CCP Museo ng Kalinangang Pilipino (Pasay City)

Diwa: Buhay, Ritwal at Sining

The Museo ng Kalinangang Pilipino (Museum of Philippine Culture), an integrated humanities museum established in 1988, gathers together the works of Filipino traditional artists and preserves Filipino artistic traditions; studies and interprets these to provide a deeper understanding of Filipino national culture evolving with and for the people; and strengthens the people’s awareness of the integral, dynamic role of creativity and artistic expression in national life and culture.

Bpagapel (Maguindanawon healing rite)

“Diwa: Buhay, Ritwal at Sining” (Spirit, Life, Ritual and Art), a permanent exhibit, presents an overview of aspects of Philippine traditional culture and showcases significant Filipino artistic traditions as well as explores the development of Philippine art and aesthetics in the socio-cultural context.   

Komedya of Peñaranda, Nueva Ecija

Different artistic forms are presented as a result of the Filipino’s interaction with five conditions/concepts – Bayan (Nation), Buhay at Kamatayan (Life and Death), Kamag-anakan at Pamayanan (Kin and Community), Lupa (Land), and Kaluwalhatian (Divinity).

Ifugao House

On display are sunduks (grave markers) and models of indigenous houses (the Agta lean-to, the Higaonon treehouse, the Badjao houseboat, the Ivatan house, the Mandaya house, the Ifugao house and the Maranao torogan).

Sunduk (grave marker) of Tausug of Sulu)

CCP Museo ng Kalinangang Pilipino: 4/F, Cultural Center of the Philippines Main Bldg., CCP Complex, Pasay City. Tel (Visual Arts & Museum Division)(632) 832- 3702, (632) 832-5094 and (632) 832-1125 local 1504,1505 and 1508.  Open Tuesdays to Sundays, 10 AM to 6 PM. Admission: PhP40 for adults and PhP30 for students and children. If there are performances at the Main Theater, exhibit hours are extended up to 10 PM. Mobile number: (0920) 470-0690.  E-mail: ccp.exhibits@gmail.com.

CCP Collection of Traditional Asian Musical Instruments (Pasay City)

CCP Collection of Traditional Asian Musical Instruments

CCP Collection of Traditional Asian Musical Instruments

The CCP Collection of Traditional Asian Musical Instruments, another important permanent exhibit at the Museo ng Kalinangan Pilipino, displays a collection of Philippine and Asian traditional musical (stringed, percussion, woodwind, etc.) instruments.  The Asian instruments were acquired by the CCP from 1969 to 1986 through donations by a number of Southeast Asian and East Asian countries.

Interior

Interior

Indonesia donated a gender barung (14 bronze bars suspended by a cord over sheet iron resonating tubes in a teakwood frame), a bonang barung (12 bronze pots in two rows of six located in square openings in rectangular teakwood), a gender panerus (14 bronze bars suspended by a cord over sheet iron resonating tubes in a teakwood frame), a saron panerus (known by its nickname Peking, it is the smallest saron in the Saron family), a gong ageng (Javanese meaning “large gong”), a  gambang (a xylophone-like musical instrument), a saron barungsaron demung and a slenthem (a Javanese metallophone which makes up part of a gamelan orchestra).

Bonang Barung

Bonang Barung

Gender Barung

Gender Barung

The Chinese government donated a gu zheng (a plucked zither with 18 or more strings and movable bridges), a chung hu (a medium- pitched fiddle), an er hu (a two-stringed bowed musical instrument), a ti hu (a two-stringed bowed vertical fiddle), a pan hu (a “piccolo” version of the er hu), a ching er hu, a yueh hu (a bowed string instrument) and a hua pen gu (a flower pot drum).
China Exhibit

China Exhibit

Yue qin (China)

Yue qin (China)

Thailand donated a khaw-ng wong lek (or khong wong lek, a gong circle with 18 tuned bossed gongs), a khaw ng mong, glaw-ng that (drum with two heads stretched tightly and fastened down with pegs or nails), a ta pho-n (barrel-shaped drums with 2 heads) and a khaw-ng wong yai (or khong wong yai, a  circle with gongs with 16 tuned bossed gongs in a rattan frame and is played with two beaters).
Khaw-ng Wong Yai

Khaw-ng Wong Yai

Ta Pho-n

Ta Pho-n

South Korea, the latest to donate, contributed  an ajaeng (a large bowed zither having 7 strings), a changgo (or janggu, an hourglass-shaped, waisted drum used in traditional music), a taegum (or daegeum, a transverse bamboo flute with a distinctive sound), a komun’go (or geomungo, a traditional stringed musical instrument of the family of zither instruments with both bridges and frets), a hyang-p’iri (a cylindrical, double reed oboe), a tanso (or danso, a notched, end blown vertical bamboo flute), a chi, a kayagun (or gayageum, a traditional zither-like stringed instrument), a hun (a globular flute), a sogum (or sogeum, a small bamboo transverse flute) and a tungso (a comparatively long notched bamboo flute).

South Korean Exhibit

South Korean Exhibit

From Japan came the shakuhachi (a Japanese end-blown flute) and a biwa (a Japanese short-necked fretted lute, often used in narrative storytelling) while India brought in a tabla (a 2-piece percussion instrument), flutes and a  tavil (or thavil, a Southern Indian drum).

Japanese Exhibit

Japanese Exhibit

The Philippine musical instruments were donated by the late Dr. Lucrecia R. Kasilag, a National Artist for Music and a musical instrument collector for over 50 years.  She is particularly known for incorporating indigenous Filipino instruments into orchestral productions.

Philippine Exhibit

Philippine Exhibit

The instruments on display include a kudyapi (or kutiyapi, a two-stringed, fretted boat-lute), a gangsa (a single hand-held smooth-surfaced gong with a narrow rim), an octavina (a guitar-shaped Filipino instrument with a tuning similar to the laud ), a laúd (a plectrum-plucked chordophone), a bandurria (a steel-stringed, 12-stringed instrument), a bajo de unas (bass guitar), a bungkaka (a bamboo buzzer), a kubing (a type of jaw harp made from bamboo), a gabbang (a bamboo xylophone widely used in the southern Philippines), and the all too familiar guitar.
Banduria, Laud and Octavina

Banduria, Laud and Octavina

CCP Museo ng Kalinangang Pilipino: 4/F, Cultural Center of the Philippines Main Bldg., CCP Complex, Pasay City. Tel (Visual Arts & Museum Division): (632) 832- 3702, (632) 832-5094 and (632) 832-1125 local 1504,1505 and 1508.  Open Tuesdays to Sundays, 10 AM to 6 PM. Admission: PhP40 for adults and PhP30 for students and children. If there are performances at the Main Theater, exhibit hours are extended up to 10 PM. Mobile number: (0920) 470-0690.  E-mail: ccp.exhibits@gmail.com.

Why Do I Travel?

Why do I travel? Over three decades ago, you wouldn’t imagine me traveling the way I do now. Even during my Holy Week school break, when just about everybody was out in the provinces having a great 4-day vacation, I was spending mine at home.  So why do I do it? For many, it’s to fulfill a dream of seeing the world, for others it’s for education, earning a living, to prove to oneself you can do it or simply just for the hell of it.

Father and son on Mt. Makulot

Father and son bonding on Mt. Makulot

I did so when I was already married, and a father to boot, and I did it for the most fatherly of reasons – to show my autistic son Jandy the beauty of this country and world, through travel and immersion, and not imprison him to the confines of a home, school or, worse, a mental institution.

Contemplating my future on the Rockies of Mt. Makulot.  Who would Have thought I would be a writer?

Contemplating my future on the Rockies of Mt. Makulot. Who would have thought I would be a writer much less an author?

October 27 to 29, 1999 would be one of the few times father and son would be traveling alone, this time on a 3-day odyssey to circumnavigate Taal Lake, visit the Southern Luzon heritage town of Taal and culminate it with a climb up the 1,145 meter high Mt. Makulot, Batangas’ highest mountain.

Mt. Makulot, Batangas' highest mountain.  The campsite is on the mountain's shoulder on the left

Mt. Makulot, Batangas’ highest mountain. The campsite is on the mountain’s shoulder on the left

Being an architect, first and foremost, our visit to Taal town brought me, up close and personal, with some of the country’s Spanish and American-era vernacular architecture (churches, ancestral houses, historical buildings, etc.) and the need to preserve them as part of the country’s patrimony so that future generations would live to see and feel them the way we see and feel them today.  I also got to experience, firsthand, the deep religiosity of the Filipinos.

Taal's Basilica of St. Martin of Tours, the largest in the Far East

Taal’s Basilica of St. Martin of Tours, the largest in the Far East

A somewhat scary experience was our overnight stay in the town’s Casa Punzalan, an ancestral house converted into an inn.  We were the only boarders that night and the caretaker left early because he was feeling sick and locked us within for security, with our permission, of course.   That wasn’t the scary part.  The ghosts of Taal’s past being where we were was.   Thus, it was a great relief when the sun came out that morning and the caretaker unlocked the inn’s main entrance.

Jandy in front of the Chapel of Our Lady of Caysasay

Jandy in front of Taal town’s Chapel of Our Lady of Caysasay

The climb up the campsite on the Mt. Makulot’s shoulder, on the other hand, introduced us to the joys of mountaineering and camping.  It also showed me how unfit I was, huffing and puffing, as we went up the mountain, more so when I saw a woman carrying a heavy load of long bamboo stems and a man laden with two backpacks and an icebox full of soft drinks, all slung on a pick.  We never made it, past the campsite, to the peak that day, it already being very late in the day to do so.  However, we did so, four months later, on another climb with Jandy plus four other companions.

Casa Punzalan.  We stayed at the second floor corner room.  We survived the night.

Casa Punzalan. We stayed at the second floor corner room and survived the night here.

Barely three months after this memorable trip, I decided to write about this unique father and son bonding experience and sent the drafts of two articles to Ms. Rosario “Chato” Garcellano, travel editor of the Philippine Daily Inquirer (PDI). On January 20, 2000, a memorable day for me, my first article “Makulot Beckons” came out on newsprint.  I have become a travel writer!!! This was followed three months later, on April 2, by “Taal: The Grande Dame of Batangas.”

Jandy at our room in Casa Punzalan

Jandy at our room in Casa Punzalan

After two more PDI articles, I had a much longer stint as a travel writer for TODAY (now Manila Standard TODAY).  It was during this time that I decided to raise the bar a little higher and add additional feathers on my hat by becoming an author – compiling my four published PDI and 28 TODAY travel articles into a book entitled “A Philippine Odyssey: A Collection of Featured Travel Articles,” published by New Day Publishers in 2005.

A framed copy of "Makulot Beckons" - my first published article (PDI)

A framed copy of “Makulot Beckons” – my first published article (Philippine Daily Inquirer, January 20, 2000).  That’s Jandy on the upper left corner of the article

From all these firsts, came four more travel books on Boracay and Philippine churches (a favorite topic of mine), national shrines and museums; copy editing stints with two publishing houses; development of a travel website (Biyahero: A Philippine Travel Portal, www.biyahero.net) with 3 other friends, my own travel blog (B.L.A.S.T. – Benjie Layug: Adventures of a Savvy Traveler, www.benjielayug.com), more travel writing stints with different newspapers (I’m now with the Business Mirror) and magazines (COLORS, Business Day and 7107 Islands Magazine); lots of media invitations to cover and promote Philippine travel destinations; and now, an urge to travel, here and abroad, when the opportunity presents itself.

My first book “A Philippine Odyssey: A Collection of Featured Travel Articles.”  That's me with daughter Cheska on cover

My first book “A Philippine Odyssey: A Collection of Featured Travel Articles.” That’s me with daughter Cheska on cover

A love for churches awakened by my visit to Taal town inspired me to write this book

A love for old Philippine churches, awakened by my visit to Taal town’s two churches, inspired me to write this book

All these because a concerned father wanted to see his son break out of the prison we call autism.  At such a young age at that time, my son has packed in more adventure than what most people would experience in their lifetime. Today, though still classified as autistic, my wife and I have seen him graduate, one small step at a time, from grade school, high school and, finally, college where he finished two degrees – Multi-media Arts and Tourism Management.  He sometimes joins me in media familiarization tours as my photographer.

With my family at the launching of my fourth book, September 18, 2010, at SMX Convention Center

With my family at the launching of my fourth book, September 18, 2010, at SMX Convention Center

Talking about a life-changing experience, that 3-day moment in time when a father bonded with his son changed my life forever.  Today, Holy Weeks are no longer stay-at-home experiences.

Church of St. John of Sahagun (Tigbauan, Iloilo)

Just 5 kms. from Guimbal, I made my last stopover at Tigbauan where I visited its  old reddish coral and limestone church which was built, together with the convent, by Fr. Fernando Martin in 1867.  The convent was destroyed during the January 25, 1948 Lady Caycay earthquake.

Church of St. John of Sahagun

Church of St. John of Sahagun

Its facade has fine Spanish Churrigueresque stone carvings; a sustained crescendo rising from the elaborate Baroque main entrance arch (with a cherub with bent wings marking its keystone) upwards through its 3-storey height into cornice, keystones, pilaster and spandrels, prolix with whorls and scrolls following foliate and floral designs.  Its pilasters, reminiscent of Mexican estipites, are decorated with floral motifs.

The fine Spanish Churrigueresque facade

The fine Spanish Churrigueresque facade

The main entrance

The main entrance

The image of the Augustinian St. Nicolas of Tolentino, ensconced in an elaborately carved rectangular niche in the first tier, is flanked by pilasters embellished with flowers and upon it is a depiction of San Juan.

A cherub with bent wings marking the main entrance's keystone

A cherub with bent wings marking the main entrance’s keystone

The Augustinian motif

The Augustinian motif

The little image of the Holy Jesus (Sto. Nino) is on the following tier.  The finely carved Augustinian motif of the pierced heart and bishop’s hat, capping the exquisite masterwork of unknown artists, is surrounded by a retablo-like floral frieze which fills the central section.

The image of the St. Nicolas of Tolentino in an elaborately carved niche

The image of the St. Nicolas of Tolentino in an elaborately carved niche

The little image of the Holy Jesus on the following tier

The little image of the Holy Jesus on the following tier

A pair of little angles is located at the sides and floral designs rest on the base of the triangular pediment.  Behind its rectory was the first Jesuit school for boys in the Philippines established in 1592 by Fr. Pedro Chirino, S.J..

How To Get There: Tigbauan is located 22.48 kms. from Iloilo City, 4.8 kms. from Guimbal and 11.2 kms. from Oton.

Church of St. Nicolas of Tolentino (Guimbal, Iloilo)

About 20 kms. past San Joaquin and 8 kms. past Miag-ao, I again made a stopover at Guimbal where I visited its gorgeous and ornate church.  It was started by Augustinian Fr. Juan Aguado (parish priest from 1742 to 1744, 1753) using yellow sandstone/coral rock called igang quarried from Guimaras Island   Fr. Juan Campos (1769 to 1774) finished it by adding the half dome covering the segmental pediment as well as the paired columns with lintel.

The gorgeous Church of St. Nicolas of Tolentino

The gorgeous Church of St. Nicolas of Tolentino

The church was damaged during the July 13, 1787 earthquake, further enlarged in 1893 by Fr. Jose Orangren, burned in December 1895 and restored a month later by Fr. Agustin Llorente (who also built the current bell tower).  It was  also seriously damaged during the Japanese Occupation and the January 25, 1948 Lady Caycay earthquake.

Rosettes on the main entrance arch

Rosettes on the main entrance arch

The church’s facade has paired, rounded pilasters, with Corinthian capitals; archetypal, classic finials; Morrish-inspired spires; and a lintel that seems to support a half dome, which almost covers the segmental pediment.

Statued niche on the right

Statued niche on the right

Statued niche on the left

Statued niche on the left

The curved lines of the upper side wall starts from the ends of the lintel.  The semi-circular arched doorway, flanked by statued niches, has decorative, Asian-inspired rosettes following the outline of the arch.

The paired Corinthian pilasters

The paired Corinthian pilasters

 

Detail of Corinthian capital

Detail of Corinthian capital

The 4-storey bell tower, on the church’s right, has semi-circular arch windows on the square-shaped second and third storeys, and pointed arch windows on the hexagonal-shaped fourth storey.

The 4-storey bell tower

The 4-storey bell tower

The convent, built by Fr. Juan Campos in 1769, was destroyed during the 1948 Lady Caycay earthquake. Fronting the church is a beautifully manicured park while nearby is the new municipal hall as well as old municipal hall (Casa Real).

Side facade

Side facade

The Casa Real, the first municipal building of Guimbal, was also the site of the tribunal and a school.  Recently renovated, it now houses the Hall of Justice (Regional Trial Court, Municipal Circuit Trial Court, Guimbal Municipal Police Station and the Bureau of Fire Protection).

New Guimbal Municipal Hall

New Guimbal Municipal Hall

Old municipal hall (now Hall of Justice)

Old municipal hall (now Hall of Justice)

How to Get There: Guimbal is located 28.48 kms. (a 30 to 35-minute drive) from Iloilo City, 4.8 kms. from Tigbauan and 8 kms. from Miag-ao.

Taytay Boni (Miag-ao, Iloilo)

On your way to Iloilo International Airport, we again passed the town of Miag-ao.  Here, we made a short stopover at Taytay Boni, a Spanish-era bridge that once passed through a creek and connected Miag-ao with Guimbal, before the construction of the national highway.

Taytay Boni

Taytay Boni

Now enclosed within a small park, this stone bridge’s name was derived from the Ilonggo term taytay  (meaning “ bridge”) while “Boni” is the name of  its construction foreman and cantero-mayor (major carpenter) Bonifacio Neular.

DSC_0229

It was built in 1854 through forced labor, during the term of gobernadorcillo Miguel Navales. The large, yellow-colored coral stone slabs (tablea or tabreha) used for its construction were transported from Igbaras, located 5 to 6 kms. from the site, by means of karosas, sleds pulled by carabaos. Lime was used to hold the stone slabs together.

DSC_0230

The bridge was still passable before and after the World War II but was partly damaged during the January 25, 1948 Lady Caycay (magnitude 8.2) earthquake. The bridge now rests on dry land, a result of the ground opening up during the earthquake and sucking in large amounts of water. The bridge is located at Crossing Kamatis, about a kilometer from the town proper, between Brgys. Kirayan Sur and Igtuba.

How To Get There: Miagao is located 40.04 kms. from Iloilo City, 12.2 kms. from San Joaquin and 8 kms. from Guimbal.

Church of San Joaquin (Iloilo)

During the start of the Antique Heritage and Media Familiarization Tour, we passed by San Joaquin town on our way to Antique, making a short stopover at the town;s Spanish-era cemetery (Campo Santo) and its iconic mortuary chapel (capilla).

San Joaquin Church

San Joaquin Church

Too bad we didn’t make a stopover at its equally iconic, Spanish-era church, a listed National Cultural Treasure.  On our way back to Iloilo International Airport, I specifically requested our driver to make a slight detour to make a stopover there.

Statue of St. Francis of Assisi

Statue of St. Francis of Assisi

Statue of San Pedro Regalado, patron saint of bullfighters

Statue of San Pedro Regalado, patron saint of bullfighters

This church, the country’s most militaristic, was started in 1859 and completed in 1869 by Augustinian Fr. Tomas Santaren (parish priest from 1855-86) using gleaming white coral rock quarried from the shores of Punta Malagting, Brgy. Igcadlum in Igbaras town.

The Augustinian seal on top of the main entrance

The Augustinian seal on top of the main entrance

The church’s simple, three-level, old weathered stone facade has a central arched main entrance flanked by paired columns (which divide the rectangular sections into three segments) and the two statued niches of St. Francis of Assisi and San Pedro Regalado, the patron saint of bullfighters.

The single, tapering bell tower

The single, tapering bell tower

The choir loft level, decorated by two horizontally arranged niches and round central window, is set apart from the two levels by a simple architrave.  Ornamentation can be found in rosettes along the cornice and around the edges of the niches and capitals.

The triangular pediment

The triangular pediment

The church’s central attraction, however, is the fascinating high bas-relief sculpture of intricately carved (even the expression of agony by soldiers are visible) stonework spread on mosaic blocks (each carved and set in place) on its triangular pediment (with the statue of Our Lady of Sorrows on its top), entitled Rendicion de Tetuan. It was added halfway through construction by Fr. Santaren with the assistance of Spanish Engr. Felipe Diez and a Filipino (some say Chinese) carver.

The bas relief

The bas relief

Detail of bas relief

Detail of bas relief

Originally pigmented red, blue and yellow, it depicted the Battle of Tetuan (Morocco, 1859), part of the Spanish-Moroccan War of 1859-1860, in which Spanish troops under Prime Minister  Leopoldo O’Donnell, 1st Duke of Tetuan,  defeated the Moorish troops of Moroccan Crown Prince Muley Abbas and recaptured the Spanish city of Tetuan on February 6, 1860.

Plaque

Plaque

Black soot covers many areas of the facade, a result of the January 29, 1943 fire ordered by Col. Macario Peralta to prevent the church from being used by the Japanese. The church was also heavily damaged during the January 25, 1948 Lady Caycay earthquake.

The church's interior

The church’s interior

Spanish infantry and cavalry are shown breaking the Moorish defense against a backdrop of minarets and date palms.  It is a larger than life depiction of the struggle between Christians and the Moros of Mindanao and Sulu.  Inside are three carved limestone retablos.  The sprawling ruins of the convent have an oval well and a kiln for baking bread.

How To Get There: San Joaquin is located 53.5 kms. from Iloilo City and 12.2 kms. from Miag-ao.

San Jose de Buenavista (Antique)

On our way back to Iloilo, we entered the Antique provincial capitol of San Jose de Buenavista to drop off Leah at her residence.  Along the highway, as we were about to enter the town proper, we passed by the ruins of the old San Pedro Church.

San Jose de Buenavista

San Jose de Buenavista

San Pedro Church Ruins

San Pedro Church Ruins

Locally called Lumang Simbahan (“old church”), it was built by Augustinian friars during the Spanish era. This 77 m. long and 14 m. wide, Latin cross-shaped church has 3 gates.  According to legend, the church was burned by the pet monkey  of a priest.  The church  remains unrestored to this day.

Provincial Capitol

Provincial Capitol

Evelio B. Javier Freedom Park

Evelio B. Javier Freedom Park

We soon entered the capitol proper and made a short stopover there.  In front of the Antique Provincial Capitol building is the EBJ Freedom Park, named in honor of the late Gov. Evelio B. Javier who was assassinated on February 11, 1986 by an unknown assassin. A marker here marks the spot of his assassination.

Museo Antiqueno (Old Provincial Capitol Building)

Museo Antiqueno (Old Provincial Capitol Building)

Nearby is the old, American-era Provincial Capitol building, now the Museo Antiqueno.Operated by the Binirayan Foundation, Inc. (BFI) and was inaugurated on April 27, 2007, this museum houses the Lola Masing Center for Culture and Peace, a multimedia resource facility that provides learning and instructional materials and services on culture, gender and peace studies, as well as  the memorabilia of the late governor Evelio B. Javier at the EBJ Gallery.

How to Get There: San Jose de Buenavista is located 97 kms. (a 2.5-hr. drive) from Iloilo City.

Dinner at Ucoy Beach Resort (Libertad, Antique)

After watching the sunset at Pucio Point, we boarded the big motorized outrigger boat bound for the 45-min. trip to the charming, 3-star Ucoy Beach Resort, along Libertad Bay.  Our boat landed at the beige sand Sulu Beach in front of the resort. At a picnic shed along this beach, the LGU of Libertad treated us to a dinner of tinolang manok, beef steak tagalog, grilled talakitok with vignarette and chicken afritada.

Check out “Resort Feature: Ucoy Beach Resort”

Dinner by the beach

Dinner by the beach

The resort is a popular choice amongst business travelers and tourists in Antique, whether they’re exploring or just passing through.  Its patio has views of Libertad Bay, the garden, swimming pool or lake.

The fire hoop performance

The fire hoop performance

After dinner, we were treated to a fire performance show, a very dangerous but popular fire-oriented performance art that involves manipulation of objects on fire.  Avic Magsipoc and Joon Dejuan Alonsagay, both performers at Boracay’s West Cove, regaled us with the fire hoop, swinging flaming tethered weights through a variety of rhythmical and geometric patterns.

Watching the performance up close

Bravely watching the performance dangerously up close

Its performance in the dark, choreographed to music, produced a dramatic effect that enthralled us, as well as the Libertadnon crowd and resort guests present.  Clelia and I, as well as some resort guests, even watched it performed up close, with the flaming hoops just inches from our faces. They also did fakir skills such as body burning and fire breathing.  After this performance, we said goodbye to and thanked our Libertadnon hosts, boarded our van and returned to Pandan Beach Resort for a well-deserved rest.

Members of media with resort owner

Members of media with resort owner Ms. Lucia D. Schotz

Ucoy Beach Resort: Brgy. Union, Libertad 5710, Antique.  Tel: (036) 278-1681. Mobile number: (0907) 640-2418 and (0919) 594-9451. E-mail: info@ucoybeachresort.com. Website: www.ucoybeachresort.com.  It is located 19.5-kms. (a 1 hr. drive) from Brgy. Caticlan (Malay), and 52.8 kms. (a 2-hr. drive) from Kalibo, both in Aklan.

Sunset Viewing at Pucio Point (Libertad, Antique)

From our spelunking tour of Maanghit Cave, we again returned to Libertad town proper on our van but, instead of dropping down, we were just handed bilaos of kakanin and then proceeded on our way to Pucio Point, where, hopefully, we could make it in time to catch the sunset.  The westernmost point of Panay Island, Pucio Point is located at the Libertad-Buruanga (Aklan) border.

Pucio Point

The author at Pucio Point

The 13 km. travel distance seemed short but we would be traveling along a very narrow and dusty barangay road along the coast.  Again, our motorcycle escorts led the way to make sure there wouldn’t be any road delays, and Tony Liakhovetsky hitched a ride with one of them.

The colorful drum and lyre marching band

The colorful drum and lyre marching band

The Flores de Mayo-like parade

The Flores de Mayo-like parade. I noticed the discrepancy in heights

Just the same, unavoidable delays do happen but it came in the form of a delightful Flores de Mayo-like parade of children, the pairs of boys (some shorter than the girls they’re escorting) and girls of which were dressed in barong tagalogs and evening gowns, respectively.  Leading the way was a children’s drum and lyre marching band, all suitably dressed in striking blue and white uniforms.  We waited for them to pass us by before continuing on our way.

The view deck at Pucio Point

The view deck at Pucio Point

An array of kakanin from Brgy. Tinigbas

An array of kakanin from Brgy. Tinigbas. These were brought to Pucio Point

We arrived at the Pucio Point with still some time to spare, giving us enough time to feast on the kakanin which we brought along, washed down with fresh buco juice as well as bottles of ice tea and water. Below us, a large, motorized outrigger boat was moored along the shore. We were in for a beautiful sunset as there were only a few clouds on the horizon to block the view.

The magnificent sunset at Pucio Point

The magnificent sunset at Pucio Point

Flord in a U.P. Oblation pose, sihouetted against the setting sun

Flord in a U.P. Oblation-like pose, sihouetted against the setting sun

Pucio Point has two huge rock formations with the concrete viewing deck built on top of the nearer of the two to the shore.  As such, the second rock formation in front of the view deck provided an interesting foreground subject that complements the beautiful sunset in the background.  Flord made the great effort to climb down the view deck, wade across and then climb up this rock formation just to pose on top, with the setting sun behind his back.