National Gallery of Scotland Modern Two (Edinburgh, Scotland, U.K.)

National Gallery of Scotland Modern Two

The National Gallery of Scotland Modern Two, formerly the Dean Gallery, is one of the two buildings housing the Scottish National Gallery of Modern Art, one of Scotland’s national art galleries. Operated by National Galleries Scotland, it is twinned with Modern One which lies on the opposite side of Belford Road.

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The English-Baroque facade

It is home to a changing program of world-class exhibitions and displays drawn from the permanent collection. During our visit, On permanent display is a recreation of the Scottish sculptor Eduardo Paolozzi‘s studio, as well as his magnificent, 7.3 m. high sculpture, Vulcan, that dominates the the Paolozzi’s Kitchen (named after the Scottish sculptor), reaching from the floor to the ceiling.

One of the tower, over staircases, that contain chimneys

The museum is housed in a English Baroque-style building, with Classical detail, which started out as the Dean Orphanage (the subject of a watercolor painting c.1830 by Thomas Hamilton).  Built in Craigleith stone from the nearby quarry, it took three years to build. Contributing to the Edinburgh skyline, in the west of the city center, are the towers, over the staircases, that contain chimneys. Above the entrance is a clock that came from the original Orphan Hospital and, in turn, from the 1764 demolition of the Netherbow Port on the High Street, which formerly separated the High Street from the Canongate.

The exhibit space

For many decades, this building, owned by the City of Edinburgh Council, served as the Dean Education Centre before its conversion into a gallery designed by the architect Terry Farrell and Partners. In 1999, the gallery opened opposite the existing Scottish National Gallery of Modern Art. In 2011, both buildings were rebranded Modern Two and Modern One, respectively.

the 73 m. high Vulcan sculpture of Eduardo Paolozzi (1989)

Modern Two houses the Paolozzi Gift, a collection of works by Sir Eduardo Paolozzi, given by the artist to the Scottish National Gallery of Modern Art in 1994, as well as the gallery’s world-famous collection of Surrealism (including works by Salvador DalíRené Magritte and Alberto Giacometti) and a large collection of Dada and Surrealist art and literature largely made up by the collections of Roland Penrose and Gabrielle Keiller.

Modern Two also houses temporary exhibitions, a library (its great strengths are Dada and Surrealism, early twentieth century artists and contemporary Scottish art), an archive and a special books collection.

Two Lines Up Excentric VI (George Rickey, 1977, stainless steel)

The archive, containing over 120 holdings relating to twentieth and twenty-first century artists, collectors and art organizations, including the gallery’s own papers, holds one of the world’s best collections of Dada and Surrealist material. The special books collection, containing over 2,500 artist books and limited edition livres d’artiste (again with a main focus on Dada and Surrealism), also contains books by other major artists from the twentieth century including Oskar Kokoschka‘s Die Träumenden Knaben (1917) and Henri Matisse’s Jazz (1947), all available to the public in the reading room which is only open to the public by appointment. The Gabrielle Keiller Library hosts regular changing displays that showcase items from these collections.

Master of the Universe (Eduardo Paolozzi, 1989)

Modern Two is surrounded by a sculpture garden with a number of modern and avant-garde works on display, including Gate (1972) by William TurnbullTwo Lines up Excentric VI (1977) by George RickeyLa Vierge d’Alsace (1919–1921) by Emile-Antoine BourdelleThere will be no Miracles Here (2007–2009) by Nathan ColeyMaster of the Universe (1989) by Eduardo PaolozziTwo Two-Way Mirrored Parallelograms Joined with One Side Balanced Spiral Welded Mesh (1996) by Dan GrahamMacduff Circle (2002) by Richard Long, and Escaped Animals (2002) by Julian Opie.

National Gallery of Scotland Modern Two: 75 Belford Rd, Edinburgh EH4 3DR, United Kingdom.  Tel: +44 131 624 6200.  E-mail: enquiries@nationalgalleries.org. Website: www.nationalgalleries.org.  Open daily, 10 AM to 5PM. Coordinates: 55°57′06.52″N 3°13′26.75″W.

National Gallery of Scotland Modern One (Edinburgh, Scotland, U.K.)

National Gallery of Scotland Modern One

The National Gallery of Scotland Modern One, with its renowned collection of more than 5,000 items dating from the late 19th century to the present day, is housed in the former Watson’s Institution Building which was designed, in the Greek Doric style, by William Burn (1789-1870) and completed in 1825 as the John Watson School for Fatherless Children of the Professional Classes.  Its five-bay Neo-Classical frontage has a grand, six-columned portico.

The five-bay Neo-Classical frontage

In 1979, the building, with its classrooms and dormitories, was bought by the Crown Estates Commissioners and was successfully adapted, to its new function, from 1981 to 1984.  In 2011, its name was changed to Modern One. Operated by National Galleries Scotland, it is twinned with National Gallery of Scotland Modern Two which lies on the opposite side of Belford Road.

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The museum lobby

International post-war work features art by Francis BaconDavid HockneyAndy WarholJoan Eardley and Alan Davie, with more recent works by artists including Douglas GordonAntony GormleyRobert Priseman and Tracey Emin and an outstanding collection of modern Scottish art.

Ah Kong – Ghost (Rae-Yen Song, 2022)

It presents works from the collection as well as a program of changing exhibitions. The early part of the collection features important Surrealist and German Expressionist art from the beginning of the twentieth century, with paintings by Giacometti, Hockney, Henri Matisse and Pablo Picasso.

Lee Miller (Pablo Picasso, 1937, oil on canvas)

Also included are works by André Derain and Pierre Bonnardcubist paintings, holdings of expressionist and modern British art, and 20th century Scottish Colourists Samuel John PeploeJohn Duncan FergussonFrancis Cadell and Leslie Hunter.

Glacier Chasm (Wilhelmina Barns-Graham, 1951, oil on canvas)

The collection also includes ARTIST ROOMS, a collection of modern and contemporary art acquired for the nation by National Galleries Scotland and Tate with support from the National Heritage Memorial Fundthe Art Fund and the Scottish and British Governments.

?I Am Your Conduit (2014, thread embedded in handmade cotton paper)

The growing collection includes works by major international artists including Andy Warhol, Louise BourgeoisRobert Mapplethorpe and Damien Hirst. The collection includes the larger of Roy Lichtenstein‘s In the Car pieces. The displays change on a regular basis.

Self-Portrait (Robert Mapplethorpe, 1980)

In 2002, the lawn to the front of Modern One was re-landscaped to a dramatic, award-winning (it won the prestigious Gulbenkian Prize in 2004) design by architectural historian Charles Jencks (b. 1939) entitled Landform Ueda, an eye-catching work or art in their own right.

Grace Jones (Robert Mapplethorpe, 1984, gelatin silver print on paper)

This sinuous series of grass-covered stepped terraces that rises to form a serpentine mound, with three pools of water occupying crescent-shaped hollows in between.  It also includes the remains of an 18th century windmill.

Tightrope Walker (Paul Klee, 1923, color lithograph on paper) (Copy)

Two Figures (Natalia Goncharova, ca. 1910-20, pencil and crayon on paper)

The sculpture park includes bronze works such as Personnage (1978) and Femme (Woman) (1970) by Joan Miro; Conversation with Magic Stones (1973) by Barbara Hepworth; and Reclining Figure (1951) by Henry Moore; among others.

Conversation with Magic Stones (Barbara Hepworth, 1973, bronze)

Reclining Figure (Henry Moore, 1951, bronze)

The Neo-Classical façade of Modern One is home to Martin Creed‘s Work No. 975, EVERYTHING IS GOING TO BE ALRIGHT. Modern One backs on to the Water of Leith river and walkway, which can be accessed by a long flight of steep steps behind the Gallery.

Landform Ueda (Charles Jencks)

Personnage (Joan Miro)

National Gallery of Scotland Modern One: 73 and 75 Belford Road, Edinburgh EH4 3DR, Scotland, United Kingdom. Tel: +44 131 624 6200. E-mail: enquiries@nationalgalleries.org. Website: www.nationalgalleries.org. Open daily, 10 AM to 5 PM.  Admission is free.

Museum of the Royal Scots (The Royal Regiment) and the Royal Regiment of Scotland (U.K.)

Museum of the Royal Scots (Royal Regiment) and the Royal Regiment of Scotland

The small but very well laid-out and informative Museum of the Royal Scots (The Royal Regiment) and the Royal Regiment of Scotland, an independent regimental museum within Edinburgh Castle, displays the collections of the Royal Scots (raised in 1633 to help King Charles II to fight the Covenanters, a 17th century group of religious dissenters) and the Royal Regiment of Scotland. Both are currently co-located in the Royal Scots drill hall built in 1900.

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Army Life 1918-1939

Early Army Life

On June 27, 1991, following refurbishment, the building was re-opened as the Royal Scots Museum by the Princess Royal. Since it was formed in 2006, the Royal Regiment of Scotland has been building its own collection and, on May 29, 2014, the Museum of the Royal Regiment of Scotland was opened.

The Colonies and Empire

Conflict in Europe and Rebellion at Home

Turmoil in Britain

A series of pictorial wall panels, together with dioramas, tableaus, display cases and other exhibits, illustrates the history of the Royal Scots and its successor regiment, the Royal Regiment of Scotland, in chronological order, from the founding of the Royal Scots, by Sir John Hepburn, to its role in various conflicts (including recent campaigns in Iraq and Afghanistan) and peacetime.

The Revolutionary War

The Napoleonic War

The Hundred Days

Its nearly 1,000-piece collection includes uniforms, insignias, paintings, artefacts, a collection of silver, a variety of weapons (including Highland broadswords), letters home from foreign campaigns, sets of drums, chemical warfare suits, old colors, maps, medals and documents.

The Great War

The Second World War

The Honors and Awards display has an extensive medal collection including seven Victoria Crosses awarded to members of the Royal Scots. Only a small proportion of the medal collection is on display.  The rest are in drawers which can be opened on request.

Honors and Awards

Drums

Uniforms

Museum of the Royal Scots (The Royal Regiment) and the Royal Regiment of Scotland: Edinburgh Castle, Edinburgh, EH1 2YT Scotland. Open daily, 9:30 AM to 4:45 PM (3:45 PM in winter).  Admission is included in the entry fee to the castle. Tel: +44 (131) 3105014. Website:
www.theroyalscots.co.uk/museum/
. Coordinates: 55.94913°N 3.20014°W.

How to Get There: The Royal Scots Museum is located at the top of the hill, just before Fogg’s Gate, while the Royal Regiment of Scotland Museum is directly opposite.

National War Museum (Edinburgh, Scotland, U.K.)

National War Museum Scotland

The two-storey National War Museum, located on the southern side of Hospital Square (at  its center is the large equestrian statue of Marshall Douglas Haig) inside Edinburgh Castle, is a museum (the largest of three within the castle) dedicated to warfare run and managed by the National Museums Scotland.

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Hospital Square and the equestrian statue of Gen. Douglas Haig

Beside the museum is Butts Battery, named after the archery butts (targets) formerly placed here. Below it are the Western Defenses, where a postern, named the West Sally Port, gives access to the western slope of the rock.

25-Pounder Field Gun at the entrance

Opened as the Scottish Naval and Military Museum on May 23, 1933, by Lord High Commissioner John Buchan, in a converted 18th-century ordnance storehouse (built in the 1748 by William Skinner), it was, in 1949, renamed as the United Services Museum, recognizing the importance of the Air Force to the war effort in World War II.

Gallery 1:A Nation in Arms. This comical cherub (ca. 1720), used to decorate the Old Chelsea Bun House (a London coffee shop close to the Royal Hospital), is among the earliest representations of Scots in British military service.

Gallery 2: A Grand Life for a Scotsman

In 2000, the museum was refurbished and, upon reopening was renamed to its present name of the National War Museum. It covers 400 years of Scotland’s military history, from the 17th century, through permanent exhibits that illustrate the history and causes behind the many wars in which Scottish soldiers have been involved, and special exhibitions.

The Thin Red Line (Robert Gibb). It depicts the 1854 Crimean War action between the British forces and the Russian forces.

The building, category-B listed since 1970, has a ten-bay rectangular-plan.  The museum’s collection, housed in six galleries (Gallery 1 and 2 are in the upper floor), includes a wide range of military artefacts, used by Scotland’s armed forces, over many centuries.

Air screw from the Sopwith Baby seaplane flown by Flight Lt. Ronald Graham of the Royal Naval Air Service to shoot down a German seaplane. Note the self-inflicted bullet holes due to lack of an interruption mechanism.

They include broadswords from the Scottish Highlands; protection against chemical warfare; letters sent home from combat by personnel; military uniforms from different eras; documents; battle flags; recruitment posters; photographs (private pics,  official regimental pics, etc.), personal diaries, official documents and an impressive display of medals and decorations. It also houses a library.

A few of the India pattern muskets provided by Sir James Grant in 1794 .

The museum was easy to navigate and the displays were well laid out and presented. However, the dim lighting system made documents and the accompanying labels hard to read and understand as well as view the photos.  At the entrance is a beautifully restored 25-pounder field gun used in World War II.  Artists such as David Wilkie and John Singleton Copley are represented with paintings depicting scenes of military life.

Infantry muskets. At the upper left is a portrait of Lt. Robert Hamilton Buchanan done by an unknown artist.

Gallery 1: A Nation in Arms explores how the division between Highland and Lowland, a long coastline, and access to important sea routes have influenced Scotland’s strategic importance. 

Jacket and Waistcoat

Gallery 2: A Grand Life for a Scotsman explores the daily life of Scots servicemen, from recruitment to retirement.  On display are recruitment posters, uniforms, personal possessions and letters home. 

Medals of Gen. James MacDonell of Glengarry

Gallery 3: Tools of the Trade displays weapons, equipment and clothing that equip the individual for war such as Highland broadswords to modern rifles, protective suits to medical kits. 

Recruitment Posters

Gallery 4: Highland Soldier tells the story of the dramatic change, from Highland rebel to military exemplar, through paintings, Highland uniforms, bagpipe music and more. This gallery houses famous works such as The Thin Red Line by Robert Gibb. 

The Battle of Camperdown (William Adolphus Knell, 1848). The painting depicts the naval action, between the British and Dutch navies in 1797, where the Royal Navy was overwhelmingly victorious

Gallery 5: In Defense displays medals, mementoes, souvenirs and photographs that tell the stories of the men and women who protected Scotland on the home front. 

The Storming of Tel-el Kebir (Alphonse Marie de Neuville, 1883). It depicts the decisive moment when, after a night march, the British forces stormed the Egyptian defenses in 1882.

Gallery 6: Active Service offers a personal perspective of over 300 years of warfare through collections of medals, memorabilia and weapons relating to extraordinary individuals.

Ship’s Bell of HMS Edinburgh, a Town-class cruiser (the same as H.M.S Belfast) built on the Tyne at the Swan & Hunter shipyard, that saw much action in the North Sea and Arctic Sea before being sunk in 1942 by U-456.

National War Museum: Castlehill, Edinburgh Castle, Old Town area, Edinburgh, EH1 2NG Scotland. Tel: +44 300 123 6789.  Open daily, 9:45 AM – 5:45 PM (4:45 PM, October to March).  Admission to the museum is included in the entry charge for the castle.

Edinburgh Castle (Scotland, U.K.)

Edinburgh Castle

The historic  Edinburgh Castle, which stands on the 130 m. (430 ft.) high Castle Rock (a crag formed from the plug of an extinct volcano, is located at the top of the Royal Mile, at the west end of Edinburgh’s Old Town. Occupied by humans during the late Bronze Age or early Iron Age, potentially making the Castle Rock the longest continuously occupied site in Scotland), it is a castle that has played a prominent role in Scottish history serving, variously, as a royal residence (until 1633), an arsenal, a treasury, a national archive, a mint, a prison, a military fortress, a military garrison (by the 17th century), and the home of the Honours of Scotland (the Scottish regalia).

Castle seen from the Esplanade

Edinburgh Castle, one of the most important strongholds in the Kingdom of Scotland, was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite rising of 1745.

Main Gate. Above the gate is inscribed with the Latin motto Nemo me impune lacessit  and, flanking it, are statues of Robert the Bruce and William Wallace, both added in 1929

Cared for by the Historic Environment Scotland, it is Scotland’s most (and the United Kingdom‘s second most) visited paid tourist attraction, with over 2.2 million visitors in 2019.  Over 70% of leisure visitors to Edinburgh visit the castle. During the annual Edinburgh Festival, the castle, a recognizable symbol of Edinburgh in particular and of Scotland as a whole, is the backdrop to the Royal Edinburgh Military Tattoo, a parade of the massed pipes and drums of the Scottish regiments started in 1950.

Statue of William Wallace (Alexander Carrick)

The castle is the site of the Scottish National War Memorial, the National War Museum and  the regimental museums of the Royal Regiment of Scotland and the Royal Scots Dragoon Guards (the castle is their regimental headquarters), along with that of the Royal Scots. The British Army is still responsible for some parts of the castle, although its presence is now largely ceremonial and administrative. Over the past century and a half, various restoration programs have been carried out.

Statue of Robert the Bruce (Thomas Clapperton)

Edinburgh Castle, in the ownership of the Scottish Ministers as heads of the devolved Scottish Government, is run and administered, for the most part, by Historic Environment Scotland, an executive agency of the Scottish Government, while the Army still remains responsible for some areas, including the New Barracks block and the military museums. Both also share use of the Guardroom immediately inside the castle entrance.

The castle has become a recognizable symbol of Edinburgh, and of Scotland. It appears, in stylized form, on the coats-of-arms of the City of Edinburgh Council and the University of Edinburgh. Images of Edinburgh Castle are used, as a logo, by organizations including Edinburgh Rugby, the Edinburgh Evening NewsHibernian F.C. and the Edinburgh Marathon. It also appears on the “Castle series” of Royal Mail postage stamps. The castle is also a focal point for annual fireworks displays which mark Edinburgh’s Hogmanay (New Year) celebrations, and the end of the Edinburgh Festival in the summer.

Forewall Battery

Few of the present buildings pre-date the Lang Siege of 1573 (in its 1,100-year history, it underwent 26 sieges, giving it a claim to having been “the most besieged place in Great Britain and one of the most attacked in the world”) when the medieval defenses were largely destroyed by artillery bombardment. The most notable exceptions are St Margaret’s Chapel (from the early 12th century, is regarded as the oldest building in Edinburgh), the Royal Palace, and the early 16th-century Great Hall.

Argyle Tower

Before entering the castle, you first pass the Esplanade. long sloping forecourt in front of the castle. Originally the Spur, a 16th-century hornwork, was located here and, in 1753, was laid out as a parade ground (extended in 1845). The Edinburgh Military Tattoo (since 2010 the Royal Edinburgh Military Tattoo) takes place here, annually, in August, attracting an annual audience of around 217,000 people, and broadcasted, in some 30 countries, to a television audience estimated at 100 million.

The climax of the evening is the lone piper, on the castle battlements, playing a pibroch in memory of dead comrades-in-arms.  This is followed by massed bands joining in a medley of traditional Scottish tunes. From the Esplanade the Half Moon Battery is prominent, with the Royal Palace to its left.

The author at Portcullis Gate

At the head of the Esplanade is the Gatehouse  built as an architecturally cosmetic addition to the castle in 1888. Above the gate is inscribed with the Latin motto Nemo me impune lacessit  and, flanking it, are statues of Robert the Bruce (by Thomas Clapperton) and William Wallace (by Alexander Carrick), both added in 1929. The dry ditch in front of the entrance was completed in its present form in 1742.

Argyle Battery

Within the Gatehouse  are offices and, to the north, is the ticket office, the most recent addition to the castle, completed in 2008 to a design by Gareth Hoskins Architects. A road, built by James III in 1464 for the transport of cannon, leads upward and around to the north of the Half Moon Battery and the Forewall Battery, to the Portcullis Gate, begun by the Regent Morton after the Lang Siege of 1571–73 to replace the round Constable’s Tower destroyed during the siege. The Argyle Tower, a Scots Baronial tower at the upper part of the Gatehouse, was designed by the architect Hippolyte Blanc and built in 1886–1887.

Mills Mount Battery

Just inside the gate, overlooking Princes Street, is the Argyle Battery, with Mills Mount Battery (where the One O’Clock Gun is located), to the west. Below these is the Low Defense while, at the base of the rock, is the ruined Wellhouse Tower, built in 1362 to guard St. Margaret’s Well, a natural spring that provided an important secondary source of water for the castle (its water being lifted up by a crane mounted on a platform known as the Crane Bastion).

Jandy beside a 25-pounder howitzer

To the north and west of the Argyle Tower are military buildings erected, in the early 18th century, after the castle became a major garrison. Tea rooms, adjacent to Mills Mount, were originally 18th-century cart sheds. To the south is the Governor’s House which now functions as an officers’ mess, and as the office of the Governor since the restoration of the post in 1936..  Built in 1742 as accommodation for the Governor, Storekeeper, and Master Gunner, it was used until the post of Governor became vacant in the later 19th century.  Later it was then used by nurses of the castle hospital.

The Governor’s House

The New Barracks, south of the Governor’s House, was completed in 1799 to house 600 soldiers, replacing the outdated accommodation in the Great Hall. It now houses the Regimental Headquarters of the Royal Regiment of Scotland and the Regimental Headquarters of the Royal Scots Dragoon Guards (Carabiniers and Greys) as well as the Royal Scots Dragoon Guards Museum (opened in 1995 by, Queen Elizabeth II, the regiment’s Colonel). Nearby is the Regimental Museum of the Royal Scots (The Royal Regiment) in the former Royal Scots drill hall, constructed in 1900.

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Regimental Museum of the Royal Scots (The Royal Regiment)

The military prison, built in 1842 as a detention block for the castle garrison, was extended in the 1880s and was last used in 1923, when the garrison moved to the city’s Redford Barracks.  West of the Governor’s House is a store for munitions was built in 1747–48 and later extended to form a courtyard, in which the main gunpowder magazine also stood.

Military Prison

South of this courtyard is now the National War Museum of Scotland which covers Scotland’s military history over the past 400 years.  Forming part of the National Museums of Scotland, its exhibits (including a wide range of military artefacts, such as uniforms, medals and weapons) also illustrates the history and causes behind the many wars in which Scottish soldiers have been involved.

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National War Museum Scotland

Beside the museum is Butts Battery, named after the archery butts (targets) formerly placed here and, below it, are the Western Defenses, where a postern, named the West Sally Port, gives access to the western slope of the rock.

Foog’s Gate

The Upper Ward (or Citadel), occupying the highest part of the Castle Rock, is entered via the late 17th-century Foog’s Gate. Large cisterns, built to reduce the castle’s dependency on well water, and a former fire station (now used as a shop), are both adjacent to the gates.

St. Margaret’s Chapel

The small St. Margaret’s Chapel and Mons Meg, 15th-century siege gun or bombard, occupy the summit of the rock. The oldest building in the castle and in Edinburgh, St. Margaret’s Chapel is one of the few 12th-century structures surviving in any Scottish castle.  It dates from the reign (1124–1153) of King David I who built it as a private chapel, dedicated to Saint Margaret of Scotland, his mother, who died in the castle in 1093) for the royal family.

Interior of St. Margaret’s Chapel

It survived the slighting of 1314 (when the castle’s defenses were destroyed on the orders of Robert the Bruce) and, from the 16th century, was used as a gunpowder store when the present roof was built. In 1845, while in use as part of the larger garrison chapel, it was “discovered” by the antiquary Daniel Wilson and, in 1851–1852, was restored and still used for religious ceremonies such as weddings.

Mons Meg

In front of St. Margaret’s Chapel, resting on a reconstructed carriage (details copied from an old stone relief that can be seen inside the tunnel of the Gatehouse at the castle entrance) and displayed on a terrace, is the 13,000-pound (5.9-ton) gun Mons Meg, constructed in 1449 in Flanders, on the orders of Philip III, Duke of Burgundy, and given, as a gift, to King James II (the husband of his niece), in 1457. Displayed alongside it are some of Meg’s large gun stones, weighing around 330 lbs. (150 kgs.) each.

Meg’s large gun stones

On July 3, 1558, when it was fired, in salute, to celebrate the marriage of Mary, Queen of Scots, to François II, the French dauphin. It has been defunct since On October 30, 1681 when the gun barrel burst while firing a salute to greet the Duke of Albany (the future King James VII and II) on his arrival in Edinburgh..

Lang Stairs

Below this area, on a ledge, is a small 19th-century Dogs’ Cemetery for the burial of the soldiers’ regimental mascots. Besides this is the Lang Stair that leads down to the Argyle Battery, past a section of a medieval bastion, and gives access to the upper storey of the Argyle Tower. The Forewall and Half Moon Batteries occupy the eastern end of the Upper Ward, with Crown Square to the south.

Half Moon Battery

The Half Moon Battery, a prominent feature on the east side of the castle, was built around and over the ruins of David’s Tower, two storeys of which survive beneath, with windows facing out onto the interior wall of the battery.  It was erected between 1573 and 1588 and built as part of the reconstruction works supervised by the Regent Morton. The Forewall, to the north, was built between 1689 and 1695 to link the Half Moon to the Portcullis Tower, although part of the original wall of 1540 was incorporated into it.

David’s Tower

David’s Tower was rediscovered, in 1912, during routine maintenance work and excavations below the Half Moon Battery revealed the extent of the surviving buildings. Built on an L-plan, it has a 16 by 12 m. (51 by 38 ft.) main block, with a 6.4 by 5.5 m. (21 by 18 ft.) wing to the west. It is entered via a pointed-arched doorway in the inner angle although, in the 16th century, this was filled in to make the tower a solid rectangle. Although the lower parts are generally closed, several rooms were accessible to the public.

Crown Square

Crown Square (also known as Palace Yard), laid out in the 15th century (during the reign of King James III) as the principal courtyard of the castle, is formed by the Royal Palace to the east, the Great Hall to the south, the Queen Anne Building to the west, and the National War Memorial to the north.

Laich Hall at the Royal palace

The Royal Palace, comprising the former royal apartments (the residence of the later Stewart monarchs), was begun in the mid-15th century (during the reign of James IV) and was extensively remodeled, in 1617, for the visit of James VI to the castle, when state apartments for the King and Queen were built. On the ground floor is the Laich (Low) Hall (now called the King’s Dining Room) and the Birth Chamber (or Mary Room), a small room where, on June 19, 1566, James VI was born to Mary, Queen of Scots. The commemorative painted ceiling, and other decorations, were added in 1617.

Portrait of Mary Queen of Scots at the Birth Chamber

Portrait of King James VI

The vaulted Crown Room, on the first floor, was built in 1615 to house the Honours of Scotland: the crown, the scepter and the sword of state. Since its return to Scotland in 1996, the Stone of Scone, where the monarchs of Scotland were traditionally crowned, has been kept in the Crown Room. The Register House, to the south of the palace, was built in the 1540s to accommodate state archives.

The Great Hall

The 29 by 12.5 m. (95 by 41 ft.) Great Hall, the chief place of state assembly in the castle (although there is no evidence that the Parliament of Scotland ever met there), is usually ascribed to the reign of King James IV, and is thought to have been completed in the early years of the 16th century.

Hammerbeam ceiling inside the Great Hall

One of only two medieval halls in Scotland with an original hammerbeam roof, it has decorative, carved stone corbels, supporting the roof, with Renaissance detailing which has been compared to ca. 1515 works at Blois, France, indicating that the arts in Scotland were relatively advanced at this time.  Still occasionally used for ceremonial occasions, the Great Hall has been used as a venue on Hogmanay for BBC Scotland‘s Hogmanay Live program.

Queen Anne Building

The present Queen Anne Building, on the south side of the castle, was named after Queen Anne. It was built in 1713 and designed by Capt. Theodore Dury, military engineer for Scotland (he also designed Dury’s Battery, named in his honor).

Dury’s Battery

It initially provided accommodation for Staff Officers but, after the departure of the Army, it was remodeled to complement the newly opened Scottish National War Memorial) as the Naval and Military Museum in the 1920s. Today, the building now houses a function suite and an education center.

Scottish National War Memorial

The Scottish National War Memorial, occupying a converted barrack block on the north side of Crown Square, is maintained by a charitable trust.  It commemorates Scottish soldiers, and those serving with Scottish regiments, who died in the two world wars and in more recent conflicts. The building, its exterior decorated with gargoyles and sculpture, has an interior that contains monuments, to individual regiments, and stained-glass windows by Douglas Strachan.

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Within the Shrine is an altar, placed upon the highest point of the Castle Rock, with a sealed casket containing Rolls of Honor which lists over 147,000 names of those soldiers killed in World War I, plus 50,000 names from World War II. Further names continue to be added to the Rolls of Honor.

Redcoat Cafe

At precisely 1 PM (except Sundays, Good Friday and Christmas Day), the One O’Clock Gun is fired, every day, from Mill’s Mount Battery (formerly from the Half Moon Battery), on the north face of the castle, by the District Gunner from the 105th Regiment Royal Artillery. Established in 1861 as a time signal for ships in the harbor of Leith and the Firth of Forth, 3 kms. (2 mi.) away, the gun is no longer required for its original purpose but the ceremony has become a popular tourist attraction.

The One O’Clock Gun

Its original gun was an 18-pound muzzle-loading cannon (which needed four men to load).  In 1913, it was replaced by a 32-pound breech-loader and, in May 1952, by a 25-pound Howitzer. On November 30, 2001, the present One O’Clock Gun, an L118 Light Gun, was brought into service. A small exhibition, at Mill’s Mount, was established by the  One O’Clock Gun Association and Staff Sergeant Thomas McKay MBE (nicknamed “Tam the Gun“), the longest-serving District Gunner (from 1979 until his retirement in January 2005).

Hospital

Gift Shop

Edinburgh Castle: Castle Rock, Edinburgh, EH1 2NG Scotland. Tel: +44 131 225 9846.  Website: www.edinburghcastle.scot. Open daily, 9:30 AM to 6 PM (April to September) and 10 AM to 4 PM (October to March). Closed December 25 and 26. Admission:

  • Adult (16-64 years old): £21.50 (online), £24.00 (walk-up)
  • Concession (65 years+ and unemployed): £17.00 (online), £19.00 (walk-up)
  • Child (7-15 years old): £13.00 (online), £14.50 (walk-up)
  • Adult Flexi Ticket: £35.00 (online)
  • Concession Flexi Ticket: £28.00 (online)
  • Child Flexi Ticket: £21.00 (online)
  • Family (1 adult, 2 children): £42.50 (online), £47.50 (walk-up)
  • Family (2 adults, 2 children): £62.00 (online), £69.50 (walk-up)
  • Family (2 adults, 3 children): £74.00 (online), £82.00 (walk-up)

The National: Impressionism and French Modernism, 1870-1900 (Edinburgh, Scotland, U.K.)

Impressionism, an influential style of painting that originated in France in the late nineteenth century, during a time of great social and cultural change, was a revolutionary art movement that had a broad-ranging impact on the development of modern art. It focused on painting “vision,” considering how we see, not what we see;

Montagne, Sainte-Victoire (Paul Cezanne, 1890-95, oil on canvas)

It preceded the development of avant-garde movements, particularly Cubism. Their interest in the abstract properties of color, light, line and form separated painting from its role as instructive and illustrative, opening it up to the freedom of individuality and emotion, leading the way for Fauvism and Expressionism in the early twentieth century.

Olive Trees (Vincent van Gogh, 1889, oil on canvas)

Collectively the Impressionists sought to capture the impression of a scene through lively brushstrokes and they often worked en plein air, producing works of art rapidly in a single sitting. They influenced artists such as John Singer Sargent who applied the Impressionist approach to portraiture.

Orchard with Apricot Trees in Blossom, Arles (Vincent van Gogh, 1883, oil on canvas)

Hilaire-Germain-Edgar Degas focused on figures in motion, such as racehorses, or the dancers at the Paris Opera. Claude Monet, Paul Cézanne, Berthe Morisot and others preferred to work out of doors, capturing the changing effects of light and weather. However, Morisot was limited to domestic subjects, reflecting the restrictions on women of her social status. Henri Martin and Paul Gauguin began to paint from the imagination, while Paul Cézanne adopted a more analytical approach to landscape. Vincent van Gogh developed an expressive technique derived from Neo-Impressionism, whereby the paint was applied using dots or strokes of color.

The Big Trees (Paul Cezanne, 1902-04, oil on canvas)

The display features a selection of paintings by Impressionist artists, from Claude Monet (HaystacksA Seascape, Shipping by Moonlight, Poplars on the Epte, etc.) to Berthe Morisot (Woman and Child in a Garden), Hilaire-Germain-Edgar Degas (A Group of DancersPortrait of Diego Martelli) John Singer Sargent (Gertrude Vernon, Lady Agnew of Lochnaw) as well as later works by Paul Gauguin (Vision after the SermonMartinique Landscape, Vision of the Sermon, Three Tahitians, etc.), Paul Cézanne (The Big TreesMontagne Sainte-Victoire) and Vincent van Gogh (Olive TreesOrchard with Apricot Trees in Blossom, etc.). 

The Vision of the Sermon (Paul Gauguin, 1888, oil on canvas)

Impressionism and French Modernism, 1870-1900: Level 1, The National, The Mound, Edinburgh EH2 2EL, United Kingdom. Tel: +44 131 624 6200.  E-mail: enquiries@nationalgalleries.org. Website: www.nationalgalleries.org. Open daily, 10 AM to 5 PM.  Admission is free.

How to Get There: the museum is located on The Mound in central Edinburgh, close to Princes Street.

City of Ilagan Museum (Isabela)

City of Ilagan Museum

The morning of our fourth day in the City of Ilagan, after breakfast at the hotel, we visited the City of Ilagan Museum, located near the Ilagan City Hall and the GSO Office in a building inaugurated last September 2, 2020.  Managed by the city’s Tourism Office, it provides information on the history, culture and heritage of the City of Ilagan.

The museum is divided into two wings, the left wing devoted to Ilagan in the 20th and 21st century, while the right wing delves on the early history and culture and traditions of Ilagan.

The museum’s right wing

The left wing

 

At the entrance of the wing to the right of the stairs is a diorama of Irraya, 1521.  Interesting  displays include a bell used to call teachers and students of the Isabela National High School to flag raising ceremonies; and a sara (carabao horn) used to call Ilaguenos to meetings or festivals or to warn people of inbound calamities or disasters.

Irraya 1521 Diorama

A fishing boat, a threshing board, an Ilagan carison wheel and a wooden plow

At one prominent corner are actual farming implements such as a wooden plow, threshing board, etc., an original Ilagan carison wheel, and a fishing boat.

A bell used to call teachers and students of the Isabela National High School to flag raising ceremonies

Sara (Carabao Horn)

A 1958 Yashica 635 twin lens reflex camera and a surveyor’s theodolite

There’s also a butaka (a handcrafted chair with a long “armrest”), old religious statuary; a numismatic display of old Philippine coins and paper currency; mannequins dressed in native Filipino attire (barong tagalog and baro’t saya); old missals and prayer books; World War II helmets; and old photos.

Butaka

Old religious statuary

Another corner displays old appliances such a console television, phonograph players, transistor radios, and cassette players while mounted on the wall above them are 7-inch single and 12-inch long playing records.

Office equipment such as typewriters and adding machines

Old phonograph players and console TV.  Hanging on the walls are 7-inch single and 12-inch long playing records. On the right is an old violin

There’s also office equipment such as typewriters and adding machines; a violin as well as charcoal flat irons, cutlery, oil lamps, bauls (wooden chests), banga (clay jars) and porcelain china.

Old Philippine paper currency

Old Philippine coins

There are two oil on canvas portraits including one of Antonio Lopez y Lopez (1817-1883), the first Marques de Comillas, who formed the Compania General de Tabacos de Filipinas, S.A.

Portrait of Antonio Lopez y Lopez, the first Marquess de Comillas

Artwork by Ilagueno artists

Prominently mounted on a wall, at the other wing of the museum, are photos of local chief executives, from the past to the present, while shelves display the numerous local and international awards conferred on the city.

Local Chief Executives, past and present

Scaled model of the City of Ilagan Medical Center and the City Hall

Also on display are scaled models of the City of Ilagan Medical Center and the City Hall; Bambanti Festival King and Queen costumes; a Queen Isabela gown, and paintings done by Ilagueno artists.

Bambanti Festival King and Queen costumes

Gown, for the 2023 Bambanti Festival Search for Queen Isabela, designed by Laoag City (Ilocos Norte)-based fashion designer Amor Albano

Modular display stands also feature the City of Ilagan’s notable tourist attractions such as Bonifacio Park, Rizal Park, Ilagan Sanctuary, Pinzal Falls, City of Ilagan Sports Complex, Sta. Victoria Caves, St. Ferdinand Parish Church, etc. 

Rizal Park and St. Ferdinand Parish Church

City of Ilagan Sports Complex and Casa San Antonio

City of Ilagan Museum: 2/F, City Library Bldg., City Hall Complex, Brgy. San Vicente, 3300 City of Ilagan, Isabela. Mobile number: (0935) 673-3590.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

Baguio Museum (Benguet)

Baguio Museum

The Baguio Museum is a great introduction to the Igorot (“mountain people”) of the Cordillera. Its collections date back as far as 1947 when then first woman councilor, Vice-Mayor and acting Mayor Virginia Oteyza de Guia collected them from friends in the Cordilleras.

The author at the museum entrance

First named the Baguio- Mountain Province Museum, the collections were first displayed at the City Hall and, later, transferred to the University of the Philippines before finding its home at its present site.

Commemorative plaques

Here’s the historical timeline of the museum:

  • In 1916, a small exhibit was installed in a small public school to serve as a teaching tool for the students.
  • In 1934, the museum was moved to its current location in the Civic Center and was expanded and renovated several times over the years.
  • In 1940, the Baguio Museum was established by American archaeologist Henry Otley Beyer.
  • In 1975, the museum was built by the Philippine Tourism Authority (under the chairmanship of Minister of Tourism Jose Aspiras) and Mayor Luis Lardizabal.
  • On May 1977, the museum was opened to the public.
  • On August 4, 1977, the museum was incorporated by government leaders, leaders and concerned citizens of Baguio City, and the provinces of Abra, Benguet, Ifugao, Kalinga-Apayao and Mountain Province.
  • On July 16, 1990, a major earthquake heavily damaged the old structure and the collection travelled from the old Camp John Hay Library to the basement of the Baguio Convention Center.
  • In 1998, the rebuilding of the museum was started.
  • In 2010, it was renamed as the Baguio Museum.
  • In March 2020, the museum was temporarily closed, for seven months, due to the COVID-19 pandemic.
  • In September 2020, the rehabilitation and beautification of its galleries continued after stringent protocol requirements were complied with.
  • On October 2021, the museum was partially opened.
  • In January 2022, after almost two years with strict protocols, the museum was opened.
  • On July 4, 2022, after three years of improvements via a grant from the Ambassador’s Fund for Cultural Preservation (AFCP) of the United States Embassy Manila, the renovated Baguio Museum was inaugurated.

Abra Gallery

Apayao Gallery

Benguet Gallery

Inspired by Ifugao architecture, this time-honored museum was designed by Architect Ignacio Estipona and built with of stone and wood and features a striking pyramidal roof and two huge concrete poles, at the stair entrance, that resembles a traditional Ifugao home with an elevated floor supported by posts.

Ifugao Gallery

Kalinga Gallery

Mountain Province Gallery.  In the foreground is a kulog (food container)

At the entrance are artworks donated by Joey Divina Bautista and Virginia Oteyza De Guia.

Conservation Room

Museum Shop

The museum has four floors.  The first floor houses the Conservation Room, Museum Shop and the NCCA Gallery which is used for training and lectures and exhibits.

So Above, So Below (Maela Liwanag Jose)

During our visit, the captivating “As Above, So Below” Exhibit (opened last February 16, 2024), a celebration of Baguio-based artist Maela Liwanag Jose’s Tinatik Arts, which extends to a total of 96 ft., was ongoing.  The fourth floor houses the library and research center.

Third Floor (Baguio City Gallery).  On the floor are the three miniature architectural models

Fourth Floor (Library and Research Area)

The second floor, the main floor of the building, houses the permanent Ethnological Exhibit.

Scaled models of the traditional houses of Apayao, Abra and Ifugao

Scaled models of the traditional houses of Kalinga, Mountain Province and Benguet

It has an extensive display of various tribal artifacts from the six provinces of the Cordillera region: Abra, Apayao, Benguet (of which Baguio City is a part), Kalinga, Ifugao and Mountain Province.

Botit (locust baskets)

Kubo (fish baskets)

Focusing on an indigenous group, here you’ll see spears, bolos (machetes), shields of Kalinga headhunters; gongs; bags; baskets; fish traps; wood sculptures depicting life in the mountains; colorful traditional clothes (ba-ag or g-string for men and tapis for the women); accounts of Ibaloi mummification practices; furniture and other artifacts.

Pasiking (hunting baskets)

An array of spears

The most unique collection in this museum – the real-life Kabayan mummy, glass encased in its wooden casket a mummy in its coffin, which visitors are not allowed to take a photo of in respect of the dead.

Tupil (storage baskets for cooked rice)

Ulbong (storage for rice crop)

The Benguet Exhibit features the following artifacts:

  • Bango– A rain gear made by woven rattan, nito fiber, and pine needles.
  • Bangew– a bag made of the same material as bango.
  • Kuval– a red-colored G-string that symbolizes power.
  • Latok– a set of serving plates.
  • Kayabang– baskets carried by Ibaloi women over their heads.
  • Duli– a necklace made of a snake’s vertebrae, which women wore during childbirth to ensure safe delivery.

Hagabi (rich man’s bench)

The Abra Exhibit features the following artifacts:

  • Kalugong– cone-shaped, bamboo hat worn by men.
  • Badu– white jacket made of cotton.
  • Ukken/Kimona– blouse made of Rengue textile.
  • Piningitan– wrap-around skirt.

Imbayah Diorama

Bodong Diorama

There are also two miniature dioramas that give you a better picture of their communities. An offshoot of the tourism field offices being regionalized in 1988, they were donated by DOT Undersecretary Narzalina Lim.  The first diorama, the “Bodong Diorama,” was donated in 1988 through DOT-CAR and Region I Director Stella Ma. De Guia, and the second, the “Imbayah Diorama,” was donated through DOT-CAR Director Carmelita Mondiguing.

Baguio: A Melting Pot Exhibit

The Colonial Hillstation Exhibit

The third floor, the Baguio City Gallery, features a compelling exhibition on the historical development of Baguio, from the 1900s to the present.  The exhibits include:

  • Baguio: A Melting Pot – features Baguio’s two National Artists (Benedicto “Bencab”” Cabrera, National Artist for the Visual Arts in 2006; and Kidlat Tahimik, National Artist for Film in 2018) and Baguio’s art scene.
  • Baguio: A Miniature Early History – features three architectural models, one of which shows Baguio as an untouched green land, a stark contrast to its current state. Here, you can see and read, in detail, the discovery of Baguio as a land of pine trees and its development into a civilized land.
  • Mayors of the Century: 1909 to the Present – a tribute to the 31 (including one woman mayor) mayors of the city, honoring their numerous achievements and contributions to Baguio’s growth.
  • The Old Versus the New – then and now photos of Baguio landmarks.
  • The Colonial Hillstation: From Health Resort to City of Pines – a timeline showcasing photographs and information on how the City of Pines started as a colonial hill station.
  • War Occupation and Liberation – features Japanese Occupation and American Liberation photos and war relics.

The Old Versus the New

War Occupation and Liberation

War Relics Display

Outside the museum are a bale (ifugao traditional house), a dap-ayan (a gathering place of village leaders) and totem poles.

Totem poles

Bale and dap-ayan

Baguio Museum: Dot-PTA Complex, cor. Governor Pack Rd. and Harrison Rd., Baguio City, 2600 Benguet.  Tel: (074) 248-1147 and (063) 444 7451.  E-mail: baguio_museum@yahoo.com.  Open daily (except Mondays), 9 AM to 5 PM. Admission:  Php100 (adults), Php70 (college students), Php60 (high school students), Php40 (elementary students) and Php50 (senior citizens and PWD).

Museo de San Luis (Cauayan City, Isabela)

Museo de San Luis

The Museo de San Luis, inaugurated last October 9, 2022, is housed in a one-storey, wooden structure with a wrap-around porch, within the Hacienda San Luis Eco-Tourism Park.  It showcases how tobaccos were made for the Manila-Acapulco Galleon Trade.

 Check out “Hacienda San Luis Eco-Tourism Park 

Museum porch

Museum interior. At the center is a manual, iron tobacco bale press used in 1970

On display here is a huge sculpture of St. Louis Bertrand (San Luis  Bertran), a photo gallery of Cauayan’s 27 mayors, from 1900 to the present; a traditional wooden press for cigar making (people use the apparatus to flatten the dried tobacco leaves); wooden relief carvings of Cauayan’s indigenous people, male and female (Gaddangs, Ibanags, Yogads and Itaois) mounted on easels; a manual tobacco bale press used in 1970; a butaka (a chair with long armrests); a tobacco hogshead (a large wooden barrel used to store and transport tobacco); and framed La Flor de la Isabela posters mounted on the walls.

Statue of St. Louis Bertrand (1526-1581; Luis Beltrán). He was a Spanish Dominican priest who preached in South America during the 16th century, and is known as the “Apostle of the Americas.”

Traditional wooden press for cigar making and a tobacco hogshead

Diorama of Cauayan – The Ideal City of the North in the New Millenium

Also mounted on two glass display cases are the different kinds of cigars produced – Coronas, Corona Large, Double Robusto, Panatelas, Half Coronas, Native Coronas with Head, Higantes Double Head Small, Triple Rebusto Long, Imperiales, Higantes Double Head Long, Cortados, Higantes and Panatelas Largas.

The handcrafted butaka, usually measuring 70 cms. x 57 cms. x 118 cms. and made of narra hardwood, has long armrests that weren’t really meant for arms; they were used for legs. During the Spanish era, it was commonly called the “lazy chair” of rich families. After a day’s work in the fields, hacienderos sat on the butaka as their resting chair. It was also used as a home style birthing bed, the rests passing for the more modern stirrups we have now at birthing hospitals. The chair’s style is Luis Quince-style sillon peresoza, common among lounging chairs found in Spanish Colonial Era in the Philippines. The seat is double caned ovate-shaped back with scroll arms with extended armrest on slightly curved stumps.

Different kinds of cigars produced

Wooden relief carving of an Itaois male and female

At the center of the rooms are five dioramas, in glass showcases, depicting the history and growth of Cauayan – Calanusian – Ang Unang Cauayan, Cauayan – Isang Bayan sa Lalawigan ng Isabela, La Flor de IsabelaCauayan sa Panahon ng Commonwealth and Cauayan – The Ideal City of the North in the New Millenium.

 

La Flor de Isabela posters

Museo San Luis: Hacienda de San Luis Eco-Tourism Park,  Brgy. San Luis, Cauayan City.  Tel: (078) 652-2017.  Mobile numbers: (0905) 390-1255 and (0926) 204-4429.  Open daily, 7 AM – 8 PM.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com. 

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com. 

How to Get There: Cauayan City is located 394.8 kms. (a 7.5-hour drive) from Manila and 35.5 kms. (a 45-min. drive) from the City of Ilagan.

Hacienda de San Luis Eco-Tourism Park (Cauayan City, Isabela)

Hacienda de San Luis Eco-Tourism Park

Hacienda de San Luis Eco-Tourism Park, the first eco-tourism park in Cauayan City, gives a flashback of what Cauayan City was in 1740 as well as the city’s indigenous people’s (Gaddang, Ibanag, Itaois and Yogad) culture.

La Flor de Isabela Function Hall (forner tabacalera warehouse)

 

Function hall interior

The park is home to the Museo de San Luis, the Cagayan Valley Regional Science Centrum, the La Flor de Isabela Function Hall and the Gawa-Gawayan Museum.

 

Here is the historical timeline of the hacienda:

  • In 1887, a portion of Barrio Mabantad, of about 3,940 hectares, was acquired, for 22,000 pesos, by the Compaña Casal owned by Mr. Antonio Casal. Mr. Federico Corea was appointed as the first administrator of the hacienda. Mr. Corea, named the locality as San Luis, after Saint Louis BertrandO.P.(1526-1581; Luis Beltrán), a Spanish Dominican who preached in South America during the 16th century, and is known as the “Apostle of the Americas.” The population of the hacienda grew and the area was converted into a formal barrio of Cauayan.
  • In 1909, the compaña expanded the area of the hacienda with the purchase of 19 hectares from Mrs. Engracia Maragun de Lacaste.
  • In 1910, another 540 hectares were bought from the government (Friar Lands Estate).
  • In 1913, the first administration building stood in the Cabeceria Especial (the poblacion of San Luis) was razed to the ground by fire. In its place, a more spacious building was constructed. In time, when the compañaacquired enormous business footing, other big buildings were constructed.
  • In 1923, the Catholic Church was erected. A school building was also constructed to provide the farmers’ children their elementary education with Mr. Pio Tominez as the first teacher.
  • During the Japanese Occupation, the headquarters of the 1st Batallion, 7th Infantry of the 34th Division Guerilla Unit, Isabela Area, was established here. Houses in Cabeceria No. 3 were burned, in punitive actions, by the Japanese.
  • On October 9, 2015, Hacienda San Luis was inaugurated as the first eco-tourism park in Cauayan City. 

Museo de San Luis

The Museo de San Luis, open last October 9, 2022, showcases how tobaccos were made for the Manila-Acapulco Galleon Trade. The one-storey, former tabacalera (tobacco warehouse) is now the La Flor de Isabela Function Hall, an events place. 

Check out “Museo de San Luis

Gawa-Gawayan Museum

The one-storey Gawa-Gawayan Museum exhibits Gawa-Gawayan Festival memorabilia such as the Festival King Queen costumes, designed by Bonsai Cielo, of John Paul Domingo and Sue Francesca Galingana; headdresses; hats and the 4 x 8 ft. Bamboo de Cauayan, the Bambanti Festival 20019 grand champion  in the agricultural booth category.

Bamboo de Cauayan

2019 Bambanti Festival King and Queen Costumes

Also within the grounds is the two-storey Cagayan Valley Regional Science Centrum (CVRSC), which children will find enjoyable.  Inaugurated last January 28, 2020,

Cagayan Valley Regional Science Centrum

It aims to promote awareness and appreciation of science, technology, engineering and mathematics (STEM).  It houses four interactive science exhibits – Science Adventure, Science at Work, Science Sparks and Health Science.  Its exhibits include an Anti-Gravity Mirror and a Van de Graff Static Ball.

Zipline Towe

The park also has a picnic area, a rappelling and climbing wall plus a 250 m. long and 9.15 m. (30 ft.) high zipline where you can get a majestic view of Cagayan River.  Other activities offered here are biking and horseback riding.

Horseriding Stables

Hacienda de San Luis Eco-Tourism Park:  Brgy. San Luis, Cauayan City.  Tel: (078) 652-2017.  Mobile numbers: (0905) 390-1255 and (0926) 204-4429.  Open daily, 7 AM – 8 PM.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com. 

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com. 

How to Get There: Cauayan City is located 394.8 kms. (a 7.5-hour drive) from Manila and 35.5 kms. (a 45-min. drive) from the City of Ilagan.