Regina RICA (Tanay, Rizal)

Regina RICA

Regina RICA

The 13.5-hectare Regina RICA, one of the most popular pilgrimage sites here in the Philippines, was established in 2009 by Sr. Mary Epifania “Eppie” F. Brasil, OP (founder of the Dominican Sisters of Regina Rosarii On May 13, 2005 in Quezon City). The sisters holds dear the words of Jesuit theologian Karl Rahner “In the days ahead, you will either be a mystic (one who has experienced God for real) or nothing at all.”

Handumanan

Handumanan

Their primary mission is to teach as many people as they can about contemplative prayer and the contemplative way of life.  This wonderful place of prayer, pilgrimage and peace is not a park or a recreational activity area.  Rather, it is for those seeking to experience God.

Souvenir Shop

Souvenir Shop

Handumanan, the first place that will welcome you upon entering, has a souvenir shop, visitor center (where names are entered in the registration folder at the counter), a booth where you can write petitions and a donation area.  RICA volunteers here also orient visitors of the do’s and dont’s while exploring the Regina RICA.

Our Lady of Regina RICA

Our Lady of Regina RICA

The hilltop Regina RICA‘s centerpiece is the iconic, 71-ft. high statue of Our Lady of Regina Rica, a sculpture of the Blessed Virgin Mary holding baby Jesus made by the artist/sculptor, Jose “Jojo” Barcena Jr..

Happy angel

Smiling sculptured angel

Below her feet is a canopy of clouds with 17 sculptured angels – 16 smiling and the 17th, inside the mantle, which is the crying (symbolizing sorrow for the sins we commit).

The author

The author

Inside the statue is an adoration chapel called SULOD (Sanctuary of Universal Love and Devotion), Regina RICA’s sanctuary of universal love and devotion chapel. Sulod is an Ilonggo word (the sisters are mostly Ilongga) meaning “enter.”

S Trail at El Shaddai Hills

S Trail at El Shaddai Hills

Just like a pilgrim, the best way to experience Regina RICA is by foot. However, for those who can’t walk inside the facility, there are also shuttle vans or golf carts (PhP5 per pax) that can take visitors, from the gate, to the chapel and all the way to the SULOD on top of the hill and back down again.

Brick

Brick with footprints of those who gave their love offerings

There are 2 ways to get to Our Lady of Regina RICA and its SULOD.  First, you can take Mary’s S (sacred) Trail at El Shaddai Hills, a pathway of 308 steps trail made with bricks (some with footprints of those who gave their love offering) that leads directly to the icon. Here, you have a great view of the RICA Chapel just below the hill.

Candle Station

Candle Station

Second, you can follow the Way of the Cross, 14 stations that leads you along a winding road that also leads you to the icon on top of the hill but also tours you to Regina RICA’s other facilities – the Organic Gardens, Regina RICA Chapel, San Jose Rotonda (has a 13-ft. high statue of St. Joseph looking at his family), 13 Candle Stands, Koi Pond, Flower Gardens, Kakahuyan and Sunflower Trail.

Regina RICA Chapel

Regina RICA Chapel

 

Interior of chapel

Interior of chapel

Upon reaching SULOD, visitors are briefed on what they should do and observe once you enter the adoration area. They will also provide information and history about the Regina RICA, future and current projects and more.  After the briefing, visitors will be prompted to go upstairs where a sister of the congregation will invite them to join a short yet spiritually enlightening prayer and meditation in front of the exposed Blessed Sacrament, after which they will be guided to the exit so they can accommodate the next batch.

Orientation inside SULOD

Orientation inside SULOD

At the Pilgrim’s Labyrinth, visitors are encouraged to slowly follow the path all the way to the center (where they can offer their prayers and meditate) and also the path to go out. On its left side is a gazebo called Tilipunan (from the Ilonggo word meaning “gathering place”).

Pilgrim's Labyrinth

Pilgrim’s Labyrinth

Tilipunan

Tilipunan

There are  candle houses with candles (PhP20 each) in various colors, which represent different intentions – red for courage, blue for peace, green for hope, orange for good health, violet for financial prosperity, brown for safe trip/good job, aqua for thanksgiving, yellow for joy/friend, white for success, rose for love/family and all of the above for abundance.

Candle House

Candle House

The  Pahuwayan sa RICA Columbary and Ossuary is another interesting work of art of Jojo Barcena Jr.

Pahuwayan

Pahuwayan sa RICA Columbary and Ossuary

Columbary entrance

Columbary entrance

Regina RICA also has a  dozens of gazebos, bahay kubo, tents, some animals, livestock,  at least 3 waterfalls, a creek, a set of 10,000 trees and a vegetarian-themed restaurant (Pasilungan) at  a place called Handong (an Ilonggo word meaning “shade”).

Pasilungan

Pasilungan

Regina Regina Rosarii Institute for Contemplation in Asia:   Marikina-Infanta Highway, Sitio Aguho, Brgy. Sampaloc, Tanay Rizal. Open daily (except  Tuesdays), 8 AM to 5 PM. Admission: free. Parking fee: PhP50. Tel: (+02) 985-3878 and (+02) 401-2036. Mobile  number: (0919) 269-4286. E-mail: reginarica@yahoo.com. Website: www.reginarica.org.

Schedule of Masses
Mondays-Saturdays – 11 AM (except Tuesdays)
Sundays – 11 AM and  3:30 PM
Every 4th Saturday of the month: 6 AM

To attend to the pilgrims’ need for silence and respect the sanctity and cleanliness of the area, each one is required to be on their best behavior when they are inside the sacred place.  There is also a dress code – no short shorts sleeveless blouses, spaghetti straps and too revealing upper garments.  If you are wearing inappropriate clothing, you can borrow long skirts and shawls in stores inside the place. Visitors are required to take off their shoes once they enter SULOD. You can take pictures anywhere inside the whole facility except inside SULOD.

Tanay Tourism Office: G/F, New Tanay Municipal Hall, M. H. del Pilar St., Tanay, Rizal 1980.  Tel: (02) 7361059 and (02) 6551773 loc 212-213.  Mobile number: (0998) 988-1590. E-mail: tanaytourism11@gmail.com. Website: www.tanay.gov.ph.

Daranak Falls (Tanay, Rizal)

Daranak Falls

Daranak Falls

The picturesque, 14-m. high Daranak Falls, one of the flagship destinations of Tanay, is a popular summer getaway for locals and tourists from in and out of the country.The falls and its surrounding area, part of the Laguna watershed, are now being managed by the Tanay local government. The word daranak is said to have been derived from the phrase “Dadanak ang dugo,” translated as “blood will be spilled.”

Daranak Falls (28)

Hidden on the mountainside of Sierra Madre Range, it cascades down to a lushly-vegetated rock pool and into a running stream which skirts tangled roots of ancient trees and widening stone pathways called butlog. It is a bit of a hike down steep, 4-wheel drive roads to get to the place. A short walk over a hanging bridge brings you to the top of falls.

Daranak Falls (30)

 

The stream itself flowed serenely through massive, ocher-colored rocks, creating pools of turquoise waters here and there before ending up in the 30-foot deep catch basin of the waterfalls. People sit under the waterfall for the best massage ever! Life guards, on both sides of the falls, are on duty when there are swimmers.

Daranak Falls (31)

The refreshing but extremely cold water is bright turquoise during the dry season and deep green during the wet season. Despite its popularity, it is very clean and well maintained. Go early in the morning as it gets very crowded in the afternoon, especially during holidays and weekends.

Entrance

Entrance

There’s a small canteen at the entrance area where you can buy food, snacks, bottled water and soda. You can also bring your own cook food for a picnic lunch or buy fresh fish and meat to grill at Tanay Market (you can grill on their grilling area).You can also dine at several restaurants there and also ask them to cook food for you but it will all depend on what is available.

Daranak Falls (19)

There are picnic tables (PhP200) and sheds (PhP300), all constructed in such a way as to blend with the surrounding environment, plus souvenir shops (key chains, ref magnets, t-shirts, etc.) and parking (a bit tricky) on both sides of the narrow street (PhP30 for the parking fee).

Picnic sheds

Picnic sheds

Rest rooms (PhP5 per visit)) are available near the entrance.  Floaters (locally called salbabida) can be rented for kids (PhP30) and for adults (PhP50).

Souvenir shops

Souvenir shops

Daranak Falls: Daranak Road, Brgy. Tandang Kudyo, 1980 Tanay, Rizal. Open daily, 8 AM to 5 PM. Entrance Fee: PhP50, Children below 3 ft. are free of charge.

Additional Reminder: In compliance with Municipal Ordinance #2 Series of 2005, plastic and/or styropor are not permitted in Daranak Falls. Furthermore, alcoholic beverages and pets are not allowed. Overnight stay is not accommodated.

How to Get There: Daranak Falls is about 15 min. away from Tanay town proper. To get there, take an 8-km. jeepney ride to Brgy. Sampaloc and drop off at a turnoff for 2-km. hike along a dirt road to the falls.

A. From Starmall (EDSA cor. Shaw Blvd.) or EDSA Central/Crossing United

  • Take an FX (PhP70) or jeepney (PhP53) for Tanay. Terminal in front of Starmall EDSA is near Shaw MRT Station while the EDSA Central/Crossing United terminal is near the Unilever/Mandaluyong Police Station).

B. From Santolan/Marikina

  • Take an FX (PhP70) for Tanay at terminal near LRT Santolan Station.

C. From Ortigas Center

  • From Robinson’s Galleria, ride a G-Liner bus going to Taytay. Alight at Cainta Junction (Big R as landmark) then ride a jeepney going to Tanay (Fare: PhP40-45).

D. From Araneta Center/Cubao

  • Ride a jeepney going to Antipolo City (Fare: PhP32-35). Alight at Ynares Center and then ride an Antipolo toTanay jeepney (Fare: PhP28).

All buses and jeepneys drop off passengers at Tanay Public Market Transport Terminal. From here, proceed to Daranak Falls Tricycle Terminal (PATODA Riders). Fare is PhP200 one-way, maximum of 4 pax/tricycle.

Tanay Tourism Office: G/F, New Tanay Municipal Hall, M. H. del Pilar St., Tanay, Rizal 1980.  Tel: (02) 7361059 and (02) 6551773 loc 212-213.  Mobile number: (0998) 988-1590. E-mail: tanaytourism11@gmail.com. Website: www.tanay.gov.ph.

Calinawan Cave (Tanay, Rizal)

Calinawan Cave

Calinawan Cave

This natural, multi-level cave, part of several series of caves in the area, was said to have been discovered in 1901 (by a grandfather of one of the cave guides).  It was used as a local hideout by refugees during the Philippine-American War and by the Japanese during World War II.

Calinawan Cave (2)

Media group

We detoured to this cave before proceeding to Daranak Falls. It’s a long and bumpy ride getting there since most of the road isn’t paved yet and the cave isn’t signposted that well.

Calinawan Cave (8)

The author at Level 1

This cave is mostly dry and many of the stalactites and stalagmites, though still impressive, are dead. The cave’s name was derived from the word linaw (clear).  During the 15th-18th century, opposing parties used to convene inside the cave to settle disputes.  It’s a long cave system with different levels and openings.

The cave opening

The cave opening

This cave has 7 levels but most visitors only explore the first two levels. The less visited and seldom explored Levels 3-5 are more challenging to explore as you may need to get your hands dirty.

Calinawan Cave (23)

An eerie column

It also requires squeezing your body to fit inside the narrow and small cave openings.  It can only be explored during summer as, during the rainy season, they’re flooded and muddy. Levels 6-7 are closed. Our tour took about 30 mins.

Calinawan Cave (5)

Our guide Jason told us that one path leads to as far as the town of Montalban (others say that there are those that lead to the neighboring towns of Baras and Pililia).

Calinawan Cave (29)

The local TV fantasy series “Encantadia” was filmed here and, more recently, the Coco Martin TV series “Ang Probinsyano.” The TV series “Imortal” disturbed level 1 with silver and gray paint and glued glitters on the cave walls and other indelible and irreversible damage.

Calinawan Cave (14)

In case you get hungry or thirsty after the cave exploration, small sari-sari stores in the area sell sandwiches, soft drinks, halo-halo, mais con yelo, and biscuits.

Calinawan Cave (31)

As a spelunking experience, this is a relatively easy cave to explore, requiring no technical or special skills, especially for the first 2 levels. Well suited for first timers with no previous spelunking experience.  Levels 3-5, taking about half a day to explore, are just satisfying enough for the veterans.

Calinawan Cave (36)

Calinawan Cave: Calinawan Road, Brgy. Tandang Kutyo, Tanay, Rizal. Admission: PhP20. Tour guide fee: PhP 200 (good for 10 pax). You are provided with safety helmets and LED flashlights (however, these are very weak and you won’t be able to take great photos inside) as the second level of the cave has zero visibility. For that mandatory picture taking, use a camera with low light function. If you wish to explore layers 3-5, the guide may ask you for a consideration fee.

How to Get There: Calinawan Cave can be reached by tricycle (PhP200) from Tanay Market. For those with cars, there’s a parking area in front of the cave entrance.

Tanay Tourism Office: G/F, New Tanay Municipal Hall, M. H. del Pilar St., Tanay, Rizal 1980.  Tel: (02) 7361059 and (02) 6551773 loc 212-213.  Mobile number: (0998) 988-1590. E-mail: tanaytourism11@gmail.com. Website: www.tanay.gov.ph.

Church of St. Ildephonsus of Toledo (Tanay, Rizal)

Church of St. Ildephonsus of Toledo

Church of St. Ildephonsus of Toledo

The best-preserved church complex in the province, this church was first built in nipa and bamboo in 1606.  In 1678, a church built with stone was started by Fr. Pedro de Espallargas, completed in 1680 (the first mass was celebrated on April 20, 1680) but was demolished due to its deteriorating condition as a result of natural calamities.

The side entrance

The side entrance

The present church was started in 1773 and completed in 1783 by Franciscan Fr. Alfonso de Fentañes with good local stone from the Tanay quarry. The six retablos were installed in 1786.

Philippine Historical Committee plaque

Philippine Historical Committee plaque

On July 31, 2001, it was declared as a National Cultural Treasure by the National Commission for Culture and the Arts and, near the end of 1999, was declared as one of the five Jubilee churches of the Diocese of Antipolo.

The church's Baroque-style facade

The church’s Early Renaissance-style facade

The church’s massive Early Renaissance, adobe-faced, three-level facade features superpositioned columns topped by carved pineapples, semicircular arched main entrance and windows and a triangular pediment with a statued niche framed by an order.

The octagonal bell tower

The octagonal bell tower

On its left is its four-storey octagonal bell tower with semicircular arched windows and, on its right, is the two-storey convent and courtyard. The convent, now housing the rectory, multi-purpose hall and San Ildefonso College, was started in 1640, repaired in 1773, finished in 1783 by Fr. Fentañes and was repaired and improved in 1851.

The convent

The convent

The convent interior

The convent interior

The courtyard

The courtyard

In front of the church is the “Pamana sa Tanay, Hane!!” a 16 ft. high sculpted from an old acacia tree. Designed by Yvette Beatrice Y Co, it was sculpted by Roel Lazarro, Frank B Gajo and sculptors from both Kalayaan and Paete, Laguna. It depicts the Virgin Mary appearing before St. Ildephonsus.

Pamana sa Tanay, Hane!!

Pamana sa Tanay, Hane!!

Inside is a long nave, an intricately decorated wooden pulpit and a silver-plated main altar.    A relic of a piece of bone of St. Ildephonsus, from Zamora, Spain (where the body of the patron saint lies), is housed in a monstrance.  It, was given by Rev. Fr. Felipe Pedraja on October 2006.

The church's interior

The church’s interior

The intricately decorated wooden pulpit

The intricately decorated wooden pulpit

The celebrated 200-year old bas-reliefs of the 14 Stations of the Cross (Via Crucis), encased in large glass windows across each side of the the nave’s walls, are considered as one of the most beautiful in Asia. Indigenized from Western styles, they are believed to have been created by native Tanay artists.

Stations of the Cross

Stations of the Cross

The seventh station

The seventh station.  The soldier wearing sunglasses is fourth from left

The natives in the carvings have Malay features, with brown skin and squat figures. Native culture is distinctly depicted in the tambuli, made of carabao, and the bolo instead of the typical Roman sword. At the seventh station, one soldier even wears sunglasses.

The main retablo

The main retablo

The five ornate retablos, with Rococo design, honor of Our Lady of Anguish (Nuestra Señora de las Angustias), the Immaculate Conception (La Purísima Concepción), Saint Joseph, Saint Peter of Alcantara and the Baptism of Jesus Christ.

Retablo dedicated to Our Lady of Anguish

Retablo dedicated to Our Lady of Anguish

Retablo dedicated to St. Joseph

Retablo dedicated to St. Joseph

Retablo dedicated to St. Peter of Alcantara

Retablo dedicated to St. Peter of Alcantara

Retablo dedicated to the Immaculate Conception

Retablo dedicated to the Immaculate Conception

Retablo dedicated to the Baptism of Jesus Christ

Retablo dedicated to the Baptism of Jesus Christ

Church of St. Ildephonsus of Toledo: M.H. Del Pilar St,   Brgy. Plaza Aldea, Tanay 1980, Rizal. Tel:  (02) 654 1015. Feast of St. Idelfonsus of Toledo: January 23.

How to Get There: Taytay is located 55.37 kms. from Manila and 43.7 kms. (a 1 hour 10 min. drive) from Antipolo City.

Tanay Tourism Office: G/F, New Tanay Municipal Hall, M. H. del Pilar St., Tanay, Rizal 1980.  Tel: (02) 7361059 and (02) 6551773 loc 212-213.  Mobile number: (0998) 988-1590. E-mail: tanaytourism11@gmail.com. Website: www.tanay.gov.ph.

Church of St. James the Greater (Santiago, Ilocos Sur)

Church of St. James the Greater

The town’s stone and brick church, built in the late 18th or early 19th century, is located on top of a hill reached by steps made of cut stones. It was burned by lightning in 1823, damaged by the July 18, 1880 earthquake, was repaired by Fr. Juan Martin in 1883 and the rotten harigues (wooden posts) replaced in 1887 by Fr. Pedro Ibanez.   In 1830, Fr. Manuel Foj enlarged the convent.

Buttresses at the left side o the church

Its simple, single level Baroque facade (blended with some Neo-Classic elements) has massive, circular buttresses, a recessed arched entrance flanked by two lateral, semicircular arched statued niches, a triangular pediment decorated with striped ornamentation (the only ones in the façade) at the edges and a statued niche, with its elliptical arch, on the upper central portion.

The right side of the church

Its unusually shaped piers were said to have been copied from the form of a cigar popular in the region. The heavy cement coating steals the appeal of the “folk” Baroque pilasters and hides the texture of the stone and brick.

The church interior

Church of St. James the Greater: Manila North Rd., Santiago 2707, Ilocos Norte. Feast of St. James the Greater: July 25.

How to Get There: Santiago is located 358.75 kms.  from Manila and 49.25 kms. south of Vigan City.

Church of Our Lady of the Assumption (Sta. Maria, Ilocos Sur)

Santa Maria’s fortress-like, earthquake Baroque-style Church of Our Lady of the Assumption, together with the convent and separate bell tower, were built on roughly 1.25 hectares on a 19 m. (60 ft.) high hill surrounded by a 1.6 m. thick defensive retaining wall on all sides like a fortress, The wall is augmented by stone buttresses every 10 m..

Church of Our Lady of the Assumption

Church of Our Lady of the Assumption

The church is a National Historical Landmark (by virtue of Executive Order nos. 260 on August 1, 1973, 376 on January 14, 1974 and 1515 on June 11, 1978) and was also chosen as a UNESCO World Heritage Site on December 11, 1993 as part of the Baroque Churches of the Philippines, a collection of four Baroque Spanish-era churches.

NHI Plaque

NHI Plaque

It was probably built by Fr. Alejandro Peyrona before the close of the 18th century, totally burned by fire in 1822, reconstructed in 1824, restored in 1859 by Fr. Lorenzo Rodriguez and finished in 1889 by Fr. Juan Zallo.  During the revolution, the church was a rebel stronghold.

The grand stairway

The grand stairway

The church is 99 m. (325 ft.) long and 22.7 m. (74 ft.) wide and is approached by climbing a wide 85-step, 4-flight piedra china (granite) stairway, the first and second flight having 20 steps each, the third 22 and the fourth 21 plus two additional steps. The gently rising stairway, with three landings, tapers from 13 m, wide at street level to 1.5 m. narrower at the top. It has a sweeping view of the lower plains and the town of Santa Maria.

View of Sta. Maria town

View of Sta. Maria town

The simple, solid brick façade, with its three windows and one blind niche, has a recessed arched entrance framed by a pair of exaggerated rectangular pilasters, dividing the whole façade into three well-defined planes, and thick, massive walls with delicately carved side entrances (with few openings) and heavy circular buttresses or corner drums that end up in decorative urn-like finials. A stringcourse extends from one corner drum to the other across the façade, .

Side entrance

Side entrance

The eastern and western side of the outer walls are reinforced by 13 huge quadrangular buttresses, typical of Earthquake Baroque architecture.

Huge quadrangular buttresses typical of Earthquake Baroque architecture

Huge quadrangular buttresses typical of Earthquake Baroque architecture

The first buttress from the front is adorned by a huge bas relief, visible as one ascends the front stairway, retelling how the statue of Our Lady of Assumption was found on top of a tree.

According to tradition, the statue was washed up on the beach, undamaged from the wreck of a Spanish galleon.  It was installed on the original ermita (chapel) built at the foot of the mountain.  It would periodically disappear, only to be subsequently found on the same guava tree on top of the knoll where the church now stands.

Huge relief retelling how the statue of Our Lady of Assumption was found on top of a tree

Huge relief retelling how the statue of Our Lady of Assumption was found on top of a tree

The middle buttress on the eastern wall (back) is built like a staircase for easy maintenance of the roof, back when thatched roof was the norm in Philippine churches (now lighter corrugated galvanised iron roofing is used).

Middle buttress built like a staircase for easy maintenance of the roof

Middle buttress built like a staircase for easy maintenance of the roof

The main entrance and the blind niche on the curvilinear,  cock comb-shaped open pediment (topped by a small cupola) have circular arched forms.  Lateral ones have segmental pediments.

The church interior

The church interior

Inside is a long single nave with 9 pairs of Ionic pilasters dividing the interior elevation into 8 bays. Wind chimes hang from the lamps inside and the huge altar features some fine old tiles. A series of smaller altars, 3 on each side of the apse, flank the main altar.  There’s also a pulpit and a lectern. The church houses the statue of the one-meter tall, dark Virgin of Santa Maria.

The main altar

The main altar

The church pulpit

The church pulpit

The celebrated, 4-storey, squat leaning bell tower, consisting of stacked octagonal horizontal cross-sections of decreasing diameter (typical of Earthquake Baroque church towers), stands separately near the middle of the nave. Covered by a dome with balustrade that is capped by a cupola (with a cross on top), this Chinese pagoda-like tower is decorated with single pilasters, finials and blind and real semicircular arched fenestrations.  A clock, on the third level, faces the stairway for churchgoers to see.

The 4-storey, octagonal bell tower

The 4-storey, octagonal bell tower

The tower was built in 1810, during the renovation of the church, and furnished with a bell the following year. After the bell tower was remodeled in 1863, its foundation gradually settled down and, today, the imposing structure is slightly leaning or tilting.

The currently roofless onvent

The currently roofless onvent

Partly blocking the frontal view of the façade of the church and accessible from the church by an elevated stone walkway (underneath which is a gate that leads to the back courtyard) is the convent. Damaged during the 1880 earthquake, it was rebuilt by Fr. Benigno Fernandez and greatly renovated in 1895.  An 8 m. high stone fence, erected in 1859 by Fr. Rodriguez, surrounds the buildings.

Part of the 8 m. high wall

Part of the 8 m. high wall

From the back courtyard, another wide stairway, similar to the front but on the opposite side (also built by Fr. Rodriguez in 1859), leads down to a brick walkway that leads to an old abandoned circular camposanto (cemetery) at the foot of the hill now overwhelmed by exuberant foliage. Within the brick fence of the cemetery are the ruins of a former old brick chapel (ermita) and old graveyards.

The back stairway

The back stairway

Address: Santa Maria – Burgos Rd,, 2705 Santa Maria, Ilocos Sur. Tel: (075) 732-5568. Feast of Our Lady of the Assumption: August 15.

How to Get There: Sta. Maria is located 369.75 kms. from Manila and 38.25 kms. south of Vigan City.

Church of St. William of Aquitaine (Magsingal, Ilocos Sur)

Church of St. William of Aquitaine

Church of St. William of Aquitaine

Magsingal‘s 3-storey, cream and white Church of St. William of Aquitaine, the town’s second, was built in 1827, restored in 1848 and again by Fr. Jose Vasquez.  Its Neo-Classical facade, built within a light wall frame and supported by steep and imposing buttresses (like other Ilocos churches), is divided into 3 levels.

The church complex

The church complex

The first level has a semicircular arched portal flanked by two statued niches and topped by triangular canopies between paired and single Tuscan columns.  A rectangular piece, atop the main entrance’s keystone, contains the Augustinian symbol.

The Neo-Classical facade

The Neo-Classical facade

The second level, a repeat of the first, has a large semicircular window at the center flanked by two windows with triangular pediments, with all 3 having baluster shafts. The third level has a single, semicircular niche (with the statue of St. William the Hermit) flanked by two occoli (small circular windows).  The elaborate curvilinear pediment ends up in finials.  Its tympanum also has a circular window

The adjoining convent

The adjoining convent

The church is linked to the 2-storey convent/school by a capiz window-lined upper corridor mounted over two arches.

The octagonal bell tower

The octagonal bell tower

The nearby 30-m. high, 4-level octagonal brick bell tower, with blind and real semicircular arched fenestration of various sizes, was allegedly built in 1692 and finished by Fr. Pedro Berger (parish priest from 1824 to 1829).

The church interior

The church interior

On July 31, 2001, it was one of the Philippine colonial churches declared by the National Museum as a National Cultural Treasure and the National Commission for Culture and the Arts (NCCA) had identified and selected it as one of 26 Spanish Colonial Era churches to be under its conservation program.

Side altar

Side altar

Inside are the most important examples of Baroque-influenced art in the Ilocos notably the ornate Baroque reredos made of molave (which contain no nails), a choir loft, molave columns, a well-preserved retablo (a total seascape) and an incomparable pulpit.

The altar retablo

The altar retablo. The statues of the mermaids are on the sides of the topmost niche 

Atop the topmost niche (housing the statue of St. William) of the retablo are two nude mermaids.  It is said that the sculptor, Nepomuceno Tolentino, a Magsingal native, used his pregnant wife as a model for the pregnant mermaids.The  whole retablo is topped by a clam shell and the ceiling of the niches are also in clam shell form. On the sides are Classically designed seahorses, above which are big waves (with moderate forms of starfishes on their hold) accented with smaller waves.

The altar

The altar

The richly-carved main altar features Salomonic columns adorned with plant motifs. The pulpit has a statue of a boy with a tambuli or native horn, both made by a certain Pablo Tamayo, a talented Magsingal fisherman. He also designed the choir loft.

The richly carved pulpit

The richly carved pulpit

Commencing from the church and linking various streets are the 14 stone shrines of the Via Crusis (Way of the Cross).

Stairway leading up to the pulpit.

Stairway leading up to the pulpit. On top of the canopy is the statue of the boy with a tambuli (native horn) 

Address: Manila North Road, 2730 Magsingal, Ilocos Sur.  Tel: (077) 726-3565. Feast of St. William of Aquitaine: February 10.

How to Get There: Magsingal is located 419.2 kms. from Manila and 11.2 kms. north of Vigan City.

 

Church of St. Augustine (Bantay, Ilocos Sur)

Bantay‘s restored 18th century Church of St. Augustine, also known as the Shrine of Our Lady of Charity, was first built from 1691 to 1692 by Fr. Alonso Cortes.  Evacuees took refuge here during the Basi Revolt of 1807. It was rebuilt and restored by Fr. Eduardo Navarro (parish priest from 1870 to 1875) and was finished by Fr. Lizardo Villanueva in 1892.

Church of St. Augustine

Church of St. Augustine

Fr.  Alfredo Versoza patched the roof with galvanized iron.  Damaged during World War II, the church was repaired in 1950 and the interior decorated by Fr. Jose Brillantes. This 45.09 m. long and 11.69 m. wide brick church is flanked by massive rectangular twin towers.

The church complex. The separate bell tower is on the far left

The church complex. The separate bell tower is on the far left

Its facade has Baroque (decorative volutes around the second level windows), Neo-Gothic (pointed lancet-like arch flanked by blind pointed arcading at recessed main entrance) and pseudo-Romanesque (central window’s shaft with balustrade) features.

The church facade

The church facade

The facade’s only decorated parts are broken curves along the top of the triangular pediment and the inverted traceries below the eaves. The imposing church once was in the shape of a cross but the two wings that formed the arms of the cross were damaged during the Second World War.

The church interior

The church interior

The eerie but romantic “Chapel by the Ruins,” an open air chapel at the remains of the right wing of the original structure, was said to have been the place where priests were imprisoned by Diego Silang during the 1763 revolt against the Spaniards.

The Chapel By The Ruins

The Chapel by the Ruins

Its separate 3-storey hilltop and slightly crumbling square bell tower, which served as a lookout for approaching enemies, could be climbed for a fine view of an old nearby cemetery and the surrounding area.

The separate bell tower

The separate bell tower

Inside the church is the miraculous and greatly venerated image of Our Lady of Charity (Nuestra Señora de La Caridad), the oldest Marian image in the Ilocos.  Legend has it that it was found my some local fishermen in a wooden box which was floating on Bantagay River. The 50-inch tall image is made of wood, except for the ivory face and hands (its ivory parts were stolen in 1928). On January 13, 1956, the image was officially crowned by Egidio Vagnozi, Apostolic Nuncio to the Philippines.

Historical plaque

Historical plaque

Address: Manila-North Road, Zone 5, 2727 Bantay, Ilocos Sur. Tel. (075) 722-4072. Bell Tower open 6 AM – 6 PM. Feast of St. Augustine: May 5. Feast of Our Lady of Charity: Second Sunday of January.

How to Get There: Bantay is located 406.17 kms. from Manila and 1.83 kms. north of Vigan City.

Old Quirino Bridge (Bantay, Ilocos Sur)

The old Quirino Bridge

The old Quirino Bridge

The scenic Old Quirino Bridge, also called Banaoang Bridge, is an old Parker-type (camelback) bridge named after the late former Philippine President Elpidio Quirino, who hails from Vigan. Spread across the Abra River, it majestically connects the two beautiful, transcending rocky mountain slopes of the town of Santa and the tail end of Bantay, both in Ilocos Sur.

The mighty Abra River

The mighty Abra River

Considered as one of the country’s most beautiful bridges, this arch bridge, next to the Vigan Gap,  is considered an iconic symbol of Ilocos Sur. Aside from its magnificent views, it is also widely praised for its marvelous engineering and grand architectural design. The approach to the bridge is as scenic as the bridge itself.

Quirino Bridge (5)

The original bridge trusses

At the height of Super Typhoon Feria (which devastated the province from  July 4-6, 2001), one of its steel spans was damaged and washed away.  The old, 4-span bridge was reconstructed, with a different third quarter K-truss portion, and is still presently passable.  However, on December 2007, Chinese engineers and a local construction company started to build a new, 456 m.-long replacement, a stone’s throw (350 m.) from the original bridge.

The replacement span

The replacement span

The new Quirino Bridge is a component of the Japan-funded Urgent Bridges Construction Project for Rural Development which plans to replace old bridges with new bridges, on national roads that lead to urban centers all over the country. On December 30, 2009, it was officially opened by then-President Gloria Macapagal Arroyo. The old truss type bridge, currently preserved as a tourist attraction, doubles up as a backup in case the new main bridge is damaged by typhoons.

The new Quirino Bridge

The new Quirino Bridge

Old Quirino Bridge: Vigan Gap, Bantay, Ilocos Sur

Church of St. Catherine of Alexandria, Virgin and Martyr (Santa, Ilocos Sur)

Church of St. Catherine, Virgin and Martyr

Church of St. Catherine, Virgin and Martyr

This interesting and picturesque church is situated near the sea, one kilometer off the highway.  It was first built by Fr. Pedro Torrices from 1849-1855 and was finished by Father Luis Lagar in 1875. In 1886, Fr. Jose Rodriguez Prada restored the church and built a belfry.  A convent, built by Fr. Rafael Redondo, was eventually destroyed.

Church of St. Catherine, Virgin and Martyr (3)Its one-storey Neo-Baroque facade has well emphasized super-positioned coupled piers;   a horizontal string cornice designed with block modillon and a undulating Baroque-style triangular pediment.  The three-centered depressed arch main entrance, flanked by semicircular arched windows, has jambs bordered by protruding blocks of stone.  A circular window,  on the choir loft, has lace-like carvings. The bell tower on the right is a new construction.

Church of St. Catherine, Virgin and Martyr (4)

Address. National Highway, Santa, Ilocos Sur. Tel: (077) 725 5033. Feast of St. Catherine, Virgin and Martyr: November 25.

How to Get There: Santa is located 366.8 kms. from Manila and 41.2 kms. south of Vigan City.