Category Archives: SPECIAL TOPICS

Onay Museum (Dipolog City, Zamboanga del Norte)

Posted on by — 1 Comment ↓

Onay Museum

The one-storey Onay Museum, completed in 2009, houses the life and works of Gen. Alexander Badong Yano, the 38th Chief of Staff of the Armed Forces of the Philippines (the highest position in the AFP hierarchy), the 49th Commanding General of the Philippine Army and the first and only AFP Chief of Staff and four-star general from Mindanao. The name “Onay” (as he was fondly called by his classmates) came from his last name in reverse.

“Onay: is “Yano” in reverse

The life and works of the general in pictures

As you enter the museum, you are welcomed by a big portrait showing the life and works of the general, depicting his childhood to adolescence and to his years in the Philippine Military Academy (PMA) and the Armed Forces of the Philippines (AFP).

Gen. Alexander B. Yano

Alexander Badong Yano, born on June 13, 1953 to the late Iñigo Yano and Gloria Badong, both retired public school teachers of Sindangan, Zamboanga del Norte, is the eldest in a brood of 5 (which includes Brig.-Gen. Cesar B. Yano, a Philippine Defense and Armed Forces Attaché, a diplomat in Washington D.C. and a Philippine Military Academy Class 1980 graduate).

In 1965, “Alex,” or “Boy” as he is fondly called, graduated Salutatorian from the public elementary school of Sindangan.  Later, he pursued his secondary education in Saint Vincent’s College in Dipolog City, graduating with honors in 1969. Before taking the entrance examinations of the Philippine Military Academy, he took up 3 years (1969-1972) of Civil Engineering studies at the Cebu Institute of Technology where he was an irregular student due to activism.

In 1972, Alex entered the prestigious military institution. During his time in the PMA, he excelled more in athletics and extra-curricular activities establishing, among others, two PMA athletic records in the high jump and 400-meter low hurdles (a record, set in 1975, that remains unbroken up to this day). As a graduating cadet, he was accorded the coveted position of Regimental Adjutant of the PMA Cadet Corps, a recognition of his early leadership potentials. He graduated in 1976 as a member of the “Magilas” Class.

Later, to complete his military training, he took up courses in the Philippines such as the Special Forces Operations Course; Field Artillery Officers Course; Pre-Command Course for Battalion Commanders and the Command and General Staff Course. Abroad, he finished the Infantry Officers Advance Course in the US Army Infantry School, Fort Benning, Georgia, United States, landing in the Commandant’s List as an Honor Graduate.

Upon his graduation at the PMA, Alex was commissioned and called to active duty with the Philippine Army. His early years in the military service were spent mostly in combat assignments in Northern and Central Luzon and, during the height of the CPP/NPA rebellion in the 1970s and 1980s, in the provinces of Samar.

During the infamous Cabatangan crisis in November 2001, Yano hugged the limelight when, as Task Force Zamboanga Chief, he acted as overall ground tactical commander that led to the successful release of over a hundred civilian hostages and the eventual liberation of the Cabatangan Government Complex in Zamboanga City from over 300 fully armed MNLF Breakaway Group elements led by Julhambri Misuari, Nur Misuari’s nephew. After this crucial battle, the late Zamboanga City Mayor Maria Clara Lobregat gave him the moniker “Liberator of Cabatangan.”

After his tour of duty in Zamboanga City, then SOUTHCOM Chief Gen. Roy Cimatu personally handpicked him to command the 601st Army Brigade in SOCSARGEN at the height of terrorist bombings that rocked Gen Santos City in 2002. During his over two-year stint as brigade commander, no single terrorist bombing occurred in General Santos City. He also gained similar recognition as adopted son of both Zamboanga and Dipolog cities.

In 2003, as brigade commander, he earned his first star rank, the first in his PMA batch to become a general. In recognition of his invaluable contributions to that city, he was also declared as “adopted son” of General Santos City.

Later, he served as Assistant Division Comdr of the 9th Infantry Division in Bicol.  For his proven competence and abilities, especially in understanding the intricacies of the Mindanao conflict, he was appointed, on July 7, 2004, as Chairperson of the Government Coordinating Committee on the Cessation of Hostilities with the MILF. Then, he briefly served as Chief of the AFP’s Civil Relations Service and AFP Spokesperson where he ably articulated the AFP’s position on various defense and security issues.

When Gen. Generoso Senga became the Philippine Army Chief, Yano was personally plucked from Camp Aguinaldo to assume as Chief of Staff of the Philippine Army.  In April 2005, he earned his second star as a major-general, again the first to earn said rank in his class. On July 31, 2006, Alexander Yano was appointed head of the  Southern Luzon Command and, on August 24, 2007, as the commander of the Philippine Army following the retirement of Lt.-Gen. Romeo Tolentino.  On May 12, 2008, he succeeded Gen. Hermogenes C. Esperon, Jr. as AFP Chief-of-Staff.

On May 1, 2009, he retired one-month earlier and was succeeded by Lt. Gen. Victor Ibrado of Philippine Army, his PMA classmate, as AFP chief of staff.  Right after his retirement from the military service, he was appointed as Ambassador to Brunei Darussalam by former President Gloria Macapagal-Arroyo. He has published two books namely “Onay: A Personal Journey” and “The Man Who Dared to Dream.”

A well-respected general who spent most of his military career in the field, Alex is known as the ‘Soldier’s soldier” for his professional competence and excellent leadership that earned him the respect and admiration of his men, colleagues, and superiors.  He is married to the former Estela Aragon from La Union, a retired military nurse, and blessed with a son, Ervin Andrew, also a nurse by profession.

Among Yano’s impressive and incredible collections on display are items from his boyhood days in Sindangan and Dipolog, college days in Cebu and cadetship in PMA; memorabilia of a life well lived in the service of his fellowmen; uniforms; nameplates; trophies; plaques of appreciation; photos (including one with Manny Pacquiao); news clippings about his great works and legacy, and other items gathered in the course of his 37 years in the military and his ambassadorial tour in Brunei Darussalam.

Signed photo of the general with 8-division world boxing champion Manny Pacquiao

The general’s various uniforms.  The upper two and the one at lower left are from his PMA days. The rest are his dress and field uniforms as AFP Chief of Staff

Among the array of things displayed in the museum is a letter written by him as a Grade I pupil on July 4, 1960 addressed to his grandmother and uncle to send him money for his uniform and clothing.

Photos of the general’s stint as ambassador to Brunei

As a testament to his exemplary achievements, he received various military awards and medals in recognition of his courage and bravery.

Some of Gen. Yano’s many medals, decorations and badges

On display, they include four Distinguished Service Stars; the Philippine Legion of Honor (Degree of Officer); four Outstanding Achievement Medals; the Philippine Republic Presidential Unit Citation; the Anti-Dissidence Campaign Medal; the Long Service Medal; the Visayas Anti-Dissidence Campaign Medal; the Mindanao Anti-Dissidence Campaign Medal; the Military Civic Action Medal; Silver Wing Medal, Honorary PAF Gold Wings, Honorary Flag Rank Command Badge, the Military Commendation Medal; the Gold Cross Medal for gallantry in combat; the Disaster Relief and Rehabilitation Operations Ribbon; the Gawad sa Kaunlaran; Bronze Cross Medal and 27 Military Merit Medals. He also received his Honorary Airborne Wings from the Royal Thai Army.

In 2003 and in 2005, he was awarded as “Most Outstanding Zamboanga del Norte Citizen.” On December 2005, he received the “Outstanding Alumnus Award” from St Vincent’s College in Dipolog City and, on November 2005, he was conferred the “PMA Achievement Award” by PMA in Baguio City.

The author (right) with Gen. Yano

Gen. Yano (in blue) with visitors from E. Ganzon, Inc.. On Yano’s right is EGI President Eulalio Ganzon

Onay Museum: Brgy. Sicayab, Dipolog City, Zamboanga del Norte. Though open to the public, before one could explore the gallery, one has to seek prior permission from the general or his caretaker.

Lakbay Museo (Pasay City, Metro Manila)

Posted on by — 1 Comment ↓

Lakbay Museo entrance emulating Mayon Volcano’s silhouette and perfect cone

For those who want to travel and experience 11 regions of the Philippines without having to leave Manila, then you should visit the IG-worthy Lakbay Museo.  Prior to its official opening to the public on July 12, we were allowed a sneak preview of this unique and new destination in the Metro. Describing itself as the “first PH interactive millennial museum,” it is sort of a Nayong Pilipino for the Instagram generation.

A project of The Millennial Concept Factory Inc., headed by President Lawrence Li Tan, Lakbay Museo offers, in one massive space, a chance for young Filipino millennials to travel across the Philippines, within 2 hours inside the museum, discovering and revisiting many of the Philippines’s best vacation spots, and know more of the country’s unique history, food, music, arts and culture by immersing themselves its festivals, fashion and food, all without having to spend days of traveling and a lot of money to Luzon, Visayas and Mindanao.

At the entrance, we were welcomed by staff wearing traditional Filipino attire. Before we entered the museum, we were dressed up, in original Pinoy fashion, with authentic handwoven fabrics with colorful designs.  A display on the museum lobby asks “Paano ka maglalakbay?”

L-R: the author, Ms. Maria “Nini” Ravanilla (former Regional Director of DOT Bicol Region), Mr. Lawrence Li Tan (President of Millenial Concept Factory, Inc.) and Ms. Karla Del Castillo (Lakbay Museo Manager). Behind is the jeepney and at right is the stairs leading up to the airplane and its slide.

To enter the museum, we were given the choice of entering via a vinta, hopping on a distinctly Filipino jeepney (with all its vibrant colors, airbrushed designs and all sorts of décor), or climbing a unique airplane display (where you slide down to enter the gallery), a reminder of the many options for traveling around the Philippines —by land, water or air.

The iconic, distinctly Filipino and colorful jeepney

The museum, boasting 1,000 square meters, is filled with interesting portals, displays and interactive stations which you can explore and experience through different senses.

Magellan’s Shrine, Sinulog mannequins and Cebu’s famous lechon at the Central Visayas Exhibit

They are adorned with eye-catching installations and shining in vibrant lights that draw attention across the floor, highlighting the best destinations in the Philippines (Mayon Volcano in Albay, Magellan’s Cross in Cebu, etc.), all worthy of the very 21st-century practice called Instagram.

A miniature Barasoain Church facade at the Central Luzon Exhibit

Stage with Sto. Nino Shrine backdrop at Eastern Visayas Exhibit.  Check out the suman-shaped seating

The well-trained guides, found all over the museum, are always ready to talk to and entertain you as you go around, offering a myriad of interesting facts about the country.

Ilocos Region Exhibit

The museum is divided into 11 areas – Ilocos Region (Region I), Cagayan Valley (Region II), Central Luzon (Region III), National Capital Region, Southern Tagalog (CALABARZON and MIMAROPA), Bicol Region (Region V), Western Visayas (Region VI), Central Visayas (Region VII), Eastern Visayas (Region VIII), Cordillera Administrative Region, and the whole island of Mindanao.

Bicol Region Exhibit

Lakbay Museo also offers 14 unique experiences including balancing a stack of rubber palayoks on top of your head or swimming in a giant rice bowl; plus 10 freebies for tasting experiences such as sampling native delicacies and tasting lambanog and fruit wine (for adults only).

Free lambanog tasting

At the Luzon Exhibit, you’ll find Luzon’s gorgeous traditional houses (Batanes’ Ivatan house, the Ifugao bale made with zero nails, etc.) and festivals.

Strawberries inside an Ifugao bale house

The life-size display of the gorgeous Pahiyas Festival, a colorful celebration in Quezon Province of the region’s bountiful harvest, features kiping (colorful decorations made from dried rice paste) used for decorating the houses alongside various fruits, vegetables and flowers.

The gorgeous Pahiyas Festival

The miniature display of a replica of Mayon Volcano, beside the equally famous miniature of the Cagsawa Ruins, is one of the highlights in the museum.   A small tunnel, under the volcano, is filled with mirrors and lights you can play with, perfect for photo experiments and extraordinary shots (including doing an iconic “lava walk”).

Mayon Voolcano and Cagsawa Ruins

The Visayas region, known for its beaches and seas brimming with life (we’re in the Coral Triangle, the world’s epicenter of marine biodiversity), showcases the Philippines’ one-of-a-kind underwater world.

Coral Triangle

Hovering above this coral wonderland are strands of plastic waste

Looking like it came out of Wonderland, a display of plastic waste, right above the underwater station, shows us that if we continue to pollute our waters, this natural wonder may soon be gone.

Colorfully attired guides at Mindanao Exhibit

The amazingly vibrant and colorful Mindanao Exhibit display depicts the island’s dances, traditional instruments and local cuisines.

The author at Mindanao Exhibit

A section of Lakbay Museo is dedicated to a fabric collection of traditional textiles and original tapestries that comes with local stories and whose textures you can touch.

Colorful fabrics you can touch to appreciate

An array of banig (woven mats) and carpets

Created by actual ethnic and indigenous groups from all over the Philippines, it presents an artistic take on the colorful fabric of our country which includes the t’nalak from Lake Sebu and inabel from Northern Luzon.  There are also over 120 synthetic mannequins wearing authentic Filipino fashion.

The Arraquio of Penaranda, Nueva Ecija (Central Luzon Exhibit)

A full-blown production, the museum holds cultural performances, hourly all throughout the day, of traditional dances from Luzon to Mindanao, with dance troupes performing on the big stage (with a Sto. Nino Shrine backdrop) at the Eastern Visayas area.

They entertained us with familiar and unusual moves from many Filipino fiestas and celebrations with a live performance of the Pandanggo sa Ilaw, Tinikling, Cariñosa, Sayaw sa Bangko, Ifugao Kaloob dance and Maguindanao’s Sagayan.

The Lakbay Museo staff also surprised us as they randomly burst into dance.  A puppet show also educates children on Philippine heritage.

Learning about Philippine culture is, of course, not complete without learning about the variety of dishes in the country, tasting the sour, sweet, salty, spicy, bitter and its other flavors by taking your taste buds on a journey with different Pinoy food and drinks.

Lakbay Museo, housing a large collection of Philippine staples has, literally on exhibit, over 600 known Filipino dishes in the collection.

Taboan Public Market

A replica of Cebu’s famous Taboan Public Market displays an array of local fruits and dried fishes (palad from Samar, bisugo from Ilocos, labahita from Batangas, etc.). However, since what they have on display are just life-like replicas, you won’t end up smelling like tinapa.

An array of dried fish

For the full experience, you can smell the real deal inside sealed jars on shelves.  They include different kinds of local vinegar with different strength levels (sukang Iloco, sukang paombong,etc.); delicious bagoong or shrimp paste (bagoong alamang, bagoong sisi, etc.); coffee beans and roasts (kapeng barako, kapeng alamid, etc.) and rice grain varieties (from the Ifugao’s Minaangan to the Mountain Province’s Ominio).

Bottles of bagoong, coffee and rice grain varieties on shelves

While most of the displays are replicas, you can also try some snacks using the 12 tokens that come free with the admission fee. Goodies normally cost from 1 -4 tokens each.

A sari-sari store

These, you can use to buy full meals (chicken adobo, arroz caldo, pancit lucban, sinigang, tinola, ginataang mais, etc.) and Pinoy street food (fish balls, quek quek, kakanin, sago gulaman, halo-halo, etc.) from the carinderia and chips, candies (Orange Swits, Stay Fresh, Haw Haw, Tarzan bubble gum, etc.), native treats and more from the sari-sari store. As Filipinos love sawsawan, you can try the local vinegar with their fish crackers.

Maskara Festival of Negros Occidental

Museo Lakbay, built on the foundation of environment conservation, aims to raise environmental awareness.  Most of its displays were made from recycled materials such as 4,560 old and used rubber slippers, 328 old tires, 453 old car mats, plastic bottles, and a variety of other recyclable waste products and scrap materials.

Gaily decorated carabao of Panagbenga Festival (Cordillera Administrative Region Exhibit)

The museum also provides job opportunities to the  marginalized sectors of the society – out-of-school youth, non-professionals, disabled persons (PWDs) and senior citizens.

Moriones Festival of Marinduque costumes

Local artists also lovingly handcrafted the thousands of realistic, life-size and perfectly flatlayed replicas of various market produce, multitude of fish species and a variety of vegetables and fruits on display. The quirky props, seemingly designed to appeal to social media users, include cute chairs around the stage that look like puto with cheese as well as benches that look like suman sa lehiya.

Museum shop

We ended our tour and exited the museum at the museum shop which sells local products and unique souvenir items (traditional toys, well-designed t-shirts, totes, etc.), in partnership with 189 micro, small and medium scale enterprises in the country.

Ati-Atihan costumed mannequins (Western Visayas Exhibit)

Lakbay Museo, a perfect place to rediscover our Filipino identity in a fun learning environment, is unlike most museums (where you can’t touch anything) and lots of fun.

Water from a coconut husk pouring into a palayok

Here, we can climb up and play in the exhibits and there were lots of photogenic spots and areas, standing across many of the prominent tourist spots in the Philippines for photo ops.

It presents a showcase of unique experiences, from walking through replicas of iconic landmarks, tasting samples of regional cuisine, touching handwoven textiles, and taking part in traditional folk dances as you visit various portals and IG-ready stalls and learn about our roots and appreciate the richness and diversity of Philippine culture.

Cordillera Administrative Region (CAR) Exhibit

Lakbay Museo: Level 1, S Maison, Marina Way, Conrad Manila, Mall of Asia Complex, 1300 Pasay City.   Open daily, 10 AM -10 PM (9 PM last tour).  Admission: Php 799 (You get a P100 discount if you book online).  Some sites (like MetroDeal) offer discounted rates. E-mail: mabuhay@lakbaymuseo.ph.  Website: www.lakbaymuseo.ph.  Facebook: Lakbay Museo PH. Instagram: @LakbayMuseoPH.  S Maison is connected, via a covered walkway, to Mall of Asia. Tour starts every 15 minutes.

Adaptive Reuse in Taal (Batangas)

Posted on by — Leave a reply

Villa Tortuga

During a lull in the proceedings of media coverage of Historia, Culinaria, Y Cultura, I took the time to check out two ancestral houses in Taal that have been given relevance through adaptive reuse – Villa Tortuga and Paradores del Castillo.  Adaptive reuse is defined as the repurposing of old buildings or sites for a function other than its original purpose.

Check out “Historia, Culinaria, Y Cultura: A Celebration of Philippine Independence Day Through Food, Fashion & Culture”

Grand stairway of Villa Tortuga

Villa Tortuga, a 150 year old ancestral home, was meticulously restored by eminent fashion designer Angelito “Lito Perez, Perez, a fashion and interior designer and owner of Camp Suki (Quezon City), the country’s pioneer costume rental company which provided period costumes for special events in schools, companies and individuals, fashion and theater productions.

Antique turntable

The name of the establishment was derived from the Spanish word “Tortuga” which translates to “turtle” in English. The house is located along the banks of  the Pansipit River where turtles dwell.

Antique upright piano

The house, with Philippine mahogany floorboards, ventanillas and wooden capiz windows, is furnished with four-poster beds, Art Nouveau mirrors, antique blue-and-white jars, objects d’art, an old upright piano, hardwood dining table, religious icons, heavy, bright crimson brocade drapery, vintage Italian candelabras and assorted old sepia photos in old wooden frames.

Hardwood dining table

From his heritage home, Lito organizes, by prior arrangement, the Villa Tortuga Colonial Experience which features Taal town day tours, small turn-of-the-century-inspired Taaleño meals, served in turn-of-the-century china, for a thematic 5-course lunch or dinner (Php1,500 per person) at the second floor dining area, and nightly accommodations with a colonial ambiance.

Ground floor studio and curio shop

The ground floor antique curio shop and photo studio also houses a collection of rent-to-wear 18th century period costumes (trajez typicos or traditional clothing”) for fun cosplay pictorials at Php250 per costume.

18th century cosplay

Women can dress up as the quintessential Maria Clara while men can appear as an illustrado in an all-white suit and Panama hat or a monk in a brown-hooded or simmering red robe. Their sepia souvenir photo makes one feel you lived during those times. Entrance fee is Php50 (for house visit only).

Paradores del Castillo

On the other hand, Paradores del Castillo, while still adhering to the footprint and Spanish-American-Colonial style of the Filipino bahay-na-bato, was turned into a bed & breakfast facility.  Originally built in the early 1900’s, this ancestral house underwent a restoration that in started in late 2014 and was completed on March 9, 2015.

Located just a few steps away from the Villavicencio Ancestral House (Casa V) and the San Lorenzo Ruiz Steps, their rooms, all airconditioned with cable TV and fridge, have either ensuite or shared baths. Cucina de Jardin, their restaurant, serves Italian, Taaleño, and Ilocano dishes.  The bestsellers are the Taal specialties.  They also have a swimming pool. 

Interior

Villa Tortuga: Calle Marcella M. Agoncillo cor. V. Illustre St., Taal.  Mobile numbers:  (0927) 975-1683 (Lito Perez) and (0917) 824-6900.

Paradores del Castillo: 28 Dr. H. Del Castillo St., Poblacion Zone 14, Taal.  Tel: (043) 740-4060.  Mobile number: (0917) 526-1098 and (0917) 500-6041. Open daily, 7 AM – 10 PM.  E-mail: paradoresdelcastillo@yahoo.com.  Website: www.paradoresdetaal.com.

Pasayahan sa Lucena (Quezon)

Posted on by — Leave a reply

Pasayahan sa Lucena 2019

The Pasayahan sa Lucena, a mammoth gathering of colors, outlandish costumes and symbolic floats held during the merry month of May, is a sea of frolicking humanity reminiscent of Mardi Gras in Rio de Janeiro (minus the women’s skimpy outfits) of Brazil and New Orleans (Louisiana, USA), but imbued with the Lucenahin’s local culture.

Politicians and their families join in the fun…..

 

No festival is complete without a marching band ……..

The festival had its beginnings on May 28, 1987. It was conceptualized during the administration of the late human rights lawyer and Lucena Officer-in-Charge Euclides “Ed” A. Abcede (a former congressional fellow at the United States Congress), and former Bureau of Internal Revenue local office chief, Aguinaldo L. Miravalles.

….. and majorettes

Both wanted to correct Lucena City’s image as a haven of the Communist New People’s Army and to promote it as a great tourism and investment haven.  Pasayahan is a Tagalog word for “merry-making.”

Initially started as a three-day celebration, the first festival ended on May 30, the feast of St. Ferdinand, Lucena City’s patron saint but, as the years went by, it became a week-long celebration that is usually held during the last week of May.

Judges and emcees at the competition

The main highlight of the Pasayahan is the Grand Parade or Mardi Gras, a parade of huge and colorful floats of the participating companies and organizations, along with street dancing (and marching bands, a Pandong (hat) completion and the gay-friendly Carnival Queen competition.

Parade of Carnival Queens

The usual starting point of the parade is at Pacific Mall Lucena going to SM City Lucena or Perez Park. The best float, best in street dance, and best in costume would be given some awards and cash prizes.

Street Dancing Competition

The parade, starting at 2:00 PM at Quezon National High School, went through M.L Tagarao Street, then turned right on Quezon Avenue and extended until Perez Park, then turned left on Merchan Street (Philippine Tong Ho Institute) and right to Gomez Street going towards SM City Lucena.

The Float Parade, the main event of the festival, featured the floats of the different companies, fast food chains, shops, government agencies, nongovernmental organizations, commercial outlets and service organizations.

As always, the themes of the colorful floats were based on any of the three products of the city, all reflecting aspects of local culture – pansit chami (a native delicacy of egg noodles sautéed with soy sauce, pork and vegetables), coconut or tinapa, a smoked fish made from tunsoy (sardine) and galunggong (mackerel scad).

IPI 60th Anniversary Float, the  grand prize winner in the Float competition, featured a giant carabao laden with farm produce

Each float, celebrating the products of the company and the entity involved, tried to outdo the others in vying for the approval of the judges.

Manuel L. Enverga University Foundation Float – fourth place

The 60th Anniversary Float of International Pharmaceutical, Inc. (IPI) of Cebu City, makers of Bioderm Soap, with Advertising Manager Angel “Tito” dela Merced with wife  Litlit on board, was the grand prize winner.

Raquel Pawnshop Float – second place

M Lhuiller Float – third place

Second went to Racquel Pawnshop, third to M Lhuiller, fourth to Manuel L. Enverga University Foundation and fifth to Nallas Talent and Entertainment; all from Lucena City.

Quesinhayaw Street Dancers – second place

Each participating group (open to all organizations, companies, schools and barangays in Lucena City and each with a minimum of 50 members) in the lively street dancing competition performed to the music of the Pasayahan jingle, their execution and style each exhibiting the flamboyant and flashy carnival look.

SK Dalahican Street Dancers – third place

The Barangay Gulang-Gulang dancers won the grand prize while Quesinhayaw of Quezon National High School was second and SK Dalahican  Street Dancers were third.

Candidate No. 1

Candidate No. 2

Candidate No. 3

Candidate No. 4

Candidate No. 5

Transgender women and gay men were afforded stellar participation in the Carnival Queen Competition, an extravagant drag segment that showcase ostentatious and heavy costumes that featured elaborate headgear, capes, brightly-colored feathers, gigantic flowers, fans and masks. Drum majorettes and little drummer boys announced their arrival.

Candidate No. 6

Candidate No. 7

Candidate No. 8

Candidate No. 9

Candidate No. 10

The regal and beautiful “queens,” looking like the real thing, walked confidently along the streets, moving your hips from side to side, in a way that attracts attention, before pausing before the jurors where they were introduced. In spite of the intense summer heat and heavy costumes, they all maintained their poise and smiled bravely.

Candidate No. 11

Candidate No. 12

Candidate No. 13

Candidate No. 14

Candidate No. 15

The less spectacular Pasayahan Pandong Contest featured contingents wearing creative hats.  DepEd Lucena won the grand prize while the Boy Scouts of the Philippines (BSP and Barangay Ibabang Iyaw were second and third respectively.

DepEd Lucena

The winning pandong of Barangay Mababang Iyaw

Quezon Provincial Tourism Office: 2/F, Quezon Convention Center, Quezon Capitol Compound, Lucena City 4301.  Tel: (042) 373 7510.

Balesin Island Club (Polillo, Quezon)

Posted on by — 6 Comments ↓

Balesin Island seen from the air. In the foreground is Toscana Village

I’ve already heard about Balesin Island, off the eastern coast of Luzon, since way back in high school from my classmate Anthony Tordesillas whose father, the late Board of Investment head Edgardo Tordesillas, owned the island.  A chance encounter with Anthony after high school elicited an invitation to visit the island with him but, for reasons I can’t recall, wasn’t able to join him.  After Anthony’s passing in 2012, I thought the opportunity to visit this now members-only, private leisure getaway, now called Balesin Island Club, has finally passed me by.

Map of the island

That is, until lately when my wife Grace and her boss Engr. Loy Ganzon (Chairman of the Board of E. Ganzon, Inc.) were invited to a wedding there as godparents.  Jandy, Cheska, Bryan, Kyle and I gladly joined them.

One of the island’s banyan (balete) trees

The island’s name is a combination of two Filipino words – balete (local name for a banyan tree) and asin (local word for “salt”). Now Alphaland Corporation’s flagship project, Balesin Island Club is a 500-hectare, 5 km. long tropical island paradise with 7.3 kms. of pristine white-sand beaches. Around 10% of the island has been developed to create this award-winning luxury resort.

One of the island’s white sand beaches

The island was titled as a single property in 1926 (although the name of the original owner is unknown).  Immediately before and after World War II, the island was owned by the Pelejo and Jugueta families. In 1958, these families sold the island to the San Pablo Oil Company (now making Minola Cooking Oil) owned by 63 year old German expatriate and naturalized Filipino citizen Werner P. Schetelig.  After Schetelig died in 1962, Felipe “Baby” Ysmael (of Ysmael Steel) then bought the island from San Pablo Oil Company.

In 1967, Edgardo Tordesillas, business executive and amateur pilot, acquired the island from Felipe and set about building tourism facilities on the island, first building cottages (to house his family and guests) and, later, a nipa-roofed clubhouse, swimming pool, tennis courts and a 9-hole golf course. He also planted thousands of trees as well as many kinds of ornamental plants.  In 2011, Roberto V. Ongpin, Chairman of Alphaland Corporation (founded in 2007) acquired the island from the Tordedeillas family (Edgardo died in 2005) and developed Balesin Island Club.

Two offshore islands

Balesin, master-planned by EcoPlan of Miami, Florida, USA to optimize ecological sustainability, was meticulously designed to be in perfect harmony with its natural surroundings.  With the enhancement of everything in its environment uppermost in their mind without scrimping on luxurious, top-notch facilities, Alphaland adapted the “Three Pillar Innovation” – People, Planet and Profit.

Water reservoir

They reduced the amount of waste and ensured sustainable development via the island-wide rain water harvesting (runoff from the 1.5-km. airport runway provides over 100 million liters of water annually), 80% water recycling (for landscaping during the summer), a reverse osmosis plant, on-site eco-friendly transportation, organic farming, and alternative sources of energy.

Organic vegetable farm

The island’s coral reefs were also managed for diving and sustainable fishing. During the 14th United Nations World Tourism Organization Awards, the resort nabbed second-place for Innovation and Excellence in Tourism — the first in the history of the Philippines.

Alphaland Aviation Lounge

Our early morning journey to Balesin began at their cool, quiet and comfortable private terminal lounge at Alphaland Aviation Lounge in Manila, arriving there by 5 AM.

Our 68-seater ATR 72-100 at the hangar

After checking in our luggage and relaxing at the lounge while waiting for our flight, we boarded our 68-seater ATR 72-100 and were soon on our way.

On board and on our way….  L-R: Jandy, Engr. Loy Ganzon (Chairman of the Board of E. Ganzon, Inc.), Ms. Mamel Yap (E.G.I.), Bryan and Kyle

Alphaland operates two of these jets plus one 19-seater British Aerospace Jetstream 32 and two 9-seater Cessna 208B Grand Caravans) and took off for the island just before 8 AM.

Landfall at E.L. Tordesillas Airport

We arrived at the island’s aptly named E.L. Tordesillas Airport by 8:20 AM.  At the Welcome Center, we were briefed by the staff on the island’s facilities and, after picking up our luggage, were brought to our respective villas via airconditioned vans.  We stayed 2 nights at Phuket Village and another night at Costa del Sol. After checking in, we had a late breakfast at Balesin Sala in Balesin Village.

Check out “Resort Review: Balesin Island Club – Phuket Village” and “Resort Review: Balesin Island Club – Costa del Sol”

Welcome Center

The beauty of the island was a world completely unto itself, with seven theme villages patterned and inspired from the most alluring, world-class luxury beach destinations where everything, from the architecture, interior design, landscaping and food, is authentically recreated – Balinese for Bali Village, Greek for Mykonos Village, French (Riviera) for St. Tropez Village, Spanish for Costa del Sol, Filipino at Balesin Village, Italian (Tuscany) at Toscana Village and Thai for Phuket Village.

Check out “Balesin Island Club – Bali Village,” “Balesin Island Club – Costa del Sol,” “Balesin Island Club – Mykonos Village,” “Balesin Island Club – St. Tropez Village,” “Balesin Island Club – Balesin Village” and “Balesin Island Club – Toscana Village”

The Clubhouse

The Clubhouse has a reception area, a cigar lounge where you can light up a fine cigar (Tabacalera Cigar Divan),  gaming room (billiards, table tennis, a Wii console), a 600 sq.m. function area, a fully equipped conference room (for large gatherings and private meetings), seven 2-bedroom unit Clubhouse Suites, KTV rooms (Mike’s and Rannie’s), souvenir shop, music lounge, view deck, veranda, library, mahjong and poker room, internet gaming/business center, salon and barber shop, children’s indoor playroom, screening room, locker rooms, boutique and medical clinic.

The Clubhouse Lounge

It also has a number of bars (Lobby Bar, Coral Bar) and restaurants – Sakura Japanese Restaurant  (for sushi and teppanyaki dishes), the Dining Room, Balesin Dining Room and Han Gang Restaurant plus private dining rooms (Michelle’s and Anna’s).

Reception Area at Clubhouse

Outside are exquisitely designed swimming pools  (adult and kiddie) and 3 whirlpools, bars and private beach cabanas.    The Aquatic Sports Center offers waterskiing, kayaking, windsurfing, snorkeling, wakeboarding, scuba diving, stand-up paddle boarding, boat rentals, deep sea fishing, Hobie Cat sailing, Frisbees, volleyball and paraw sailing.

The clubhouse’s swimming pool

Docked offshore for sunset cruises is Balesin’s new super yacht, the M/Y Obsessions, a sleek, 130-foot, aluminum-hull  vessel built by Heesen Yachts in the Netherlands.  Its decadent interiors were designed by Ann Van Der Kamp and Diaship, using sumptuous materials from Gianni Versace’s luxury Italian label.

The M/Y Obsessions

On our second day, after breakfast Jandy and I made a tour around the island. Aside from the airconditioned vans, jeepneys and buses, the resort also uses electric golf carts to go around the island to reduce its carbon footprints.

One of the jeepneys that transports guest around the island

We visited the Ifugao Village where an entire community of Ifugao woodcarvers lived.  The furniture on the island, both modern and traditional, was made by them and they also produce art pieces, sculpture as well as souvenir items for sale to visitors.

Jandy in front of the Ifugao Camp

We also visited the Sports Center with its fully-equipped gym, badminton courts, basketball court, tennis courts, martial arts studio, airsoft target shooting range, soccer field, running track, rock climbing wall, table tennis and refreshment bars.

Sports Center

A fenced part of the jungle houses tactical formations for paintball and war games, a stable for Segways, and Knockerballs. There’s also horse riding stables, an archery range, golf driving range and putting green.

Soccer Field

The island is also home to the Aegle Wellness Center, a state-of-the-art integrative health & wellness center nominated as Medi-Spa of the Year in the 2017 Asia Spa Awards.  It is the only place in the Philippines, and among the few in Asia, that offers thalassotherapy, a medical treatment for weight loss and detoxification that makes use of the components of seawater.

Pony Paddock

On our third day, scheduled afternoon tour, this time via an airconditioned bus, took us around the island, visiting each of the aforementioned 7 themed villages.

The Greek-themed Mykonos Village

Toscana Village

The French Riviera-inspired St. Tropez

Balesin Village

We also visited the Family Picnic Grove and Organic Farm where seafood and organic produce, for the restaurants, are cultivated at specially made fish pens and greenhouses, respectively.

Family Picnic Grove and Organic Farms

Bryan, Kyle and Cheska at the Family Picnic Grove and Organic Farms

At the Aviary (a joint undertaking of Balesin Island Club and the Tobiano family), we had intimate encounters with some exotic birds.

The Aviary

These include blue and gold macaw (Ara ararauna), African grey parrot (Psittacus erithacus), Victoria crown pigeon (Goura victoria), scarlet macao (Ara macao), Indian blue peacock (Pavo cristatus), among others.

The author with a pigeon

It is also home to a pair of African spurred tortoises (Centrochelys sulcata) and rabbits.

The open-air chapel

The open-aired Chapel across the latter, with amphitheater-like seating and wooden altar, was where the wedding took place.  We also heard mass here.

The rustic chapel interior

The wedding reception was held at The Salon, the elegant function hall which accommodates up to 350 guests for sit-down banquets, at the majestic Balesin Royal Villa, facing Lamon Bay and its gorgeous sunset.  It also has an a bar facility, a 10-person elevator for easy access to the upper and lower floors from

Balesin Royal Villa

The Salon, state-of-the-art karaoke room as well as billiard and foosball tables.  The ten 120 sq.m. Royal suites located on the ground floor, each have a terrace providing direct access to the 2 swimming pools (with jet bubblers and 4 sunning decks) and private, white-sand beach.

Entrance to Balesin Royal Villas

The four 317 sq.m. Maharlika suites, on the upper level, have their own living area, terrace, and outdoor jacuzzi. All Balesin Royal Villa suites have magnificent views of the sea, and accommodate up to 4 people each.

Fish Fun

As we just stayed on the island for three days, we didn’t get to experience all the different cuisine the island had to offer but we did get to try breakfast at Balesin Sala (Balesin Village) and the Main Clubhouse (the centerpiece of the resort together with the state-of-the-art wellness facility), Spanish cuisine for lunch at Casa Grande (Costa del Sol) and, for dinner, Thai cuisine at Sawadee (Phuket Village) and Japanese cuisine at Sakura (Main Clubhouse).

Balesin Sports Bar

Bryan playing billiards at the Sports Bar

Sakura, the club’s most popular restaurant, is located inside the main clubhouse.  Led by chef Edo-san, it houses a teppanyaki counter and sushi bar, and serves everything from soba to tempura to prime steak.  Favorites include the much sought-after popped rice starter with its poetic presentation, the Edo-san maki of eel, cream cheese, avocado, tobiko and topped with baked crab, the spider roll, sea bass with miso, beef usuyaki, and the beef and seafood teppanyaki with fried rice.

Balesin Island Club: Brgy. Balesin, Polillo 4339, Quezon.

Metro Manila Corporate Office: Alphaland Corporation, Alphaland Makati Place, 7232 Ayala Ave. Extn., 1209 Makati City, Metro Manila.  Tel: +63.2.5337.2031 and +63.2.5337.2055 loc 271 to 274 (Reservations). Fax: +63.2.5338.1231,  E-mail: info@alphaland.com.ph. Website: www.balesin.com.

The Pandang Gitab (Calapan City, Oriental Mindoro)

Posted on by — Leave a reply

Pandang Gitab (Festival of Lights)

After our dinner and interview of Gov. Alfonso Umali Jr. at Vencio’s Garden Seafood Café, we boarded our respective vans to cover the Pandang Gitab Parade, Oriental Mindoro’s “Festival of Lights.”  The festival was usually held on the third Saturday of February but, as this month was usually rainy, it was held, for the first time, in the month of April.

The parade had already started at 6 PM (upon the sound of the pealing church bells which signaled the start of the oracion, the six ‘o clock prayer), at the Calapan City Plaza so we were dropped off along J.P. Rizal Street were we were to catch the parade as it approached the Oriental Mindoro National High School OMNHS) grounds where the in-place competition will take place.

The word pandang-gitab, which describes an old tradition of Mindoreños, was coined from the word pandango (descended from a Spanish-American dance performed by a man and woman) and the word dagitab (handmade lamp or portable light or “flicker of light”).

According to Kanami Namiki’s book “Ramon Obusan, Philippine Folkdance and Me,” the pandango is danced with regional and local variations such as lights (ilaw) in Mindoro and hats (sambalilo) in Bulacan.

The Filipino folk dance Pandango sa Ilaw (Dance of Lights), of Mindoro and Pangasinan, is a dance made up of two dances using lights.  Dancers from Mindoro balance oil lamps on their head and on their palms while those from Pangasinan use lamps wrapped in dark-pink scarves. The Pandango sa Ilaw of Mindoro originated from Lubang Island.

The dance was inspired by the practice of wives from the coastal community of Mindoro who accompany their fishermen husbands going out to fish at the crack of early dawn. The burning wisps of their oil lamps light the way to the shore. Part of this practice is a ritual folk dance for a safe voyage and bountiful catch. The lights also provide a beacon for fishermen coming back from the sea. The annual Pandang Gitab, the street dancing festival inspired by this practice, is a nod to this tradition.

The Pandang Gitab, one of the much awaited celebrations in Oriental Mindoro, was first introduced as a street dance in November 2001 (51st founding anniversary of Oriental Mindoro) and has been held every year since then. At the national level, this lively street dance has already reached great popularity and promotional exposure.

In 2011, the Pandang Gitab Oriental Mindoro (“Oriental Mindoro” was added to imply exclusivity to the island where the festival is held) joined the Aliwan Fiesta competition, the country’s grandest fiesta celebration, which brings together, in a single setting, street dancing contingents from all over the country. According to Gov. Alfonso Umali, it brought home the 5th prize, beating other well-known contestants from around the country. Last year, it made it to the Top Ten, bringing home the 7th prize.

In 2012, during the recent celebration of the province’s 62nd founding anniversary, the “Pandang-Gitab” was declared and recognized as the official festival and cultural event of the island province, by virtue of Provincial Ordinance No. 25, and will now carry the banner of Oriental Mindoro. A far cry from the loud, usual drummed beats of older and more famous festivals (Ati-Atihan, Dinagyang, Sinulog, etc.) in the Philippines, street dancers here don colorful and glittery garbs, inspired from the traditional baro’t saya, and twirl and sway with the rural, lively tune (a composition of National Artist for Music (1988) Col. Antonino Buenaventura) of the pandango to relive the old and simple living of fisherfolk in the island.

Set at night, the event lit up the streets of Calapan City and the melodious Pandango sa Ilaw serenaded us as well as fiesta-goers. This unique aspect added to the annual festival’s allure.  Though the influx of spectators are limited (usually it’s only from Calapan City and Baco area), this still nascent festival has a big potential to attract foreign and domestic tourists outside the province.

The dancers at this lively street dance parade where clad in colorful traditional Filipino costumes, with made up faces and coiffed hair.  They queued and formed their lines, holding their gas lamps and candles in glasses. Then, they started to stomp their feet in triple time rhythm, grinding and swaying to the beat of Pandanggo sa Ilaw.  The street was illuminated by the bright tongues of light of the three glittering oil lamps (tinghoy), or candles in glasses, balanced on the pandanggera (dancer’s) head and on the back of each hand.

On the other hand, the guys, with hands akimbo, dance to and fro, exchanging steps left and right and following the movement of the pandanggera.  They all gyrated to the blaring beat of the song played repeatedly and continuously until all the six dance groups (from Calapan City and the municipalities of Socorro, Baco, and Pola), usually with 60 to 100 performers, had finished their turns. The sets and props were just as impressive, from stilts, bancas, a Ferris Wheel and even a lighthouse (parola).  The Baco delegation, guided by folk choreographer Dr. Jay Mark Atienza, was declared as the Pandang Gitab Dance Parade Competition champion for the third consecutive year.

The winning Baco contingent

This annual Festival of Lights, which brings back the culture and old traditions of the Mindoreños, is truly unique from the other well-known Philippine festivals and I am optimistic it would catch the attention of fiesta revelers nationwide.

The Pandang Gitab awaits you ………

Provincial Tourism and Cultural Affairs Office: Provincial Capitol Complex, Calapan City 5200.  Tel: (043) 286-7046 and (043) 441-0306. Website: www.ormindoro.gov.ph.

Caleruega Retreat Center (Nasugbu, Batangas)

Posted on by — 1 Comment ↓

Dominicum (Caleruega Retreat Center)

After a filling lunch at Josephine’s Restaurant in Tagaytay City, Mark, Jandy, Vicky, Marc, Bryan and I opted to go on a sightseeing trip.  Back on Mark’s Starex van, we traveled a further 15.7 kms. (25 mins.) to the town of Nasugbu, in the adjoining province of Batangas, where we were to visit the much hyped up retreat center and wedding venue called Caleruega. Designed by Arch. Yolanda D. Reyes (Dean of UST’s College of Architecture) and built in 1995, Caleruega was set up as a venue for retreats and seminars of the Dominican institutions.

Mark (center) and Vicky (right) exploring the grounds

 

The much-publicized wedding of Christopher de Leon and Sandy Andolong gave Caleruega its early exposure and, today, it is a lovely setting for an out of town wedding for brides and grooms.  Even movies and television ads producers have taken notice.

United Architects of the Philippines (UAP) 1996 Design Award in Architecture

From the highway, we turned into of a long, rough, bumpy and isolated road, at the end of which is the sprawling, 8-hectare property owned by the Dominican Fathers. We parked our van just outside.  Past brick-paved rotunda and fountain is the Dominicum (which we mistook to be a chapel), the receiving hall for visitors and those having their retreats at the place.

Perched atop an elevation with a 21 steps leading up to it, its two level Moorish and Spanish-style facade has a segmental arched main entrance flanked by square pilasters and niches with statues of Thomas Aquinas and Catherine of Sienna, both doctors of the church, at the ground level.

Stairway leading up to the Dominicum

The main entrance is topped, at the second level, by a semicircular arched window with the stained glass image of St. Dominic, founder of the Dominican order.  This window is flanked by smaller semicircular arched windows with stained glass images of his father’s coat-of-arms on the left and his mother’s coat-of-arms on the right.

Stained glass window depicting St. Dominic

The four square pilasters (two reaching up to the pediment) are topped by pineapple (probably hinting at its proximity to Tagaytay)-shaped finials.  The undulating pediment has a bell-gable (espadana) at the center.

Grand stairway

Inside is a grand, elegantly curving staircase (unfortunately, off limits to visitors), a gift house (where one can buy souvenir shirts, trinkets and religious items) on the left, a mess hall on the right and a corridor that leads to the gardens.

Mess hall

From the Dominicum, pathways, following the natural curves and slope of the hill, lead us into a garden bursting with color and life. It was easy to fall in love with the serenity and beauty of this gorgeous retreat sanctuary with its abundant and colorful varieties of flowers, lush plants and trees and walking paths.

In the comforting company of nature, one can sit on solitary park benches, found in niches, and gaze at the 180-degree view of cobalt-blue skies,  the rolling, verdant hills and mountains and the plains. Caleruega’s tag line, “Closer to Nature, Closer to God,” is a fitting description of this nourishing sanctuary.

Lining the pathway are functional dormitories, cottages and overnight guests plus an interesting gazekubo, a conference hall that mixes the elements of a gazebo and a bahay kubo, with adobe stone walls roof made with once brown pawid (now green with small plant growth).

Gazekubo

The many signs and symbols of the Dominicans were abundantly integrated into the architecture.  The motif of the Dominican star (Joanna of Aza, St. Dominic’s mother, saw a star on her son’s forehead, a sign that he would eventually spread light to the world), as well as the sun, can be consistently seen in the refreshing fountain on the driveway, capiz windows, grilles and even inside cottages in the retreat center.

There were also viewing decks where one can witness the stunning show and the magical moment of the sun setting between the two rugged peaks of Batulao (incidentally, the name Batulao is derived from the words bato, meaning “stone,” and “ilaw or “light”), creating the perfect mood for love. St. Dominic’s Point, another beautiful vantage point, has a statue of St. Dominic, his feet lined with a star formation of fuchsia plants.  Rosary Lane, framed by the rolling hills of Mt. Batulao, has a statue of the Mother and Child sitting in prayer, each clutching a rosary.

At the peak was the famed, stunning and quaint Transfiguration Chapel with its Moorish-style facade done in red brick and painted concrete. When we arrived, a wedding was ongoing inside the chapel.  Patterned after the original Caleruega Chapel in Spain, it can fit only 150 people.  Its door has a brass sculpture of seven grapevines (symbolizing the Seven Sacraments).

Transfiguration Chapel

The chapel’s interior, finished with varnished wood and painted concrete, has a lectern with Biblical images of the mustard seed while the tabernacle has a burning bush design.  The altar, made from a carved tree trunk, signifies the Stem of Jesse in the Book of Isaiah. The birds, at the communion table, symbolize God’s providence.

The chapel interior with its centerpiece stained glass window featuring the Transfiguration – Moses on the left, Jesus at center and the prophet Elijah at the right

The stained glass windows of the chapel, giving a very soft and warm glow to the interior (an atmosphere conducive for prayers and reflections), were impressive. On the facade is the seal of the Dominican Province of the Philippines. Inside is the centerpiece of the church floor to ceiling stained glass of the figures of Transfiguration (Jesus, Moses and Elijah).

The author at the Transfiguration Chapel

In front of the chapel is “Thy Will Be Done,” a metal sculpture with arms outstretched done by Baguio City artist Benhur Villanueva. Surrounding the chapel are carefully selected plants and trees (the planted pine trees even mimic the Mediterranean setting where St. Dominic was born in 1170 in Caleruega in Old Castile).

Thy Will Be Done (Benhur Villanueva)

Caleruega is a lovely, quiet and soothing addition to the 39 Catholic houses (retreat houses, formation houses, seminaries and contemplative groups) tucked along Tagaytay Ridge as well as over a dozen Christian lay communities and prayer houses.

Caleruega Retreat Center: Bgry. Kaylaway, Batulao, Nasugbu, Batangas.  Mobile number: (0921) 270-9890 and (0921) 830-4226.  E-mail: caleruega_philippines@yahoo.com. Open daily, 8 AM – 12 noon and 1 – 5 PM. A mass is held every Sunday at 11 AM.

How to Get There:
Coming from Tagaytay City, board a Nasugbu bound bus and ask the driver to drop you off at Evercrest where there’s a tricycle station.  Here, you can hire a tricycle for a two-way trip to Caleruega.

Diplomat Hotel Ruins (Baguio City, Benguet)

Posted on by — 1 Comment ↓

The author outside the Diplomat Hotel Ruins

The Dominican Hill Retreat House, an abandoned structure atop Dominican Hill commonly known as the Diplomat Hotel, is a favorite spot for photography, airsoft tournaments, film making, wedding receptions and photography, cosplay photoshoots and many more. In spite of it being in ruin, almost every tourist that goes to the City of Pines makes it a point to visit this place because it is one of the most panoramic and picturesque spots in the city. However, due to its brutal and grim World War II history, it is considered by paranormal believers to be haunted.

The century-old Diplomat Hotel Ruins. At far right is the Ten Commandments Building

The building had its beginnings in May 1911 when American friars of the Dominican Order (or Order of Preachers), along with a few Spanish members, made plans for the construction of a vacation house for them and the nuns of their order in Baguio. A 17-hectare hill property was first acquired from Americans who reside in Baguio. The hill where the building was to stand was christened as “Dominican Hill.”

Plaque installed by the National Historical Commission

The building was designed by Fr. Roque Ruaño, O.P., a civil engineer and one of the members of the order.  He was the same architect of the main building of the current campus of the University of Santo Tomas.

The cross at the front of the hotel. Below it is a bas relief of a probable Dominican shield with a crown on top and a dangling rosary

Construction, said to have started in 1913, was supervised by Fr. Ruano himself. On May 23, 1915, it was then inaugurated. At the time of its construction, it was considered the grandest and most expensive stone structure in the city.

Prayer Mountain and Tourism Center

On June 1915, to take advantage of tax exemptions, the order set up a seminary named Colegio del Santissimo Rosario.  However, due to the very small enrollment (only 6 students enrolled in 1917), the school closed two years later and the building was reverted to its original use.

Baroque scroll ornamentation at jambs and the top of the main entrance

During World War II, the people fleeing from the Japanese sought refuge within its walls. Because of its commanding view of the city, the Japanese Imperial Army turned the compound into their headquarters and garrison. Within the courtyard and its grounds, the Kempeitai (Japanese secret police) committed barbaric acts such as torture, rape and decapitation of priests and nuns, as well as refugees.

The rehabilitated west wing of the building

On April 1945, during the liberation of the Philippines, the American forces bombed the place, partially hitting the right wing of the building while Japanese forces committed suicide. Between 1945 and 1947, the building underwent restoration.

The east wing of the building

In 1973, Diplomat Hotels, Inc. acquired ownership of the property and thoroughly remodeled the interior into a 33-bedroom hotel, all the while retaining the unique features and Dominican ambiance (the large white cross and the emblem was retained) which were earlier established by the Dominican friars.

Fireplace at hotel lobby. Tony Agpaoa is said to haunt this area

The hotel was managed by Baguio-based entrepreneur Antonio Agapito “Tony” C. Agpaoa, the sensational and controversial faith healer (later branded as a hoax by many) famous for psychic surgery who claimed to perform surgery with his bare hands without anesthetic.  The hotel became the haven of his patients that came mostly from abroad and they stayed here while being healed.

Multi-tiered fountain at Courtyard No. 1. Babies and little children were said to have been murdered here during the war

In the 1980s, Agpaoa suffered a heart attack and was diagnosed with brain hemorrhage. On January 1982, the 42 year old Agpaoa died of his ailments. Since his death, the hotel ceased operations and was abandoned. Following its abandonment, the place was looted and sacked.

Similar fountain at Courtyard No. 2

The Housing and Urban Development Coordinating Council, formerly known as the Ministry of Human Settlements, took over the ownership of the hotel. The Presidential Management Staff (PMS) came next.  During the June 16, 1990 Luzon earthquake, the building also sustained significant damage.

Exhibit at west wing

The property on the hill (currently named as Dominican Heritage Hill and Nature Park) was conveyed to the City Government of Baguio in April 2004 and, on April 5, 2005, was declared a National Historical Site through TCT No. T-85948.

Grand stairway leading to second floor

The entire property was declared as a historical site through City Resolution No. 168, series of 2013. The Deed of Conveyance and City Resolutions provided for the rehabilitation of the old building and the development of the property into a park by obligating the city.

One of the 33 hotel rooms

It is now under the maintenance of the City Environment and Parks Management Office (CEPMO). In May 2012, as part of the development of Baguio Dominican Heritage Hill and Nature Park as a preserved heritage site and to promote tourism, two new function halls for weddings, training and workshops in the hotel’s west wing were inaugurated. On September 1, 2014, the National Historical Commission of the Philippines declared it as an Important Cultural Property. 

Still intact bathtub at bathroom of one of the hotel rooms.

This 2-storey building, an example of classic Baroque architectural design with its striking details and admirable design, is a fusion of European church design, blended with local materials and motifs. Its rusticated facade has a porte cochere over a driveway.

The author

The ground floor, with semicircular arched windows, and the second floor, with rectangular windows, are separated by a horizontal cornice. The cornice, at the roof deck level, is located above corbels.

Headless ghosts of nuns and priests are said to haunt these hallways.

Planned out as a castle complete with crenelations, it has a massive fortress-like character. This is also the first hotel in the country, and even in Asia, to have a cross on its gabled main entrance. From this stone crucifix on the roof deck, a panoramic view of the city can be seen. Its roof also has water collecting devices. Inside are two courtyards, both with multi-tiered fountains.

Second floor hallway.  Note the still intact, circa 1970s crazy-cut marble flooring.  Floor beams are supported by decorative coorbels

If ghosts, spirits and the paranormal tickle your fancy, then this so famously haunted, eerie, bleak and abandoned building is definitely for you.  Considered as one of the most haunted places in Baguio City and the Philippines, even since the Diplomat Hotel was open, employees and guests would report hearing strange and eerie noises coming from the building and seeing headless ghosts, with their heads on a platter, constantly roaming the hallways.

Secondary stairway

However, even after the hotel shut down, those sightings would continue.  The people living nearby were often disturbed at night by sounds coming from the Dominican Hill. They would hear banging of doors and windows, clattering of dishes, voices of screaming people who seem to be agonizing, as well as rattling and clanging sounds alternating with total silence.  Adding to the eerie atmosphere is the derelict condition of the hotel.

Fireplace at east wing

As previously mentioned, during the World War II, numerous nuns and priests (forced to serve as helpers for the soldiers) were beheaded here and this is believed to be the reason why headless apparitions are often seen, during the night, inside the hotel. Crying coming from kids and babies, a common noise, are attributed to the massacre of numerous children done at the fountain.

Roof deck

Others say these are the restless spirits of Agpaoa and his patients.  Many years ago, a fire broke out in a portion of the hotel and several guests who were then staying at the hotel were trapped inside and died.  According to one of its caretakers, a woman who used to work there as a nurse committed suicide, for unknown reasons, by jumping from the rooftop where the cross is situated.

Cross seen from the roof deck.  A nurse was said to have jumped to her death at this area

A lot of documentaries have been written about this mysterious hotel.  It was featured on television programs such as Magandang Gabi, Bayan‘s 2004 Halloween Special, AHA! and Kapuso Mo, Jessica Soho. Right beside the Diplomat Hotel ruins, is the fairly recent, A-shaped Ten Commandments Building, a “prayer building” which serves as a symbol that drives away evil spirits.

Check out “Ten Commandments Building“

 

View of Baguio City from Diplomat Hotel Ruins

Diplomat Hotel: Dominican Hill, Diplomat Road, Brgy. Dominican Hill-Mirador,  Baguio City, 2600 Benguet. Open 6 AM – 6 PM.

Po Lin Monastery (Lantau Island, Hong Kong)

Posted on by — 3 Comments ↓

The author at the courtyard of Po Lin Monastery

After our visit to the Tian Tan Buddha (Big Buddha), we proceeded to the nearby Po Lin Monastery, a Buddhist monastery located on level Ngong Ping Plateau, between the lush, green Lantau Peak and Lei Nak Peak.  The wooden bracelets sold near the Big Buddha statue (an extension of the monastery) are made at Po Lin (translated as “precious lotus”).

Check out “Tian Tan Buddha“

View of Po Lin Monastery from Tian Tan Buddha

Founded in 1906 by three monks visiting from Jiangsu Province on the Chinese mainland, it was initially known simply as “The Big Hut” (大茅蓬 Tai Mao Pung) but was renamed to its present name in 1924.

In 1918, three nuns ordained at this monastery established a private nunnery, dedicated to Guanyin (the Goddess of Mercy), called Chi Chuk Lam (紫竹林) on Lantau’s Lower Keung Hill (下羌山). In the 1950s, there were about 20 jushi and nuns residing there but, today, only an elderly abbess remains. On June 2013, the site was inscribed in the UNESCO World Heritage List.

Hall of the Heavenly Kings

Hall of the Heavenly Kings

We spent some time admiring the architecture of the structures of this orderly Buddhist monastery complex which houses many Buddhist scriptures.

Kyle, Jandy and Cheska at the courtyard of Po Lin Monastery

Its many halls (Da Xiong Bao Dian, the Maitreya Hall, the Hall of Ti-tsang Bodhisattva, the Weituo Hall, the Banruo Hall, the Sutra-Collection Hall) and prominent architectural buildings and structures sit tightly on the north-eastern to south-western axis, overlooking the South China Sea. On the south side of the axis are the Po Lin Hall and the facility for ceremonial and religious activities.

Hall of Bodhisattva Skanda.  On the upper level is the Hall of Great Hero while on the lower level is the Hall of Arhats

San Men (Mountain Gate) leads up to the Hall of Bodhisattva Skanda, the Main Shrine Hall of Buddha, and the Grand Hall of Ten Thousand Buddhas.  In symmetrical arrangements on the flanks are the Bell Tower (houses a 1,000 kg. bronze bell) and the Drum Tower, the Hall of Ksitigarbha Bodhisattva, the Meditation Hall, the Dining Hall and the Sangha Hall.

Hall of Great Hero (off limits to visitors)

These edifices enclose and create roomy space and airy courtyards. The Hall of Ti-tsang Bodhisattva houses an approximately 200 kg. (441 lb.) bronze statue of Ti-tsang Bodhisattva.

Hall of Arhats

Hall of Arhats

In its effort in spreading Buddhism and in moving forward towards globalization, the monastery has changed its architectural concept from local southern China to that of Beijing palatial design.  The seven-span Hall of Bodhisattva Skanda, completed in 1970, adopted the architectural design of the Ming and Qing’s Dynasty palaces.

Its double-eaved gable roof, made of yellow-glazed tiles, has a ridge decorated with zoomorphic ornaments, dragons, phoenixes and animal patterns. Coiled granite dragons, carved in the Minnan style, can be seen on the front and the back of the hall.

Hall of Ten Thousand Buddhas

On the other hand, the incredibly ornate Grand Hall of Ten Thousand Buddhas, which went on the drawing board in 2000 and was completed in 2014, adopted the classical architectural concepts of the Song Dynasty.

Koi Pond

Covering an area of more than 6,000 sq. m., it now enshrines more than 100 statues and has a shrine hall, an exhibition hall, a meditation hall, an abbot’s chamber, a scripture library and other multi-functional facilities.

Bell Tower

The Great Hall of Treasure (Da Xiong Bao Diane) enshrines three bronze statues of the Buddha (Sakyamuni, Dipamkarara and Maitreya, representing his past, present and future lives). Many visitors here join in praying and giving offerings at the temple.

Drum Tower

Interior of Drum Tower

For those who fancy typical, good quality vegetarian cuisine, the monastery also has a vegetarian kitchen where a multi-course lunch can cost you up to HK$138.  Dishes are served at the dining hall and at the Fat Ho Memorial Hall. Opposite the dining hall, snacks such as salty dimsum, steamed cakes, spring water bean curd, glutinous rice dumplings with mango filling and noodles are sold.

Fat Ho Memorial Hall

Near the giant Tian Tan Buddha and the monastery is the Ngong Ping Village and Ngong Ping 360, a gondola lift running between Tung Chung and Ngong Ping.

Check out “Ngong Ping 360 and Ngong Ping Village“

Deli Vegetarian Cafe

Po Lin Monastery: Ngong Ping, Lantau Island, Hong Kong. Tel: +852 2985 5248.  Fax: +852 2985 5600.  E-mail: info@plm.org.hk.  Website: www.plm.org.hk.  Open daily, 8AM to 6PM. The Vegetarian Kitchen is open daily from 11:30AM to 4:30 PM  (7 PM on Saturdays, Sundays and public holidays).

Tian Tan Buddha (Lantau Island, Hong Kong)

Posted on by — 2 Comments ↓

Tian Tan Buddha Statue

The majestic Big Buddha statue, sitting atop the peak of 479 m. high Mount Muk Yue, is sited near Po Lin Monastery.  At ground level, the statue was quite a formidable and imposing sight. Together with many other tourists, we were huffing and puffing on our way up, only catching our breath at a number of stair landings. The view of Lantau Island, the 934 m. (3,064 ft.) Lantau Peak and the South China Sea from the top was ’breathtaking.

Check out “Po Lin Monastery“

This large bronze statue of Buddha Shakyamuni, a major center of Buddhism in Hong Kong and a popular tourist attraction, symbolizes the harmonious relationship between man and nature, people and faith.  The statue, skillfully mastered and conceptualized by the artist to shape the perfect design of the Buddha statue that we see today, was a culmination of the characteristics of Buddhist sculptural art of the Sui and Tang Dynasties (when Buddhism was at its prime).

Taking 12 years to plan and build, this bronze Buddha statue, an outstanding piece in Buddhist sculptural art in recent history, is now a major landmark in Hong Kong attracting numerous local and overseas Buddhists and visitors.  It symbolizes the stability of Hong Kong, prosperity of China and peace on earth.

The author at the foot of the stairs leading up to the Buddha

The Big Buddha Statue, combining traditional bronze art with modern science and technology, embodies the harmonious resonance of Buddhist spirit and modern civilization – a solemn epitome of human beings’ continuous and unyielding pursuit of moral happiness and peace on earth.

Grace (near left), Cheska (fifth from left), Bryan (sixth from left) and Kyle (right) making their way up the stairs

Here’s the timeline of the statues construction:

  • In 1974, the government granted Po Lin Monastery 6,567 sq. m. of land in Mount Muk Yue, at a nominal premium, for the building of the Buddha statue.
  • On December 26, 1981, the Committee for the Construction of the Tian Tan Buddha Statue was formally established, by Po Lin Monastery, to coordinate the project, including the artistic design and concept of the statue, building materials and details of construction.
  • On April 1982, the work on the 1:5 scale, 5 m. high plaster model of the statue, fashioned by Ms. Hou Jinhui of the Guangzhou Institute of Fine Arts, was started.
  • On February 1984, the plaster model was completed, the draft of which had been revisited eight times, following discussions and consultations with the artist responsible for the conceptual design of the statue.
  • On September 26, 1986, the plaster model of the statue was shipped to Nanjing from Guangzhou.
  • On April 1989, the bronze pieces were transported to Hong Kong by sea.
  • On October 13, 1989, the last bronze piece of the statue was put in place and a solemn topping ceremony was held on the same day.
  • On December 29, 1993, which the Chinese reckon as the day of the Buddha’s enlightenment, the statue was inaugurated, with monks from around the world invited to the opening ceremony. Also taking part in the proceedings were distinguished visitors from mainland China, Hong Kong, Taiwan, India, Japan, Korea, Thailand, Malaysia, Singapore, Sri Lanka, and the United States.

Halfway up the stairs

The project was divided into six stages, with Nanjing Chengguang Machinery Plant of the China Astronautics Science and Technology Consultant Corporation principally carrying out the actual casting, finishing and assembly of the Buddha statue.  During the overall project design stage, over 5,000 drawings and 300 technical documents were produced within less than three months. The daily and monthly work progress for the subsequent three years was mapped out and prepared by system analysis.

Bronze incense censer

The enlargement, carried out by the technical staff through a special “survey-controlled box enlargement method,” involved the use of stereoscopic photography to find out the position of the statue in space.  When over 3,900 coordinate points were established, the computer was then used to calculate the enlargement. At the same time, to form the inner frame of the statue, a traditional method of using boxes which were stacked up in layers was used. Then plaster was applied to the outer surface, producing a 1:1 scale model.

The body of the statue, cast in 202 bronze pieces after careful studies and surveying, was supported by an inner steel framework and fixed by connecting bolts. Auxiliary supports were used to connect the bronze pieces to the main framework.  The bronze pieces had thicknesses ranging from 10 to 13 mm. and the error margin of each cast piece was less than 3 mm..  Precision molds were prepared according to the different shapes of the pieces.

After overcoming numerous difficulties, the professional staff, in an effort to portray fully the splendor of Buddha Sakyamuni and to achieve a perfect artistic design, managed to finally cast the face of the Buddha in a single piece. To rehearse for the on-site assembly, a trial assembly was carried out in the plant where any problems that might occur on site were detected and solved.

View of Po Lin Monastery

The Buddha statue was trial assembled separately in three sections (upper, middle and the lower) and various necessary adjustments and trimmings were made to the bronze pieces plus initial mechanical finishing was also carried out.

Jandy with the Big Buddha in the background

On arrival at Lantau Island, the very large face piece and two other large bronze pieces were safely transported up to Mount Muk Yue with the help of the Transport Department who provided a large lorry and two large cranes (which sandwiched the lorry in the middle) for this arduous journey up the winding and narrow roads on the island. The arduous task of assembly and welding (the length of weld was over 5 kms.) of the statue was carried out, in open air, from bottom upwards in eight layers.

To ensure that the Buddha statue would not be damaged by strong winds, calculations on the wind pressure, imposed load and material strength of the various parts of the statue were conducted the specialists using computers and the Beijing Institute of Aerodynamics specially created a testing model, utilizing the wind tunnel employed for satellites and rockets, to conduct unidirectional as well as multi-directional wind tests on the statue as a whole and on the various parts.

The Offering of the Six Devas

The optimal coating for the surface coloring of the statue, carefully studied for over a year, was selected from various formulas for surface coloring.  Oozing an air of classical simplicity and solemn dignity, it is not susceptible to fading because of corrosion due to the exposure to the elements.

One of the halls inside the podium

Here are some interesting trivia regarding the statue:

  • The design of the statue was based on the 32 laksanas (“physical marks” of the Buddha as described in the sutras).
  • The Tian Tan Buddha is one of the five large Buddha statues in China and is the biggest sitting Buddha statue built outdoor.
  • The statue was named The Big Buddha because its base is a model of the Earthly Mount of Tian Tan (or Altar of Heaven), the Temple of Heaven in Beijing.
  • Enthroned on a lotus on top of a three-platform altar, it is surrounded by six smaller bronze statues known as “The Offering of the Six Devas,” symbolizing the Six Perfections of generosity, morality, patience, zeal, meditation and wisdom, all of which are necessary for enlightenment.  They are posed offering flowers, incense, lamp, ointment, fruit and music to the Buddha.
  • Every feature of the Buddha statue has a symbolic meaning of religious significance. The face, measuring 4.3 m. by 5.8 m., with a thickness of 13 mm. and a weight of 5 metric tons, was modeled after the Buddha Vairocana of the Longmen Grottoes for its fullness and serene beauty. The clothes and headgear had their inspiration from the soft and smooth flowing lines of the Buddha Sakyamuni image in Cave 360 of the Mogao Caves.
  • For the building of the Buddha statue, the original idea was to use reinforced concrete. However, due to artistic requirements, structural problems as well as the anticipated difficulties in quality and cost control, bronze was finally chosen as the building material.
  • The Big Buddha is 34 m. (112 ft.) tall, weighs over 250 metric tons (280 short tons) and was constructed from 202 bronze pieces.
  • Reputedly the figure can be seen across the bay from as far away as Macau on a clear day.
  • In addition to its exterior components, there is a strong steel framework inside to support the heavy load.
  • Visitors have to climb 268 steps to reach the Buddha. However, to accommodate the handicapped, the site also features a small winding road for vehicles.
  • The Buddha’s raised right hand represents the removal of affliction while the left hand, resting open on his lap, is in a gesture of generosity.
  • The statue faces north, which is unique among the great Buddha statues, as all others face south.
  • One of the statue’s most renowned features inside is a relic of Gautama Buddha, consisting of some of his alleged cremated Only visitors who purchase an offering for the Buddha are allowed to see the relic, entering to leave it there.
  • On October 18, 1999, the Hong Kong Post Office issued a definitive issue of landmark stamps, of which the HK$2.50 value depicts The Big Buddha.
  • In 2000, the Big Buddha Statue was elected as the fourth of the 10 Engineering Wonders in Hong Kong (the others, all public works projects, are the Lantau Link, the Hong Kong International Airport Passenger Terminal and the Hong Kong Convention and Exhibition Centre Extension). Of the projects in the private sector, the Big Buddha Stature came as the first.
  • On May 22, 2012, it was also featured on the HK$3 value of the Five Festival set, this one celebrating the birth of Sakyamuni Buddha. The MTR corporation also issued a souvenir ticket featuring a photograph of the statue.

View of Lantau Island and South China Sea

There are three floors beneath the statue – Hall of the Universe, Hall of Benevolent Merit and Hall of Remembrance.   In the show room, there’s a huge carved bell, inscribed with images of Buddhas and designed to ring every 7 minutes, 108 (symbolizing the release of 108 kinds of human vexations) times a day.

View of Lantau Peak

Tian Tan Buddha: Ngong Ping Rd., Ngong Ping, Lantau Island, Hong Kong. The Buddha (as well as Po Lin Monastery) are open daily, 10 AM to 5 PM. Access to the outside of the Buddha is free of charge, but there is an admission fee to go inside the Buddha.

How to Get There: Visitors can reach the site by bus or taxi, travelling first to Mui Wo (also known as “Silvermine Bay”) via ferry from the Outlying Islands piers in Central (pier No. 6) or to Tung Chung station via the MTR, or via the 25-min. Ngong Ping 360 gondola lift between Tung Chung and Ngong Ping. Visitors may then travel to and from the Buddha via the Mui Wo ↔ Ngong Ping (NLB No. 2) and Tung Chung ↔ Ngong Ping (NLB No. 23) bus routes.