeys, semicircular arch blind window on the first storey, segmental arch open windows on the two upper storeys and a pyramidal roof.  On the church’s left is the brick convent which is now a multipurpose hall, used for seminars and meetings, and a dormitory.

The main altar and retablo

Church of St. Rose of Lima: Poblacion, 3301 GamuIsabela.  Mobile numbers: (0916) 680-3680 and (0936) 360-1064.   E-mail: srlgamu@zoho.com. Feast of St. Rose of Lima: August 23.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: Gamu is located 413.4 kms. (a 7.75-hour drive) from Manila and 21.5 kms.(a 30-min. drive) from the City of Ilagan.  The church is located in front of the town’s municipal hall.

Balay San Jose (Santa Maria, Isabela)

Rancho Agripino

After our pottery tour at Brgy. Poblacion 3, we again boarded our bus for the short 7.1-km. (20-min.) drive, via the Enrile-Santa Maria Rd., to Balay San Jose within Rancho Agripina, owned by Santa Maria Mayor Hilario “Larry G. Pagauitan, whose Sanctaurio de San Jose (a favorite wedding venue) and Casa di Spiritualita di San Giuseppe (a retreat center) are visited by tourists and religious pilgrims.

Entrance

Upon entering the gate, our bus drove along a dirt road lined with life-side statues depicting the Stations of the Cross (Via Crusis).

One of the Stations of the Cross along the road

Upon arrival, we first dropped by the Sanctuario de San Jose, a chapel was built in memory of Maria Lourdes Gatan Pagauitan (November 19, 1988 – June 12, 2008), the mayor’s and his wife Sofie’s late daughter who died in a car accident. It was solemnly blest and its altar dedicated on November 19, 2015 (Maria’s birthday) by Most Rev. Sergio L. Utleg, D.D., Archbishop of the Metropolitan Archdiocese of Tuguegarao.

Sanctuario de San Jose

AUTHOR’S NOTES

The chapel has a two-level Baroque-style façade topped by a triangular pediment and flanked by three-storey, square bell towers topped by a dome and cross.  The first level has an entrance portico (topped by angel statues) which has a statue of St. Joseph with the Child Jesus and is flanked by, flat pilasters, 3 semicircular arch stained glass windows and a semicircular arch statued niche.

The second level has a similar set up, the only difference being the statued niche above the entrance portico.  The triangular pediment has a circular, stained glass rose window within a bas-relief of a Jerusalem Cross, a cross potent (or crutch cross) with four Greek crosses.

The first two storeys of the flanking bell towers have semicircular arch blind windows while the receding third storey, housing the church bell, has open, semicircular arch windows.

Statue of St. Joseph and the Child Jesus

The left bell tower has the sign of “Banal na Pag-aaral Center, Area 11, Northern Luzon.”

The chapel interior

The main altar and its retablo

Inside the chapel are three altars (main and two side altars) with exquisitely carved retablos (altar backdrop), a painted barrel vaulted ceiling, colorful stained glass windows, religious statuary and a triforium (interior gallery)

Casa di Spiritualita di San Giuseppe

Main entrance

Connected to the chapel, on it’s left, is the Casa di Spiritualita di San Giuseppe (St. Joseph House of Spirituality), which was solemnly blest on September 19, 2014 by Bishop Joseph A. Nacua, O.F.M., Cap. D.D. of the Diocese of Ilagan.  This retreat house has has 42 airconditioned rooms with private bath, four dormitories (two large and two small), refectories, conference hall, lunch room, chapels and a beautifully landscaped garden.  In front is an open air lanai topped by a view deck which is accessed by stairs.

The author at the viewdeck

Open-air lanai

In front of the chapel are statues of Christ Resurrected, St. Michael the Archangel and Tablets of the Ten Commandments.   On the right side of the chapel is a tableau depicting Christ Appearing Before his Disciples.

Statue of St.Michael the Archangel

Tableau of Christ Appears to His Disciples

We also dropped by its museum which is filled with reiligous statuary of all sizes, paintings, photos  and other religious artifacts such as monstrances, chalices, crucifixes, etc..

Museum of relious statuary,paintings, photos and artifacts

Also within Rancho Agripino is St. Joseph Library, Lourdes Chapel, Casa di Marello (for visiting priests and brothers of the Oblates of St. Joseph founded by St. Joseph Marello), Galilee (a cluster of airconditioned huts in the middle of a lake), Chapel of the Santo Sepulchro and the Risen Lord (a chapel with the image of Our Lady of Sorrows and the Risen Christ), The Hermitage (a solitary place for those who want to be alone with the Lord), a helipad  and a medical center (MLGP Medical Center).

MLGP Medical Center

Helipad

Balay San Jose: Rancho Agripino, Brgy. Calamagui West, Santa Maria 3330, Isabela.

How to Get There: Santa Maria is located 451.1 kms. (an 8.5-hour drive) from Manila and 67.8 kms. (a 1.5-hour drive) from the City of Ilagan.

Church of Our Lady of the Pillar (Cauayan City, Isabela)

Church of Our Lady of the Pillar

Come morning of our fourth day in Isabela, we toured the nearby (3-km.) Church of Our Lady of the Pillar.  This church, built with stone, mortar and bricks, was begun in 1825 by Dominican Fr.  Juan Prieto and finished in 1830.

The Baroque facade

During World War II, the church was heavily damaged (parts of the church, the sides of the presbytery were hit) and the convent was destroyed. This church, as well as the Church of St. Rose of Lima in Gamu, and the Church of Our Lady of Atocha in Alicia, are examples of what is called as the “Cagayan Style” of Spanish churches that was inspired by the Tuguegarao church.

Check out “Church of Our Lady of Atocha” and “Church of St. Rose of Lima

Bas-reliefs featuring curlicues

The left side of the church

AUTHOR’S NOTES

The church’s two-level, Baroque brick (portions of the bricks have bas-reliefs and numbers and symbols etched on it) façade, similar to the Church of Our Lady of Atocha in Alicia, has a semicircular arched main entrance flanked by semicircular arched windows.

The second level has a centrally located statued niche flank by semicircular arched windows. The undulating pediment, with its centrally located rose window, is topped by finials.

 

Check out “Church of Our Lady of Atocha

The modern church interior

The rear of the church

The modern interior of the church has a fresco (The Coronation of the Blessed Virgin Mary) above the altar.

The Coronation of the Blessed Virgin Mary

The top level of its beautiful five-storey bell tower on the right was later destroyed during the violent December 27, 1949 Intensity 7 earthquake, leaving only the base, and the upper level is a modern addition.

The old church bells and a plaque narrating the history of the parish

During our visit, we were allowed to climb to the very top of the tower where we had a panoramic bird’s eye view of the city and the surrounding countryside.

The Parish PastoralCenter

Candle house with a huge statue of Our Lady of the Pillar above it

Displayed on the right side of the church, between a plaque detailing the history of the parish, are two old church bells, dated 1792 and 1843 respectively.  Around the church are huge statues of the Pieta and Jesus Christ, a Candle House (above which is a huge statue of Our Lady of the Pillar) and a 2-storey Parish Pastoral Center (inaugurated on April 12, 2014) with function rooms and a parish museum.

Statue of the Pieta

At the rear are bas-reliefs of The Last Supper, The Holy Face of Jesus and The Sorrowful Mother.

Bas-reliefs of The Holy Face of Jesus, The Sorrowful Mother and The Last Supper

Church of Our Lady of the Pillar: Mabini St., Cauayan City, Isabela. Tel: (078) 652-2014 and (078) 634-5049. Feast of Our Lady of the Pillar: October 12.

How to Get There: Cauayan City is located 374 kms. (a 9-hour drive) from Manila and 33 kms. from Ilagan City.