Hyogo Prefectural Maiko Park (Kobe, Japan)

Posted on 29 March, 2026 by Benjie Layug — Leave a reply

From Meriken Park, it was a 16.1-km. (30-min. drive) to our second stopover – the exotic atmosphere of Hyogo Prefectural Maiko Park. This 7.8-hectare oceanside city park features large grassy areas with sea and bridge views; a 1,500-pine forest; the Akashi Kaikyo Bridge Exhibition Center (displays showing the history of what is the world’s longest suspension bridge) and several historic houses. The current Maiko Park was opened as the first Hyogo prefectural urban park in 1900.

Check out “Meriken Park”

There are plenty of things to do and see at the park. It is the gateway for the 3,911 m. long Akashi-Kaikyo Bridge which is the world’s largest suspension bridge. Linking Hyogo Prefecture (Kobe) with Awaji Island, it also boasts the world’s longest central span at 1,991 meters. At night, the bridge is illuminated with colorful lights. This stunning sight, for those crossing the strait, has earned it the nickname “Pearl Bridge.”

L-R: Jandy, the author, Grace, Miguel, Mark, Matthew and Nenette

Underneath the bridge is the Maiko Marine Promenade, a viewing facility built in the bridge girder, approximately 47 m. above the sea and 150 m. above the ground, that offers fantastic views of the Seto Inland Sea and Akashi Strait. An approximately 317 m. long, circuit-style promenade on the Akashi-Kaikyo Bridge opened on April 5, 1998, it was constructed on the Kobe side of the bridge as an additional facility. Information materials and a DVD system that explain the bridge are available on the first floor of the promenade. There is an observation camera system which makes you feel like you’re on top of the bridge’s 300-m. high main tower. At the observation lounge, on the 8th floor, you can try an additional thrill – the “log-bridge 47 meters above the sea.”

You can also see and visit three historical buildings. Other Japanese residences, in Osaka and Kobe, have been gradually disappearing since the Hanshin/Awaji Great Earthquake. The Former Residence of Sanji Muto was built in 1907, during the Meiji period, at Maiko Beach, by businessman (he was president of the Kanebo textile company), journalist and politician (he was an active member of the House of Representatives) Muto Sanji.

After Muto was murdered in 1934 (as part of the fallout of the Teijin Incident), it was used by Kanegabuchi Boseki Co., Ltd. as its social welfare facility, and was called the Kanebo Maiko Club (also known as the Old Kanebo Maiko Club). However, for the expansion work of National Route 2, it was taken down, in conjunction with the construction of the Akashi-Kaikyo Bridge, and the Western-style building was relocated to Kariguchidai, Tarumi-ku.

In 2007, Kanebo Co., Ltd. donated the building and furnishings to Hyogo Prefecture and, that same year, the prefecture started relocation/restoration work to move the building back to Maiko Park, its original location. In July 2011, it was registered as a National Tangible Cultural Property. Now a new tourist attraction representing Maiko Park, visitors can enjoy the scenery, from this Western-style seaside cottage, of the Akashi Strait and the pine forest. Inside, it features preserved Meiji-period furniture and stained glass.

The Former Japanese Residence of the Kinoshita Family is an early modern Japanese home built in the tea ceremony arbor (sukiyazukuri) style. Originally completed as a private residence, in 1941, for a man named Ryosuke Matano, it came into Mr. Kichizaemon Kinoshita’s possession in 1952 and, in 2000, the bereaved family of the late Mr. Kichijiro Kinoshita donated it to Hyogo Prefecture. In December 2001, as it has almost completely retained its appearance since its establishment, it was registered as a National Tangible Cultural Property.

The iconic Sun Yat-Sen Memorial Hall (Ijokaku), built in 1915 by Wu Jintang (1855-1926), a prosperous Chinese merchant in Kobe, is a cottage with a three-storey octagonal tower (added, as an annex, in 1915) that was shown to the public, in 1984, as Sonchuzan Memorial Hall. It exhibits information materials related to Chinese revolutionary and first president of the Republic of China Sun Yat-sen who was honored with a dinner, hosted by the local Chinese business community, in 1913. On December 10, 1993, tt was registered as a Prefectural Important Tangible Cultural Property and, on November 14, 2001, as a National Important Tangible Cultural Property.

Nearby is monument “Dream Lens,” an iconic photo spot created by a sculptor Keizo Ushio. It was installed to commemorate the 5th anniversary of the foundation of the Akashi-Kaikyo Bridge, the embodiment of half a century of technology. The Moebius strip, made of rock with three different types of surface, represents people, nature, and science as well as the main island of Japan, Awaji Island, and Shikoku, which are connected by the Akashi-Kaikyo Bridge. These three layers harmonize well, expressing hope for development in the future.

Hyogo Prefectural Maiko Park: 4-2051 Higashimaikocho, Tarumi-ku, Kobe, Hyogo 655-0047, Japan. Tel: +81 78-785-5090.

How to Get There: The closest train stations to Maiko Park and the Akashi Kaikyo Bridge are Maiko Station on the JR Sanyo Line and Maikokoen Station on the Sanyo Electric Railway, both just a few hundred meters from the park. The journey is 35 to 45 minutes from Himeji, or 25 minutes from Sannomiya Station in Kobe.

Meriken Park (Kobe, Japan)

Posted on 29 March, 2026 by Benjie Layug — 2 Comments ↓

Our third whole day in Japan was spent on a day tour of Kobe which was just a 37.1-km. (40-min. drive) from Osaka. Our first stopover was at Meriken Park, a nice waterfront park located in Kobe’s port area. The park’s name was derived from the word “American,” which was commonly translated as “Meriken” during the Meiji era. Upon arrival, we first had breakfast at a stylish, 2-storey Starbucks outlet, with its ship-inspired design. Opened in 2017, it featured hishibuki (traditional diamond-patterned metal plates meant to evoke the feeling of a ship’s cabin) and offered stunning waterfront views of Kobe Harbor from its large glass walls and second floor outdoor balcony.

Beside the Starbucks store is the Bell of Hortensia, a colorful, modern mosaic sculpture. Installed on June 19, 1990, it represents the Hydrangea macrophylla, Kobe’s official flower. It was established to commemorate the opening of the first Kobe Fashion Festival in November 1989, which was part of the World Fashion Festival ’89. When it was first installed at the “symbol monument of the fashion city of Kobe,” the bell was rung but, after the Great Hanshin earthquake, which devastated the park, it has not been rung.

Built on an outcropping of reclaimed land, this waterfront park, a popular spot for locals and tourists, is covered in grassy lawn and open courtyards and is dotted with a collection of modern art installations and fountains. Meriken Park, the location of the Hotel Okura Kobe, Sannomiya Ferry Terminal (where the Jumbo Ferry, connecting Kobe, Shodoshima, and Takamatsu, and the Miyazaki Car Ferry, departs and arrives) and the wave-shaped Kobe Meriken Park Oriental Hotel, is home to some of the city’s more iconic contemporary architecture such as the red Kobe Port Tower and Kobe Maritime Museum.

To the west of the Maritime Museum stands the 108 m. (354 ft.) high Kobe Port Tower, a unique, red-painted steel structure completed in 1963, was designed by the Nikken Sekkei Company to look like a tsuzumi, a Japanese drum. A symbol of the port and the city, it is the first tower built using a pipe lattice. The tower has a total of 8 layers and is surrounded by 32 red steel staves as a symbol of welcome for vessels returning to the shore. It has five observation decks, approximately 100 m. above ground, including an open-air rooftop deck and a revolving cafe and bar.

The “Be Kobe” Monument, installed in 2017 to commemorate the 150^th anniversary of the opening of Kobe Port, is a popular photo spot. The phrase “Be Kobe,” introduce in 2015 (the 20^th anniversary of the Great Hanshin earthquake), is a civic pride message that expresses the idea that the chrm of Kobe lies in its people, inspired by those who work hard for the city’s recovery.

Kobe Port was once Japan’s most important departure point for overseas immigrants and the famous Kobe Port Emigrants Memorial Statue (also known as “Set Sail for Hope” or “Memorial Statue of Emigrants Boarding the Emigrant Ship”) honors the thousands of Japanese citizens who emigrated from Kobe Port, for new lives abroad, particularly to Brazil, in the early 20th century.

Erected in 2001, it also serves as a reminder of the “National Kobe Emigrant Camp” history, where families awaited ships to travel abroad. This bronze monument, erected in 2001, features a family (two adults and a child gazing out at the sea), symbolizing the departure. The main statue is titled “Hope’s Departure.” The statue is seen as a bridge connecting Japan and the destination countries of immigrants, symbolizing international exchange and pioneering spirit.

The unique Meriken Theatre Monument, erected in 1987, commemorates Kobe as the location of the first public movie screening in Japan. A popular photo spot, it was designed to look like a cinema screen and theatre seats.

The Kobe Kaientai Monument, a notable abstract sculpture, commemorates the Kobe Kaientai, a historical naval group active at the end of the Edo Period.

Save Northern People (Kaneichi Futakuchi)

“Save Northern People,” a notable abstract, human-shaped bronze sculpture created by sculptor Kaneichi Futakuchi, was a winner of the Port of Kobe Anniversary Commemorative Award. It is often interpreted as a tribute to those who left Kobe in search of a better life far away.

Meriken Park: 2 Hatobacho, Chuo-ku, Kobe-shi, Hyogo-ken, 650-0042.

How to Get There: Meriken Park is about a 10-minute walk south of Motomachi Station, on the JR Kobe Line, or just across the sightseeing cruise terminal from Kobe Harborland.

teamLab Botanical Garden (Osaka, Japan)

Posted on 28 March, 2026 by Benjie Layug — Leave a reply

After our Tempozan Ferris Wheel ride and early dinner at Tempozan Harbor Village, we again boarded our van for 19-km. (25-min.) drive to experience the new interactive outdoor art exhibit of teamLab, an international art collective, at the 240,000 sq. m. Nagai Botanical Garden, an outdoor botanical garden in Nagai Park that opened in 1974.

Taking the light show out of the hustle and bustle of the city streets and into a more natural setting, teamLab aims to explore an environment where human perception expands from the artwork itself to the environment. Their stunning, immersive nighttime installation transformed the natural landscape into an interactive digital canvas.

From our drop-off point, it was still a long walk to the entrance. Nestled among the forests and fields of the botanical garden were a variety of illuminated exhibits, ranging in size and scope from subtle illuminations embedded in the grass to completely awe-inspiring radiant pillars that dance in the wind and reach into the sky. Once we entered the grounds, it felt like we were transported to a world, miles away from Osaka. Deep, meditative music filled the air as we walked through the wide pathway flanked by towering bald cypress trees.

While subtle at first, we began to notice that the lights illuminating the trees rose and fell in brightness, depending on your proximity to them. This is our first hint that this was more than just a walk in the garden—we were a part of the exhibit. We didn’t find any velvet ropes or “do not touch” signs here. Instead, we were encouraged to see how our interactions, within this unique “ecosystem,” would influence our surroundings.

As we walked through the garden of The Resonating Trees Exhibit, the trees shone brightly. When we passed close by, the trees changed color and emitted a unique musical tone. This wave of light and sound continuously spred outward to the surrounding trees. If light approached from a distance, it signified the presence of other people or wildlife, turning the ecosystem into an active canvas. Because the artwork interacted directly with nature, the display shifted in response to the wind, rain, and the natural seasonal changes of the trees.

Rounding a corner, we saw The Sculptures of Dissipative Birds in the Wind installation, widely considered the signature and most spectacular open-air piece of the permanent exhibition. It brings the invisible forces of nature—the wind and the physical flight of the birds—to life. Standing tall, on the edge of the lake, looking not unlike Van Gogh’s Starry Night coming to life here in Japan, the flowing swirls of color react to the flight paths of any passing birds that live in Nagai Park, further adding to the layers of interactivity throughout the gardens.

Lines and swirling patterns of bright, shifting light (in vibrant gradations of red, blue, green, and yellow) trace flight paths across the night sky and the installation’s structures. Because it reacts continuously in real time to actual wind speeds and the movement of the ecosystem, no two movements are ever exactly the same. Every second of the display is completely unique.

Resonating Microcosms in the Common Camellia Garden Exhibit

Continuing along the pathway, through the trees, and the sights continued to change with the landscape at The Resonating Microcosms in the Common Camellia Garden Exhibit. Small, waist-high glowing eggs fill the forest around the camelia garden, which foreshadows the absolutely overwhelming mass of 10 ft. tall orbs in the eucalyptus garden. During the day, their mirrored surfaces reflect the surrounding environment but, after sunset, they come alive.

Getting lost amongst these luminous ovoid sculptures was a highlight for us, putting a smile on our face. As we walked among them or when the wind blew, the ovoids react, glowing in up to 61 distinct colors and emitting unique sounds. When we pushed one ovoid or when it responded to its surroundings, it echoed out to the neighboring ovoids, creating a continuous, rippling wave of light and sound throughout the entire garden.

Forest of Autonomous Resonating Life – Eucalyptus

At the Forest of Autonomous Resonating Life Exhibit, the densely packed, standing ovoids of light are autonomous. When an ovoid was pushed over, by people moving through or blown down by the wind, it rose back up as the color of its light changed and emitted a tone specific to that color.

The surrounding ovoids responded one after another, continuously changing to the same color and emitting the same tone. When the wind was not blowing and the people nearby were not interacting with the ovoids, their lights began to blink slowly.

At the Floating Resonating Lamps on Oike Lake – Fire Exhibit, each of the lamps on the Oike Lake’s surface floated autonomously. When we stood still near a lamp, or when the wind blew a lamp, it shone brightly and produced a tone.

The light of that lamp spred to nearby lamps, one by one, as they resonated with the same tone, continuing on to the trees on the islet in the center of the lake. If light approached from the other side, it signified the presence of people there, making them more aware of the existence of others in the same space. When the wind was not blowing and people were not nearby, the lamps began to blink slowly.

At the Pillars That Dance with the Wind Exhibit, the installation challenged the traditional notion that human structures must be solid and stable (like concrete). Instead, the pillars were soft, flexible, and defined entirely by their environment. The pillars changed in number, movement, and height based on the wind, rain, and humidity. They also interacted dynamically with visitors who walked near or touched them, creating patterns that were never repeated. Because the artwork relied so heavily on real-time environmental data, strong winds or heavy rain could cause the installation to be temporarily closed for safety.

teamLab Botanical Garden: Nagai Park, 1-23 Nagaikoen, Higashisumiyoshi-ku Ward, Osaka. Nighttime only; hours vary by season (usually opens from dusk, roughly 7 PM to 7:30 PM, until 9:30 PM with last entry at 8:30 PM). Admission: ~¥2,000 to ¥2,200 for adults (prices can fluctuate slightly depending on peak or off-peak seasons), with discounts available for students and children. Tel: 06-6699-5120. Website: teamlab.art/e/botanicalgarden/

How to Get There: Take the Osaka Metro Tanimachi Line to Nagai Station, a 10-min. walk on the Midosuji subway line. Take exit 3 and walk east through Nagai park to access the admission gates. From Exit 1 or 2, it is a brief 10 to 15-minute walk into Nagai Park to reach the botanical garden entrance. Via the JR Railway, it can also be reached via the JR Nagai Station, a 12-min. walk, on the JR Hanwa line (take the East Exit and walk east through Nagai park to access the admission gates). Via the Kintetsu Railway, it is 15-min. walk from Harinakano Station on the Kintetsu Minami-Osaka line. Take the West Exit and walk through Nagai park to access the admission gates.

Shitennō-ji Temple (Osaka, Japan)

Posted on 28 March, 2026 by Benjie Layug — Leave a reply

After our visit to Osaka Castle Park, it was a short 4.7-km. (15-min.) drive to Shitennō-ji Temple. The outer temple grounds are free to enter, but we paid admission to explore the inner precinct (Chushin Garan), the Gokuraku-jodo Garden and the treasure house. The stone torii gate at the main entrance to Shitennō-ji dates from 1294 and is the oldest of its kind in the country.

Check out “Osaka Castle Park”

Grace at a Purification Fountain (Temizuya)

Also called as Arahaka-ji, Nanba-ji, Mitsu-ji or Temple of the Four Heavenly Kings (“Shitennō” refer to the Four Heavenly Kings in Buddhism), this Buddhist temple is sometimes regarded as the first and oldest of Japan’s officially administered Buddhist temples and the first ever to be built by the state (although the temple complex and the buildings themselves have been rebuilt a few times over the centuries; most of the present structures are from when the temple was last completely rebuilt in 1963).

The temple was founded in 593 by Prince Shōtoku, who known for his profound Buddhist faith. He supported the introduction of Buddhism which was not widespread in Japan during the 6th century. In order to popularize Buddhism, Prince Shōtoku led a massive national project to promote Buddhism and he commissioned the construction of Shitennō-ji in the 6th century, inviting three Korean carpenters from Baekje who brought knowledge and led the construction. Later, one of the members involved in the initial construction of the temple established the firm Kongō Gumi (the world’s oldest company until it was acquired by the Takamatsu Construction Group in 2004), which specialized in temple and shrine buildings.

The temple Prince Shōtoku built to honor the Four Heavenly Kings had four institutions (Shika-in), each to help the Japanese attain a higher level of civilization, centered on the seven-building garan (the complex inside the walls), which included a Kyōden-in (Institution of Religion and Education), a Hiden-in (Welfare Institution), a Ryōbyō-in (hospital), and a Seiyaku-in (pharmacy) to provide essential care to the people of Japan.

Within the pebble-covered courtyard of the inner precinct, the garan consists of a five-storey pagoda (which we entered and ascended), a main Golden Pavilion (Kondō) where Prince Shōtoku is enshrined as a statue of Bodhisattva Kannon, and a Kōudōu (Lecture Hall).

The covered corridor (kairo) holds three gates – the Deva Gate (Niōmon, also known as the Chūmon), the Western Gate (Saijumon), and the Eastern Gate (Tojumon).

The Chūmon is home to two Nio (benevolent guardians). Ungyo, on the left, represents closure or death. Agyo, on the right, symbolizes beginnings or birth.

Surrounding this central complex are the Great South Gate (Nandaimon), and a Great East Gate (Higashi-no-ō’mon). To the west is the Great West Gate (Nishi-no-ō’mon, also known as Gokuraku-mon). Further to the west is a stone torii, which is imagined to be the Eastern Gate to Sukhavati, the Pure Land of the West. These gates are guarded by wooden statues called Nio (Benevolent Kings).

During the Kamakura period, three of the four sections are known to have existed inside the temple. Although the temple’s buildings burned down several times over the centuries, they were always carefully reconstructed to reflect the original 6th century design. Shortly after World War II, Shitennō-ji became independent of the parent Tendai sect and formed the Wa sect (Wa-shū) of Buddhism.

A short walk away, the Gokuraku-jodo Garden, laid out in the early Edo Period, was designed in 1933 based on descriptions of the Western Paradise of the Amida Buddha. It has pleasant ponds and rock waterfalls, cherry trees, irises and stone lanterns. The Kame-no-ike Pond in the main complex is famous for its scores of basking turtles.

Also on the temple grounds is the Treasure House. It holds documents, paintings and sacred objects which are displayed in periodic themed exhibitions throughout the year as well as a number of National Treasures including swords said to have belonged to Prince Shotoku and a copy of the Heian Period Hokekyo sutra.

Shitennoji: 1 Chome-11-18 Shitennoji, Tennoji Ward, Osaka, 543-0051, Japan. Tel: +81 6-6771-0066. Open 8:30 AM to 4:30 PM (until 4 PM from October through March); slightly longer hours on the 21st of each month and on some other special days Admission: 300 yen (inner precinct), 300 yen (garden), 500 yen (treasure house)

How to Get There: Shitennoji is a 5-minute walk from Shitennoji-mae Yuhigaoka Station on the Osaka Municipal Subway Tanimachi Line, a 15-minute walk from Tennoji Station on the JR West Lines and the Osaka Municipal Subway Lines and a 15-minute walk from Osaka Abenobashi Station on the Kintetsu Minami-Osaka Line.

Osaka Castle Park (Osaka, Japan)

Posted on 28 March, 2026 by Benjie Layug — 1 Comment ↓

On our second whole day in Japan, we began our Osaka city tour with a stopover at 105.6-hectare (about 260 acres) Osaka Castle Park (known as Osakajo-koen in Japanese), a public urban park and historical site opened to the public in 1931. The second largest park in the city, it lies on the south of the Ōkawa (Kyū-Yodo River) and occupies a large area in the center of the city of Osaka. It was well worth a visit, even if we didn’t intend to enter the castle.

Forming the most attractive part of Osaka, here we can also view and enjoy seasonal flowers such as plum blossoms, 3,000 cherry blossoms (we arrived at the last week of March) and azaleas. This green and spacious expanse, built around the awe-inspiring tower of Osaka Castle (known as Osaka-jo in Japanese, the present castle is a concrete reconstruction that was finished in 1995), provided a pleasant escape from the otherwise crowded and concrete expanses of the rest of the city.

The castle grounds, which cover approximately 61,000 sq. m. (15 acres), contains 13 structures, around the 55 m. high main central tower, that were denoted as “Important Cultural Assets” by the Japanese government. They are Otemon Gate, Sakura-mon Gate, Ichiban-yagura Turret, Inui-yagura Turret, Rokuban-yagura Turret, Sengan Turret, Tamon Turret, Kinmeisui Well, Kinzo Storehouse and the Enshogura Gunpowder Magazine.

The author, Grace, Mark, Miguel, Nenette, Matthew and Jandy at Osaka Castle Park

Surrounding the main keep are a series of moats and defensive fortifications. The castle has an inner and an outer moat. The former, lying within the castle grounds, consists of two types: wet (northern-easterly) and dry (south-westerly), while the latter surrounds the entire castle, denoting its outer limits, and consists of four water-filled sections, each representing a cardinal direction (North, East, South, West).

Aoyamon Gate, in the northeast, and Ote-mon Gate, in the opposing southwest, are two main sentry checkpoints at the outer moat. Three sections of ‘dobei’ mud-and-plaster wall, all located around the Otemon Gate, all have their own Important Cultural Property status.

There are also some megaliths, with no cultural property status, at the castle, including the Takoishi (Octopus stone). The Fushimi-yagura Turret Remains, Ensho-gura Gunpowder Storehouse, Osaka Geihinkan, Hoshoan Tea House, Osaka Castle Nishinomaru Garden, Sengan-yagura Turret, Tamon-yagura Turret, Remains of Taiko-yagura Turret, Osaka Shudokan Martial Arts Hall, Hokoku Shrine (Osaka), Ichiban-yagura Turret (the first turret), and Plum Grove are all located between the inner and outer moat.

You can cross the inner moat via the Gokuraku-bashi Bridge (or Paradise Bridge), located in the north, and Sakuramon Gate, the main sentry point in the south.

Huge stones at Sakuramon-masugata Square

The Hommaru (Inner Bailey) and the Yamazato-Maru Bailey divides the castle into two major areas within the inner moat. The Main Tower, the Kimmeisui Well, the Japanese Garden, the Takoishi (Octopus Stone), the Gimmeisui Well, the Miraiza Osakajo Complex, the Kinzo Treasure House, and the “Time capsule Expo’70” are located within the Hommaru while the Marked-Stones Square, and the Monument commemorating “Hideyori and Yodo-dono committing suicide” are within the Yamazato-Maru, Bailey.

The Time Capsule Expo ’70 is a stainless-steel monument which marks the site of the 1970 Japan World Exposition time capsule buried 15 m., in 1971, by Panasonic and The Mainichi Newspapers. The two identical capsules contain 2,098 everyday items from 1970 Time Capsule Expo ’70.

In the park, there is Osaka Castle Hall, a large athletic field, baseball field, football field, open-air music theatre, open-air concert hall, and Osaka Castle Keep Tower where, from its top, the vista includes Osaka Bay to Mount Ikoma, which surround the Osaka Plain. Many busking groups perform in the park.

The Toyotomi Stone Wall Museum, opened to the public last April 2025, allows visitors to view, firsthand, the original Toyotomi stone walls that had been hidden, for over 400 years, since the Toyotomi forces were defeated in the Summer Campaign of Osaka in 1615 and the Tokugawa Osaka Castle was built over them.

The three-storey Miraiza Osaka-Jo, right beside the iconic Osaka Castle Main Tower, is a historical complex housed in a former military headquarters built in 1931. It offers the Kaiyodo Figure Museum, rooftop cafes with castle views, and samurai and ninja experiences where you can dress up in authentic gear and try stage combat sword-fighting in the basement.

Osaka Castle Park: 1-1 Osakajo, Chūō-ku, Osaka, 540-0002 Japan. Admission is free. Tel: 06-6755-4146. Coordinates: 34°41′14″N 135°31′33″E.

How to Get There: On Osaka Metro Tanimachi Line, get off at Tenmabashi or Tanimachi 4-chome Station. On Osaka Metro Chuo Line, get off at Morinomiya or Tanimachi 4-chome Station. On the JR Loop Line, get off at Morinomiya or Osaka Castle Park Station.

Dotonbori District (Osaka, Japan)

Posted on 26 March, 2026 by Benjie Layug — 1 Comment ↓

The 4-star Candeo Hotels Osaka Shinsaibashi, the hotel that we stayed in, happened to be just 250 m. from Dōtonbori District, the vibrant, popular, neon-lit entertainment and dining district of Osaka for visitors to the city, boasting of a number of well-known restaurants offering a range of traditional and modern Japanese dishes. Known as one of Osaka’s principal tourist and nightlife areas, the area runs along the Dōtonbori Canal, from Dōtonboribashi Bridge to Nipponbashi Bridge in the Namba district of the city’s Chūō Ward.

Check out “Hotel and Inn Review: Candeo Hotels Osaka Shinsaibashi”

Dōtonbori traces its history back to 1612, when merchant Nariyasu Dōton, the administrator of local canals, joined by Yasui Jihē, Yasui Kuhē, and Hirano Tōjirō, began construction of the canal on the southern edge of Osaka, aiming to increase commerce by widening the river.

To get there, we passed through the huge tunnel of the Shinsaibashi shopping mall. We then proceeded to the main gathering spot, often called “Hina-dan,” which offers the best views of the iconic signs. Here, we encountered Kim Jong Un lookalike Howard X (Howard (X) Lee), a well-known professional Australian-Chinese impersonator and political activist. Considered the world’s first professional Kim Jong Un impersonator, he is frequently spotted in Dotonbori and other Japan locations, holding a toy missile and attracting large crowds.

When taking photos with crowds, he often appears in costume and is sometimes paired with Donald Trump impersonators, notably around major events like the 2019 G20 Summit in Osaka. Creating satirical scenes to promote democracy, his appearance sometimes leads to deportation or detention due to political sensitivities. To provoke reactions from North Korean delegations beyond Japan, he has appeared at the PyeongChang Olympics and the Paris Olympics and has a significant presence on social media platforms such as Instagram.

Evenings are the best times to experience the dazzling, futuristic neon cityscape reflected on the canal. Here, you can also take a Dotonbori Canal Cruise or city cruise, to see the neon lights from the water, or visit the massive Don Quijote store by the canal. Though now mostly a dining and nightlife area, the Theater District is historically known as a hub for Kabuki and Bunraku puppet theaters.

Centered along the Dotonbori Canal, Dōtonbori (bori from hori, meaning “canal”) is famous for its eccentric atmosphere and extravagant signage (including the iconic Glico Running Man Sign and the massive. 6.5 m. long moving crab sign at Kani Dōraku) and is a top tourist spot for nightlife, shopping, popular spots including Ichiran, and various street food stalls selling takoyaki (octopus balls), kitsune udon and ramen.

Check out the “Glico Running Man Sign”

The author and Grace with the Glico Running Man Sign in the background

Dotonbori is considered as the city’s food capital or kuidaore, a Japanese word meaning to “ruin oneself or go bankrupt by extravagant spending on food” or, more pithily, “eat until you drop.” It is part of a larger proverb: “Ruin yourself with fashions in Kyoto, ruin yourself with meals in Osaka,” reflecting local priorities (and artistry) in the clothing and food of Kyoto and Osaka, respectively. This phrase, associated with Dōtonbori, is often used in tourist guides and advertisements.

Rows of restaurants at Dotonbori District

On our first night in Osaka, we decided to dine at Botejyu (founded in 1946), located at the second floor of the Comrade Doton Building. We waited in line for several minutes before finally being seated. The menu and ordering are accessed on your smartphone via a QR code.

Here, we tried out, among other dishes, the okonomiyaki, a savory Japanese pancake consisting of wheat flour batter and other ingredients (shredded cabbage, eggs, meat, etc.). This specialty’s classic mayonnaise ingredient was developed by Botejyu.

On another evening, we tried out Ganko Sushi (since 1963) and Torikizoku (a popular, affordable yakitori chain. The latter is located at the Kuidaore Building, in front of which is Kuidaore Taro (also known as the Kuidaore Ningyo), a mechanical drum-playing clown, installed in 1950 as a mascot for the now closed Kuidaore Taro Restaurant which moved to a new location slightly east of his old haunt. Every March the visiting rikishi for the Osaka Grand Sumo tournament used to line up with Kuidaore Taro for photos.

L-R: Jandy, Miguel, Matthew, Nenette, Mark, the author and Grace at Torikizoku Restaurant

The mechanical, drum playing clown Kuidaore Taro

How to Get There: Located in the Minami district, Dotonbori, adjacent to the Shinsaibashi-suji shopping street, is easily accessible near Namba Station.

Mitsutera Temple (Osaka, Japan)

Posted on 26 March, 2026 by Benjie Layug — Leave a reply

Japan is known for being a heady mix of the old and new, and this is perhaps best exemplified by the way some of its high-rise blocks are carefully built around, or integrated with, ancient temples. One such example is the ancient, charming Mitsutera Temple, known affectionately as Mittera-san by local residents. Located along bustling Midosuji Avenue, a major artery in the center of Osaka, its main hall, dating back to the early 1800s, has been neatly embedded at the base of the large, 15-storey, 180-room Candeo Hotels Osaka Shinsaibashi, in the city’s Chuo Ward. The first few floors are atrium-style to provide ample space for the hall.

Check out “Hotel and Inn Review: Candeo Hotels Osaka Shinsaibashi”

Mitsutera Temple, founded in the Nara Period (710-784) by the renowned monk Gyōki (one of 49 temples established by him during this period) to serve as a burial site for Emperor Ojin (Japan’s 15th emperor), on the orders of Japan’s 45th emperor, is a member of the Omuro school of the Shingon sect of Buddhism headquartered at Ninnaji temple in Kyoto. After it burned down in the late Edo Period (1603-1867), the current main hall was rebuilt in 1808 and, in 1945, remarkably survived the Great Osaka Air Raid unlike many other wooden structures in the city.

A decline in parishioner numbers and an increasing demand for simplified funerals have made it difficult for the temple to financially survive. In a rare partnership and an attempt to pass down the temple to posterity, Mitsutera temple entered into a fixed-term land leasehold agreement, of 50 years, with Candeo Hotels Osaka Shinsaibashi wherein Mitsutera will tap into the rent to cover expenses, such as repairs to the main hall and altar fittings. The construction project was undertaken jointly by Mitsutera and Tokyo Tatemono Co., a property developer based in Tokyo’s Chuo Ward.

The 11-faced statue of the Kanzeon Bodhisattva

From 2020 to 2023, it was physically merged and incorporated into the hotel, which was built directly above the temple. The entire main hall structure was jacked up and, to facilitate the new construction, relocated within the site and moved in one piece to sit alongside Midosuji’s sidewalk, allowing the tower block to be constructed behind and around it. On November 26, 2023, the temple’s main hall was opened there, creating a unique blend of traditional architecture and modern development.

For the aging temple, this creative solution preserved the history and architecture of this centuries-old temple, allowing hotel guests a special experience of staying almost at a temple, participating in religious practices, including morning prayers, eshakyo (transcription of sutra and Buddha images) and meditation. The main hall is within the first three floors.

Mitsutera Temple houses precious Buddhist statues and paintings that Osaka City designates as cultural properties. Decorated in lacquer, gold leaf, and flower petals, the main hall’s center is dominated by an 11-faced statue of the Kanzeon Bodhisattva, with eight other Buddhist statues (including figures such as the Buddhas Yakushi Nyorai and Kobo Daishi, among others) arrayed to the sides.

This temple offers a black and white goshuin where you need to trace the lines and words color the picture and write your own wish. After that, they will help to stamp the special ink on the completed goshuin. Today, it is a pleasant experience to stroll in the area as the aroma of incense floats next to the fragrance of perfume from the boutiques of high fashion brands which line Midosuji.

Kannon Sacred Lottery (Omikuji) – fortune-telling paper slips found offering guidance on aspects like love, health, and work

Mitsutera Temple: corner of Midosuji Avenue and Mitsudera-suji Sts., 2 Chome-7-12 Shinsaibashisuji, Chuo Ward, Osaka, 542-0085, Japan. Tel: +81 6-6211-1982.

How to Get There: Mitsutera Temple, located near Shinsaibashi-suji and Dotonbori, conveniently situated within walking distance from both Namba Station and Shinsaibashi stations on the Osaka Metro Midosuji Line.

Arch of the Centuries (University of Santo Tomas, Manila)

Posted on 13 March, 2026 by Benjie Layug — Leave a reply

The Baroque-style Arch of the Centuries, the arched gate at Plaza Intramuros, University of Santo Tomas (UST), is a landmark which symbolizes UST’s role as a “gateway in history to the finest breed of Filipinos.” It is one of the few relics left from original UST campus in the walled city of Intramuros which was destroyed in 1945 during the Battle of Manila in World War II, leaving the 17th-century campus completely destroyed. This arch door, called Puerta del Colegio, faced the first Benavides Statue, which was located at Calle Postigo and Calle de Santo Tomas.

In 1927, the university transferred here at its present Sampaloc site and the central lower section of the original facade of the first campus in Intramuros (the side facing the UST Main Building), built in 1680, was dismantle, piece by piece, in 1953, under orders of UST rector Jesus Castañon, by Carmelo Flavier Pablo of C.F. Pablo and Son, a precast contractor, and transferred to the present campus, taking a year to complete. Carmelo Flavier Pablo also did the other half of the current structure (the side facing España Boulevard), a replica of the arch door inaugurated in 1954, as well as the statues, and the bas-relief panels. The arch became formally known as the Arch of the Centuries.

On January 25, 2010, , along with the UST Main Building, the UST Central Seminary Building, and the university field, it was declared a National Cultural Treasure by the National Museum of the Philippines. On January 18, 2015, during his visit to the university, Pope Francis passed through the arch.

Check out “UST Main Building”

One of the cultural icons of the University of Santo Tomas, it is often the site of important campus events such as the Thomasian Welcome Walk, UST’s tradition of welcoming the freshmen to the university by passing through the arch. The passing through also signifies the completion of their student life in the university when, after the baccalaureate Mass, the candidates for graduation exit through the arch during a parade. There is an urban legend that claims prematurely exiting the arch, before graduation, would lead to a student’s debarment.

Commemorative plaques, on its lower pillars, facing España Boulevard, honors two distinguished alumni, Philippine President Manuel L. Quezon (1878-1944), on the right and José Rizal (1861-1896), on the left. The bronze marker, on the side of the left pier, tells the history of the arch. The words underneath it read, Gateway to the history of the finest breed of Filipinos, a reference to the UST alumni.

The statue of Thomas Aquinas, above the attic storey, portrayed as a young and energetic man seated on a chair (a depiction similar to the painting by Justus van Gent and Pedro Berruguete), was inaugurated on December 21, 1955. Flanking it are two female figures, the one facing west holding a cross, in her right hand, and an admiralty pattern anchor in her left hand while the one facing east holds a torch, in her left hand, while her right arm rests on a winged wheel.

These two figures correspond to the Fountain of Divine Wisdom (also called the Fountain of Divine Wisdom) and the Fountain of Human Wisdom (Fountain of Knowledge) that flank the arch. The Fountain of Wisdom, surrounded by four deer and open shells, consists of a barbed, quatrefoil-shaped basin featuring a sculpture of a lady standing on top of a lotus flower (its bowl carried by four phoenixes) while holding a Bible who’s cover depicts the image of the Lamb of God. The Fountain of Knowledge, surrounded by four owls of Athena and open shells, also features a sculpture of a lady (standing on a cylindrical pedestal adorned by the early disciplines offered in the university) on top of a lotus flower (its bowl carried by four sphinxes) while holding a globe.

The main inscription, directly above the arch, is different on both sides. Four bas-relief panels, depicting the life of Thomas Aquinas, flank the main inscriptions. The southwest panel depicts two angels giving him the girdle of chastity; the southeast panel depicts Thomas Aquinas speaking to an icon of the crucified Christ; the northeast panel depicts Thomas Aquinas and the Eucharist; and the northwest panel depicts Thomas Aquinas taught by Saints Peter and Paul.

Bronze plaque that tells the history of the arch

A coat of arms, below the main inscription, features a double-headed eagle similar to the one used by Charles I, the King of Spain when the Philippines was discovered. The main façade consists of two columns, of the Doric order, on each side of the archway and the spandrels consists of Baroque reliefs.

Arch of the Centuries: Plaza Intramuros, University of Santo Tomas, Manila.

UST Main Building (University of Santo Tomas, Manila)

Posted on 13 March, 2026 by Benjie Layug — 1 Comment ↓

The majestic, 4-storey, Renaissance Revival-style Main Building of the University of Santo Tomas (UST), functioning as the university’s administrative center, is home of the Faculty of Civil Law, Faculty of Pharmacy, the College of Science and the Museum of Arts and Sciences. Designed by Fr. Roque Ruaño, O.P., this building, influenced by Frank Lloyd Wright‘s Imperial Hotel, Tokyo (which survived the Great Kantō earthquake of September 1, 1923 which flattened Tokyo and Yokohama), is the first earthquake-resistant building in the Philippines.

The author with the Main Building in the background

Construction of the building began on 1924 and, before it inauguration on November 12, 1927, the first classes were held there on July 2, 1927. Since then, it has been the focal point of the campus and all succeeding structures revolved around the Main Building.

Historical Research and Markers Committee plaque (1935)

Starting on January 4, 1942, during World War II, the Japanese converted the university into the Santo Tomas Internment Camp for Americans and other non-Filipinos, the internees occupying three floors of the building (465 died there from hunger and malnutrition). On February 3, 1945, during the Battle for Manila the university and its around 4,000 Allied POWs and civilian internees were liberated by the 1st Cavalry Division, tanks from the 44th Tank Battalion and Filipino guerrillas led by Capt. Manuel Colayco (a UST faculty member who died securing the place), the first building in Manila to be liberated. After the war, UST resumed operation, holding classes in the building.

National Historical Commission plaque (2012)

The university and the building was visited by three popes: Pope Paul VI on November 28, 1970, Pope John Paul II on February 18, 1981 and January 13, 1995 (when UST hosted World Youth Day 1995) and Pope Francis on January 18, 2015 (though he did not enter the building). Queen Sofia of Spain also visited the building on July 6, 2012. On January 25, 2010, the National Museum of the Philippines declared it as a National Cultural Treasure.

This 86 m. long, 74 m. wide and 51.5 m. (169 ft.) high, rectangular structure, with two patios (interior courtyards), is actually made up of 40 separate structures independent from one another, with the only opportunity provided by pre-cast stab flooring. There are four corner units, two midsection units (rear and front entrance), one tower (including two elevator cores) and one entrance canopy. Another 26 units consists of seven units for the Padre Noval Street side, seven units for the Arsenio H. Lacson Avenue (formerly Gov. Forbes) side, six units for the Dapitan Street side, six units for the España Boulevard side, four for the middle section (or paraninfo) and two stair sections adjacent to the tower and elevator core.

Statues, standing on the pedestals on the fourth floor of the building, symbolize the spiritual and intellectual aspiration of the university. Designed by Italian sculptor Francesco Riccardo Monti, a faculty member of the College of Architecture, they were installed between 1949 and 1953. The so-called “Tria Haec” (Latin for “These Three”), surrounding the clock, are three statues representing Hope (Spe), Faith (Fides, on top of the clock) and Love (Caritas).

To the right of the “Tria Haec” are theologians and historians such as St. Augustine, St. Raymond of Peñafort and Vincent of Beauvais (Dominican monk and writer of Speculum Maius). To their right, facing Padre Noval Street, are the tragedians Pedro Calderón de la Barca, Sophocles and William Shakespeare, while to the left are the philosophers Aristotle, Saint Albert the Great and Plato. To the left of the philosophers, facing Arsenio Lacson Avenue, are the playwrights Lope de Vega, Aristophanes and Molière.

First two panels of History of the University of Santo Tomas Mural (Antonio Garcia Llamas)

Third and fourth panel of History of the University of Santo Tomas Mural (Antonio Garcia Llamas)

At the ground floor lobby is the four-panel mural “The History of the University of Santo Tomas,” painted by Antonio Garcia Llamas between 1952 and 1954. It depicts significant milestones of the university including its declaration as a Pontifical University on September 17, 1902 by Pope Leo XIII and the advent of co-education. At the second floor staircase are paintings by Filipino masters Galo Ocampo and Carlos “Botong” Francisco.

The Foundation of the University of Santo Tomas by Archbishop Benavides (Domingo Celis)

Main Building: University of Santo Tomas (UST), España, Sampaloc, Manila. Coordinates: 14°36′37″N 120°59′21″E.

Sung Hot Cave (Ha Long, Vietnam)

Posted on 15 November, 2025 by Benjie Layug — 1 Comment ↓

The large, mysterious and beautiful Sung Sot Cave (also called “Surprising Cave”), on Bo Hon Island in the center of Ha Long Bay and the Tonkin Gulf, is the largest (it can accommodate up to 1,000 visitors at a time) and, possibly, the most prominent and most frequented by visitors of all the caverns in Halong. Situated in a limestone massif, with an extremely developed karst terrain, is known for its impressive stalactites that hang from the ceiling, stalagmites that rise from the floor and vast, multi-chambered interior.

The winding stone stairway leading up to the cave entrance

In 1901, French geologist Henri Mansuy, in search of minerals, discovered this cave, describing it as “a cathedral crafted by nature herself,” giving rise to the moniker Grotte de la surprise, “the cave of surprise.” However, this name was not officially recognized until nearly 40 years later when a French travelogue was published in 1938. In 1993, just one year before UNESCO declared Ha Long Bay’s core region as a World Natural Heritage site, Sung Sot Cave welcomed its first visitors. Dubbed the “Opera House of Ha Long Bay,” it was named one of the top ten most beautiful caves in the world by the Czech Association of Travel Agents and Brokers.

The stone stairway amidst lush vegetation

According to legend, thousands of years ago, during the reign of King Hung, the Van Lang kingdom faced an invasion by the Yin from China. In this moment of crisis, Thanh Giong, a three-year-old boy, miraculously appeared to aid the king. Riding a colossal iron horse and wielding a mighty sword, Thanh Giong, with extraordinary strength and courage, defeated the invaders. Breathtaking Halong Bay is said to be the site of this epic confrontation. After the battle, Thanh Giong ascended to heaven from this cave, leaving behind his legendary steed and weapon.

Ha Long Bay has many other caves with varying degrees of accessibility and visitor numbers, some of which may be affected by tourism. Other caves with stalactites exist in the bay. Cap La Cave, in the Bai Tu Long Bay area, known for its unique stalactites and pristine nature, though it may not be currently accessible to visitors. Sung Sot Cave is an old phreatic cave which also include Tam Cung, Lau Dai, Thien Cung, Dau Go, Hoang Long and Thien Long.

Nowadays, these caves lie at various heights. From its truncated entrance chambers on a ledge high on the cliff, a passage of more than 10 m. high and wide descends to the south. Covering a total area of more than 12,000 sq. m., the cave is divided into three chambers with a wealth of stalagmites of various shapes.

The island, and its cave, was the second stop of our Ambrose Day Cruise. Upon arrival at the island, Jandy and I, as well as other tourists from other boats, disembarked and queued up to climb around 100 winding stone steps, surrounded by lush forests, and then descend 10 stone steps to reach the cave entrance which is a small rock breach, 25 m. above sea level, halfway up the limestone mountain.

Check out “Ambrose Day Cruise”

The path inside the cave was through an 800-m. long stone walkway, with gradual ups and downs, and lit, with colorful lampposts, to highlight its features, creating a vivid tableau and transforming the cave’s cold, empty feeling into a lively, captivating scene. Some parts have a diffused orange light that creates a fanciful atmosphere, making the space more mysterious and attractive. A dry cave, it allows for comfortable one-way exploration on foot, with a separate entrance and exit.

At the. first chamber, the smallest of the three chambers at nearly 3,000 sq. m, is likely a “waiting room.” Here, there is a small, serene and shallow freshwater lake formed by rainwater trickling through the limestone cracks in the cave ceiling, with clear water that allows you to view the lake’s bottom, adding to the chamber’s mystical ambiance. Its ceiling is covered with a layer of “velvet carpet,” with gleaming stalactite chandeliers hung 25 to 30 m. high in the outer chamber, including stone sculptures, banyan trees, dinosaurs, elephants, flowers, seals, etc.

The “Stone Waterfall,” on the eastern wall, is a massive, 18-m. wide flowstone formation that appears to be frozen in mid-flow. Created by centuries of mineral-rich water flowing down a cave wall, its varying mineral content creates striking color variations ranging from pure white to amber and deep russet tones.

The “Elephant,” near the transition between the first and second chambers, is a stalactite-stalagmite combination with a massive body created by the joining of the ceiling and floor, a clearly-defined trunk and tusks formed by small stalactites.

The second chamber (known as the “Royal Garden”), stretching an impressive 7,000 sq. m., is connected to the first chamber by a narrow rock path. It opened to an enormous space with and enormous freshwater lake, stunning rock formations and huge and beautiful stalactites and stalagmites in unique and interesting shapes such as a buddha, a bird, a monkey climbing on the rock column, etc.. The “Royal Garden Stone,” a massive, flat-topped formation in the center of the chamber, resembles a royal viewing platform surrounded by stalagmites that look like courtiers paying homage.

The “Stone Curtain,” along the western wall, are thin, delicate (some just 2 to 3 cms. thick) and wavy stalactites that create an appearance of stone curtains or draperies, with beautiful banding patterns caused by varying mineral content. The “Sword Lake,” a small, sword-shaped pool in the center of the chamber, is said to mirror Hanoi’s Sword Lake. During certain lighting conditions, the stalactite’s reflection creates the illusion of a sword rising from the water. The “Buddha’s Palm,” a flat, hand-shaped formation near the exit, is believed to resemble Buddha’s hand in blessing. Though conservation efforts now discourage this practice, many visitors still touch this formation for good luck.

Inside this chamber, there are also said to be monkeys scurrying around in quest of food and fun. Compared to the first chamber, this chamber’s karstification process has resulted in a clearer and more ventilated atmosphere due to its ceiling being peppered with thousands of small holes or natural skylights that creates magical light beams during midday hours. There are also several delicate rimstone pools, with crystal-clear waters reaching depths of 30 cms. that reflect the surrounding formations, contain unique microorganisms that have adapted to the cave environment.

The truly breathtaking third and last chamber, further inside, is the biggest chamber, able to accommodate thousands of people. Inside is a 12 m. high rock formation said to be the petrified form of the legendary, stern-faced Vietnamese hero Thanh Giong.

Near the entrance is a stone block, fashioned like a massive, battle-ready horse, and a long sword that Thanh Giong left behind to drive away evil spirits. Also inside the cave are little ponds and lakes which are regarded as the hoofprints of Thanh Giong’s horse or Giong’s footprints. The cave’s highest point is a “royal garden” with a lake, many plant species, several bird species and panoramic views of the bay.

The final ascent to the cave’s exit took around 275 steps plus another 250 steps, another physical effort, down to the dock. Thought beautiful, with stunning natural formations and a cool, humid environment, our cave exploration was very tiring due to the inclines.

How to Get There: Sung Sot Cave, one of the destinations in the tour route 2 (one of 6 routes that bring visitors around Halong Bay), is a short boat ride, from two major ports in Halong – Tuần Châu Wharf (about 12 kilometers from Halong city center) or Halong International Cruise Port (it came into operation in 2019 and is closer to the city center and hence easy to travel), to the island.

To visit Sung Sot cave, travelers must first purchase entrance tickets to the harbor and then boat tickets. Tickets can be purchased at the booth on the right of the entrance of Tuần Châu Wharf. If you want to visit this cave, you need to buy a ticket for route 2, the only one with swimming and full of all kinds of experiences, from visiting caves, boating (or kayaking), swimming, sightseeing and relaxing. This is a half-day tour that lasts from noon to evening. It includes attractions such as Cave Park Conservation Center – Soi Sim Island, Ti Top Island, Sung Sot Cave, Bo Nau Cave, Ho Dong Tien Cave, Luon Cave, Trong Cave, and Trinh Nu Cave.

Entrance tickets for route 2:

Day trip ticket: VND 290,000 (USD 12.1) per person

Ticket for 2 days and 1 night: VND 590,000 (USD 24.6) per person

Ticket for 3 days and 2 nights: VND 790,000 (USD 33) per person

Boat tickets:

The boat fare for individual passengers for route 2 (including Sung Sot cave) is regulated by Halong Bay Management Board as VND 200,000 (USD 8.4) or VND 250 000 (USD 10.5)/pax + entrance ticket (not included) including food, drink and 50 000 VND (2.1 USD)/pax ticket for bamboo boat/kayaking and tour guides). The tour lasts from 5 to 6 hours. The departure times of the boats are 6:30 – 8 AM and 12 – 1:00 PM.

This travel blog, a diary of the author’s local and international travels, aims to provide the reader with news and information on people, places and events that would interest the avid traveler and tourist. But, it also aims to be much more, providing insights on the wonders of this beautiful country, as well as the world, beyond the strict confines of the city. Have a BLAST seeing old churches, exotic temples, educational museums as well as palm-fringed islands; white sand beaches; thundering waterfalls; placid lakes; fiery sunsets; turquoise seas; cathedral-like caves; swirling rivers; majestic mountains; stupendous, amphitheater-like rice terraces; awesome volcanoes and the like. Get to know the movers and shakers in the tourism industry; find out where to titillate the palate; rejuvenate your body; feed your adrenalin, unwind and relax; satisfy your craving for history and culture; and find out what's being celebrated and where.

BENJAMIN “BENJIE” LAYUG, an architect by profession (he finished his B. S. Architecture degree from the University of the Philippines Diliman in 1982), is also a copy editor for two publishing houses; travel writer; blogger; architectural historian; author; concert. movie and musical reviewer (for www.pep.ph); and a motivational speaker.

As a free-lance travel writer, he has, in the past, contributed articles to Travel Update, Philippine Daily Inquirer, COLORS, TODAY, 7107 Islands Magazine, Business Day and Bluprint. He currently writes for Artplus Magazine and the Business Mirror.

He is also the author of the following travel books:

A Philippine Odyssey (New Day Publishers, 2005)
Pathfinder’s Travel Guide: Boracay (Great Books Trading, 2006)
A Tourist Guide to Notable Philippine Churches (New Day Publishers, 2007)
A Tourist to Notable Philippine Historical Landmarks, Monuments and Shrines (New Day Publishers, 2010)
A Tourist Guide to Notable Philippine Museums (New Day Publishers, 2012)

Some of his books now appear in the local library shelves of the National Library of the Philippines, De La Salle University, Ateneo de Manila University, University of Sto. Tomas, U.P. Diliman, Centro Escolar University, San Sebastian College, Miriam College, Silliman University, to name a few, as well as internationally at the National Library of Australia and the University of California Berkeley Library.

Now a senior citizen, he is probably one of the oldest, if not the oldest, active travel blogger in the country today. He also has a lifestyle blog called F.Y.I.:Firing Your Imagination (www.firingyourimagination.blogspot.com). Benjie has traveled to two-thirds (53) of the country’s 81 provinces and over 20 countries in 4 continents.