Church of St. Cuthbert and Graveyard (Edinburgh, Scotland, U.K.)

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St. Cuthbert Parish Church

The historic parish church of St Cuthbert, and its graveyard, are a significant part of Edinburgh’s heritage (the church has been a Category A listed building since 1970) that are both well-maintained.  The church, on the oldest continually used site of worship in the whole city, a parish church of the Church of Scotland.  The earliest church on the site was said to have been founded by St. Cuthbert around 670 AD.

The graveyard beside the church

Partly due to its closeness to Edinburgh Castle, the church was, at different times, caught in cannon crossfire between opposing armies, suffering severe damage or being destroyed as a result and it is believed that there have been seven churches built on its site. The present church of St Cuthbert’s, built in the Baroque and Italian Renaissance style, was designed (except for the steeple of the previous church which was retained), by Hippolyte Blanc and built between 1892 and 1894. It is apparently quite beautiful inside, with stained glass windows by Louis Comfort Tiffany, Douglas Strachan, and Ballantyne & Gardiner; mural paintings by Gerald Moira and John Duncan; and memorials by John Flaxman and George Frampton.  However, on this particular day, it was closed to visitors.

The twin, 3-storey Baroque towers with the old steeple in between

The church, divided into upper and lower levels by a continuous course of ashlar dressings, has a roughly dressed and snecked, cream sandstone exterior, with every corner decorated with half-fluted Corinthian pilasters, on the upper stage (pierced with round-arched windows, with architraves  supported by half-fluted Corinthian pilasters, of each of the four western bays), and quoining on the lower (each bay pierced by an oblong window below a corniced architrave). The slated roof rests at a shallow pitch. The near-identical north and south elevations terminate with square-based, three-storeyed Baroque towers on the east sides of the transepts.

One of the twin, Baroque-style towers

The church itself was where the almost 40-year old crime writer Agatha Christie married the 26-year old (a nearly 14-year age gap which was considered scandalous by some at that time) archaeologist Max Mallowan, her second husband, in 1930, a runaway affair, with the couple eloping northwards, from England to Edinburgh, where the service was conducted without friends or family, and just two strangers brought off the street to act as witnesses to the ceremony.

The large graveyard, near Edinburgh Castle, is believed to be on the oldest Christian site in Edinburgh.  The graveyard is impressive, containing hundreds of monuments worthy of notice, including one to John Grant of Kilgraston (near Perth), and a number of graves that are worth examining as it holds the remains of notable individuals like Thomas De Quincey (1785–1859, author of Confessions of an English Opium-Eater) and John Napier. The first reference to a graveyard here is recorded as being in 1595.

The graveyard

The mathematician John Napier (1550–1617) discovered logarithms and invented ‘Napier’s Bones’ (because the instruments were originally carved from bone or ivory), a device for easily calculating large sums, a precursor to the pocket calculator. He is buried in an underground vault on the north side of the church (reburied after destruction of the kirkyard of St. Giles to build Parliament House).

The three-bay Gothic mausoleum of the Gordons of Cluny, by David Bryce contains the tomb of Cosmo Gordon of Cluny FRSE (1736–1800), a politician and co-founder of the Royal Society of Edinburgh in 1783.

Obelisks used to mark the graves of notable individuals and families

Robert Tait McKenzie, a Canadian doctor and sculptor, created the memorial known as The Call 1914, in nearby Princes Street Gardens, which commemorates the Scots soldiers who were killed or injured during the First World War. His heart is buried in St Cuthbert’s kirkyard, with a small decorative plaque commemorating his life. Mackenzie originally wanted to be buried in front of the memorial after his death.

Sir Henry Raeburn (1756–1823), one of Scotland’s foremost portrait painters in the eighteenth century, is buried on the eastern wall of the graveyard. Another artist buried here is Alexander Nasmyth (1758–1840), also an architect and inventor, whose most notable painting is the much-copied portrait of Robert Burns. His son, James Nasmyth, also a prolific inventor, is most famous for the steam hammer while his other son, Patrick Nasmyth continued the family line as an artist of note.

Also buried here is Jessie MacDonald, granddaughter of Flora MacDonald (who helped Bonnie Prince Charlie, the Young Pretender of the Jacobite Uprisings, escape Scotland after his defeat at the Battle of Culloden in 1746), and George Meikle Kemp (1795–1844), the self-taught architect and master joiner whose major gift to the city of Edinburgh was the Scott Monument, the “Gothic rocket’’ of in Princes Street Gardens.

Other noteworthy burials in the graveyard include:

Many were also buried within the church. They include William Paul (1754–1802), Chaplain in Ordinary to George III; and Sir James Rocheid of Inverleith (1715–1787).

West of the transept, on the north side, are steps that descend to a round-arched doorway, in the basement level, that lead to the Nisbet of Dean burial vault. Buried here is Henrie Nisbet of Dean (died 1609) and his son William Nisbet of Dean. Henrie was Provost of Edinburgh, from 1592 to 1593, while William was twice Provost of Edinburgh 1615 to 1619 and 1622 to 1623. Constructed in 1692, it was retained during the construction of the current church and its predecessor.

Dog sculpture commemorating Edinburgh’s sister city of San Diego (California, USA) and their respective celebrity dogs (Greyfriar’s Bobby, of Edinburgh, and Bum of San Diego)

St, Cuthbert Church Graveyard: 5 Lothian Road, New Town, Edinburgh, EH1 2EP, Scotland.

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