Category Archives: Historical Sites

Former Vancouver Law Courts Building (British Columbia, Canada)

Posted on by — 1 Comment ↓

Former Vancouver Law Courts Building

The three-storey, grand Former Vancouver Law Courts Building, situated on a city block bounded by Georgia, Howe, Hornby and Robson Streets, is a good example of Neo-Classical design in the Beaux-Art tradition, widely promoted for public buildings in North America during the late 19th and early 20th centuries.

Replacing the previous courthouse at Victory Square, it was designed by noted Victoria architect Francis Mawson Rattenbury (responsible for many prominent public buildings in British Columbia including the Legislative Building in Victoria), after winning a design competition in 1905.  Construction began in 1906 and the provincial courthouse,containing 18 courtrooms,was opened in the fall of 1911, at which time it was praised as the finest building of its kind in Canada.

Check out “”Legislative Assembly of British Columbia”

By 1914, the city had outgrown the original building and a large new wing, connected to the main building by an enclosed two-storey corridor, was added to the western side of the building according to the 1912 designs of Thomas Hooper. It operated as such until 1979 when it was decided that the building could no longer accommodate the needs of the court and the decision was made to construct new facilities.

Vancouver architect Arthur Erickson was commissioned to design the new Law Courts House,located across the street south of the building,and to convert the former Court House into the Vancouver Art Gallery.In 1980, the building was designated as the Former Vancouver Law Courts National Historic Site of Canada.

Entrance to Vancouver Art Gallery

Both the main and annex portions of the building are also designated “A” heritage structures by the municipal government. As a heritage site, it still retains the original judges’ benches and walls as they were when the building was a courthouse.

The massive staircase

The building continues to be owned by the Government of British Columbia, although the Vancouver Art Gallery occupies the building through a 99-year sublease signed with the City of Vancouver government in 1974 who, in turn, leases the building from the provincial government.

Check out “Vancouver Art Gallery“

One of two granite guardian lions

The building consists of three parts with two wings on west and east facades faced with inset Ionic columns flanking a massive projecting central pediment. The latter features an imposing formal portico supported by four columns and surmounted by a flat roof and a copper-clad central dome(with four semicircular occuli) on an elevated base.

On the north and south facades are granite pilasters. Rusticated Nelson Island granite cladding was used for the base section and smooth Haddington Island stone cladding for upper levels.Marble was imported from Alaska, Tennessee and Vermont.

Throughout the facade are decorative stone and plaster scrollwork with acanthus leaf, garland and wreath motifs and stone balustrades along the roof line.Some of the recessed and symmetrical fenestration have protruding granite sills and canopies.Cast iron grates are found above the foundation. Also on the west and east facades are massive granite stair entrances. The twin, ca. 1910 granite lions, on pedestals, symbolize British justice.

Rotunda

 

The original interior layout features a twinned, marble clad staircase with ornamental wrought iron balustrades; a central rotunda, beneath the dome on the mezzanine level, with a series of two-storey arcades; terrazzo flooring in fan and Greek key motif;tapered marble columns on the mezzanine level;plaster egg and dart,garland and wreath motifs on the ceilings, cornices and walls; British Columbia fir and oak for the paneling,cornices, wainscoting and architraves; and British Columbia and Alaskan marble for foyer, floors, baseboards, vestibule halls, stairs and risers.

Marble staircase

Original signs identifying “OFFICES,” “LAND REGISTRY,” “POLICE” (with accompanying “Sheriff” signage) are still incised into offices on the north and south first floor level.

The front lawn and steps of the building has hosted a number of public gatherings and protest rallies, serving as the monthly meeting spot for Vancouver’s Critical Mass, as well as flash mobs, the Zombie Walk, pro-marijuana rallies and numerous environmental demonstrations.

Dome and oculus

The steps on both the Robson Street and Georgia Street sides of the building are also popular gathering spots for protest rallies. In the summertime, the Georgia Street side is also a popular place for people to relax or socialize.

Former Vancouver Law Courts Building: 800 Hornby Street, Vancouver, British Columbia V6z 2E1, Canada.

Pike Place Starbucks Store (Seattle, Washington, U.S.A.)

Posted on by — 1 Comment ↓

Pike Place Starbucks Store

After lunch at Seafood City, Val drove Danny and I to the historic Pike Place Market in the downtown core of Seattle, Washington,.  Once parked, we walked towards the Pike Place Starbucks Store (also known as the Original Starbucks), the first Starbucks store in the world.

Check out “Pikes Place Market“

The store front

A known tourist attraction, it was hosting crowds during our visit. In fact, they say there was never a day without The Line which winds out the door and stretches down the street but it also keeps on moving as the baristas there are said to be as good as any on the planet.

However, many people, just like us, didn’t come to 1912 Pike for a cup of coffee. Instead, we came to experience the place where it all began. Founded in 1971, the store was opened by Jerry Baldwin, Zev Siegl and Gordon Bowker, three partners who were inspired by Alfred Peet of Peet’s Coffee to open the store and sell high-quality, freshly roasted coffee beans, tea and spices from around the world to take home as well as coffee making equipment and accessories.

The store interior

The name was inspired by the  Moby Dick, the 1851 classic tale of Herman Melville, which evoked the romance of the high seas and seafaring tradition of early coffee traders.  The name of the store was originally going to be called Cargo House or Pequod (Captain Ahab”s hip in the book), but the brand consultant (who also designed the chain’s logo , produced from an old 1800s map), but decided on Starbuck, the first mate and no-nonsense crew member on the Perquod. Starbos is also the name of a mining town which features in the book.

Everything in the entire store, truly one of a kind, is original, from the floors, the fixtures, the counters, etc.  They also still proudly display the brass labels that were on their bulk coffee bins in 1971.  However, while it commonly referred to as the first Starbucks location, the current address is the second for the Pike Place store as, for five years, the first restaurant was located at 2000 Western Avenue. In 1977, it moved one block away to 1912 Pike Place where it has been in continuous operation ever since.

Val Salgado, the author and Danny Macaventa outside the store

The sign outside this branch, unlike others, features the original logo – a seductive, bare-breasted siren that was modeled after a 15th-century Norse woodcut. It also features a pig statue called “Pork’n Beans,” a sculpture created locally for the 2001 Pigs on Parade competition that raised money for the Pike Place Market Foundation.

Starbucks logo from 1971 to 1987

Pike Place Starbucks Store: 1912 Pike Place, Seattle 98101, Washington .  Tel: +1 206-448-8762. Coordinates: 47.609899°N 122.342441°W.

Buchart Gardens (Victoria, British Columbia, Canada)

Posted on by — Leave a reply

Butchart Gardens

From Swartz Bay Ferry Terminal, Grace, Jandy, Cheska, Kyle and I, with our dog Luffy, rode on a double-decker Bus 72 (we missed the direct, one-hour Bus 81), operated by Victoria Regional Transit System, for the nearly 40-min. drive to Saanichton then transferred to a single-deck Bus 75 for the nearly 30-min. drive to get to the world-renowned Butchart Gardens, an absolute must see when traveling to Victoria.

Butchart garden Sign. L-R: the author, Jandy, Kyle and Grace

The lush, 22.3-hectare (55-acre) Butchart Gardens, a group of floral display gardens, located on the Saanich Peninsula, near Victoria on Vancouver Island, has delighted visitors from all around the world with its over a million awe-inspiring bedding blooms (in some 900 varieties) and unique plantings, receiving over a million visitors each year.

The iconic water wheel

It is consistently rated among the world’s most beautiful garden attractions and top places to go to in Canada by USA Today, CNN Travel, Condé Nast, National Geographic, Tripadvisor and Frommer’s and more.

Waterwheel Square

Started by Robert Pim Butchart (1856–1943) and his wife Jennie Butchart (1866–1950), ownership of The Gardens still remains within the Butchart family and, since 2001, the owner and managing director is Robin-Lee Clarke, the Butcharts’ great-granddaughter.

Here is the historical timeline of the gardens:

  • In 1888, Robert Pim Butchartbegan manufacturing Portland cement  near his birthplace of Owen Sound, Ontario, Canada. He and his wife Jennie Butchart came to the west coast of Canada because of its rich limestone deposits necessary for cement production.
  • In 1904, they established their home near his quarry on Tod Inlet at the base of the Saanich Peninsulaon Vancouver Island.
  • In 1908, the Bucharts named their home “Benvenuto” (“welcome” in Italian)
  • In 1909, when the limestone quarry was exhausted, Jennie wanted to recreate some natural beauty from the remains of her husband’s mined-out industrial quarry site so she set about turning it into the Sunken Garden, transferring top soil by horse and cart. She commissioned Isaburo Kishida, a 67 year-old garden designer from Yokohama, Japan (he built a wildly popular tea gardenfor Esquimalt Gorge Park in 1907) before he returned to Japan in 1912.
  • In 1921, the Sunken Garden was completed and they began to receive visitors to their gardens.
  • In 1926, they replaced their tennis courts with an Italian garden
  • In 1929, the Bucharts replaced their kitchen vegetable garden with a large rose garden to the design of Butler Sturtevantof Seattle. Samuel Maclure, who was consultant to the Butchart Gardens, reflected the aesthetic of the English Arts and Crafts Movement.
  • In 1939, they gave the Gardens to their grandson Robert Ian Ross (1918–1997) on his 21st birthday. Ross was involved in the operation and promotion of the gardens until his death 58 years later.
  • In 1946, Ann-Lee Ross, Robert Ian Ross’ wife, opened the Benvenuto Tea House (now called the Dining Room) and continued the tradition of serving afternoon teato guests.
  • In 1953, to mark the 50th anniversary of The Gardens, miles of underground wiring were laid to provide night illumination.
  • In 1964, the ever-changing Ross Fountain was installed in the lower reservoir to celebrate the 60th anniversary.
  • In 1977, during summer Saturday evenings, Christopher Ross (1944–2000), Robert Ian Ross’s son, introduced firework shows accompanied by show tunes, choreographing them until his death in 2000.
  • In 1982, the Butchart Gardens was used as the inspiration for the gardens at the Canadianpavilion opened at Epcot Centre in Orlando Florida.
  • In 1993, to commemorate their 50th wedding anniversary, the “Circle of Doves,” given by Ann-Lee Ross to her husband Ian in 1991, was installed in front of the Begonia Bower.
  • In 1994, the Canadian Heraldic Authoritygranted a coat of arms to the Butchart Gardens.
  • On September 9, 2004, two totem poles were installed and dedicated to mark the 100th anniversary.
  • That same year, The Gardens were designated as a National Historic Site of Canada.
  • In the summer of 2008, The Gardens introduced the Jennie B, an electrically driven 12-passenger boat, which plies the local coastlines in the summer giving visitors an appreciation of the waterside history plus coastal aquatic plants and animals.
  • On December 1, 2009 the Children’s Pavilion and the Rose (or Menagerie) Carousel were opened to the public.

Begonia Bower

While Jennie Butchart collected plants, Robert Pim Butchart collected ornamental birds from all over the world (he had a parrot in the house, ducks in the Star Pond and peacocks on the front lawn). Robert also built several elaborate birdhouses for the gardens and trained pigeons on the site of the present-day Begonia Bower.

In the early days, Mr. and Mrs. Butchart often hosted weekly symphony concerts for guests of the family but, later, attracted a larger audience. More recently, during the summer season (July and August) and the winter holiday season, they provide a wide range of local entertainment, from jazz to classical music.

Also, The Weeds (a band made up of staff members from The Gardens) sometimes plays during the summer season, During winter, lights and seasonal decorations adorn the gardens along with an ice-skating rink in the Waterwheel Square.

Upon payment of the admission fee, we were ushered into Waterwheel Square, our starting point, which was aptly named after a lovely waterwheel beside the entrance. The statue of a wild boar, in the heart of the square, was cast in Florence by Ferdinando Marinelli Artistic Foundry and purchased in 1973 during a family trip to Italy and installed the next year.

Butchart Boar

The snout of this replica of the Cinghiale, a 1620 marble statue (displayed in the Uffizi Gallery in Florence) by Pietro Tacca (in honor of the sculptor, it is called “Tacca”) is, just like the original, shiny from the many visitors rubbing it for good luck. In front of the residence is another nearby statue, by Sirio Tofanari, of a donkey and foal.

Check out “Uffizi Gallery”

Donkey and Foal (Sirio Tofanari)

Buchart Gardens encompasses five separate gardens: the Sunken Gardens, the Rose Garden, the Japanese Garden, the Italian garden and the Mediterranean Garden.   To keep these gardens looking impeccable, they have 26 greenhouses and employ 50 full-time gardeners, 12 part-time gardeners as well as 550 staff during peak season.  With regards irrigation supply, the gardens are entirely self-sufficient as, every year, millions of liters of rainwater are collected, via runoff, from the parking lots and stored in a number of reservoirs and wells.

Laurel Walk

From the flower-lined Laurel Walk, a pathway on the left led to the Begonia Bower which was overflowing with hanging baskets of begonias and fuchsias. Designed in 1917 by Samuel Maclure as a “Chinaman’s Cottage,” it was later renamed the Gardener’s Cottage, circa 1950.

Above the Sunken Garden

Past the Laurel Walk is the top of “the Mound,” a massive limestone rock embankment (designed by Raoul Robillard) rising, above the switch back stairs, from the center of the iconic, 5-acre Sunken Gardens, the crown jewel of the Butchart Gardens.

The pair of Arbor vitae trees

Flanking the main path are an iconic pair of Thuja occidentalis Fastigiata trees (Arbor vitae), commonly called the “tree of life,” planted by Jennie in 1930 (they are now on their third pair). The Mound has spectacular views of the garden including the tall chimney of the long vanished kiln. To the left of the cement stack are six Lombardy poplars (Populas nigra italica) planted by Jennie in 1910 to hide the cement factory.

Once a pile of rock and rubble, the quiet and peaceful Sunken Garden is, as the name suggests, located below road level. The first land reclamation project in the world, the garden, dotted with benches, boasts 151 flower beds, 65,000 bulbs planted for spring and cradles an impressive assortment of flowers, trees and shrubs.

The Sunken Garden

A path, from here, winds past the undulating and spectacular Ross Fountain, installed in 1964 by Robert Ian Ross (Jennie and Robert’s grandson) to celebrate the 60th anniversary of The Butchart Gardens.  The fountain is surrounded by a rotating selection of seasonal blooms.

Ross Fountain

In summer, during The Gardens Night Illuminations displays, it comes alive as magical lighting effects dance across its waters.  Another path leads to the serene pond of the Bog Garden which is surrounded by weeping-willows.

Bog Garden

From the Sunken Garden, a path led us, half-way through The Gardens, to the 700 sq. m. (7,500 sq. ft.) Children’s Pavilion, which has a dome with a 23-m. (75 ft.) clear span, a full-fronted glass façade and a roof planted with native plant species.  It also has an event room for such things as children’s birthday parties.  Annabelle, the elegant bronze carousel horse sculpted by Nathan Scott, is located next to the pavilion.

Children’s Pavilion

Housed within is the popular Rose (or Menagerie) Carousel, the only carousel on Vancouver Island.  The carousel was crafted by Brass Ring Entertainment of Sun Valley, California.  The brightly painted and hand-carved wooden menagerie, mirroring the world from which The Gardens draws its visitors, includes thirty animals ranging from bears, to horses, to ostriches, to zebras, to cats.

Rose (or Menagerie) Carousel

In consultation with an artist from North Carolina, Robin Clarke (the gardens’ owner and great-granddaughter of Jennie Butchart) handpicked the design of each animal carving.  Done by some of the few remaining carvers of carousel art, they were carved from basswood and took many months to complete. There are also two chariots able to accommodate disabled persons.  Kyle didn’t want to miss out on the carousel so, accompanied by Jandy, tried it out ($2 per person).

Concert Lawn and Stage

Across from the pavilion is the Concert Lawn and Stage.  Here, between 1953 and 1967, the Victoria Symphony Orchestra (conducted by Hans Gruber), under the sponsorship of Mr. and Mrs. Ian Ross, performed summer concerts on the main lawn. The concerts also featured many international artists such as Teresa Stratas, Bernard Turgeon and Grace Bumbry. On occasion, guest conductors were also invited to lead the orchestra.

Organ Pavilion

Nearby is the Organ Pavilion, the original dairy barn which now houses the Aeolian Pipe Organ played at The Butchart Gardens. Fully playable manually, this organ boasts just under one thousand individual pipes, a set of twenty tubular chimes and a forty-nine note percussive harp.

California Redwood (Sequoia sempervirens, 1934)

Located on a back path behind the Concert Lawn are tallest of two California redwoods (Sequioia sempervirens) which were planted as seedlings Afred Shiner, former Head Gardener, in 1934.

Totem poles

Another path led us to two 9.1 m. (30-ft.) high and 1.2-m. (4-ft.) wide totem poles dedicated on September 9, 2004 in celebration of the 100th anniversary of The Butchart Gardens, they are a recognition of the rich cultural heritage provided by the First Nations peoples.

Eagle with Salmon, Orca, Bear with Salmon

Raven, Beaver with Grouse, Otter with Pups & Clam, Frog

The “Eagle with Salmon, Orca, Bear with Salmon” was carved in Contemporary Coast Salish style by master carver Doug LaFortune of the Tsawout First Nation while the “Raven, Beaver with Grouse, Otter with Pups & Clam, Frog” was carved in Classic Coast Salish style by master carver Charles Elliot of the Tsartlip Nation.

Seed & Fireworks Field

Nearby is the Seed and Fireworks Field.  The land here was purchased in 1903 from Mr. Fernie, a local dairy farmer. In 1969, a reservoir was excavated to ensure a water supply for irrigation and a single jet fountain was installed to aerate the water supply in the largest reservoir. Today, the fountain is now the focal point of a fireworks display.

Dragon Fountain

On our way to the Rose Gardens, we passed by the striking bronze Dragons Fountain, the newest addition to The Gardens.  A gift from Suzhou (Victoria’s sister city) and the People’s Republic in China in 2015, at night, color-changing LED lights create beautiful scenes in the waters of this peaceful fountain.

Rose Garden

The vibrant Rose Garden, in the center of the grounds, brims with an impressive collection of seven types and at least 280 varieties of roses.  From summer to early fall, this heavenly scented garden bursts to life with 2,500 rose plants.

The 30 arches, intertwined with large sprays of rambler, floribunda, climber and hybrid tea roses, is a favorite spot for a stroll.

Fountain of the Three Sturgeons

On our way to the Japanese Gardens, we passed by the Fountain of the Three Sturgeons, once the location of a large Japanese teahouse. This bronze fountain of three dancing sturgeon, purchased in 1973, is the first casting (by the Ferdinando Marinelli Artistic Foundry) from the enlargement of a work created by Sirio Tofanari in 1958. Visitors often sit on the surrounding benches and enjoy the tranquil sounds of the fountain.

Torii (Japanese gate)

A torii gate, marked the entrance, to the quiet, 1-acre Japanese Garden.  The gate is flanked, on each side, by magnificent purple European copper beech (Fagus sylvatica purpurea) planted in 1906.  The first of Jennie Butchart’s formal gardens, it was started in 1906. In her design, Jennie was assisted by 67 year-old, Japanese landscape artist Isaburo Kishida.  Under the supervision of Hugh Lindsay (the first of Mrs. Buchart’s head gardeners), laborers from the cement works implemented Kishida’s plan.

A scenic relaxation sanctuary, it is home to 500 rhododendrons and azaleas, 74 Japanese maple trees (Acer palmatum dissectum), moss-covered grounds as well as 200 m. of trickling streams.  The European beech trees and Japanese maple trees (at the head of the stone stairs leading down to the garden) are the oldest non-native trees in the Buchart Gardens.  Himalayan Blue Poppies blossom in the spring.

Star Pond

From the Japanese Garden, a path led us to the fantastic, 21,780 sq. ft. Italian Garden.  Once the Butchart family’s tennis court, it was designed by famous architect Samuel Maclure and completed in 1929.  The garden is home to 22,000 bulbs and biennials as well as 18 flower beds and 85 varieties of plants.

Italian Garden

Two beautiful, flower-studded ponds are also located here – the Star Pond (originally designed for Mr. Butchart’s collection of live ornamental ducks) and a sophisticated, cross-shaped pond. Bronze statues and the nearby Gelateria Benvenuto bring a taste of Italy to the grounds.

Mediterranean Garden

We almost missed the diminutive and quaint, 21,780 sq. ft. Mediterranean Garden which was hidden near the parking lot.  A homage to Vancouver Island’s Mediterranean climate, it hosts an array of 110 varieties of exotic plants (in 9 garden beds), ranging from electric-blue delphinium to massive-leafed banana plants and one awe-inspiring agave plant.

Coffee Shop

The food and beverage outlets within The Gardens are the Coffee Shop (salted caramel mocha;  Oh Canada latte; fresh, house-made shortbread cookie; etc.), The Dining Room Restaurant, Gelateria Benvenuto in the Italian Garden (12 locally-inspired flavors of ice-cold gelato) and the cafeteria-style Blue Poppy Restaurant.

Blue Poppy Restaurant

Buchart Gardens: 800 Benvenuto Ave., Brentwood Bay, near Victoria, British Columbia V8M 1J8.  E-mail: email@butchartgardens.com. Website: www.buchartgardens.com. Open daily, 11:30 AM to 3:30 PM (up to 10 PM during summer, June 15 to September 3).  Tel: +1 250-652-4422.  Coordinates: 48°33′55″N 123°28′10″W.

Admission (including tax):

  • Spring 2022 (April 1–June 14): CAD 35.40 (adults, 18 + years old), CAD 17.70 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • Summer 2022 (June 15–September 30): CAD 38.00 (adults, 18 + years old), CAD 19.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old)
  • Fall 2022 (October 1–October 31): CAD 31.80 (adults, 18 + years old), CAD 15.90 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • November 1–November 30: CAD 24.75 (adults, 18 + years old), CAD 12.40 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • Christmas 2022 (December 1–January 6): CAD 34.00 (adults, 18 + years old), CAD 17.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old).

Britannia Beach (British Columbia, Canada)

Posted on by — Leave a reply

Grace and Danny at Britannia Mine Museum at Britannia Beach

The weather was sunny in Vancouver when Grace, Jandy and I accepted the offer of my Don Bosco Makati high school classmate and now Vancouver resident Danilo “Danny” Macaventa who volunteered to tour us, via his car, around Squamish and Whistler.

L-R: Grace, Danny and museum guide

A 61.3-km. (1-hr.) drive, along the Sea-to-Sky Highway on Howe Sound, took us to our first stop, the former copper mining town of Britannia Beach, a small (population about 300) but charming unincorporated community in the Squamish-Lillooet Regional District rich with art and history approximately 10 mins. south of Squamish.

In 1888, a copper discovery on Britannia Mountain by Dr. A. A. Forbes led to the development of the Britannia Mine and, between 1900 and 1904, the community first developed as the residential area for the staff of the Britannia Mining and Smelting Company.

Sea-to-Sky Highway and Howe Sound

At the center of the town, now an award-winning 10-acre National Historic Site of Canada that has recently undergone a $14.7 million facelift, is the Britannia Mine Museum (formerly the British Columbia Mining Museum) which is visible from the highway itself. The museum now oversees 23 historic industrial, administrative and domestic buildings, over 7,000 artifacts, 9500 archive photos and 3,000 archival documents and maps.

As we arrived just before 10 AM, we decided not to join the 11 AM Mining Tour.  There, visitors can experience what life was really like in a busy  copper mining town by getting an up-close look at machinery, ore carts, a working Lime Tank and the famous Mill 3, also called the Concentrator where the ore was once processed.

Guest Services Building

Visitors can also climb aboard the museum’s mine train to ride through an historic haulage tunnel (over 210 kms. were dug), driven in 1914 to transport ore from the original mill buildings to the shore. Historic mining and lighting equipment is demonstrated to the visitor. You can also pan for gold and sit in the original throne used in the Copper Queen pageant.

The Engineering Building

We did get to meet museum director Ms. Kristine Clausen who briefed us on the history of the town and its copper mine. According to Kristine, for almost 70 years, Britannia Beach was an important source of copper ore. During the 1920s and 1930s, it constituted one of the largest mining operations in Canada. On November 1, 1974, high operating costs and taxes eventually forced the mine to close.

Old mining equipment

Old 1971 WABCO 3200B Haulpak mining truck

Nearby is a Squamish First Nation Info Legend Display Kiosk while a little bit further off is the old 800,000-lb., yellow 1971 WABCO 3200B Haulpak mining truck.  Further into the distance is the 20-storey Mill 3 building carved into the mountainside.  A highly innovative (using bulk froth flotation), gravity fed concentrator for ore processing, it was designated as a National Historic Site of Canada in 1987 (with a ceremony in 1988).

Britannia Mine Concentrator

Though we didn’t join the Mines Tour, we did drop by the Company Store (Museum Gift Shop), historically the only shopping place in Britannia Beach. Here, they sell rare ammolite jewelry comprised of the fossilized shells of ammonites,  copper mugs, souvenirs, locally produced wares, books, mining memorabilia, apparel and rare minerals specimens from Canada and all over the world.

Company Store

Also offered for sale are works by leading Northwest Coast native artisans and artists from Britannia Beach, Squamish, and beyond such as Angela Muellers (beautiful paintings), Frances Solar, Niel Bennett (amazing postcards of the Mill building), Jim Unger (copper artworks), Byron Anderson (copper tree sculptures) and Sarah Groves (unique copper jewelry).

Before leaving, we also dropped by the Chatterbox Café (open 8 AM to 5 PM), located next to the admissions and the gift shop at Britannia Mine Museum, which is also home to the museum’s collection of autographed photos, chronicling the history of feature films and TV production filmed at the museum and in and around Britannia Beach. 

First Aid and Chatterbox Cafe

They include Scooby-Doo 2: Monsters Unleashed, Okja, The Man in the High Castle (TV series), MacGyver, The Flash, Supernatural, many scenes for The Crossing (TV series) in 2017, the 2010 episode of the US TV show Psych, Dual Spires, the episode “Paper Clip” of The X-Files, scenes for Travelers (TV series) in 2017, and 21 Jump Street.

Britannia Mine Museum: 150 Copper Drive, Britannia Beach, British Columbia V8B 1J1. Tel: +1 800-896-4044.  Website: www.britanniaminemuseum.ca. Open, 9 AM to 7 PM, with 16 tours daily.  First tour starts at 9:30 AM and the last tour at 5 PM (check in at 4:30 PM). Admission: $36.95 (adults. 18+), $33.95 (seniors, 65+, and students), $28.95 (youth, 13-17), $19.95 (child, 5-12), $130 (daily family rate) and free (pre-school, 4 and under).

Christ Church Cathedral (Vancouver, Canada)

Posted on by — Leave a reply

Christ Church Cathedral

Just 650 m. from the Cathedral of Our Lady of the Holy Rosary is the gorgeous Christ Church Cathedral.  The second cathedral church of the Anglican Diocese of New Westminster of the Anglican Church of Canada, it is a daughter church of St. James’ Anglican Church.

Check out “Cathedral of Our Lady of the Holy Rosary“

High rise buildings surround the cathedral

Set among high-rise buildings, Christ Church Cathedral is the Regimental Church of the Seaforth Highlanders and is in the process of being designated Regimental Church of the BC Regiment, Duke of Connaught’s Own. It is also the church at which the British royal family worships when in Vancouver.

Grace and Kyle

The author and Jandy

Here is the historical timeline of the cathedral:

  • On December 23, 1888, the first service was held, without a church building, at 720 Granville Street.
  • On February 14, 1889, a building committee was formed to collect the necessary funds for the erection of the church to be located on land bought from the Canadian Pacific Railway (CPR). A key negotiator in acquiring the property is Henry John Cambie, chief engineer of CPR’s Pacific Division and people’s warden of the new church.
  • By October 1889, Christ Church’s basement was built
  • On October 6, 1889, the opening service was held for 52 parishioners.
  • By 1891, the CPR objected to the unfinished building that had quickly been nicknamed the root house. It was viewed an “eyesore” and the parishioners feared they would lose their location due to lack of funds to complete the building.
  • In 1892, the architect Robert Mackay Fripp submitted a proposal for completion of the church.
  • On July 28, 1894, after a financing scheme was developed by a parishioner, the cornerstone was finally laid.
  • On February 17, 1895, the church was dedicated.
  • In 1905, a balcony, covering the narthex area and containing a wood railing in a Gothic pattern, was added
  • By 1909, the first expansion was done.
  • By 1911, the first organ, which used a human blower hired at $5 per month, had already worn out and was replaced by the new Robert Hope-Jones Organ manufactured by Wurlitzer.
  • In 1920, electricity replaced candles for lighting.
  • In 1929, the Archbishop of New Westminster constituted Christ Church as the Cathedral Church of the diocese replacing Holy Trinity Cathedral located in the City of New Westminster.
  • In 1937, the bronze lanterns now in the church were installed at the nave.
  • In 1949, after many building alterations, the $30,000 Casavant Freres organ, constructed partially of recycled wood, surplus war surplus parts and remnants of the Wurlitzer, was installed. It had more than 2,700 pipes and a 600 lb. motor.
  • In 1971, the church membership voted to demolish the building and replace it with a hi-rise tower complex designed by Arthur Erickson. The redevelopment was opposed by the public.
  • In 1976, after much lobbying, the cathedral was named a Class A Heritage building in the municipality of Vancouver and the Province of British Columbia.
  • In 1995, an eleven-year program of restoration and renewal was begun.
  • During the spring and fall of 2004, the Kenneth Jones tracker organ was installed.
  •  In 2004, the church was extensively upgraded and the original fir flooring, cedar tongue and groove ceiling and stained glass windows were restored.
  • In November 2016, a bell tower was inaugurated.

The Gothic Revival style, sandstone facade

The church, built in the Gothic Revival style (with Romanesque and Tudor details), has a granite and sandstone façade and is laid out in the classic Latin Cross plan.

The cathedral’s stunning interior

Its stunning interior, circumnavigated by wood wainscoting with a quatrefoil cornice, has a beautiful and spectacular hammer beam truss (in the style of English halls and churches dating back to the 1300s) ceiling made of cedar planking and ceiling beams.

The spectacular hammer beam truss and ceiling

Its 32 beautiful stained glass windows depict Christ-centered themes, famous people and World War I.

Christ the King and other scenes (Clayton and Bell, Buckinghamshire, England)

The floor was constructed out of old growth Douglas fir.  Wood arches and tracery details separate the side aisles from the nave.

Tree of Life (Susan Pointe)

The modern, semi-abstract “Tree of Life,” spanning 5 stained glass windows (the tallest is 19 ft. high) at the back of the church, was created, in brown tones, by aboriginal Musqueam artist Susan Pointe, executed by Yves Trudeau (of Studio One Glass Art) and dedicated on April 5, 2009.  It depicts salmon (in 4 of the panels) and waters at the base, leaves and trees in the central portion and mountain and birds above.

The Chancel Window (N.T. Lyon Co. Toronto)

Another three stained glass windows, of three disciples of Jesus Christ, were designed by the famous William Morris of England, the most celebrated champion of 19th century “Arts and Crafts” Movement.

The Crucifixion of Our Lord (John Bell and Sons, Bristol, England)

The open glass and steel bell tower, at the northeast side of the cathedral, has a zinc roof.  Its four church bells, cast in France, are rung daily at 8 AM and 6 PM and before church services.

The open glass and steel bell tower

The spire glass features a design by Canadian artist Sarah Hall.  A venue for musical performances, the church’s acoustics are phenomenal and the Choral Eucharist (10:30 AM) and Georgian Chant Services (9:30 PM) are performed every Sunday.

The author

The Celtic cross, which is found on both the cathedral’s exterior and interior, represents the roots of the Anglican Communion in the British Isles. The spindle whorl and the three salmon in the style of the Coast Salish Nation, represent the First People of Canada and the original inhabitants of the west coast.

The Celtic Cross

The Greek letters Chi (X) and Rho (P), in the center, are the initials of the words Christus Rex (Christ the King). The motto “I hold before you an open door” (Revelation 3:8) is the title of the first sermon preached by Rev. H. B. Hobson, the rector, in the cathedral on December 23, 1888.

The tracker organ designed by Kenneth Jones in Ireland

The beautiful and huge tracker organ, in the south gallery of the cathedral, was built in 2003 by Kenneth Jones in Bray, Ireland, and installed, over 10 days, in April 2004.  It is the first Christ Church Cathedral organ custom built to speak with optimum effect in the sanctuary. It comprises a three manual console and 2,500 pipes (1,700 salvaged from the Casavant Freres), wooden trackers and intricate parts sourced from all over Germany.

The fine, carved stone reredo, dedicated in 1923 as a World War I memorial, took almost two years to complete.  Depicted in this stone screen are St. Martin of Tours, St. Lawrence and St. John the Baptist.

Christ Church Cathedral: 690 Burrard Street , Vancouver, British Columbia V6C 2L1, Canada. Tel: +1 604-682-3848.  E-mail: reception@thecathedral.ca.  Website: www.thecathedral.ca. Open Mondays to Fridays, 10 AM to 4 PM.  Admission is free but donations are welcomed.  Coordinates: 49°17′03″N 123°07′13″W.

How to Get There: the cathedral, located right across the Burrard Skytrain Station, is located on the northeast corner of West Georgia Street, directly across from the Fairmont Hotel Vancouver in Downtown Vancouver.  It is also a 3-min walk from the Vancouver Art Gallery

Waterfront Station (Vancouver, British Columbia, Canada)

Posted on by — Leave a reply

Waterfront Station

The stunningly grand and majestic, 6-storey, 146-m. (480-ft.) long Waterfront Station (Station Code: WF), located on Burrard Inlet, is a major intermodal public transportation facility and the main transit terminus in Vancouver. It is within walking distance or the vicinity of Vancouver’s historical Gastown district, Canada Place, Vancouver Convention Centre, Harbour Centre, Sinclair Centre, the Vancouver Harbour Flight Centre float plane terminal (approximately two blocks west of Canada Place), the heliport operated by Helijet, (adjacent to the SeaBus concourse, therefore allowing passengers to connect to Waterfront Station‘s main terminal building) and the downtown campuses for Simon Fraser University and the British Columbia Institute of Technology.

The row of Ionic columns

The current Neo-Classical-style main station building, designed by Barott, Blackader and Webster (a Montreal architecture firm) and built by Canadian Pacific Railway (CPR), is CPR’s third station.  It replaced a smaller station, built in the 1890s and previously located at the foot of Granville, one block west, built in chateau-like “Railway Gothic” style like the CPR’s many railway hotels. Its symmetrical red-brick facade is dominated by a row of smooth, white limestone Ionic order columns which are repeated in the grand interior hall, flanking the perimeter of the space.

The Neo-Classical-style facade

The main hall features two large clocks facing each other high on the east and west walls while paintings depicting various scenic Canadian landscapes, by Adelaide Langford (wife of a CPR executive), line the walls above the columns.

One of two large clocks at the Main Hall

Rouge Kitchen & Wet Bar, on the street level, occupies the east wing. Other restaurants located within the station include A&W, Jugo Juice, La Prep, Subway, Starbucks and SKK Italy. On the upper floors, some rooms are occupied by business offices.

Rouge Kitchen & Wet Bar

Subway and Jugo Juice

The bronze statue of Angel of Victory, one of an originally identical trio (the other two angels are in Winnepeg and Montreal), at the front of the extreme east end of the building, was created by Couer de Lion MacCarthy (1881-1979) and was installed in 1921.

Angel of Victory (Couer de Lion MacCarthy)

A war memorial honoring CPR employees who were killed during World War I, it depicts an angel carrying a dead soldier to heaven.  At one time, she was holding s small wreath in her raised hand but, at some point, the wreath was broken and now she holds just a few leaves in her hand.  After World War II, the writing on the plaque at the base of the statue was added.

Historical Plaque

Here’s the historical timeline of the station:

  • On May 1912, the construction of Waterfront Station began
  • On August 1, 1914, right at the start of World War I, the station was opened as the Pacific terminus for the CPR’s transcontinental passenger trains to Montreal, Quebec and Toronto, Ontario.  Canadian soldiers, on their way to the war, departed on this depot.
  • In 1916, the paintings lining the walls above the columns were completed.
  • On May 29, 1939, residents welcomed King George VI and Queen Elizabeth here (British Columbia’s first visit by a reigning monarch)
  • In 1977, Waterfront Station‘s transformation into a public intermodal transit facility began.
  • In 1977, SeaBus began operating out of a purpose-built floating pier that was connected to the main terminal building via an overhead walkway above the CPR tracks.
  • In 1978, when Via Rail took over the passenger operations of the CPR and the Canadian National Railway, it continued using both railways’ stations in Vancouver
  • In 1979, Via Rail ceased using this CPR station when it consolidated its Vancouver operations at Pacific Central Station, the CN station near False Creek.
  • On October 27, 1979, the last scheduled Via Rail passenger train to use Waterfront Station departed, with 200 passengers (plus 50 train aficionados who tagged along to Mission), for Montreal, 15 mins. late.
  • In the early 1980s, the CPR’s passenger platform and some of its tracks were torn up to make way for the guideway of the original SkyTrain line (Expo Line).
  • On December 11, 1985, the Expo Line was opened.
  • During Expo 86, SkyTrain operated special shuttle trains between Waterfront Station and Stadium–Chinatown Station(then named Stadium station), connecting the Canadian Pavilion at Canada Place to the main Expo site along False Creek.
  • In the early 1990s, Royal SeaLink Express, a private ferry company, ran passenger ferries from a new dock on the west side of the SeaBus terminal to Victoria and Nanaimo  but ultimately folded.
  • In 1995, platforms were built adjacent to the SkyTrain station for the West Coast Express, which uses the existing CPR tracks. The platforms for the West Coast Express were built in the same location as the old CPR platforms.
  • In 2002, Millennium Line trains began to share tracks with the Expo Line at Waterfront Station.
  • In 2003, HarbourLynx began operating out of Royal Sealink’s old facility at the SeaBus terminal.
  • In 2006, following major engine problems with their only vessel, HarbourLynx folded as well.
  • In late 2016, an Expo Line branch to Production Way–University station was created in replacement of the Millennium Line service between VCC–Clark and Waterfront Station.
  • In 2009, the Canada Line opened
  • In 2018, as most Canada Line stations were built with only up escalators initially, TransLink announced that Waterfront Station‘s Canada Line platforms, as well as two other stations on the line located within Downtown Vancouver, would receive an accessibility upgrade which includes additional escalators.
  • In early 2019, construction began on the additional escalators
  • In December 2019, the installation of additional escalators was completed.
  • In 2020, work on replacing the escalators connecting to the Expo Line was started by TransLink.
  • For three weeks in June 2020, access to the Expo Line from Cordova Street was closed, forcing passengers to access the Expo Line from the Howe Street entrance. Because the construction blocked access to the elevators to the Expo Line platforms, a temporary shuttle bus service between the SeaBus terminal, the main concourse area, and Burrard Station was instated.

Ionic columns inside the main hall

Waterfront Station was one of the first stations to receive TransLink’s “T” signage (denoting a transit station).  Originally installed in the downtown core of Vancouver, this signage helped visitors during the 2010 Olympics as it made transit hubs easier to identify.

Waterfront Station serves as a common terminus point for both the Expo Line (through Vancouver to Northeast/South Burnaby, New Westminster and Surrey) and the Canada Line (through Vancouver to central Richmond and Vancouver International Airport). They have separate platforms which are accessible via the main station building, but require leaving the fare paid zone when transferring between other modes.

The SeaBus passenger ferry, to Lonsdale Quay in North Vancouver, stops on the Vancouver side at Waterfront Station, near the Vancouver Convention Centre. Additionally, Waterfront Station  provides West Coast Express commuter rail (Port Moody, Coquitlam, Port Coquitlam, Pitt Meadows, Maple Ridge and Mission) a connection to the SeaBus passenger ferry. The station is also accessible to various local, suburban, and express bus services provided by TransLink.

Escalator to Expo Line

Expo Line

Waterfront Station: 601 West Cordova St. (between Granville and Seymour Sts.), Downtown Vancouver, British Columbia V6B 1G1, Canada. The station has also two street-level entrances – Howe Street to the west (for direct access to the Expo Line) and Granville Street to the south (for direct access to the Canada Line).  Coordinates: 49°17′09″N 123°06′42″W

Cathedral of Our Lady of the Holy Rosary (Vancouver)

Posted on by — Leave a reply

Metropolitan Cathedral of Our Lady of the Holy Rosary

Five days after our arrival in Vancouver, Grace, Jandy, Kyle and I had our first mass at the late 19th-century, 700-pax Metropolitan Cathedral of Our Lady of the Holy Rosary.

Grace and Kyle making their way into the cathedral

Commonly known as Holy Rosary Cathedral, serves as the cathedral of the Roman Catholic Archdiocese of Vancouver. Located in the downtown area of the city, it is listed on the Vancouver Heritage Register and is a legally protected building.

The cathedral’s French Gothic Revival style facade

Designed by architects Thomas Ennor Julian and H.J. Williams in the classic cruciform form (with narthex, nave, transepts and an apsidal chancel), it was constructed under the charge of R. P. Forshaw and Company and the church was completed in just 491 days. At the time it was finished, the building was praised as “the finest piece of architecture west of Toronto and north of San Francisco.”

The right side of the cathedral

The left side of the cathedral

Here’s the historical timeline of the cathedral:

  • In June 1885, the parish was established with Father Patrick Fay, the chaplain to Canadian Pacific Railway(CPR) workers, chosen as pastor.
  • In 1886, construction began for a wooden church
  • In 1888, the wooden church was completed the following year and blessed.
  • In 1890, the church was enlarged and a bell tower was added.
  • On July 16, 1899, the cornerstone for the new church was laid by Archbishop Adélard Langevin of Saint Boniface.
  • In the autumn of 1900, the cathedral’s pipe organ was inaugurated.
  • On October 21, 1900, the church’s seven bells were blessed
  • On December 8, 1900, the Feast of the Immaculate Conception, the new Church of Our Lady of the Holy Rosary was opened and was blessed the day after by Archbishop Alexander Christie of Portland, Oregon.
  • In 1906, eight bells were reinstalled in the cathedral
  • In 1911, on Dominion Day, the church’s bells were rung, the first peal ever to be rung in Canada .
  • In 1916, the church was elevated to the status of a cathedral.
  • In February 1922, a funeral requiem mass was said at the cathedral for beloved local lifeguard and swim instructor Joe Fortes. The cathedral filled to capacity, with thousands of others braving the rain and cold weather to view the funeral procession on the streets of Vancouver.
  • In 1927, the Missionary Oblates of Mary Immaculate (OMI), which administered the parish since 1893, left after difficulties arose from the mortgage agreement that had helped pay for the construction of the cathedral. This was coupled with the “growing manpower shortage” caused by a declining number of members joining the order.
  • In late 1932, the “tin scales” that covered spire of the taller steeple were cleaned and repaired, and the cross atop of it was repainted.
  • In 1936, it hosted an archdiocesan-level Eucharistic Congress, the first congress ever to be celebrated in Western Canada.
  • In 1939, a funeral requiem mass was said at the cathedral for Pope Pius XI.
  • On October 7, 1952, the feast of Our Lady of the Most Holy Rosary, a gunman entered the church and fired a round from his rifle at the altar. No one was hurt and he was arrested shortly after.
  • In April 1959, a minor tilt in the bell tower of the cathedral was detected probably due to the drilling and blasting of a nearby tunnel.
  • On October 3, 1953, the rite of consecration as a cathedral, officiated by the Archbishop of Vancouver William M. Duke, was held.  The subsequent solemn pontifical Mass was celebrated by Michael Harrington, the Bishop of Kamloops. Approximately 35 bishops from across Canada and the United States attended the event, which coincided with Duke’s golden and silver jubilees of his priestly ordination and consecration as a bishop, respectively.
  • In 1961, a funeral requiem mass was said at the cathedral for former Vancouver police commissioner William Cameron Murphy.
  • In the 1960s, after the Second Vatican Council, the reordering of the sanctuary took place.
  • In 1967, an interfaith requiem was held at the cathedral for former Governor General of Canada Georges Vanier.
  • In September 1981, a funeral requiem mass was said at the cathedral for internationally-acclaimed actor Chief Dan George of the Tsleil-Waututh
  • On September 19, 1984, Pope John Paul II visited the church as part of his pastoral visit to Canada. Refurbishing took place prior to his visit.
  • From 1995 to 1997, the cathedral was completely re-roofed, with zinc being utilized on the roof to resemble slate.
  • In 1999, the organ was dismantled and transported to Casavant Frères in Saint-Hyacinthe, Quebec for a two-year restoration.
  • In Easter of 2000, the rehabilitated pipe organ was blessed. That same year, an organ concert series was hosted at the cathedral for the first time.
  • In late September 2001, the cathedral became the first place in Canada to host the relics of Saint Thérèse of Lisieux during her reliquary’s three-month-long tour of the country.
  • In December 2002, some of the carpeting was removed and replaced with Italian ceramic tiles.
  • From 2004 to 2006, the inside of the church was repainted.
  • On April 1, 2005, a funeral requiem mass was said at the cathedral for Pope John Paul II.
  • On March 23, 2008, during an Easter Sunday Mass at the cathedral, First Nations protesters disrupted the mass by demonstrating on the outside steps. They ordered the Church to “get off native land” and demanded that they disclose the burial locations of children who died in residential schools.
  • On February 12, 2010, the cathedral’s bells were rung during the opening of the 2010 Winter Olympics in Vancouver
  • On October 30, 2011, a splinter group from the Occupy Vancouver movement marched to the cathedral from the Vancouver Art Gallery, attempting to enter the cathedral and occupy it but were thwarted by Vancouver police officers and Knights of Columbus.
  • In the spring of 2017, the copy of the bronze sculpture Homeless Jesus by Canadian artist Timothy Schmalz was installed in front of the cathedral.
  • In 2018, new light fixtures, pews and an upgraded sound system were added.
  • On March 22, 2020, as a result of the Archdiocese suspending all public masses starting from March 21 onwards, in response to the 2019–20 coronavirus pandemic, Sunday Mass was celebrated without a congregation for the first time in the cathedral’s history.
  • In June 2020, public masses at the cathedral resumed with capacity reduced to 50 people per Mass in order to adhere to the physical distancing requirements set out by the provincial health authorities.

The 49 m. (161 ft.) long, 32 m. (104 ft.) wide (across the transepts) and 19 m. (62 ft.) high (from floor to ceiling) cathedral, built in the French Gothic revival style, has been described as resembling the medieval Chartres Cathedral in France. Cruciform, in the shape of the Latin cross, it is 19 m. (62 ft.) across the nave and the aisles.

The taller bell tower

Its foundations were made of granite while its exterior walls were built from sandstone originating from Gabriola Island.  The cathedral’s “most prominent visual feature” is its two asymmetric bell towers. The taller, 66 m.  (217 ft.) high steeple was originally designed to have flying buttresses at the bottom.

The cathedral interior looking towards the main altar

The cathedral interior looking towards the choir loft

The nave arcades at the interior which, in turn support a Gothic tunnel vault, are supported by Norman columns made from highly polished, red Scagliola marble. Non-structural ribs decorate the vault, with simple molding accenting the intermediate ribs.

Left side aisle

Right side aisle

The cathedra, situated at the center of the sanctuary, is surrounded by a Gothic-style, oak altar-piece, with richly detailed gold foliage and angels set in relief, and two towers of reredos decked with delicately carved angels carrying torches, thuribles and sacred books.

Left transept

Right transept

 

The cathedral originally had seven bells (representing the sacraments) cast at the Fonderie Paccard in Annecy-le-Vieux, Savoy, France. However, when they were found to be out of tune, they were sent to a foundry near Bristol where eight bells were made to complete an entire octave when rung.

Baptismal Font

 

Two of the14 Stations of the Cross

Statue of the Pieta

Operating on change ringing, they are one of the few peal of bells hung in the English style found in North America, and one of three in British Columbia (the others are located at Westminster Abbey in Mission and Victoria‘s Christ Church Cathedral).

Grace and Kyle

The cathedral’s pipe organ, manufactured by the Karn–Warren Organ Company in Woodstock, Ontario, is the “oldest romantic-style organ” in the province “remaining in its original location.” An organ concert is held at the cathedral annually since 2000.  One of the most beautiful organs in the West Coast, it has three manuals, 4 divisions, 42 stops, 51 ranks and 2,899 pipes.

The cathedral’s pipe organ

Of the current 21 stained glass windows (documented by the Institute for Stained Glass in Canada) at the cathedral, the oldest is The Church Triumphant with the Risen Christ among Saints and Martyrs, on the east wall of the sanctuary, next to the shrine of the Blessed Virgin.

Stained glass depicting The Church Triumphant with the Risen Christ among Saints and Martyrs

The most renowned ones are the five windows made by Canadian artist Guido Nincheri whose work can be found in over 60 churches in North America.

Stained glass depicting Jesus with the Children (Guido Nincheri)

They depict Our Lady of the Holy Rosary, on the north side of the west transept; the Baptism of Our Lord (completed in January 1954), Jesus Healing the Sick, Jesus with the Children and the Assumption (completed and shipped out of the Nincheri studios in November 1953 and installed later that year). Started in 1941, it would take 13 years for the work on the stained glass to be completed.

Stained glass depicting The Assumption (Guido Nincheri)

The stained glass depicting Our Lady of the Holy Rosary was featured on Canada Post‘s annual Christmas stamp in 1997.

Stained glass depicting Our Lady of the Holy Rosary (Guido Nincheri)

In front of the cathedral is a copy of the bronze sculpture Homeless Jesus by Canadian artist Timothy Schmalz. Showing a life-size statue of a man with a long overcoat lying on a park bench, his face is hidden underneath a hood and his bare feet with stigmata.

The author beside the copy of the bronze sculpture of the Homeless Jesus by Candian artist Timothy Schmalz

According to Stanley Galvon (the rector at the time), the statue is intended to be “a catalyst to make people think about” the city’s homelessness crisis.

Jandy

Metropolitan Cathedral of Our Lady of the Holy Rosary: 646 Richards cor. Dunsmuir St., Vancouver, British Columbia V6B 3A3.  Tel: (604) 682-6774. Fax: (604) 331-8406.  E-mail: office@vancouvercathedral.org. Website: www.holyrosarycathedral.org. Sunday mass schedule: 8 AM, 9:30 AM, 11 AM, 12:30 PM, 5 PM.

How to Get There: by Metro, take the Expo Line to Granville Station or the Canada Line to Waterfront Station.  Both are a 5 minute walk away.

Bonifacio Trial Museum Revisited (Maragondon, Cavite)

Posted on by — Leave a reply

Bonifacio Trial Museum

Part Two of “Drive, Dine and Discover” Cavite Caravan

After our visit to the Church of the Assumption of Our Lady in Maragondon, we were next driven about 500 m. to the nearby Bonifacio Trial Museum.

The author

This would not be my first viist to the museum, having visited it during my 2017 visita iglesia of Cavite.  However, since it was a holiday, the museum was closed.  This would be my first time to explore its exhibits.

Check out “VIsita Iglesia 2017,”  “Bonifacio Trial Museum (2017)” and “Church of the Assumption of Our Lady”

Historical plaque installed by National Historical Institute (NHI) in 2000.  The name “Teodorico” should be “Roderico”

This two-storey bahay-na-bato (stone house), formerly known as the Roderico Reyes House, was built in 1889 by Roderico Reyes (not Teodorico as stated in NHI plaque by the front door) who was married to Juana Viray. From May 5 to 6, 1897, it was the site where revolutionary leader and Katipunan Supremo Andres Bonifacio and his brother  Procopio Bonifacio were court martialed by a military court, presided by Gen. Mariano Noriel, and found guilty of treason and recommended execution.

Gen. Riego de Dios and Col. Crisostomo Riel, both natives of Maragondon, refused to sign the final court judgment.  Reyes was absent during the trial as he was in his mountain retreat.

Grand staircase

This stone, brick and wood ancestral house now belongs to Mr. Jose Angeles (it was sold to him by Reyes descendants in 1994) who generously signed an agreement with the NHI to turn it into a museum open to the public. It was designated, on June 4, 1997, as a National Historical Landmark by the National Historical Institute and, in 1999, it was fully restored and declared as a National Heritage Site.

Stair foyer

On November 28, 2014, it was formally inaugurated as a museum and shrine called the Museo ng Paglilitis ni Andres Bonifacio or Bonifacio Trial Museum, administered and managed (the third in Cavite) by the National Historical Commission of the Philippines (formerly the National Historical Institute).

Gallery 1 (Maypagasa)

The 80 sq. m. museum has five galleries.  Gallery 1 (Maypagasa) provides a short background on Andres Bonifacio and the Katipunan.

Gallery 2 (Pagsalubong)

Gallery 2 (Pagsalubong) focuses on the conflict between the two Katipunan factions in Cavite, the Magdalo and Magdiwang.

Gallery 3 (Pagdakip)

Gallery 3 (Pagdakip) narrates the events leading to Bonifacio’s arrest, by Col. Agapito Bonzon and Maj. Jose Ignacio “Intsik” Paua, in Barrio Limbon in Indang. Bonifacio was wounded when he shot in the arm by Bonzon and stabbed in the neck by Paua.  Andres’ brother Ciriaco was shot dead.

Gallery 4 (Ang Paglilitis)

Gallery 4 (Ang Paglilitis), at the living room (sala de visita), re-enacts the Bonifacio brothers’ court martial through a light and sound presentation.  The audio recording of the interactive diorama, with dimmed lights adding to the gloomy atmosphere, recounts the trial proceedings.

Statues of members of the military court

Life-size, polyester resin  3D figures represent members in this tragic event – Gen. Mariano Noriel, Col. Crisostomo Riel, Col. Tomas Mascardo, Col. Esteban Ynfante, Col. Mariano Riego de Dios, Sulpicio Antony, Placido Martinez (Bonifacio’s attorney), Procopio Bonifacio, Gregoria de Jesus and Andres Bonifacio  (seated in a Vienna-style love chair).

Statue of Gregoria de Jesus (right) with seated Andres Bonifacio

Gallery 5 (Kadakilaan) recounts the anguish of Bonifacio’s widow, Gregoria de Jesus, upon learning of her husband’s death. It has a replica of a statue of Gregoria de Jesus sculpted by Julie Lluch.

Replica of a statue of Gregoria de Jesus sculpted by Julie Lluch at Gallery 5 (Kadakilaan)

This modernized museum contains various interactive displays on events that led to the trial and execution of Bonifacio and the special bond he shared with his young wife Gregoria de Jesus.  An electronic map shows the 12 Cavite towns under the Magdiwang, while 10, including the town of Bagumbayan (now Laurel) and Talisay in Batangas province, belong to the Magdalo .  It also has an audio-visual corner offering a brief documentary about the trial and death of Andres Bonifacio and an e-learning room for online lessons on the history of the Philippines.

Participants of the Cavite Caravan

At the museum foyer is a replica of bust of Andres Bonifacio sculpted by Julie Lluch in 2014.  Past the staircase is a wall lined with artworks on the 10 commandments of  the Katipunan painted by Robert Alejandro.

Ten Commandments of the Katipunan (Robert Alejandro)

Bonifacio Trial Museum: Col. Crisostomo Riel St., Brgy. Poblacion 1-A, Maragondon 4122, Cavite. Mobile number: (0969) 516-6992 and (0917) 553-7375.   Museum curator: Mr. Melanio Guevarra. E-mail: mpab@nhcp.gov.ph and bonifaciotrialmuseum@gmail.com. Open Tuesdays to Saturdays, 8 AM – 4 PM. Admission is free.

Maragondon Municipal Tourism Office: G/F, Municipal Bldg., Brgy. Poblacion 1-A, Maragondon, 4112 Cavite.  Tel: (046) 686-3139. Mobile number: (0926) 237-6537.

Automobile Association of the Philippines (AAP): AAP Tower, 683 Aurora Blvd., Quezon City 1112. Tel: (632) 8723-0808 and (632) 8705-3333. Website: www.aap.org.ph. E-mail:  info@aap.org.ph.

AAP Lakbay, Inc.: G/F, Sea Tower Bldg., 332 Roxas Blvd. cor. Arnaiz St., Pasay City.  Tel: (32) 8551-0025 and (632) 8403-543.  E-mail: aaplakbay.caravan@gmail.com.  Coordinates:
14.5456531, 120.9914728.

Old Senate Session Hall (National Museum of Fine Arts, Manila)

Posted on by — Leave a reply

Old Senate Session Hall

The historic Old Senate Session Hall, considered the core of the then Legislative Building (now the National Museum of Fine Arts), was home to members of the Philippine Senate from 1926 to 1996.  It had been a silent witness to history as senators, from various eras, debated and charted the future of the Philippines, from the country’s growing clamor for full independence from the United States in the 1930s to its rejection of a new US bases treaty in 1992. Directly below the Senate Session Hall is another hall once used by members of Congress. It has since been converted to a gallery displaying Juan Luna’s “Spoliarium.”

Check out “Old Legislative Building,” “National Museum of Fine Arts” and “Spoliarium Hall”

Ceiling and entablature with garlands and relief sculptures

The old Senate Session Hall was designed by American architect Ralph Harrington Doane (part of the team of architect and urban planner Daniel Burnham and a consultant to the Bureau of Public Works, a precursor of the Department of Public Works and Highways) as a high-ceiling reading room. Heavily damaged during the American liberation of Manila in 1945, the Legislative Building was in near ruins but, for some reason, the Session Hall remained intact, with only its intricately carved hardwood ceiling blown off.

Plaque installed by National Historical Institute

When the newly independent postwar government worked on rebuilding the structure, it was able to restore much of the Session Hall to its original state.

Bust of Manuel L. Quezon

Here, then Senator Benigno “Ninoy” Aquino Jr. and his allies in the opposition delivered privilege speeches during the run-up to martial law in 1972.  When martial law was declared, it was closed and later turned into one of the National Museum’s galleries during the remainder of the Marcos years. During the Marcos era, the Batasan Pambansa in Quezon City housed the parliament.

When democracy was restored after the People Power Revolution in 1986, the Senate and Congress returned to their old homes in the Legislative Building. In 1996, after the Senate moved to its new home at the GSIS Building in Pasay City, the old Session Hall was closed again.

In April 2010, work on the Session Hall’s (Php20 million) two-year restoration started, with funding coming from 2011 National Museum endowment fund (Php6 million) of the Philippine Amusement and Gaming Corp. (PAGCOR), and Php14 million from the museum’s 2012 budget. They also tapped the expertise of the museum’s four heritage architects led by Evelyn Esguerra.

During the in-house restoration project, the National Museum’s Jeremy Barns (director) and Ana Labrador (assistant director) pored over old pictures in their attempt to produce a newly restored Session Hall that’s as close as possible to the original. Its prewar look became the peg of the restoration work. Barns and Labrador chose the 1930s, because it was during this period that the country’s independence movement started to intensify.

Relief Sculptures by Isabelo Tampinco

However, in the absence of detailed pictures of the original, they left the venue’s less ornate postwar ceiling intact. Workers searched in vain for murals (painted by architect Juan M. Arellano), between the overhead concrete fretwork, that might be hidden underneath layers of old paint. In the end, the pair decided to simply give both the ceiling and spaces between the statues a fresh coat of the standard, rich color paint for nearly all public buildings during the Philippine Commonwealth period paint (which Barns described as a “Bureau of Public Works cream”).

Relief sculptures by Isabelo Tampinco

The already structurally unsound wooden parquet flooring on the first level, not part of the Session Hall’s original design, was also removed.  In keeping with the Session Hall’s original look, they decided to go for vibrant red floors (sealed with epoxy) and baseboards. A series of damaged concrete balustrades that bore the weight of a wooden floor that bisected the 15 m. high Session Hall was replaced with faithful reproductions crafted by House of Precast.  The team also replaced the venue’s lighting system and had a more modern, energy-efficient air-con system installed.

Filipino Struggles Through History by Carlos “Botong” V. Francisco

Windows that were permanently locked from the outside (because of a concrete barrier) were replaced and opened up. Workers also had to fashion, upon Barns’ instructions, a French-type window that leads to an outdoor veranda. On October 29, 2012, during a celebration of the museum’s 111th anniversary, the refurbished hall was opened.

Filipino Struggles Through History by Carlos “Botong” V. Francisco

Currently a venue for events that are of national importance, the Old Senate Session Hall features modern and contemporary Philippine art from the 20th to the 21st centuries. All the ornamentation and decoration in this Hall were done by leading Filipino prewar sculptor Isabelo Tampinco who created these figures with the help of his sons, Angel and Vidal, who inherited their father’s artistry and skills.

Filipino Struggles Through History by Carlos “Botong” V. Francisco

These exceptional, restored masterpieces make up an entablature of garlands and Filipinized, classical relief sculptures of great lawmakers, moralists, philosophers and various historical figures in history, from Biblical times to the 20th century, such as Apolinario Mabini, Pope Leo XIII, Woodrow Wilson, Moses, Hammurabi, Ramses the Great, and Charlemagne.

Filipino Struggles Through History by Carlos “Botong” V. Francisco

This hall also features seven of the ten panels of “Filipino Struggles Through History” (also known as “History of Manila”), the monumental series of paintings by National Artist Carlos “Botong” V. Francisco (1912-1969) commissioned in 1968 for the Manila City Hall by Mayor  Antonio J. Villegas.  The last three panels, depicting Mayor Antonio J. Villegas‘ vision for the city of Manila, are exhibited at Gallery XIII, within the same museum’s Vicente and Carmen Fabella Hall.

Check out “Gallery XIII”

Commemorative plaque of the “Filipino Struggles Through History,” by Carlos “Botong” V. Francisco, being declared as a National Cultural Treasure

The artwork was declared as a National Cultural Treasure by then National Museum director Gabriel S. Casal on April 8, 1996. They collectively measure 2.7 m. (8.9 ft.) high and 79.4 m. (260 ft.) wide.

National Museum of Fine Arts: Padre Burgos Avenue, Ermita, Manila 1000, Metro Manila. Tel: (632) 8527-1215 and (632) 8298-1100.  Email: inquiry@nationalmuseum.gov.ph.  Website: nationalmuseum.gov.ph.  Open Tuesdays to Sundays, 9 AM – 4PM. Admission is free.  Coordinates: 14°35′13″N 120°58′52″E.

Morong Park (Rizal)

Posted on by — Leave a reply

Morong Plaza

Morong Park, formerly known as Morong Town Plaza, just in front of Morong’s old Municipal Building (Morong Commandancia), was converted into a park in 2010.

Within the park are statues of Jose Rizal, Tomas Claudio and Rafael Pacheco’s (the world renowned Father of Palm and Finger Painting, 1933 – 2016) “Ang Pamilyang Magsasaka” sculpture.

Statue of Tomas Claudio

National Historical Institute plaque installed in 1992

Private Tomas Mateo Claudio, who served with the U.S. Marine Corps as part of the American Expeditionary Forces to Europe, was the first Filipino to die in World War I when he was slain during the Battle of Château Thierry in France on June 29, 1918. In 1921, the Tomas Claudio Memorial School was established as a tribute to him.

Old municipal hall

The Old Municipal Hall once housed the Commandancia del Distrito Politico-Militar de Morong (created in 1853), the seat of government during the Spanish Era. It was originally made of adobe stones and hardwood, with galvanized iron sheets for roofing.

Morong Historical Marker installed by the National Historical Commission in 1971

Class 1945 Morong High School plaque

During the early American Period, it was converted into a public elementary school building (the Old Central).    During World War II, it was damaged but was rebuilt, with alterations and, on August 16, 1944, was converted into a high school (Morong High School).  The first batch of 33 students graduated here on November 24, 1945.

Statue of Jose Rizal

In the 1960s, the building was torn down and rebuilt using reinforced concrete and was used as the municipal hall for the local government of Morong until 2011, when the local government offices were transferred to the new municipal building in a different location. Today, its second floor houses the Museong Pambayan ng Morong which was formalized in 2015 via an ordinance.

Ang Pamilyang Magsasaka (Rafael Pacheco)

Morong Park: Brgy. San Pedro, Morong, Rizal.