National Revolutionary Martyr’s Shrine (Taipei City, Taiwan)

After the Changing of the Guard ceremony at the Chiang Kai-shek Memorial and photo ops at Liberty Square, we all returned to the van for our next destination, the 5,00 sq. m. National Revolutionary Martyrs’ Shrine, dedicated to the war dead of Taiwan.  Built in 1969 on Chingshan Mountain, overlooking the Keelung River, our visit to the Martyrs Shrine again recalls the architecture of the Hall of Supreme Harmony in Beijing’s Forbidden City as the buildings on the site were skillfully crafted and designed to look like Ming Dynasty palaces.

Gate at National Revolutionary Martyr’s Shrine

The structure houses the spirit tablets of about 390,000 persons killed, among other engagements, during the Xinhai Revolution, the Northern Expedition, the Second Sino-Japanese War, the Chinese Civil War and the First and Second Taiwan Strait Crises. It was also the site of the funeral of President Chiang Ching-kuo, the son of Chiang Kai-shek, on January 13, 1988.

The main sanctuary

Every March 29 (Youth Day, commemorating the Huanghuagang Uprising) and September 3 (Armed Forces Day) of every year, the country’s president  leads the heads of the five Yuans (branches of government) to pay their respects to the martyrs by bowing and offering incense.

One of the shrine’s pavilions

A changing of the honor guard (the last one at 4:40 PM), from the various branches of the military, similar to the rituals we saw at Chiang Kai-shek Memorial Hall, also takes place at the shrine (and at the Sun Yat-sen Memorial Hall)  but it wasn’t going to happen a second time.  Soldiers who have the honor of being guards at these shrines must be 1.75-1.95 m. (5′-9″-6′-3″) tall, weigh at least 65 kgs. (143 lbs.), have, at least, a high school education, have no criminal record and have lots of discipline as they have to stand still, even under the scorching sun, for an hour.  The guards on duty at this shrine, with their gleaming steel helmets, shiny leather boots and blue uniforms, were from the Air Force, 2 posted at the main shrine and 2 at the main gate along Beian Rd..

Jandy and I posing with the guard on duty

Although the Martyrs Shrine is located in Taiwan, most of the soldiers honored served China and were born in Chinese provinces. The main sanctuary was modeled after the Taiho Palace in Beijing. Plaques, paintings and friezes in the arcade surrounding the main sanctuary describe the details of various 20th-century rebellions and battles. A bell tower and drum tower are used during memorial ceremonies. Next to the shrine is the 12-storey, 490-room Grand Hotel, one of the world’s tallest Chinese classical buildings.  It was designed by Taipei-based architect Yang Cho-Cheng and completed on October 10, 1973.

National Revolutionary Martyr’s Shrine: 139 Beian Rd., Shilin, Taipei, Taiwan. Tel: (+886-2) 2349 1635 and (+886-2) 2885-4162. Open daily (except Saturdays), 9 AM-5 PM. Admission is free.

How to Get There: take a taxi from Jiantan or Yuanshan MRT stations or take the free shuttle bus from Yuanshan MRT station to the Grand Hotel, then walk 15 mins. east, alons Bei-an Road (ask for directions at The Grand Hotel).

Grand Hotel: No. 1, Section 4, Zhōngshān North Rd., Jhongshan District.  Tel:
(+886-2) 2886-8888.  Website:  www.grand-hotel.org.

Chang Kai-shek Memorial Hall – Changing of the Honor Guard Ceremony (Taipei City, Taiwan)

Soon the memorial was officially opened and we were led up to the main hall where a crowd of tourists were already gathered.  The hall’s main feature is the massive 3-storey high bronze statue of a smiling Chiang, in traditional Chinese dress, sitting on a  dais. An elaborate caisson is set into the ceiling  which is also decorated with the emblem of the Kuomintang (KMT).  Chinese inscriptions on the walls are the characters for Ethics, Democracy, and Science.

The bronze sitting statue of Chiang Kai-Shek

Five members of the Taiwan Marines , in immaculately white uniforms and helmets, were guarding the main hall with rifles with fixed bayonets. The branch of service represented here changes periodically according to a rotating schedule  (every 4 months).  The Army wears green uniforms, the Navy wears  black in summer and white in winter, and the Air Force wears blue.

The Main Hall’s ceiling

The much anticipated, impressively synchronized Changing of the Guards ceremony soon took place at the appointed time (it takes place every hour). At this formal, elaborate and precisely choreographed ceremony, the ceremonial guards are relieved by a new batch of sentries. This ceremony is also conducted at the Sun Yat-sen Memorial Hall and the National Revolutionary Martyr’s Shrine.

The Changing of the Guard ceremony

Chang Kai-shek Memorial Hall: 21 Zongshan South Rd., Section 1, Zhongzheng District, Taipei, Taiwan.  Tel: (+886-2) 2343-1100. Open daily, 9 AM-6:30 PM. Admission is free.

How to Get There: Take THSR or train to Taipei Station then transfer, via Taipei MRT, to Chiang Kaishek Memorial Hall Station.

Chang Kai-shek Memorial Hall and Cultural Center (Taipei City, Taiwan)

Liberty Square

From Tung Ho Zen Temple, we again boarded our van and went on our way to our next destination, the National Chiang Kai-shek Memorial Hall, erected in memory of Generalissimo Chiang Kai-shek (October 31, 1887-April 5, 1975), Taiwan’s long-time leader.  Here, we were to observe the 9 AM Changing of the Honor Guard ceremony.

Presidential Office Building

Along the way to the hall, we passed the Neo-Renaissance-style Presidential Office Building, an elaborate red brick edifice built in 1919. It was already drizzling when we arrived at the Memorial Hall’s tremendous, 30 m. (98.4 ft.) high and 80 m. (262.4  ft.) high arched main gate  (which faces Chiang’s beloved China) – the Gate of Great Centrality and Perfect Uprightness.

Gate of Great Centrality and Perfect Uprightness

The main gate opened into Liberty Square with its grand vista reminiscent of my visit to Beijing’s Forbidden City, with the massive and ornate National Theater (on the south) and National Concert Hall (on the north) flanking it.  Both, completed in 1987, were modeled after the Forbidden City’s Halls of Supreme Harmony and Preserving Harmony and painted in the same brilliant Ming Dynasty style.

National Concert Hall

Added to it are immaculate grounds featuring lovely traditional Chinese sculpted gardens, miniature hills, an ornamental bridge, waterfalls and serene ponds (filled with colorful koi), truly a scene from the 1987 Bernardo Bertolucci classic film The Last Emperor.  The Gate of Great Loyalty also stands at the north side (along Xinyi Rd.) while the Gate of Great Piety stands at the south side (along Aiguo East Rd.).

National Theater

From the gate, we all walked along the Boulevard of Homage (bordered by manicured bushes), to the east end of the square where the magnificent, 76 m. (250 ft.) high 240,000 sq. m. memorial hall stands.  It has a marble facade and octagonal (the octagonal shape picks up the symbolism of the number 8, a number traditionally associated in Asia with abundance, wealth and good fortune), twin-eaved roof of brilliant blue tiles with red accents (echoing the flag of the Republic of China) crowned by a golden spur.

Chang Kai-shek Memorial Hall

The memorial’s design was based on the winning competition entry of the late, internationally renowned Chinese architect Yang Cho-cheng. Yang’s design incorporated many elements of traditional Chinese  architecture.  Started on October 31, 1976 (the 90th anniversary of Chiang’s birth), the hall was officially opened on April  5, 1980 (the fifth anniversary of the leader’s death). The hall has 2 sets of stairs, each with 89 steps, representing the age of Chiang Kai-shek at the time of his death. We didn’t climb the stairs. Instead we entered the hall via a huge doorway by the side of the stairs.

Jandy at entrance hallway

We arrived early, still minutes before the hall’s opening, so we first listened to Mr. Pang’s narrative of Chiang’s life.  Also at the ground floor is a museum with exhibit related to the late president’s life including his personal effects, photos, a mock-up of one of his offices and his bulletproof Cadillac.

Part of the ground floor museum exhibit

Chang Kai-shek Memorial Hall: 21 Zongshan South Rd., Section 1, Zhongzheng District, Taipei, Taiwan.  Tel: (+886-2) 2343-1100. Open daily, 9 AM-6:30 PM. Admission is free.

National Chiang Kai-shek Cultural Center: Tel: (+886-2) 3393-9888.

How to Get There: Take THSR or train to Taipei Station then transfer, via Taipei MRT, to Chiang Kaishek Memorial Hall Station.

Tung Ho Zen Temple (Taipei City, Taiwan)

Jandy and I woke up by 6:30 AM as our half-day city tour was scheduled this morning.  After our buffet breakfast at the Golden Ear Restaurant, we proceeded to the hotel lobby to await the arrival of our tourist guide, Mr. Pang of Edison Travel Service, who arrived by 7:45 AM.  We boarded a van and made short stopovers at 2 hotels to pick up Swiss couple Reto and Gabriella Conrad and Ms. Ishani Dave, a Marketing & New Product Development  Manager at Hannover Milano Fairs India Pvt. Ltd.

Tung Ho Zen Temple

The first item in the tour itinerary was a visit to the century-old Tung Ho Zen Temple, a Soto Zen monastery.  The temple was first started in 1908 and originally covered an area of 4,500 pings (14,850 sq. m.).  It then consisted of the Soto Zen Center, the Kuanyin Zen House, the Taipei Junior High School and the bell tower. The bell tower (designated a municipal historic landmark in 1997) and the Kuanyin Zen House are the only two remaining buildings in the area of the complex that has gradually shrunk to 700 pings (2,310 sq. m).

Interior of temple (in the foreground is the censer or incense urn)

The Kuanyin Zen House was renamed as Tung Ho Zen Temple in 1946, about the same time that the complex and the land it was built on were donated by the Japanese colonial owners to the temple’s former master, the Master Hsin Yuan.  Upon the death of  Hsin Yuan on March 1970, aged 89, the central government took over the complex a month later.

Interior of temple (at right, a devotee prays to the goddess Mazu)

Tung Ho Zen Temple: cor. Linsen South Rd. and Jenai Rd., Zhongzheng District, Taipei City, Taiwan.

Taipei Story House (Taiwan)

Immediately adjacent to the Taipei Fine Arts Museum is the half-timbered Taipei Story House (old name Yuanshan Mansion), the only faux Tudor-style heritage building in Taiwan.  Built on the Yuanshan section of the Keelung River from1913–14 by Chen Chao-chun, a Dadaocheng tea merchant, it was originally a guest house for rich merchants and other important local people.   In 1998, the Taipei City Government designated this building as a Heritage Site and, in 2003, Miss K.C. Chen sponsored the establishment of Taipei Story House as a mini-museum to showcase historic cultural life in Taiwan, as well as to promote the re-use of historical buildings.

Taipei Story House

The ground floor is built of load-bearing brick while the upper floor is made of wood with English Tudor-style beams and woven branches on the exterior wall.  The staircase was constructed to look like a pagoda. The entrance portico is in the Classical style with Ionic columns.  The Gothic-style house tower and chimney are made of brick, and the curved gable is covered with bronze tiles, on which the verdigris caused by aging reveals the trace of time.

The Gothic-style tower

The tower above the entrance is inlaid with green, yellow and red-stained glass. Inside the house are two fireplaces and Art Nouveau tiles featuring natural and floral patterns. The overall configuration of the interior space, together with the outdoor balconies and terraces, exhibit a Classic style and are closely integrated with the surrounding landscape.

The European-style garden

The European-style garden, consisting of more than one hundred kinds of flowers, has a pond, red brick dwarf wall and curved paths.  Now a museum, it has exhibits related to tea and local history. Also within the grounds is the Story Tea House, a chic French fine dining restaurant opened in 2003 and operated by The Landis Taipei Hotel group.  We climbed up its view deck for a bird’s eye view of the complex.

Story Tea House

Our visit to Taipei Story House capped our walking tour of the city and, quite tired from all that walking, opted to take our first Taipei taxi ride (NT$100) back to the hotel. Later in the evening, we again had dinner, also along Changchun Rd., this time at a Burger King outlet.  Our half-day city was scheduled the next day.

Taipei Story House: 181-1 Zhongshan North Rd., Section 3, Zhongshan District, Taipei, Taiwan.  Tel: (+886-2) 2587-5565. E-mail: story@storyhouse.com.tw. Website: www.storyhouse.com.tw. Open Tuesdays-Sundays, 10 AM-5:30 PM.  Admission: NT$50 (adults) and NT$40 (students and groups of 10+).  Free admission for children under 6 years of age, seniors over 65, and disabled person with one companion.

Story Tea House: Open daily, 11 AM-7 PM (11 AM-9 PM, Saturdays and Sundays).  Tel: (+886-2) 2586-8628.

Taipei Fine Arts Museum (Taiwan)

From the Lin An Tai Historical House & Museum, Jandy and I proceeded to a 7-Eleven outlet for some ice cream before making our way to the 6-storey, 20,442 sq. m. Taipei Fine Arts Museum.  Shaped like a pound sign, it is a traditional siheyuan courtyard with a modern edge and its shape plus the creative sculptures (notably Ju Ming’s “Taichi Arch” and Lee Tsai-chien’s “Homerun”) in front made the museum easy for us to identify from afar.

Taipei Fine Arts Museum

Opened on December 24, 1983, it was the first purpose-built museum in Taiwan to host modern and contemporary art exhibitions.The museum has an actual constructed exhibition area of 11,741 sq. m. with more than 4000 pieces of art works. It consists of 24 galleries and is said to be larger than the National Palace Museum in terms of interior space. The art exhibits, which include the work of international and Taiwanese artists, change every few months.

Lee Tsai-chien’s “Homerun”

Each building floor has different arrangements, with the second floor displaying permanent collections while the third floor displays theme exhibitions. The basement is organized into 4 zones (D, E, F and G) for exhibitions and major art competitions.

Suspended gallery

Symmetrical and suspended gallery spaces are spread on each floor to form a new space where visitors can view and appreciate art. The grand windows also allow museum visitors to take in the beauteous views that overlook Yuan Shan, the Fine Arts Park Area and the surrounding environments. The building also houses audio rooms, art classrooms, gift shop (sells artwork and numerous souvenirs) and a library.

Another suspended gallery, this time glass-encased

The museum’s architecture, a local adaption of the Japanese Metabolist Movement (espouses large scale, flexible and expandable structures that evoked the processes of organic growth), is infused with elements borrowed from traditional Chinese architecture, which are presented via the structure of piled brackets in the form of suspended corridors, that, together, form a tubular-shaped composition. This tube-shape is identical to the Chinese character for “fountain,” hence fostering the museum’s analogue as a live source of culture. The task of designing and construction was given over to local architect Kao Er-Pan.

The Julian Rosefeldt “World Making” solo show

We didn’t view the paid exhibits but I did visit Julian Rosefeldt‘s  “World Making,” a free solo show of this much celebrated contemporary German new-media artist’s lavishly-produced 16 mm. and 35 mm. films and photo works (2001-2011).  Projected onto several screens to create a panorama-like effect, his films carry the viewer off into a surreal, theatrical world whose inhabitants are caught in the structures and rituals of everyday life.

The museum library

Taipei Fine Arts Museum: 181 Zhongshan North Road, Section 3, Zhongshan District, 10461 Taipei City, Taiwan.  Tel: (+886-2) 2595-7656. Fax: (+886-2) 2594-4104.  E-mail: info@tfam.gov.tw.  Website: www.tfam.taipei.gov.tw. Open Tuesdays-Sundays, 9:30 AM-5:30 PM (8:30 PM on Saturdays).  Admission: NT$30 (for adults) and NT$15 (discounted), 30% discount for group with more than 20 members.

How to Get There: Bus routes 203, 218, 220, 260, 277, 279, 310, 40, 42, 612, all exit at Taipei Fine Arts Museum station.  Via MRT, take the Danshui line and exit Yuanshan Station.  From here, it is a 5 min. walk to the museum.

Lin An Tai Historical House and Museum (Taipei City, Taiwan)

Within walking distance from Xinsheng Park is the Lin An Tai Historical House and Museum,  one of the few traditional courtyard complexes preserved in northern Taiwan and the best-preserved and maintained ancient house in Taipei City.  This traditional Chinese courtyard house, famous for its delicate carvings, was built in the southern Fujianese style which incorporates 3-sided courtyards, woods and gardens, all natural and shaped to embody the pristine elements.

Entrance to Lin An Tai Historical House and Museum

In 1754, Lin Chin-Ming (also known as Lin, Yao-Kung), a native from Anxi County of Fujian Province, sailed across the strait to Taiwan with his family. The Lin family engaged in trade in northern Taiwan and, with the money they made, they built this big, very refined 5-annex house with a square at where No.141 of Siwei Rd. now lies. The main building was completed between 1783 and 1785 while the side buildings were completed, one after the other, between 1822 and 1823.  In memory of his hometown, the fourth son, Lin, Chin-Neng (also known as Lin, Hui-Kung) named the house as “An Tai,” representing Anxi County and Rong Tai Company, the company he founded in Bangka.

Paved Front Yard of Lin An Tai Historical House and Museum

In 1978, due to its being located within the range of the project to expand Dunhua South Road plus its rejection as a historical site, the house faced demolition.  To save it, local activists petitioned to have the building spared as a cultural site. A blueprint containing every single measurement of the building was saved. The building was then meticulously dismantled, from decorations to bricks; stored safely and then relocated, piece by piece, to its current site at Binjang Park, in the shadows of the Jiankuo Expressway, in 1986.  In May 2000, it was opened  to the public as a museum and, in 2010, after its courtyard was extended, the museum became one of the exhibition halls of the Taipei International Flora Exposition.

Front Yard of Lin An Tai Historical House and Museum

The house’s landscaped courtyard, layout of buildings, waterscapes (“the proportion of water, bamboo and house is 30%, 20% and 10% respectively”), artificial hills and plants are all done in accordance with feng shui and Taoism,  reflecting the ancient Chinese’s multi-directional views of nature and life. In the past, the house had a Toad Peak in front of it as its “Mountain of feng shui,” plus shielding hills on both sides and a wind-gathering flat square in front of the semi-circular pond. Today, to reinstate the feng shui landscapes of the old house, an artificial hill, called Gu Zhu Ming Shan (Artificial Clay Modeling Hill), was created, using wire-mesh concrete, in front of a flat square and 2 slightly raised grasslands were used to surround the square.

Gu Zhu Ming Shan (Artificial Clay Modeling Hill)

Past the imposing front gate is the large, crescent-shaped (the best shape for bringing wealth in terms of feng shui) lotus pond, another feng shui device. Its shining surface deflects negative qi from sweeping through the main portal.  It also had practical purposes as it was used as a defense line if under attack, for raising fish, to fight fires, supply water, keep a moderate temperature by cooling incoming breezes and adds to the splendor of the old house’s surroundings.  Flowers grown all have their own symbolism – noble character (plum, orchid, bamboos and chrysanthemum), eternal youth (pine and cypress), wealth (peony), self-respect (lotus) and relief (lily).

The crescent-shaped lotus pond

This 34-room, stone and brick house has elegant decorations; beautiful, sloping swallow-tail roofs (this flouted imperial rules as this roofing style was the exclusive privilege of high-level mandarins) and the stone and artwork used were brought by ship from Fujian.  The roof ridges arch upwards to form a swallowtail structure. The mansion has a south-north axis, with rooms on the right and left side of the courtyard.

Courtyard of Lin An Tai Historical House and Museum

Its front door has creative carvings of 6 dragons, representing the 6 sons in the family while the carvings of vases and bats carry the meanings of good luck, wealth and safety. Pillow-shaped stones, gate pillars and hollows for the door axles are all carved from a single piece of stone. Each door was equipped with a hidden lock. The front yard is paved with red, moss-free and non-slip stones that were used by mainland merchants to stabilize their big sailing ships

Elaborate wood carving

Carved on the pillars, made of Chingtou stones, is a couplet “To live with a kind heart and maintain the achievements of ancestors.” Chinese characters, signifying good fortune and longevity, are printed on the two sides. By adding anti-termite agents, the original Guanyin stone, Fuzhou fir wood, and local bamboo, reed and bricks have been kept intact.

The main hall

Beyond the entrance is an intricately carved screen wall to divert evil. The main hall consists of a colorfully adorned altar depicting scenes from Chinese mythology. The ancestors depicted at the altar are worshiped in an annual ceremony. Walking through the house, we directly experienced the lifestyle of the Taiwanese people 200 years ago as the interiors of the house are full of decorative details and antiques such as an earthen rice grinder, a stone mill, cupboards, a huge cooking hearth in the kitchen, an intricately carved wooden bed and a dresser.

Intricately carved wooden antique furniture

Lin An Tai Historical House and Museum: 5 Binjiang St., Zhongshan District, Taipei City, Taiwan. Tel: (+886-2) 2599-6026, (+886-2) 2720-8889 (ext.6239) and (+886-2) 2598-1572. Fax: (+886-2) 2599-6521.  Open daily except Mondays and folk holidays (Chinese New Year, Tomb Sweeping Festival, Dragon Boat Festival and Mid-Autumn Festival), 9 AM-9 PM (5 PM on Sundays). Admission is free.

How to Get  There:  take the MRT to Yuanshan Station (Exit 1), then hop on the bus 222 to the Xinsheng Park stop.

Xinsheng Park (Taipei City, Taiwan)

From Xintian Temple, Jandy and I again made our way along Song Jiang Road all the way to the 19.5-hectare Xinsheng Park, the second largest park in Taipei. Situated around Minquan East Rd., between Xinsheng North Rd. Section 3 and Binjiang St., Xinsheng Park was developed in 1978 and includes a warm-water swimming pool, tennis courts, children’s playgrounds, a maze garden, a baseball field and basketball courts.

A poignant scene of a father and daughter flying a kite at Xinsheng Park

Every now and then, we witnessed, up close, the periodic take-offs and landings of low-flying jet aircraft as the park is just under the flight path of the nearby Songshan International Airport.  In between flights, the park is still a great place for relaxing, flying a kite, exercising or just reading a book. The widened park avenue is now popular with young people who indulge in skateboarding on weekends and holidays.

Serenity Garden

The park’s colorful plants, bushes and flowers, planted and taken care of by the Yuanshan Park Administration, were brought in from the Minzu nursery where they were raised from seeds or bulbs. The nursery produces about 100,000 plants annually for placement in parks.  Flora in the park include African balsam; scarlet sage; chrysanthemums; maidenhair; crab apples; cherry trees; amaranths; jonquils; banyans (with complete and beautiful canopies), tall and upstanding araucarias; garcinias (scattered in the central axis); poicianas (with charming flowers); Taiwanese goldrain trees; bauhinia; coral bean trees; wax trees; kapoks; hazel sterculias (with the most distinctive flowers and fruits); Indian dillenias, among others. The luxuriant foliage changes with the 4 seasons of the year.

Also scattered around the lush greens are 9 sculptures  donated by the Taipei Lions Club and the Rotary Clubs:  “Leisure Years,”  “Auspicious Earth,”  “Flock of Cranes,” “Hope,” “Prosperity,”  “Friendship and Peace,”  “Father’s Words,”  “The Alignment of Spring” and “Unified.”

Park Sculpture

Park Sculpture

Xinsheng Park was 1 of the 4 exhibition regions during the 171-day (November 6, 2010-April 25, 2011) Taipei International Flower Expo (the others were Yuanshan Park, Taipei Artist Park and Dajia Riverside Park).  During the expo, it was home to 3 themed floral displaying sites (Floral Tunnel, Fujian Garden and Palace of Floral Tea) and 4 pavilions (Pavilion of Regimen, Pavilion of Dreams, Pavilion of Angel Life and the Pavilion of Future).  The green whale sculptures and sculpture of waves at the Flower Base under Trees Area have remained, while Serenity Garden, the European geometric garden with an oriental sensation, was also kept intact.

Flower Base under Trees Area (the green whale sculpture is on the right)

The last 3 pavilions, which received green building certification, were designed by local architect Chang Ching-hwa, ­the designer of Taipei’s Beitou Library, who is well known for incorporating reusable and eco-friendly materials into her works. Powered by solar panels (making them the city’s largest energy-saving facility), all 3 were built completely out of wood and recyclable materials. The roofs are layered with ETFE, the thermal insulating plastics used for the Beijing National Aquatics Center.

Pavilion of Future

Jandy and I first visited the Pavilion of Future.  Probably the greenest building in the Taipei International Flora Expo, it was designed to showcase gardening technology with an eco-friendly focus, energy conservation, waste reduction and health protection.  This intelligent greenhouse, Taiwan’s first energy-conserving greenhouse, uses a combination of ultraviolet ray insulation, floor cooling systems, solar panels and other facilities to help manage indoor temperature.

Interior of Pavilion of Future

Next, we dropped by the Pavilion of Regimen, also known as the “White Mansion.”  During the expo, it displayed Taiwan’s own unique bonsai aesthetics and techniques (“Healthy Living and Endless Life Bonsais”),  precious trees and plants that are over hundreds of years old, plus a large variety of plants and herbs used in Chinese medicine.

Pavilion of Regimen

Xinsheng Park: 105, Section 3, Xinsheng North Rd., Zhongshan District, Taipei, Taiwan. Tel: (+886-2) 2598-3024  (Administering Dept:Yuanshan Park Administration).

How To Get There: Take bus 5, 33, 72, 74, 222, 279, 286, 505, 642 bus and get off at Minzu East Rd and Song Jiang Rd.

Xingtian Temple (Taipei City, Taiwan)

After checking in at our hotel room and freshening up a bit, Jandy and I went out for lunch, bringing our jackets as it was drizzling when we arrived in Taipei.  After changing a US$100 note for New Taiwan Dollars at Taipei Fortune Hotel (the banks were closed it being a Saturday), we walked along Song Jiang Road to Changchun Road where, near the corner, we dined on burgers at a MacDonald’s outlet.

Xingtian Temple as seen from Song Jiang Road

Thus sated, we started our own tour of the city, walking back to Song Jiang Road, past our hotel, towards Minquian East Road, where the 7,000 sq. m. Xintian Temple (and an MRT station) is located.   This relatively new temple (also called Hsing Tien Kong or Shingtien Temple), built in 1967, is one of the biggest and most popular (visitors sometimes number more than 20,000 a day) temples in Taipei.

Entrance to Xingtian Temple

The temple is dedicated to Guan Yu or Guan Gong (162-219 A D ), a famous general who lived  during the Three Kingdoms period (184-280 AD) and an important character in the Chinese classic Romance of the Three Kingdoms.  A man who valued loyalty and righteousness above all things, Guan Gong was later deified and worshiped as the God of War (and, by extension, of martial arts).  Since he had a gift for strategy and tactics and was also adept at managing finances, Guan Gong is also worshiped as the patron deity of businessmen and merchants.

Main building of Xingtian Temple

It being a weekend, this  simple and dignified temple’s courtyard was filled with with crowds of worshipers bowing their heads, burning incense or kneeling in devotion, praying for help or seeking divine guidance by consulting oracle blocks.  Sculptures of dragons feature prominently in this temple’s design.  Its soaring, ship-prow roofs are adorned with carved dragons.

The unusual censer (incense urn)

At the front courtyard of the hall, we noticed a censer (incense urn) with 2 handles in the shape of golden-winged dragons clinging to each side, a somewhat unusual design, with its 2-tiered metal canopy adorned with a horde of dragons’ heads stretching toward the sky.

A long table with offerings

On the main altar, we saw long tables with offerings of fresh flowers, fresh fruit (pineapples, bananas, apples, etc.), migao (a sticky, slightly sweet rice cake) and tea from the faithful.  The temple forbids the killing of of animals as offerings;  discourages the burning of ritual paper money (or “ghost” or “spirit” money) as an offering to the deities and the spirits of the deceased; the staging of operas for the gods; the presenting of gold medallions in gratitude to the deities; and the like. Candles are supplied for free to worshipers and there is no donation box (a first for traditional religion in Taiwan). After the gods have partaken of the offering’s essence, these are eventually given to the needy.

Statue of the red-faced, black-bearded Guang Gong

Among a pantheon of Chinese deities is the easily identifiable statue of the black-bearded, red-faced Guan Gong.  In his youth, the face color of this defender of the weak was said to have been given to him  by an immortal as a disguise after he killed a local bully. Along the hallways of the temple are elderly seated nuns, in  blue robes, reading scriptures.

Blue-robed nuns reading scriptures

People also stand in line to get blessed by these blue-robed nuns who wave incense onto the clothes of visitors in the practice of shoujing (which restores souls that have left the body in a frightened state).  These nuns, who tend to the day-to-day operation of the temple, also hand out incense sticks.

A nun blessing a worshiper

We missed visiting the “Street of Fortune Telling ,” the famous psychic alley located at the underground pedestrian passage  under the Song Jiang-Minquan intersection, filled with numerous fortune telling stands.  These fortune tellers, who do a brisk trade taking commercial advantage of the temple’s popularity, offer answers to troubled people or discuss the future.

 Xingtian Temple: No. 109, Section 2, Minquan East Rd., Zhongshan District, Taipei, Taiwan.  Tel: (+886-2) 2503-1831 and (+886-2) 2502-7924.

How to Get There: Take the THSR (Taiwan High Speed Rail) or TRA to Taipei Station, transfer to the MRT to Xingtian Temple Station.  Go out Exit 3, then turn right.  The temple is on the other side of a crossroad. You can also take the 5, 33, 49, 63, 72, 74, 214, 222, 225, 283, 285, 286, 505 or 617 bus to Xingtian Temple Stop.

A Stroll in Paco Park

After dropping off Cheska at ACTS (where  she was taking review classes for her Med Tech board exam), I decided, on my way home, to drop by historic Paco Park.  Getting there proved to be difficult for me as I had to make my way around a maze of one-way streets.  I decided to park my car just a few blocks away and walk the remaining distance.

Paco Park

Just about everybody, couch potato or not, is familiar, one way or the other, with the TV program “Paco Park Presents.” The concert was begun by Dr. Christoph Jessen (Press and Cultural Attache of the Federal Republic of Germany) with the late National Park Development Committee (NPDC) Vice-Chairman and journalist Teodoro “Doroy” Valencia on February 29, 1980 as a part of the celebration of Philippine-German Month and a gala tribute for then outgoing German ambassador Wolfgang Eger. The “Paco Park Presents” classical concert became a tradition and it now presents  chamber, traditional and pop music performed for free by the finest international and local solo artists, duets and small ensembles at an improvised outdoor stage. Truly a unique way of bringing classical music, via intimate, open-air concerts, to the masses.

Park entrance

I have been to the park a couple of times before as two of my siblings, my elder brother Frank (to the former Rosario “Cherry” Correa on December 17, 1978) and youngest sister Tellie (on December 27, 1982) as well as my good friend and fellow architect, Ed Yambao (to the former Gloria “Glo” Pagsanghan also on the same date as my sister) got married in the park’s St. Pancratius (named after a 14 year old martyr of the 4th century) Chapel. My late parents also renewed their marriage vows there during their silver wedding anniversary on the same day Frank got married.

Historical Research and Markers
Committee plaque
National Historical Shrine plaque

Why do people marry at a place that was once a home for the dead? Haven’t they heard of the often-mentioned warning that marriages made in such a place live but a short life? Couples don’t seem to mind at all even if the receptions are held besides rows of empty, gaping niches.  For me, it must be this recreational garden area’s atmosphere of peace and tranquility.  I featured this cemetery in my first book, “A Philippine Odyssey: A Collection of Featured Travel Articles” (New Day Publishers, 2005) under the heading “Presenting Paco Park.”

The Outer Cemetery

This 4,114.8 sq. m. circular park, one of the oldest landmarks of Manila, is located at Paco District, a nondescript commercial and residential area east of Taft Ave..  Formerly called San Fernando de Dilao, Paco was the Catalan nickname for Francisco and was presumably adapted by the natives to refer to the Franciscan friars who ran the parish.  The park was originally a cemetery built in 1807, through an administrative order, according to the plan of maestro de obras Nicolas Ruiz.  It was completed on April 22, 1822 under the supervision of Don Jose Coll.  The cemetery was, however, already in use two years before its completion to accommodate victims of the cholera epidemic which broke out 3 days after a strong October 1, 1820 typhoon ravaged the city.

Doves by the ticket booth

The epidemic was falsely rumored to have been caused by the poisoning of the Pasig River and the local wells by the foreign merchants, businessmen and scientists then residing in the city.  As a result, persons and property of said foreigners were attacked by violent Filipino mobs affected by this malady.  Casualties were 1 Chinese, 1 Spaniard, 12 French, 1 British captain, 1 American Marine guard, 2 Danes and 12 British and American sailors. Through energetic measures, the epidemic was under control in less than a month. Dominican friars excelled themselves in attending to the sick and, in grateful recognition of their services, 9 of the niches in the cemetery were donated to them by the city of Manila.

The Gomburza Memorial

In 1859, the cemetery was enlarged to 4,540 varas cuadradas (approximately  4,500 square yards) and enclosed with a circular stone wall by Gov.-Gen. Fernando de Norzagaray y Escudero (1856-59). A Chinese builder won the contract to build the circular stone wall of this cemetery for PhP19,700.  The cemetery used to have a chaplain (who lived across the site now occupied by the Paco Fire Station), a sacristan and 8 caretakers.

Gomburza Memorial plaque

At that time, the niches cost PhP20 for three years subject to renewal.  No one was allowed to own the niches in perpetuity.  Niches in the inner wall were reserved as exclusive burial places for prominent Spaniards.  Norzagaray’s successor, acting Gov.-Gen. Ramon Solano y Llanderal (1859-60), was buried in a now unknown site inside the mortuary chapel.

Jose Rizal Grave Site

The cemetery was the burial site of Frs. Mariano GomezJose Burgos and Jacinto Zamora, the triumvirate of Filipino priests unjustly implicated in the January 20-22, 1872 Cavite Mutiny.  They were executed by garrote (a strangulation machine) at sunrise of February 17 at the Luneta (now Rizal Park) in Bagumbayan.  All three were buried in an unmarked grave near the outer wall but the site has not been located up to now.  Instead, a memorial was installed on February 17, 1898.

Grave Site plaque

After the execution of our National Hero, Dr. Jose Rizal, also in the Luneta at dawn of December 30, 1896, the Spanish authorities, fearful of public unrest (and of his followers removing his remains and establishing a cult), secretly buried him also near the outer wall.  Rizal’s sisters fanned out in search of his remains and found them at the cemetery.  The mismarked tombstone, with the initials R.P.J., was said to have been the result of the sisters’ bribing a guardia civil veterana (who guarded the spot for 15 days) to mark the spot. Rizal’s remains were exhumed on August 17, 1898, placed in an urn made by Teodoro Romualdo de Jesus and deposited at the house of Rizal’s mother at Estraude St. in Binondo.

Elaborate niche of Margarita Miguel
de Cobarrubias (September 1, 1907)

The last burials here were in 1912 (the same year Rizal was finally laid to his rest at its present monument in Rizal Park) and the cemetery fell into disrepair, its empty, semicircular niches hollow reminders for the purpose they once served. During World War II, the park, with its thick adobe walls, was used by Japanese forces as a central supply and ammunition depot.  They dug several trenches and constructed pillboxes with 75 mm. guns. In 1948, proposals were made to convert the cemetery into a park.  Unclaimed remains were transferred to the Manila South Cemetery’s paupers’ lot. Through the guidance of Doroy Valencia, its beautification and restoration was done by renowned landscape architect Ildefonso “IP” Santos.  In 1966, it was made into a national park.

The more common semicircular niche
(Timoteo  de los Angeles, June 3, 1910, 53 years old)

The park has two concentric walls, along which are rows of niches hollowed out of aging adobe for the bones of the dead and separated by a 14.5 m. wide walkway.   The wall niches used to be 5 tiers high but only 3 tiers are visible today as its floor was raised due to flooding in some parts.  Before, Paco district was a reclaimed swampland with non-existent drainage (sewers were only installed during the early 20th century).  The cemetery then was a muddy catch basin for rainwater.  I.P Santos elevated the middle portion of the park so that the water flowed outwards.   He was sharply criticized for this.

Gate leading to the ossuary

Strolling around the outer wall, you will espy the original Rizal grave (with its white cross with the initials R.P.J.) as well as the Gomburza memorial.  At the back of the St. Pancratius Chapel is an arch with a wrought iron gate leading to the Ossorio (ossuary), an enclosed burial site for infants and babies. Flights of steps on either side of the gate lead to an interconnecting upper promenade.  There are 2 other ossorios beside it, all with walls decorated with intricate stone carvings of festoons and angels.  In spite of their otherworldly air, these places seem to be favorite tambayans (hangouts) of students.

Flight of stairs leading to upper promenade

The inner cemetery can be entered via an elaborate main stone-columned archway whose triangular pediment has a sign with the Latin inscription “Beatimortui qui in Domino Moriuntur – John in 14:13 Apoc.” (“Blessed are those who die in the Lord”).  Inside the inner courtyard, one is greeted by a romantic setting of a 3-tiered circular fountain, the small oval, domed St. Pancratius Chapel, 8 century-old, widespreading acacia trees (Samarea saman), wondrously gnarled white kalachuchi trees and pocket gardens with park benches.

Entrance to Inner Cemetery

The inner courtyard’s focal point is the St. Pancratius Chapel, now under the care of the Vincentian Fathers (who manage the nearby Adamson University). Formerly a mausoleum for Spanish elite during the first half of the 19th century, this chapel, done in the Classical style, has a stone dome, stone walls dressed in velvety growths of lichen, moss and creepers, triangular pediment from which hangs a bell and a cross.

Inner Cemetery

On each side of the main entrance, I counted 31 bays with 9 niches per bay.   My estimate is there were once 2,790 niches within the inner courtyard alone of which only 1,674 are exposed.  Fourteen of these still have their burial plaques dating from 1898 to 1913 (?).   On both flanks of chapel are two side entrances leading to the outer wall and two beautiful stairs leading to an interconnected 2-m. wide (the width is dictated by the length of the burial niche underneath) upper open terrace with stone balustrades.

St. Pancratius Chapel

Filipino eskrima (stick martial arts called arnis in the West) practitioners also hone their traditional fighting skills within the park and the Arnis Combat Kiathson System Philippines (they offer eskrima lessons) is based here.

The 3-tiered circular fountain

Paco Park: Gen. Luna St. (at the east end of Padre Faura St.), Paco District, Manila.  Open daily (except Wednesdays), 8 AM-5 PM.  Admission: PhP5. The “Concert at the Park” is held every Friday, at sunset. Schedule of masses at St. Pancratius Chapel (Sundays & holidays): 10 AM, 11 AM, 5 PM & 6 PM, also 9 AM every 12th day of the month).  Wedding arrangements at St. Vincent de Paul Parish Office, 959 San Marcelino St., Ermita, Manila.  Tel: 527-7853 7 524-2022 local 101.

How to Get There:  Take a jeepney along Taft Ave. and alight at Escoda St..  From there, you can walk towards the park.