Versailles Palace – Gallery of Illustrious Men (France)

Gallery of Illustrious Men

The Gallery of Illustrious Men, probably the longest in Versailles (it stretches almost the entire North Wing), is only interrupted by the emergence of the Royal Opera. In Louis XVI’s time, busts of Enlightenment-philosophers were added to the gallery.

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Statue of Henri Turenne (Augustin Pajou, 1783)

Statue of Nicolas de Catinat (Claude Dejoux)

Some of the statues that line this gallery are Marshals of France who served under King Louis XIVLouis II de Bourbon (Prince of Condé), Henri de La Tour d’Auvergne (Viscount of Turenne), François de Montmorency, Sébastien Le Prestre (Marquis of Vauban), Anne Hilarion de Tourville and Nicolas Catinat.

Statue of Francois Henri de Montmorency (Louis-Philippe Mouchy)

Statue of Sebastien Le Prestre Vauban (Charles-Antoine Bridan, 1785)

Other statues of those who served under King Louis XIV include Jacques-Benigne Bossuet (court preacher and tutor to the nine-year-old Dauphin, oldest child of Louis XIV) and Abraham Duquesne (Vice-Admiral who distinguished himself in the Third Dutch War).

Statue of Henri Francois d’Aguesseau (Pierre Francois Berruer)

Statue of Anne Hilarion de Tourville (Jean-Antoine Houdon, 1781)

Statues of other famous men in French history are represented here.  They include several Chancellors (Henri François d’Aguesseau and Michel de L’Hopital) as well as Carloman (king of the Franks from 768 until his death in 771),  Bertrand du Guesclin (an important military commander on the French side during the Hundred Years’ War),  Francois Fenelon (French Roman Catholic archbishoptheologianpoet and writer), Pierre Terrail, seigneur de Bayard (a French knight at the transition between the Middle Ages and the Renaissance).

Statue of Jacques-Benigne Bossuet (Augustin Pajou)

Statue of Abraham Duquesne (Martin Claude Monot, 1784-87)

All these statues were works of some of the noted French sculptors of that time – Martin-Claude Monot, Louis-Philippe Mouchy (1734 – 1801), Jean-Joseph Foucou (1739 – 1821), Jean-Antoine Houdon (1741 – 1828), Pierre Francois Berruer (1733 – 1797), Augustin Pajou (1730 – 1809), Claude Dejoux (1732 – 1816) and Charles Antoine Bridan(1730 – 1805)

Statue of Bertrand Duguesclin (Jean-Joseph Foucou, 1799)

Statue of Pierre du Terrail Bayard (Charles Antoine Bridan, 1787)

Gallery of Illustrious Men: North Wing, Chateau De Versailles, Place d’Armes, 78000 Versailles, France. Tel: +33 1 30 83 78 00. Website: www.chateauversailles.fr.  Open daily (except on Mondays and May 1), from 9:00 AM to 6:30 PM.  Last admission is 6 PM while the ticket office closes at 5.45 PM. The estate of Trianon and the Coach Gallery only open in the afternoon while the Park (7 AM to 8:30 PM) and Gardens (8 AM to 8.30 PM, last admission: 7 PM) are open every day. Access to the Gardens is free except on days of fountains shows. You can access the estate of Trianon through the Gardens or through the city. The Petit Trianon is only possible via the Grand Trianon.

Admission: 27 € for Passport with Timed Entry (days with Musical Fountains Shows or Musical Gardens), 20 € for Passport with Timed Entry (without musical fountains show or musical gardens), 12 € for Estate of Trianon ticket(without Musical Fountains Show or Musical Gardens), 10 € for Passport with Timed Entry (free admission, days with Musical Fountains Show or Musical Gardens), 9,50 € for Musical Fountains Show ticket, 8,50 € for Musical Gardens ticket, 28 € for the Fountains Night Show.

How to Get There: The cheapest option for reaching Versailles is by train. There are three train stations in Versailles.  RER line C arrives at Versailles Château – Rive Gauche train station, the closest one of the Palace (just 10 minutes’ walk to the Palace). SNCF trains from Gare Montparnasse arrive at Versailles Chantiers train station, which is 18 minutes on foot to the Palace. SNCF trains from Gare Saint Lazare arrive at Versailles Rive Droite train station, 17 minutes on foot to the Palace. RER C and SNCF train times are available on www.transilien.com.

Versailles Palace – Royal Chapel (France)

Royal Chapel

Upon arriving from the Place d’Armes, we caught sight of the Royal Chapel of Versailles’ sleek form, with a stonework facade opening up by large windows and its roof ridge reaching a height of 40 m. (the Royal Chapel is several dozen meters higher than the surrounding buildings). The current chapel, located at the south end of the north wing, was the last major building project at Versailles to be completed during the reign of Louis XIV (his spiritual legacy as well) and the fifth and final chapel built in the Palace since the reign of Louis XIII.

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Some of the statues atop the balustrade

Officially announced in 1682, construction was begun by Jules Hardouin-Mansart (the First Architect to the King) in 1699 and, after Hardouin-Mansart died in 1708, the chapel was completed by his assistant and brother-in-law Robert de Cotte.  It was consecrated on June 5, 1710, at the end of the reign of Louis XIV, by Cardinal Louis Antoine de Noailles, the Archbishop of Paris.

Along with the Hall of Mirrors, it is one of the jewels of the Palace of Versailles.  The Chapel, a treasure of sacred architecture in France, is an impressive showpiece, of that time, of the proliferation of art to express the divine.

The chapel interior

Hardouin-Mansart  perpetuated the architectural tradition of French royal chapels, while giving the building a very modern appearance, consistent with Versailles’ “grand royal style.” He was also responsible for the Hall of Mirrors, the other major project at the end of the Sun King’s reign.

Representing one of the finest examples of French Baroque architecture and ecclesiastical decoration, the chapel towers over the rest of the palace. It was dedicated to Louis IX of France, the patron saint of the King and an ancestor of the royal house.

High Altar

Many believe that the Chapel contains references to the Sainte-Chapelle of Paris which Louis IX had founded on Île de la Cité in the 1240s, notably its large windows that let in the light, as well as its height (40 m.) on a squat and streamlined, 24 m. wide and 42 m. long base, made possible by its interior colonnade.

Colonnade

The Royal Chapel stands out for its rich artistic expression, both inside and out. The building’s overall design, with Gothic-inspired architecture, features many monumental sculpted decorations. There are large glass windows, Corinthian pilasters topped with plant decorations, buttresses, a roof with decorative lead work that was covered in gold leaf during the Sun King’s time plus an imposing colonnade on the first floor clearly inspired by Antiquity.

No fewer than 30 statues, made by 16 different sculptors, top the balustrade and the Chapel’s central pediment. Their carefully chosen themes are a combination of major characters in Christianity and allegories of Christian virtues.

Colonnade on the right

The interior elevation, like other royal chapels, follows the usual format for Palatine chapels (the most obvious examples is the presence of a balcony) with two levels.  The free-standing columns let in bright light from the large panes of clear glass (a luxury at the time).  Daily services here were usually held in the morning at 10 AM with the King, surrounded by his family, worshiping in the Royal Tribune on the upper level, with the ladies of the Court occupying the lateral tribunes, while the Officers and members of the public were seated or stood in the nave parterre on the ground level.

The king only descended into the nave during religious celebrations when he took Holy Communion, ceremonies of the Order of the Holy Spirit, and the baptisms and weddings of the Princes and Princesses of the realm which were held there from 1710 to 1789.

The ceiling frescos

The Hardouin-Mansart-designed uninterrupted vaulted ceiling, without transverse ribs to create a unified surface, display striking frescoes, complemented by large stained-glass windows, done by the most talented painters of the time, with scenes depicting the three figures of the Holy Trinity.

The Resurrection of Christ (Charles de La Fosse)

The Glory of the Father Announcing the Coming of the Messiah, in the center, was done by Antoine Coypel. In the apse above the altar is The Resurrection of Christ by Charles de La Fosse while above the royal tribune is The Holy Spirit Descending upon the Virgin and the Apostles by Jean Jouvenet.

Glory Holding the Medallion of Louis XV (Antoine Vasse)

A corridor and vestibule, connecting the Chapel and the State Apartments, included later art commissioned by Louis XV, intended to portray the link between Divinity and the King –  a statue of Glory Holding the Medallion of Louis XV, by Antoine Vassé; and Royal Magnanimity by Jacques Bousseau.

Royal Magnanimity (Jacques Bousseau)

The great organ, designed by Clicquot, is decorated with a beautiful depiction of King David in relief and was unusually placed above the altar, thus facing the gallery where the royal family sat to attend mass.   Great musicians, such as  François Couperin (he inaugurated the organ), have played this organ. Every day, throughout the service, the music of the Chapel, renowned throughout Europe, rang out with motets  resonating from above the altar.

The Great Organ

More than 300 years after its construction, the acoustics of this exceptional musical venue still resonates as the chapel continues to host concerts, playing a large repertoire of sacred and secular music from that time and the present day.

NOTE: More than forty years after its last major restoration, the Royal Chapel is now undergoing urgent intervention on the roof timbers, the roof and decorative lead work, the statues and window frames and stained glass.The end of the construction is scheduled for spring 2021.

Hall of Mirrors: Chateau De Versailles, Place d’Armes, 78000 Versailles, France. Tel: +33 1 30 83 78 00. Website: www.chateauversailles.fr.  Open daily (except on Mondays and May 1)from 9:00 AM to 6:30 PM.  Last admission is 6 PM while the ticket office closes at 5.45 PM. The estate of Trianon and the Coach Gallery only open in the afternoon while the Park (7 AM to 8:30 PM) and Gardens (8 AM to 8.30 PM, last admission: 7 PM) are open every day. Access to the Gardens is free except on days of fountains shows. You can access the estate of Trianon through the Gardens or through the city. The Petit Trianon is only possible via the Grand Trianon.

Admission: 27 € for Passport with Timed Entry (days with Musical Fountains Shows or Musical Gardens), 20 € for Passport with Timed Entry (without musical fountains show or musical gardens), 12 € for Estate of Trianon ticket(without Musical Fountains Show or Musical Gardens), 10 € for Passport with Timed Entry (free admission, days with Musical Fountains Show or Musical Gardens), 9,50 € for Musical Fountains Show ticket, 8,50 € for Musical Gardens ticket, 28 € for the Fountains Night Show.

How to Get There: The cheapest option for reaching Versailles is by train. There are three train stations in Versailles.  RER line C arrives at Versailles Château – Rive Gauche train station, the closest one of the Palace (just 10 minutes’ walk to the Palace). SNCF trains from Gare Montparnasse arrive at Versailles Chantiers train station, which is 18 minutes on foot to the Palace. SNCF trains from Gare Saint Lazare arrive at Versailles Rive Droite train station, 17 minutes on foot to the Palace. RER C and SNCF train times are available on www.transilien.com

Versailles Palace (France)

Palace of Versailles (Chateau de Versailles) seen from the Place d’Armes

After a 10-min. walk from the Versailles Château – Rive Gauche train station, we finally at the Place d’Armes, the roughly fan-shaped square with its equestrian statue of Louis XIV in the center and the Grande Écurie and the Petite Écurie (Royal Stables) to the east.  We entered the  Palace of Versailles via the  royal gate into the Court of Honor (cour d’honneur), the courtyard in front of the palace.

Place d’Armes, facing the La Grand Ecurie and Petite Ecurie

The original Baroque-style steel gate, designed by Jules Hardouin-Mansart, was torn down during the French Revolution.

The recreated Royal Gate

The new 80 m. high, recreated steel gate, decorated with 100,000 gold leaves, was unveiled last February 4, 2008 after two years of painstaking work by legions of top craftsmen and history experts with private donors contributing five million euros (eight million dollars) to ensure an exact replica would be produced.  As we had already bought our tickets online, we entered the palace via Entrance A.

The bronze equestrian Statue of Louis XIV designed by Pierre Cartellier. The rider is the work of Louis Petitot, son-in-law of Cartelier, and the whole was cast in bronze by Charles Crozatier in 1838. The proportions of the statues of the horse and the king are slightly different. Previously located in the Cour d’Honneur, it was relocated to the Place d’Armes in 2009.

The royal court of Versailles, home of the French nobility and a symbol of the system of absolute monarchy of the Ancien Régime, was the center of political power in France from 1682 (when Louis XIV moved from Paris) until October 1789, after the beginning of the French Revolution, when the royal family was forced to return to the capital.

The Court of Honor. L-R: the author, Kyle, Cheska, Grace and Jandy

Here is the historical timeline of the palace:

  • From 1661–1678, the first phase of the expansion into a royal palace by Louis XIV, designed and supervised by the architect Louis Le Vau, culminated in the addition of three new wings of stone (the enveloppe), which surrounded Louis XIII’s original building on the north, south, and west (the garden side). As a result of Le Vau’s enveloppe of Louis XIII’s château, the king and the queen had new apartments in the new addition (known at the time as the château neuf).  Charles Le Brun designed and supervised the elaborate interior decoration. André Le Nôtre (who landscaped the extensive Gardens of Versailles) and Le Brun (who supervised the design and installation of countless statues) collaborated on the numerous fountains.
  • In 1670, after Le Vau’s death, the work was taken over and completed by his assistant, François d’Orbay.
  • From 1678–1715, during the second phase of expansion, two enormous wings north and south of the wings flanking the Royal Court (Cour Royale) of the main château were added by the architect Jules Hardouin-Mansart who also replaced Le Vau’s large terrace on the west (garden) front with what became the most famous room of the palace, the Hall of Mirrors. Mansart also built the stables (Petites Écuries and Grandes Écuries), on the opposite (east) side of the Place d’Armes, in front of the palace and the château known as the Grand Trianon (or Marble Trianon), replacing Le Vau’s 1668 Trianon de Porcelaine in the northern section of the palace park.
  • By 1682, work was sufficiently advanced that Louis XIV was able to proclaim Versailles his principal residence and the governmental center of France, and to give rooms in the palace to almost all of his courtiers.
  • In 1683, after the death of his consort Maria Theresa of Spain, Louis XIV undertook the enlargement and remodeling of the royal apartments in the oldest part of the palace, the château built by his father.
  • In 1688, the Royal Chapel of Versailles, located at the south end of the north wing, was begun by Mansart.
  • In 1710, after Mansart’s death in 1708, work on the Royal Chapel was completed by his assistant Robert de Cotte .
  • In 1738, Louis XV remodeled the king’s petit appartement on the north side of the Cour de Marbre (Marble Court), originally the entrance court of the old château.
  • In 1768, the Petit Trianon, a pavilion in the palace park designed by Ange-Jacques Gabriel, was finished.
  • In 1770, the Opéra, a theater at the north end of the north wing designed by Gabriel, was completed in time for the marriage of the Dauphin (the future Louis XVI), Louis XV‘s grandson, and Marie Antoinette.
  • After he became king in 1774, Louis XVI made only a few changes to the main palace, primarily to their private apartments. Marie Antoinette made extensive changes to the interior of the Petit Trianon as well as its gardens, including adding her private Théâtre de la Reine and the Hameau.
  • In 1783, the three treaties of the Peace of Paris (1783), in which the United Kingdom recognized the independence of the United States, where signed in the Palace.
  • On October 5, 1789, growing anger in Paris led to the Women’s March on Versailles wherein a crowd of several thousand men and women, protesting the high price and scarcity of bread, marched from the markets of Paris to Versailles. Taking weapons from the city armory, they besieged the Palace and compelled the King and Royal family and the members of the National Assembly to return with them to Paris the following day.
  • In 1792, the Convention (the new revolutionary government), ordered the transfer of all the paintings and sculptures from the Palace to the Louvre.
  • Between 25 August 1793 and 11 August 1794, auction of furniture, mirrors, baths and kitchen equipment, were sold in seventeen thousand lots. All fleurs-de-lis and royal emblems on the buildings were chambered or chiseled off. The empty buildings were turned into a storehouse for furnishings, art and libraries confiscated from the nobility.
  • Beginning in 1793, the empty grand apartments were opened for tours and a small museum of French paintings and art school was opened in some of the empty rooms.
  • In 1810, Napoleon Bonaparte, prior to his marriage with Marie-Louise, he had the Grand Trianon restored and refurnished as a springtime residence for himself and his family, in the style of furnishing that it is seen today.
  • In 1820, Louis XVIII ordered the restoration of the royal apartments, but the task and cost was too great.
  • In 1833, Louis-Philippe initiated effort to restore and maintain Versailles when he changed the palace when he began renovation the south wing of the Palace, which had been used to house some members of the royal family, to convert them into the Museum of the History of France, including the Galerie des Batailles (Hall of Battles) which lies on most of the length of the second floor. To give greater uniformity of appearance to the front entrance, the far end of the south wing of the Cour Royale was demolished and rebuilt to match the Gabriel wing of 1780 opposite.
  • On June 30, 1837, the museum was inaugurated.
  • During the Franco-Prussian War of 1870–1871, the general staff of the victorious German Army occupied the Palace and parts of the chateau, including the Gallery of Mirrors, were turned into a military hospital.
  • On January 18, 1871, the creation of the German Empire, combining Prussia and the surrounding German states under William I, was formally proclaimed in the Hall of Mirrors.
  • In March 1871, until the signing of the armistice with the Germans, the government of the new Third French Republic moved into the Palace. The National Assembly held its meetings in the Opera House.
  • In 1892, Pierre de Nolhac, poet and scholar and the first conservator, began restoration efforts at the Palace. Though interrupted by two world wars, the conservation and restoration work still continues until the present day.
  • In June 1919, the Treaty of Versailles, formally ending the First World War, was signed in the Hall of Mirrors.
  • Between 1925 and 1928, American philanthropist and multi-millionaire John D. Rockefeller gave $2,166,000 (the equivalent of about thirty million dollars today), to restore and refurnish the palace.
  • On April 9, 1957, further restoration of the backstage areas of Royal Opera of Versailles was completed and the Royal Opera of Versailles was reopened in the presence of Queen Elizabeth II of the United Kingdom.
  • In 1978, parts of the Palace were heavily damaged in a bombing committed by Breton terrorists.
  • In 1979, the palace and its garden were inscribed in the UNESCO World Heritage List.
  • In 2003, the “Grand Versailles” project, a new restoration initiative, was started. It began with the replanting of the gardens which, on December 26, 1999, had lost over 10,000 trees during Hurricane Lothar .
  • In 2006, the restoration of the Hall of Mirrors was completed. 

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Here are some interesting trivia regarding the palace:

  • The palace was originally a hunting lodge built in brick and stone by King Louis XIII in 1623.
  • The land on which the palace was built on was situated on a narrow plateau with many swamps around it and not fit for the construction. For the project to happen, they needed to restructure the whole area by drying the swamps up and fill the area around the plateau with soil and stones. Earthwork and leveling were also essential for the construction to begin.
  • The Palace of Versailles is the second-most visited monument in the Île-de-France region (7,700,000 visitors in 2017), just behind the Louvre and ahead of the Eiffel Tower.
  • Versailles was one of the few castles in France that wasn’t located near a river so artificial ponds were created and aerial and underground aqueducts built to supply water for the Palace’s fountains and all the surrounding waters were redirected to it. They also pumped the water out of the Seine River using new techniques and hydraulic methods. A revolutionary pumping machine, built for this project, drew water from the river and, for it to reach the aqueducts that would lead the water to the Palace, drove it through pipes more than one hundred meters above the Seine level.
  • The Palace was not restricted only for the King and his court and though everyone could freely visit the Palace and walk its gardens, elegance was essential in the Palace of Versailles and visitors needed to be well-dressed to be allowed to walk the Palace. Those who did not have a proper outfit, could rent one at the entrance of the Palace.

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The palace, enthusiastically promoted as one of France’s foremost tourist attractions by the Fifth Republic, still serves political functions.  Heads of state are regaled in the Hall of Mirrors and the French Senate (Sénat) and the National Assembly (Assemblée nationale) meet, in congress, in Versailles to revise or otherwise amend the French Constitution, a tradition that came into effect with the promulgation of the 1875 Constitution.

The Marble Court (made with contrasting red brick, white stone and grey slate highlighted with god decoration) and the facade of the first chateau built by King Louis XIII

The Grand Apartments (grands appartements), known respectively as the King’s Grand Apartment (grand appartement du roi), consisting of an enfilade of seven rooms, and the Queen’s Grand Apartment (grand appartement de la reine) forming a parallel enfilade with that of the grand appartement du roi, occupied the main or principal floor of the New Palace (château neuf).

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The Royal Chapel

Le Vau’s design for the state apartments, closely following Italian models of the day, is evidenced by the piano nobile (a convention the architect borrowed from 16th- and 17th-century Italian palace design), the  placement of the apartments on the next floor up from the ground level.

Gabriel Pavilion

Owned by the French state, the Palace of Versailles’ formal title is the Public Establishment of the Palace, Museum and National Estate of Versailles and, since 1995, has been run as a Public Establishment, with an independent administration and management supervised by the French Ministry of Culture.

Offering a visual history of French architecture from the 17th century to the end of the 18th century, the Palace of Versailles began with the original château, with the brick and stone and sloping slate (from Angers) Mansard roofs of the Louis XIII style, used by architect Philibert Le Roy. With the addition of the colonnades and flat roofs of the new royal apartments, done in the French Classical or Louis XIV style, as designed by Louis Le Vau and, later, by Jules Hardouin-Mansart, it then became grander and more monumental. In 1768, it concluded in the lighter and more graceful Neo-Classical Louis XVI style of the Petit Trianon, completed by Ange-Jacques Gabriel.

Dufour Pavilion

Largely completed by the death of Louis XIV in 1715, the eastern part of the palace has a U-shaped layout, surrounding a black-and-white marble courtyard, with the corps de logis and symmetrical advancing secondary wings terminating with the Dufour Pavilion on the south and the Gabriel Pavilion to the north, creating an expansive cour d’honneur known as the Cour Royale (Royal Court).

The North Wing

Two enormous asymmetrical wings, flanking the Royal Court, results in a 402 m. (1,319 ft.) long facade. The palace, covered by around a million sq. ft. (10 hectares) of roof, has 2,143 windows, 1,252 chimneys, and 67 staircases.

The Princes’ Staircase overlooking the Gallery of Great Battles

The façade of Louis XIII’s original château, preserved on the entrance front, was built of red brick and cut stone embellishments. In the center of the courtyard is a 3-storey avant-corps fronted with eight red marble columns, supporting a gilded wrought-iron balcony and surmounted with a triangle of lead statuary surrounding a large clock (its hands stopped upon the death of Louis XIV).

Questel Staircase, located at the North Wing, was named after architect Charles-Aususte Questel.  It replaced the one built by Questel’s predecessor, Frédéric Nepveu, during the July Monarchy.

Columns, painted and gilded wrought-iron balconies plus dozens of stone tables decorated with consoles (holding marble busts of Roman emperors) completes the rest of the façade while atop the slate Mansard roof, are elaborate dormer windows and gilt lead roof dressings, added by Hardouin-Mansart in 1679–1681.

The garden front and wings, inspired by the architecture of Baroque-style Italian villas but executed in the French Classical style, were encased in enveloppe (white cut ashlar stone from L’Oise) by Le Vau in 1668-1671 and modified by Hardouin-Mansart in 1678–1679.

The exterior features an arcaded, rusticated ground floor, supporting a main floor with round-headed windows divided by reliefs and pilasters or columns, while the attic storey, with square windows and pilasters, is crowned by a balustrade bearing sculptured trophies and flame pots dissimulating a flat roof.

Angel and Lion Statue

Chateau de Versailles: Place d’Armes, 78000 Versailles, France. Tel: +33 1 30 83 78 00. Website: www.chateauversailles.fr.  Open daily (except on Mondays and May 1), from 9:00 AM to 6:30 PM.  Last admission is 6 PM while the ticket office closes at 5.45 PM. The estate of Trianon and the Coach Gallery only open in the afternoon while the Park (7 AM to 8:30 PM) and Gardens (8 AM to 8.30 PM, last admission: 7 PM) are open every day. Access to the Gardens is free except on days of fountains shows. You can access the estate of Trianon through the Gardens or through the city. The Petit Trianon is only possible via the Grand Trianon.

Admission: 27 € for Passport with Timed Entry (days with Musical Fountains Shows or Musical Gardens), 20 € for Passport with Timed Entry (without musical fountains show or musical gardens), 12 € for Estate of Trianon ticket(without Musical Fountains Show or Musical Gardens), 10 € for Passport with Timed Entry (free admission, days with Musical Fountains Show or Musical Gardens), 9,50 € for Musical Fountains Show ticket, 8,50 € for Musical Gardens ticket, 28 € for the Fountains Night Show.

How to Get There: The cheapest option for reaching Versailles is by train. There are three train stations in Versailles.  RER line C arrives at Versailles Château – Rive Gauche train station, the closest one of the Palace (just 10 minutes’ walk to the Palace). SNCF trains from Gare Montparnasse arrive at Versailles Chantiers train station, which is 18 minutes on foot to the Palace. SNCF trains from Gare Saint Lazare arrive at Versailles Rive Droite train station, 17 minutes on foot to the Palace. RER C and SNCF train times are available on www.transilien.com.

The Road to Versailles (France)

Versailles

The whole morning of our last whole day was reserved for the famous Palace of Versailles (Château de Versailles or simply Versailles), a royal château in Versailles, a wealthy and chic suburb of Paris, some 17.1 kms. (10.6 mi.) southwest of the French capital, in the department of the Yvelines, Île-de-France region of France.

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From Hotel Ibis Gare de l’Este, our home for our 4-day stay in Paris, Grace, Manny, Jandy, Cheska, Kyle and I walked to its nearby namesake train station where took train (RER line C) for the one-hour trip to Versailles, which includes a 15-min. transfer at Saint Michel. Upon arrival at Versailles Château – Rive Gauche train station (the closest one of the Palace), we  just walked for 10 mins. to the Palace Gate.

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The de facto capital of the Kingdom of France for over a century (1682 to 1789) before becoming the cradle of the French Revolution,  the 26.18 sq. km. (10.11 sq. mi. or 6,469-acre) Versailles  became the préfecture (regional capital) of the Seine-et-Oise département in March 1790, then of Yvelines in January 1968. It is also the seat of a Roman Catholic diocese (created in 1790) and home to the Académie de Versailles, the largest (by its number of pupils and students) of France’s 30 nationwide académies (districts) of the Ministry of National Education.

Versailles-Château–Rive Gauche Station

By the standards of the 18th century, Versailles was a very modern European city. Born out of the will of King Louis XIII, the city has a rational and symmetrical grid of streets which was used as a model for the building of Washington, D.C. by Pierre Charles L’Enfant.

Though Versailles’ primary cultural attraction is the Palace, with its ornately decorated rooms and historic significance, plus its garden the town, also has other points of cultural notability.  Its position as an affluent suburb of Paris has meant that it forms a part of the Paris artistic scene.

On our way to the Palace of Versailles, from the RER station, we cannot help but notice the grand Hotel de Ville. Originally a gathering place for the Palace visitors, this is now the Town Hall of Versailles. The building, as it stands today, was built at the turn of 20th century. Its construction, decided in 1897 by order of the then mayor Édouard Lefebvre, was entrusted to the architect Henri Legrand who won the competition (the architect Jean Bréasson also took part in it) launched in 1897.

Jandy, Grace and Cheska (with Kyle) approaching the palace grounds

With a budget of 1.2 million francs, work began on March 1898 and the town hall was inaugurated on November 18 1900. On June 24, 1900, the building was fully electrified.

City Hall (Hotel de Ville)

The town hall is made up of two distinct parts. The first part (western wing), along the Rue du Général-de-Gaulle, across the palace, was the first town hall installed in 1790 in the old hotel de Conti.  Preserved but completely transformed, it is a low-rise building preceded by a wide staircase.  Its bell tower, deemed too high, was demolished in 1945 while the gates of the main courtyard disappeared. It features wood paneling and paintings dating from the 18th century.

ANECDOTE: During the time of King Louis XIV, the king did not want to see any building in Versailles higher than his bedroom.

After the French Revolution, to prove the supremacy of the republic over the monarchy, the Hotel de Ville was said to have been built so as to get the first floor above the level of the King’s bedroom in Chateau de Versailles.

The second, opening onto the Avenue de Paris around a main courtyard surrounded by gates, is the imposing, Neo-Louis XIII  building by Henri Legrand. Topped by a bell tower overlooking the city, the campanile supports, at its base, a 1.6 m. diameter floral clock.

Floral Clock

A memorial, sculpted by Albert Guilbert and Ernest Henri Dubois, commemorates the residents of Versailles who died in the First and Second World War and the wars in Indochina (1946-1954), Algeria (1954-1962) and Afghanistan.

War Memorial

Hotel de Ville: 4 4 Avenue de Paris , 78000 Versailles, France. Tel: +33 1 30 97 80 00