Pamilacan Island (Baclayon, Bohol)

Pamilacan Island

Pamilacan Island

It was now Day 2 of our 3-day media familiarization tour of Bohol.  After a very early breakfast at Panglao Bluewater Resort, we were slated to do some dolphin watching off Pamilacan Island, followed by lunch at Balicasag Island.  The tide was still low and our large motorized outrigger boat was anchored some distance off.  To get on board her, we took turns riding a tandem kayak until all were on board.  The sun was already up in the sky when we got underway.

On our way

On our way

The island’s name was derived from the word meaning “nesting place of manta rays.”  However, it has also been interpreted to to have been derived from the word pamilac, a harpoon (large hooked implement) used to capture manta rays, dolphins, whale sharks and Bryde’s whales. Under the jurisdiction of the municipality of Baclayon, it is situated 14 kms. (8.7 mi) south of the Bohol mainland.

Our spotter scanning the horizon for dolphins or whales

Our spotter scanning the horizon for dolphins or whales

The waters around the island are home to at least 11 species of dolphins and whales, including the playful Spinner Dolphins, Bryde’s whales and the gigantic Sperm Whale. Blue Whales are sometimes seen in the early months of the year. The whale watching season begins in March until the onset of the rainy season in June or July.

Soon to make landfall

Soon to make landfall

The 15 to 20 m. long boat we rode on was possibly a former canter, a boat formerly used for whale hunting.  These have been refitted with seats and roofing for a comfortable ride for 7 to 10 passengers who want to go whale or dolphin watching.  A skilled, elderly spotter, who is also an excellent guide, soon took his place at our boat’s bow, scanning the horizon for any whales or dolphins. Resident dolphins and small whales can be found all year round but sightings are dependent on weather and sea conditions.  Just like my first try in 2003, we were unlucky to find any of them.

The island's immaculately white sand beach

Footprints along the island’s immaculately white sand beach

We made landfall at the island’s beautiful white sand beach located on its northwest side.  Upon landing, we were welcomed by members of the island’s small and closely knit fishing community which has around 200 families living in 3 sitios – one facing Baclayon, another amid an island and a third on the southern coast.  Their main livelihoods now concentrate on dolphin and whale watching tours and subsistence fishing. In the past, it also included whale, dolphin and manta ray hunting. However, with the strict enforcement of marine life preservation laws in the country, this practice was stopped. Their houses, though, are still adorned with jaws and bones of these marine mammals.

The island's barangay

The island’s barangay

When we arrived, a table (with red tablecloth) and chairs were set up under a shady palm tree, beside some picnic sheds.  A merienda of sliced camote (sweet potatoes), either steamed, caramelized or fried, plus rice cakes and corn coffee were prepared for us. The latter looked and tasted like your good old caffeinated coffee but is said to be healthier.

A merienda of camote, rice cake and corn coffee

A merienda of camote, rice cake and corn coffee

After this filling repast, I together with Czarina, Euden, Joy, Kathleen and Lara went on a snorkeling tour on 3 small boats, each with a local boatman who paddled for us.  Czarina joined me on one boat.  The island’s wide flat reef, now a marine sanctuary, offers good snorkelling and diving (it has some great dive sites such as Dakit-Dakit).

Dining al fresco along the beach

Dining al fresco along the beach

After some great snorkeling over coral gardens, we returned to shore early as Czarina wasn’t feeling good.  Back on dry land, I explored the nearby Spanish-era fort which, in the past, served as a watch station for pirates, intruders and other enemies. Triangular in shape and probably constructed in the 19th century, it was made with rubble while cut coral blocks lined its portal and windows. The three corners of the structure were supported by round buttresses.

The triangular, Spanish-era fort

The triangular, Spanish-era fort

Another view of the fort

Another view of the fort

Inside are embedded trusses and a triangular pillar in the middle, indication that the fort may have had a second floor, probably made of wood. A large hardwood cross, with an 18oos date carved on it, once stood near the fort but is now housed in a nearby modern chapel. The fort was said to have formed a network with the towns of Baclayon, Loay and Tagbilaran.

View of the fort from another angle

View of the fort from another angle

The ladies were already back from their snorkeling trip when I returned.  Soon enough, we were back on board our boat for the second half of our island hopping expedition – Balicasag Island.  The waters were already choppy when we left and our boat had to travel slowly as the waves kept pounding the boat.  Soon a number of us (including me), especially the already ill Czarina, were already feeling seasick and, since our destination was still a long way off and it was already way past noontime, it was decided to just return to our resort.  Anyway, I have been to Balicasag Island 11 years ago, going around it on foot and snorkeling its coral gardens.  However, I felt sorry for those who haven’t been there. Oh well, you can’t win them all.

The triangular pillar in the middle of the fort

The triangular pillar in the middle of the fort

How to Get There: Pamilacan Island is located about 20 kms. southeast of Tagbilaran City, 23 kms. east of Balicasag Island and 11 kms. (a 45-min. pumpboat ride) offshore from the town. Pumpboats can be hired at Baclayon port.

Malagonlong Bridge (Tayabas City, Quezon)

Leaving the Tayabas City proper, Jandy, Maricar, Violet, Lanny and I continued on our way to Lucban.  About 2.4 kms. outside the city, we made a stopover at the now unused, Spanish-era Malagonlong Bridge across the Dumaca-a River.  This wasn’t the first time I’ve seen this bridge, having seen it on our way to Mauban to attend the Maubanog Festival 3 years ago.

Malagonlong Bridge

Malagonlong Bridge

However, this would the first time I would actually explore it, crossing the bridge’s 445 ft. (136 m.) length to the other end. The first time, I just took pictures of it from the modern, girder-type concrete bridge parallel to it. On August 12, 2011, it was declared as a National Cultural Treasure under the Historic Bridges of Tayabas. On its eastern side is the plaque installed by the National Historical Institute.

The plaque installed by the National Historical Institute (NHI)

The plaque installed by the National Historical Institute (NHI)

An older plaque installed at one of the bridge's balconies

An older plaque installed at one of the bridge’s balconies

The oldest in the province, the charming, ivy-covered Malagonlong Bridge (Puente del Malagonlong) is one of the few remaining and the longest Spanish colonial, arch-type bridge in the country. One of 11 Spanish-era bridges within Tayabas City, it connects Brgy. Mateuna with Brgy. Lakawon.

Dumaca-a River

Dumaca-a River

Built with about 100,000 adobe blocks, limestone and molasses, it was started, during the term of gobernadorcillo Don Joaquin Ortega’s term, by Spanish Franciscan parish priest Fr. Antonio Mateus in 1840 and completed 10 years later during the term of gobernadorcillo Don Julian S. Francisco. 

The bridge's 6 m. wide carriageway

The bridge’s 6 m. wide carriageway

The bridge has five spans, the first arch with a height and width of 36 ft (11 m); the second at 33 ft (10 m); the fourth at 30 ft (9.1 m) and the fifth at 18 ft (5.5 m). It has a width of about 20 ft (6 m.) and six small balconies.

The author posing at one of the bridge's balconies

The author posing at one of the bridge’s balconies

How to Get There: Tayabas City is located 147.28 kms. from Manila and 10.62 kms. from Lucena City. Malagonlong Bridge is a 15-20 min. tricycle ride from the city center.

Taytay Boni (Miag-ao, Iloilo)

On your way to Iloilo International Airport, we again passed the town of Miag-ao.  Here, we made a short stopover at Taytay Boni, a Spanish-era bridge that once passed through a creek and connected Miag-ao with Guimbal, before the construction of the national highway.

Taytay Boni

Taytay Boni

Now enclosed within a small park, this stone bridge’s name was derived from the Ilonggo term taytay  (meaning “ bridge”) while “Boni” is the name of  its construction foreman and cantero-mayor (major carpenter) Bonifacio Neular.

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It was built in 1854 through forced labor, during the term of gobernadorcillo Miguel Navales. The large, yellow-colored coral stone slabs (tablea or tabreha) used for its construction were transported from Igbaras, located 5 to 6 kms. from the site, by means of karosas, sleds pulled by carabaos. Lime was used to hold the stone slabs together.

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The bridge was still passable before and after the World War II but was partly damaged during the January 25, 1948 Lady Caycay (magnitude 8.2) earthquake. The bridge now rests on dry land, a result of the ground opening up during the earthquake and sucking in large amounts of water. The bridge is located at Crossing Kamatis, about a kilometer from the town proper, between Brgys. Kirayan Sur and Igtuba.

How To Get There: Miagao is located 40.04 kms. from Iloilo City, 12.2 kms. from San Joaquin and 8 kms. from Guimbal.

The Spanish-Era Structures of Patnongon (Antique)

From the Gen. Leandro Fullon National Shrine in Hamtic Poblacion, we moved on, 32 kms. away, past the capital town of San Jose de Buenavista and Belison, to the town of Patnongon.  Along the National Highway are the ruins of the parish of St. Augustine, once considered the best church in the province.

St. Augustine Academy of Patnongon

St. Augustine Academy of Patnongon

The main entrance

The main entrance

Started in 1860 by Fr. Manuel Asensio, it was finished in 1895 by Fr. Eustaquio Heria. In 1896, Fr. Joaquin Fernandez renovated the church by adding a patio.

NHI Plaque

NHI Plaque

Statue niche

Statue niche

The old bell tower

The old bell tower

Damaged during the Philippine Revolution, it was repaired from 1896 to 1899 and, in 1906, it was transferred to the Mill Hill Fathers of England.  Destroyed during World War II, it was converted to the St. Augustine Academy of Patnongon in 1962.

Ruins of Spanish-era municipal hall

Ruins of Spanish-era municipal hall

Nearby are the ruins of the town’s former 2 storey, Spanish-era municipal building.  This 15 m. by 21 m., roofless structure is now fenced off, its gray walls slowly deteriorating due to the elements, local government neglect and indifference, and the strangling presence of a balete tree.

A balete tree slowly strangling the walls

A balete tree slowly strangling the walls

An interior wall and arch

An interior wall and arch

I was saddened by the sight of this graphic memorial to our Spanish past being left to rot.  In my opinion, it could still be restored and put to good use, either as a museum or a government office.  All it takes is political will aside from local government or private sector funding.

How To Get There: Patnongon is located 25 kms. from San Jose de Buenavista, 9.5 kms. from Belison, 17.3 from Bugasong and 122 kms. from Iloilo City (Iloilo).

San Joaquin Cemetery (Iloilo)

From Miag-ao, we were next driven 12.5 kms. to the adjoining town of San Joaquin.  Along the National Highway, we made another short stopover at the town’s Spanish-era cemetery (Campo Santo, translated as “holy field) where we visited its iconic mortuary chapel (capilla), the grandest and best preserved in the whole of Iloilo.

The iconic mortuary chapel of Campo Santo

The iconic mortuary chapel of Campo Santo

Nestled on elevated ground a kilometer from the poblacion, it was built in 1892 with coral rock and baked brick by Augustinian Fr. Mariano Vamba, the last Spanish parish priest of the town.

Detail of rose window and brick and coralstone facade

Detail of rose window and brick and coralstone facade

It has a vaulted hexagonal chapel decorated with Classical motifs; with tufa and plaster walls; a red, pointed dome and lateral rose windows.  To reach this chapel and the cemetery compound, we had to climb a 20-step staircase flanked by twin-tiered stone balustrades.

The statue niche with Pieta replica

The statue niche with Pieta replica

Burial niches inside chapel

Burial niches inside chapel

Inside, facing the chapel entrance, is a statue niche with a small yet beautifully made sculpture replica of Michaelangelo’s renowned Pieta. Below it is the burial niche of Pedro Sarag y Saragena (September 8, 1855-October 15, 1923).  Flanking both are 2 sets of 4 burial niches topped by a cross and flanked a skull and cross bones design.

The Baroque-style gate

The Baroque-style gate

Its Baroque-style gate, with its rich stone bas relief of carved stylized flowers and leaves, has a life-size statue of Jesus Christ, with his outstretched arms, on top of its triangular pediment.  It is flanked, on each side, with two columns with angelic figures on top.  The semicircular arch entrance, adorned by egg-shaped moldings, is topped by the sculpted head of a cherub between two skull and cross bones designs representing death.

Father and son at the stairway

Father and son at the stairway

How To Get There: San Joaquin is located 53.5 kms. from Iloilo City and 12.2 kms. from Miag-ao.

Church of Our Lady of the Gate (Daraga, Albay)

From the Cagsawa Ruins, we next proceeded to Daraga town proper then drove up Sta. Maria Hill to the town’s Church of Our Lady of the Gate (Nuestra Senora de la Porteria).  The church compound has an awesome view of the sea and majestic Mayon Volcano.

Church of Our Lady of the Gate

This church, built in 1773 by Franciscan monks, has an ornately carved Baroque (others say it is a mixture of Mexican Baroque and Renaissance Gothic) facade divided into 3 segments by 4 tall, twisted columns with medallions, bearing images of the Four Evangelists, at each column’s center.  The church also has a semicircular arched main entrance topped by floral decorations and is covered with an image of Our Lady of the Gate, statuary, alcoves, religious seals, the coat-of-arms of the Franciscan Order, and niches on the walls and pedimentcontaining statues of Franciscan saints articulately carved on volcanic rock.  

The facade’s pantheon of saints
The right side of the church

Because its facade was made with volcanic rock, the church originally had a black facade as depicted on old photos.  However, during my visit, its much-admired Old World look was gone as it was painted, during restoration work (done in close coordination with and approval of the National Museum, National Historical Institute and National Commission  on Culture and Arts) in 2008, with a white lime coating (containing chemical ingredients that turned it white) which, according to its conservationists, would protect the facade from exposure to the elements and from further deterioration.  This intervention, also done in historical landmarks in other countries, was deemed acceptable as it does not adversely affect its cultural significance.  

Twisted column detail
The NHI plaque

The octagonal bell tower (or belfry), on the church’s right, carries images of the 12 Apostles engraved on the sides of the angles.  As per my visit, it still retains its volcanic black color as well as the unwanted foliage protruding from its volcanic stone facade.  On the church’s left is the unremarkable convent.  Compared to the church’s exquisite face, the church’s white interior is bland and simply adorned, a  result of what historians refer to as “unregulated reconstructions and modifications.” However, it still houses priceless old santos (statues of saints).  

The unpainted octagonal belfry

During the Philippine-American War, the church was used as headquarters by the U.S. Cavalry and, during World War II, as headquarters by the Japanese.  Damaged during the liberation in 1945, the church was repaired from 1971 to 1973.  On October 29, 2007, this church was declared by the National Museum as a National Cultural Treasure (specifically cited were the eastern and western facade, the bell tower and the baptistery), the second in Albay after the Church of St. John the Baptist in Tabaco City  and, one year later, on October 16, 2008, it was likewise declared as a National Historical Landmark by the National Historical Institute (NHI).

The bland interior

Church of Our Lady of the Gate: Sta. Maria Hill, Brgy. San Roque, Daraga, Albay.  Tel: (052) 483-4416.  E-mail: daragaparish@gmail.com.  

Cagsawa Ruins (Daraga, Albay)

From Lignon Hill Nature Park, we next drove down to the nearby town of Daraga.  About 3.5 kms. northwest of the town, 500 m. north of the highway, we entered the Cagsawa Ruins, a place I first visited 7 years ago during a stopover on our way to Naga City (Camarines Sur).  Much has happened since my first visit.  In 2006, mud flows from Mayon Volcano, triggered by typhoon Reming (international name: Durian) buried 8 villages in the town (killing at least 1,266 people) and we passed many ruined and buried homes.

The Cagsawa Ruins

Still, the Cagsawa Ruins, the most visited and photographed site in all of Albay, remains as it seemed during my last visit, the big difference being my classic, postcard view of Mt. Mayon’s perfect cone wasn’t obstructed by swirling afternoon clouds. The blackened church bell tower (or belfry), as well as the broken down walls of the priest’s house and municipal building (all destroyed during the February 1, 1814 eruption that killed 1,200 townspeople), have still withstood the test of time and the elements.  

Other ruins at the site

Something I never noticed before was a mini-resort with rental cottages  and 2 modest-size swimming pools (adult and kiddie) to the right of the ruins. This begs the questions “Why build a resort at  the very site where thousands have died while escaping the wrath of the volcano?”  “Did they dig up skeletons when they dug the pools?” The resort owner who built it was somehow unmindful of the sacredness of the place.

The swimming pool beside the ruins.  “What were they thinking?”

Right outside the ruins were a chain of souvenir shops selling a colorful assortment of locally produced products such as bags and baskets; Tiwi ceramic ware;  furniture (wicker chairs, sala and dining sets, etc.); Tabaco cutlery items (bolos, knives, grass cutters, etc.), arts and crafts made from Mayon’s ashes, hardwood, abaca and shells; exotic flowers and orchids; T-shirts with different designs; and native food delicacies such as kuyog, pili nut confections (salted, sugar-coated, etc.), canned pinangat, and sweet pineapple wine. Restaurants on the site also offer bicol express (a spicy shrimp dish with coconut cream), inasal na sira (grilled fish) among other dishes. 

Cagsawa Ruins: Brgy. Busay, Daraga. Admssion: PhP10. Parking fees: trucks and buses (PhP20); cars (PhP15) and motorcycles and tricycles (PhP5). 

Bulusan: Eco-Tourism Haven (Sorsogon)

After our interview of AGAP-Bulusan, Inc. president Philip G. Bartilet at Lake Bulusan, Philip accompanied Bernard and I to the Bulusan municipal hall where we made a courtesy call on, and had lunch, with Mayor Michael G. Guysayko.  Like Philip, first term Mayor Guysayko is supportive of the environment conservation projects of AGAP-Bulusan, the rehabilitation of denuded forests and sustainable eco-tourism in the BVNP.

L-R: the author, Mayor Guysayko and Bernard

After lunch, Philip again accompanied us as we toured Bulusan town’s tourist attractions.  Our first stop was the town’s Church of St. James the Greater in Brgy. Central.  Located on a site called Punta Diamante (named after its diamond-shaped wall formation), it is dubbed the “Intramuros of Bulusan.”  Its walls were made of stacked up volcanic stones.

Punta Diamante

The church wasn’t old (erected around 1760, its Baroque facade was totally renovated in 1970) but the parish compound is enclosed by ramparts of the triangular, Spanish-era muralla (“stone fort”). Around the walls are burial niches and niches for santos (“saints“) while at one end is the equestrian statue of St. James the Greater and a wooden cross, above which is the statue of a standing Jesus Christ, with arms outstretched, on a pedestal.

A baluarte de piedra at Punta Diamante beside burial niches

Four baluartes de piedra (stone watchtowers”) can still be traced from the remaining walls near the shores of Brgys. Central, Dapdap and Mabuhay.  The church’s 4-storey bell tower (locally called kampanaryo), the largest of the 4 watchtowers, was believed to have been built in 1631 after the town was made an independent from Casiguran in 1630.  With 8 sides, the tower’s walls taper upwards in alternating piers. The ill-conceived 4th storey, housing the bells, is a totally inappropriate modern addition.

The church bell tower

From the town proper, we motored, 1 km. out of the town, along the Bulusan-Barcelona Rd., to the white sand Dancalan Beach in Brgy. Dancalan.  A popular swimming spot, the relatively shallow Dancalan Beach is lined with beach resorts and kiosks beneath the coconut trees that provide shade for picnickers.

The white sand Dancalan Beach

We also passed by the Dr. Jose Reyes Ancestral House and, from the vantage point of a bridge, the Bulusan River.  The 12 km. river, formed by the merging of the Dulipay and Malinang Rivers, and the Malugoy-lugoy Rivers, is a potential nature trekking area.  From here, we proceeded on our way to Lake Bulusan where Bernard and I were to do some leisurely kayaking.

The Bulusan River

Bacacay: A Blend of History and Nature (Albay)

From Sto. Domingo, Bernard and I motored to the nearby town of Bacacay where we paid a courtesy call on, and had lunch with, 72 year old, first term Mayor Tobias B. “Tobing” Betito, the former vice-mayor and schoolteacher, at the newly renovated (last 2008), 2-storey municipal hall.  Mayor Betito granted us the use of an Isuzu Crosswind and the services of a driver so that we can explore Cagraray Island, the home of the 20-hectare, world-class Misibis Resorts, Estate and Spa.

The 2-storey municipal hall

Before leaving for Cagraray Island, we walked over, across the street, to the Church of St. Rose of Lima (a Peruvian saint).

Check out “Church of St. Rose of Lima

Church of St. Rose of Lima

At the left side of the church are the ruins of the old church and belfry.  My guess is these are the ruins of the church built in 1660.  The present church was probably built in the 1800s.

The old church ruins

We next walked over the hardly discernable remains of Roca Baluarte in Brgy. 3.  Formerly a Spanish-era fort with a lookout tower used to warn against Muslim pirates, it was converted into a beach resort but now lies abandoned, amidst nipa palms and mangroves, after the resort was ruined during super typhoon Reming (international name: Durian) that hit the Bicol Region on November 30, 2006.

Roca Baluarte
Mayor’s Office:  Municipal Hall, Poblacion, Bacacay, Albay. Tel: (052) 588-3243.  Website: www.bacacay.gov.ph.

A Stroll in Paco Park

After dropping off Cheska at ACTS (where  she was taking review classes for her Med Tech board exam), I decided, on my way home, to drop by historic Paco Park.  Getting there proved to be difficult for me as I had to make my way around a maze of one-way streets.  I decided to park my car just a few blocks away and walk the remaining distance.

Paco Park

Just about everybody, couch potato or not, is familiar, one way or the other, with the TV program “Paco Park Presents.” The concert was begun by Dr. Christoph Jessen (Press and Cultural Attache of the Federal Republic of Germany) with the late National Park Development Committee (NPDC) Vice-Chairman and journalist Teodoro “Doroy” Valencia on February 29, 1980 as a part of the celebration of Philippine-German Month and a gala tribute for then outgoing German ambassador Wolfgang Eger. The “Paco Park Presents” classical concert became a tradition and it now presents  chamber, traditional and pop music performed for free by the finest international and local solo artists, duets and small ensembles at an improvised outdoor stage. Truly a unique way of bringing classical music, via intimate, open-air concerts, to the masses.

Park entrance

I have been to the park a couple of times before as two of my siblings, my elder brother Frank (to the former Rosario “Cherry” Correa on December 17, 1978) and youngest sister Tellie (on December 27, 1982) as well as my good friend and fellow architect, Ed Yambao (to the former Gloria “Glo” Pagsanghan also on the same date as my sister) got married in the park’s St. Pancratius (named after a 14 year old martyr of the 4th century) Chapel. My late parents also renewed their marriage vows there during their silver wedding anniversary on the same day Frank got married.

Historical Research and Markers
Committee plaque
National Historical Shrine plaque

Why do people marry at a place that was once a home for the dead? Haven’t they heard of the often-mentioned warning that marriages made in such a place live but a short life? Couples don’t seem to mind at all even if the receptions are held besides rows of empty, gaping niches.  For me, it must be this recreational garden area’s atmosphere of peace and tranquility.  I featured this cemetery in my first book, “A Philippine Odyssey: A Collection of Featured Travel Articles” (New Day Publishers, 2005) under the heading “Presenting Paco Park.”

The Outer Cemetery

This 4,114.8 sq. m. circular park, one of the oldest landmarks of Manila, is located at Paco District, a nondescript commercial and residential area east of Taft Ave..  Formerly called San Fernando de Dilao, Paco was the Catalan nickname for Francisco and was presumably adapted by the natives to refer to the Franciscan friars who ran the parish.  The park was originally a cemetery built in 1807, through an administrative order, according to the plan of maestro de obras Nicolas Ruiz.  It was completed on April 22, 1822 under the supervision of Don Jose Coll.  The cemetery was, however, already in use two years before its completion to accommodate victims of the cholera epidemic which broke out 3 days after a strong October 1, 1820 typhoon ravaged the city.

Doves by the ticket booth

The epidemic was falsely rumored to have been caused by the poisoning of the Pasig River and the local wells by the foreign merchants, businessmen and scientists then residing in the city.  As a result, persons and property of said foreigners were attacked by violent Filipino mobs affected by this malady.  Casualties were 1 Chinese, 1 Spaniard, 12 French, 1 British captain, 1 American Marine guard, 2 Danes and 12 British and American sailors. Through energetic measures, the epidemic was under control in less than a month. Dominican friars excelled themselves in attending to the sick and, in grateful recognition of their services, 9 of the niches in the cemetery were donated to them by the city of Manila.

The Gomburza Memorial

In 1859, the cemetery was enlarged to 4,540 varas cuadradas (approximately  4,500 square yards) and enclosed with a circular stone wall by Gov.-Gen. Fernando de Norzagaray y Escudero (1856-59). A Chinese builder won the contract to build the circular stone wall of this cemetery for PhP19,700.  The cemetery used to have a chaplain (who lived across the site now occupied by the Paco Fire Station), a sacristan and 8 caretakers.

Gomburza Memorial plaque

At that time, the niches cost PhP20 for three years subject to renewal.  No one was allowed to own the niches in perpetuity.  Niches in the inner wall were reserved as exclusive burial places for prominent Spaniards.  Norzagaray’s successor, acting Gov.-Gen. Ramon Solano y Llanderal (1859-60), was buried in a now unknown site inside the mortuary chapel.

Jose Rizal Grave Site

The cemetery was the burial site of Frs. Mariano GomezJose Burgos and Jacinto Zamora, the triumvirate of Filipino priests unjustly implicated in the January 20-22, 1872 Cavite Mutiny.  They were executed by garrote (a strangulation machine) at sunrise of February 17 at the Luneta (now Rizal Park) in Bagumbayan.  All three were buried in an unmarked grave near the outer wall but the site has not been located up to now.  Instead, a memorial was installed on February 17, 1898.

Grave Site plaque

After the execution of our National Hero, Dr. Jose Rizal, also in the Luneta at dawn of December 30, 1896, the Spanish authorities, fearful of public unrest (and of his followers removing his remains and establishing a cult), secretly buried him also near the outer wall.  Rizal’s sisters fanned out in search of his remains and found them at the cemetery.  The mismarked tombstone, with the initials R.P.J., was said to have been the result of the sisters’ bribing a guardia civil veterana (who guarded the spot for 15 days) to mark the spot. Rizal’s remains were exhumed on August 17, 1898, placed in an urn made by Teodoro Romualdo de Jesus and deposited at the house of Rizal’s mother at Estraude St. in Binondo.

Elaborate niche of Margarita Miguel
de Cobarrubias (September 1, 1907)

The last burials here were in 1912 (the same year Rizal was finally laid to his rest at its present monument in Rizal Park) and the cemetery fell into disrepair, its empty, semicircular niches hollow reminders for the purpose they once served. During World War II, the park, with its thick adobe walls, was used by Japanese forces as a central supply and ammunition depot.  They dug several trenches and constructed pillboxes with 75 mm. guns. In 1948, proposals were made to convert the cemetery into a park.  Unclaimed remains were transferred to the Manila South Cemetery’s paupers’ lot. Through the guidance of Doroy Valencia, its beautification and restoration was done by renowned landscape architect Ildefonso “IP” Santos.  In 1966, it was made into a national park.

The more common semicircular niche
(Timoteo  de los Angeles, June 3, 1910, 53 years old)

The park has two concentric walls, along which are rows of niches hollowed out of aging adobe for the bones of the dead and separated by a 14.5 m. wide walkway.   The wall niches used to be 5 tiers high but only 3 tiers are visible today as its floor was raised due to flooding in some parts.  Before, Paco district was a reclaimed swampland with non-existent drainage (sewers were only installed during the early 20th century).  The cemetery then was a muddy catch basin for rainwater.  I.P Santos elevated the middle portion of the park so that the water flowed outwards.   He was sharply criticized for this.

Gate leading to the ossuary

Strolling around the outer wall, you will espy the original Rizal grave (with its white cross with the initials R.P.J.) as well as the Gomburza memorial.  At the back of the St. Pancratius Chapel is an arch with a wrought iron gate leading to the Ossorio (ossuary), an enclosed burial site for infants and babies. Flights of steps on either side of the gate lead to an interconnecting upper promenade.  There are 2 other ossorios beside it, all with walls decorated with intricate stone carvings of festoons and angels.  In spite of their otherworldly air, these places seem to be favorite tambayans (hangouts) of students.

Flight of stairs leading to upper promenade

The inner cemetery can be entered via an elaborate main stone-columned archway whose triangular pediment has a sign with the Latin inscription “Beatimortui qui in Domino Moriuntur – John in 14:13 Apoc.” (“Blessed are those who die in the Lord”).  Inside the inner courtyard, one is greeted by a romantic setting of a 3-tiered circular fountain, the small oval, domed St. Pancratius Chapel, 8 century-old, widespreading acacia trees (Samarea saman), wondrously gnarled white kalachuchi trees and pocket gardens with park benches.

Entrance to Inner Cemetery

The inner courtyard’s focal point is the St. Pancratius Chapel, now under the care of the Vincentian Fathers (who manage the nearby Adamson University). Formerly a mausoleum for Spanish elite during the first half of the 19th century, this chapel, done in the Classical style, has a stone dome, stone walls dressed in velvety growths of lichen, moss and creepers, triangular pediment from which hangs a bell and a cross.

Inner Cemetery

On each side of the main entrance, I counted 31 bays with 9 niches per bay.   My estimate is there were once 2,790 niches within the inner courtyard alone of which only 1,674 are exposed.  Fourteen of these still have their burial plaques dating from 1898 to 1913 (?).   On both flanks of chapel are two side entrances leading to the outer wall and two beautiful stairs leading to an interconnected 2-m. wide (the width is dictated by the length of the burial niche underneath) upper open terrace with stone balustrades.

St. Pancratius Chapel

Filipino eskrima (stick martial arts called arnis in the West) practitioners also hone their traditional fighting skills within the park and the Arnis Combat Kiathson System Philippines (they offer eskrima lessons) is based here.

The 3-tiered circular fountain

Paco Park: Gen. Luna St. (at the east end of Padre Faura St.), Paco District, Manila.  Open daily (except Wednesdays), 8 AM-5 PM.  Admission: PhP5. The “Concert at the Park” is held every Friday, at sunset. Schedule of masses at St. Pancratius Chapel (Sundays & holidays): 10 AM, 11 AM, 5 PM & 6 PM, also 9 AM every 12th day of the month).  Wedding arrangements at St. Vincent de Paul Parish Office, 959 San Marcelino St., Ermita, Manila.  Tel: 527-7853 7 524-2022 local 101.

How to Get There:  Take a jeepney along Taft Ave. and alight at Escoda St..  From there, you can walk towards the park.