Category Archives: PLACES OF INTEREST

Manila Zoological and Botanical Garden (Manila)

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Manila Zoological and Botanical Garden

The 5.5-hectare (14-acre) Manila Zoological and Botanical Garden, fondly called as the Manila Zoo, was opened on July 25, 1959 (the oldest zoo in the Philippines and in Asia). It was the brainchild of the late Manila Mayor Arsenio Lacson.

One of the educational centers in the country, here the viewing public can observe, discover and learn interesting facts about the beauty of Philippine fauna and flora.

The now 60 year old zoo, maintained by Public Recreation Bureau, is home to 832 animals (as of 2007) and many plant collections from the botanically rich and diverse Philippine Islands and South Pacific region.

There are 106 species (up from 90 species in April 2015), among which are 30 different kinds of mammals, 63 reptile species and 13 types of birds. It also houses 600 plant species.

Ostrich

In addition to popular zoo occupants such as an elephant, Bengal tigers, ostriches and lions, Manila Zoo also houses Malayan civet, monitor lizard and several endemic and indigenous species of animals like the Palawan bearcat (binturong), Philippine long-tailed macaques, Philippine deer and Philippine crocodiles. Many of the zoo’s animals were born in captivity with three month-old juveniles recently born in April 2015. 

Philippine Deer

Worth checking out is a “hebra,” half-zebra and half-horse, the only one in the country, born on August 11, 2010 to  a female zebra and a male horse. Though shaped more like a horse than a zebra, it has boldly striped body, legs and neck.

Hebra

The Bengal tigers and lions, being great jumpers, can only be viewed from an elevated vantage point.

A pair of Belgian tigers

Lion

The reptile house, inside a stone structure, was inaugurated on July 25, 2009 during the term of Mayor Alfredo Lim.  A favorite of kids, it houses pythons, grass snakes, Philippine common cobra (Naja naja philippinensis), Saifin Water Lizard (Hydrosaurus pustulatus), turtles and large Estuarine Crocodile (Crocodylus porosus).

Philippine Crocodile

Malaysian box turtles

The fish pond houses arapaimas, red belly pacu, red tail catfish, alligator gar, Pangasius catfish, etc.

Fish Pond

The zoo also houses domesticated animals (goats, pigs, Guinea pig, hamsters, sheep, rabbits, etc.), a goose cage and a lagoon.

Lagoon

There are also two aviaries housing exotic birds (Philippine hawk eagle, White-bellied sea eagle, Black-crowned night herons, Purple herons, Rufous night herons, Indian blue peafowls, Banded rail, Leucistic Indian peafowls, Blue-naped parrot, egrets, Turtle dove, Spotted dove, Purple swamphen, Double wattled cassowary, etc.).

Interior of aviary

The zoo has already lost many of its original inhabitants.  It was once home to the 2.5-ton Bertha – believed to be the world’s oldest hippopotamus – until her death at age 65 in July 2017 from multiple organ failure. She arrived at the zoo, as a 7 year old, the year the zoo opened in 1959.  Her mate, who died sometime in the 1980s, failed to produce any offspring.

There used to be 3  giraffes in the zoo but all have died due to natural causes.  They are now all part of Manila Zoo’s history.  Today, we can only see a replica or effigy of a giraffe which hardly satisfied our curiosity. 

My son Jandy admiring a giraffe during a school field trip to Manila Zoo in the 1990s

If you want to see giraffes (albeit short neck ones), go to Calauit Safari Park in Palawan. Kangaroos can be found in Baluarte Zoo in Vigan (Ilocos Sur).  

Check out “Calauit Safari Park” and “Baluarte Zoo“

The tree-dwelling 38 year old Sisi, the lone female orangutan housed in the zoo since 1981, died on June 21, 2009 of multiple organ failure due to metastasized tumors.

Domestic goats

By law, the Manila Zoo must operate in accordance to Republic Act 8485 (also known as the Animal Welfare Act of 1998) whose purpose is to ensure that all terrestrial, aquatic and marine animals in the Philippines have their physical and psychological needs met in ways that promote well-being.

Its Wildlife Rescue Center, subject of public scrutiny in regard to their animal welfare standards, serves as temporary shelter and repository for confiscated, donated, retrieved, sick, injured and abandoned wildlife species.

Its most popular resident is the 43 year old Asian elephant Maali (short for Vishwamaali), the only elephant in the zoo and the only captive elephant in the Philippines.   He arrived at the zoo in 1977 as 3 year old orphaned calf transported from Sri Lanka, after being poached from the wild. She was just walking around in circles.

Maali the African elephant

Sadly, he is known as the world’s loneliest elephant and she is the subject of a campaign from People for the Ethical Treatment of Animals (PeTA), an animal rights organization which issued a report pointing out the numerous issues regarding Mali being kept in captivity.

Rooster

Seemingly stressed and miserable, she was subject of a campaign to free her, alleging animal cruelty, and has drawn support from Philippine bishops, global pop stars, and Nobel Laureate John Maxwell Coetzee.

Domestic sheep

The zoo has been criticized due to its inadequate animal care and dirty surroundings but efforts have been made to make the animal habitats as comfortable and natural as possible, such as by adding trees and vegetation, and expanding the enclosures.

Hamster

Due to over congestion in the zoo, management plans to transfer many of its animals to a separate breeding area or sanctuary outside Metro Manila. The current zoo will just be an exhibit area.

NOTE:

On January 23, 2019, Manila Mayor Joseph Estrada has ordered the indefinite closure of Manila Zoo after the Department of Environment and Natural Resources (DENR) identified it as a major pollutant of Manila Bay as it had been draining untreated sewage into Estero de San Antonio Abad leading to Manila Bay.  During its closure, the city government will work on the installation of water treatment facilities or sewerage treatment plants for Manila Zoo.

Manila Zoo also has canteens, souvenir shops, boating rentals at the lagoon and several playgrounds that cater to children and tourists.

Administration Office

Manila Zoological and Botanical Garden: M. Adriatico St. cor. Quirino Ave., Malate, Manila 1004, Philippines. Tel: (632) 525-8157 and 400-1884. Open daily (including holidays), 8AM to 6PM. Entrance Fee: non-resident adult (Php100), non-resident child;  above 4 ft. (Php100); non-resident child, below 4ft. (Php60); Manila resident, adult (Php50); Manila resident, child, above 4ft. (Php50); Manila resident, child, below 4ft. (Php30). Manila residents need to present ID with picture (TIN ID, Voter’s ID, Driver’s license, Barangay ID, UM ID).  For Manila students only, present School ID.

Po Lin Monastery (Lantau Island, Hong Kong)

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The author at the courtyard of Po Lin Monastery

After our visit to the Tian Tan Buddha (Big Buddha), we proceeded to the nearby Po Lin Monastery, a Buddhist monastery located on level Ngong Ping Plateau, between the lush, green Lantau Peak and Lei Nak Peak.  The wooden bracelets sold near the Big Buddha statue (an extension of the monastery) are made at Po Lin (translated as “precious lotus”).

Check out “Tian Tan Buddha“

View of Po Lin Monastery from Tian Tan Buddha

Founded in 1906 by three monks visiting from Jiangsu Province on the Chinese mainland, it was initially known simply as “The Big Hut” (大茅蓬 Tai Mao Pung) but was renamed to its present name in 1924.

In 1918, three nuns ordained at this monastery established a private nunnery, dedicated to Guanyin (the Goddess of Mercy), called Chi Chuk Lam (紫竹林) on Lantau’s Lower Keung Hill (下羌山). In the 1950s, there were about 20 jushi and nuns residing there but, today, only an elderly abbess remains. On June 2013, the site was inscribed in the UNESCO World Heritage List.

Hall of the Heavenly Kings

Hall of the Heavenly Kings

We spent some time admiring the architecture of the structures of this orderly Buddhist monastery complex which houses many Buddhist scriptures.

Kyle, Jandy and Cheska at the courtyard of Po Lin Monastery

Its many halls (Da Xiong Bao Dian, the Maitreya Hall, the Hall of Ti-tsang Bodhisattva, the Weituo Hall, the Banruo Hall, the Sutra-Collection Hall) and prominent architectural buildings and structures sit tightly on the north-eastern to south-western axis, overlooking the South China Sea. On the south side of the axis are the Po Lin Hall and the facility for ceremonial and religious activities.

Hall of Bodhisattva Skanda.  On the upper level is the Hall of Great Hero while on the lower level is the Hall of Arhats

San Men (Mountain Gate) leads up to the Hall of Bodhisattva Skanda, the Main Shrine Hall of Buddha, and the Grand Hall of Ten Thousand Buddhas.  In symmetrical arrangements on the flanks are the Bell Tower (houses a 1,000 kg. bronze bell) and the Drum Tower, the Hall of Ksitigarbha Bodhisattva, the Meditation Hall, the Dining Hall and the Sangha Hall.

Hall of Great Hero (off limits to visitors)

These edifices enclose and create roomy space and airy courtyards. The Hall of Ti-tsang Bodhisattva houses an approximately 200 kg. (441 lb.) bronze statue of Ti-tsang Bodhisattva.

Hall of Arhats

Hall of Arhats

In its effort in spreading Buddhism and in moving forward towards globalization, the monastery has changed its architectural concept from local southern China to that of Beijing palatial design.  The seven-span Hall of Bodhisattva Skanda, completed in 1970, adopted the architectural design of the Ming and Qing’s Dynasty palaces.

Its double-eaved gable roof, made of yellow-glazed tiles, has a ridge decorated with zoomorphic ornaments, dragons, phoenixes and animal patterns. Coiled granite dragons, carved in the Minnan style, can be seen on the front and the back of the hall.

Hall of Ten Thousand Buddhas

On the other hand, the incredibly ornate Grand Hall of Ten Thousand Buddhas, which went on the drawing board in 2000 and was completed in 2014, adopted the classical architectural concepts of the Song Dynasty.

Koi Pond

Covering an area of more than 6,000 sq. m., it now enshrines more than 100 statues and has a shrine hall, an exhibition hall, a meditation hall, an abbot’s chamber, a scripture library and other multi-functional facilities.

Bell Tower

The Great Hall of Treasure (Da Xiong Bao Diane) enshrines three bronze statues of the Buddha (Sakyamuni, Dipamkarara and Maitreya, representing his past, present and future lives). Many visitors here join in praying and giving offerings at the temple.

Drum Tower

Interior of Drum Tower

For those who fancy typical, good quality vegetarian cuisine, the monastery also has a vegetarian kitchen where a multi-course lunch can cost you up to HK$138.  Dishes are served at the dining hall and at the Fat Ho Memorial Hall. Opposite the dining hall, snacks such as salty dimsum, steamed cakes, spring water bean curd, glutinous rice dumplings with mango filling and noodles are sold.

Fat Ho Memorial Hall

Near the giant Tian Tan Buddha and the monastery is the Ngong Ping Village and Ngong Ping 360, a gondola lift running between Tung Chung and Ngong Ping.

Check out “Ngong Ping 360 and Ngong Ping Village“

Deli Vegetarian Cafe

Po Lin Monastery: Ngong Ping, Lantau Island, Hong Kong. Tel: +852 2985 5248.  Fax: +852 2985 5600.  E-mail: info@plm.org.hk.  Website: www.plm.org.hk.  Open daily, 8AM to 6PM. The Vegetarian Kitchen is open daily from 11:30AM to 4:30 PM  (7 PM on Saturdays, Sundays and public holidays).

Tian Tan Buddha (Lantau Island, Hong Kong)

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Tian Tan Buddha Statue

The majestic Big Buddha statue, sitting atop the peak of 479 m. high Mount Muk Yue, is sited near Po Lin Monastery.  At ground level, the statue was quite a formidable and imposing sight. Together with many other tourists, we were huffing and puffing on our way up, only catching our breath at a number of stair landings. The view of Lantau Island, the 934 m. (3,064 ft.) Lantau Peak and the South China Sea from the top was ’breathtaking.

Check out “Po Lin Monastery“

This large bronze statue of Buddha Shakyamuni, a major center of Buddhism in Hong Kong and a popular tourist attraction, symbolizes the harmonious relationship between man and nature, people and faith.  The statue, skillfully mastered and conceptualized by the artist to shape the perfect design of the Buddha statue that we see today, was a culmination of the characteristics of Buddhist sculptural art of the Sui and Tang Dynasties (when Buddhism was at its prime).

Taking 12 years to plan and build, this bronze Buddha statue, an outstanding piece in Buddhist sculptural art in recent history, is now a major landmark in Hong Kong attracting numerous local and overseas Buddhists and visitors.  It symbolizes the stability of Hong Kong, prosperity of China and peace on earth.

The author at the foot of the stairs leading up to the Buddha

The Big Buddha Statue, combining traditional bronze art with modern science and technology, embodies the harmonious resonance of Buddhist spirit and modern civilization – a solemn epitome of human beings’ continuous and unyielding pursuit of moral happiness and peace on earth.

Grace (near left), Cheska (fifth from left), Bryan (sixth from left) and Kyle (right) making their way up the stairs

Here’s the timeline of the statues construction:

  • In 1974, the government granted Po Lin Monastery 6,567 sq. m. of land in Mount Muk Yue, at a nominal premium, for the building of the Buddha statue.
  • On December 26, 1981, the Committee for the Construction of the Tian Tan Buddha Statue was formally established, by Po Lin Monastery, to coordinate the project, including the artistic design and concept of the statue, building materials and details of construction.
  • On April 1982, the work on the 1:5 scale, 5 m. high plaster model of the statue, fashioned by Ms. Hou Jinhui of the Guangzhou Institute of Fine Arts, was started.
  • On February 1984, the plaster model was completed, the draft of which had been revisited eight times, following discussions and consultations with the artist responsible for the conceptual design of the statue.
  • On September 26, 1986, the plaster model of the statue was shipped to Nanjing from Guangzhou.
  • On April 1989, the bronze pieces were transported to Hong Kong by sea.
  • On October 13, 1989, the last bronze piece of the statue was put in place and a solemn topping ceremony was held on the same day.
  • On December 29, 1993, which the Chinese reckon as the day of the Buddha’s enlightenment, the statue was inaugurated, with monks from around the world invited to the opening ceremony. Also taking part in the proceedings were distinguished visitors from mainland China, Hong Kong, Taiwan, India, Japan, Korea, Thailand, Malaysia, Singapore, Sri Lanka, and the United States.

Halfway up the stairs

The project was divided into six stages, with Nanjing Chengguang Machinery Plant of the China Astronautics Science and Technology Consultant Corporation principally carrying out the actual casting, finishing and assembly of the Buddha statue.  During the overall project design stage, over 5,000 drawings and 300 technical documents were produced within less than three months. The daily and monthly work progress for the subsequent three years was mapped out and prepared by system analysis.

Bronze incense censer

The enlargement, carried out by the technical staff through a special “survey-controlled box enlargement method,” involved the use of stereoscopic photography to find out the position of the statue in space.  When over 3,900 coordinate points were established, the computer was then used to calculate the enlargement. At the same time, to form the inner frame of the statue, a traditional method of using boxes which were stacked up in layers was used. Then plaster was applied to the outer surface, producing a 1:1 scale model.

The body of the statue, cast in 202 bronze pieces after careful studies and surveying, was supported by an inner steel framework and fixed by connecting bolts. Auxiliary supports were used to connect the bronze pieces to the main framework.  The bronze pieces had thicknesses ranging from 10 to 13 mm. and the error margin of each cast piece was less than 3 mm..  Precision molds were prepared according to the different shapes of the pieces.

After overcoming numerous difficulties, the professional staff, in an effort to portray fully the splendor of Buddha Sakyamuni and to achieve a perfect artistic design, managed to finally cast the face of the Buddha in a single piece. To rehearse for the on-site assembly, a trial assembly was carried out in the plant where any problems that might occur on site were detected and solved.

View of Po Lin Monastery

The Buddha statue was trial assembled separately in three sections (upper, middle and the lower) and various necessary adjustments and trimmings were made to the bronze pieces plus initial mechanical finishing was also carried out.

Jandy with the Big Buddha in the background

On arrival at Lantau Island, the very large face piece and two other large bronze pieces were safely transported up to Mount Muk Yue with the help of the Transport Department who provided a large lorry and two large cranes (which sandwiched the lorry in the middle) for this arduous journey up the winding and narrow roads on the island. The arduous task of assembly and welding (the length of weld was over 5 kms.) of the statue was carried out, in open air, from bottom upwards in eight layers.

To ensure that the Buddha statue would not be damaged by strong winds, calculations on the wind pressure, imposed load and material strength of the various parts of the statue were conducted the specialists using computers and the Beijing Institute of Aerodynamics specially created a testing model, utilizing the wind tunnel employed for satellites and rockets, to conduct unidirectional as well as multi-directional wind tests on the statue as a whole and on the various parts.

The Offering of the Six Devas

The optimal coating for the surface coloring of the statue, carefully studied for over a year, was selected from various formulas for surface coloring.  Oozing an air of classical simplicity and solemn dignity, it is not susceptible to fading because of corrosion due to the exposure to the elements.

One of the halls inside the podium

Here are some interesting trivia regarding the statue:

  • The design of the statue was based on the 32 laksanas (“physical marks” of the Buddha as described in the sutras).
  • The Tian Tan Buddha is one of the five large Buddha statues in China and is the biggest sitting Buddha statue built outdoor.
  • The statue was named The Big Buddha because its base is a model of the Earthly Mount of Tian Tan (or Altar of Heaven), the Temple of Heaven in Beijing.
  • Enthroned on a lotus on top of a three-platform altar, it is surrounded by six smaller bronze statues known as “The Offering of the Six Devas,” symbolizing the Six Perfections of generosity, morality, patience, zeal, meditation and wisdom, all of which are necessary for enlightenment.  They are posed offering flowers, incense, lamp, ointment, fruit and music to the Buddha.
  • Every feature of the Buddha statue has a symbolic meaning of religious significance. The face, measuring 4.3 m. by 5.8 m., with a thickness of 13 mm. and a weight of 5 metric tons, was modeled after the Buddha Vairocana of the Longmen Grottoes for its fullness and serene beauty. The clothes and headgear had their inspiration from the soft and smooth flowing lines of the Buddha Sakyamuni image in Cave 360 of the Mogao Caves.
  • For the building of the Buddha statue, the original idea was to use reinforced concrete. However, due to artistic requirements, structural problems as well as the anticipated difficulties in quality and cost control, bronze was finally chosen as the building material.
  • The Big Buddha is 34 m. (112 ft.) tall, weighs over 250 metric tons (280 short tons) and was constructed from 202 bronze pieces.
  • Reputedly the figure can be seen across the bay from as far away as Macau on a clear day.
  • In addition to its exterior components, there is a strong steel framework inside to support the heavy load.
  • Visitors have to climb 268 steps to reach the Buddha. However, to accommodate the handicapped, the site also features a small winding road for vehicles.
  • The Buddha’s raised right hand represents the removal of affliction while the left hand, resting open on his lap, is in a gesture of generosity.
  • The statue faces north, which is unique among the great Buddha statues, as all others face south.
  • One of the statue’s most renowned features inside is a relic of Gautama Buddha, consisting of some of his alleged cremated Only visitors who purchase an offering for the Buddha are allowed to see the relic, entering to leave it there.
  • On October 18, 1999, the Hong Kong Post Office issued a definitive issue of landmark stamps, of which the HK$2.50 value depicts The Big Buddha.
  • In 2000, the Big Buddha Statue was elected as the fourth of the 10 Engineering Wonders in Hong Kong (the others, all public works projects, are the Lantau Link, the Hong Kong International Airport Passenger Terminal and the Hong Kong Convention and Exhibition Centre Extension). Of the projects in the private sector, the Big Buddha Stature came as the first.
  • On May 22, 2012, it was also featured on the HK$3 value of the Five Festival set, this one celebrating the birth of Sakyamuni Buddha. The MTR corporation also issued a souvenir ticket featuring a photograph of the statue.

View of Lantau Island and South China Sea

There are three floors beneath the statue – Hall of the Universe, Hall of Benevolent Merit and Hall of Remembrance.   In the show room, there’s a huge carved bell, inscribed with images of Buddhas and designed to ring every 7 minutes, 108 (symbolizing the release of 108 kinds of human vexations) times a day.

View of Lantau Peak

Tian Tan Buddha: Ngong Ping Rd., Ngong Ping, Lantau Island, Hong Kong. The Buddha (as well as Po Lin Monastery) are open daily, 10 AM to 5 PM. Access to the outside of the Buddha is free of charge, but there is an admission fee to go inside the Buddha.

How to Get There: Visitors can reach the site by bus or taxi, travelling first to Mui Wo (also known as “Silvermine Bay”) via ferry from the Outlying Islands piers in Central (pier No. 6) or to Tung Chung station via the MTR, or via the 25-min. Ngong Ping 360 gondola lift between Tung Chung and Ngong Ping. Visitors may then travel to and from the Buddha via the Mui Wo ↔ Ngong Ping (NLB No. 2) and Tung Chung ↔ Ngong Ping (NLB No. 23) bus routes.

Ngong Ping Piazza (Lantau Island, Hong Kong)

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New Pai Lau of Ngong Ping Piazza

During our cable car ride to Ngong Ping Village, we already saw the huge Tian Tan Buddha (also called the Big Buddha) statue sitting on the side of the mountain and, after our return from our visit to Tai O Fishing Village, we proceeded to go there.  Along the way, we had to traverse the length of the 1.5-hectare Ngong Ping Piazza.

The author at Bodhi Path

The piazza, where visitors could get started and tour to observe the religions and nature of Ngong Ping, connects with Po Lin Monastery, the Big Buddha, Ngong Ping Cable Car, Ngong Ping Village and the Wisdom Path, a landing with 38 impressive, 8-10 m. high wooden rectangular beams, each beam inscribed with Chinese scriptures that  make up the prayers of the Heart Sutra, one of the most popular Buddhist prayers.

Check out “Po Lin Monastery, Tian Tan Buddha, Ngong Ping 360 and Ngong Ping Village“

This intensely Buddhist piazza has four main components – New Pai Lau (built to reflect the northern architectural style of Qing Dynasty); Bodhi Path; Di Tan (Altar of Earth); and a Chinese landscaped garden constructed to echo with the design of Po Lin Monastery.

Stone statue of General Mihira

As we left Ngong Ping Village, we walked through the New Pai Lau, the towering ornamental archway to Bodhi Path, the central walkway paved with lotus tiles, where we were surrounded by Chinese structures that emit an aura of antiquity, appreciating the stone statues of the 1.8 m. high “Twelve Divine Generals” (each weighing about 1 ton) as well as 40 lotus-shaped stone lanterns installed on both sides.

Stone statue of General Anila

The “Twelve Divine Generals,” the protectors of the Healing Buddha, are also guardians of the hours of the day, each responsible for a two-hour period.

Di Tan at Ngong Ping Piazza

In addition, they represent the twelve Chinese zodiac signs, as denoted by the different zodiac signs on their crowns. Di Tan, the open space of Po Lin Monastery, is primarily tiled with grey granite paving. The four lotus ponds, built on the perimeter, facilitate the staging of religious ceremonies and rituals held from time to time.

Ngong Ping Village (Lantau Island, Hong Kong)

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Ngong Ping Village.  In the background in Lantau Peak while on the right is the Tian Tan Buddha (Big Buddha)

The terminus of our 5.5-km. long Ngong Ping 360 cable car ride  was Ngong Ping Village (Chinese: 昂坪; pinyin: Ángpíng; Jyutping: ngong4 ping4), located on a highland in the western part of Lantau Island, Hong Kong. Lantau Peak, the second highest peak of Hong Kong, is at its southeast.

Check out “Ngong Ping 360“

The arched entrance to Ngong Ping Village

When we arrived at the village, “360 Ultimate Masters Face-off: Shaolin vs Emei” kung fu show (running from September 29 to October 28) was ongoing.

360 Ultimate Masters Face-off

Featuring kung fu masters from Shaolin and Emei, they performed a marvelous mock up of a vigorous battle featuring three new weapons – the meteor hammer of Shaolin and the fans (an offensive and a defensive weapon) and long-tasselled sword (an aggressive but flexible weapon) of Emei.

Long-tasselled sword

The kung fu of Shaolin is said to be strong and powerful while Emei emphasizes softness and flexibility in their moves. Their battle is a fusion of Yin (Emei) and Yang(Shaolin).

Fans of the Emei

The fairly new Ngong Ping Village, created at the top of the Ngong Ping plateau, was opened in 2005 together with other facilities and tourist attractions that include the Walking with the Buddha (Stage 360), the Monkey’s Tale Theatre and Ngong Ping Tea House, all built to accommodate the influx of tourists now flocking to the Tian Tan Buddha (or Big Buddha) and the Ngong Ping Cable Car.

This well appointed, 1.5-hectare open-air and culturally-themed village, built at along a “tourist corridor,” serves as the central point for the many highlights and tourist attractions in the area.

Blessing Drums

It has modern facilities, 6,000 sq. m. of shop space and an 18,600 sq. m. piazza between the cable car terminal and the Po Lin Monastery (a youth hostel is located near here), a quick 5-minute walk from the Village. A visit to the Tai O Fishing Village is a short 15-minute ride away from Ngong Ping Village.

Walking With Buddha Show Theater

This tourist trap is complete with a wide array of “themed” souvenir shops, tea houses as well as fast food outlets (Subway, Starbucks, etc.) offering both Western and Asian fare. Monkey’s Tale Theater and the Walking with Buddha Show are short 15-minute audio-visual, multimedia attractions that recount Buddha‘s legends and stories.  We chose to skip these shows and save on the extra ticket costs.

Monkey’s Tale Theater

It also serves as a transportation hub. The nearby Public Transport Interchange has bus lines and taxis for easily getting around to other parts of Lantau.

For visitors who expect to see something more “genuine” and less “commercialized,” it is, by no means, an “old village.” Though built in the old traditional Chinese architectural designs to mirror and uphold the cultural and spiritual veracity of the Ngong Ping area, it has somewhat of a theme park atmosphere and this is what disappoints some visitors. Unless you need to eat (we had a late lunch here), this was an attraction not particularly worth spending time at.

Ngong Ping Village: 111 Ngong Ping Rd, Lantau Island, Hong Kong.cChinese New Year, Christmas and the three days of Buddha’s birthday are among the most crowded days.

How to Get There:  Ngong Ping Village is connected, via the Ngong Ping Cable Car, to the Tung Chung lower terminal which is linked via the Tung Chung Station MTR to the rest of Hong Kong.

 

Ngong Ping 360 (Hong Kong)

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On board the Ngong Ping 360 cable car.  L-R: Bryan, the author, Kyle, Jandy, Cheska and Grace

Our fourth day in Hong Kong was reserved for Ngong Ping 360, which consists of a continuous circulating bi-cable aerial ropeway gondola lift system (referred to by its operators as a “cable car”) ride and a themed Ngong Ping Village, plus its nearby sites such as the Tian Tan Buddha (Big Buddha), Po Lin Monastery, and the Tai O Fishing Village .

Check out “Po Lin Monastery, Tian Tan Buddha “Tai O Fishing Village,” and Ngong Ping Village“

The long queue for tickets at Tung Chung Terminal

From Yau Ma Tei Station, we all took the Tsuen Wan line to Lai King where we transferred to the Tung Chung line (Orange Line) and got off at Tung Chung Station. As we all had an Octopus card (their equivalent of Singapore’s EZ-link card) plus Cheska easily found our way around on the MTR, getting there was a breeze. The whole trip took all of 40 mins., passing 9 stations along the way.

Getting our passes at the exclusive Klook VIP counter

Once we got to Tung Chung station, we followed the signage out of the station (Exit B).  Past Citygate Outlets, we found the Ngong Ping 360 cable car terminal. When we got there, the queue was long, with long waiting times, for those purchasing tickets on the spot even if this this was on a Wednesday afternoon. I could only imagine how bad it can get during peak periods. Lucky for us, Cheska used Klook to get us cheaper cable car tickets.  At the Klook VIP counter, she simply flashed the e-voucher to redeem our physical ticket.

At the shorter queue for Crystal Cabin passengers

Once again, in order to avoid long queues, Cheska got us round trip tickets costing HK$210 each on Klook versus HK$255 on the official Ngong Ping 360’s website (tickets available two weeks in advance) which Cheska found reliable and easy to use, especially with her mobile app.

A set of cable cars

Her choice of the crystal cabin (the cable car with a glass bottom) was deliberate as the snaking queue for the standard, non-glass-bottomed cabin, though a fair bit cheaper, tended to be far longer. This turned out to be true. Both sets of cabins circulate on the same cable but their passengers are segregated by queuing systems at both terminals.

Kyle seated on the transparent, 3-layer, 5 cm. thick glass bottom of our cable car

Past the queue, we got on the cable car.  As they usually try to fit in about 7–8 people per cabin (and standing room for another 7) and our group was smaller than that, a couple joined us in our cabin.

Yat Tung Estate on Lantau Island

It was to be a 25-minute, 5.7-km. (3.5 mi.) ride to Ngong Ping Village.  The system has a capacity of 3,500 people per hour in each direction.

Ngong Ping Cable Car Angle Station

The lift system runs across eight towers (including the stations) with five of the towers located within the country park. From Tung Chung Terminal, our cable car ran across Tung Chung Bay to Airport Island Angle Station on Chek Lap Kok, where it turns through about 60 degrees before returning across Tung Chung Bay.

Ngong Ping 360’s magnificent views

It then ran up the Lantau North Country Park to another angle station near Nei Lak Shan (Nei Lak Shan Angle Station), before finally descending to the Ngong Ping Terminal.

Hong Kong International Airport

It changed direction twice at the two angle stations, one on the south shore of Chek Lap Kok; the other west of Nei Lak Shan within the Lantau North Country Park.

Boardwalk at Lantau North Country Park

Waterfall at Lantau North Country Park

During the 25 minute journey, we had a stunning bird’s eye view, from our windows as well as from our transparent, three-layer 5 cm. thick glass floor, over the verdant landscape of North Lantau Country Park, the South China Sea, the southern shore of Hong Kong International Airport, the Tung Chung valley, Ngong Ping Plateau and surrounding terrain and waterways. As we approached Ngong Ping, we saw The Big Buddha and the Po Lin Monastery.

Kaido cruising Tung Chung Bay

Ngong Ping Cable Car: Runs daily, 10 AM to 6 PM.

Madame Tussauds Hong Kong

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Madame Tussauds Hong Kong. The wax figure of the founder is at left

Madame Tussauds Hong Kong is part of the renowned chain of wax museums founded by outstanding French artist Marie Tussaud (1761-1850), well known all over the world for her wax products).  It was opened in 2000 at the second floor of the Peak Tower (on Victoria Peak) on Hong Kong Island in Hong Kong. Since its opening, it has drawn the attention of numerous visitors.

Bryan, Kyle and Cheska mixing it up with Bruce Lee

In September 2005, in an effort to bring an interactive and immersive entertainment experience to visitors, it began its renovation, at a cost of HK$20 million (US$2.6 million) and, on May 18, 2006, reopened, adding a further 700 sq. m. (7,500 sq. ft.) of exhibition space on three floors and five themed areas.

The late King of Pop Michael Jackson

Though this was my second visit to The Peak, it was only my first visit to this museum. Upon entry, we journeyed through each incredibly lifelike wax figure of “stars,” stopping to immerse ourselves with K-pop culture at K-wave Zone, practiced our kung fu moves with Bruce Lee at Kung Fu Zone, glammed it up with Taylor Swift and Madonna on stage, enjoy the patterned world of Yayoi Kusama, and took selfies with some of the world’s most respected historical and political leaders.

Yayoi Kusama

Here are some interesting trivia regarding this museum:

  • It is the first Madame Tussauds museum in Asia (the others are in Shanghai branch, which opened in 2006, and the third in Bangkok, which opened in 2010).
  • The museum houses over 100 wax likenesses of internationally known personalities and local celebrities to date, and 11 interactive zones.
  • Asian figures take up more than a third of the total (16 are Hong Kongers) and Asian celebrities and superstars have often graced the unveiling of their wax likenesses, with sizable groups of their fans tagging along.
  • The wax figures are featured in a range of themed settings such as Hong Kong Glamour, Music Icons, Historical and National Heroes, The Champions and World Premiere.
  • The figure of Miriam Yeung (well known for her fun-loving and bubbly personality), unveiled on November 2006, is the first in the world designed to giggle via in-built sensors.
  • The figure of Connie Chan Po-chu, unveiled on August 2006, was the first figure to appear in full Chinese regalia. The model’s costume was inspired by the musical Only You, set in the Yuan Dynasty, in which Chan formerly starred.
  • The figure of Bae Yong-joon, unveiled on May 2006, is the first Korean star to be included in a Madame Tussauds exhibition.
  • The figure of Andy Lau, unveiled on April 2005, was the first animatronic model that was crafted out of silicone rather than wax. Lau’s animatronic heartbeat was modeled on a similar system installed in a replica of Brad Pitt at Madame Tussauds Amsterdam.
  • In 2019, Miss Universe 2015 Pia Wurtzbach will be the first Filipino to have her wax figure in Madame Tussauds Hong Kong.

Hong Kong celebrity Lee Lai Shan

Celebrities and historical figures from Hong Kong include Bruce Lee, Jackie Chan, Kelly Chen, Cecilia Cheung Pak-chi, Aaron Kwok Fu-shing, Donnie Yen Ji-dan (added on April 30, 2010), Janice M. Vidal (added on July 18, 2007), Sandra Ng, Lee Lai Shan, Andy Lau Te-wah, Leo Ku (added on April 4, 2007), Miriam Yeung, Sir Ka-shing Li, Donald Tsang Yam-kuen (added on April 7, 2008), Leslie Cheung Kwok-wing, Joey Yung, Anita Mui Yim-fong and Leon Lai-ming.

Japanese sumo wrestler Chiyonofuji Mitsugu

Other Asian celebrities and historical figures include Lin Chi-ling, Jay Chou and Teresa Teng from Taiwan; Michelle Yeoh from Malaysia; Ayumi Hamasaki, Shigeru Yoshida and Chiyonofuji Mitsugu from Japan; Jet Li (added on September 28, 2010), Yao Ming, Liu Xiang, Connie Chan Po-chu, Sun Yat-sen (added on July 2007), Yang Liwei (added on July 2007), Li Bingbing, Deng Xiaoping, Jiang Zemin, Mao Zedong (added on July 2007) and Hu Jintao from China; Lee Kuan Yew from Singapore; Saddam Hussein of Iraq; Sukarno (added on June 5, 2014) and Joko Widodo (added in 2017) from Indonesia; Amitabh Bachchan, Varun Dhawan, Shah Rukh Khan, Mahatma Gandhi and Narendra Modi from India; and Bae Yong-joon, Suzy and Lee Jong-suk from South Korea.

India’s hero of non-violence Mahatma Gandhi

Chinese President Li Jin Ping and First Lady Peng Liyuan

Actors, actresses and directors on display include Angelina Jolie (added on September 27, 2007), Brad Pitt, Cher, Eddie Murphy, Audrey Hepburn, Elizabeth Taylor, Mel Gibson, Meryl Streep, Jodie Foster, Harrison Ford, Johnny Depp, Macaulay Culkin, Marilyn Monroe, Vin Diesel, Benny Hill, Robert Pattinson, Pierce Brosnan, Anthony Hopkins, Humphrey Bogart, Gérard Depardieu, Hugh Grant, Joanna Lumley, Alfred Hitchcock, Bruce Lee and Benedict Cumberbatch.

Cheska with Angelina Jolie

David Beckham, Muhammad Ali, Tiger Woods, Maria Sharapova, Stephen Curry,  and Ronaldinho (added on December 2007) represent the world of sports.

Tramcar at the Fashion Zone

The brand-new Fashion Zone, opened last July 10, 2017, consists of three themed areas (Backstage Studio, Billboard Superstar and Runway) and features features AR (Augmented Reality) technology.  On hand are the stars of the  catwalk Elle Macpherson, Kendall Jenner and Naomi Campbell as well as fashion designer Victoria Beckham.

Tennis star Maria Sharapova

David Beckham, Ronaldinho and Yao Ming

Animated World, officially launched in April 2017, brings together famous animated characters such as Yo-kai Watch, McDull and Madame Mak, Marvel Avenger superheroes (Hulk, Ironman and Spiderman), Hello Kitty and Balala the Fairies. 

Animated World: Jandy in the clutches of The Hulk

Iron Man with fan Jandy

Historical and national heroes from the Europe, U.S.A. and Africa  include Sir Winston Churchill, John Howard, Diana, Princess of Wales, The Duke of Edinburgh; Elizabeth II; The Prince of Wales; The Princess Royal; The Duke of Cambridge (added on August 7, 2007) and William Shakespeare of the United Kingdom; Luciano Pavarotti of Italy; Nelson Mandela of South Africa; Albert Einstein, Bill Clinton; George W. Bush; Barack Obama (added on January 20, 2009) of the USA; Mikhail Gorbachev of Russia; Adolf Hitler of Germany; Pablo Picasso of Spain; Wolfgang Amadeus Mozart of Austria; Rembrandt van Rijn from The Netherlands; and Marie Tussaud herself.

The author seated between the Duke of Edinburgh and Queen Elizabeth

Music icons include Elvis Presley, Freddie Mercury, Lady Gaga, Madonna, Michael Jackson, Mick Jagger, The Beatles, Tina Turner, Twins, Westlife, G.E.M. and TVXQ. 

Grace as the fifth Beatle

Madame Tussauds Hong Kong:  Shop P101, Peak Tower, 128 Peak Rd., The Victoria Peak, Hong Kong Island, Hong Kong.  Tel: +852 2849 6966. Website: www.madametussauds.com/hong-kong. Open daily, 10 AM to 10 PM. Admission:s HK$140 (adults) and HK$70 (children aged between 3 and 11 years old).

How to Get There: Take bus 15C from Central Pier 8 or walk from MTR Central Station Exit J2 to take the Peak Tram from the Peak Tram Lower Terminus on Garden Road; or bus 15 from Exchange Square bus terminus (near MTR Hong Kong Station, Exit D); or minibus 1 from the public transport interchange at MTR Hong Kong Station, Exit E.

Hong Kong Space Museum (Hong Kong)

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Hong Kong Space Museum

The Hong Kong Space Museum (Chinese: 香港太空館), a museum of astronomy and space science managed by the Leisure and Cultural Services Department of the Hong Kong Government, is one of the most famous and outstanding landmarks in Hong Kong. Conveniently located on the Tsim Sha Tsui waterfront (next to Hong Kong Museum of Arts and HK Cultural Centre), Mr. Joseph Ming Gun Lee of the Public Works Department was the chief architect of the project.  Construction started in 1977 and the museum opened on October 8, 1980.

The planetarium and other equipment, worth HK$3,050,000, were purchased from the Carl Zeiss Company. With the aid of interesting hands-on exhibits and advanced equipment such as seats installed with multi-language and interactive systems, coupled with lighting effects and environmental decorations, the exhibition introduces astronomy and space science in a vivid approach.

The planetarium’s dome

The museum, occupying an area of 8,000 sq. m., has two wings.  The East Wing consists of the core of the museum’s popular planetarium, the first local planetarium for the popularization of astronomy and space science education and the first planetarium in the world to possess a fully automatic control system at its Stanley Ho Space Theatre (boasts the first OMNIMAX film projector in the eastern hemisphere) beneath it.

The planetarium’s rather unusual, easily recognizable and striking egg-shaped hemispherical projection dome, a famous landmark on the Tsim Sha Tsui waterfront, has a diameter of 23 m.. Also beneath the planetarium is the Hall of the Cosmos, the Hall of Space Exploration, workshops and offices.

Hall of the Cosmos

There is also a mockup of the nose and cockpit section of the Space Shuttle orbiter.  The West Wing houses the Hall of Astronomy, a thematic exhibition hall on the first floor; the Lecture Hall; a gift shop and offices.

Hall of Space Exploration

The “Hall of the Cosmos” (showcases the Universe from near to far, travelling from the solar system that we are living in, to the stars, Milky Way and galaxies further away and exploring the science and evolution of the universe all along the way), on the ground floor, and “Hall of Space Exploration” (depicts the development of space exploration and space technology), on the first floor, covering a total area of 1,600 sq. m. (17,200 sq. ft.), houses a hundred exhibits, about 70% of which are interactive, enabling visitors to learn through a series of entertaining and educational experiences.

Stanley Ho Space Theatre

The museum houses a large collection of meteorites and offers an extensive range of activities for both adults and children, producing 2 planetarium shows as well as introducing some of the best foreign OMNIMAX and 3D Dome Shows productions, using the digital planetarium projection system, in Hong Kong.

The museum also organizes plenty of extension activities each year including Astronomy Carnival, Astronomy Happy Hours, fun science lab sessions, astronomy competitions, lectures and astronomy film shows, etc.

Hong Kong Space Museum: 10 Salisbury Rd., Tsim Sha Tsui, Hong Kong.  Tel:+852 2721 0226. Website: hk.space.museum. Open Mondays –Fridays, 1 – 9 PM; Saturdays, Sundays and Public Holidays, 10 AM – 9 PM; closed on Tuesdays, the first two days of the Chinese New Year and at 5 PM on Christmas Eve and Chinese New Year’s Eve.
Admission: HK$10 (standard). Concession (HK$5) is applicable to full-time students, people with disability (and one accompanying minder) and senior citizens aged 60 or above. Children under 3 years old will not be admitted. Free admission on Wednesdays (visitors are required to queue on site for admission by session). Full-time students and museum pass holders are eligible for free admission to the exhibition halls and need not purchase tickets, but are required to book the admission session online before the visit (except Wednesdays). Booking will be available within one week of the visit.

How to Get There: Take the MTR to get to Tsim Sha Tsui Station. Get out of the station through Exit E and cross the road. Walk 150 m. to Salisbury Road. You’ll see the museum across the road. Then use subway to cross Salisbury Road. When you exit the subway, walk a little along Salisbury Garden. You can also take MTR East Tsim Sha Tsui Station.  Get out through Exit J, then walk about 10 mins. to the museum. Via Star Ferry Pier, from Central or Wan Chai to Tsim Sha Tsui, walk for approximately 10 mins. to the museum.

Heritage of Cebu Monument (Cebu City, Cebu)

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Heritage of Cebu Monument

The Heritage of Cebu Monument, a visually and contextually interesting tableau of concrete, bronze, brass and steel sculptures in the historic Parian District, shows scenes of significant and symbolic events in the history of Cebu back from the time of Rajah Humabon to the recent beatification of the Cebuano martyr, Pedro Calungsod.

Battle of Mactan

It was built on the site of the St. John the Baptist Church which was demolished in 1875 by the diocese of Cebu.  This work of art stands on a traffic circle, with narrow streets flanking the sides. Across the street is the Yap-Sandiego Ancestral House.

Check out “Yap-Sandiego Ancestral House”

Galleon Trade

The late, multi-awarded Cebuano sculptor Eduardo Castrillo designed and conceptualized the monument and, with the late Senator Marcelo Fernan, together with donations from other private individuals and organizations, funded the construction of the monument.

Plaque

Construction began in July 1997 and, after three years, the monument was inaugurated on December 8, 2000.

Magellan’s Cross

The structures carved into the huge monolith are the Basilica Minore del Santo Niño, the Cebu Metropolitan Cathedral, the St. John the Baptist Church, the Magellan’s Cross, and a Spanish Galleon while scenes depicted are the baptism of Rajah Humabon and his followers to Christianity, the local revolution against the Spanish rule, a procession of the Santo Niño, a Roman Catholic mass, and the April 21, 1521 Battle of Mactan between Lapu-Lapu and Portuguese explorer Ferdinand Magellan. The persons depicted in the monument include the late president Sergio Osmena Sr. and St. Pedro Calungsod.

Spanish Galleon

Heritage of Cebu Monument: Sikatuna St., Plaza Parian, Cebu City, Cebu.

How to Get There: Jeepneys along Colon Street, with the signboard showing “SM” and “Pier,” pass by the monument. You may also take a taxicab as most drivers are familiar with the place. From Ayala Center or SM, it is a 15-20 min. taxi ride.

The Jesuit House (Cebu City, Cebu)

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The author at The Jesuit House

The grand opening of One Central Hotel & Suites had just ended and, as we still had a little over an hour to make it to the Jesuit House (claimed to be the oldest dated house in the Philippines), Rona, Rhea and I took a taxi to quickly get there. However, the driver only spoke Cebuano, which none of us spoke, and, coupled with that, didn’t know the destination.  But, thanks to Waze, we were able to make our way there.

Check out “Hotel and Inn Review: One Central Hotel & Suites“

The entrance to the Jesuit House (also called Museo de Parian sa Sugbo) was through the main gate of Ho Tong Hardware along Zulueta Street. A streamer, with the words “Welcome To The Jesuit House of 1730,” hangs on the hardware gate. Most people, including us, would probably  have just passed by the area, ignorant of the historical treasure inside as a towering fence, built to protect it from theft (it still is a warehouse for the present owner’s business),  hides the house from street view.

At the office, we paid the admission fee and waited, at the adjoining coffee shop, for museum curator Christian Joseph Bonpua who was to guide us through the museum. The knowledgeable and versatile Christian was well versed in the history of the Jesuits in relation to the Philippines (considering he was a graduate of the Dominican-run University of Sto. Tomas), sharing a lot of historical and current facts. 

Museum curator Christian Joseph Bonpua

He  presented a birds eye view of the history of the Jesuit house during the Spanish and American periods of history via a video presentation.  The Jesuit House is actually two houses connected by a bridge.

“Ano de 1730” plaque atop the entrance (photo: Ms. Rhea Vitto-Tabora)

During our guided tour, Christian pointed to a low relief plaque, bearing the date “Año 1730,” on the inside wall above the main house’s entrance door, an artifact in itself. However, the house’s history remains murky, even contentious.  Some historians argue over the exact year of the house’s construction, some saying that the date on the relief plaque was not 1730 but 1750, pointing out that the third number from the left resembled “5” more than “3.” One piece of evidence hints that the house was built even earlier.

Airconditioned ground floor gallery

In his book Pictorial Records and Traces of the Society of Jesus in the Philippines and Guam prior to 1768, published in 1936, Fr. William Repetti, S.J. (1884-1966), a seismologist (he was Chief of the Section of Seismology and Terrestrial Magnetism of the Manila Observatory, 1920 to 1936) and archivist of the Jesuits, noted the existence of this house, identifying this old structure as the “Jesuit House of 1730.”

It is also widely believed that a tower once stood beside the house. An old, badly damaged painting of the house showed that it was attached to what is believed to be a watchtower for spotting seafaring raiders. In his book, Fr. Repetti also included a reproduction of this old painting of the house. Today, pictures of Fr. Repetti’s visit as well as a framed drawing of that painting hangs on the Jesuit house wall.

However, recent restoration works proved that the house could even be older than 1730. A coin, found buried in one post of the original house, was dated to the Ming Dynasty (1368–1644).  Broken ceramics, also pointing to the Ming Dynasty, were also dug out.

Display of pottery shards

It gives the idea that the house may have gone through a number of transformations and that its first owner may  have been Chinese (the Chinese were among the early settlers in the area). In her book Life in Old Parian, memoirist Concepcion G. Briones happily noted that the house has now come full circle – somehow it is back to Old Parian hands (as the current owner is Filipino-Chinese).

Japanese porcelain shards

Chinese influence in the house construction can be seen in rafters that feature a design resembling a pagoda plus the intricate carvings on the trusses also show that Chinese artisans may have worked on it.  Sy believes the Jesuit house is even older than the Yap-Sandiego Ancestral House because its second level, like the ground floor, is still made of cut coral stones, indicating it was built before a Spanish decree disallowed this practice.

Statue of St. Ignatius of Loyola

The decree, indicating that the second level of all houses should be made of wood, was made to prevent the loss of life after a number of houses using coral stone on both floors were destroyed and many lives were lost during a strong earthquake.

Check out “Yap-Sandiego Ancestral House“

The remarkably preserved house, sitting on around 2,000 sq. m. of land, served as the residence of the second highest official of the Jesuit society in the Philippines.  Other priests of the order or deacons going to or coming from other provinces for missions were also received here. Historians say that the Jesuits were indeed in possession of the house until 1768 when, following their suppression in Europe, they were expelled from the Philippines. The Jesuits are credited to have introduced masonry construction to the Philippines.

Old movie projector

In 1910, after having been built and occupied by the Jesuits, this huge stone-and-tile mansion bordered by two streets on a lot in old Panting, adjacent to Parian, was bought by Don Luis Alvarez y Diaz, the Alvarez family patriarch.  The Alvarez family, originally from Asturias (Spain), settled in Cebu via Lawis, Leyte.

Scaled model of a Chinese junk

Who Don Luis brought it from is still mystery but, based on a lead provided by Edwina Link-Harris (Don Luis’ granddaughter), it is surmised that it may have been from Don Cristobal Garcia, a Spaniard and a Tabacalera agent of the then municipality of Cebu who returned to Spain. At one point in time, Don Jose Alvarez leased the house to Gov. Sergio Osmeña who used it as a meeting place for Cebu’s elite. The Alvarez family are the current owners of Montebello Villa Hotel.

Diorama of the the old Parian area, showing the now non-existent Church of St. John the Baptist, the Jesuit House and other landmarks.

During World War II, the house was also used by the American forces.  In the 1960s, the house was leased to Peping “Jap” Rodriguez, an Alvarez kinsman, for use as a club. Within the decade it again changed hands, this time going to the Sy family. Jaime “Jimmy” Sy, the current owner, inherited the property from his father.  Jimmy, who operates Ho Tong Hardware, is married to the former Margie Vaño of the Old Guard, related to the Sanson-Velosos, the Coromina-Fortiches, and the Escaños.

Stairs to second floor

Dr. Michael Cullinane (associate director of the Center for Southeast Asian Studies), an American historian on the Philippines, has a different version of the house’s history. Unearthing the earliest record on the house, he revealed that it once belonged to the pious Villa family of the Chinese mestizo principalia (local aristocracy). Around 1880, the Villas gave the house to the Jesuits on certain conditions, including one on the dedication of specific prayers for living and dead members of the family.

Azotea

Jimmy questioned this claim, saying that, even before 1880, the house was already in the possession of the Jesuits as indicated on the Jesuit seals, carved in two separate places in the house, which are definitely in the 18th-century style, as well as the legend “1730,” which is definitely in 18th-century calligraphy. Fr. Rene Javellana, SJ, a Jesuit art historian and professor based at the Ateneo de Manila, supports Jimmy on his contention as the Jesuit presence in Cebu was not reestablished until the erection of Our Lady Queen of China, Sacred Heart Parish in 1952, debunking the 1880 deed.

The two-storey house, along the defunct main entrance on narrow Binakayan Street, has cut coral stone walls with original molave (tugas) hardwood floors of alternating planks of dark and light shades, carved decorative corbels that support the ceiling, stout posts made from the trunks of trees, and a terracotta clay tile roof (a double row of tiles, with each row with a tile atop the other, facing down and cupped by a single tile facing up in the kulob-hayang pattern).

Antique sala set and television

The ground-level interior space (zaguan) has terracotta flooring.  It has 3 m. high ceilings and big door and window openings. Its second floor is connected, by a covered wooden walkway, to a smaller house.  The smaller house is the building we entered. A bipartite building, the smaller house’s lower storey is of coralline limestone while the upper portion is wood, typical of Fil-Hispano colonial houses.

Antique cash register

Antique typewriter, cameras and telephones

According to a 1989 essay written by Fr.  Javellana, the smaller house is believed to have served as an azotea or recreation area.  Another possible explanation, according to Sy, for why this structure was built separately but close to the main house and connected to it at the second level through a wooden bridge, is that it could have functioned as a kitchen situated outside of the house in case of fire.

Jukebox

This house annex, though still retaining its original wood reliefs, the corbels that support the ceiling, the huge, uncut tugas posts and big planks of tugas floorboards lined side by side, already has a galvanized iron roof and renovated modern walls. The presence of disjointed smaller corbels indicates that the ceiling was much higher today than when it was first built.

Tugas (molave) post and coralstone wall at second floor

The original wooden staircase leading up to the livable space on the second floor, described by Fr. Repetti as having a newel post and decorated with intricate carvings or motifs (similar to the monastery of the Basilica Minore del Sto. Niño), is also gone. It is said that, when they left, the Alvarez family brought the banister and post with them and used these in a house they had built in Bohol.

A towering concrete fence, resting on the original fence of coral stone (said to be older than the house), hides the house from street view. The original entrance to the property, through a narrow road called Binakayan near Colon, has been closed off to protect, on the gate’s lintel, the monograms of Jesus, Mary and Joseph.

Though the Sys do not live in the house anymore, they turned the house into a semi-public museum in 2008, making it as a repository of antique furniture and other items (including a jukebox, old GE electric fan and an antique payphone) they’ve collected over the years, thus preserving it as a testament to Cebu’s rich cultural heritage.

Kitchen

In addition to the antiques collected by the Sy family, the museum also features a diorama showing the house during the Spanish era as well as the old furniture owned by the previous owners and items (Ming Dynasty coins, pottery shards, animal bones, etc.) that were unearthed at the location and displayed at the airconditioned ground floor gallery.

Cross at fence

Typical of its time, everything about the house was generous, almost grand and made to last generations. Even with the clutter of warehouse items, the innate importance of the Jesuit House was immediately apparent to us visitors.

Bas relief at the coralstone fence

The Jesuit House: Hotong Hardware, 26 Zulueta St., Brgy. Parian, Cebu City, 6000 Cebu. Tel: (032) 255 5408.  Admission: PhP50/pax (PhP15 for students). Open daily, 8 AM – 12 noon and 1 – 5 PM.  The museum is one of the stops of the annual Gabii sa Kabilin where locals and visitors alike can take a tour of the rich heritage of Cebu City.

How to Get There: The Jesuit House, across the Heritage of Cebu Monument built right on the old Parian plaza, is a few steps away from the obelisk that marks the start of Colon Street at its northern end. Taxi drivers may not be familiar with the Jesuit house so just say you want to go to the Parian Fire Station, which is 10-15 mins. away from Fuente Osmena.  From Ayala Center, take a 13C jeepney and drop off at the Heritage of Cebu Monument. From Colon, take the 01K jeepney and also drop off the monument.