Category Archives: Churches

Diocesan Shrine of Our Lady of the Light (Cainta, Rizal)

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Diocesan Shrine of Our Lady of the Light

The only church in our bisita iglesia outside of Metro Manila was the Diocesan Shrine of Our Lady of Light in Cainta. When we entered the churchyard from the main road, we only saw the side entrance near the altar. To see the beautiful façade, we had to first enter the church then go out the front door.

This town’s original church (at the time was under the patronage of Saint Andrew the Apostle), designed by Fr. Juan de Salazar, S.J., was first constructed in stone by Jesuit Fr. Gaspar Marco in 1707 and completed in 1716, during the time of Joaquin Sanchez, S.J, while he was still the parish priest.

Check out “Church of San Felipe Neri” and “Immaculate Concepton Cathedral“

In 1727, a painting of Our Lady of Light was brought in from the Kingdom of Sicily and was chosen as the new patroness of the church and, by 1760, the church was officially declared a separate parish.

Porte cochere

On February 23, 1853, the church building was damaged by an earthquake, both its roof and one wall collapsed while the walls of the parish rectory or convent sustained cracks.  By 1884 the parish had been named Our Lady of Light (Virgen ng Caliuanagan or Madre Santissima del Lumen in Tagalog and Spanish languages), as attested in the August 5, 1884 letter by Don Mariano de San Juan (the pastor of Cainta) to Fray Pedro Payo, O.P., the Archbishop of Manila.

The four-storey bell tower

In March 1899, during the Filipino-American War, the church and parish rectory, including the venerated Marian image within, were burned down. The stones from the church walls were later used to build roads. The monogram of the Holy Name of Jesus “IHS” (Latin: Iesus Hominum Salvator), attached at the top portion of the church’s façade, was the only mark left of its Jesuit beginning.

NHI historical plaque

For 67 years, the church was left in ruins, without any significant restoration. On June 10, 1966, after Archbishop of Manila Rufino Cardinal Santos gave permission for the church’s reconstruction on February 15, 1965, the reconstruction of the church began. The facade was kept untouched. When one of the beams collapsed, the reconstruction was halted and further study was conducted to determine if it could withstand earthquakes.

The church interior

On June 15, 1967, reconstruction resumed and it was completed and blessed by Rufino Cardinal Santos on February 25, 1968. In 1975, the administration of the parish was turned over, by the CICM Missionaries, to the Archdiocese of Manila, with Monsignor Alfredo Santa Ana, HP, as its first diocesan parish priest. Until 1998, the church was the sole parish in the entire municipality of Cainta.

The main altar and retablo

In 2007, the church was declared as a historical site by the National Historical Institute (NHI),  now the National Historical Commission of the Philippines (NHCP), for its significant role during the Philippines-American War.

Te choir loft

On December 1, 2007, the newly renovated altar and the new historical marker of the church were blessed. On December 1, 2012, an episcopal coronation, coinciding with the parish fiesta, was performed by the local bishop with the assistance of Ms. Henrietta De Villa, former ambassador to the Vatican.

After the burning (during the Filipino-American war in 1899) of the original enshrined icon of the Blessed Virgin Mary (a painting of Our Lady of Light brought to Cainta in 1727 from Ferrara, Italy by Fr. Bartolommeo Cavanti, SJ.),  the venerated Marian image was recreated by Philippine National Artist Fernando Amorsolo.

On December 6, 2017, the image was granted the papal bull of canonical coronation by Pope Francis and it was crowned on December 1, 2018, the first Marian image in Philippine history to be pontifically crowned as an artistic painting. On the same day as its canonical coronation, the parish church was consecrated and elevated into a Diocesan Shrine.

Statue of Our Lady of Light

The original church, including the sacristy and rectory, measured approximately 44 m. (144 ft. long), 15 m. (48 ft.) wide and 11 m. (36 ft.) high. Made of stone and limestone (calycanto), its roof was tiled and had a dome (media naranja), transepts (crucero) and five buttresses (contrafuertos).

Old church bells

The nave’s spacious presbytery had windows and skylight (claraboya) while the belfry had four bells, two of which were small bells rung by rotation (esquitas). The baptistery, with an arched ceiling, was situated at the bottom of the belfry. Flooring was made of wood. It also had a choir loft, communion rail, pulpit and three doors. Five retablos are found inside the church, with the original picture of the Our Lady of Light enshrined at the central niche.

Parola ng Panampalataya

The sacristy measured approximately 8.2 m. (27 ft.) long, 7.3 m. (24 ft.) wide and 5.5 m. (18 ft.) high. The parish rectory, with a kitchen, two brick chimneys, four rooms and offices, measured approximately 37 m. (120 ft.) long, 15 m. (48 ft.) wide and 7.3 m. (24 ft.) high.

Statue of Padre Pio of Pietrelcina

The larger reconstructed church measures 68 m. (223 ft.) long, with a transept 42 m. (138 ft.) wide, and with walls 10.5 m. (34.4 ft.) high. It has a semicircular arch main entrance and four lateral doors. There are separate chapels for the Blessed Sacrament and for Our Lady of Light and Saint Andrew, both enshrined at the sides of the sanctuary.

Statue of Resurrected Christ

It’s simple, two-level Early Renaissance façade, with superpositioned paired columns, has semicircular arch statued niches, a square window at the choir loft and a circular window at the tympanum of the triangular pediment.  The attached four-storey bell tower, on the church’s right, has semicircular arched windows.

Statue of the Crucifixion

Church of Our Lady of Light: Andres Bonifacio Ave. (near Cainta Junction), Brgy. San Andres, Cainta 1900, Rizal. View Map>>> Tel: (02) 8655-0840.  Feast of Our Lady of Light: December 1.

How to Get There: Cainta is located 29.1 kms. from Manila and kms. (a drive) from Antipolo City.

Diocesan Shrine and Parish of Our Lady of Light (Cainta, Rizal)

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Church of Our Lady of the Light

This town’s original church (at the time was under the patronage of Saint Andrew the Apostle), designed by Fr. Juan de Salazar, S.J., was first constructed in stone by Jesuit Fr. Gaspar Marco in 1707 and completed in 1716, during the time of Joaquin Sanchez, S.J, while he was still the parish priest.

In 1727, a painting of Our Lady of Light was brought in from the Kingdom of Sicily and was chosen as the new patroness of the church and, by 1760, the church was officially declared a separate parish.

NHI plaque

On February 23, 1853, the church building was damaged by an earthquake, both its roof and one wall collapsed while the walls of the parish rectory or convent sustained cracks.  By 1884 the parish had been named Our Lady of Light (Virgen ng Caliuanagan or Madre Santissima del Lumen in Tagalog and Spanish languages), as attested in the August 5, 1884 letter by Don Mariano de San Juan (the pastor of Cainta) to Fray Pedro Payo, O.P., the Archbishop of Manila.

Church transept

In March 1899, during the Filipino-American War, the church and parish rectory, including the venerated Marian image within, were burned down. The stones from the church walls were later used to build roads. The monogram of the Holy Name of Jesus “IHS” (Latin: Iesus Hominum Salvator), attached at the top portion of the church’s façade, was the only mark left of its Jesuit beginning.

For 67 years, the church was left in ruins, without any significant restoration. On June 10, 1966, after Archbishop of Manila Rufino Cardinal Santos gave permission for the church’s reconstruction on February 15, 1965, the reconstruction of the church began. The facade was kept untouched. When one of the beams collapsed, the reconstruction was halted and further study was conducted to determine if it could withstand earthquakes.

The four-storey bell tower

On June 15, 1967, reconstruction resumed and it was completed and blessed by Rufino Cardinal Santos on February 25, 1968. In 1975, the administration of the parish was turned over, by the CICM Missionaries, to the Archdiocese of Manila, with Monsignor Alfredo Santa Ana, HP, as its first diocesan parish priest. Until 1998, the church was the sole parish in the entire municipality of Cainta.

Parola ng Panampalataya

In 2007, the church was declared as a historical site by the National Historical Institute (NHI),  now the National Historical Commission of the Philippines (NHCP), for its significant role during the Philippines-American War.

Statue of Our Lady of Light

On December 1, 2007, the newly renovated altar and the new historical marker of the church were blessed. On December 1, 2012, an episcopal coronation, coinciding with the parish fiesta, was performed by the local bishop with the assistance of Ms. Henrietta De Villa, former ambassador to the Vatican.

Statue of Padre Pio of Pietrelcina

After the burning (during the Filipino-American war in 1899) of the original enshrined icon of the Blessed Virgin Mary (a painting of Our Lady of Light brought to Cainta in 1727 from Ferrara, Italy by Fr. Bartolommeo Cavanti, SJ.),  the venerated Marian image was recreated by Philippine National Artist Fernando Amorsolo.

Old church bells

On December 6, 2017, the image was granted the papal bull of canonical coronation by Pope Francis and it was crowned on December 1, 2018, the first Marian image in Philippine history to be pontifically crowned as an artistic painting. On the same day as its canonical coronation, the parish church was consecrated and elevated into a Diocesan Shrine.

Bell inscribed with “Ano D 1835 – N.TRA SENORA D LALVZ” (Year 1835 – Nuestra Senora de la Luz”)

The original church, including the sacristy and rectory, measured approximately 44 m. (144 ft. long), 15 m. (48 ft.) wide and 11 m. (36 ft.) high. Made of stone and limestone (calycanto), its roof was tiled and had a dome (media naranja), transepts (crucero) and five buttresses (contrafuertos).

Old bell inscribed with “S. ANDRES APOSTOL – SIENDO CURA EL PRESVITERO D. AGUSTIN MENDOSA – SE PVNDIO ESTA ESQVILA MAYO 15 D 1847” (“St. Andrew the Apostle – When Don Agustin Mendosa was parish priest – who built this small bell on May 15, 1847”

The nave’s spacious presbytery had windows and skylight (claraboya) while the belfry had four bells, two of which were small bells rung by rotation (esquitas). The baptistery, with an arched ceiling, was situated at the bottom of the belfry.

Statue of Resurrected Christ

Flooring was made of wood. It also had a choir loft, communion rail, pulpit and three doors. Five retablos are found inside the church, with the original picture of the Our Lady of Light enshrined at the central niche.

Statue of the Crucifixion

The sacristy measured approximately 8.2 m. (27 ft.) long, 7.3 m. (24 ft.) wide and 5.5 m. (18 ft.) high. The parish rectory, with a kitchen, two brick chimneys, four rooms and offices, measured approximately 37 m. (120 ft.) long, 15 m. (48 ft.) wide and 7.3 m. (24 ft.) high.

Church interior

The larger reconstructed church measures 68 m. (223 ft.) long, with a transept 42 m. (138 ft.) wide, and with walls 10.5 m. (34.4 ft.) high. It has a semicircular arch main entrance and four lateral doors.

There are separate chapels for the Blessed Sacrament and for Our Lady of Light and Saint Andrew, both enshrined at the sides of the sanctuary.

Main altar

When we entered the churchyard from the main road, we only saw the side entrance near the altar. To see the beautiful façade, we had to first enter the church then go out the front door.

Side altar

It’s simple, two-level Early Renaissance façade, with superpositioned paired columns, has semicircular arch statued niches, a square window at the choir loft and a circular window at the tympanum of the triangular pediment.  The attached four-storey bell tower, on the church’s right, has semicircular arched windows.

Choir loft

Church of Our Lady of Light: Andres Bonifacio Ave. (near Cainta Junction), Brgy. San Andres, Cainta 1900, Rizal. View Map>>> Tel: (02) 8655-0840.  Feast of Our Lady of Light: December 1.

How to Get There: Cainta is located 29.1 kms. from Manila and kms. (a drive) from Antipolo City.

Immaculate Conception Cathedral (Pasig City, Metro Manila)

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Immaculate Conception Cathedral

The mother church  and the episcopal seat of the Diocese of Pasig, the Immaculate Conception Cathedral, also called the Pasig Cathedral, is one of the oldest structures in the city. This church was first built by Augustinian missionaries in 1575.  Initially consecrated to the Visitation of Our Lady (consecrated on July 2, 1573), on April 25, 1587, the parish was changed to Our Lady of the Immaculate Conception, the patroness of the Augustinian priests during that time.

The Neo-Classical and Colonial Baroque facade

The present structure, started before 1639, was said to have been finished during the brief British occupation of Manila from 1722 to 1747 (when it was converted into horses’ stables and served as the British military headquarters) and its belfry used as a watchtower against the Spanish defenders.  In 1764, it underwent repairs.

Historical Plaque

The stone convent was built by Fr. Felix Trillo.  In 1879, the church was restored by Fr. Simon Barroso who also replaced the roof with galvanized iron. From 1910 to 1979, the parish was administered by the CICM Fathers, after which the Filipino clergy took over the pastoral leadership of the parish.

The four-storey bell tower

In 2000, the Immaculate Conception Cathedral was declared one of the Jubilee churches in the Archdiocese of Manila (the parish was a part of this archdiocese until August 21, 2003 when the district was elevated as a separate and independent diocese on October 2001, with the elevation of the parish into the status of a cathedral).

Porta Sancta

On December 7, 2008, the Solemn Canonical Coronation of its patron as Our Lady of the Immaculate Conception of Pasig  was led by Edward Joseph Adams (the Apostolic Nuncio to the Philippines), the Bishop of Pasig, and the entire faithful in the diocese.

The cathedral interior

In February 2021, as part of the Celebration of the 500th year anniversary of the arrival of Christianity in the Philippines, the cathedral was named as a Jubilee Church in the Diocese of Pasig along with the Diocesan Shrine of St. Martha and Parish of St. Roch in Pateros and the Archdiocesan Shrine of St. Anne in Taguig City.

The choir loft

The main altar and retablo

On March 25, 2022, after a 7 year-long restoration and renovation of the cathedral (including the addition of ceiling paintings), the cathedral was inaugurated and blest by Bishop Mylo Hubert Vergara.

Ceiling painting

Its plain Neo-Classical and Colonial Baroque façade has triglyphs that separate the first level from the second and third level; semicircular arched doors and windows, and small rose windows and the Augustinian symbol of the stylized heart on the second level.

Left side altar

Right side altar

Its triangular pediment, with its centrally located statued niche and supported by slender Doric columns, is topped by a Renaissance-influenced min-balustrade lacing the raking cornice.  The massive five-level bell tower is located on the church’s left.

Old church bells

Candle gallery

Immaculate Conception Cathedral: Justice Hubson St., Plaza Rizal, Brgy. Malinao, Pasig City 1600, Metro Manila.   Tel: (632) 8641-1784 and (632) 8864-6197.  Fax: (632) 641-3460. E-mail: iccpasigdop@gmail.com.

Church of San Felipe Neri (Mandaluyong City, Metro Manila)

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Church of San Felipe Neri

In 1870, seven years after San Felipe de Neri (now Mandaluyong) was separated from Sta. Ana de Sapa, Fr. Gavino Ruiz, incumbent parish priest was authorized to purchase the 1-hectare church site and, on March 25, 1870, the cornerstone of the church was blessed.

The church’s Neo-Gothic facade

The church’s Neo-Gothic facade

In 1883, Rev. Fr. Gregono Azarga, OFM, who took over the parish, obtained a permit to spend 39,100 pesos for the construction of the church. A manuscript, dated June 22, 1894, handwritten by Captain Municipal Pascual Francisco, already reported the existence of this church and its convent.

Buttresses at the right side of the church

Fr. (later bishop) Manuel C. Sobrevinas (parish priest from 1975 – 1979), Fr. (later bishop) Gabriel V. Reyes (parish priest from 1979 – 1981) and Fr. (later bishop)  Francisco C. San Diego (parish priest from 1981 – 1983) made repairs at the church.

Centennial anniversary plaque

150th anniversary plaque

Msgr. Salvador Jose (parish priest from 1983 – 2000) constructed the new convent at the right side of the church and the auxiliary chapels on the left.

The church’s interior

AUTHOR’s NOTES:

The church’s single level, Neo-Gothic façade has a semicircular arch main entrance flanked by statued niches and twin bell towers with pyramidal roofs.  Its triangular pediment has a centrally located statued niche.

Choir loft

Church of San Felipe Neri: cor. of Boni Ave. and Rt. Rev. C. Aglipay St., Mandaluyong City 1550, Metro Manila. Tel: (632) 8531-2931 and 8531- 4827. 

How to Get There: Mandaluyong City is located 7 kms. from Manila and 8 kms. from Pasig City.

Minor Basilica of San Sebastian (Manila)

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Minor Basilica of San Sebastian

The earthquake-proof Minor Basilica of San Sebastian (better known as San Sebastian Church), an example of the Gothic Revival architecture in the Philippines, is the first and only steel building in the Philippines and in Asia, the second in the world after the Eiffel Tower of Paris and probably the first prefabricated building in the world.

The basilica complex

It is the church of the Parish of San Sebastian and also a Shrine of Our Lady of Mount Carmel (Nuestra Senora del Monte Carmelo) and is under the care of the Order of Augustinian Recollects (who also operate the San Sebastian College-Recoletos adjacent to the basilica).

The author with son Jandy

This church was originally founded by Fr. Rodrigo de San Miguel as a nipa and bamboo church in 1621 (on land donated by Bernardino Castillo, a generous patron and a devotee of the 3rd-century Roman martyr Saint Sebastian). The original structure, made of wood, burned in 1651 during a Chinese Filipino uprising and rebuilt with bricks with a single tower. Succeeding structures, which were built of brick, were destroyed by fire and earthquakes in 1859, June 3, 1863 and July 19, 1880.

The Neo-Gothic facade

In the 1880s, Fr. Esteban Martínez, the parish priest of the ruined church, proposed construction of a new church and approached Spanish Engineer Genaro Palacios y Guerra to build a church that will withstand the earthquakes. Planning to build a fire and earthquake-resistant structure made entirely of steel, Palacios completed a design that fused Earthquake Baroque with the Neo-Gothic style.

Augustinian Recollect Fr. Jesús Pastor Paloma noted that the bottom part of the church was designed to resemble a ship’s hull, so that it would sway during an earthquake.  Palacio’s final design was said to have been inspired by the famed 14th century Gothic Burgos Cathedral in Burgos, Spain.

Side entrance

It has long been reputed that Gustave Gustave Eiffel, the French engineer behind the Eiffel Tower and the steel structure within the Statue of Liberty, was himself also rumored to have been involved in the design and construction of San Sebastián, but this was never confirmed.

One of the twin openwork bell towers with pyramidal spires

However, later on it was confirmed that Eiffel was involved in designing and supplying the metal framework for San Ignacio Church in Intramuros, thus confirming the contribution of Eiffel in Philippine church architecture, if not in the Minor Basilica of San Sebastián.

The church was started by Fr. Gregorio Serma while the 52 metric tons (51 long tons; 57 short tons) of prefabricated steel sections manufactured in Binche, Belgium were ordered from the Societe anonyme des Enterprises de Travaux Publiques in Brussels by Fr. Toribio Minguella, imported, piece by piece, in eight separate shipments (total load: 50,000 tons) from Antwerp to Manila.

In 1888, the first shipment arrived and Belgian engineers supervised the assembly of the church, the first column of which was erected on September 11, 1890 under the supervision of Fr. Bernardo Muros.   To achieve greater stability and regulate the church’s exterior temperature, the walls were filled with mixed sand, gravel and cement.

Historical Reasearch and Landmarks Committee plaque installed in 1934

According to Fr. Paloma, the church was also supposed to have a prefabricated retablo (reredos) altar.  However, it was lost at sea when the ship carrying it from Belgium capsized in a storm so a wooden altar was made locally in its stead. The foundation was done by a French contractor, construction was supervised by a British foreman while the floors were done by Chinese craftsmen.

Plaque installed by the National Museum in 2011 declaring the basilica as a National Cultural Treasure Plaque

The church was finally completed by Fr. Francisco Moreno. On June 24, 1890, it was granted minor basilica status by Pope Leo XIII and, on August 16, 1891, the Basílica Menor de San Sebastián was blessed by Bernardino Nozaleda y Villa , OP, the 25th Archbishop of Manila.

Rust – the number one enemy of steel

Sitting on a 704 sq. m. site, it has central nave 12 m. (39 ft.) from the floor to the springing dome and 32 m. (105 ft.) to the tip of the spires.  The basilica has two openwork towers with pyramidal spires and steel vaulting. The interior, incorporating groined vaults in the Gothic architecture style (permitting very ample illumination from lateral windows), was repainted to make it appear like faux marble.

To give the appearance of marble and jasper, the steel columns, walls and ceiling were painstakingly painted by Lorenzo Rocha (multi-awarded portraitist and royal court painter) and turn-of-the-century artists Isabelo Tampingco and Félix Martínez.

The trompe-l’œil paintings of saints, angels, evangelists and martyrs were done by the students of the Academia de Dibujo, Pintura y Arte headed by Lorenzo Rocha. True to the Gothic revival spirit of the church, the confessionals, pulpit, altars and five retablos were designed by Lorenzo Guerrero and Rocha. The statues of holy men and women were carved by sculptor Eusebio Garcia while the six holy water fonts were each crafted from marble obtained from Romblon.

The beautiful stained glass windows, depicting the life and story of Jesus Christ, were imported from the Heinrich Oidtmann Company, a German stained glass firm (local artisans assisted in applying the finishing touches).

The basilica interior

Inside, on a prominent place above the main altar, is the image of Our Lady of Mount Carmel (Nuestra Señora del Carmen).  A gift of the Discalced Carmelite Sisters from San Jose Monastery in Mexico City, it was brought here in 1617 by Recollect Reverend Fr. Provincial Rodrigo de San Miguel.  The image survived all the earthquakes and fires which had destroyed previous incarnations of San Sebastian Church but, unfortunately, its original ivory head was stolen in 1975.

The main altar with the image of Our Lady of Mount Carmel. At the back you can see the scaffolding used for the Phase 1 restoration

Devotion of this image (feast day on July 16) was propagated in conjunction with the wearing of the scapular which promised the wearer quick deliverance from the suffering of purgatory. During the translacion of the annual Feast of the Black Nazarene in January, the image of Our Lady meets the Black Nazarene in the so-called dungaw.

On August 1, 1973, through Presidential Decree No. 260, it was declared a National Historical Landmark by President Ferdinand Marcos. On August 15, 2011, with the unveiling of the marker on January 20, 2012, the church was declared a National Cultural Treasure by the National Museum of the Philippines.

The vaulted ceiling

On May 16, 2006, on account of its architectural and historical heritage, the Minor Basilica of San Sebastian was included by the National Historical Institute (now the National Historical Commission of the Philippines) in the Philippines’ Tentative List for possible designation as a World Heritage Site. As of 2017, the church is no longer included in the Tentative List.

The intricately designed rose window above the choir loft

In recent years, the steel structure has encountered threats to its structural integrity in the form of rust and corrosion due to sea breezes from nearby Manila Bay. In 1982, when state funding was accorded to the church through the National Historical Institute, restoration was undertaken. Likewise, the Augustinian Recollect community has expended funds for the church’s maintenance and restoration.

During the 2000 and 2010 World Monuments Watch (a global program of the World Monuments Fund), it was placed, along with the Rice Terraces of the Philippine Cordilleras and Santa Maria Church, on the biennial watch list of the 100 Most Endangered Sites. In 2011, after the passage of the National Cultural Heritage Act, all of the sites were taken off the list.

The pulpit designed by Lorenzo Guerrero and Lorenzo Rocha

It used to be in the UNESCO tentative list but, in 2015, was removed due to structural decay. To re-establish the site’s integrity and re-inclusion in the tentative list, the basilica will have to undergo another massive restoration program.

The basilica’s pipe organ which was constructed as a pure pneumatical organ by Walcker in 1914.  After World War II, a new console was added.

After an exhaustive two-and-a-half year diagnostic study (funded by a 2012 grant from the Ambassadors Fund for Cultural Preservation, made possible by the U.S. State Department), using state-of-the-at equipment and science, it was found that there were 300 leaks in the building with up to 3 m. of rainwater collected in the church’s hollow columns.

The Gothic-inspired confessionals also designed by Lorenzo Guerrero and Lorenzo Rocha

Some of the leaks have already been taken care of by a team of hired graduates from Escuela Taller, a craft school for economically challenged youth.  Advanced stages of corrosion have also caused parts of the basilica (around 40 kgs. of steel) to literally fall off.

Scaled model of the basilica

With regards the stained glass windows, some soiling, sagging, missing panes and a few cracked frames were noted.  Talks are ongoing with the Heinrich Oidtmann Company, the German firm that supplied the stained glass, to convince the studio to run a training program to teach Filipinos how to make the colored glass.

Stained glass window depicting scenes from the life of Jesus Christ

The trompe-l’œil ceiling is another concern as corrosion has caused the delicate oil-based paintings on the steel canvas to flake. A varnish treatment on one of the panels done 20 years ago may delay the deterioration of both the panel and its painting.

The San Sebastian Basilica Conservation and Development Foundation is looking to a complete and comprehensive restoration in a little over 10 years. Phase 1 (repairs to the dome and roof), from 2022 to 2026, is now ongoing with some areas sealed off beginning 2021.

Scene depicting Jesus carrying his cross

A 24-m. high, custom-made scaffolding has been installed, allowing assessment and repair of the dome columns and its surrounding area (dome crockets, stained glass windows and original paintings).  Phase 2 is projected for 2027 to 2029 while Phase 3 is scheduled for 2030 to 2033.

Another greater threat looms over the horizon.  On October 1, 2018, it was revealed that Summithome Realty Corporation was planning to construct University Home Recto, a 31-storey residential high rise building beside the historic church.  As the area around the church is integral to the site as a “buffer zone,” it would negatively affect the site’s possible re-inclusion in the UNESCO tentative list.

Check out  my Business Mirror article “Seriously Saving San Sebastian”

With the looming threat of the high-rise building, the site’s inclusion in the UNESCO tentative list is bleak as, without the site managers being initially informed, Summithome was able to acquire a barangay clearance supporting their application for a building permit from the barangay chairman.

Minor Basilica of San Sebastian: Pasaje del Carmen St., Plaza del Carmen (at the eastern end of C.M. Recto Avenue), Quiapo, 1001 Manila.  Tel: (632) 734-8908, 734-8931, 742-3510 and 742-3331.  Fax: (632) 736-1185.  E-mail: sansebastianparish@gmail.com. Coordinates: 14°35′59″N 120°59′21″E.

Minor Basilica and National Shrine of St. Lorenzo Ruiz (Binondo, Manila)

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Minor Basilica of San Lorenzo Ruiz

This church was founded by the Dominicans in 1587 to serve Chinese converts.  Fronting Plaza San Lorenzo Ruiz (formerly Plaza de Calderon de la Barca), it was built before 1614 and transferred to its present site in the 18th century. Formerly known as Our Lady of the Most Holy Rosary Parish, it was renamed after St. Lorenzo Ruiz, the Philippines’ first saint.

Historical plaque

Beatified on February 18, 1981 and canonized by Pope John Paul II on October 18, 1987), he was born of a Chinese father and a Filipino mother, trained in this church, served as a sacristan (altar boy), clerk and notary and, afterwards, went as a missionary to Japan, where he and his companions were martyred on September 19, 1637 in Nagasaki for refusing to renounce Christianity.

Check out “Plaza San Lorenzo Ruiz”

The five-storey, octagonal Chinese-influenced bell tower

In 1762, the original building was destroyed by British bombardment and its roof replaced with nipa in 1778 as the wood was destroyed by termites.   In 1781, its dome was constructed by Spanish architect Domingo Cruz y Gonzalez.

The church’s dome

In 1852, a new granite church was completed on the same site, featuring an octagonal, pagoda-like bell tower which suggests the Chinese culture of the parishioners. The church was slightly damaged (the mirador or viewing window at the top of the bell tower was destroyed) during the June 3, 1863 earthquake. In March 1893 or 1894, Andrés Bonifacio and his second wife, Gregoria de Jesús were wed in Catholic rites in the church.

On September 22, 1944, American bombing destroyed the structure, burning everything including the archives of the parish. Nothing was left behind except the stone walls of the western façade of the church and the five-storey octagonal bell tower.

The church’s interior

The present church was rebuilt, in three phases, between 1946 and 1971 by Msgr. Federico V. Navarro, partly continued Msgr. Guillermo S. Mendoza from 1971 to 1976 and restored and reconstructed from January 1977 to January 1984.  On May 9, 1985, it was blessed by Jaime Cardinal Sin.  The roof behind the pediment, the three-storey parish center, convent and the walls at the left of the façade were added.

Pastel-colored gilt reredos behind the main altar (loosely modeled after the façade of St. Peter’s Basilica in Vatican City

The imposing, still original (with some renovations) Italian High Renaissance facade is buttressed on the sides by pilasters terminating in urn-like decorations.  Its pediment, framed by a foliated scroll and topped by a tower at the apex, has a centrally located small circular window framed by smaller columns and pediment.

Ceiling paintings depicting scenes from the four mysteries of the Holy Rosary

The original six-storey octagonal bell tower (based on the Chinese tradition on luck and fortune), on the right, has pedimented window openings and cantons at the angles.  Inside the church are ornate pastel-colored gilt reredos behind the main altar (loosely modeled after the façade of St. Peter’s Basilica in Vatican City) and it houses the image of Nuestra Señora del Rosario.

Ceiling paintings depict scenes from the four mysteries of the Holy Rosary.  Fronting the church is (or simply Plaza Binondo).  Masses are said here in Filipino, Mandarin, Hokkien, and English.

Minor Basilica and National Shrine of St. Lorenzo Ruiz: cor. Ongpin and Quintin Paredes Sts., Binondo, Manila.  Tel: (632) 8242-4850 and 8242-4041.  Fax: (632) 8241-4653. E-mail: binondochurch1596@gmail.com. Coordinates: 14.60021°N 120.97470°E.

Diocesan Shrine of Mary Magdalene (Pililla, Rizal)

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Diocesan Shrine of St. Mary Magdalene

The Diocesan Shrine of Mary Magdalene is located just a few kms. away from San Ildefonso Parish Church in Tanay, beside the Bahay na Bato.  It was first built in bamboo, cogon and nipa by the Franciscan missionaries in 1583 under the patronage of St. Mary Magdalene.

Check out “Church of St. Ildephonsus of Toledo”

In 1632, a conflagration destroyed the church and the whole town and, when a new church was built, another fire destroyed the church in 1668. Rebuilt in wood from 1670 to 1673, the altar and convent were repaired in 1848 and the church was again repaired from 1962 to 1976.

Buttresses at the side of the church

On January 16, 1977, the National Historical Commission of the Philippines unveiled a historical marker on the church’s façade and, on July 22, 2018, the parish was declared as a diocesan shrine.

The church interior. This is the only Rizal church with a painted ceiling

AUTHOR’S NOTES:

The two-level, simply designed adobe Baroque façade, devoid of any decorations, has a semicircular arch main entrance with a portico, above which is a semicircular arch window.  Both levels, flanked by flat pilasters, is topped by a low triangular pediment with a bas relief of St. Mary Magdalene in the center.

The four-storey bell tower, on the church’s left and chamfered at the corners, tapers up in uneven levels, with a balustrade on the four level.  The first level has segmented arch windows with semicircular arch open and blind recesses on the succeeding storeys.  It ends in a dome topped by a miniature campanile and a cross.

The church pulpit

The church distinguishes itself from other Rizal churches in that beautiful religious-themed paintings adorn its ceiling.

The ceiling above the altar

The baptistery, housing a small retablo  with a small devotional painting of St. Mary Magdalene, is located at the bottom of the bell tower, on the left side from the vestibule of the church. 

The baptistery with the image of St. Mary Magdalene

Diocesan Shrine of St. Mary Magdalene: J.P. Rizal St., Brgy. Imatong, Pillila 1910, Rizal. Tel: (02) 8654-2881. Feast of St. Mary Magalene: July 22. Coordinates:  14.4802481, 121.306448.

How to Get There: Pililla is located 61.9 kms. (a 3-hour drive) from Manila and 48.6 kms. (a 2.25-hour drive) from Antipolo City, both via the Manila East Rd./R-5.

Diocesan Shrine of St. Joseph, Husband of Mary (Baras, Rizal)

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Diocesan Shrine and Parish of St. Joseph Complez

The Diocesan Shrine of St. Joseph, Husband of Mary, located on a low mound just off the main highway, a short distance from  Baras Municipal Hall, enshrines the miraculous image of San Jose de Baras and is known to be the oldest parish dedicated to St. Joseph in the Southern Tagalog mainland.

The church’s Baroque facade

Approached by a flight of 11 steps, it was first built by the Franciscan missionaries in 1595 (at the town’s old site in what is now Boso-Boso in Antipolo, with St. James as its patron).

Plaque installed by the Philippine Historical Committee in 1939

In 1636, it was transferred by the Jesuits, to Ibayo, located one and one-half leagues (about 7.24 kms.) southeast of the first site, to escape the hostilities of the Aeta inhabitants in the area who burned the town and the church in 1635.  The church, dedicated to Christ the Savior, was also affected by hostilities, this time when Chinese rebels, in 1639, burned the church as well as other churches in neighboring towns.

The church interior

In 1682, the town was returned to the present site by the Franciscan and the present adobe church was built here from 1682 to 1686, with the church now dedicated to St. Joseph as its patron. In the 1960s, the church ceiling was removed during a renovation, exposing the rough wood beams supporting the ceiling.

The exposed wooden trusses

Tiles used for the restoration of the floor were taken from ruined structures in Intramuros. Renovations to the structure have also been done in the 2000s.  On December 7, 2021, the church was elevated as a diocesan shrine, the 9th declared as such in the Antipolo Diocese.

The church’s pulpit

The church’s simple, two-level façade is a mixture of fortress-style and barn-style Baroque architecture. The façade’s dark, simple, coarse and sparse qualities, typical of Franciscan mission churches built during the 16th century, is given a decorative touch mainly through the stream of balustrade trimming its triangular pediment, as well as the checkerboard pattern of brick and stone on the pediment’s upper portion, which indicates an addition to the original and much lower stone pediment.

Windows are limited to the facade and one side of the church and the sanctuary is divided from the nave by an arch. As the structure has not been plastered, the dark adobe bricks on which the church was made are exposed. The convent is located on the left side of the church.

The church convent

AUTHOR’S NOTES:

The four-storey, hexagonal bell tower, on the church’s right, has a square base and has semicircular arch blind and open recesses.  It is topped by a balustrade and a dome.

The simple but well preserved interiors revealed the exposed wooden trusses that support the church’s roofing, lacking a ceiling that is usually seen in churches. The altar and lectern are stone artifacts unearthed beneath the church during the 1960s renovation.

The altar retablo

The altar, divided into stories, appears to have been intended to be a stone sarcophagus. The main altar and the two side altars are both in the Plateresque style.  The image of San Jose de Baras is believed to have been made after the completion of the Church in 1686.

The convent interior

Old church photos

Diocesan Shrine of St. Joseph, Husband of Mary: San Jose St., Brgy. San Juan, Baras, 1970 Rizal. Tel: (02) 8861-3155. View Map>>>Feast of St. Joseph: March 19. 

How to Get There: Baras is located 43.2 kms. (a 1 hour and 25 min. drive), via Ortigas Ave., from Manila and 29.9 kms. (a 55-min. drive), via Sumulong Highway, from Antipolo City.

Church of St. Jerome (Morong, Rizal)

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Church of St. Jerome

This intricately-designed church, dedicated to St. Jerome (patron of scholars of the Bible, this saint translated the Bible), is one of the splendid examples of tropical Baroque architecture (more properly described as Baroque Revival architecture) in the Philippines, with its unique bell tower shape and finely detailed façade with fanciful balusters, large pillars and carved stone ornaments.  It is a favorite subject for photographers and a lovely backdrop for weddings and selfies.

The unique bell tower shape of the facade

It was first built in wood by Franciscan friars in 1612 opposite of its present location, on the south bank of the river.  After it was destroyed by fire together with a large part of the pueblo in 1612, it was rebuilt, on elevated ground at the opposite bank of Morong River (which ensured its safety from floods and fires) from 1615 to 1620 by Fr. Blas de la Madre with stone and mortar.

The finely-detailed Baroque facade

Stones were quarried from a hill called Kay Ngaya; lime from the stones of the mountain Kay Maputi; and sand and gravel from Morong River. Measuring 42 varas long by 12 varas wide, the church had a single nave with a semicircular apse, built under the direction of Chinese master craftsmen.

The plaque installed by the Philippine Historical Committee in 1939

In 1850, Fr. Maximo Rico commissioned Don Bartolome de Palatino, a native of Paete, to renovate the facade and build the four-storey, 30 m. (100-ft.) high octagonal bell tower.  Completed on February 2, 1853, the new Baroque façade, designed by Severo Sacramento, had a towering height of 20 varas. During the Philippine Revolution, Spanish casadores and other loyal civil guards were besieged in the church and convent, finally surrendering to the Katipuneros on August 19, 1898.

The left side of the church

The central portion of the elaborate, exquisitely carved and frequently photographed three-storey Baroque façade, one of the most striking of all church facades along Laguna de Bay, surges outward and the catenated balustrade above gives the whole a dynamic feeling.

The church interior

It has superpositioned Doric columns, a semicircular arched main entrance and an elaborately decorated segmental pediment with carved cornice and tympanum.  Horizontal string courses with decorative moldings and balustrades identify each level. Various decorative elements, some Mexican in origin, give the facade a richness characteristic of Baroque.

The choir loft

Chinese influence is seen at the two (a boy and a girl) Chinese lion sculptures at the entrance to the steep entrance driveway (it is 30 feet above the town). One lion, said to be the girl lion (said to have a hidden treasure inside it), was stolen between 2000 and 2005. The male lion is safeguarded at the St. Jerome school vicinity.

Main altar area

Above the main entrance is its landmark single bell tower (characteristic of European churches), the church’s focal point, with its statue of St. Michael the Archangel on top and ornamented with floral and scroll designs.

Four angels, representing the cardinal virtues (Prudence, Justice, Restraint and Courage), stand at the corners of the bell tower. The Franciscan coat-of-arms (indicating it was once assigned to Franciscan missionaries), the hands of Jesus and St. Francis of Assisi, is seen on the main facade of the bell tower.

The cross at its tip is illuminated at night and can be seen from the surrounding countryside. When fishing at night and during the storm, the bell tower is used by local fisher man in the nearby towns as a light house. Fr. Felix Huerta, writing in 1852, states that the facade had finials shaped as jars and shells used for illuminating it.

An added attraction in the church is the first class relic (a part of the saint’s body) given to the parish year in 2005, through the effort of then parish priest Rev. Fr. Lawrence “Larry” Paz, when they had their first pilgrimage tour to Holy Land and Vatican City.

Publicly exposed every Saturday during the anticipated mass (the kissing of the relic is done every last Saturday of the month), the relic is guarded by the knights of St. Jerome. Another much bigger relic, given, in 2007 to the parish as a gift from the main chaplain of the church of St. Jerome in Rome, is now buried on top of the table of the main altar.  It is kissed by the priest every time there is a mass.

 

The Four Evangelists

Church of St. Jerome: Turentigue St., Brgy. San Jose, Morong, Rizal. Tel: 8653-1259.  View Map>>>Feast of St. Jerome: September 30.

How to Get There: Morong is located 4.5 kms. (a 2-hr., 15-min. drive), via R-6, from Manila and 26.6 kms. (a 1-hr. drive), via Sumulong Highway, from Antipolo City.

Church of St. Ursula (Binangonan, Rizal)

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Church of St. Ursula

The centuries-old Church of St. Ursula, at the poblacion, was first built by Franciscan friars as a chapel in the late 16th century to gain access to native settlers around Laguna de Bay.

The church’s Baroque facade

The present church, started in 1792 and completed in 1800, was renovated in 1853. At the same time, the adjacent convent was rebuilt, under Fr. Francisco de Paula Gomez.

NHC Plaque

AUTHOR’S NOTES:

The two-level, Baroque façade has a semicircular arch main entrance, flanked by four sets of rectangular pilasters , at the first level.  The second level, flanked by rectangular pilasters topped by urn-like finials, has three sets of semicircular arch windows (the bigger one in the center) framed by flat pilasters and topped by triangular pediments.

The triangular pediment has a rose window in the center. Between the façade and the bell tower, on the second level, is a statue of St. Ursula. The lovely three-storey, octagonal bell tower, on the church’s right, rests on a square base and has semicircular arch blind and open recesses.  It is topped by a dome and a cross.

The church’s interior

Inside, the church (like that of Diocesan Shrine of St. Joseph, Husband of Mary in Baras) has no ceiling and its wooden trusses are exposed giving it a rustic look.

Check out “Diocesan Shrine of St. Joseph, Husband of Mary”

The exposed ceiling

The altar and retablo

Church of St. Ursula: Paterno St., Brgy. Libid, Binangonan, Rizal. View Map>>>Tel: (02) 8652-3423.  Feast of St. Ursula: October 21.

How to Get There: Binangonan is located 32.5 kms. (a one hour and 20 min. drive), via Manila East Rd./R-5,from Manila and 25.4 kms. (a 1-hour drive), via E Bank Rd. and Manila East Rd., from Antipolo City.