Category Archives: Architecture

Jim Thompson House (Bangkok, Thailand)

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After our Bangkok city tour, we asked our guide to to drop us off at Jim Thompson’s House, another of the city’s popular tourist destinations. We alighted at a non-descript lane, at the end of which was the entrance of the Jim Thompson House, standing on 1 rai (about half an acre) of land beside Klong Maha Nag and enveloped by verdant and beautifully landscaped gardens.

Entrance of the Jim Thompson House

Its jungle landscape (palm trees, ficus, flowering bananas, the flame of the forest, golden bamboo, rain trees and a myriad of other flowering and non-flowering plants, shrubs and bushes), in the midst of the city, gives the house its unique appeal.

Jim Thompson Museum Garden

Upon entering, we first paid the entrance fee and decided to view an exhibit of Thai silk at the Jim Thompson Art Center.  The art center also had a running video presentation of the life of Jim Thompson which we viewed.

Exhibit of Thai Silk at the Art Center

Self-made American entrepreneur James Harrison Wilson Thompson, born in Greenville, Delaware in 1906, studied architecture at the University of Pennsylvania and was a practicing architect in New York City until 1940.  During the Second World War, Thompson was assigned to the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency (CIA), a move which offered him an opportunity to see more of the world.  In 1946, he assumed the duties of OSS station chief in Thailand and had developed a certain fondness for the country and its people. He later settled down in Bangkok and went into business in Thailand, founding the world renowned Jim Thompson Thai Silk Company.  Jim mysteriously disappeared in the jungles of the Cameron Highlands in Malaysia in 1967 while on an Easter weekend holiday with friends.

After our visit to the art center, we decided to have lunch at its coffee shop and check out the souvenir shop. We then availed of a guided tour of his charming complex of six traditional Thai-style, teak houses  as well as its showcase collection of Southeast Asian objets d’art.  Before doing so, we were required to leave our bags in lockers to prevent their knocking off many of the valuable antiques in the house.  We were also not allowed to take pictures inside the house.

Jim Thompson House – Exterior

The teak structures were purchased by Jim from several owners from various parts of Thailand, knocked down, brought to the site, re-assembled again and completed in 1959.  The house’s supporting columns and walls lean slightly inward, adding to the illusion of height and grace. The relatively few, purely decorative elements are largely confined to panels carved in Chinese designs under the windows and sometimes over the doors, and the curved, stylized ends of the steep roof (characteristic of traditional Thai houses), probably adaptations of naga (serpent) motifs that adorn Khmer temples.

Jim Thompson House – Interior

The houses are elevated to facilitate the circulation of air, offer a more comfortable living space and protect the home from the risk of floods, in the monsoon season, as well as from hostile wildlife.  The open space was also used as a living area in the hot season, as storage for the season’s harvest, and as a place to keep livestock.

There were a great number of windows and doors, all carefully aligned to facilitate an uninterrupted flow and aid the circulation of air. The walls, though generally left unpainted, were sometimes oiled. The broad overhangs of its roof protect the interior from both sun and rain.

Jim Thompson House: 6 Soi Kasemsan 2, Rama 1 Road, Bangkok, Thailand.  Tel: (662) 216-7368 Fax: (662) 612-3744.   Open daily, 9 AM-5 PM.  Last guided tour at 5 PM.  Website: www.jimthompsonhouse.com.

Wat (Bangkok, Thailand)

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After our short visit to Wat Traimit, we all returned to our van and moved on to our next stop, the 80,000-sq. m. (20-acre) Wat Pho (Wat Phra Chetuphon Vimolmangklararm Rajwaramahaviharn), the largest in Bangkok and, technically, the oldest wat, being built around 200 years before Bangkok became Thailand’s capital.

Wat Pho (Wat Phra Chetuphon Vimolmangklararm Rajwaramahaviharn)

However, the present temple bears virtually no resemblance to its original structure as it was almost entirely rebuilt by King Rama I when the capital was moved to Bangkok. Wat Pho also holds the dual honors of having Thailand’s largest reclining Buddha image and having the most number of Buddha images.

One of Wat Pho’s 4 Entrances

The temple complex, with more than 20 buildings and structures, is walled in on 4 sides with entrances at each side. We entered the complex via the entrance at Chetuphon Road which  splits the grounds of the temple into 2, the northern section generally being the only one most people go to.

Gate Guardians at the Sheltered Gateha

Standing on both sides of the sheltered entrance gate are the gate guardians lan than nai tvarapala, fierce-face Thai-Chinese style rock giants wearing a tight suit of armor and holding a weapon in one hand. Several Chinese statues also line the outside of temple buildings, a reflection of the Chinese influence during the reign of King Rama III.

Inner Wall of the Vihara of the Reclining Buddha

After paying the admission fee, we first visited the Vihara of the Reclining Buddha or Phra Buddhasaiyas (Viharn Phranorn).  We had to remove our shoes and sandals before doing so.  The inner wall of this vihara is decorated of the mural paintings of “Mahawong” (Historical annals of Ceylon) above the windows; and the “13 Savida Atadagga Disciples (Priestess),” “10 Upasaka Atadagga Disciples” and “10 Upasika Atadagga Disciples” between each window.

Detail of Mural Painting at Inner Wall

Inside, we were highly impressed by the gold-plated Reclining Buddha (Phra Buddhasaiyas), made of stuccoed bricks gilded with gold leaves and designed to illustrate the passing of the Buddha into nirvana.  Its dimensions were indeed huge,  being 46 m. long and 15 m. high. The soles of the 3 m. wide and 5 m. long feet and the eyes are exquisitely engraved with mother-of-pearl decoration of 108 auspicious lakshanas (characteristics) of the true Buddha.

Reclining Buddha

We also visited the Phra Uposatha, the ubosot (main chapel or assembly hall) and the heart of the temple.  It was built, in Ayutthaya style, during the reign of King Rama I and reconstructed and enlarged during the reign of King Rama III.  All the hardwood windows and doors have crown–like spires and colored glazed tiles.  Double marble boundary walls (kampaengkaew), surrounding the main chapel, have 8 sheltered gates and 8 sculpted boundary stones (bai sema). The outer side of the kampaengkaew is decorated with carved stones portraying natural scenes of mountains, trees and animals.
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Phra Uposatha (Main Chapel))

Inlays of mother–of–pearl, on the outer side of the entrance door panels, depict episodes from the Ramakien (the Thai version of the world famous Ramayana Indian epic) while, on the inner side, are painted specimens of ecclesiastical fans of rank which are presented to the monk sovereigns.

Phra Buddha Deva Patimakorn

It is enclosed by 394 bronze Buddha images. Outside the ubosot, there are 152 marble slabs depicting the second half of the epic Ramakian story.  Inside is the Phra Buddha Deva Patimakorn, a seated Buddha image on a 3-tiered pedestal called Phra Pang Smadha (Lord Buddha in the posture of concentration).  Some of the ashes of King Rama I are kept under the pedestal.

Row of Buddha Images at Phra Rabiang

We also took time to explore the large grounds of the temple which contains more than 1000 Buddha images, most taken from the ruins of deserted temples of the former capitals of Ayutthaya and Sukhothai. The Phra Rabiang is a double cloister surrounding the courtyard of the chapel.  Connected by 4 main direction viharas, its gallery is lined with hundreds of Buddha images.

Phra Buddha Lokanart Sartsadajarn

The image of Pang Marnvichai (Enlightened Lord Buddha under the Bodhi Tree) and the 10 m. high bronze Buddha image, Pra Buddha Lokanart Satsadajarn, which was brought from Wat Phra Sri Sanpej in Ayutthaya, is in the East Vihara. The inscription of Wat Pho’s establishment is also kept here.

Pang Nak Prok (Buddha Under the Naga’s Hood)

The image of “Lord Buddha Preaching the First Sermon to the Five Disciples” is in the South Vihara, the image of Phra Paleylai in the North Vihara and the image of Pang Nak Prok (Buddha Under the Naga’s Hood) in the West Vihara.  The inner side cloister contains 150 Buddha images while another 244 images are located on the outer side, all brought from the northern provinces during the reign of King Rama I. Today, all Buddha images are covered with gold leaves and provided with large glass frames to protect them from birds, bats and dirt. Posted on all columns along the cloister are Thai prosody framed in 100 stone inscriptions by the order of King Rama III.

Phra Mondob (Scripture Hall)

Nearby is the Phra Mondob (Scripture Hall), built during the reign of King Rama III.  It is walled in and has displays of Buddha statues, old ceramics and glassware, tripitaka (teachings of Buddha) and traditional Thai books written on palm leaf manuscripts. It is crowned with a gabled tetrahedron decorated with multicolored Chinese ceramic bowls.  There are porticoes at the 3 directions of the Mondob. The library is also impressively decorated with figures and pagodas made of porcelain, in much the same way as Wat Arun, across the Chao Phraya River.

The 4 Chedis of Phra Maha Chedi Si Rajakarn

Also near here is the Phra Maha Chedi Si Rajakarn, a group of 4 huge, 42 m. high chedis (round pagodas), constructed to honor the reigns of the first 3  Chakri kings (2 for King Rama III): King Rama I (Phra Maha Chedi Sri Sanpetdayarn, green), King Rama II (Phra Maha Chedi Dilok Dhammakaroknitarn, white), King Rama III (Phra Maha Chedi Muni Batborikharn, yellow) and King Rama IV ( Phra Maha Chedi Song Phra Srisuriyothai, dark blue).

Bell Tower

Also around the grounds are 91 massive chedis, of varying sizes, along with chapels, rock gardens, an array of different types of statues, inscriptions, bell towers and resident fortune tellers.

Wat Pho: Chetuphon Rd., Phra Nakhon (Rattanakosin) District, Bangkok, Thailand.Tel: 662-226-0335  and 662-226-0369. Open daily, 8 AM-5 PM.

How to Get There: airconditioned buses 6, 8 and 12 all stop near Wat Pho.  The Tha Tien express boat pier is also very near. Ordinary buses 1, 25, 44, 47, 62 and 91 stop along Maharat Rd.; and bus 44, 47 and 91 along  Thaiwang Rd. on the north side of Wat Pho, south of Wat Phra Kaew. Wat Pho is also just a short river crossing away from Wat Arun.

Merdeka Square (Kuala Lumpur, Malaysia)

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Part of our city tour itinerary and a “must see” is the 8.2-hectare Merdeka Square (Dataran Merdeka or Independence Square), actually a large grassy field used for cricket. Here, thousands of Malaysians celebrated 50 years of nationhood on August 31, 2007.  It is surrounded by many buildings of historical interest.

Kuala Lumpur’s Tallest Flagpole

A 95-m. high flagpole, one of the tallest in the world, marks the spot (with a flat, round black marble plaque) where the British Union Jack flag was lowered and the  Malayan flag was first hoisted at midnight of August 31, 1957. It is located at the southern end of the square.

Royal Selangor Club

On one side of the square is the Royal Selangor Club‘s (founded in 1884) quasi-Tudor-style building.  Originally designed by British architect A.C. Norman and built in 1890, it was later redesigned by architect Arthur Benison Hubback and rebuilt in 1910, with 2 additional wings on either side of the main building.  The club is a place to watch a game of cricket on a Sunday afternoon.

Sultan Abdul Samad Building

In stark contrast across the square is the Mughal-styled Sultan Abdul Samad Building. A famous landmark for Malaysia and KL prior to the building of the Petronas Twin Towers, this unique, Indian Mughal-style  building, designed by British architect A.C Norman, was completed in 1897. Once serving as the Selangor State Secretariat and, later, the Supreme Court during the British era before being abandoned for a number of years, it is now home to Ministry of Heritage, Culture and Arts.

Sultan Abdul Samad Building Clock Tower

This much photographed building also has a 40 m. high clock tower (affectionately dubbed “Big Ben”) topped with a gleaming copper dome and flanked on both sides by two domed towers. Next to it is the original Kuala Lumpur Railway Station built in 1910.

Merdeka Square and Cathedral of St. Mary the Virgin

St. Mary’s Anglican Cathedral, an Early English Gothic style building, was built in 1895. Other notable structures include the National History Museum (formerly the Chartered Bank Building), the Memorial Library (formerly the Government Printer Building, built in 1899), and the Sanitary Board Fountain (built in 1897).

National History Museum

National Shrine of St. Anne (Hagonoy, Bulacan)

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National Shrine of St. Anne

First built of stone and brick from 1731 to 1734 by Fr. Juan Albarran, this church was burned down on August 12, 1748. In 1749, it was rebuilt on its present site by Fr. Eusebio Polo  and completed in 1752 by Fr. Buenaventura Roldan. 

It was replaced with a stone church by Fr. Juan Coronado from 1815 to 1836, damaged by fire (which also damaged 30 houses in the town center) in 1856 and enlarged in 1862 by Fr. Manuel Alvarez.  The church was again damaged by during the 1871 earthquake and was repaired in 1872 by Fr. Ignacio Manzanares who strengthened the choir loft’s supporting arches.

Historical plaque installed by the National Historical Institute in 1981

It was intermittently restored in 1936, 1961 (a monumental porte-cochere was added by Fr. Celestino Rodriguez) and from 1968 to 1970 (under Monsignor Jose B. Aguinaldo) which changed much of the design of the façade (the wood trusses and galvanized iron roofing were replaced, roof and main altar painted and the facade coated white and decorated with images placed above pilasters).

Statue of St. Anne

In 1981, a marker bearing a brief history of the church was installed on the church by the National Historical Institute (precursor of the National Historical Commission of the Philippines). In 1991, it was declared a National Shrine.

Statues of Augustinian saints

The church’s Baroque façade, bare of ornamentation (save for volutes founds on the end of the imaginary triangular pediment, circular reliefs and buttress-like pilasters capped with roof tiles), is pierced with 5 windows: three semicircular arched ones and two rectangular ones on the first level.

Main wooden entrance door carved with bas reliefs

A porte-cochere, with a balustraded top, mars the view of the bottom part of the façade. . The façade also sports three semicircular arched entrances (one main and two smaller flanking ones), all featuring antique hardwood doors carved with bas-reliefs.

One of two smaller wooden doors

Four sets of superimposed pilasters, incorporated with Tuscan capitals, divide the facade into two levels (the first smaller than the second) and ending up in a triangular pediment with huge contemporary statues of Augustinian saints flanking that of St. Anne.

Cross with two cherubs

The second level, dominated by a rose window and a tableau of St. Anne and the Virgin Mary in the center, has windows corresponding to the choir loft and partly hidden by the portico.  The entire façade is capped off with a cross held by two cherubs.

The six storey bell tower

The convent beside the church is now the main building of St. Anne’s Catholic School.  The six-storey rectangular  bell tower (originally with five levels , a sixth level and a cupola was added during the latest reconstruction of the church) is also bare of detailed ornamentation except for the balustraded semicircular arch openings and buttresses placed at the corners of the tower.

St. Anne Catholic School

National Shrine of St. Anne: Brgy. Sto. Niño, Hagonoy, Bulacan. Tel: (044) 793-2829. Feast of St. Anne: July 26.

How to Get There: Hagonoy is located 55.6 kms. (a 1.5-hour drive) from Manila an 15.5 kms. (a 40-min. drive) from Malolos City.

Olympic Park and Pangu 7 Star Hotel (Beijing, People’s Republic of China)

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After our Badaling Great Wall visit, we decided to capped this rainy day with a short visit, though not part of our itinerary, to the Beijing Olympic Park, its structures built for the 2008 Summer Olympics.  Brittany dropped us off at the Ruyi Bridge (over the Pangu Gardens) where, from this vantage point, we had a great view of the “Bird’s Nest” National Indoor Stadium and “Water Cube” Aquatic Center of the Olympic Park on one side and the Pangu 7 Star Hotel on the other.

Beijing National Indoor Stadium

The 18,000-pax Beijing National Indoor Stadium, also known as the National Indoor Stadium, is an indoor arena nicknamed as the Fan due to its design resembling a traditional Chinese folding fan. Opened on November 26, 2007, it hosted, at the 2008 Olympics, the artistic gymnastics, trampolining and handball events. After the Olympics, the stadium was used for sports competition, cultural and entertaining purposes, and as a multi-functional exercise center for local residents.

Bird’s Nest – Beijing National Stadium

The US$423 million Beijing National Stadium, also known as the National Stadium or, colloquially, as the “Bird’s Nest,” was designed for use throughout the 2008 Summer Olympics and Paralympics. Its design was awarded to a submission from the Swiss architecture firm Herzog & de Meuron in April 2003, after a bidding process that included 13 final submissions. The design, which originated from the study of Chinese ceramics, implemented steel beams in order to hide supports for the retractable roof; giving the stadium the appearance of a “bird’s nest.” Leading Chinese artist Ai Weiwei was the artistic consultant on the project. The retractable roof was later removed from the design after inspiring the stadium’s most recognizable aspect. Ground was broken in December 2003 and the stadium officially opened in June 2008.

Water Cube – Beijing National Aquatics Center

The Beijing National Aquatics Center, also known as the National Aquatics Center and nicknamed the “Water Cube,” is an aquatics center that was built alongside Beijing National Stadium in the Olympic Green for the swimming competitions of the 2008 Summer Olympics. Despite its nickname, the building is not an actual cube, but a cuboid (a rectangular box). Ground was broken on December 24, 2003, and the Center was completed and handed over for use on January 28, 2008. During the Olympics, swimmers here broke 25 world records.  After the Olympics, the building underwent a RMB 200 million revamp to turn the inside into a water park.

Pangu 7-Star Hotel

The Pangu 7 Star Hotel,  with its jaw-dropping views of the “Bird’s Nest” National Stadium and “Water Cube” Aquatic Centre, offers 234 guest rooms, including 140 suites. Ten room categories range in size from 45 to 488 sq. m. and all have 3.5-m. high ceilings. It is the only hotel to have been granted permission from the Palace Museum to reproduce priceless artworks from the Forbidden City. The masterworks were recreated on burnished copper panels in Italy.

Ruyi Bridge

On our last night in Beijing, we decided to go shopping at the San Li Tun Commercial Complex.  Our last day was uneventful as our flight left Beijing for Manila at 12 noon.  What an end to summer and a welcome for the rainy season.

Summer Palace (Beijing, People’s Republic of China)

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From the Asian Games Panda House, we next proceeded to the Summer Palace, the largest and best-preserved imperial garden in China.  The Summer Palace, located on the western edge of Beijing, between the fourth and fifth ring roads, 12 kms. from central Beijing, was, as its name implies, used as a summer residence by China’s imperial rulers. A pleasure ground in the countryside, yet near to the city, it is virtually a museum of traditional Chinese gardening that uses rocks, plants, pavilions, ponds, cobble paths and other garden styles to create a poetic effect between different scenes.  Points of interest here are the Hall of Benevolence and Longevity and Kunming Lake.

Hall of Benevolence and Longevity

The Hall of Benevolence and Longevity, the main hall of the Summer Palace, was first built in 1750 and was then called the Hall of Industrious Government, but the building was burnt down by the Allied Anglo-French Force in 1860. The present building was reconstructed in 1890 and the name of the hall was given by Emperor Guanxu. This is the most important hail for political activities in the Palace as it was the place for Emperor Guangxu and Empress Dowager Ci’xi to handle state affairs and receive foreign envoys.

Kunming Lake

Kunming Lake, covering ¾ of the area of the Summer Palace, is the most attractive water area in Beijing. Originally, it was a natural lake formed by a number of springs in the northwestern district in Beijing. During the Ming Dynasty (1368-1644), people grew lotus flowers in the lake and planted rice around the lake. Its picturesque beauty was often compared with the charming scenery around the West Lake. Even the emperors were fascinated with it and made boat trips on the lake. During the Qing Dynasty (1644-1911), in order to build Qingyi Garden, the Emperor Qianlong he had the lake expanded. He named it Kunming Lake in a way to praise its incomparable beauty.

Seventeen Arch Bridge

The 150 m. long and 8 m. wide Seventeen-Arch Bridge, built during the reign of Emperor Qianlong (1711-1799), is the longest bridge in the Summer Palace.  It connects the eastern shore of the lake and Nanhu Island in the west.  Nanhu Island lies southeast of Kunming Lake opposite Longevity Hill. With an area of about 1 hectare (2.47 acres), it is the largest island in the Summer Palace. When Emperor Qianlong (1711-1799) enlarged Kunming Lake, he ordered workers to save the temples and buildings but to excavate the earth; thus creating Nanhu Island.

Nanhu Island

The octagonal, 3-storied and quadruple-eaved wood-constructed Pavilion of Buddhist Fragrance (FoXiangGe) is the highest and largest grand architecture in the Summer Palace. The 40-m. high tower is built on a 20-m. high stone terrace half way up the hill – hence it seems to touch the clouds and looks graceful and beautiful. This symbol of the Summer Palace can be seen for miles around.

Pavilion of Buddhist Fragrance

A highlight of our visit here was our (Gil, Jandy, Gibson and me) photo ops dressed in complete and colorful Chinese emperor attire (RMB 10 each).  Azon, on the other hand, dressed up as a frowning concubine.  She did the same thing again at Kunming Lake, this time smiling. Our visit to the Summer Palace capped our day.

Azon Dressed as a Chinese Princess or Concubine

The Forbidden City – Inner Court (Beijing, People’s Republic of China)

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The Inner Court is composed of the 3 main structures at the rear of the Forbidden City, all official residences of the Emperor and Empress and all smaller than the Outer Court halls, namely the Palace of Heavenly Purity (Qianqinggong), the Hall of Union (Jiaotaidian) and the Palace of Earthly Tranquility (Kunninggong).

Palace of Heavenly Purity

The first structure inside the inner court is the  Palace of Heavenly Purity, the largest of the 3 halls. During the Ming Dynasty, it was the residence (the large space was divided into 9 rooms on 2 levels, with 27 beds) of the Emperor and, during the Qing Dynasty, the palace often served as the Emperor’s audience hall, where he held council with the Grand Council, received ministers and emissaries, and held banquets. This double-eaved building, connected to the Gate of Heavenly Purity to its south by a raised walkway, is set on a single-level white marble platform.  At the center of the palace, set atop an elaborate platform, is a throne and a desk, on which the Emperor wrote notes and signed documents during councils with ministers. A caisson is set into the roof, featuring a coiled dragon.

Behind it is the  Hall of Union. Square in shape and with a pyramidal roof, the 25 Imperial seals of the Qing Dynasty, as well as other ceremonial items, were stored here. The third hall is the Palace of Earthly Tranquility, the emperors’ wedding room. This double-eaved building is 9 bays wide and 3 bays deep.

Exhibit Hall of Textiles and Apparel

Besides the 3 main buildings are the 6 eastern palaces and 6 western palaces, where the emperor used to handle everyday affairs, and which was the living quarters of the emperor, empresses and concubines. Those palaces have been converted into exhibition halls, where a spectacular set of imperial collections is displayed. The Exhibit Hall of Textiles and Apparel, reflecting the nomadic heritage of the rulers, showcases stately court robes plus the emperor’s accouterments.

Imperial Garden

Behind these 3 halls lies the relatively small and compact 1,2,000 sq. m. Imperial Garden (Yu HuaYuan), he private garden of the imperial family (used exclusively by the imperial family to sip tea, play chess, meditate and generally relax) and the last part of the Forbidden City. The garden was built in 1417 during the Ming Dynasty. The most typical imperial garden in China, it is an aesthetic change from the crimson and gray building complex to a colorful and luxuriant atmosphere. The garden contains several elaborate landscaping features.

Hall of Imperial Peace

Within the garden, there are about 20 structures in different styles. It is interesting how the manmade structures maintain harmony with trees, rockeries, flowerbeds and bronze incense burners in this relatively small space.  The Hall of Imperial Peace (Qin’AnDian), first built in the 15th century, is the main structure in the Imperial Garden and the only one on the central axis – it stands in the center of the garden, encircled by a rectangular wall.  In each of the four corners of the Imperial Garden there is a pavilion, symbolizing the four seasons. The Pavilion of Myriad Springs is the most famous and lies in the south east corner of the garden. It was built in 1535 and restored during the Qing Dynasty.

Pavilion of Myriad Springs

To the north of the garden is the Gate of Divine Might, the north gate of the palace (we exited here). On the left side of the Inner Court is the Mental Cultivation Hall (Yangxindian), the most important building except for the Hall of Supreme Harmony. From the time of the third emperor, Yongzhen, all the Qing emperors, 8 in total resided in this hall.

The Forbidden City – Outer Court (Beijing, People’s Republic of China)

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Upon entering the Meridian Gate, we were ushered into a large square pierced by the meandering Inner Golden Water River, which is crossed by 5 bridges. Beyond the square stands the Gate of Supreme Harmony, behind which is the Hall of Supreme Harmony Square.

Gate of Supreme Harmony

A 3-tiered white marble terrace rises from this square. Three halls stand on top of this terrace, the focus of the palace complex. From the south, these are are the Hall of Supreme Harmony (Taihedian, the largest), the Hall of Central Harmony (Zhonghedian) and the Hall of Preserving Harmony (Baohedian).

Hall of Supreme Harmony

The first hall we visited was the Hall of Supreme Harmony which rises some 30 m. (98 ft.) above the level of the surrounding square. It is the ceremonial center of imperial power, and the largest surviving wooden structure in China. It is 9 bays wide and 5 bays deep (the numbers 9 and 5 are symbolically connected to the majesty of the Emperor).  Set into the ceiling at the center of the hall is the Dragon Throne (Longyi), an intricate caisson decorated with a coiled dragon, from the mouth of which issues a chandelier-like set of metal balls, called the “Xuanyuan Mirror.” During the Ming Dynasty, the Emperor held court here to discuss affairs of state. During the Qing Dynasty, as Emperors held court far more frequently, a less ceremonious location was used instead, and the Hall of Supreme Harmony was only used for ceremonial purposes, such as coronations, investitures and imperial weddings.

Hall of Central Harmony

The Hall of Central Harmony is a smaller, square hall, used by the Emperor to prepare and rest before and during grand events. Behind it, the Hall of Preserved Harmony, was used for rehearsing ceremonies, banquets and was also the site of the final stage of the Imperial examination.  All 3 halls feature imperial thrones, the largest and most elaborate one being that in the Hall of Supreme Harmony.

Hall of Preserved Harmony

At the center of the ramps leading up to the terraces from the northern and southern sides are ceremonial ramps, part of the Imperial Way, featuring elaborate and symbolic bas-relief carvings. The northern ramp, behind the Hall of Preserving Harmony, is carved from a single piece of stone 16.57 m. (54.4 ft.) long, 3.07 m. (10.1 ft.) wide and 1.7 m. (5.6 ft.) thick. It weighs some 200 tons and is the largest such carving in China.

Northern Ramp

The southern ramp, in front of the Hall of Supreme Harmony, is even longer, but is made from 2 stone slabs joined together – the joint was ingeniously hidden using overlapping bas-relief carvings, and was only discovered when weathering widened the gap in the 20th century.

Hall of Literary Glory

In the south west and south east of the Outer Court are the Halls of Military Eminence (Wuyingdian) and Literary Glory (Wenhuadian). The former was used at various times for the Emperor to receive ministers and hold court, and later housed the Palace’s own printing house. The latter was used for ceremonial lectures by highly regarded Confucian scholars, and later became the office of the Grand Secretariat. A copy of the Siku Quanshu was stored there. To the northeast are the Southern Three Places which was the residence of the Crown Prince.

Upon exiting the Hall of the Preserving Harmony, we notices a huge block of marble carved with cloud and dragon designs. Past that, we entered  another gate called the Gate of Heavenly Peace (Qianqingmen), the main gateway to the Inner Court.

The Forbidden City (Beijing, People’s Republic of China)

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After about half an hour of photo ops at Tiananmen Square, it was now time for us to enter the Forbidden City (also officially known as the Imperial Palace Museum), the best preserved imperial palace in Beijing  and the largest surviving ancient palatial structure in the world.  With Brittany, our guide, taking the lead, we all crossed Dongchangan St. and entered the city via Tiananmen Gate (Gate of Heavenly Peace) where most tourists enter.  The gate has a huge portrait of Chairman Mao Zedong, widely used as a national symbol.   Our tour of the Forbidden City would take about 2 hours.

Tiananmen Gate

The 72-hectare (178-acre) Forbidden City, the seat of Imperial power for 500 years, was commissioned by Emperor Yong Le, the third Emperor of the Ming Dynasty,  and was built between 1406 and 1420.  It was home to 24 emperors of the Ming (1368–1644) and Qing (1644–1911) Dynasties.  However, it  was burnt down, rebuilt, sacked and renovated countless of times, so much so that most of the splendid architecture we saw today dates from the 1700’s onwards.  In 1961, the Forbidden City was listed as one of the important historical monuments under the special preservation by the Chinese central government and, in 1987, it was nominated as a World Cultural Heritage by UNESCO. This treasure house of Chinese cultural and historical relics is recognized as one of the most important 5 palaces in the world (the other 4 being the Palace of Versailles in France, Buckingham Palace in the U.K., the White House in the U.S. and the Kremlin in Russia).

Outer Court

The complex was so huge so it took us quite a while to walk through, especially when we  wanted to have a close look at everything. Its dimensions are huge, being 961 m. (3,153 ft.) from north to south and 753 m. (2,470 ft.) from east to west and is surrounded by a 7.9-m. (26  ft.) high city wall and a 6 m. (20- ft.) deep by 52 m. (171 ft.) wide moat. The walls are 8.62 m. (28.3 ft.) wide at the base, tapering to 6.66 m. (21.9 ft.) at the top. Altogether, it has a total floor area of approximately 150,000 sq. m. (1,600,000 sq. ft.) and consists of 90 palaces and courtyards, 980 buildings and 9,999 bays of rooms, not all of which can be visited.

Inner Court

Traditionally, the Forbidden City is divided into two parts: the Outer Court (or Front Court) and the Inner Court (or Back Palace).  The Outer Court, used for ceremonial purposes, includes the southern sections.  The Inner Court, the residence of the Emperor and his family, was used for day-to-day affairs of state and includes the northern sections. Generally, the Forbidden City has 3 vertical axes with the most important buildings are situated on the central north-south axis.

Meridian Gate

Once past Tiananmen Gate, we crossed an expansive brick-paved square until we reached the 5-arched Meridian Gate (Wumen), the largest gate and the main entrance to the palace. The gate was the place where the Emperor announced the new lunar calendar on the winter solstice.  Once through Meridian Gate, we go across Golden Stream Bridge and on to the Outer Court.

Forbidden City: No.4 Jingshan Front Street, Dongcheng District 65132255, Beijing, People’s Republic of China.  Open 8:30 AM-5 M. Admission: RMB60

National Centre for the Performing Arts (Beijing, People’s Republic of China)

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The next day, after breakfast at the hotel’s Amazing Thailand Coffee Shop, we now proceeded with our walking tour of nearby Tian’anmen Square and the Forbidden City.  Along the way, we made short photo ops stops at the futuristic 12,000 sq. m. National Centre for the Performing Arts, a recognizable opera house colloquially described as “The Egg.” It’s iconic, titanium-accented and 46 m. high ellipsoid glass dome is completely surrounded by a man-made lake, said to look like an egg floating on water.

National Centre for the Performing Arts

Started in December 2001, it was finished on July 2007 and its inaugural concert was held in December that same year.  The glass dome measures 212 m. in the east-west direction and 144 m. in the north-south direction.  Its main entrance is at the north side and visitors can walk through a hallway that goes underneath the lake.  The titanium shell is broken by a glass curtain in the north-south direction that gradually widens from top to bottom.

The Man-made Lake

French architect Paul Andreau designed the center with large open space, water and trees.  It was specially designed to complement the red walls of ancient buildings and the nearby Great Hall of the People in order to melt into the surroundings as opposed to standing out against them. The center seats 5,452 people; 2,416 at the Opera Hall (used for operas, ballet, and dances), 2,017 at the Music Hall and  1,040 at the Theater Hall (used for plays and the Beijing Opera).

Entrance of National Center for the Performing Arts

National Centre for the Performing Arts: No.2 West Chang’an Ave.,Xicheng District, Beijing, People’s Republic of China