Dampol Bridge (Dupax del Sur, Nueva Vizcaya)

The nearly two century old, single arch Dampol Bridge

The nearly two century old, single arch Dampol Bridge

While my media colleague  Alexis Romero was busy interviewing Fr. Ferdinand E. Lopez at the Church of St. Vincent, I walked a short distance to Dampol Bridge which was said to have been built at the same time the church was being built.  Most tourists and some locals pass by it and don’t know that they are stepping upon or driving on one of Dupax del Sur’s historical treasures.

Approach to Dampol Bridge

Approach to Dampol Bridge

This nearly two century old, single arch unreinforced bridge that spans the Abanatan Creek which divides Brgy. Dopaj and Brgy. Dumang, was built in 1818 by the Isinai and other indigenous groups living in the area.  Its red-colored bricks were made from an old adobe workshop near the church, when Spanish Dominican friar Fr. Francisco Rocamora was vicar.

Abanatan Creek

Abanatan Creek

During a road construction and widening project undertaken by the DPWH -Nueva Vizcaya 2nd District Engineering Office in 2014 (who regarded the bridge as part of the National Highway), this important cultural and historical landmark was spared from demolition after an outcry from the Isinai community, but not after part of the protective brick wall had already been taken down in sections, exposing the inner filling to decomposition.

The damaged portion of the bridge

The damaged portion of the bridge

Today, only light vehicles (load limit: 5 tons) such as cars are allowed to cross the bridge, one at a time.  A suggestion to re-route traffic away from Dampol Bridge is now being considered.

Church of St. Vincent Ferrer (Dupax del Sur, Nueva Vizcaya)

After covering the Kalanguya Festival, Roel, Alex and I boarded our van for the 2-hour trip to the town of Dupax del Sur where we dropped by its Church of St. Vincent Ferrer,  one of the oldest and biggest churches in North Luzon and the best-preserved church complex in Nueva Vizcaya. Here, we met up with parish priest Fr. Ferdinand E. Lopez.

Church of St. Vincent Ferrer

Church of St. Vincent Ferrer – a National Cultural Treasure

Declared a National Cultural Treasure by the National Museum of the Philippines in July 2001, this 18th-century  church,  under the advocation of Saint Vincent Ferrer (though its original titular patron was  the Nuestra Señora del Socorro), is under the jurisdiction of the Roman Catholic Diocese of Bayombong.

The 4-level, rectangular brick bell tower

The 4-level, rectangular brick bell tower

Made of brick, lime, coral or river rock and wood plastered over with stucco, the church covers an area of 7,200 sq. m. and its architectural design is similar to that of St. Peter Cathedral in Tuguegarao City, only less in ornamentation and lower in height with no spiral columns and pilasters to offer support to the structure.

The semicircular arched main portal, embellished with clay insets

The semicircular arched main portal, embellished with clay insets

The present structure (an earlier church structure of modest design might have been erected before 1773), built by Dominican Fr. Manuel Corripio, OP with brick in 1776, mimics the silhouette of the earlier Tuguegarao Cathedral and is reflected on the churches of Bayombong and Bambang. During its construction, Fr. Corripio had two kilns made near the church complex, one for firing bricks and the other for preparing lime.

Window framed by embossed carvings

Window framed by embossed carvings

The Baroque-style façade, divided by cornices into horizontal segments of plastered brick,  features a semicircular arched main portal, embellished with clay insets (representing symbols of the Dominican Order), and a main doorway flanked on both sides by two blind windows with an embossed image of the Holy Eucharist, all  at the first level.  The second level features a niche and two windows framed by embossed carvings.

Blind window with an embossed image of the Holy Eucharist

Blind window with an embossed image of the Holy Eucharist

The entire triangular pediment, divided into two horizontal sections, is capped by undulating cornices and 7 finials, with the central finial crowned with a cross.  The lower half is pierced by a deeply-recessed oculus  while the upper part features a small relief of a cross.

The triangular pediment

The triangular pediment

To the right of the façade is the unplastered, 4-level, rectangular bell tower whose base features a niche with the statue of St. Vincent Ferrer, similar to that found on the second level of the façade.  The tower’s second level features long, narrow windows framed with bracket columns. It is capped with a decorative parapet and a small cupola surmounted by a cross.

Niche with the statue of St. Vincent Ferrer at the bell tower

Niche with the statue of St. Vincent Ferrer at the bell tower

Long, narrow windows framed with bracket columns

Long, narrow windows framed with bracket columns

Each level bears inscription of the years when it must have been completed. We climbed all the way to the top of the tower via a very narrow, dark and steep stairway.  Two of the four bells were cast in 1858 and 1888. Up on the tower, we had a panoramic view of the whole town and the mountains of the Sierra Madre.

View of the town and mountains from the bell tower

View of the town and mountains from the bell tower

Inside the church are two, white-washed narthex pillars, supporting the choir loft, embellished with finely-carved stucco reliefs of cherubs, shells, florals and arabesques. Similar motifs can also be found on the baptistery. The original main retablo (altar backdrop) and pulpit are still intact but the heads of the statues in the retablo are believed to be just reproductions of the ivory ones stolen over the course of the church’s history.

The church interior

The church interior

White-washed narthex pillars embellished with finely-carved stucco reliefs

White-washed narthex pillars embellished with finely-carved stucco reliefs

The 2-storey church convent, connected to the church, still retains slits on the outer walls for archers to defend against attacks and target marauders. The church plaza is enclosed by a low perimeter wall and a replica of an earlier atrial cross.

The similarly ornate carvings in the baptistery

The similarly ornate carvings in the baptistery

Church of St. Vincent Ferrer: Aritao-Quirino Rd., Brgy. Dopaj, Dupax del Sur, 3707, Nueva Vizcaya.  Tel: (078) 808 1016.

The church pulpit

The church pulpit

How To Get There: Dupax del Norte is located 248.26 kms. from Manila and 26 kms. south of Bayombong.

Kalanguya Festival (Sta. Fe, Nueva Vizcaya)

The next day, after breakfast, we observed the beautiful and colorful parade of 16 floats (each representing a barangay) along the National Highway as wound its way to the Santa Fe Sports and Cultural Center at the town proper.

Brgy. Bantinan float

Brgy. Bantinan float

Brgy. Sta. Rosa float

Brgy. Sta. Rosa float

Each float had their barangay’s beauty candidate, wearing a Kalanguya costume, on board. Floats were also bedecked with the barangay’s farm produce (chayote, eggplants, tomatoes, carrots, sweet potatoes, ginger, bananas, pechay, pineapples, etc.), baskets, walis tambo (tiger grass brooms) and flowers.

The winning walis tambo-themed float of Brgy. Bacneng

The winning walis tambo-themed float of Brgy. Bacneng

At the town proper, the street dancing competition unfolded with a street performance held in front of the municipal hall and the ground demonstrations at the Santa Fe Sports and Cultural Center.  Both showcased the Kalanguya’s costumes, dance and musical instruments.

Santa Fe Sports and Cultural Center

Santa Fe Sports and Cultural Center

Alexis, Roel, Ms. Lelia E. Blancaflor (DOT Region 2 acting director), Ms. Imelda A. Garduque, also from DOT Region 2, and I were asked to judge the competition.  We would also do so for the float competition. Three contingents – Kalahan, Canabaan National High School and Sta. Fe National High School presented story lines regarding a particular Kalanguya practice.

The street performance in front of the municipal hall

The street performance in front of the municipal hall

Ground demonstration

Ground demonstration

We also observed the padit, a grand canao (socio-religious celebration) ritual featuring the traditional (but shocking to others) butchering of pigs, native chickens and 2 carabaos.  These were then boiled and served to all attendees.  Tapey (native wine) was also served to guests while the bah-liw was chanted by tribal elders.

Kalanguyas performing the padit

Kalanguyas performing the padit

Later, officials, guests and barangay officials danced the tayaw, to the beat of gangha or gangsa (gongs). Indigenous sports such as bultong (wrestling), tug-of-war, bamboo pole climbing, wood chopping, gayang (spear throwing), hanggol (arm wrestling) and dapapnikillum (pig catching) plus tapey drinking and group chanting of the bah-liw were also featured.

A pig sacrifice

A pig sacrifice

Within the festival venue are 16 booths selling jams and jellies made from guava, santol, bignay or wild berries; farm produce such as camote, gabi, vegetables, yakun, sayote, etc.; Ifugao handicrafts such as rattan baskets, woodcarvings; tiger grass soft brooms; and exotic and beautiful handwoven fabrics used as tapis by women and g-strings by the men.

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Farm produce at the Agri-Tourism Fair

Farm produce at the Agri-Tourism Fair

Sta. Fe Municipal Hall: Poblacion, Sta. Fe, Nueva Vizcaya. E-mail: info@santafe.gov.ph. Website: www.santafe.gov.ph.