Alberta Uitangcoy-Santos House (Malolos City, Bulacan)

Alberta Uitangcoy-Santos Ancestral House

After our visit to Barasoain Church and its two museums (Museum of the Malolos Republic and Museo Diocesano de Malolos), participants of the Automobile Association of the Philippines (AAP) caravan headed to the city’s Kamistisuhan District (a neighborhood of handsome ancestral houses belonging to some of Malolos’s rich and illustrious citizens), making a stopover at restored Alberta Uitangcoy-Santos House.

Here, we attended a lighthearted lecture on the 20 Women of Malolos delivered by Women of Malolos Foundation Inc. President Vicente “Bong” Enriquez.

Check out “Barasoain Church,” “Museum of the Malolos Republic,” “Museo Diocesano de Malolos” and “The Kamistisuhan Houses of Malolos City

 

The Alberta Uitangcoy-Santos House, an early 20th-century bahay-na-bato (stone house) in the city of Malolos, belonged to couple Paulino Santos (a propetario and cabeza de barangay) and Alberta Uitangcoy-Santos, the fiery feminist Impong Iding who was the leader of The Women of Malolos.

Vicente “Bong” Enriquez, President of the Women of Malolos Foundation Inc.

Alberta is revered for her contributions to Philippine women’s rights, the fight for Philippine independence, and a large part of Malolos’ traditional cuisine during the Spanish and American colonial periods.

Bong touring participants of the AAP Drive Caravan around the museum

The original house, first built in 1890, was destroyed by a fire in 1910 and rebuilt and completed in 1914.

Museum entrance

Today, the house is owned by Josefa Santos-Tibajia and Lourdes Santos-Herrera, the granddaughters of Paulino and Alberta, and is under the care of the Women of Malolos Foundation Inc, a non-profit organization which spearheads initial efforts of restoration through their “Own a Piece of History, Adopt a Heritage House” project.

Declared a National Heritage House by the National Historical Commission of the Philippines, the Alberta Uitangcoy-Santos House was turned into the Museo ng Kababaihan ng Malolos (the Museum of the Women of Malolos), a privately owned museum,  during a soft launch on April 14, 2013 attended mostly by members of the Women of Malolos Foundation and descendants of the 20 women.

 

Towards the latter portion of the Spanish colonial period in the Philippines, a group of young and affluent mestizasangley women from the Kamistisuhan District of Malolos, lead by Uitangcoy, signed and presented a petition written by Teodoro Sandico, a notable reformist, asking for his permission to allow them to establish a night school where they can learn Spanish and other academic subjects.

On December 12, 1888, the petition was handed, by Uitangcoy, to Governor General Valeriano Weyler. The other women fended off the furious Spanish friars who wanted to know what was in the letter. Ultimately, despite staunch opposition from the friar curate, the women won the lengthy battle for approval.

Reformist leaders Marcelo H. del Pilar and Graciano Lopez Jaena, after hearing of the women’s victory, wrote about the women in La Solidaridad, the Filipino liberal publication. On February 22, 1889, Dr. Jose Rizal followed suit in his letter “Sulat sa mga Kadalagahang Taga-Malolos” to the group wherein he lauded their brave efforts towards reform.

 

The beautiful embossed metal ceiling

During the Philippine Revolution and the Philippine-American War, a number of the women established the Cruz Roja (Philippine Red Cross) and aided revolutionaries by passing letters and communications hidden in their dresses.

During the American Colonial Period, ten of the twenty women participated in establishing the Pariancillo chapter (one of the five barrio committees that comprised the local Malolos, Bulacan committee) of the Asociacion Feminista de Filipinas, which aimed to tackle several women’s rights issues of the day.

Photos of some of the 20 Women of Malolos

After our lecture, Bong toured us around the house’s Museo ng Kababaihan ng Malolos. Of particular interest on that floor was the beautiful embossed metal ceiling.

The Alberta Uitangcoy-Santos House houses four exhibit halls (showcasing collections of surviving artifacts and other memorabilia relevant to the narrative of the women and the Uitangcoy-Santos family) and a lecture hall.

On January 18, 2017, the museum temporarily closed after Carlo Herrera (a fifth-generation grandson of Alberta Uitangcoy, and then a senior Art Management student specializing in heritage curation and preservation at the Ateneo de Manila University), during a visit to his family’s estate, found that the conditions of the museum and its exhibits were unsatisfactory.

After creating a blueprint for its restructuring, Herrera was named head curator of the museum by the owners and the usufructuary. He then began work on the estate by conducting physical repairs, restoring and preserving all the decaying articles in the museum, re-curating the entire collection, and opening more exhibit halls after clearing out debris stuffed in the home.

On March 12, 2017, Herrera reopened the museum with a newly furnished and restored interior, along with world-class preservation units. A new tour program, which Herrera had produced and conducted himself for the museum and estate, was launched and tours included a comprehensive lecture, visits to all four exhibit halls and two other heritage structures, and an interactive food-tasting exhibit of Alberta Uitangcoy’s recipes prepared by Malolos locals. Throughout February 2017, tickets to the tours were sold via Herrera’s website and were sold out in three weeks.

Alberta Uitangcoy-Santos House: F.T. Reyes St. (formerly known as Calle Electricidad), Brgy. Sto. Nino, Malolos City, Bulacan.

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: info@aap.org.ph. Website: www.aap.org.ph.

Museum of the Malolos Republic (Bulacan)

Museum of the Malolos Republic

Museum of the Malolos Republic

From the Museo Diocesano de Malolos, participants of the Automobile Association of the Philippines (AAP) caravan moved on to next room which houses the Museum of the Malolos Republic. Here, we were welcomed by Mr. Jose Ruel Paguiligan of the National Historical Commission of the Philippines (NHCP) and curator of the Barasoain Church Historical Landmark.

Members of AAP caravan listening to museum curator Mr. Jose Ruel Paguiligan

Members of AAP caravan listening to museum curator Mr. Jose Ruel Paguiligan

The modernized museum, one of 22 museums throughout the country that the Aquino administration wanted upgraded into digitally-enhanced institutions in order to advance historical studies, was finished in 2012.  It is a rich source of historical data, including documents and artifacts explaining how the Malolos Congress was put together on September 15, 1898.

Museum of the Malolos Republic (26)

With the magic of modern technology, learning history lesson is now more fun and interesting. The upgraded museum was jointly funded by the NHCP and the Provincial Government of Bulacan headed by Gov. Wilhelmino M. Sy-Alvarado.

Museum of the Malolos Republic (9)

It has five galleries, with the first two explaining the backdrop to the Malolos Congress to visitors. It boasts of interactive digital displays that allow students and other visitors to respond (however, it interacts only in Filipino) to a history quiz about the Philippine Revolution, making the presentation of history more interesting and, at the same time, more engaging.

Museum of the Malolos Republic (10)

It also includes an E-learning room (designed for students and equipped with 22 computers containing interactive lessons in Philippine history), research facilities and an audio-visual room.  Permanent collections of the museum include the original carriage used by Pres. Emilio Aguinaldo during the opening of the Malolos Congress and reproductions of stereographic cards of the Philippine-American War.

Carriage used by Pres. Aguinaldo

Carriage used by Pres. Aguinaldo

Gallery 1, the ante room, presents a 7-minute video introducing the museum and the evolution of the idea of freedom and the struggle of Filipinos as a prologue.  Gallery 2 traces the events leading to the establishment of the Malolos Congress namely the constitution of Biak-na-Bato, the proclamation of independence at Kawit, Cavite and the decrees of the revolutionary government headed by Gen. Aguinaldo.

Museum of the Malolos Republic (27)

Its two touch screen monitors display the historical overview of facts, from 1882 to 1899, and sources about the first Philippine Congress (headed by Pedro Paterno, it was convened on September 15, 1898 inside the Barasoain Church) and the events that preceded and followed it.

Museum of the Malolos Republic (42)

Gallery 3, at the main hall, and the smaller hall Gallery 4 focuses on Malolos, the Constitutional Congress; the Malolos Congress and the Constitution. Gallery 3 centers mostly on the downfall of the Spanish rule in the country and the succeeding events that led to the formation of the Constitución Política de la República Filipina.

L-R - Mariano Trias, Trinidad Pardo de Tavera, Pedro Paterno, Gregorio Araneta, Baldomero Aguinaldo, Benito Legardo and Pablo Ocampo

L-R: Mariano Trias, Trinidad Pardo de Tavera, Pedro Paterno, Gregorio Araneta, Pres. Emilio Aguinaldo (seated), Baldomero Aguinaldo, Benito Legardoaand Pablo Ocampo

It also offers a 7-minute light-and-sound presentation, with a diorama with life-size resin statues of the leading figures and prominent delegates of the Malolos Congress – a sitting Emilio Aguinaldo, president of the First Philippine Republic, flanked by key figures of the Malolos Congress. A pew, which is said to have been used during the actual convention of the revolutionary congress, can also be found in this particular exhibit.

List of the names of all the representatives who joined the Congress

List of the names of all the representatives who joined the Congress

In Gallery 4 is a list of the names of all the representatives who joined the Congress.  There were 193 delegates, none of whom were paid for their work.  Only 42 were elected while the rest were appointed.  The gallery also has a bust of Don Felipe G. Calderon, who penned the Malolos Constitution.

Bust of Felipe Calderon

Bust of Felipe Calderon

Gallery 5 provides the epilogue and dwells on the theme—Defense of the Republic—by featuring how Filipinos went to war against a new colonizer, the United States of America to defend the republic and the freedom and sovereignty of the people.

Museum of the Malolos Republic (36)

Museum of the Malolos Republic: Barasoain Convent, Paseo del Congreso Road, Brgy. San Gabriel, Malolos City, Bulacan.

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: info@aap.org.ph. Website: www.aap.org.ph.

Museo Diocesano de Malolos (Malolos City, Bulacan)

AAP at the Museo Diocesano de Malolos

AAP at the Museo Diocesano de Malolos

From Ciudad Victoria, our 14-car Automobile Association of the Philippines (AAP) caravan proceeded on the second leg of our day-long tour, this time to Malolos City, the provincial capitol, where we made a stopover at historic Barasoain Church.

Museo Diocesano de Malolos (1)

At the convent, we first visited the Museo Diocesano de Malolos, a museum managed by the Malolos Diocese.  It houses relics, artifacts, regalia and religious items containing and illustrating the ecclesiastical history of Central Luzon.

Museo Diocesano de Malolos (10)

The exhibits include the original nineteenth century baptismal records of Bulacan native sons Marcelo Hilario (the Great Propagandist also known as Marcelo H. del Pilar), Francisco Baltazar (he Tagalog equivalent of William Shakespeare also known as Francisco Balagtas) and Gen. Gregorio del Pilar (the “Leonidas of the Philippines”).

Robes of priests embroidered with gold-plated silver threads

Robes of priests embroidered with gold-plated silver threads

Replica of the Black Nazarene of Quiapo

Replica of the Black Nazarene of Quiapo Church in Manila

Statues of the Holy Family and processional crucifixes

Statues of the Holy Family, candle stands and a processional crucifix

There’s also a bone fragment of St. Vincent Ferrer encased in glass; priestly robes embroidered with gold-plated silver threads; a Sto. Entierro (meaning “Holy Burial”);  a replica of the Black Nazarene from Quiapo Church; and antique prayer cards, church bells, religious statues, candle stands, processional crucifixes and antependiums (altar frontals) from different churches.

Altar frontals

Altar frontals

Antique church bells

Antique church bells

Sto. Entierro

Sto. Entierro

Museo Diocesano de Malolos: Barasoain Convent, Malolos City, Bulacan. Director: Fr. Vicente Lina Jr.. Open Tuesdays to Saturdays, 8 AM to 4 PM.

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: info@aap.org.ph. Website: www.aap.org.ph.

Ciudad Victoria (Bocaue, Bulacan)

Ciudad Victoria

For the second time around (the first was in Mindoro Oriental), I was invited by the Automobile Association of the Philippines (AAP) to join another of their drive tourism caravans (the 10th in AAP’s series), this time to Bulacan. The caravan is a tourism program wherein, instead of driving straight to the destination, it moves through a tourism highway or road network that allows participants to see many attractions in between the start and end destinations.

Participants of the AAP Drive Caravan at the Philippine Arena

With the theme “Enjoying Bountiful Harvest and Exploring the Off Beaten Path of History and Culture,” the 57 participants (AAP directors, members, friends and the media), in 14 cars, flagged off one early morning from the Petron Marilao station where we had breakfast and availed ourselves of their clean restrooms.

The event was co-organized by Petron Blaze 100 Euro 4, in partnership with the Department of Tourism Region 3, the tourism office of Bulacan under Gov. Wilhemino Sy-Alvarado, the Tourism Promotions Board, Manila North Tollways Corp. and Aeromed, the official ambulance partner.

The Philippine Arena

Participants first visited the 140-hectare Ciudad de Victoria (also known as the Philippine Arena Complex), a 140-hectare tourism enterprise zone in Bocaue and Santa Maria that integrates residential and office buildings, as well as a complex dedicated to shopping, entertainment, leisure, education, business and sports.

The Philippine Sports Stadium

Ciudad Victoria, owned by the Iglesia ni Cristo (INC), a Filipino-based indigenous Christian religious organization, through its educational institution, the New Era University, and operated by Maligaya Development Corporation, houses the magnificent Philippine Arena (a 55,000-seater indoor domed arena that is the world’s largest mixed-use indoor arena) and the 20,000-seater Philippine Sports Stadium (the largest stadium in the Philippines). In commemoration of INC’s centennial celebration on July 27, 2014, it was inaugurated, after three years of construction, on July 21, 2014.

Entrance of the Philippine Sports Stadium

Other buildings within the complex include the Eraño G. Manalo (EGM) Medical Center (an 11-storey, 1st class modern hospital which is the first of its kind in Northern Luzon with 1,000-bed capacity) an Iglesia ni Cristo Chapel (dedicated on May 18, 2018) and the New Era University Bocaue Campus. The landscape for the arena and the whole complex of Ciudad de Victoria was designed by PWP Landscape Architecture, the firm who landscaped the National September 11 Memorial & Museum.

Lobby of the Philippine Sports Stadium

Ciudad Victoria: North Luzon Expressway (NLEX), Bocaue.  Entrance: Php450.  Parking: Php50.  Photography is limited to mobile phones. DLSR cameras are not allowed.

Automobile Association Philippines (AAP): 28 EDSA, Greenhills, San Juan City.  Tel: (632) 655-5889.  Fax: (632) 655-1878.  E-mail: info@aap.org.ph. Website: www.aap.org.ph.

Vienna International Airport (Austria)

Vienna International Airport

Our 11-day France-Austria tour was now at an end and it was now time to return to Manila. Grace cousins Popong and Freddie Flores picked us up at Azimut Vienna Delta Hotel and brought all of us to Vienna International Airport (German: Flughafen Wien-Schwechat, Slovak: Letisko Viedeň-Schwechat; IATA: VIE, ICAO: LOWW) where we were to depart on our 10:40 PM Emirates Airlines flight (EK-126).

Check out “Hotel and Inn Review: Azimut Vienna Delta Hotel

This international airport, located in Schwechat, 18 kms. (11 mi.) southeast of central Vienna and 57 kms. (35 mi.) west of Bratislava. is the country’s largest airport and serves as the hub for Austrian Airlines and Eurowings Europe as well as a base for low-cost carriers LaudaLevel and Wizz Air.

The airport, featuring a dense network of European destinations as well as long-haul flights to AsiaNorth America and Africa, is capable of handling wide-body aircraft up to the Airbus A380. In 2018, it handled 27 million passengers (a 10.8% increase compared to 2017).

Our three-hour long stay at the airport wasn’t tedious as we were seated, while waiting for our flight, on comfortable chairs with plugs plus there was free and good internet connection without time limit. The airport also had 70 duty free shops in a shopping area located just after ticket control counters.  However, we need to check in before getting to shops, not pass security check nor passport control.

There were also a number of food and beverage outlets, of various standards and available both airside and landside, ranging from McDonald’s and Burger King to concessions run by Vienna’s famous delicatessen and restaurants. Though the burger places had the same prices as in the outside world, their upscale restaurants were pricier than in the city. For those on a tight budget, there were supermarkets such as Billa (a general grocery store, at check-in area 1, with Austrian Mozartkugeln and small snacks) and Spar (supermarket at arrival area) were you can buy food for normal supermarket prices.

A food and beverage outlet inside the airport

Here is the historical timeline of the airport:

  • In 1938, it was built as a military airport
  • During World War II, the airport was used as the Heinkel-Süd facility, Heinkelfirm’s southern military aircraft design and production complex.
  • In 1945, it was taken over by the British and became RAF Schwechat under the occupation of the country.
  • In 1954, the Betriebsgesellschaft was founded and the airport replaced Aspernas Vienna’s (and Austria’s) principal aerodrome. There was just one runway
  • In 1959, the runway was expanded to measure 3,000 m. (9,843 ft.) and the erection of the new airport building was started.
  • In 1972, another runway was built.
  • In 1982, the airport was connected to the national motorway network (Ostautobahn).
  • In 1986, the enlarged arrivals hall was opened
  • In 1988, Pier East, with 8 jet bridges, was opened.
  • On December 27, 1985, the El Alticket counter was attacked by Abu Nidal, a Palestinian terrorist organization that simultaneously conducted a terrorist attack at Fiumicino Airport in Rome.
  • In 1992, the new Terminal 1 was opened
  • In 1993, the shopping area around the plaza in the transit area of the B, C and D gates was opened.
  • In 1996, Pier West, with 12 jet bridges, started operating.
  • In 2006, the 109 m. (358 ft.) tall control tower started operating and a VIP- and general aviation-terminal, including a separated apron, opened.
  • From 2004–2007, an Office Park was erected.
  • On June 5, 2012, the new Austrian Star Alliance Terminal (Terminal 3, named Skylink during its construction) was opened, which enables the airport to handle up to 30 million passengers per year.
  • In January 2013, Terminal 1 underwent refurbishment.
  • In July 2019, the refurbishment of Terminal 2 started (planned to reopen in the end of 2020).

 

L-R: Grace, Cheska and Freddie

The airport has four terminal buildings.  Terminal 1 (mainly used by some One World and SkyTeam airlines), Terminal 2 (currently closed, pending refurbishment) and Terminal 3 (Austrian Star Alliance Terminal, the airport’s newest facility), which all connect to the five concourses, are directly built against each other.

The additional Terminal 1A, hosting check-in facilities for a number of low-cost carriers, is located in a stand alone building opposite Terminal 1. The central arrivals hall for all terminal areas is located in Terminal 3. Terminal 3, with its adjoining Concourses F and G,  is used by the Austrian Airlines Group, most Star Alliance members, and a number of other carriers including EmiratesEl AlKorean AirRoyal Jordanian and Qatar Airways.

Duty-free shopping area

Concourse B, in the basement of Concourse C, features Gates B31–B42 (boarding by buses) for Schengen destinations. Concourse C (Pier West), for Schengen destinations, features Gates C31–C42 (jetbridges), C71–C75 (buses, Schengen only). Concourse D (Pier East, formerly Concourse A, is for non-Schengen destinations with shared passport control at the entrance of Pier East.  It features Gates D21–D29 (boarding via jetbridges), D31–D37 (boarding via buses), and D61–D70 (buses).

Concourse D, to be refurbished as part of the refurbishment program announced in March 2016, will be equipped to handle the Airbus A380. Concourse F, at Level 1 of Pier North, is used for Schengen destinations and consists of Gates F01-F37 (jetbridges and buses).  Concourse G, at Level 3 and basement of Pier North, is for non-Schengen destinations.  Shared passport control, at the entrance of Level 3, features Gates G01-G37 (jetbridges and busgates) and G61-67 (boarding via buses).

L-R: Cheska and Kyle

Its control tower allows a free overview of the entire airport area and offers a night laser show, which should welcome the passengers even from the aircraft. Its Office Park offers 69,000 sq. m. (740,000 sq. ft.) of rentable space.

Vienna International Airport: 1300 Schwechat, Austria.  Tel: +43 1 70070.  Website: www.viennaairport.com.

The Original Sachertorte (Austria)

There are three Cs most closely associated with Vienna – Classical music, coffee and cake.  For the latter, the No.1 in the cake rankings is the Sachertorte, a chocolate cake (or torte) of Austrian origin which is, denser than your usual sponge cake, with one or more layers of jam (usually apricot) and coated in dark chocolate icing on the top and sides.

The original Sachertorte

One of the most famous Viennese culinary specialties, it was originally invented by Franz Sacher, supposedly in 1832 for Prince Metternich, Austria’s top diplomat, in Vienna.  The court of the prince had requested an especially delicious dessert for a special occasion but, as the maître Chambellier was ill at the time, 16-year-old apprentice Franz Sacher filled in and the cake he created could not have been more delicious so much so that Metternich was said to have remarked “Oh, that he may not discredit me tonight!” Franz’s son, Eduard, who opened Hotel Sacher Wien in 1876, fine-tuned the recipe.

Today, Sachertorte’s fame has gone global, with Franz Sacher, on his 200th birthday in 2016, getting a Google Doodle. In the USA, December 5 is National Sachertorte Day.

A slice of sachertorte at the airport

This classic, world-famous cake is pretty much available as a staple food, in many variations on a common theme, in Viennese coffee housesKonditoreien (confectioneries), patisseries and many restaurants (where it lurks innocently in the cake vitrine) but the two most traditional sources are Hotel Sacher Wien and Demel.  The “original” Sacher Torte, of Hotel Sacher Wien, has two layers of apricot jam between the outer layer of chocolate icing and the sponge base. Demel’s “Eduard-Sacher-Torte,” on the other hand, has only one layer and is denser and smoother.

The cake’s wooden box

I tried a slice of this cake, prior to our departure back to Manila, at an F&B outlet at the Vienna International Airport.  Plus, inside my luggage is a wooden box, with four golden corners, the inside of the lid with the wood engraving of the Hotel Sacher Wien as well as “Das Original” and “Hotel Sacher Wien” in writing and Bordeaux red wrapping paper, with a Biedermeier motif, enclosing the Piccolo size (12 cm. diameter,0.4 kg.) of the “original” version of Sachertorte, a take home gift from Marivic “Vicky” Dionela, our Vienna host and Grace’s first cousin. Vienna’s Hotel Sacher was opened by Franz Sacher’s son Eduard in 1876

Check out “Vienna International Airport

The still hand-made, original Sachertorte, still using Franz Sacher’s original, closely guarded recipe to this day, is a refined, elegant combination of chocolate flavors with a simple apricot jam filling (which becomes absorbed into the cake and forms a slightly sweet moist layer in the center), a decadent bittersweet glaze complemented by a compulsory mound of Schlag.

Hotel’s Sacher’s logo at the box’s lid

Every bit of Sachertorte is supposed to be dipped with a dollop of traditional unsweetened whipped cream which is an important part of the picture as it moistens the frankly firm cake layers.  Their icing is said to consist of three special types of chocolate which, for this sole purpose, are exclusively produced by different manufacturers. Sacher Hotel obtains these products from Lübeck in Germany and from Belgium. It is sold at Hotel Sacher in Vienna and Salzburg, at Cafe Sacher branches in Innsbruck and Graz, at the Sacher Shop in Bolzano, in the Duty Free area of Vienna airport, and via the Hotel Sacher’s online shop.

This chocolate cake, both light and rich at the same time was, quite simply, delicious though the layer of icing overdoes the sweetness.

Hotel Sacher: Philharmoniker Str. 4, 1010 Vienna, Austria. Tel: +43 1 514560.  Website: www.sacher.com › original-sacher-torte.

Seegrotte (Hinterbrühl, Austria)

Seegrotte

Seegrotte

We were now on our final day of our Europe Tour and, prior to our evening departure from Vienna for Manila, Grace’s cousins Popong and Freddie organized one final morning tour, this time to Seegrotte, one of the most spectacular natural monuments in the world today.  After breakfast at the hotel, we again met up with Popong and Freddie at the hotel lobby and again boarded the same hired van we used for touring yesterday.

DSC07100

Seegrotte, in southern Lower Austria, near Hinterbrühl, is a 26 km. (40-min.) drive, via the A23, from Vienna.  It is an underground cave system with a large grotto located under a former gypsum mine. From 1848 to 1912, red and grey gypsum, used by farmers as fertilizer, was mined in the mountain inside the Wagner Kogels by G. Plankenbichler. However, in 1912, an underground blasting operation in the mine went awry, opening a water pocket and causing 20 million liters of water to gush forth from behind the rock and flood the lower level galleries and adits of the mine, creating the largest subterranean (60 m. below ground) lake in Europe but causing the mine’s closure.

Listening to our guide

Listening to our guide

As a consequence, the mine remained closed for years until the 1930s when an international team of cave explorers rediscovered the unique natural spectacle and, with great enthusiasm, they opened this curiosity to the general public as a show mine in 1932.

Miners represented at work at the pause chamber of miners

Miners represented at work at the pause chamber of miners

However, during World War II, Seegrotte was requisitioned by the German military due to the fact that the subterranean site offered the best protection against bombing raids in Nazi Germany‘s “second Ruhr.” It was permanently pumped dry and inside the far flung tunnels, Heinkel Werke built an underground aircraft factory and employed over 2,000 World War II prisoners-of-war and concentration camp prisoners (1,800 forced laborers and 300 skilled workers) to produce the air frames (a total of 198 were produced) of the Heinkel He 162 Salamander, one of the first jet fighters of the world and a secret weapon of the German Luftwaffe. At the end of the war, the German armed forces destroyed the pumps that prevented the mine from filling with water.

The Three Musketeers

The Three Musketeers

After the war, a major clean-up was undertaken and Seegrotte was reopened, in the spring of 1949, as a tourist attraction of the first order. Since its reopening more than 10 million visitors from around the world have visited this former mine, 250 000 of them just last year alone. The complex also served as a location for some of the scenes from the 1993 Disney movie “The Three Musketeers,” and some of the set dressing is still in place (prison walls, and a boat in the underground lake).

The author beside the spooky gilded boat of the Three Musketeers

The author beside the spooky gilded boat of the Three Musketeers

Prison set for The Three Musketeers

Prison set for The Three Musketeers

Upon arrival and payment of admission at Seegrotte, we waited outside the entrance for the previous tour group to finish and return before entering. Above the gateway is a sign with the words “Gluck auf,” the old German miner’s greeting literally translated as “Luck up” or “Luck open.” We were forewarned that it is very cold inside (a constant 9° C, the temperature in summer and winter alike) and, as we didn’t bring a shawl, stole or jacket, we rented a blanket for €0.50. The 35-min. tour took us to 5 lighted caves depicting various activities within the mine as well as the underground lake.

The narrow tunneling adit

Popong making his way through the narrow tunneling adit

The narrow tunneling adit we passed through (anyone over 6′ would have to stoop), single file, was about 400 to 450 m. long and took us 15 mins. to traverse, a compelling recognition of the dismal workday environment of the miners as, in the past, 80 miners brought 2-3 wagons of gypsum daily to the surface through this adit.

Horse stable

Horse stable

Down the hole, we first stopped at a pause chamber, with miners represented at work, and then the former gypsum mine’s own horse stable. The horses, which pulled the heavy wagons loaded with gypsum to the surface as well as turned the horse mill, stayed up to 20 years inside the mine without going up, going blind in the process.

The 85-step stairway leading to the Blue Lake

The 85-step stairway leading to the Blue Lake

Next stop, down an easily negotiated (there’s no wheelchair access though) 85-step stairway, is the very picturesque Blue Lake whose water surface area is about 300 sq. m.  A part of the bigger lake is located 14 m. below this small lake. It is about 1.2-3 m. deep and its water temperature is about 8° C.  The eerily lovely lake’s still, lifeless (without oxygen, there is no aquatic life at all) but very clear waters glow deep blue under artificial lights.  Nearby is the spooky gilded boat and the set for D’Artagnan‘s prison.

The Blue Lake

The Blue Lake

The lake is fed by 7 underground springs but has no natural drainage. The water depth is maintained constant at around 1.2 m. by pumping out 50-60 thousand liters of water daily every night.

Boat ride along the Blue Lake

Boat ride along the Blue Lake

Here, we were to make a short (10-min.) and nondescript, electric motor-powered boat ride. Manny, Popong, Grace, Cheska and Kyle boarded ahead of me and Freddie and we had to wait for their return before boarding. The boat ride  took us through cave openings that look so beautiful, especially when reflected on the crystal clear water.

Shrine to St. Barbara

Shrine to St. Barbara

After our boat ride, we again went up the stairs and proceeded to the Chapel of St. Barbara, built 25 m, below the surface by the miners in 1864 for their dead and injured comrades and consecrated to their patron, St. Barbara. Again, the two letters G + A stand for the miner greeting “Gluck auf” (“Good luck”). Every four years, the St. Barbara Celebration takes place at the Chapel of St. Barbara on the first Sunday in December.  On that day, a senior chaplain celebrates Mass in honor of the miners. At one time, the Cardinal of Vienna attended, accompanied by the Vienna Boys Choir.

A display of a scaled model and few original airplane parts of the Heinkel He 162

A display of a scaled model and few original airplane parts of the Heinkel He 162 Salamander

Mining equipment exhibit

Mining equipment exhibit

Final stops are a display of a scaled model and few original airplane parts of the Heinkel He 162 and a museum exhibiting mine lamps and former mining tools (miner’s lamps, etc.) which were used in the past gypsum mine. This was supposed to be the end of the tour, but we still had time to explore, on our own and up a flight of stairs, to the Festsaal, the ballroom of the Berwerkes where feasts were celebrated.

Door leading to the Festsaal

Door leading to the Festsaal

The Festsaal

The Festsaal

If you have half a day to spare, Seegrotte is an interesting place to visit if you are around Vienna. It is not typical cave, so if you are looking for rock formation or typical dripstones such as stalactites and stalagmites, you will be disappointed. It is simply a huge underground space with an interesting history and an underground lake as its main attraction.

L-R- Freddie, Manny, Jandy, Kyle, Cheska, Grace and the author at the Festsaal

L-R: Freddie, Manny, Jandy, Kyle, Cheska, Grace and the author.  In the background is the fireplace of the Festsaal

During our visit, it was the perfect getaway from the heat of the Viennese summer. The tour is not recommended for people who have difficulty walking or are claustrophobic. Wear sensible footwear as the mine floor can be slippery. Beside the entrance is the nice Romerquelle cafe offering cakes, doughnuts and apple strudel. The toilets/WC are PAY only and situated about 50 m. from the attraction.

Romerquelle Cafe

Romerquelle Cafe

Seegrotte: Grutschgasse 2a, 2371 Hinterbrühl, Austria.  Tel: +43 2236 26364. Website: www.seegrotte.at.  E-mail: office@seegrotte.at. Admission: adults (€10), children (from 4 to 14 years, €7), Family Card (2 adults + 2 children, €27).

How to Get There: Seegrotte is a train and a bus journey away from Vienna. Take the S-Bahn S2 train (running every 15-20 mins.) from Meilding to Modling then, from outside the station, take Bus no. 364 or 365 (25-min. drive) and get down at Seegrotte stop. From there, it is 2-3 walk. The return bus stop is 200 m. towards Modling station.

Melk Abbey – Stiftskirche (Melk, Austria)

Facade of Stiftskirche (Abbey Church)

Facade of Stiftskirche (Abbey Church)

The highlight and end of our Melk Abbey tour, though, is certainly the full-on Baroque  Stiftskirche (Abbey Church) with its 200-ft. tall dome, symmetrical towers and astonishing number of windows.

Check out “Melk Abbey

Dome

The 200 ft. tall dome with frescoes of the heavens opening

This grand finale, resplendent in a golden hue, is richly embellished with marble and altar paintings and frescoes by Johann Michael Rottmayr, with help from Paul Troger.

Pulpit

Pulpit of Giusseppe Galli-Bibiena

Jakob Prandtauer and, after his death, by his nephew Joseph Munggenast were the leading architects.  For the interior design and sketches for the frescoes, Antonio Beduzzi definitely was involved in the planning.

Interior of church

Ceiling frescoes by Johann Michael Rottmayr

Together with other prominent artists and masters in their fields such as Giuseppe Galli-Bibiena (designs for the pulpit and high altar), Lorenzo Mattielli (design for the sculptures), Peter Widerin (sculptures) and many others, they created a synthesis of the arts to the glory of God, an unparalleled, indisputably classic example of Baroque.

High Altar

High Altar

The inscription (from 2 Timothy 2,5), on the high altar, reads “non coronabitur nisi legitime certaverit” (“Without a legitimate battle there is no victory”). The left side altar (Coloman Altar), in the transept, contains, in a sarcophagus, the skeleton of St. Coloman of Stockerau.

St. Coloman's Altar

St. Coloman’s Altar

St. Benedict's Altar

St. Benedict’s Altar flanked by statues of St. Scholastica and St. Berthold of Garsten

The altar to the right is dedicated to St. Benedict.  It cenotaph (empty sarcophagus) bears the inscription “erit sepulchrum eius gloriosum” (“his grave will be glorious”). To the right of the altar is the statue of St. Scholastica (Benedict’s sister) while on the left is St. Berthold of Garsten.

St. Michael's Altar

St. Michael’s Altar

Glass sarcophagus of St. Clemens

Glass sarcophagus of St. Clemens

The St. Michael Altar has a glass sarcophagus with the skeleton of a so-called catacomb saint, given to the monastery in 1722 by Viennese nuncio Cardinal Alessandro Crivelli, and given the name Clemens.

St. John the Baptist Altar

St. John the Baptist Altar

Glass sarcophagus of Friedrich

Glass sarcophagus of Friedrich

Opposite is the St. John the Baptist Altar, also with a glass sarcophagus of a catacomb saint given as a gift to the monastery by Maria Theresa and displayed here in 1762. The unknown saint received the name Friedrich.

St. Sebastian's Altar

St. Sebastian’s Altar

The Epiphany Altar

The Epiphany Altar

The altar painting at St. Leopold’s Altar, painted on a lead plate in 1650 by Georg Bachmann, is from the old abbey church.  It shows a depiction of the history of the foundation on the Melk monastery. Other side altars are dedicated to the Epiphany, St. Nicolas  and St. Sebastian.

St. Nicolas Altar

St. Nicolas Altar

St. Leopold's Altar

St. Leopold’s Altar

St. Benedict’s battle for virtue, the theme most strongly expressed by the nave’s fresco, depicts victory in this battle as portrayed, on the one hand, by the large victory crown on the high altar and the dome frescoes, in which the heavens open and, on the other hand, by the victor’s laurels over the monk, who has achieved spiritual fulfillment.

Melk Abbey:  Abt-Berthold-Dietmayr-Straße 1, 3390 Melk, Austria. Tel: +43 2752 5550.  Open 9 AM – 6 PM. Website: www.stiftmelk.at. Admission (abbey park and the bastion): Adults: (€4,00), Students (€ 3,00), Children (6-16  years) (€ 1,00).

Melk Abbey (Melk, Austria)

Melk Abbey

Melk Abbey

After our tour of Mathausen Memorial, we again boarded our van for the 86.8-km. (1-hour) trip, via the A1, to huge Melk Abbey (German: Stift Melk), one of Europe’s great sights located on a rock-strewn outcrop overlooking the banks of the Danube River.  Adjoining the Wachau Valley between Salzburg and Vienna, it is a Benedictine abbey above the town of Melk in Lower Austria. 

Inner (Prelates) Courtyard

Inner (Prelates) Courtyard

The 497-room (with 1,365 windows) abbey, founded in 1089 when Leopold II, Margrave of Austria gave one of his castles to Benedictine monks from Lambach Abbey (who turned it into a fortified abbey), contains the tomb of St. Coloman of Stockerau and the remains of several members of the House of Babenberg, Austria’s first ruling dynasty who ruled Austria from 976 until the House of Hapsburg took over.

Abbey gate

Abbey gate

A monastic school, the Stiftsgymnasium Melk, was founded in the 12th century and the abbey’s influence and reputation as a center of learning and culture spread throughout Austria.  The Name of the RoseUmberto Eco‘s popular novel, was researched by Eco in the abbey’s monastic library which is renowned for its extensive manuscript collection (the monastery’s scriptorium was a major site for the production of manuscripts).

Main Entrance with statues of Apostles Peter & Paul designed by Lorenzo Mattielli

Main Entrance with statues of Apostles Peter & Paul designed by Lorenzo Mattielli

As a tribute to the abbey and its famous library, he named the apprentice, one of the protagonists, as “Adson von Melk.” Members of the Melk monastic community have achieved significant success in the fields of natural science and the arts and among its alumni was the 19th-century Austrian dramatist and short-story writer, Friedrich Halm.

L-R: the author, Grace, Kyle, Cheska and Jandy

L-R: the author, Grace, Kyle, Cheska and Jandy

Since 1625 the abbey has been a member of the Austrian Congregation, now within the Benedictine Confederation. During the Reformation and the 1683 Turkish invasion, Melk Abbey suffered damage but it was spared direct attack when the Ottoman armies were halted just outside Vienna.  In 1701, a Baroquization of the abbey church was planned but, after 1701, at Abbot Berthold Dietmayr’s instigation, a complete reconstruction of the church took place, following plans by architect Jakob Prandtauer, and completed in 1736.

Kaisergang (Emperors' Gallery)

Kaisergang (Emperors’ Gallery)

Between 1780 and 1790, under Emperor Joseph II, many Austrian abbeys were seized and dissolved but, due to its fame and academic stature, Melk managed to escape dissolution. The abbey also managed to survive the Napoleonic Wars and the period following the Anschluss in 1938, when the school and a large part of the abbey were confiscated by the state. After the Second World War, the school was returned to the abbey and now caters for nearly 900 pupils, of both sexes, in secondary and preparatory school. Today, the institution survives, funded by agriculture and tourist visits.

Rule of St. Benedict at Room 1 - Listen with Your Heart

Rule of St. Benedict at Room 1 – Listen with Your Heart

In 1947, the abbey church was damaged by fire but, after a 10-year long restoration, financed with help from the state and federal government, was finished in 1987. To celebrate the 1,000th anniversary of the first reference to a country named Österreich (Austria), another grand restoration project,  financed in part by the sale of the abbey’s Gutenberg Bible to Harvard University (which was later donated to Yale University), was completed by 1996.

Room 2 - A House for God and Man

Room 2 – A House for God and Man

Room 3 - The Ups and Downs of History

Room 3 – The Ups and Downs of History

Upon arrival, we entered Benedict Hall, above which is a leitmotif with the Latin words “absit gloriari nisi incruce” (“Glory is found only in the cross”) and a huge copy of the Melk Cross, one of the abbey’s greatest treasures (the original is hidden in the treasury, viewable only with special permission).

Room 4 - The Word of Life

Room 4 – The Word of Life

We first visited the imperial rooms with its restored inlaid wood floors, currently home to the most modern abbey museum in Austria, passing through the art-lined Kaisergang (Emperors’ Gallery) which stretches for 197 m. (644 ft.) and is decorated with portraits of Austrian royalty.

Room 5 -Now we are seeing a dim reflection in a mirror … (1 Cor. 13,12)

Room 5 -Now we are seeing a dim reflection in a mirror … (1 Cor. 13,12)

The museum’s current exhibition, entitled “The Path from Yesterday to Today – Melk Abbey in its Past and Present,” was designed by architect Hans Hoffer, also the designer of the “Klangtheater Ganzohr” in Vienna and the director of the “Linzer Klangwolke” several times.   The exhibits chronicle the ages of the abbey, and each room is lit up with a symbolic color.

Reusable coffin at Room 7 - In the Name of Reason

Reusable coffin at Room 7 – In the Name of Reason

Room 9 - The Path to the Future

Room 9 – The Path to the Future

They are divided into the blue-colored “Listen with Your Heart,” the green-colored “A House for God and Man,” “The Ups and Downs of History,” “The Word of Life,” “Now we are seeing a dim reflection in a mirror … (1 Cor. 13,12),” “Heaven on Earth,” “In the Name of Reason,” “The Whole Person,” “The Path to the Future,” “To Glorify God in Everything and The City on the Mountain” and “Motion Is a Sign of Life.”

Room 10 - a very complicated lock box that operated with a single key

Room 10 – a very complicated lock box that operated with a single key

Model of the 497-room Melk Abbey at Room 11 - Motion Is a Sign of Life

Model of the 497-room Melk Abbey at Room 11 – Motion Is a Sign of Life

The Prelate’s Hall, with its Baroque painting gallery, is one of the most beautiful rooms in the monastery. Though not open to the public, it is used by the abbot for representative purposes.

The Marble Hall

The Marble Hall

From the museum, we proceeded to the Marmorsaal (Marble Hall), the gorgeous room that served as a dining hall for the imperial family and other distinguished guests, as well as a festival hall. Containing pilasters coated in red marble and walls of stucco marble, it has impressive allegorical painted ceiling frescos, by Tirolean Paul Troger (1731), and an optical illusion framing it. The architectural painting, done by Gaetano Fanti, gives the impression that the ceiling rises up and curves higher than it does but is, in fact, flat.

Marble Hall (6)

It shows, in the middle, Pallas Athena on a chariot drawn by lions as a symbol of wisdom and moderation. To her left is Hercules who symbolizes the force necessary to conquer Cerberus (the three-headed hound of hell), night and sin. Both Pallas Athena and Hercules allude to Emperor Karl VI, who liked to be celebrated as a successor to the Roman emperors in the Hercules legend. In effect, it shows the essence of the House of Habsburg – the ruler brings the people from darkness to light, from evil to good.

The ceiling frescoes

The ceiling frescoes of Paul Troger depicting Pallas Athena and Hercules

The doors, with frames  made of genuine marble from Adnet and Untersberg (in the province of Salzburg), are inscribed with quotes from the Rule of St. Benedict, indicating the purpose of the room – “Hospites tamquam Christus suscipiantur” (“Guests should be received as Christ would be”) and “Et omnibus congruus honor exhibeatur” (“And to each the honor given which is his due”).

The abbey terrace

The abbey terrace connecting the Marble Hall with the library

From the Marble Hall, we went out into the abbey’s terrace, a balcony connecting the Marble Hall and the library. Napoleon probably used it as a lookout when he used Melk as his headquarters for his campaign against Austria. From here, we had a wonderful view of the Danube River, the western facade of the abbey church, the scenery of the Wachau Valley and the town of Melk.

View of the town of Melk from the terrace

View of the town of Melk and Danube River from the terrace

From the terrace, we entered the 12-room library  which rises two floors. Second only to the church in the order of importance of the rooms in the Benedictine monastery, the library houses around 80,000 volumes of priceless medieval manuscripts  including a famed collection of musical manuscripts,  750 incunabula (printed works before 1500), 1,700 works from the 16th century, 4,500 from the 17th century and 18,000 from the 18th century.  Together with the newer books, it totals approximately 100,000 volumes with about 16,000 of these found in this library room. They are organized by topics: beginning with editions of the Bible in Row I, theology (Rows II to VII), jurisprudence (Row VIII), geography and astronomy (Row VIIII), history (Rows X to XV) and ending with the Baroque lexica  in Row XVI.

The Library

The Library (photo: www.stiftmelk.at)

The monks had a high regard for their library as seen from the valuable artistic decoration.  The ceiling fresco, also by Paul Troger (1731 to 1732), shows, in contrast to the secular scenery of the Marble Hall, a symbolic depiction of Faith. In the center is a recognizable female figure, the allegory of Faith. She is surrounded by four groups of angels, who stand for the four Cardinal Virtues: Wisdom, Justice, Fortitude and Temperance. The four wooden sculptures are depictions of the four faculties – Theology, Philosophy, Medicine and Jurisprudence.

Spiral Staircase

Spiral Staircase

The Small Library room contains mainly historical works from the 19th century onwards. The spiral staircase, with Rococo grate, leads to the two upper floor reading rooms of the library, which are not open to the public. Its ceiling fresco, by Paul Troger, shows an allegorical portrayal of Scientia (Science), while the architectural painting on the ceiling fresco was done by Gaetano Fanti. From the library, we proceeded to explore the Stiftskirche (Abbey Church)

Check out “Stiftskirche

Abbey Garden

Abbey Garden

Just outside is the abbey’s park, designed as a baroque park in 1750 and, in 1822, replanted as an English landscape garden.  It has a picturesque Baroque garden pavilion, built like a small belvedere by Franz Mungenast in 1748.  It houses some fine frescoes exotic animals and plants, jungles and native people created by Johann Wenzel Bergl in 1764.

Baroque Garden Pavilion

Baroque Garden Pavilion

It was renovated from 1998-1999 and, since 2000, has been opened to the public. The pavilion was once situated above the Danube River which was once much wider, reaching as far as the rock below the gardens.  Within the pavilion is a self-service café. Murals, in the courtyard, are modern additions that blend in well with the look of the place. Each is a representation of the four virtues: Prudence, Justice, Fortitude, and Temperance.

Self-service cafe at Baroque Garden Pavilion

Self-service cafe at Baroque Garden Pavilion

Before leaving, we dropped by the Stiftsrestaurant Melk, the abbey restaurant located near the entrance. It serves hot meals and monastery wine in beautiful Baroque and outdoor surroundings. Here, we had some ice cream sundae.

Stiftsrestaurant Melk

Stiftsrestaurant Melk

Melk Abbey:  Abt-Berthold-Dietmayr-Straße 1, 3390 Melk, Austria. Tel: +43 2752 5550.  Open 9 AM – 6 PM. Website: www.stiftmelk.at. Admission (abbey park and the bastion): Adults: (€4,00), Students (€ 3,00), Children (6-16  years) (€ 1,00).

Mauthausen Memorial (Mauthausen, Austria)

Mauthausen Memorial

Mauthausen Memorial

Come morning, after breakfast at our hotel, Grace, Manny, Jandy, Cheska, Kyle and I were met by my wife’s cousins Popong and Freddie at the hotel lobby.  Once assembled, we boarded the rented van driven by Freddie that would take us on our 88.7-km.  journey to Mauthausen Memorial, site of the first concentration camp established by the Nazis in in Upper Austria after their annexation of country in March 1938 and one of the last remaining concentration camps from World War II in Europe.

Mauthausen

The idyllic Mauthausen countryside today

On our way out, we also picked up Vicky, another of Grace’s cousins, and her husband Isko who were to join us on our trip. Our journey took us a little over an hour, with a short stopover for snacks and a toilet break.  Upon arrival, Freddie parked the van at a big parking area just outside the complex. Upon alighting, we first walked to the new, raw gray concrete visitor’s center, just outside the site’s walls.

The modern Visitors Center

The modern Visitors Center

Designed by architects Herwig MayerChristoph Schwarz, and Karl Peyrer-Heimstätt, the center was inaugurated in 2003.  It  covers an area of 2,845 sq. m. (30,620 sq. ft.). and has a book shop, information desk, workshop, toilets and a cinema. There is also a cafe but it has different opening hours depending on the time of year.

Inside the Visitors Center

Vicky, Freddie, Grace, Manny and Popong inside the Visitors Center

The camp, situated on a 265 m. (869 ft.) rise of above Mauthausen town (2014 population: 4,913),  on the Gusen River that flows into the Danube River, presently has a serene setting that belies its sordid past as, during World War II, Mauthausen was a labor camp designed to kill its inmates. The main camp of Mauthausen consisted of 32 barracks surrounded by an electrified barbed wire, high stone walls and watch towers.

Barracks and guard watchtower

Barracks and guard watchtower

From its beginnings, in August 8, 1938 (when prisoners from the Dachau concentration camp were sent to Mauthausen to begin the camp construction), to its liberation by the US 11th Armored Division, 3rd US Army on May 3, 1945, the concentration camp, one of the largest labor camp complexes in the Third Reich, worked people to death mining granite to build the granite fortress-prison of the main camp, pave the streets of Vienna and build Adolf Hitler‘s grandiose architectural projects. About 190,000 people from all over Europe were imprisoned in Mauthausen.

Czechoslovakia Monument

Czechoslovakia Monument

They included non-Germanic people groups (Jews, Slavs, Soviet prisoners, Czech and Polish intelligentsia, Roma, gypsies, etc.) who didn’t fit the Nazi ideal of racial superiority, perceived social threats (homosexuals, Jehovah’s Witnesses, etc.), and political dissenters (Social Democrats, Communists, anarchists, etc.). Mauthausen’s most famous inmate was Simon Wiesenthal who created the Simon Wiesenthal Center after the war to locate fugitive Nazi war criminals.

Poland Monument

Poland Monument

Inmates here were literally worked to death at the rock quarry (known as the “Wiener Graben”) and their daily diet was only half the calories necessary for subsistence.  Certain groups were simply summarily executed (including via a gas chamber) by the Nazi regime.

Soviet Union Monument

Soviet Union Monument

Over 100,000 people died. In 1949, it was declared a national memorial site and, on May 3, 1975, 30 years after the camp’s liberation, Bruno Kreisky, the Chancellor of Austria officially opened the Mauthausen Museum . The Mauthausen site remains largely intact, but much of what constituted the sub-camps of Gusen I, II and III is now covered by residential areas built after the war. Today, Mauthausen Memorial stands as a reminder of the darkest days of Austria’s history.

Mongol Gate

Mongol Gate

We entered the camp via the main entrance that former prisoners referred to as the Mongol (or Mongolian) Gate. The two identical guard watchtowers towers above the gate give the appearance of Chinese architecture. As there was a ready supply of granite, there was extensive use of this stone, making Mauthausen as the most ornate concentration camp during the war. The camp’s stone construction also made the camp look the same as when it was built in 1938.

Courtyard of SS Garage

Courtyard of SS Garage

There was once a metal eagle and swastika above the gate but it was removed when the camp was liberated in 1945. The stairs on the right lead down to the S.S. Garagenhof (garage yard) which was used  for S.S. celebrations and as an assembly area for inmates during delousing actions. Overlooking the garage is the balcony where camp commandant S.S. Col. Franz Ziereis would give speeches to his S.S. guards and inmates.

Roll Call Square

Roll Call Square

Once inside the camp, we stood on a wide open courtyard called “Roll Call Square” located in front of the hospital and gas chamber. Each day, there were 3 roll calls held in this courtyard (reduced to 2 after 1943) and inmates were assembled to hear speeches and instructions from Ziereis. The prisoner’s working day started at 4.45 AM in the summer and 5.15 AM in the winter. The day ended at 7 PM.  A number of memorials to the victims of Mauthausen are located in the roll call area.

Sarkophag Memorial

Sarkophag Memorial

Straight ahead is the “Klagemauer” (“Wailing Wall”). When prisoners first arrived here, they had to pass an initiation ritual which included passing hours and, sometimes days, standing facing “The Wailing Wall” while chained to iron rings set in the wall.

Memorial plaques at Wailing Wall

Memorial plaques at Wailing Wall

They were also interrogated and brutally beaten.  Today, the “Wailing Wall” and the wall on the left now have numerous personal memorial tablets placed there by families of the victims and a wide range of countries. There’s also a memorial to Pope John Paul II‘s visit to Mauthausen Memorial on June 24, 1988.

John Paul II Visit Memorial

John Paul II Visit Memorial

Behind the granite wall, on the right, is the quarantine camp while the building on the left, with 2 chimneys, is the hospital which contained a gas chamber in the basement. In the former kitchen is a Catholic church. The majority of the prisoners sent to Mauthausen were Catholics.

Catholic chapel

Catholic chapel

To the left of the Mongol Gate are some of the remaining wooden prisoner barracks that have been restored using the same materials used during the camp construction. These barracks were overcrowded and the sanitary conditions deplorable.

Barrack interior

Barrack interior

Each barrack had two bedrooms and two living rooms located on the left and right sides of the entrance. The prisoners were not allowed to spend much time in the living room, being forced to stay in the bedrooms, with two or three in the same bed. In front of the entrance, in the middle of the barrack, was the bathroom.

Barracks bathroom

Barracks bathroom

At the ground floor of the old infirmary is a very well explained (they also have an English translation) museum, opened in May 2013, covering the history of Mauthausen, from its inception in 1938 to the liberation of the camp on May 3, 1945.

Exhibits (8)

Museum exhibits

Museum exhibits

On display are samples of letters, clothes (the prisoners were forced to wear colored triangles in order to identify the category to which they belong – Gypsy, gay, Jewish, political prisoners, etc.) and other artifacts seen inside the camp.  This kept us occupied for quite a long time.

Typical striped concentration camp inmate clothes

Typical striped concentration camp inmate clothes

Next, we went down the basement where we followed the scene of the crime and the murder of prisoners. The gas chamber, refrigeration room, dissection room and crematorium complex, the very disturbing sections of the camp, are definitely not for the squeamish or for children.

Disinfection Room

Disinfection Room

The gas chamber, completed and used by the spring of 1942, could murder 120 people at one time and it is estimated that around 10,200 prisoners were gassed in this room. However, its construction was inefficient and the prisoners often died of suffocation rather than the gas. The Judas Opening, a hole in the door of the gas chamber, allowed the curious or, better said, the sadists, to see what is happening inside the chamber.

Crematorium

Crematorium

The dissection room was were, after a person was gassed, they were taken to have their gold fillings removed. The box on the right was for the collection of the fillings.  After their fillings were removed, their bodies were stored in the refrigeration room before being taken to the crematorium.

Portion of the high-voltage electric fence

Portion of the high-voltage electric fence

The dissection room was also used for cruel medical experiments and for taking organs from living people. The organs were bottled and stored on shelves.  The crematorium ovens was the final procedure in the murder process of tens of thousands of inmates of Mauthausen.

Crematorium Memorial Room

Crematorium Memorial Room

Then there is the Room of Names which displays and lists the etched names of 81,000 known victims (the names are also available to view via the internet) onto various horizontally placed black glass plates.  We then left the building and walk a short distance before returning to an older part of the museum.

Room of Names

Room of Names

On a green field at the entrance in the concentration camp, between the main camp and the quarry steps, is the Memorial Garden, originally the site of the S.S. administrative barracks.

Hungary Monument

Hungary Monument

Jewish Memorial

Jewish Memorial

In 1949, the site was turned into a memorial garden with the first memorial being donated by France. Today, there are now 22 monuments and more than 30 inscribed plaques, donated by numerous nations subjugated by Germany during the World War II, to remember their prisoners from Mauthausen.

Bulgaria Monument

Bulgaria Monument

Monument to Women

Monument to Women

Also inside the camp are many graves of different nationalities. Barracks 21–24 and Camp II, formerly used as quarantine camps after 1944, now house remains of the inmates from the “American cemeteries” which were transferred here in 1961.

Camp II (Quarantine Camp)

Camp II (Quarantine Camp)

Just past the Memorial Garden Prisoners is the “Todesstiege” (“Stairs of Death”), were Jewish inmates were forced to run up the 186 steps carrying huge packs with 25 kgs. of blocks of granite on their backs from  the Wiener Graben. The weight was gradually increased and, as the prisoners tired, they would fall backwards striking other prisoners, some of them being killed by the blocks that fell, and causing a domino effect, with the S.S. guards placing bets on who would fall.

Remembering the dead at Barracks 21-24

Remembering the dead at Barracks 21-24

For their sick entertainment, the sadistic S.S. guards would frequently take those that survived that fate to the top of the quarry and often forced them to jump or push them, over the narrow ledge of the quarry, to their deaths in a procedure called the “parachute jump,” cynically referring to them as “Fallschirmspringer” (“parachutists”). Today, the ledge is now overgrown with trees and bushes but, from an observation point, we can see the valley below.

Stairs of Death

Stairs of Death

Our visit to this concentration camp was educational, making us see the awful conditions the inmates were forced to live when the world was at war, and also left us speechless as we understood the pain people here experienced at this place.  It was like taking a trip back into time that, even though it is horrific, it is still part of history, a history that, for the sake of the world’s future, none should ever forget or pretend that it doesn’t exist. The Mauthausen Memorial truly deserves a visit, not just for the camp itself, but for the memory of all the people who lost their lives here.

L-R - Isko, Manny, PPopong, the author, Grace, Kyle, Jandy, Vicky and Cheska

L-R:- Isko, Manny, Popong, the author, Grace, Kyle, Jandy, Vicky and Cheska

Mauthausen Memorial: Erinnerungsstraße 1, 4310 Mauthausen, Austria. Tel: +43 7238 22690. Fax: +43 7238 2269 40. Admission: 2 EUR. Open daily, 9 AM – 5:30 PM (March 1 – July 10); Tuesdays – Sundays, 9 AM – 5:30 PM (July 11 – October 31) and Tuesdays – Sundays, 9 AM – 3:45 PM (November 1 – February 28).  Audio guides, in a variety of languages, are available for 3€. There are a number of guided tours available but it is a case of checking the website or phoning the visitor’s centre. During winter, some parts of the camp aren’t accessible for safety reasons (ice). Website: www.mauthausen-memorial.at.