Category Archives: PHILIPPINE PROVINCES

Philippine Military Academy – Relics Point (Baguio City, Benguet)

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Our first stopover at the Philippine Military Academy was at Relics Point, a favorite for military hardware lovers including me.  Here, you can see and touch (and actually ride) the real McCoy as on display are actual U.S. and U.K-made armored tracked or wheeled vehicles and U.S., French, Dutch and Japanese-made howitzers and mortars.

Me beside an Armored Infantry Fighting Vehicle
The U.S.-made Armored Infantry Fighting Vehicle (AIFV) weighted 13,687 kgs. (30,175 lbs.), had a fuel tank capacity of 416 lieters ADF (diesel) and was armed with 25 mm. Oerlikon KBA B02 auto cannon as primary armament and a 7.62 mm. co-axial machine gun as secondary armament.
 
Landing Vehicle Tracked 4 (LVT)
The amphibious, U.S.-made Landing Vehicle Tracked 4 (LVT), used during World War II, was armed with a 7.62 mm. machine gun and can be loaded by a jeep or a 105 mm. howitzer.  It had a maximum speed of 32 kms./hr. on land and 12 kms./hr. on water.  Here in the country, it was used by the Philippine Marines.
 
V-150
The U.S.-made V-150 had a battle weight of 9,000 kgs. (24,000 lbs.), a ground clearance of 64.7 cms. (25.5 inches) and a fuel tank capacity of 300 liters ADF.  It was armed with a 50 cal. M2 heavy barrel machine gun as primary armament and a 7.62 mm. co-axial M240 machine gun as secondary armament.
 
Sherman M-4A1 Medium Tank
The U.S.-made Sherman M-4A1 Medium Tank, developed during the early part of World War II, was built in large numbers and was extensively deployed in the Pacific and European theater.
 
M-7 Self-Propelled Howitzer
The U.S.-made M-7 Self-Propelled Howitzer saw extensive service during World War II with the Allied forces, from the Battle of El Alamein onwards.  Nicknamed the “Priest,” its gun had a range of 11,160 m.
 
Simba Light Combat Vehicle
The U.K.-made Simba Light Combat Vehicle  had a battle CBT weight of between 9.9 to 11.2 tons, a hull ground clearance of 0.45 m. (1.5 ft.), an axle ground clearance of 0.33 m. and a fuel tank capacity of 296 liters ADF.  It was armed with one 50 cal. QCB machine gun.
 
Jandy trying out the 40 mm. Bofors
The Dutch-made 40 mm. Bofors was the most widely-used ant-aircraft gun of World War II.  Both Allied and Axis forces used license-built and captured guns of this type.
 
75 mm. Mountain Gun
The Japanese-made, pre-World War II (1934), Type 94 75 mm. mountain gun, light and for rugged use, was suitable for fighting in mountainous country.
 
12.2 mm. Light Field Howitzer
The French-made 12.2 mm. Light Field Howitzer, introduced in 1909, was used in World War II.  It had a maximum range of 7,500 m..
 
105 mm. L3A1 Melara Howitzer

The U.S.-made 105 mm. L3A1 Malara Howitzer, of Italian design, was adopted by the American in 1939 and used to ward off the Japanese in 1941.

105 mm. M101 A1 Howitzer

The U.S.-made 105 mm. M101 A1 Howitzer was one of the most successful guns ever produced.  Between 1940-1953, 10,202 were produced and supplied to 46 national armies.  Firing at a rate of 8 rounds per minute, it had a maximum range of 11,200 m..

105 mm. M2 Howitzer

The U.S.-made 105 mm. M2 Howitzer, an improved version of the M1 howitzer, had a lower caliber but with a higher degree of accuracy.  It was later replaced by M2A1 which improved its stabilizers.

105 mm. M3 Howitzer
The U.S.-made 105 mm. M3 Howitzer, a variant of the M2 howitzer, has a shorter barrel built for shorter ranges (9,500 m. maximum).  This artillery was used by the Americans during the Lingayen landing.
 
120 mm. M120 Mortar

The U.S.-made 120 mm. M120 mortar, the largest mortar in the U.S. arsenal, was used during World War II against the Japanese.  It had a maximum range of 7,240 m..  Although this was used to fire chemical ammunition, it was also used high-explosive (HE) rounds.

The Aircraft Park
Continuing on our way, we passed the Shaku, the PMA’s landmark feathered parade cap, and stopped again at Melchor Hall.  In front of the hall is an aircraft park, this time with a display of 3 aircraft – U.S.-made, Vietnam War vintage Bell UH-1H helicopter and a F-8H Crusader fighter and an Italian-made Aermachhi SF-260M (S1A1) Marchetti military trainer.  
 
Bell UH-1H Helicopter
The Bell UH-1H general purpose helicopter had a 1,400-HP AVCO turbo shaft engine, a maximum level cruising speed of 110 knots, a sea level rate of climb of 1,600 ft./min., a ceiling service of 12,600 ft. and a hovering ceiling OGE (of ground effect) of 13,600 ft.
 
F-8H Crusader Fighter

The F-8H Crusader fighter has variable incidence wings, all-weather radar autopilot, a sophisticated weapons delivery system and can be equipped with various weapons such as air-to-air missiles, rockets, 20 mm. cannons, M-60 machine guns and 500-lb. bombs.

SF-260 M (S1A1)

The 7.1 m. long Aermacchi SF-260 M(S1A1), a basic military trainer first used for flying training, was further modified to load 250-lb. bombs and MA-3 rocket launchers and deployed in combat operations to conduct close air support to ground operations.   It had a maximum level speed of 180 knots and had a range, with max fuel, of 890 nautical miles (1,630 kms./1,025 miles).

Fort Del Pilar: Loakan Rd., Baguio City, Benguet

A Visit to the West Point of the Philippines (Baguio City, Benguet)

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One of the proudest moment in my life was when my daughter Cheska passed the written entrance exam for the Philippine Military Academy (PMA), one of 800 applicants who passed (out of 5,000) who took the exam at Philippine Normal University.  The PMA began accepting female cadets just 15 years ago,  in 1993.  She didn’t push through with this, though, opting instead to enter the University of Sto. Tomas and take up Medical Technology.    It begs the question “What makes this school attractive to so many applicants and different to other schools?”  Well for one, the life of a PMA cadet revolves around strict adherence to the Cadet Honor Code (“We, the cadets do not lie, cheat, steal nor tolerate among us those who do among us”).  It is a must for all cadets, not only to know the code, but also to practice and make it a way of life.  Second, its rigid and unique, 4-year curriculum and training regimen is challenging; good for the tough, well motivated and gifted individual; bringing out the best to those who successfully hurdle it.   

Fort Del Pilar Gate

I have been to Baguio City countless number of times but not once have I visited this academy located some 10 kms. from downtown Baguio.  That is, until lately.  My past visits to the Summer Capital of the Philippines have been by family car or public transportation.  This time I brought my own Toyota Revo, traveling with my son Jandy and United Tourist Promotions (UTP)  friends Mr. Bernard Gonzales and Mr. Rodel “Pogs” Rivas who were on assignment at Baguio.  Too bad Cheska couldn’t join us.  We stayed at the Albergo de Ferroca Hotel, near Wright Park and the Mansion House.From the hotel, the PMA is just a 5-km. drive to its entrance.  Past it  is the equestrian statue of Gen. Gregorio del Pilar, the “Hero of Tirad Pass,” after whom the fort is named.

Shaku, the PMA’s landmark

This training school for future officers of the Armed Forces of the Philippines traces its history back to the Academia Militar which was established by Gen. Emilio Aguinaldo and Antonio Luna on October 25, 1898 at Malolos in Bulacan.  Most of its faculty members were former members of the Spanish Guardia Civil and its first superintendent was mestizo Capt. Manuel B. Sityar.  In February 1899, the academy was forced to close down  upon the outbreak of the Philippine-American War.

Melchor Hall

On February 17, 1905, during the American regime, an Officer’s School of the Philippine Constabulary was established at Sta. Lucia Barracks, within Manila’s Intramuros walls. On September 1,1908,  this school was relocated to Baguio, on the site known as Constabulary Hill, later renamed Camp Henry T. Allen in honor of the first chief of the Philippine Constabulary. On September 8, 1926, the school was renamed the Philippine Constabulary Academy, by virtue of Philippine Legislature Act No. 3496 and, later, the Philippine Military Academy in 1936.  In June that same year, the academy was transferred to Teachers Camp where it remained until World War II broke out. After the war, on May 5, 1947, the academy was reopened at Camp Henry T. Allen but, due to its increasing need for wider grounds, it was soon moved to its present location at Fort Del Pilar in Loakan. 

Fort Del Pilar: Loakan Rd., Baguio City, Benguet

Camp John Hay Museum (Baguio City, Benguet)

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Camp Hohn Hay Museum

The Camp John Hay Museum, opened on October 25, 2003, was formerly the Bell House, named after U.S. Maj.-Gen. J. Franklin Bell, the commander of the Philippine Division in 1911 to 1914.

Bell transformed Camp John Hay from a small convalescent facility into a major military resort. Initially built as the vacation home of the Commanding General, it exemplifies American Colonial architecture and lifestyle.

Living Room

The grand piano

Part of the Camp John Hay Historical Core, today this one-storey houses is the repository of artifacts and other indoor exhibits. Its interiors, consisting of 3 spacious bedrooms, a living room, dining room and kitchen, are tastefully decorated with period furniture showcasing the traditional American country style typical of old American homes. Each room has its own fireplace.

Dining Room

Master Bedroom

At the entrance are twin brass seals that used to adorn Camp John Hay’s main gate. The living room, complete with a  grand piano, displays a portrait of John Milton Hay (after whom the camp was named). Various images on the walls narrate Camp John Hay’s history.  A library can also be found at right side of the house.

Bedroom 1

Bedroom 2

The front porch has a scaled model of Camp John Hay. Here, one can look down into the Bell Amphitheater.   Along with the amphitheater, the house is now declared as a historic landmark.

Hallway

Front Porch

Camp John Hay Museum: Camp John Hay, Baguio City, Benguet. Admission (for Historical Core): PhP60 (standard), PhP40 (Baguio residents) and PhP30 (senior citizens/students). Open daily, 9 AM – 5 PM.  Visitors are not allowed to sit on the furniture, smoke or take food inside. Tel: (074) 444-8981. (Camp John Hay Management Corp. Office)

How to Get There: The best way to get there is via a taxi from Baguio CBD/Session Road.  Jeepneys are not allowed to enter.

SM City Baguio (Baguio City, Benguet)

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From the hotel, Bernard and Rodel hitched a ride with us to SM City Baguio where they had some business to attend to.  This being our first visit to the mall, we decided to hang around the place.  With a floor area of 107,841 sq. m. (1,160,790 sq. ft.), this enclosed shopping mall, the largest in the Cordillera Region, was opened on November 21, 2003.  Situated on top of Session Road, overlooking historic Burnham Park and opposite Baguio’s City Hall, it sits on an 80,000 sq. m. (860,000 sq. ft.) land once occupied by  Pines Hotel, the grand, old landmark which burned down in 1973 (killing 4 firefighters).  
 
SM City Baguio
On thing I noticed with this 6-storey (including basement parking) mall is that it doesn’t have an airconditioning system (with Baguio’s cool climate, it doesn’t need one) and makes use of natural lighting (some stores are roofed with translucent white fiber, enabling sunlight to illuminate the interior on a clear sunny day).  Being the biggest mall and one of the biggest buildings in the city, this cruise ship-patterned mall houses more stores (300+ including 15 anchor stores), entertainment centers and shops than any other mall located in the city.
 
The veranda of the mall
At its veranda, we had a good view of some of the city’s main tourist attractions (Burnham Park & Lake, the City Hall, the Athletic Bowl, Session Road) as well as towering pine trees and beautiful lush gardens.
 
The mall’s atrium lobby
SM City Baguio: Luneta Hill, Upper Session Rd. cor. Gov. Pack Rd., Baguio City, Benguet. Tel: (074) 619-7838 to 43.

Fresh Catch Isdaan (Gerona, Tarlac)

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Jandy and I, together with United Tourist Promotions (makers of EZ Maps) employees Bernard Gonzales and Rodel Vivas, were on our way to Baguio City when nighttime caught up with us in Gerona in Tarlac.  Already hungry, we decided to stop at Fresh Catch Isdaan for dinner.  This open restaurant was one huge koi-filled fishpond with “floating” (actually on stilts) cabanas with tables for diners, all connected by bamboo walkways.  All over the place are huge, eye-catching statues of Buddhas, mermaids, monkeys, dinosaurs and crocodiles; Disney characters; noted Filipinos (Corazon Aquino, Joseph Estrada, Jaime Cardinal Sin, Ninoy Aquino, etc.)  as well as Marvel comic characters such as Batman, Iron Man and the Incredible Hulk.

Fresh Catch Isdaan

Food served here was mostly Filipino, the restaurant being part of the Barrio Fiesta Restaurant Group.  Its signature dishes include chicken tinupig, sisig, adobong pusit, bulalo, manok sa gata, kare-kare, sinampalukan, sizzling tanigue, hototai (mixed vegetable soup), Bicol Express, pinakbet, inihaw na liempo, buko pandan, binagoongang baboy, sinigang na hipon, lumpiang shaghai, fried chicken or porkchop, lechon kawali, among others.  While waiting for our order to arrived, I went about exploring the place.  There were subli dancers as well as roaming singers with guitars serenading guests, all dressed in approapriate Filipiniana attire.  

Koi-filled fishpond
Tacsiyapo Wall

One big surprise was Tacsiyapo Wall, a cool and neat though not original idea which is bound to bring tourists, looking for stress relief, to this place.  Here, you can release your anger by throwing crockery such as cups (PhP15), bowls (PhP18), plates (PhP35), pitchers (PhP100), vases or even a broken TV (PhP2,000) at a wall.   According to the attendant, to get the feel of it, you need to shout “tacsiyapo!” (A Kapampangan word meaning, at best, “shame on you” or, at worst, similar to the Tagalog P…I….).  Before throwing, you can choose at a  selection of targets on the wall such as “Taksil!,” “Sip-sip!,” “Bolero!,” “Bolera!,””Ingitera!,” “Tsismosa!,” etc.  

Fresh Catch Isdaan: MacArthur Highway, Brgy. Salapungan, Gerona, 2302 Tarlac.  Tel: (045) 931-2196.

Nayong Pilipino sa Clark Expo (Pampanga)

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Nayong Pilipino sa Clark

During a lull in the Flavors of Spain Foodfest held at Hotel Vida, Grace, Norma, Ethel, Mitch and I boarded a van and visited the Nayong Pilipino sa Clark Expo at Clark.  Formally opened on November 30, 2007 after a PhP40 million rehabilitation, Nayong Pilipino sits on a 3.5-hectare portion of the Clark Expo, formerly Expo Pilipino.  This historical and cultural theme park, transferred here from its original site in Pasay City, is divided into two areas: the pre-colonial division and the colonial division. The pre-colonial division proudly shows the culture of the ethnic tribes of the northern Philippines long before the Spanish occupation through exhibits, native cottages and demonstrations that are accurately designed.  

Kalinga Village

Its outdoor museum features the Ifugao Village (features typical Ifugao houses called ulog, under which is an Ifugao woodcarver carving various wooden artifacts for souvenirs), the Kalinga Village, the Aeta Village and the Muslim Village (features the Torrogan House). Adjacent to the Torrogan House is a replica of Tabon Caves.  The Labuad Village is where ethnic Kapampangan handicraft and artwork are on sale. There are also replicas of the Banaue Rice Terraces and Mayon Volcano. 

Replica of Barasoain Church

The colonial division, on the other hand, displays the Spanish regime on the archipelago through replicas of Spanish-style houses and other edifices. It includes the far from faithful replicas of Malolos’ Barasoain Church (a mass is held here every Sunday, 10 AM)  as well as the ancestral houses of National Hero Dr. Jose Rizal, Pres. Emilio Aguinaldo and Apolinario Mabini (a museum for Kapampangan artifacts).  The Colonial Plaza, fronting the church, has a 3-tiered fountain. The Hero’s Plaza has a statue of a bolo and KKK flag-wielding Andres Bonifacio.  

The Jose Rizal House

Interspersed between the two areas are clean open spaces.  Guests can go boating and fishing at the Lagoon.  The Spanish Culture & Religion Museum and the Philippine Museum are 2 separate structures that look like fortresses.  Also within the grounds are a 1,000 seat outdoor amphitheater used for social gatherings, theater plays and cultural presentations. 

Nayong Pilipino sa Clark Expo: Clark Expo, ClarkField, Pampanga.  Tel: (045) 436-1718 and (045) 599-2813. E-mail: nayon_saclark@yahoo.com.  Website: www.nayonsaclark.com. Admission: PhP30 (adults) and PhP20 (children). Open 8 AM-6 PM.

Yuchengco Museum (Makati City)

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Yuchengco Museum

Yuchengco Museum

This visual arts museum, opened in September 2005, houses the art collection of Ambassador Alfonso T. Yuchengco, highlighting his distinguished career as a businessman, diplomat, collector, philanthropist, patron of the arts and advocate for education in the Philippines and beyond.

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This museum, as an exhibition venue, aims to be a cultural bridge to the regional Asian and Pacific Rim communities. The museum also aims to bring out the excellent artistic and creative expressions of the Chinese Filipinos as well as look at the best attributes of the twin-heritage, namely the Chinese’s hardworking skills and craftsmanship and the Filipinos’ highly expressive and adaptive sensibility.

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Its Masters Gallery highlights three of the most celebrated Filipino visual artists: Fernando Amorsolo, Carlos Francisco and Juan Luna.   Also part of the Museum’s permanent collection are key art pieces from the Yuchengco Group of Companies executive offices consisting of works by Filipino Modernists such as Anita Magsaysay Ho and by National Artists such as Napoleon Abueva, Victorio Edades, Jose Joya, Ang Kiukok,  Cesar Legaspi, Vicente Manansala, etc. The YGC Collection also has a sizeable number of works in the folk genre by Angelito Antonio, Manuel Baldemor, and Norma Belleza, and prints by Boy Rodriguez and Manuel Rodriguez Sr..  Some thematic exhibitions periodically presented in the museum feature these pieces.

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To promote better understanding of art and heritage, collections and creative industries, the museum regularly holds educational and extension programs (Young Curators Program; volunteer and internship programs; etc.) that link various sectors and audiences.  Art workshops on Chinese traditional painting on Shui-Mo or “ink and water” as well as calligraphy are also conducted regularly.

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Yuchengco Museum: RCBC Plaza, cor. of Ayala and Sen. Gil Puyat Ave., Makati City, Metro Manila. Open Mondays to Saturdays, 10 AM to 6 PM.  Admission: PhP100 for adults, PhP50 for students 15 years and below (with valid ID, PhP25 for accompanied children and senior citizens and free for YGC employees (with ID) and UNESCO-ICOM and media pass holders.  Group tours for children below 15 years old must be accompanied by adults and apply for special permission.  The museum also has education and extension programs that link various sectors and audiences and promote better understanding of art and heritage, corporate collections, and the creative industries.  Curator: Ms. Jeannie Javelosa.  Tel: (632) 889-1234.  Fax: (632) 887-5144.  E-mail: info@yuchengcomuseum.org. 
Website: www.yuchengcomuseum.org.

 

This museum, as an exhibition venue, aims to be a cultural bridge to the regional Asian and Pacific Rim communities. The museum also aims to bring out the excellent artistic and creative expressions of the Chinese Filipinos as well as look at the best attributes of the twin-heritage, namely the Chinese’s hardworking skills and craftsmanship and the Filipinos’ highly expressive and adaptive sensibility. 

Its Masters Gallery highlights three of the most celebrated Filipino visual artists: Fernando Amorsolo, Carlos Francisco and Juan Luna.   Also part of the Museum’s permanent collection are key art pieces from the Yuchengco Group of Companies executive offices consisting of works by Filipino Modernists such as Anita Magsaysay Ho and by National Artists such as Napoleon Abueva, Victorio Edades, Jose Joya, Ang Kiukok,  Cesar Legaspi, Vicente Manansala, etc. The YGC Collection also has a sizeable number of works in the folk genre by Angelito Antonio, Manuel Baldemor, and Norma Belleza, and prints by Boy Rodriguez and Manuel Rodriguez Sr..  Some thematic exhibitions periodically presented in the museum feature these pieces.

To promote better understanding of art and heritage, collections and creative industries, the museum regularly holds educational and extension programs (Young Curators Program; volunteer and internship programs; etc.) that link various sectors and audiences.  Art workshops on Chinese traditional painting on Shui-Mo or “ink and water” as well as calligraphy are also conducted regularly.

Yuchengco Museum: RCBC Plaza, cor. of Ayala and Sen. Gil Puyat Ave., Makati City, Metro Manila. Open Mondays to Saturdays, 10 AM to 6 PM.  Admission: PhP100 for adults, PhP50 for students 15 years and below (with valid ID, PhP25 for accompanied children and senior citizens and free for YGC employees (with ID) and UNESCO-ICOM and media pass holders.  Group tours for children below 15 years old must be accompanied by adults and apply for special permission.  The museum also has education and extension programs that link various sectors and audiences and promote better understanding of art and heritage, corporate collections, and the creative industries.  Curator: Ms. Jeannie Javelosa.  Tel: (632) 889-1234.  Fax: (632) 887-5144.  E-mail: info@yuchengcomuseum.org. 
Website: www.yuchengcomuseum.org.

Taal Vista Hotel (Tagaytay City, Cavite)

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Taal Vista Hotel

A lot of my childhood memories included family visits to Tagaytay  City where we enjoyed the cool and crisp (average temperature is 22.7 degrees Celsius) mountain air and a picture-pretty view of Taal Volcano from its original grand viewdeck: Taal Vista Hotel. I wanted to sample what the hotel had to offer, so I brought along my wife Grace, kids, Jandy and Cheska, plus in-laws, and stayed two nights in 2 (out of 88) interconnected superior rooms. On arrival, we were welcomed by the soft-spoken, Mr. Ikuo Itoi, and Ms Zeny Alcantara.

Check out “Hotel and Inn Review: Taal Vista Hotel“

De luxe room

The hotel has its beginnings way back in 1935 when the Zamoras of Manila Hotel bought six hectares of flatland perched atop an incline along Ilong Kastila (people say it resembles a nose or ilong) from American Hammon H. Buck, the Superintendent of Schools in Batangas. Two years later, hotel was built. Its architect was probably Andres Luna de San Pedro who, just a few years earlier, renovated another landmark, the Manila Hotel, to accommodate a suite for Gen. Douglas MacArthur.

Its contractor was probably the well-known Pedro Soichi who built the Rizal Memorial Stadium in Manila. Both were favored by Commonwealth President Manuel L. Quezon who was then, as I still am now, equally fascinated with Tagaytay. Upon completion, Quezon frequently held cabinet meetings in the lodge’s premises and, on 21 June 1938, he converted Tagaytay into a chartered city by virtue of Commonwealth Act No. 338.

During World War II, the lodge was converted into quarters for Japanese officers. Between 1956 and 1964, Tagaytay began to be promoted as a major tourist attraction of the Philippines and Taal Vista Lodge was one of its leading attractions. n fact, the hotel was the public viewing ground to the September 28, 1965 (8 PM) major eruption of the volcano as well as mild to moderate eruptions from 1966 to 1970 (lasting from three to 65 days), and mild eruptions in 1976 (September 3 to October 23), 1977 (October 3 to 4 and  November 9 to 12) and 1991. In 1973, Taal Vista Lodge, now a three-star hotel, boasted a large pavilion for dinner and dancing, a bowling alley, a golf course, a billiards hall and a horseback riding area beside the lodge.

One its many regular visitors was a young man who often chose one spot in the grounds from which he gazed out and dream. That dreamer was Henry Sy whose SM Investments Corp. would later acquire the hotel. In 2002, he had the hotel rebuilt in the style of the original lodge and added 2 new extensions on the east side of the complex to provide 128 rooms, conference facilities and amenities. In 2004, this reinvigorated and now first-class hotel welcomed back guests and visitors. Today, it remains a landmark deeply entrenched in the history and heritage of Tagaytay City.

Taal Vista Hotel Historical Mural

The original building now houses the hotel’s front desk, business center, shops, ball room and meeting rooms. At the hotel foyer is the 26-ft x 8-ft. Taal Vista Hotel Historical Mural, a joint project of Paolo Alcazaren and Felix Mago Miguel.

Seasons

However, the building’s focal point are its three food and beverage outlets: Cafe-on-the-Ridge, Season’s, and the Lobby Lounge. Both take you far beyond the plate,whether al fresco or from within, as their panoramic floor-to-ceiling glass windows allows diners to watch, aside from Taal Volcano and Lake, the fog rolling in, the captivating sunset and, at nighttime, the stars or the pinpoint lights of fishing boats and the lakeshore towns. cafe-in-the-ridge, offering a la carte & buffet service, recreates the cuisine and ambiance of two continents, featuring a menu that distinctly highlights the simple elegance of Europe, the carefree disposition of Spain and the Asian mystique was offered with live entertainment at night. Season’s, where you can dine of the finest gourmet creations made from the freshest of the season,  is a classy fusion of setting and landscape, is a perfect place for intimate dinners and cozy get-togethers.

The Lobby Lounge, with its natural motifs, was an ideal rendezvous for a lazy after dinner conversation, evening interludes and winding down moments. Its well-stocked bar offers light meals, coffee or cocktails. Here, warmed by the fireplace, we all sampled hot chocolate while listening to a piano.Try sampling  the Chocolate Eruption, a sinfully delicious dessert concoction prepared and baked, minutes before serving, by Canadian executive chef Bill McGrath.

Swimming pool

The tropical style Ylang-Ylang Spa, ran by French doctor, Charles Sutter and his Filipina wife Pristine in Davao, applies all-natural techniques and ingredients rooted on the principle of  “touch therapy” which has been proven to stimulate the release of endorphins which is supposed to make you happy.

The hotel is in the midst of a Php 650 million (US$16 million) expansion which will add 133 more rooms, 6 function rooms, and a 1,000-seater grand ballroom. By the end of the year, the hotel will have a total of  261 guestrooms, 2 grand ballrooms and 16 function rooms.

Taal Vista Hotel: Tagaytay City, Cavite.  Tel: (046) 886-4325 and (046) 413-1000.  Fax: (046) 413-1225.

Casa Manila (Intramuros, Manila)

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Casa Manila

From San Agustin Church, we again boarded our calesa and made a stopover at the 3-storey, colonial lifestyle Casa Manila. This museum, built in 1981, is a faithful, beautifully-done reproduction of a typical mid-19th century Spanish bahay na bato residence of Binondo merchant Don Severino Mendoza that once stood along Calle de Jaboneros in San Nicolas, Binondo.

The courtyard

It has a façade of balconies and a overhanging wooden gallery, a beautiful inner courtyard and antique Philippine, Oriental and European furniture and furnishings. Designed by Arch. Jose Ramon Faustmann with interiors by Martin I. Tinio, Jr., it is a window to the opulent 19th century lifestyle of the gentry.

The courtyard fountain

Though the house is just a reproduction, its exhibits aren’t.  No photography was allowed inside.  On display are antique 17th to the early 20th century jewelry, finely-crafted local, Chinese and European furniture and other items from the Intramuros Administration’s collection.  

L-R, Miguel, Mark, Matthew, Vicky and Francis

Casa Manila: Plaza San Luis Complex, Gen. Luna cor. Real St., Intramuros, Manila.  Tel: (632) 527-4084. Open Tuesdays to Sundays, 9 AM to 6 PM.  Admission: Php50 for children, students with valid ID and faculty members; and PhP75 for adults.

San Agustin Church (Manila)

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Francis and Vicky Dionela, our balikbayan relatives, from Vienna, Austria, were in town  and my brother-in-law Mark and I toured them around Intramuros, availing of a calesa to do so.   Joining us were Mark’s sons Miguel and Matthew.  The first stop in our calesa tour was  the San Agustin Church.  I have been inside this church a couple of times, notably during the wedding of the former Susan O. Bilog, my wife’s first cousin, to Alfredo Azarcon on January 31, 2001.  However, this was my opportunity to explore it in detail.  During our visit, the church was again being prepared for another wedding.

San Agustin Church

Named after St. Augustine, Bishop of Hippo, San Agustin Church is the fifth church to be built in the country.  The mother church of the Augustinian Order, it is said to be the first mission constructed in Intramuros after the defeat of Rajah Sulayman by Miguel Lopez de Legaspi in 1571.  The first two churches were destroyed by fire on December 2, 1574 during invasion of Chinese pirate Limahong and by fire caused by a candle spark on February 28, 1583 during Gov.-Gen. Gonzalo Ronquillo de Penalosa‘s funeral.  Again fire damaged the church on the evening of March 30, 1586.  It was also damaged during the major earthquakes of 1645, 1754, 1852, June 3, 1863 and July 19, 1880.  During World War II, it was the only church in Intramuros (there are 7) to have survive the American bombardment during the liberation of Manila in 1945. Only the roof was destroyed.  However, the adjacent monastery was totally destroyed but rebuilt in 1970.  It is now the San Agustin Museum.  In 1994, the church was declared by the UNESCO as a World Heritage Site for Baroque Churches.

       
The adjacent San Agustin Museum

The present 67.15 m. long and 24.93 m. wide church, one of the most typical examples of the colonial Semi-Classical styles, was built between 1587 and 1604 by Juan Macias (said to be a Pampango builder) using hewn adobe stones quarried from Guadalupe, Meycauayan, San Mateo and Binangonan.  It has not undergone major change except for minor restorations and its being able to withstand 5 major earthquakes is attributed to its elliptical foundation (like the hull of the ship) and 1.5-m. thick walls.

       
Corridors leading to the San Agustin Museum

Its design shows Mexican influence.  The unassuming Neo-Classical façade has two levels.  The first level has 4 pairs of Ionic columns and statued niches filling the walls.  The second level has an equal number of Corinthian columns, semicircular arches and square windows.  Above it is a triangular pediment with a circular window.

       
TheProto-Baroque molave main door

The church interior is in the form of a Latin cross.  It has 14 side chapels. The original retablo, built in 1671 by Juan de los Santos, was replaced in 1681, coated with gold leaves in 1704, but was defaced in the British invasion in 1762.  The courtyard entrance and columned facade are guarded by granite lions (fu dogs) given by Chinese converts. 

       
The church interior

The church originally had two four-storey hexagonal bell towers, but the left one was dismantled after the 1863 earthquake.  It has an intricately carved, 24 ft. high and 16 ft. wide Proto-Baroque molavemain door with 4 panels depicting Augustinian symbols, an exquisite Baroque narra pulpit carved in 1627, tombstones on the floor and 12 side chapels (originally 14) dedicated to various saints. 

     
The tromp-l’oeil ceiling

Its vaulted tromp-l’oeil (from the French word meaning “deceives the eye”) ceiling, from which hang 16 crystal chandeliers from Paris (1879-80), was painted by Italian artists Giovanni Alberoni and Caesar Dibella in 1875.  Viewing it from below, the designs appear as 3-dimensional.

      
The pulpit

The magnificent choir loft, the only one of its kind in the country, has 68 beautifully handcrafted molaveseats with ivory encrustations supported by huge elliptical arches.  It was ordered by Fr. Miguel Serrano and brought in from Macao by Bishop Hernando Guerrero in 1614.   A crucifix here dates from the 17th century.  The big lectern has 16th and 17th century cantorals.

       
The main altar

Its 18th century pipe organ was newly-restored and inaugurated on November 1998.  Its classical tones, to which are attached renowned composers  Fr. Manuel Arostegui and Pakil (Laguna)-born Marcelo Adonay, echoed again during the 3-day Second International Music Festival  hosted by San Agustin Church.

       
A side altar

The remains of Miguel Lopez de Legaspi, Martin de Goiti, Juan de Salcedo and various early governors and archbishops are buried in a communal vault in a side chapel to the left of the main altar. Their bones were mixed up when the British desecrated their graves when they sacked Manila from October 6-7, 1762.  The reclining bronze statue of Legaspi was done by Spanish sculptor Juan Miguel Iriarte.  The remains of painter Juan Luna, and statesmen Pedro Paterno and Trinidad Pardo de Tavera are also housed in the church.


Another side altar

San Agustin Church: Cor. Gen. Luna St. and Calle Real, Intramuros, Manila.