The Ruins (Talisay City, Negros Occidental)

The highlight of our Silay Heritage Tour was our visit to The Ruins in nearby Talisay City.  Here, a wacky, English and Tagalog-speaking tour guide narrated to visitors the fascinating tale of The Ruins, injecting humor along the way.

The Ruins - the Taj Mahal of Negros

The Ruins – the Taj Mahal of Negros

The Ruins is what remains of the grand, 2-storey mansion that Negrense sugar baron, Don Mariano “Anoy” Ledesma Lacson (1865-1948) built in the middle of his 440-hectare sugar cane plantation in the early 1920s, following the death of his first wife, Maria Braga, a Portuguese from Macau who died in an accident while pregnant with their 11th child. Don Mariano is the youngest of the 8 children of Lucio Lacson and Clara Ledesma from Molo, Iloilo.

Our tour guide explaining the history of The Ruins

Our tour guide explaining the history of The Ruins

He later remarried, this time to Concepcion Diaz from Talisay, adding 3 more children to his existing brood of 10 (which included Rafael Lacson, the former governor of Negros Occidental). It became the residence of Don Mariano and his unmarried children. After drawing lots, Don Manuel’s sugar plantation was divided among the 10 children by his first wife Maria and  the mansion went to Mercedes Lacson who married Manuel Javellana from Jaro District in Iloilo.

The interior of The Ruins

The interior of The Ruins

Later, the land was again divided into equal parts among the couple’s 12 children and the 3.6 hectares that included the mansion was given to Ramon Javellana. Raymund Javellana, one of Ramon’s children, thought of restoring the mansion and converting it to a tourist spot but the mansion remained abandoned for 67 years until they started to develop it on May 2007.  On January 2008, it was officially opened to the public as a tourist attraction.

The main entrance

The main entrance

The 903 sq. m., 10-room (8 rooms for their children, a master’s bedroom and a family room) mansion, of Italianate architecture, has twin Neo-Romanesque columns with the first letters of the names of Don Manuel and Dona Maria engraved onto the mansion’s posts.  They actually looked like Es that face each other.

The mansion grounds

Cheska, Marve, Kyle and Grace at the mansion grounds

Facing the main door, the boys’ and girls’ bedrooms, at the ground and second floors respectively, were all located on the left side. The master’s bedroom and the family room were both located upstairs and facing west, on the left and right, respectively. A small arched window, between the kitchen and the dining area, facilitated the movement of food, minimizing the servants going in and out of the kitchen.

The "M" moldings

The “M” moldings

The picturesque mansion, one of the top 12 fascinating ruins in the world and the Taj Mahal of Negros, has many interesting tales to tell.  Its top edges also feature a shell-inspired decor which, in New England, indicates that the homeowner is a ship captain. At the glassed-in sunroom with bay windows, Don Mariano would be often seen sitting as he viewed ships that come and go along the coastal waters of Talisay. Maria Braga’s father was also a ship captain.  Again, in keeping with the marine theme, the mansion’s second story also features a belvedere, between the master’s and family room  and also facing the west, where the family would gather to watch the sunset.

The restaurant dining area

The restaurant dining area

Felipe, one of Don Manuel’s sons, supervised the continuous concrete mixing and pouring, done 24 hours a day, 7 days a week.  This ensured that the concrete was very compact and that no air got in, resulting in the high-quality strength of the structure.  The concrete mixture also incorporated egg whites which, to this day, visitors can still see the gloss or shine on the mansion’s walls because of it.

The remains of the stairs

The remains of the stairs

In 1942, during the Japanese occupation in the early part of World War II, the mansion was reduced to its skeletal frame when USAFFE (United States Armed Forces in the Far East) guerillas set the mansion ablaze, with the consent of Don Manuel, so it would not be used as headquarters by the Japanese forces.

Detail of column capital

Detail of column capital

The mansion’s roof, ceiling and the 2-inch thick, meter wide and approximately 20.5 m. long, jointless wooden floors, extending from the main entrance up to the end of the dining area, were all burned during the non-stop, 3-day fire but the foundations remained standing, thanks to its oversized steel bar reinforcement and the meticulous way of pouring the A-grade mixture.  The original Spanish machuca floor tiles, the hardest and most expensive during that time, also survived.

Detail of arch

Detail of arch

The original, 4-tiered fountain outside the mansion was, in its heyday, surrounded by a beautiful lily garden maintained by a Japanese gardener who, following the burning of the mansion, mysteriously disappeared.   Today, its landscaped garden draws various inspirations – from formal English to Japanese-inspired gardens.

The original 4-tier fountain

The original 4-tier fountain

Viewed just outside the mansion, with a tree on top, is the chimney (simborio) of the muscovado sugar mill (where the juice of the sugarcane is extracted) of the family’s sugar farm. From the mill, the extracted sugarcane juice is then transferred to large vats, heated and then cooled to produce the sugar crystals.

Exterior detail

Exterior detail

Inside The Ruins is a semi-fine dining restaurant (offering Mediterranean cuisine), a mini-bar and a souvenir shop while around it are modern additions – an 18-hole mini golf course, a snack bar and newly built toilets that still use the mansion’s original septic tank.

Belvedere detail

Belvedere detail

Aside from tours and dining, The Ruins are also be used for special events such as weddings, family reunions, pre-nuptial pictorials, etc.  There are also a stall selling Erv’s sugar cane juice, camping and picnic grounds, bath houses and a pavilion. Also within the grounds is a 3 m. high obelisk,the Landmark Award of the Philippine Institute of Civil Engineering (PICE). Too bad, we left at 5 PM.  According to our guide, you will see the building glow from the sunset around 5:30 PM.

The simborio

The simborio

The Ruins: Open daily, 8:30 AM to 8 PM. Tel: (034) 476 4334. Admission: PhP60 (adults), PhP40 (students) and PhP30 (children).

 

 

Silay Museum (Silay City, Negros Occidental)

Entrance

Entrance

The Silay Museum, inaugurated last November 4, 2012, the eve of the Cinco de Nobiembre celebration, is located at the former site of the City Library.  It is a fulfillment of the dream of Mayor Jose “Oti” Montelibano and the Silaynons for a museum that would tell Silay’s history and the aspirations of its people. The concept, prepared by city councilor Neil Solomon L. Locsin, grandson of the late Sen. Jose C. Locsin, was executed by cultural affairs officer Achilles “Panoy” Corteza.  

Jose C. Locsin Memoabilia

Jose C. Locsin Memorabilia

Near the door and adorning a cozy nook along the walls are  numerous photographs, taken by members of the Camera Club of Negros, through the Negros Cultural Foundation, of 28 ancestral houses which were identified by the National Historical Commission (NHC) as architectural landmarks. 

Photo Gallery of Ancestral Houses

Photo Gallery of Ancestral Houses

museum-1Glass enclosures preserve a collection of clothes and manuscripts owned by famous sons and daughters of Silay.  They include the vestments of Silay parish priest Fr. Eusebio Locsin of Molo (who encouraged his relatives in Iloilo to settle in Silay because of its promising sugar industry), collection of traje de Silay (gowns) and precious documents (last entry of Fr. Eulogio Saez in Libro de Baptismo de Silay, etc.) and articles  (old statue of San Diego Alcala, etc.) from the San Diego Pro-Cathedral and the Diocese of Bacolod, with permission from Fr. Demetri Gatia and Bishop Vicente M. Navarra.

Dioramas

Dioramas

A collection of 27 paintings (“KABUHI, Paghim akas kag Pagkabahaginan ni Rizal”), done by the relatively unknown and underrated Caviteno master painter Simon Saulog (1916-1995), was commissioned by Sen. Jose C. Locsin in 1957 for the Filipiniana section of the public library.  They depict the different episodes in the work, life and death of Philippine National Hero Jose Rizal whom the senator personally admired. Saulog was trained in the Fernando Amorsolo school of painting espousing Classicism and idealizing rural life.

museum-3

Its seven eye-catching and colorful dioramas, inspired by the Ayala Museum. tells the cultural history of Silay from its beginnings (The Village by the Sea: 16th -17th Century, Life within the Estacada: 18th Century), how it was shaped by the sugar industry (Migration and Development: 19th Century), the the struggle for freedom (Cradle of Freedom: 1898 Cinco de Noviembre Revolution), the birth of the “Paris of Negros” (The Golden Age: The 20th Century), the effects of the war (The Last Stand: World War II, ) and to where it is now (Cityhood). 

Fr. Eusebio Locsin vestments

Fr. Eusebio Locsin vestments

Also on display are memorabilia and manuscripts (including a classified document presented to him that discusses, among other things, action plans that the country will take upon the expiration of the 1954-1974 Laurel-Langley Agreement) of the late Sen. Jose C. Locsin;, old coins and paper currency; antique furniture;  scaled models of Balay Negrense and San Diego Pro-Cathedral; an old kawa (cauldron used in the making of muscovado sugar); and old photos of Silay and its notable personalities. 

Simon Saulog paintings

Simon Saulog paintings

Silay Museum: Jose C. Locsin Cultural and Civic Center (in front of the Silay Tourism Office), 6116 Silay City, Negros Occidental. Tel: (034) 495-5553.

Silay City Tourism Division: Tel: (034) 495-5553.Fax: (034) 495-0848. Email: silaycity_tourism@yahoo.com.