Category Archives: Architecture

Xingtian Temple (Taipei City, Taiwan)

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After checking in at our hotel room and freshening up a bit, Jandy and I went out for lunch, bringing our jackets as it was drizzling when we arrived in Taipei.  After changing a US$100 note for New Taiwan Dollars at Taipei Fortune Hotel (the banks were closed it being a Saturday), we walked along Song Jiang Road to Changchun Road where, near the corner, we dined on burgers at a MacDonald’s outlet.

Xingtian Temple as seen from Song Jiang Road

Thus sated, we started our own tour of the city, walking back to Song Jiang Road, past our hotel, towards Minquian East Road, where the 7,000 sq. m. Xintian Temple (and an MRT station) is located.   This relatively new temple (also called Hsing Tien Kong or Shingtien Temple), built in 1967, is one of the biggest and most popular (visitors sometimes number more than 20,000 a day) temples in Taipei.

Entrance to Xingtian Temple

The temple is dedicated to Guan Yu or Guan Gong (162-219 A D ), a famous general who lived  during the Three Kingdoms period (184-280 AD) and an important character in the Chinese classic Romance of the Three Kingdoms.  A man who valued loyalty and righteousness above all things, Guan Gong was later deified and worshiped as the God of War (and, by extension, of martial arts).  Since he had a gift for strategy and tactics and was also adept at managing finances, Guan Gong is also worshiped as the patron deity of businessmen and merchants.

Main building of Xingtian Temple

It being a weekend, this  simple and dignified temple’s courtyard was filled with with crowds of worshipers bowing their heads, burning incense or kneeling in devotion, praying for help or seeking divine guidance by consulting oracle blocks.  Sculptures of dragons feature prominently in this temple’s design.  Its soaring, ship-prow roofs are adorned with carved dragons.

The unusual censer (incense urn)

At the front courtyard of the hall, we noticed a censer (incense urn) with 2 handles in the shape of golden-winged dragons clinging to each side, a somewhat unusual design, with its 2-tiered metal canopy adorned with a horde of dragons’ heads stretching toward the sky.

A long table with offerings

On the main altar, we saw long tables with offerings of fresh flowers, fresh fruit (pineapples, bananas, apples, etc.), migao (a sticky, slightly sweet rice cake) and tea from the faithful.  The temple forbids the killing of of animals as offerings;  discourages the burning of ritual paper money (or “ghost” or “spirit” money) as an offering to the deities and the spirits of the deceased; the staging of operas for the gods; the presenting of gold medallions in gratitude to the deities; and the like. Candles are supplied for free to worshipers and there is no donation box (a first for traditional religion in Taiwan). After the gods have partaken of the offering’s essence, these are eventually given to the needy.

Statue of the red-faced, black-bearded Guang Gong

Among a pantheon of Chinese deities is the easily identifiable statue of the black-bearded, red-faced Guan Gong.  In his youth, the face color of this defender of the weak was said to have been given to him  by an immortal as a disguise after he killed a local bully. Along the hallways of the temple are elderly seated nuns, in  blue robes, reading scriptures.

Blue-robed nuns reading scriptures

People also stand in line to get blessed by these blue-robed nuns who wave incense onto the clothes of visitors in the practice of shoujing (which restores souls that have left the body in a frightened state).  These nuns, who tend to the day-to-day operation of the temple, also hand out incense sticks.

A nun blessing a worshiper

We missed visiting the “Street of Fortune Telling ,” the famous psychic alley located at the underground pedestrian passage  under the Song Jiang-Minquan intersection, filled with numerous fortune telling stands.  These fortune tellers, who do a brisk trade taking commercial advantage of the temple’s popularity, offer answers to troubled people or discuss the future.

 Xingtian Temple: No. 109, Section 2, Minquan East Rd., Zhongshan District, Taipei, Taiwan.  Tel: (+886-2) 2503-1831 and (+886-2) 2502-7924.

How to Get There: Take the THSR (Taiwan High Speed Rail) or TRA to Taipei Station, transfer to the MRT to Xingtian Temple Station.  Go out Exit 3, then turn right.  The temple is on the other side of a crossroad. You can also take the 5, 33, 49, 63, 72, 74, 214, 222, 225, 283, 285, 286, 505 or 617 bus to Xingtian Temple Stop.

Marina Bay Sands SkyPark (Singapore)

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The next day was to be my niece Jaja’s wedding day but, since it was to be held in the late afternoon, Jandy and I still had the whole morning for sightseeing. After breakfast at our hotel, we took a taxi to the 20-hectare Marina Bay Sands, an integrated resort fronting Marina Bay officially opened last June 23, 2010, after a partial opening (which included the casino) on April 27.  Designed by Moshe Safdien Architects (with Aedas Singapore as the local architect of record),  its engineering was provided by Arup and Parsons Brinkerhoff (which had originally worked on such prestigious projects such as the Beijing National Aquatics Center and the Sydney Opera House) and the main contractor was Ssanyong Engineering and Construction. The resort’s architecture as well as major design changes along the way were also approved by the late Master Chong Swan Lek and Master Louisa Ong-Lee, its feng shui consultants.

Marina Bay Sands

Developed by Las Vegas Sands, this S$8 billion (including cost of the prime land) casino is billed as most expensive stand-alone atrium casino in the world, with 500 tables and 1,600 slot machines.  However, we were not visiting for the gambling.  Rather, we were there for the 360-degree Singapore skyline view atop its 340m-long (stretching longer than the Eiffel tower laid down or four and a half A380 Jumbo Jets), 1-hectare and 3,900-pax SkyPark, a sky terrace which connects the three 55-story hotel towers and is set on top of the world’s largest, gravity-defying public cantilevered platform, overhanging the north tower by 67 m..

Marina Bay Sand’s atrium lobby

Aside from housing the world’s largest casino, the resort features a 2,561-room hotel, a 1,300,000-sq. ft. (120,000 m2) convention-exhibition center, the 800,000 sq. ft. (74,000 m2) The Shoppes at Marina Bay Sands mall (with over 300 stores and F&B outlets), the 200,000 sq. ft. (19,000 m2), lotus-shaped ArtScience Museum located next to the three blocks (currently featuring “Titanic: The Artifact Exhibition”), two large theaters (the 1,680-pax Sands Theater and the 2,155-pax Grand Theater), two floating Crystal Pavilions (the 2nd houses the world’s largest Louis Vuitton boutique) and a 6,500 sq. ft. (600 m2) indoor ice skating rink (which uses artificial ice). There are also 7 “celebrity chef” restaurants (6 within the Shoppes) – Cut, Waku Ghin, Pizzeria and Osteria Mozza, Guy Savoy, DB Bistro Moderne, Santi and Rasapura Masters.

The lotus-shaped ArtScience Museum

Upon arrival, we entered the hotel’s huge atrium lobby, decorated with tall Christmas trees, and walked some distance to the SkyPark Box Office located at the Basement 1, Tower 3. After purchasing our entry tickets here, we proceeded to the porte cochere area outside the Tower 3 and took the elevator to 57th floor where the SkyPark is located. The SkyPark is also home to the world’s longest elevated outdoor swimming pool, perched 191 m. above  ground and with a 146-m. (478-ft) vanishing edge. However, we missed out to view the pool (as well as its lush gardens and rooftop The Sky on 57 restaurant) as it is available only to 50 observation deck guests that have registered for the 15-min. guided tours (available at 10 AM, 2 PM and 9 PM only). The pools were made with up to 422,000 pounds of stainless steel and can hold 376,500 gallons (1,424 cu. m.) of water.  Within the observation deck is the KU DÉ TA nightclub.

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The day, though slightly overcast, still afforded us a spectacular, unforgettable panoramic view, from 10 observation deck view points, of Singapore’s Central Business District, the Merlion, Old Supreme Court Bldg., New Supreme Court Bldg., City Hall Bldg., Esplanade, St. Andrews Cathedral, Float @ Marina Bay, Helix Bridge, the Singapore River, the Formula One pit building and racetrack, the Padand (Singapore Recreational Club and Cricket Club), Marina Barrage, East Coast Parkway, Benjamin Sheares Bridge, Changi Airport control tower, the Singapore Flyer (an observation wheel), Nicoll Highway, Little India, Sentosa Island, Singapore Port and, beyond, Kusu Island and Indonesia’s Batam Island.  Just below are the resort’s theaters, the Event Plaza, the Crystal Pavilions, the  Sands Expo and Convention Center, the ArtScience Museum, the Marina Bay Sands casino and The Shoppes at Marina Bay Sands.

The Singapore skyline

Marina Bay Sands SkyPark: Open daily, 9:30 AM-10 PM (11 PM on Fridays, Saturdays and Sundays). Admission Fee: S$20 for adults, S$14 for children (aged between 2–12 years) and S$17 for senior citizens (aged 65 years and above).  Children under 2 years of age may enter for free. Ticketing Hotline: +65 6688 8826

Chinatown District (Singapore)

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From Tanjong Pagar, we crossed over to the Chinatown district via South Bridge Rd.  This traditional Chinese precinct is bounded by South Bridge Rd., Kreta Ayer Rd., New Bridge Road and Upper Cross St..  South Bridge Road is unique, being an example of Singapore’s multi-racial and multi-religious community, with the Sri Mariamman Temple (1827), Jamae Mosque or Masjid Chuliam (1830), Fairfield Methodist Church and  Buddha Tooth Relic Temple and Museum (2007) are all located here.

South Bridge Road

In 1843, the area was leased or granted to the public for the building of shophouses, many of which doubled as shops, warehouses, family quarters and workers dormitory.  They display strong Fujianese, Teochew and Cantonese influence.  Today, relatively little has changed with the original buildings in the area.

Colorful Chinatown Shophouses

Jandy and I first visited the Buddha Tooth Relic Temple and Museum. This S$62 million temple, its architectural style based on the Tang Dynasty, was built in 2007 to house the tooth relic of the historical Buddha found in 1980 in a collapsed stupa in Myanmar.

Buddha Tooth Relic Temple and Museum

Sri Mariamman Temple, with its landmark ornamental tower entrance (gopuram), is the oldest Hindu temple in Singapore.  More popularly known as Mariamman Kovil or Kling Street Temple, it was first built in 1827 by immigrants from the Nagapatnam and Cuddalore districts of South India.  However, unlike my first visit here in 1992, I wasn’t allowed to take pictures inside.

Sri Mariamman Temple

In 1843, the temple was rebuilt in plaster and brick and, in 1962, a new temple structure with intricate sculptural works reminiscent of temple architecture in India was built. The original gopuram, built in the late 1800’s, was rebuilt in the 1930s and, in the 1960s, was repaired and restored with elaborate proliferation of sculptures.

Jamae Mosque

The nearby Jamae Mosque, on the other hand, was built in 1826 by the Chulias (Tamil Muslims). Its unique architectural style is eclectic. The entrance gate is distinctively South Indian while the 2 prayer halls and the shrine are in the Neo-Classical style typical of George Drumgoole Coleman. The mosque was gazetted a National Monument on 29 November 1974.

Chinatown Heritage Center

Kreta Ayer, considered by many to be the heart of Chinatown, houses the Chinatown Heritage Center, Chinatown Night Market and Chinatown Food Street.  The newly-restored Chinatown Heritage Center, occupying 3 shophouses along Pagoda St.,  houses memories and untold stories of Singapore’s early forefathers. The Chinatown Complex, along Smith Street, houses a wet market and shops selling sundry goods. At its second floor food center, Jandy and I indulged in some authentic Singaporean hawker food fare for lunch.

Trengganu Street

Shophouses do not have a single classification, combining different elements of Baroque and Victorian architecture with narrow wooden jalousies (often with adjustable slats) and decorative fanlights over the windows and pilasters, balconies and plasterwork seemingly Mediterranean in flavor.  Many of them are painted in a variety of different pastel colors. Trengganu St. (converted into a pedestrian mall transformed into a night market after dark), Pagoda St. and Temple St. as well as development in Upper Cross St. and the houses along Club St. are examples of this type of architecture.

Buddha Tooth Relic Temple and Museum: 288 South Bridge Rd., Singapore 058840. Tel: 6220 0220. Fax: 6220 1261. Open daily, 7 AM-7 PM.  E-mail: services@btrts.org.sg.  Website: www.btrts.org.sq.

Tanjong Pagar Conservation District (Singapore)

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After a Big Mac lunch at a nearby MacDonald’s outlet and a short nap at our hotel room, Jandy and I started our own walking tour of the city. The Amara Hotel Singapore was within walking distance to the Tanjong Pagar Conservation District, along the fringes of Chinatown and Raffles Place.  Characterized by soaring skyscrapers and rows of exquisitely preserved pre-World War II shophouses, it is bounded by Neil Rd., Maxwell Rd., Peck Seah St., Wallich St., Tanjong Pagar Rd. and Craig Rd..  This was first in our itinerary.

Tanjong Pagar Street

This historic district was formerly a Malay fishing village and, from the mid 19th century, an enclave for thousands of immigrant Chinese  and Indian dock workers (Tanjong Pagar was where Singapore’s waterfront used to be before reclamation). It was also once the lucrative center of operations for rickshaw pullers awaiting clients and their presence was so prevalent that, in 1904, the government established a Jinricksha Station, Singapore’s last reminder of the once ubiquitous rickshaw, at the junction of Tanjong Pagar Rd. and Neil Rd..

Jinricksha Station

On July 7, 1989, Tanjong Pagar became the first area to be gazetted under the Singapore government’s conservation plan. Many of the area’s more than 200 2 and 3-storey shophouses of the Early, Transitional and Late Shophouse Styles, built between 1870 and 1940, were beautifully restored to their original appearance. Today, it has become a fashionable district, her rows of shophouses filled with thriving businesses such as cafes, bars, a large number of bridal saloons and restaurants.

Duxton Hill

The slopes of Duxton Hill was the site of a 13-hectare nutmeg plantation owned by Dr. J.W. Montgomerie (1797–1856), who was an Assistant Surgeon in the service of the Government.  Upon his death, the land was auctioned off and 14 acres went to Syed Abdullah bin Omar Aljunied, an Arab who divided them into 4 lots which were leased to wealthy Straits Chinese developers who, by the 1890s, had built 2 and 3-storey shophouses.

Shophouse Windows

The earlier shophouses, of Chinese design, feature low, squat proportions and minimal ornamentation while later ones combined colonial and ethnic elements such as Chinese panel frescoes and Malay timber fretwork.

Vinanmek Mansion (Bangkok, Thailand)

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Included in the admission ticket to the Grand Palace was free entry to the Vimanmek Palace (also called the Vimanmek Teak Mansion), at the Dusit Palace Complex, and we next proceeded there.  The world’s largest building made of golden teak, its elaborate style reflects a unique blend of Victorian and delicate Thai architecture. The mansion is one of 16 mansions or residential halls (out of 20) in the complex that can be visited by tourists.

Vinanmek Mansion

A former royal palace, it was built in 1900 by King Chulalongkorn (King Rama V, 1868-1910), a few years after his return from Europe in 1897, using his personal money to purchase orchards and paddy fields between Padung Krungkasem Canal and Samsen Canal for the construction of a royal garden which he named the Dusit Garden. Vimanmek Mansion was the first permanent residence there.  Upon its completion, King Rama V then transferred here from the Grand Palace and stayed for 5 years until the completion of Amporn Satan Residence in 1906 (where he live until his death). Vimanmek Mansion was then closed down and members of the royal family moved back to the Grand Palace. In 1982, it was renovated and converted into a museum.

Octagonal Wing Where King Rama V Resided

This 72-room building has 2 right-angled wings, each 60 m. long and 20 m. wide. It is 3-storeyed except for the octagonal part, where King Rama V resided, which has 4 storeys.  Although the ground floor is brick and cement, the upper floors are made with beautiful golden teakwood.

Entrance Stairway to Vinanmek Mansion

Before touring, we had to put all our belongings in a locker (same as in the Jim Thompson House).  It was also a shame we can’t take photos inside.  Before entering, we also had to remove our shoes and wait our turn.  The mansion was a veritable museum that displays the king’s photographs, art and artifacts that commemorate his royal visit to Europe.  We also viewed an exhibit of Thai handicrafts in 31 exhibition rooms, some of which maintain the atmosphere of the past, especially the bedrooms, the Audience Chamber and the bathrooms. Some rooms display silverware, ceramics, glassware and ivory.

Vinanmek Mansion: Ratchawithi Rd., Dusit, Bangkok, Thailand.  Tel: +66 2 628 6300 Ext. 5120-5121.  Fax: +66 2 628 6300 Ext. 5136.  Website: www.vinanmek.com.

Grand Palace (Bangkok, Thailand)

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On our third day in Bangkok, we availed of a tour from the travel agency at the hotel, of the fabulous Grand Palace (Phra Borom Maha Ratcha Wang), the gem of Bangkok’s impressive collection of temples and palaces, and its adjoining Wat Phra Kaew (Chapel Royal of the Emerald Buddha), Thailand’s most important temple. This would the first for Jandy and Cheska. After breakfast at the hotel, we were picked up at the hotel lobby by a good English-speaking guide (he seemed to be of Indian ancestry) and driven to the palace in a sedan.

Marching Soldiers Entering the Palace Gate

We arrived at the palace just when a troop of marching soldiers, dressed in colorful ceremonial uniforms, were entering the gate along Na Phra Lan Road, on the north side, to the palace’s Outer Court and we followed at their heels.  The weather was sunny but extremely hot. Whether you take a guided tour or not, the route through the  complex is more or less fixed, with the Wat Phra Kaeo first and the Grand Palace last.

Grand Palace’s Outer Court

Nowadays, the Grand Palace, the official residence of the king of Thailand from the 18th century to the mid-20th century, is used only for occasional ceremonial purposes and is no longer the royal residence as King Bhumibol (Rama IX) lives in Chitralada Palace (closed to tourists) which is located not too far away in Bangkok’s Dusit district, near Dusit Zoo. However, the interiors of most of the buildings in the Grand Palace remain closed to the public.

Wat Phra Kaeo Entrance Guarded by 2 Yakshis (mythical giants)

Sitting on the eastern bank of the Chao Phraya River, this complex of of shrines, temples, royal halls and apartment buildings, despite their proximity, have a distinct contrast in style, the Grand Palace being European-inspired in architecture  (the roof being the exception) and the Wat Phra Kaew very Thai.  It covers 218,400 sq.m. and is surrounded by a 1,900 m. long wall.

Wat Phra Kaeo

The 94.5-hectare (234-acre) Wat Phra Kaeo, built in 1782 during the reign of King Rama I, has a roof embellished with polished orange and green tiles, pillars inlaid in mosaic and pediments made of rich marble. The temple houses the small (45 cm. tall), beautiful, gold-clothed and greatly revered Emerald Buddha, carved from a block of fine green jade (instead of emerald) sitting on a high throne under a golden filigree canopy. As in all Thai temples, we were required to remove our shoes or sandals before entering.  Bare feet are not allowed either. We also weren’t allowed to take pictures inside.

A Gallery Filled with Murals

In the middle of the complex is the Phra Mondop, a library built in Thai style by Rama I.  It houses elegantly carved, Ayutthaya-style mother-of-pearl doors, bookcases with the tripitaka (sacred Buddhist manuscripts), human-and dragon-headed nagas (snakes), and images of Chakri kings.

Phra Mondhob

Enclosing this temple complex are galleries with typically Thai murals that feature lovely paintings depicting 178 unbelievably vivid and detailed scenes from the Indian epic Ramayama (Ramakien in Thai) that show the heroic tale of Rama of Ayodhya and his war against the giant Ravana, king of Lonka.

Phra Sri Rattana Chedi

The Upper Terrace has 4 main monuments: the Phra Sri Rattana Chedi, the Repository of the Canon of Buddhism, the Prasart Phra Dedidorn (the model of Cambodia’s Angkor Wat presented to King Mongkut)  and the Prasat Phra Thep Bidon.  The Phra Sri Ratana Chedi, located west of Wat Phra Kaeo, is a 19th century stupa built in Sri Lankan style.  It enshrines the ashes of the Buddha.

Prasat Phra Thep Bidon

The Prasat Phra Thep Bidon (Royal Pantheon), crowned with a high filigree prang, contains the relics of the previous kings of the Chakri Dynasty.  It has lovely kinnara (half man, half bird) statues up front.

Chakri Maha Prasat Hall

The Grand Palace has two groups of residences: the Chakri Maha Prasat Hall and the Phra Maha Monthian. The Italian Renaissance-influenced Chakri Maha Prasat Hall, built in 1882 by King Chulalongkorn (Rama V), is a remarkable mixture of European and traditional Thai styles. Each wing has a shrine (mandap) crowned by a spire and has 3 prangs instead of domes.  This palace houses elegant staterooms and an exhibition of the royal weapons collection at the ground floor.

The Phra Maha Monthian consists of the Amarin Winitchai Audience Hall  and the Paisal Taksin Hall which features the monarchy’s coronation chair.  The Amarin Winitchai Audience Hall was where court ceremonies took place before the throne. It has a very interesting 4-tiered roof and a very pretty pavilion in front of it (Amporn Phimok Prasad).

At the eastern end is the Borombhiman Hall, built in the French architectural style.  Formerly the residence of King Rama VI, it is now used as guest house for visiting foreign dignitaries.

Borombhiman Hall

Grand Palace and Wat Phra Kaew: Open daily, 8:30 AM-4:30 PM.

How to Get There: take bus 44, 47 and 91 and drop off at Thaiwang Road, between Wat Pho and Wat Phra Kaew. You can also take bus 1, 25, 44, 47, 82 and 91 and drop off at Maharat Road, west of Wat Phra Kaew. North of Wat Phra Kaew, on nearby Sanam Luang, you can also take bus 3, 15, 30, 32, 43, 44, 59, 64, 70, 80, 123 and 201 as well as airconditioned bus 6, 7, 12, 39 and 44.  The Tha Chang river express boat stop is also very near.

Chao Phraya River Cruise (Thailand)

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After our Wat Phra Mongkhon Bophit tour in Ayutthaya Historical Park, we all returned to our coach and were all brought to Potangtai Pier near Bangsai (the royal folk arts and handicrafts center) for the start of our 2.5 hr. Chao Phraya River cruise from Ayutthaya back to Bangkok on board the modern and luxurious cruiser Grand Pearl.  From Ayutthaya, we would be passing through Pathumthani and Nonthaburi provinces before arriving in Bangkok.

The Grand Pearl

On board, we were in for a late but delicious buffet lunch of mostly spicy Thai and international cuisine served within the luxurious confines of the cruise boat.  All 4 of us sat in a comfortable, u-shaped booth beside a large viewing window.

Dining, Buffet-Style, on Thai Cuisine

Throughout our lunch, we watched the scenery along the banks Chao Phraya River banks within the refreshing airconditioned cabin lounge.  By 3:30 PM, midway through our cruise,  a refreshing beverage of tea or coffee and cookies were also served to the guests.

The Airconditioned Cabin Lounge

After our filling lunch, some guests proceeded to lounge at the wooden sun deck  at the front of the cruiser while the majority, including us, opted to remain in airconditioned comfort at the cabin lounge.

The Sun Deck of the Grand Pearl

Sometimes, I would also go up the sun deck, amidst the fresh cool tropical air and warm, afternoon sun, to get an amazingly clearer view of the life of the inhabitants that dwell along the river and the unforgettable scenery of children as they greet the visitors going by.

Houses Mounted on Stilts

We would watch various kinds of river craft, from barges, smaller wooden pleasure cruise boats to traditional, long-tail boats, their engines invariably mounted on an inboard, turret-like pole which can rotate through 180 degrees, allowing steering by thrust vectoring.

Long-Tail Boats

The architectural scenery also varies; from simple houses on stilts to modern villas, to modern medium-rise (Mandarin Oriental Hotel) and high-rise (The Peninsula Bangkok) hotels, from traditional Thai temples (the graceful Wat Arun,  Wat Kanlayanamit, Wat Rakang Khosittaram, Wat Pathum Khongkha) to old Roman Catholic churches (Church of the Holy Cross) and from magnificent palaces (Grand Palace, Bang Khunprom Palace, etc.) to engineering marvels (King Rama VIII Bridge).

Royal Barge Museum

The Royal Barge Museum, on the banks of the Bangkok Noi Canal , is a huge boathouse that displays 8 finely-crafted Thai royal barges (including 4 for the king). The majestic Suphannahongsa (“golden swan,” the personal barge of the King, carved out of a single teak tree trunk, was completed in 1911.

King Rama VIII Bridge

The asymmetrical, cable-stayed, 2.45 km. long (including approach spans) Rama VII Bridge, opened on September 20, 2002, has a single, inverted Y-shaped tower, a sleek superstructure and gold-colored suspension cables arranged on single and double planes.

Bang Khun Phrom Palace (Bank of Thailand Museum)

The Baroque cum Art Nouveau Bang Khun Phrom Palace, the former residence (until 1932) of HRH Prince Paribatra Sukhumbhand, the 33rd son of King Chulalongkorn (Rama V), now houses the Bank of Thailand (BOT) Museum. The museum has 14 rooms many of which display the history of Thai currency and the Bank of Thailand.

Wat Arun

Wat Arun, recognizable by its central, 66.8 m. high prang (Khmer-style tower) topped with a 7-pronged trident, was started in 1809.  It is called the “Temple of the Dawn” because the first light of morning reflects off the surface of the temple with a pearly iridescence.  By the side of the river are 6 Chinese-style pavilions made of green granite and containing landing bridges.

Wat Rakang Kosittaram

Wat Rakang Kosittaram (Temple of the Bells), built during the Ayutthaya period, was later reconstructed and upgraded as a Royal Temple by King Taksin. The main features of the temple is the bell tower whose bells gave the name temple the name “Rakang” (Thai for “bell”).

Wat Kalayanamit

The massive, mid-nineteenth century  Wat Kalayanamit is well known for its 15.45 m. high and 11.75 m. wide Phra Buddha Trai Rattana Nayok (Luang Po To), called Sum Po Hud Kong in Chinese, which is Bangkok’s biggest Buddha image.

Sunanthalai Building (Royal Seminary)

The elegant, century-old Neo-Classical Sunanthalai Building, within the compound of Rajini School (the first girl’s school operated by Thais, founded by Queen Saowapa), was built  by King Rama V in memory of Queen Sunantha Kumariratana who drowned in the Chao Phraya River  on May 31, 1880.  It was restored after a fire in 2005.

Church of the Holy Cross

Nestled among old houses on the river banks and newer buildings inland, recognizable by its reddish dome, is the Church of the Holy Cross (Santa Cruz Church), one of Bangkok’s many old Catholic churches.  First built in wood in 1770 during the reign of King Taksin (1867–1782), it was rebuilt in 1835.  The present church, built in 1916, was designed by Italian architects Annibale Rigotti and Mario Tamagno.

River City Shopping Complex

Other sights along the river include  Thammasart University (Tha Prachan Center), Pom Pra Athit, and the Holy Rosary Church (the oldest Catholic Church in Thailand, also known as Wat Kalawar).  Our cruise ended when we docked at the River City Shopping Complex Pier, Si Phraya in Bangkok by 5 PM.  Altogether, it was a worthwhile experience.

Grand Pearl Cruises: 19/394 Chaovalitr Village, Rimklong Bangkor Rd., Chomthong, Bangkok, Thailand.  Tel: 084-1361199 and 081-9005429.

Wat Phra Mongkhon Bophit (Ayutthaya, Thailand)

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From the ruins at the Ayutthaya Historical Park, we moved on to the Wat Phra Mongkhon Bophit, southwest of Phra Si Sanphet and south of the Royal Palace ruins. As with any temple visit, we were required to remove our shoes.  What is remarkable here is the gigantic Phra Mongkhon Bophit (Buddha of the Holy and Supremely Auspicious Reverence), the Ayutthaya bronze Buddha installed in the viharn. It is similar to the Ayutthaya-style bronze Buddha in Wat  Phanan Choeng at the southeast corner of old Ayutthaya.

Phra Mongkhon Bophit Temple

The bronze Buddha, one of the largest in Thailand, was sculpted in 1538 during the reign of King Chairacha (r. 1534-1547) at Wat Chi Chiang Sai. It had previously been damaged by lightning and was restored in the Rama V period. The vihara building we see today was rebuilt during the rule of Field Marshal Phibunsongkhram in the early 20th century.”  Its Buddha was previously enshrine in a mandapa (square-roofed structure). However, during the reign of King Sua (r. 1703-1709), it was recorded that when lightning struck the spire of this building, the roof caved in and the bronze head broke off.

Phra Mongkhon Bophit

King Sua had the mandapa demolished and a new tall preaching hall built.  The vihara and the image were badly destroyed by fire during the fall of Ayutthaya in April 1767. The roof of the vihara was damaged and the head and the right arm of the image were broken. In 1920, the broken head and right arm were repaired by Phraya Boran Rachathanin during the reign of King Rama VI. In 1931, another restoration took place with the financial support of Khunying Amares Sombat.  During restoration works on the statue in 1955, a quantity of Buddha images were found on the left shoulder of Phra Mongkhon Bophit. These images can now be seen at the Chao Sam Phraya National Museum.

The Prime Minister of Burma on official visit in Ayutthaya in 1956 gave a donation for the restoration of the vihara. The vihara was finalised in 1957, but not with the same beautiful craftsmanship of the former one.  The statue of Phra Mongkhon Bophit was covered with gold leaf in 1992 by the Mongkhon Bophit Foundation, in celebration of the 60th birthday of H.M. Queen Sirikit. The Phra Mongkhon Bophit, seated in the position of Subduing Mara, measures about 9.5 m. across the lap and a height of 12.5 m. (without the pedestal).

Wat Mahathat (Ayutthaya, Thailand)

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From Bang Pa-in Palace, our tourist bus next traveled, 10 kms., to the very heart of the city of Ayutthaya.  Here, we dropped off at Wat Mahathat (Temple of the Great Relics) in Ayutthaya World Heritage Historical Park, perhaps the most striking of all of the temples in the city. Wat Mahathat was said to have been built in 1384 by King Rachatirat as a symbolic center  to enshrine a relic of the Buddha although others say it was more likely built during the reign of King Boromaraja I (1370-88). The temple was also the residence of the Sangaraja, the Supreme Patriarch or leader of the Kamavasi (City Dwelling) sect of Thai Buddhist monks.

Wat Mahathat

During the fall of Ayutthaya in 1767, Wat Mahathat was set on fire by Burmese invaders. The monastery was restored and remodeled many times in the later Ayutthaya period, until it finally collapsed on May 25, 1904. Only the symmetrical laterite base of the main prang (Khmer-style tower), with staircases on the 4 sides, and some of its upper structure remains. There are rows of headless Buddhas and traces of rows of columns that once supported the roof structure of the verandah that enclosed the chedi.

The Much-Photographed Buddha in a Tree

Scattered around the temple are some important remains of variously-shaped prangs and chedis, in particular an octagonal chedi with a truncated spire in the Ceylonese style. Nearby, the head of a still much-revered statue of the Buddha lies on the ground. The much photographed stone head of one Buddha is entwined in the roots of a Banyan tree.  Although only partially restored, the existing ruins are still vast and imposing, giving us an insight into what was once a most important religious center.

Octagonal Chedi

As in most architecture of the early period of Ayutthaya, Wat Maha That consisted basically of a large, 46 m. (150 ft. ) high central prang surrounded by 4 subsidiary prangs at the 4 inter-cardinal points, standing on a raised square platform. Around 1625, the top portion of the main central prang collapsed, but was restored and heightened by some 4 m. (13 ft.) in 1633. In 1911, the main prang collapsed again and only the foundation of the main prang remains at present.

Base of Central Prang

East of the main prang is the rectangular, 40 m. by 20 m. Wihan Luang (Royal Assembly Hall), orientated towards Khlong Pratu Khao Pluak. The vihara had a front porch (east) which could be reached by 3 staircases. There was also an entry into the hall from both sides. Behind the main pedestal were two exits leading down to the gallery. The multi-tiered roof of the viharn was supported by 2 rows of columns. The hall contained mural paintings of the Vessantara Jataka. Wihan Luang has undergone several restorations in the past as well as in recent times.

Wihan Luang (Royal Assembly Hall)

West of the main prang is the rectangular Phra Ubosot (Ordination Hall).  The hall had a double entry to the west and two exits on the sides, near the main pedestal which contained the presiding Buddha image. The hall was surrounded by an inner wall called kamphaeng kaew (literally “crystal wall”), forming an inner court which gave access to the, gallery. Outside and around the ubosot were 8 boundary stones or marker slabs (bai sema) at the 8 cardinal points in order to demarcate the sacred area of the Sangkha (Buddhist brotherhood).

Phra Ubosot

In 1956, a secret chamber was uncovered in the ruins; among the treasures found inside were a solid gold lion sitting in a fish-shaped container decorated with a gilded motif and filled with other gold accessories, gold jewelry, a gold casket containing a relic of the Buddha, and fine tableware.

Wat Mahathat: cor. Chikun Road and Naresuan Road, Tha Wasukri sub-district, Ayutthaya, Thailand.

Bang Pa-In Royal Palace (Ayutthaya, Thailand)

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On our second day in Thailand, we decide to go out of the city and visit the old Thai capital of Ayutthaya, a UNESCO World Heritage Site.  We made our travel arrangements with a  travel agency based near our hotel lobby at the ground floor. The 60-km. trip, via an airconditioned tourist bus, took just 1 hr.  Our first stop, upon reaching Ayutthaya, was the Bang Pa-In Royal Palace, also known as the Summer Palace.

Bang Pa-In Royal Palace

This palace complex, located along the bank of the Chao Phraya River, was originally constructed by King Prasat Thong  in 1632 but, after the sack of Ayutthaya in 1767, it lay empty and overgrown throughout the late 18th century and early 19th century.  King Mongkut (Rama IV) began to partially restore the site in the 1850s. Most of the present European-style buildings were constructed between 1872 and 1889 by King Chulalongkorn (Rama V).

Entry Promenade

Today, the palace remains largely open to visitors, as King Bhumibol Adulyadej and his family uses it only rarely for banquets and special occasions. However, as at all royal sites, proper dress was required and Grace and Cheska had to rent colored polo shirts to cover their shoulders. The grounds are not too large to be covered on foot. From the entrance, we walked along a formal entry promenade.

Ho Haem Montien Devaraj (Golden Palace of the God King)

The buildings, very European in design, are laid out along a long rectangular, artificial and ornamental lake lined with formal landscaping. The lake serves to divide the “public” outer area of the palace from the inner private areas. Along the route, we passed the Ho Haem Montien Devaraj (Golden Palace of the God King) or King Pasart Thong Shrine. This Khmer-style, stone prasat (residence of a king or god with a corncob-shaped super-structure ), under a banyan tree, was built by King Rama V in 1879 to replace an old shrine built by villagers as an offering to King Prasart Thong of the Ayutthaya period.

Saphakhan Ratchaprayun (Exhibition Hall)

On the left bank of the lake is the colonial-style, 1-storey, Neo-Classical style  Saphakhan Ratchaprayun (Exhibition Hall).  Originally built for the King’s brothers, it now houses a small museum covering the history of the palace.

Warophat Phiman (Excellent and Shining Heavenly Abode)

The one-storey Warophat Phiman (Excellent and Shining Heavenly Abode) was King Chulalongkorn’s residence and throne hall. It is richly decorated in turn-of-the-century European aristocratic style, with quirky Thai touches here and there.  Its audience chambers and anterooms are decorated with oil paintings, commissioned by King Chulalongkorn in 1888, depicting significant events in Thai history and scenes from Thai literature.  The private apartments of this building are still used by the king and his family whenever they reside in the palace.

Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall

Opposite the lake, to the east, is the 2-storey, elaborately-constructed Phra Thinang Utthayan Phumisathian (Garden of the Secured Land) Residential Hall, considered the principal building in the palace complex.  Completed in 1877, this  building  was built from wood and decorated with mahogany furniture ordered directly from Europe. However, it was destroyed by fire during the restoration in 1938. Its modern reconstruction, tinted alternately in dark and light green, has a more “Paris Metro” Art-Deco feel to it. Its balcony is similar in design to that of a Swiss chalet. The building is still occasionally used by the royal family and is not open to the public.

Krajome Trae

At the end of the promenade, the lake took on a more natural shape and, from a circular Spanish-style pavilion (Krajome Trae), we saw the “signature piece” of Bang Pa-In, the gracefully elegant Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom) in the middle of the lake. The only example of classical Thai architecture within the palace, it was built by King Chulalongkorn (Rama V) in 1876 and has 4 porches and a spired roof. From Krajome Trae, we fed the fishes with pieces from a previously paid for loaf of bread.

Aisawan-Dhipaya-Asana Pavilion (The Divine Seat of Personal Freedom)

Opposite the Krajome Trae is the Devaraj-Kunlai (The God King Goes Forth) Gate, the principal entrance to the Inner Palace.  It is connected to the Varobhas Bimarn Mansion (located in the Outer Palace) by a covered bridge with a louvered wall from which the court ladies could look out without being seen themselves.

Devaraj-Kunlai (The God King Goes Forth) Gate

The highlight of our visit was the opulent, Chinese-style Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light), the only royal residence open to the public.  Constructed in the Chinese Emperor style and made entirely of materials imported from China, it took 10 years to build and was completed in 1889.

Phra Thinang (Royal Residence) Wehart Chamrun (Heavenly Light)

It was a royal offering to King Chulalongkorn (Rama V) by the Chinese Chamber of Commerce represented by Chinese merchant Phraya Choduk Ratchasetthi (Fak) as a token of the long-lasting brotherly relationship between the Thai and Chinese peoples. King Chulachomklao usually made a royal visit here during the cool season.

Phra Thinang – Interior

Here, we had to remove your shoes to enter.  Full of red, gold, dark woods and inlaid mother of pearl, it has a stupendous dragon sculpture inside carved from camel bone and a Chinese-style throne room at the ground floor. the upper storey houses an altar enshrining the name plates of King Mongkut and King Chulalongkorn with their respective queens.

Before returning, we climbed the 112-step spiral staircase up the 30 m. high, 3-storey and brightly painted Ho Withun Thasana (Sage’s Lookout), built in 1881, following in the footsteps of King Rama V who, when residing in Bang Pa-In Palace, used this hall as the place to get the bird’s eye view of the surrounding area. This hall was constructed in the form of a tower between Utthayan Phumisathian and Wehat Chamrun.  Only the first two floors are open to the public.

Ho Withun Thasana (The Sages Lookout)

Back at the entrance, we returned the shirts and bought some soft drinks and snacks (10-20 baht) before boarding our bus.

Bang Pa-In Palace: Bang Pa-In District, Ayutthaya, Thailand. Open daily, 8 AM-4 PM.