Cu Chi Tunnels (Ho Chi Minh City, Vietnam)

The Cu Chi Tunnels, in the Cu Chi District, were the improvised response of the poorly-equipped Viet Minh peasant army to the American’s high-tech ordnance, helicopters, artillery, bombers and chemical weapons.  Started sometime in the late 1940s during the war against the French (used mostly for communication between villages and to evade French army sweeps of the area), these dugouts and tunnels were built in the hard, red earth of Cu Chi (ideal for their construction) over a period of 25 years.

Combat tunnels and trenches

Constructing combat tunnels and trenches

Around 1960, the Viet Cong’s National Liberation Front (NLF) insurgency began in earnest and the old Viet Minh tunnel system assumed enormous strategic importance.  Most of Cu Chi district and the nearby area were brought under firm Viet Cong control and, within a few years, the tunnels were repaired and new extensions excavated.  It was used as a base for infiltrating intelligence agents and sabotage teams into Saigon and, during the 1968 Tet Offensive, the stunning attacks in Saigon were planned and launched from Cu Chi.

A primitive weapon factory (1962)

A primitive weapon factory (1962)

In early 1963, the Ngo Dinh Diem government implemented the Strategic Hamlets Program. Fortified encampments, built to house people who had been ‘relocated’ from communist-controlled areas, were surrounded by many rows of sharp bamboo spikes. The program was carried out with incredible incompetence, alienating the peasantry.  The Viet Cong also launched a major effort to defeat it, tunneling into the hamlets and controlling them from within and, by the end of the year, the first showpiece hamlet (in the Ben Cat district, next to Cu Chi) had been overrun.

Captured American weapons (1966)

Captured American weapons (1966)

By the end of 1965, a complete Viet Cong victory became a distinct possibility after the series of setbacks and defeats suffered by the South Vietnamese forces in the Cu Chi area. In the early months of that year, the guerrillas boldly held a victory parade in the middle of Cu Chi town and their strength in and around Cu Chi was one of the reasons the Lyndon B. Johnson administration decided to involve U.S. troops in the war.

Children sawing the barrel of a cannon for use in an underground shelter (1968)

Children sawing the barrel of a cannon for use in an underground shelter (1968)

To deal with the threat posed by VC control of an area so near the South Vietnamese capital, one of the U.S.A.’s first actions was to establish a large base camp in Cu Chi district. Unknowingly, they built it right on top of an existing tunnel network. It took months for the 25th Division to figure out why they kept getting shot at in their tents at night.

American tunnel rat creeping out of a tunnel

American tunnel rat creeping out of a tunnel

The US and Australian troops tried a variety of methods to ‘pacify’ the area around Cu Chi, which came to be known as the Iron Triangle. They launched large-scale ground operations involving tens of thousands of troops but failed to locate the tunnels. To deny the VC cover and supplies, rice paddies were defoliated, huge swathes of jungle bulldozed, and villages evacuated and razed. The Americans also sprayed chemical defoliants on the area aerially and a few months later ignited the tinder-dry vegetation with gasoline and napalm. But the intense heat interacted with the wet tropical air in such a way as to create cloudbursts that extinguished the fires. The VC remained safe and sound in their tunnels. Unable to win this battle with chemicals, the US army began sending men down into the tunnels. These ‘tunnel rats’, who were often involved in underground fire fights, sustained appallingly high casualty rates.

American soldiers using dogs to discover tunnels

American soldiers using dogs to discover tunnels

When the Americans began using German shepherd dogs, trained to use their keen sense of smell to locate trapdoors and guerrillas, the VC began washing with American soap, which gave off a scent the canines identified as friendly. Captured US uniforms were put out to confuse the dogs further. Most importantly, the dogs were not able to spot booby traps. So many dogs were killed or maimed that their horrified handlers then refused to send them into the tunnels.

Getting ready for battle to protect base (1966)

Guerillas getting ready for battle to protect their base (1966)

The U.S.A. declared Cu Chi a free-strike zone: little authorization was needed to shoot at anything in the area, random artillery was fired into the area at night, and pilots were told to drop unused bombs and napalm there before returning to base. But the VC stayed put. Finally, in the late 1960s, American B-52s carpet-bombed the whole area, destroying most of the tunnels along with everything else around. The gesture was militarily useless by then because the U.S.A. was already on its way out of the war. The tunnels had served their purpose.

Guerillas of Nguan Duc village on the wreck of an American helicopter (1965)

Guerillas of Nguan Duc village inspect the wreck of an American helicopter (1965)

The VC guerrillas serving in the tunnels lived in extremely difficult conditions and suffered horrific casualties. Only about 6,000 of the 16, 000 cadres who fought in the tunnels survived the war. Thousands of civilians in the area were killed. Their tenacity was extraordinary considering the bombings, the pressures of living underground for weeks or months at a time and the deaths of countless friends and comrades.

Surgery inside the tunnels

Surgery performed inside the tunnels

The villages of Cu Chi have since been presented with numerous honorific awards, decorations and citations by the government, and many have been declared ‘heroic villages’. Since 1975 new hamlets have been established and the population of the area has more than doubled; however, chemical defoliants remain in the soil and water, and crop yields are still poor.

Saigon Central Post Office (Ho Chi Minh City, Vietnam)

The largest and busiest central post office in Vietnam, this Neo-Classical-style building, one of the most recognizable landmarks in the city and a fine example of French colonial architecture, is a mixture of Gothic, Renaissance and French influences.  This big, airy and spacious building  was designed and constructed, between 1886 and 1891, by the famous French civil engineer and architect Gustave Eiffel (of Eiffel Tower fame).

Saigon Central Post Office

Saigon Central Post Office

Its vaulted roof, massively high arched ceiling (carried by the two rows of steel pillars), numerous wickets, wooden counters (that seem like ticket counters), ornate furnishings, green window shutters and creatively designed arched windows (with engaged piers) are reminiscent of old European railway stations.

Clock above the main entrance

Clock above the main entrance

Above the main entrance, with its intricate ironwork, is its original and still working giant clock. The gorgeous, patterned floor tiles inside represent antique maps.

The post office's massive interior

The post office’s massive interior

Though still a completely functional post office housing a useful office center with phones and fax lines, the building administration have also added souvenir shops (ref magnets, post cards, T-shirts, wallets, coin and stamp collector sets, etc.), currency exchange offices (though their rates was pretty high they are better than rates at the airport), wooden benches for tired tourists, and the still original phone booths (above which are clocks with times of select Asian cities) to make international calls (others are now ATM booths).

Phone and ATM booths

Phone and ATM booths

Inside this never too crowded but never really empty post office, on the upper part of both walls flanking the main entrance, are two large, eighteenth century maps that were painted on the walls just after the post office was built.

Map of Southern Vietnam and Cambodia

Map of Southern Vietnam and Cambodia

Map of Greater Saigon

Map of Greater Saigon

On the left side is a map of Southern Vietnam and Cambodia entitled Lignes telegraphiques du Sud Vietnam et Cambodge 1892 (“Telegraphic lines of Southern Vietnam and Cambodia 1892”) while on the right side is a map of Greater Saigon entitled Saigon et ses environs 1892 (“Saigon and its environment 1892’). At the end of the expansive hall is a huge portrait of Ho Chi Minh. 

Osang, Jandy, Violet, the author and Australian friend Gerald Hosiah

Osang, Jandy, Violet, the author and Australian friend Gerald Hosiah

Saigon Central Post Office: 2 Công xã Paris, Bến Nghé, tp. (opposite Notre Dame Cathedral), Ho Chi Minh City.  Open 8 AM – 5 PM. Tel: +84 8 3822 1677.   

Notre Dame Cathedral (Ho Chi Minh City, Vietnam)

The Neo-Romanesque-style and French-inspired Notre Dame Cathedral, officially the Basilica of Our Lady of The Immaculate Conception, is a modest replica of its namesake in Paris.  It faces Ð Dong Khoi and is set in the heart of HCMC’s government quarter.  When we arrived, its front gates as well as the heavy timber doors on the side of the building that faces Reunification Palace were locked so we never got to see its interior.  Sunday masses here are held in both Vietnamese and English.  The cathedral is also a favorite for pre-nuptial photo shoots.

Notre Dame Cathedral

Notre Dame Cathedral

The granite plate inside the main entry gate commemorates the start and completion dates and designer. It states that, on October 7, 1877, Bishop Isidore Colombert laid its first stone in an inaugural ceremony. The construction of the cathedral construction work, managed by a French engineer named Baurad, took three years and, on April 11, 1880, Easter Sunday, a blessing and ceremony of completion was solemnly organized in the presence of Cochinchina  Gov. Charles Le Myre de Vilers.

Bell tower detail

Bell tower detail

The total construction cost, at that time, was 2,500,000 French francs. Its foundation was designed to bear ten times the weight of the cathedral. All its original building materials were imported from France and the bricks of exterior walls, which still retained their bright red color until today, came from Marseille. Most of the tiles are  carved with the words “Guichard Carvin, Marseille St André France” (perhaps stating the locality where the tiles were manufactured) while others are carved with the words “Wang-Tai Saigon.” Many tiles damaged during the war have since been replaced by tiles made in Ho Chi Minh City. Its 56 stained glass squares were supplied by the Lorin firm of Chartres province in France and installed by famous French artisans. These were destroyed during World War II and have since been replaced with plain glass

Rose window

Rose window

At the beginning, the cathedral was called State Cathedral due to the source of the construction funds. On February 17, 1959, during the closing ceremony of the Marian Congress, the cathedral was then-on called Notre-Dame Cathedral. In 1960, the cathedral was titled Saigon Chief Cathedral and, in 1962, Pope John XXIII conferred on it the status of a basilica. From this time, this cathedral was called Saigon Notre-Dame Cathedral Basilica.

Side elevation

Side elevation

The cathedral has two main central bays and two sidereal corridors, with tall pillars and light coming in through sets of high windows. Its two 57.6 m. (190 ft.) high square bell towers, added to the cathedral in 1895, dominate the scenic Le Place Pigneau de Behaine (with its beautiful flower garden) which is bounded by the main post office.  Tipped with iron spires, they have six bronze bells (with a total weight of 28.85 metric tons). On the top of each tower are 3.5 m. high and 2 m. wide crosses weighing 600 kgs.

Another view of the side

Another view of the side

The total height of the cathedral, from ground to the top of the cross, is 60.5 m. In front of the cathedral and in the center of the square is a granite statue, made in Rome and installed on February 16, 1959, of the Our Lady of Peace (which was given the title of Regina Pacis). During October 2005, the statue was said to have shed tears, which flowed down the right cheek of the face of the statue.  It attracted thousands of people and forced authorities to stop traffic around the cathedral.

Violet and Osang

Violet and Osang

Notre Dame Cathedral:  Bến Nghé, tp., District 1, Hồ Chí Minh City.

Saigon Opera House (Ho Chi Minh City, Vietnam)

The iconic, stately and elegant Saigon Opera House, also known as the Ho Chi Minh Municipal Theater, is hard to miss as it is located at the intersection of Ð Dong Khoi and ÐL Le Loi.  The front of the building is a good place to take photos or maybe just sit round and spend some time people-watching. A Highland Coffee Shop outlet is located behind the building. During our visit, a pre-nuptial photo shoot was ongoing at the bottom of the steps in front of the theater.

Saigon Opera House

Saigon Opera House

Unfortunately, we weren’t allowed to see the inside unless we watched an actual performance (plays, concerts, ballet, opera, and Vietnamese traditional dance) or the 60-min. AO Show (6 PM and 8 PM), a show fusing dance, circus and musical forms in a vibrant and light-hearted series of sketches.  However, prices for these performances don’t come cheap. For the AO Show, admission ranges from 630,000 VND to 1,470,000 VND (US$29.7 to US$69.3).

A venue for pre-nuptial photo shoots

A venue for pre-nuptial photo shoots

This grand, 1,800-seat colonial building, an example of French Colonial architecture in Vietnam, was designed, as the Opėra de Saigon, by architect Felix Olivier and its construction, started in 1898, was supervised by architects Ernest Guichard and Eugène Ferret. The theater was completed on January 1, 1900. Its applied ornaments, balustrades, cartouches and roof are particularly French while the large central arch, Ionic columns, coffered ceiling and the caryatids (though less modestly clothed than Greek examples) are Greco-Roman motifs.

The veranda and richly-engraved arch

The veranda and richly-engraved central arch

In 1944, the theater was damaged by the Allied air attacks and, in 1954, was used as a temporary shelter for French civilians arriving from North Vietnam. After 1956, the building was restored and used as the home of the Lower House assembly of South Vietnam and it was not until 1975, after the fall of Saigon, that it was again used as a theater. In 1995, the theater was again restored.

A scantilly clad carytid

A scantily clad caryatid

Shaped like the Opéra Garnier in Paris, the Municipal Theater is a smaller counterpart of the Hanoi Opera House (built between 1901 and 1911).  Influenced by the flamboyant style of the French Third Republic, its ornate façade, decorated with inscriptions and bas reliefs, is shaped like France’s Petit Palais (“little palace”) which was also built in 1900. In 1943, some of its decorations, engravings and statues were removed from the theater façade (to make the the theater look more youthful) but, in 1998, during the 300th anniversary celebration of Saigon, a portion was restored by the city government.

Bas reliefs and paired Ionic colums

Bas reliefs and paired Ionic colums

This opera house has an 800-seat main seating floor plus two levels of seating above; a sweeping staircase; and all the inscriptions, décor, and furnishings were designed and drawn by a French artist and sent from France. It now hosts the Ho Chi Minh City Ballet Symphony Orchestra and Opera (formerly the Ho Chi Minh City Symphony and Chamber Orchestra), one of the city’s premiere entertainment companies.

Deatil of bas relief

Deatil of bas relief

The theater is equipped with state-of-the-art lighting and sound systems, and safety equipment. Many of its original architectural and decorative features, including a stone veranda, white stone statues at the entrance, colorful granite tiled floors, chandeliers, bronze statues in front of the stairs, richly-engraved auditorium arch and wall statues, have been incorporated. In 2009, an outdoor lighting system was installed on the roof of the Opera House.

The author, Jandy, Osang and Violet

The author, Jandy, Osang and Violet

Saigon Opera House: 7 Lam Son Square, Ben Nghe Ward, District 1, Ho Chi Minh City. Tel: 08 3829 9976.

People’s Committee Building (Ho Chi Minh City, Vietnam)

People Committee Building

People Committee Building

The 2-storey People’s Committee Building, one of the city’s most prominent landmarks and one of the most photographed buildings in Vietnam, is the home of the Ho Chi Minh City People’s Committee. Formerly the Hôtel de Ville de Saïgon, it was designed in the French colonial style by famous French architect P. Gardes and was modelled after the Hotel de Ville (City Hall) of Paris.

Tower with Mansard roof

Tower with Mansard roof

Built between 1901 and 1908, it was renamed as the People’s Committee Building after April 1975.  This building, noted for its beautiful gardens and ornate facade, is often referred to as the “Gingerbread House” due to the impressive exterior’s cream and white facade and ornate features. It has a main hall, rectangular wings and a central clock tower.

Broken segmental arch with statue of a woman, a child and 2 wild beasts

Segmental arch with statue of a woman, a child and 2 wild beasts

The central façade, flanked by two towers with red-tiled Mansard roofs, has broken segmental arches with statues.  In the middle is a statue of a standing woman and a child with two wild beasts while flanking it are statues of seated women with swords. There are also sculpted cornices and delicate bas-reliefs on the walls, a popular feature of French colonial style.

Segmental arch with statue of a seated woman with a sword

Segmental arch with statue of a seated woman with a sword

It was regrettable that tourists such as us as well as the general public weren’t allowed inside this working government building.  Only civil servants and cleaners are allowed.  Its elegant interior is said to be lit with crystal chandeliers.

The clock tower

The clock tower

Standing on a small, lovely park (with beautiful flowers, trees and a fountain) in front of the building is the iconic bronze statue of revolutionary leader and National Hero Ho Chi Minh, sitting and reading a book to a little girl, with a protective arm around her.  Called “Uncle Ho and Children,” it was made by artist Nguyen Minh Chau.

Bronze statue of Uncle Ho and Children

Bronze statue of Uncle Ho and Children

Too bad we also didn’t visit after dark as this extremely photogenic building, beautiful by day, is also stunning at night as it is spectacularly floodlit by colorful lights installed by engineers and artists from Lyon (France).

Jandy, the author, Violet and Osang

Jandy, the author, Violet and Osang

People’s Committee Building: 86 Le Thanh Ton St., District 1, Ho Chi Minh City

The Beached Ships of Tacloban City (Leyte)

As a consequence of Typhoon Yolanda (international name: Haiyan) hitting Tacloban City and the ensuing tsunami-like storm surge, a number of ocean-going ships were beached. These hulking ships are fast becoming a tourist destinations by themselves. During my visit to Tacloban, 8 months after Yolanda, I made it a point to visit some of these huge boats.

MV Eva Jocelyn (4 were pinned here)

MV Eva Jocelyn (4 were pinned here)

A total of 10 commercial ships were were swept inland during the onslaught of Typhoon Yolanda. Eight were stuck in Rawis and Anibong Districts, one in Brgy. Diit, and one near San Juanico Bridge. In addition, two government vessels; a dredger found in Fatima Village in Brgy. 75, owned by the Department of Public Works and Highways; and a ship owned by the Bureau of Fisheries and Aquatic Resources; were also beached.

Beached Ships at Anibong (16)

Five more ships were beached in Quinapondan and Guiuan (Eastern Samar) – the MV Eastern Samar (Lilygene Shipping Lines Inc in Guiuan, Eastern Samar, owned by Mr. Generoso Yu), the MV Lady of Fatima (owner unknown); and 2 tugboats (MT Maharlika-A and MT Maharlika-B) and a barge (Vicente Uno) of Vicente Lao Construction based in Davao City.

Beached Ships at Anibong (12)

The MV Gayle (Unilink Shipping Corp., owned by Alfred Yanglua of Cebu), a big part of which was already floating on the water (making it easier to pull away from the shore), was removed from the shore last April in a salvage operation that lasted for 30 minutes. Afterwards, it was brought to Cebu City to be fixed (its propeller was destroyed and its engine needed to be replaced).

Beached Ships at Anibong (13)

Nine other ships have yet to be removed – the MV Eva Jocelyn (Eva Shipping Lines of Mandaue City, Cebu); the  MV RKK 1 (RKK Shipping Lines, Inc.); the MV Star Hilongos (Roble Shipping Corp., owned by Joey Roble of Cebu); MV David Legaspi (Candano Shipping Corp., owned by Elena Candano of Tabaco City, Albay); the MV Jaguar (Tacloban Oil Mill of Tolosa, Leyte); the MV Ligaya V (Avega Brothers Integrated Shipping Corp. in Makati City); the MV Lancer (Matsya Shipping of Cebu City) the MV Tomi Elegance (Tacloban Oil Mill ); and LCT Rosman (owned by businessman Richmond Ng of Quezon City, Metro Manila).

Beached Ships at Anibong (17)
At Brgy. 68 (where the typhoon claimed 20 lives), we visited the 3,000-ton, red and blue MV Eva Jocelyn.  When the supertyphoon smashed through Tacloban, a dozen cinderblock houses were directly hit by the ship and 4 residents were later found dead, pinned by the ship. Now sitting on unstable ground composed of debris, this ship is tilting due to the movement of the deteriorating ground. This could crush surrounding makeshift houses that were repaired by their owners.  A bizarre sight was tourists having their picture taken right in front of this ship’s massive hull that flattened homes and killed people.

Beached Ships at Anibong (19)

However, these beached ships are temporary “tourist attractions” as the Philippine Coast Guard (PCG) wants the ship owners to retract, refloat or make into scrap their vessels by the end of January or mid-February 2015, otherwise, the PCG would salvage the ships at the owner’s expense.

The DPWH Barge

The beached DPWH dredger at Fatima Village

The owners, however, appear hesitant to immediately remove the vessels because of unfinished documentation for insurance claims.  The residents want them removed as they have been “imprisoned” by these cargo vessels. They are also a painful reminder to them and hinder the removal and cleaning of the debris as well as in restoring the devastated coastal areas.

Remembering the Victims of Typhoon Yolanda (Leyte)

Palo town 8 months after Typhoon Yolanda

Palo town 8 months after Typhoon Yolanda

One of the most moving highlights of my return to Leyte, 8 months after super typhoon Yolanda (international name: Haiyan) hit the province, was our visit to the town of Palo, one of the most heavily hit places.

Palo Metropolitan Cathedral

Palo Metropolitan Cathedral

Still vivid in my memory was TV footage of the town’s Cathedral of Our Lord’s Transfiguration (which underwent a US$35 million renovation a year ago) and its convent where GMA 7’s Unang Hirit reporter Ms. Lovella “Love” Anover, a native of Alang-Alang, and 500 other people sought shelter at the height of Yolanda. They all watched in horror as the full force of the winds slowly tore off the roof of the newly-renovated cathedral.  The traumatized Love later broke down in tears while reporting live on camera.

Palo Municipal Hall

Palo Municipal Hall

Of the 76 churches in the Palo Archdiocese, only six remained intact. Palo back then was celebrating its 75th anniversary (diamond jubilee) as an archdiocese. When we arrived there, a new roof had already been installed but much still has to be done as it still needs a ceiling, the main door was still unrepaired and the broken glass at its windows still have to be replaced.  A new sight awaited us – a mass grave, fenced off by white ribbon and marked by flowers, for about 100 typhoon victims.

The partially repaired cathedral interior

The partially repaired cathedral interior

This scene was repeated when we dropped by the church of Brgy. San Joaquin. At the church’s de facto plaza, once a grass yard where youth groups would practice hip-hop dances, a much larger mass grave could be found.  Here, over 400 people were laid to rest. A statue of Jesus Christ of the Sacred Heart, with one arm outstretched and the other broken off, towers over the makeshift graves. Youngsters were playfully running around the graves.

Mass grave at cathedral grounds

Mass grave at cathedral grounds

At the height of Yolanda, a tsunami-like storm surge reaching 18 ft. hit the barangay.  Many drowned in the school beside the church.  Luckily, no one was able to seek shelter within the church as the strong early morning winds prevented the opening the church doors to residents.  They would have surely drowned. However, at least 25 children lost their lives at another evacuation center. Fr. Kelvin Apurillo, the parish priest, and his 11 sacristans who were trapped in the second floor of his house beside the church, all survived. However, some sacristans lost family members in the flood.

San Joaquin Church

San Joaquin Church

Each marker, with rolls of names (numbering from 2 to 20 with others too long to fit) etched by felt-tip pens on boards fastened to sticks, tells a story. The surnames listed are often the same – spouses, children, in-laws, etc.   Beside their names are their dates of birth, many born only past the year 2000 (the most vulnerable and helpless were the babies and young kids).  Often, the date of death is not indicated anymore as everyone here knows when all these people died – November 8, 2013.

The mass grave at the grounds of San Joaquin Church

The mass grave at the grounds of San Joaquin Church

The mounds of this sudden, eerie cemetery along the highway, some shallow (the holes dug were only thigh-deep) graves containing almost entire clans  (in one, 22 died out of 25 members of the Lacandazo family), are marked with tarpaulins or simple plaques and crosses and littered with candles (some lit), keepsakes of the departed (stuffed animals, toys, watches, bracelets, portraits, etc.) and offerings to the missed (plastic or real flowers, rosaries, etc.).

Children and babies were the most vulnerable and helpless

Children and babies were the most vulnerable and helpless

Fittingly, I said a short silent prayer over this final resting place of lives cut short by the same fate.  Each one was special.  They had names, families, friends and dreams.  May the loved ones they left behind continue on living amidst the ruins of their former lives.

The tarpaulin says it all

The tarpaulin says it all

Sangyaw Pasasalamat Parade (Tacloban City, Leyte)

Jandy and I arrived at typhoon-ravaged Tacloban, via a Cebu Pacific flight, on the morning of June 29.  Grace, Cheska, Marve and Kyle were already in the city, having left the day before.  We arrived at my brother-in-law Manny’s house just in time for lunch.

The Sangyaw Pasasalamat Parade

The Sangyaw Pasasalamat Parade

His house was conveniently located along Avenida Veteranos, one of the major city streets that the Sangyaw Pasasalamat Festival (which honors Señor Santo Niño de Leyte, Tacloban City’s patron saint) parade would pass through (Real to Imelda then Rizal towards Romualdez and will end at the Kanhuraw Hill).

The Sto. Nino de Leyte is a favorite theme

The Sto. Nino de Leyte is a favorite theme

The parade, held nearly 8 months after Typhoon Yolanda (international name: Haiyan) devastated the city and other parts of the Visayas, was a simple affair, tame and devoid of much extravagance and glamour as with previous festival parades.

Thank you in many languages

Thank you in many languages

Foreign aid workers also join in

Foreign aid workers also join in

The parade was participated in by more than a thousand merrymakers from 8 schools, 5 barangays, private companies (LBC, Talk and Text, Monterey, ABS-CBN, etc.), government agencies (PhilHealth, Department of Health, Department of Education, etc.), delegates from the various branches of the country’s armed services, and the humanitarian international non-government organizations (iNGOs) such as Oxfam, Save the Children, Volunteers for the Visayans, World Vision, Plan Philippines, Care Philippines, and the United Nations High Commissioner for Refugees (UNHCR), etc.. Eleven non-competing and six competing groups will join in the merrymaking. There were only 5 participating floats.

One of the participating floats

One of the participating floats

With its theme “Pasasalamat,” the parade now focuses on thanksgiving for those who survived the wrath of the super typhoon as well as for Taclobanons and Leyteños to express their gratitude to the different iNGOs whose heartwarming assistance and support helped Tacloban and the Taclobanons get back on their feet.

Lion dancers from the Fil-Chinese community

Lion dancers from the Filipino-Chinese community

The iNGOs also made this parade possible by taking care of the logistics, giving a subsidy of not less than PhP30,000 to each participating barangay and contingent.  During, the parade, thanks was expressed in the languages of the iNGOs –  Australia (Thoinks Moite), Belgium (Dank U), China (Xie Xie), France (Merci),  Germany (Dankeschön),  Greece (Efharisto), Hungary (Koszonom), India (Nandri), Indonesia (Terima Kasih), Italy (Grazie), Japan (Arigato), Korea (Kamsahamnida), New Zealand (Kiaora Koe), Russia (Blagodarya), Spain (Gracias), U.S.A. (Thank You), etc.

A drum and lyre band

A drum and lyre band

Though it was a gloomy Sunday, with scattered rain showers (but no excruciating heat from the sun), it was nice to see the people enjoying again and the city colorful, with many Taclobanons, in colorful costumes, joining the parade, exhibiting their unique innovations and creativity.

Sangyaw Parade (27)

Sangyaw Parade (37)

Sangyaw Parade (147)

It was still a parade with a rainbow of colors

It was still a parade with a rainbow of colors

The parade somehow relieved the stress and trauma that the Taclobanons have experienced after Typhoon Yolanda.  At the same time, it also helped people in the area to feel that life is returning back to normal in the city.

Kyle, Marve, Grace, Cheska and Jandy enjoying the parade

Kyle, Marve, Grace, Cheska and Jandy enjoying the parade

City Tourism Operations Office: City Hall, Kanhuraw Hiil, Tacloban City, Leyte. Tel: (053) 325-8955, (053) 325-2491, (053) 523-9671 & (053) 325-6248.

Our Lady of Annunciation Church (Antipolo City, Rizal)

After lunch at a Kentucky Fried Chicken outlet near the Antipolo Cathedral, Jandy and I returned to our Toyota Revo for the last leg of our Antipolo City tour – the Our Lady of Annunciation Church, the first Catholic church built in Antipolo.  The church isn’t easy to find as it is located almost outside Antipolo, on the fringe just before getting to Tanay.  We found our way there via the Marcos Highway (and asking for directions).

Our Lady of Annunciation Church

Our Lady of Annunciation Church

The stone and brick church was constructed by the Jesuits in 1700 under the patronage of Our Lady of Annunciation (Nuestra Señora de la Anunciata). In 1768, when the Jesuits were expelled, its management was transferred to Recollect priests. The church was destroyed during  the July 18, 1880 earthquake. Since then, the population started dwindling and, as it did not seem important to rebuild the church, it was left in ruins.

The church's simple facade

The church’s simple facade

The church's interior

The church’s interior

In 1930, it was totally abandoned when the townspeople were ordered moved to another location to give way for the construction of a proposed dam that would flood the mountain valley of Boso-Boso.  When the project didn’t prosper (due to the discovery of an earthquake fault line), the people slowly came back.

The church's square bell tower

The church’s square bell tower

In 1943, during World War II, what remained of the church was destroyed by fire by the Japanese. In 1995, it was again restored, with the help of the townspeople, to its original design.

Buttresses on the side walls

Buttresses on the side walls

The present reconstructed church has a simple, single level facade with a centrally located main entrance flanked by two small, semicircular arched windows.  Above it is a triangular pediment with a centrally located oculus.  On the church’s left is a square bell tower.  The side walls are supported by buttresses.  Its interior reveal traces of its brick construction.

National Historical Institute plaque

National Historical Institute plaque

Our Lady of Annunciation Church: Sitio Old Boso-Boso, Brgy. San Jose, Antipolo City, Rizal.

How To Get There: From the Masinag/Sumulong intersection, ride a jeepney along Marcos Highway. Upon seeing the Boso-Boso Highlands Resort on the left side, it is a further 2 kms.  to dirt road on the left marked with a big metal archway (“Old Boso-Boso, Brgy. San Jose, Antipolo City”).  Here, take a 2-km. tricycle ride to the church located on your left.

Antipolo Cathedral (Rizal)

From the Hinulugang Taktak, Jandy and I next proceeded to the nearby Antipolo Cathedral, a favorite pilgrimage site formally known as the Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo.  We were lucky to be able to park at the cathedral grounds and when we entered, a wedding was ongoing.  

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo

The church was first built from 1630 to 1633 by Jesuit Fr. Juan de Salazar but was burned during the Chinese uprising of November 1639-March 1640.  It was rebuilt by Fr. Salazar in 1637 but was destroyed during the earthquakes of 1645, 1824 and 1863.  Notable Filipino historians Pedro Chirino and Pedro Murillo Velarde ministered in this shrine.

The cathedral interior

The cathedral interior

The present church was reconstructed by Msgr. Francisco Avendano and was declared a National Shrine by the bishops of the Philippines in 1954.  This modern church, built on the site where the statue of the Virgin was discovered leaning against the trunk of a  tipolo  (breadfruit)  tree (artocarpus incisa), has a circular layout topped by a huge dome and has three main entrances.  Gothic influence in the façade is seen from the triangular windows and mouldings.   It houses the image of Nuestra Senora de la Paz y Buen Viaje (Our Lady of Peace and Good Voyage).

Image of Our Lady of Peace and Good Voyage

Image of Our Lady of Peace and Good Voyage

The brown wooded statue was brought to Manila from Mexico by newly appointed Gov.-Gen. Don Juan Niño de Tabora in 1626, via the galleon El Almirante, enshrined in St. Ignatius Church in Intramuros and later entrusted to the Jesuits at Antipolo when Gov. Tabora died in 1632. Declared patron saint of the Manila galleons, it made six successful round trips across the Pacific to Acapulco without mishap from 1648 to 1649 (on the San Luis), 1650 (on the Encarnacion), 1651 to 1653 (on the San Diego), 1659 to 1662 (on the San Javier), 1663 (on the Nuestra Señora del Pilar) and from 1746 to 1748 (on the San Jose). On November 26, 1926, the image was canonically crowned, before 100,000 people in the Luneta,  by Manila Archbishop Michael J. O’Doherty. 

Historical Research and Markers Committee plaque

Historical Research and Markers Committee plaque

Cathedral of the Immaculate Conception National Shrine of Our Lady of Peace and Good Voyage of Antipolo: Pascual Oliveros St., Antipolo City, Rizal.