Natural Carpet Industries (Camalig, Albay)

Another cottage industry that Albay is famous for is their abaca handicraft and furniture manufacturing. Abaca (100% biodegradable and eco-friendly) and abaca-based products have been a consistent dollar earner for the Philippines, one of only two abaca producers in the world (the other is Ecuador).  At the top of the list of manufacturers is Natural Carpet Industries (NCI) in Camalig.  NCI is one of the big abaca processors that supply high‐end abaca products.

Felipe Noe M. Mapa, Jr.

Felipe Noe M. Mapa, Jr.

We dropped by NCI’s 7,300 sq. m. production area to observe the abaca product manufacturing process.  On arrival, we were welcomed by the 36 year old Camalig-born owner Mr. Felipe Noe Morin Napa Jr., Sumlang’s barangay captain and one of a pool of entrepreneurs and artists adept in creating innovative styles and designs that are in sync with global trends.

Rolls of carpets

Rolls of carpets

Abaca baskets

Abaca baskets

A stack of finished rattan chairs

A stack of finished rattan chairs

In 1995, Napa started his small handicraft business as Napa’s Handicraft, mortgaging almost all of the Napa family’s properties to set it up.  Manufacturing abaca rugs, rattan furniture and fixtures, it has survived tough competition from other handicraft producers, both here and abroad, paying its workers per piece of any hand-woven product they created.

Carpet weavers

Adding finishing touches to an abaca carpet

Now, NCI is debt-free, boasting of a complement of 120 skilled and experienced weavers and craftsmen.  They create world-class products largely to fill the demand of the export market, particularly in Australia, Canada, Middle East, Europe and China.  NCI has boosted Albay’s abaca industry and created more jobs in the province.  In 2014, Felipe received the Outstanding Albayano Award for Decorative Arts.

Basket maker at work

Basket maker at work

One of their major products is natural, eco-friendly abaca carpets which are available in so many styles and colors. Other products include abaca placemats, ottoman, carpets, sofa, beds, jelly lamps, blinds, baskets, mirror frames and, if you want, a coffin made from abaca. Like other manufacturers, they continue to produce diverse and unique products that have undergone meticulous research and conceptualization in order to ensure each product’s functionality and intricate designs.

Natural Carpet Industries (35)

Abaca strands being woven into a carpet

The manufacturing process begins with the fiber first being extracted from the trunk of the abaca (Musa textilis) plant. These are stripped by hand, dried, classified according to size, color and texture, and then segregated and stored in bales. Before weaving, each individual fiber is sorted out to ensure the consistency of the rug’s strength and superiority. The selected strands are then delicately and very carefully handwoven. From the cutting of a plant up to the start of weaving process takes about a month and a half. A 3 x 7-foot carpet takes one person a week to weave while bigger pieces can take about a month, using many different patterns.

Removing excess strands off a carpet

Removing excess strands off a carpet

Natural abaca fibers are twisted and woven by hand. I observed a woman demonstrating how to weave an exquisite, boldly textured 14” x 19” placemat. She first collected the pinuron (strands of abaca fiber) using the spinning wheel and then takes two separately collected pinurons and  alternately inserts the threads into the wooden handloom.

A handloom for weaving abaca

A handloom for weaving abaca

She then steps on the left break, inserts the first pinuron to the left side of the thread, then pounds it. Next, she steps on the right break, inserts the second pinuron to the right side of the thread, pounds it.

Newly painted baskets are placed under the sun to dry

Newly painted baskets are placed under the sun to dry

Natural Carpet Industries (NCI): Napa Bldg., Zone 5, Brgy. Sumlang, Camalig, 4502, Albay. Tel: (02) 738-9963.  Mobile number: (0917) 570-1830 and (0932) 811-1704. E-mail: napa_felipenoejr@yahoo.com.

Municipal Tourism, Culture and Arts Office: Camalig Tourism  and Pasalubong Center, Brgy. 2, Camalig, Albay.  Mobile number: (0927) 621-3315.  E-mail: camalig_tourism@yahoo.com.

Provincial Tourism and Cultural Affairs Office (PTCAO): Albay Tourism Bldg., Albay Astrodome Complex, Capt. F. Aquende Drive, 4500 Legaspi City, Albay.  Tel: (052) 481-0250 and (052) 742-0242. E-mail: albaytourism@yahoo.com and albaytourism@gmail.com.

The Ancestral Houses of Camalig (Albay)

Gonzales Ancestral House

Gonzales Ancestral House

After lunch at Rayben’s Place Restobar & Grill, we decided to burn some calories by doing a walking tour of some of Camalig’s Spanish and American-era ancestral houses.  All were within walking distance from the municipal hall.

Camalig Municipal Hall

Camalig Municipal Hall

Most of these bahay na bato (stone houses) typically have persiana (sliding wooden louver storm windows); ventanillas (openings with wooden balusters called barandillas) below the windows; and bandejado (decorative panels).

Capiz shell sliding windows (Melba Moyo House)

Capiz shell sliding windows (Melba Moyo House)

Media agua (awning), supported by wooden or ornate iron braces, wraps around over windows which use concha (checkerboard capiz shell panels) for its espejo (wrap around transom).

Persiana louvers (Gonzales Ancestral House)

Persiana louvers (Gonzales Ancestral House)

Eave calado and persiana louvers (Don Sixto Nuyda House)

Eave calado and persiana louvers (Don Sixto Nuyda House)

Their interiors have high ceilings; calado (wooden fretwork) on the upper walls; antique furniture and wide wooden floor planks.

Don Sixto Nuyda House - interior

Don Sixto Nuyda House – interior

The Nolasco House, built in the early 19th century, was owned by Diego Nolasco, a former town mayor.  The house was once used as the town’s temporary municipal hall.  Ruins of the old house, believed to be the municipal hall and judicial building, can be seen at the rear of the existing structure.

Nolasco Ancestral House

Nolasco Ancestral House

The Jaime Moyo Ancestral House, originally owned by Heron Moyo (brother of Teodoro Moyo whose descendants own the Melba Moyo House), is presently owned by Heron’s son, Jaime.  During World War II, it was once occupied by Japanese Gen. Tomoyuki Yamashita.

Jaime Moyo House

Jaime Moyo House

The Gonzales Ancestral House, presently owned by Ms. Ninibeth Gonzales, was built in 1920 and is one of the best-preserved ancestral houses in the town.  Its media agua is supported by ornate iron braces.

Ventanilla with barandillas (Gonzales Ancestral House))

Ventanilla with barandillas (Gonzales Ancestral House))

Ornate iron braces (Gonzales Ancestral House)

Ornate iron braces (Gonzales Ancestral House)

The Anson Ancestral House was originally owned by Toribia Iglesia Moya, sister of former capitan municipal (1877-1878) Doroteo Iglesia Moya and mother of Anacleto Moya Solano, last capitan municipal (1897-1900) and first presidente municipal (1901-1902) during the American era.

Anson's Ancestral House

Anson Ancestral House

It was later bought by the Ansons and transferred to the Valencianos in 1920 and returned to the Ansons in 1980.  It is distinguished by its outdoor main staircase leading to the living room and azotea.  During the Spanish era, it was used as quarters for the guardia civil.

Stairrway leading to living room

Outdoor stairway leading to living room (Anson Ancestral House)

The Melba Moyo House, built in 1932, was first owned by Barbara Nieves Moyo who late bequeathed it to her son Teodoro Moyo.  After Teodoro’s death, the house was manage by his wife Melba Grageda Moyo.  During World War II, high-ranking Japanese officials lived here.

Melba Moyo House

Melba Moyo House

One house we did get to enter, with the permission of the owner, was the Don Sixto Nuyda House, built in Geometric style of architecture in the 19th century by the previously mentioned capitan municipal Doroteo Iglesia Moya.

Don Sixto Nuyda House

Don Sixto Nuyda House

The Nuydas are affiliated with the Moyas through nephew Marcos Obligacion who took a Nuyda wife. Justino Napay Nuyda, a Bicolano zarzuela (a lyric-dramatic entertainment genre of Spanish origin) writer and the first Albay Second District congressman (1935-1941), once resided here.

Diamond-patterned concha windows (Don Sixto Nuyda House)

Diamond-patterned concha windows (Don Sixto Nuyda House)

We entered the house  via a uniquely designed stone porch that corresponds to the gillian of traditional Filipino pile houses.  Inside is an exemplary showcase of diamond-patterned concha.  It was damaged during the 2006 typhoon Reming which left 66 people dead in Albay.  The ground floor has been boarded up.

Don Sixto Nuyda House - Interior

Don Sixto Nuyda House – Interior

Mayor’s Office: Municipal Hall, Poblacion, Camalig, 4502, Albay. Tel.: (052) 484-1965

Municipal Tourism, Culture and Arts Office: Camalig Tourism  and Pasalubong Center, Brgy. 2, Camalig, Albay.  Mobile number: (0927) 621-3315.  E-mail: camalig_tourism@yahoo.com.

Provincial Tourism and Cultural Affairs Office (PTCAO): Albay Tourism Bldg., Albay Astrodome Complex, Capt. F. Aquende Drive, 4500 Legaspi City, Albay.  Tel: (052) 481-0250 and (052) 742-0242. E-mail: albaytourism@yahoo.com and albaytourism@gmail.com.

Church of St. John the Baptist (Camalig, Albay)

First built, with wood and nipa, by Franciscan friars from 1579 to 1580, the second church, together with the “escuela Catolica,” was built with stone in 1605.  This church was destroyed during the 1814 eruption of Mayon Volcano and was rebuilt with solid blocks of volcanic stones from Mayon Volcano, in 1837, by Fr. Francisco Latoba  and Fr. Manuel Brihuega.

Church of St. John the Baptist

Church of St. John the Baptist

In 1845, Fr. Miguel Barcela built the church façade, the escuela Catolica and the bell tower.  The church was finished in 1848. On November 1987, the church was damaged by super typhoon Sisang, (international name: Nina) losing its roof, ceiling and beams, but was subsequently repaired.

The church facade

The church facade

AUTHOR’S NOTES:

The church’s first level has a semicircular arched main entrance flanked by superpositioned columns and niches with statues of St. Clare of Assisi and St. Peter the Baptist (San Pedro Bautista).  The second level has rectangular windows of equal sizes. The triangular pediment, above it, has a centrally located niche with a statue of St. John the Baptist, above which is a small oculus.  It is flanked by superpositioned columns and separated from the second level by an entablature.

Plaque installed by the National Historical Commission

Plaque installed by the National Historical Commission

The 4-storey, hexagonal bell tower, on the church’s left, has massive bells and a fine view of Mayon Volcano.  During World War II, it served as a lookout for American troops searching for Japanese stragglers hiding in hillside caves.

The 4-storey, hexagonal bell tower

The 4-storey, hexagonal bell tower

Inside the church is a ceiling painted with some images, chandeliers and burial niches, including a memorial stone honoring a resident who died at the age of 115 years (1797 to 1912).  Its adjacent convent houses a small museum which displays some of the 2,000-year old bones, beadwork, potsherds and other artifacts found from Calabidong Cave.

The church interior

The church interior

Mayor’s Office: Municipal Hall, Poblacion, Camalig, 4502, Albay. Tel.: (052) 484-1965

Municipal Tourism, Culture and Arts Office: Camalig Tourism  and Pasalubong Center, Brgy. 2, Camalig, Albay.  Mobile number: (0927) 621-3315.  E-mail: camalig_tourism@yahoo.com.

Provincial Tourism and Cultural Affairs Office (PTCAO): Albay Tourism Bldg., Albay Astrodome Complex, Capt. F. Aquende Drive, 4500 Legaspi City, Albay.  Tel: (052) 481-0250 and (052) 742-0242. E-mail: albaytourism@yahoo.com and albaytourism@gmail.com.

How to Get There: Camalig is located 539 kms. from Manila and 14 kms. northwest of Legaspi City.

Church of St. Francis Xavier (Nasugbu, Batangas)

Nasugbu’s Church of St. Francis Xavier is a relatively new edifice as much of its construction happened only during the 1990’s.  The Nasugbu parish, once under the jurisdiction of the Parish of the Immaculate Conception in Balayan, underwent a sad and dark turn of events in the past.  Its first chapel, as well as a convent for the parish priest, was built in Brgy. Looc.

Church of St. Francis Xavier

Church of St. Francis Xavier

Later, the town transferred to its present location. In 1852, a church was dedicated to the Nuestra Seňora Virgen de le Escalera and St. Francis Xavier. In 1896, after the people of Nasugbu rose against the Spanish colonial regime, Spanish troops locked up almost 500 men, women and children inside the church and then set the church on fire.

The 4-storey bell tower

The 4-storey bell tower

Another simple, wooden parish church was built on its present site. Eventually, the town’s growing population necessitated the construction of the much larger, present church which was started in the early 1990’s. During the Centennial Celebration of the Archdiocese of Lipa, the church was declared as a Pilgrimage Church.

Antique bell

Antique bell

AUTHOR’S NOTES:

The church has a Romanesque-style façade with a portico over the driveway supported by fluted columns with Corinthian capitals, on top of which is an entablature and a triangular pediment. The façade’s second level, also topped by a triangular pediment, has a large, centrally located rose window flanked by two smaller circular windows.

In front of the main entrance is the church’s antique bell, forged in Spain and bearing the king’s royal seal. 

The church's interior

The church’s interior

The interior has a magnificent barrel vaulted ceiling painted in the trompe-l’œil style. The main altar, above which is a dome, features expensive hardwood carvings.  It has an antique, larger-than-life restored crucifix. The Immaculate Conception is enthroned on the Gospel side while that of St. Joseph, the patron of Batangas, is placed on the Epistle side. Underneath an antique carving of the Most Blessed Holy Trinity is an image of St. Francis Xavier surmounting the top arch.  The central focus of the magnificent altar is the Tabernacle of the Most Holy Sacrament. Beneath the altar of the church is an ossuarium.

Choir loft

Choir loft

The octagonal, 4-storey bell tower, on the church’s right, is topped by a cupola.  It can be reached by 200 steps in 3 spiral stairways and two wooden ladders. On November 21, 2006, a whole set of 18 carillon bells (the biggest weighed 320 kilos while the smallest weighed 55 kilos) from Paccard-Fonderie de Cloches of Annecy in France, costing PhP4.4 million, were installed at the tower.

Main altar

Main altar

The carillon plays in two musical scales of 18 bells, three are swinging big bells (moving to and fro and making sounds in each movement) and 15 are fixed (do not move and are struck by clappers outside), each producing a distinct tone set by its manufacturer in France. Thus, 18 bells mean 18 notes.

Trompe l'oeil ceiling

Trompe l’oeil ceiling

Church of St. Francis Xavier: J.P. Laurel St., Nasugbu, Batangas. Tel: (043) 931 – 5186.

Kalanguya Festival (Sta. Fe, Nueva Vizcaya)

The next day, after breakfast, we observed the beautiful and colorful parade of 16 floats (each representing a barangay) along the National Highway as wound its way to the Santa Fe Sports and Cultural Center at the town proper.

Brgy. Bantinan float

Brgy. Bantinan float

Brgy. Sta. Rosa float

Brgy. Sta. Rosa float

Each float had their barangay’s beauty candidate, wearing a Kalanguya costume, on board. Floats were also bedecked with the barangay’s farm produce (chayote, eggplants, tomatoes, carrots, sweet potatoes, ginger, bananas, pechay, pineapples, etc.), baskets, walis tambo (tiger grass brooms) and flowers.

The winning walis tambo-themed float of Brgy. Bacneng

The winning walis tambo-themed float of Brgy. Bacneng

At the town proper, the street dancing competition unfolded with a street performance held in front of the municipal hall and the ground demonstrations at the Santa Fe Sports and Cultural Center.  Both showcased the Kalanguya’s costumes, dance and musical instruments.

Santa Fe Sports and Cultural Center

Santa Fe Sports and Cultural Center

Alexis, Roel, Ms. Lelia E. Blancaflor (DOT Region 2 acting director), Ms. Imelda A. Garduque, also from DOT Region 2, and I were asked to judge the competition.  We would also do so for the float competition. Three contingents – Kalahan, Canabaan National High School and Sta. Fe National High School presented story lines regarding a particular Kalanguya practice.

The street performance in front of the municipal hall

The street performance in front of the municipal hall

Ground demonstration

Ground demonstration

We also observed the padit, a grand canao (socio-religious celebration) ritual featuring the traditional (but shocking to others) butchering of pigs, native chickens and 2 carabaos.  These were then boiled and served to all attendees.  Tapey (native wine) was also served to guests while the bah-liw was chanted by tribal elders.

Kalanguyas performing the padit

Kalanguyas performing the padit

Later, officials, guests and barangay officials danced the tayaw, to the beat of gangha or gangsa (gongs). Indigenous sports such as bultong (wrestling), tug-of-war, bamboo pole climbing, wood chopping, gayang (spear throwing), hanggol (arm wrestling) and dapapnikillum (pig catching) plus tapey drinking and group chanting of the bah-liw were also featured.

A pig sacrifice

A pig sacrifice

Within the festival venue are 16 booths selling jams and jellies made from guava, santol, bignay or wild berries; farm produce such as camote, gabi, vegetables, yakun, sayote, etc.; Ifugao handicrafts such as rattan baskets, woodcarvings; tiger grass soft brooms; and exotic and beautiful handwoven fabrics used as tapis by women and g-strings by the men.

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DSC07504

Farm produce at the Agri-Tourism Fair

Farm produce at the Agri-Tourism Fair

Sta. Fe Municipal Hall: Poblacion, Sta. Fe, Nueva Vizcaya. E-mail: info@santafe.gov.ph. Website: www.santafe.gov.ph.

Cordillera World (Baguio City, Benguet)

Cordillera World

Cordillera World

Before we left the ever-popular Mines View Park, Melissa, Almira, Albert, Jandy and I visited the nearby Cordillera World, one of the newest attractions in the City of Pines located on the left side of the Mines View Tourism Office.

The narrow stairs leading up to the museum

The narrow stairs leading up to the museum

Wooden sleepers on a gravel bed

Wooden sleepers on a gravel bed

A pet project of Mr. Roland Cayat, this travel destination was opened last March 2011 through the help of some local investors and the support of the members of the Mines View Barangay Council.

Registration area and donation basket

Registration area and donation basket

A showcase of the rich heritage of the original mountain tribes of Northern Luzon, it is also an excellent vehicle to support a local advocacy and special program that helps out-of-school youths to go back to school or to finance and support their young families. There is no entrance fee but voluntary contributions from generous visitors to support the project are accepted.

Cordillera World (1)

Cordillera World (4)

We entered this second floor mini-museum/souvenir shop via a narrow wooden stairway whose risers feature salutations of “welcome” in five local dialects. Once inside, we had to register our names before taking photos. Do go around the displays, we walked on wooden sleepers laid on a gravel bed..

Cordillera World (2)

Cordillera World (11)

Here, we learned more about the lifestyle and culture of the highlands, seeing and sometimes touching ancient tools, clothing and accessories used by different tribes of the Cordilleras.

Cordillera World (7)

Cordillera World (8)

Visitors can even wear colorful, woven native costumes and feathery headdresses, as well as of being armed with hand-made bows, arrows and spears, and take photos as many times as they like.

Jandy and Almira in front of the replica of an Ifugao hut

Jandy and Almira in front of the replica of an Ifugao hut

At the center of the museum is a life-size replica of an Ifugao house decorated with animal skulls, woven tapestry and palay. From a viewing deck, we enjoyed the same spectacular view of the Cordillera mountains as seen from Mines View Park.  Beside it is their version of a “wishing well” (actually a pan filled with water).

Almira, Jandy, Albert and Melissa enjoying the mountain view

Almira, Jandy, Albert and Melissa enjoying the mountain view

A "wishing well"

A “wishing well”

Unique souvenirs sold here include Ifugao wine, CD that contains local Ifugao music to savour the culture even more, wood carvings and statues, pure honey, feathered headdresses and dream catchers that are hung around the place.

Cordillera World (10)

Cordillera World: Gibraltar Rd., Baguio City, Benguet.

Ambuklao Dam (Bokod, Benguet)

After lunch and freshening up at Ambangeg Country Road Restaurant in Bokod,  we continued on our way back, along winding zigzag roads, to Baguio City.  About 36 kms. (22 mi., an hour’s drive) northeast of the city, we made a short stopover at Ambuklao Dam, in Brgy. Ambuklao.

Ambuklao Dam

Ambuklao Dam

One of Southeast Asia’s earth and rock-filled dams, is is one of the oldest power plants in the country and was among the first large hydroelectric power plants constructed in the Philippines. It impounds the waters of the upper portion of the turbulent Agno River (the longest waterway in Northern Luzon) which originates from Mt. Data, and its tributary, the Bokod River.

View of the dam from the lake

View of the dam from the lake

The adjunct irrigation system on the delta of the Agno River, it was the first in the Philippines to be served from a reservoir dam and it dams the river with 6,504,000 cu. m. of rocks, gravel and cement together with 1,000,000 cu. m. of clay earth at its core.  Its picturesque, manmade lake has a small picnic area along the shore (no restaurants though) and boats can sometimes be hired for pleasure rowing.  It is also teems with freshwater fish such as crimson snapper (maya-maya), tilapia and silver carp.

Ambuklao View Deck

Ambuklao View Deck

The dam, once ranked among the world’s tallest dams, is 131 m. high, 426 m. long at the crest and has a base width of 565 m..  The elevation of its crest is 758 m. and the roadway that runs through the top of the dam has an elevation of 756 m.. It was once the highest power dam in Asia and the second highest of its kind in the world.

Ambuklao Dam and Lake (8)

As early as the late 1940s, the development of the Agno River, for purposes of hydroelectric power generation, flood control and irrigation, had been conceived and preliminary investigations for development at Ambuklao and Binga Dam sites were undertaken, under the direction of Pres. Manuel A. Roxas, (in cooperation with Westinghouse International) as early as January 1948.

The dam's spillway

The dam’s spillway

Started in July 1950, it took 6 years and 5 months, at a cost of PhP132 million, to complete and the operation of this hydroelectric facility finally started on December 23, 1956. Its civil works contractor was the Guy F. Atkinson Company and the engineering consultant was Harza Engineering Company of Chicago. To build this engineering feat, a diversion channel was first cut to allow the Agno River to flow naturally away from ongoing work.  Then the gorge was narrowed through a series of blasts inside a mountain, thus trapping the water and forming a manmade lake.  Its water turbines, loaded on huge flatbed trucks (operating in tandem), was brought up the coast via the Naguilian Rd. and brought down via the specifically-built Ambuklao Rd. from Pacdal (Baguio City).

Tainter gates

The 8 Tainter radial gates

The dam has 8 Tainter radial gates at the dam’s spillway. Each spillway measures 12.5 m. by 12.5 m. and is 127 m. in length. The gross storage capacity of the dam’s reservoir is 327,170,000 cu. m. (265,240 acre·ft) and it has a usable storage capacity of 258,000,000 cu. m.. The drainage area is 686 sq. kms. and is 11 kms. long with a maximum width of 1 km..  It once generated 75 megawatts (MW) via three 25 MW generating units placed in an underground 17-m. high, 30-m. long and 9-m. wide power house cut from the solid rock.

Manmade Ambuklao Lake

Manmade Ambuklao Lake

On July 16, 1990, a massive earthquake hit Luzon, damaging the dam’s spillways, turbines and reservoir, resulting in siltation and technical problems that affected the plant’s operations.  In 1999, the Ambuklao Dam was decommissioned.  However, on November 28, 2007, SN Aboitiz Power-Benguet, Inc. (SNAP-Benguet), a joint venture between SN Power of Norway and Aboitiz Power, won the public bid for Ambuklao Dam and Binga Dam, its neighboring power facility in Itogon, which were sold (for US$325 million) as a package under the power sector privatization program of the Philippine government.

Transmission towers bring power from the dam to the Luzon grid

Transmission towers bring power from the dam to the Luzon grid

In December 2008, SNAP-Benguet began a massive rehabilitation project that restored Ambuklao Dam to operating status, increasing its capacity from 75 MW to 105 MW. The project required the construction of a new intake, headrace and penstock, elevation of tailrace tunnel outlet, de-silting of tailrace tunnel and replacement of electro-mechanical components. On June 1, 2011, Unit 3 became the first turbine unit to go on-line, followed by the other two units. On October 2011, Ambuklao Dam was formally inaugurated. Ambuklao Dam, designed as a peaking plant, is capable of delivering energy and providing ancillary services needed to maintain the grid.

Nicole, Violet, Rose, Almira and Lorelei at another dam view point

Nicole, Violet, Rose, Almira and Lorelei at another dam view point

How to Get There: The dam is accessible from the inter-provincial road going cross-country to Cagayan Valley through a scenic 36-km. mountain highway stretching across the crest of the dam to Kabayan.

Drive Back to Baguio City (12)

For group tours, you must apply one week in advance at the following:

National Power Corporation: Bonifacio St., Baguio City, Benguet.

National Power Corporation: Agham Rd. cor. Quezon Ave., Diliman, Quezon City.  Tel: (632) 921-3541.  Fax: (632) 921-2468.  E-mail: postmaster@napocor.gov.ph.

Tsiminda Sameba Cathedral (Tbilisi, Georgia)

The highlight of my walking tour of Tblisi, with Filipina expat Ruby Bebita, was my visit to the very majestic Tsiminda Sameba Cathedral, a ready-made photo op also known as the Holy Trinity Cathedral of Tbilisi.  The main cathedral of the Georgian Orthodox Church, it is the third-tallest Eastern Orthodox cathedral in the world.

The author at Tsiminda Sameba Cathedral

The author at Tsiminda Sameba Cathedral

The cathedral, in the historic neighborhood of Avlabari in Old Tbilisi, was erected on Elia (St. Elijah) Hill, which rises above the left bank of the Kura River (Mtkvari). Getting there involved a steep, uphill climb.

Ruby sitting at the steps leading to the cathedral

Ruby sitting at the steps leading to the cathedral

Though it has some Byzantine undertones, it was built in the traditional Georgian tetrahedron style of architecture, a synthesis of traditional styles which, at various stages in history, have dominated Classic Georgian church architecture.   The Sameba complex consists of the main cathedral church, a free-standing bell tower, the Patriarch’s residence, a monastery, a clerical seminary, theological academy, several workshops, places for rest, etc.

The cathedral grounds with the bell tower on the right

The cathedral grounds with the bell tower on the right

A winning design of Architect Archil Mindiashvili, the main cathedral’s construction was mostly sponsored by anonymous donations from several businessmen as well as common citizens. The foundation of the new cathedral was laid on November 23, 1995.  Nine years later, on November 23, 2004 (St. George’s Day), in a ceremony attended by leaders of other religious and confessional communities in Georgia as well as by political leaders, the cathedral was consecrated by Ilia II, the Catholicos Patriarch of Georgia, as well as high-ranking representatives of fellow Orthodox churches of the world.

The cathedral interior

The cathedral interior

The breathtaking cathedral’s exaggerated vertical emphasis is regarded as an eyesore by many but venerated by as many others.  The cathedral has a cruciform plan.  Its golden dome, over a crossing, rests on 8 columns and is surmounted by a 7.5 m. high, gold covered cross.  The dome’s parameters, independent from the apses, imparts a more monumental look to the dome, and the cathedral in general.

The cathedral's dome

The cathedral’s dome

This cathedral consists of 9 chapels (the chapels of the ArchangelsJohn the BaptistSaint NinoSaint GeorgeSaint Nicholas, the Twelve Apostles, and All Saints); 5 of which are situated in a large, underground compartment. The cathedral, measuring 56 m. by 44 m., has an overall area (including its large narthex) of  5,000 sq.  m., a volume of 137 cu. m. and an interior area of 2,380 sq. m. (it can accommodate 15,000 people). Its height, from ground level to the top of the cross, is 105,5 m.. The 13 m. high underground chapel occupies 35,550 cu. m..

The model of the Temple Mount in Jerusalem

The model of the Temple Mount in Jerusalem

Natural materials were used for its construction. Marble tiles were utilized for the floor and the altar was decorated with mosaic. Its murals were executed by a group of artists guided by Amiran Goglidze.  Though still without frescoes, many of the icons that adorn the walls are stunningly beautiful and the doors are carved with very beautiful images of the saints. There’s also a model of the Temple Mount in Jerusalem. Its free-standing, adjacent bell tower is also as grand as the cathedral itself. The well kept and tidy grounds are adorned with beautiful, well-manicured lawns, grass and colorful varieties of flowers

One of the cathedral's nine chapels

One of the cathedral’s nine chapels

Though it lacks the charm of the traditional and historical churches, this lovely, really big and new cathedral is still grand in its modesty and spiritual.   Seen from almost every view point in Tbilisi, it was built by sacrifice and determination.  Truly, it deserves more than a visit. As it sits high up atop a hill, it also has a fantastic view of the city and is also beautiful to behold at night when it is bathed with state-of-the-art spotlights.  The cathedral is especially packed with worshipers on Saturday nights, Sunday mornings and feast days.

How To Get There: The neighborhood is served by the Avlabari Metro Station.

Qatar Airways has daily flights from Diosdado Macapagal International Airport (Clark, Pampanga) to Tbilisi (Republic of Georgia) with stopovers at Hamad International Airport (Doha, Qatar, 15 hrs.) and Heydar Aliyev International Airport (Baku, Azerbaijan, 1 hr.). Website: www.qatarairways.com.

A Walking Tour of Shota Rustaveli Avenue (Tbilisi, Georgia)

Shota Rustaveli Avenue

Shota Rustaveli Avenue

Shota Rustaveli Avenue, the central avenue in Tbilisi formerly known as Golovin Street, was built in the 19th century when M. S. Vorontsov was ruler of Georgia, was divided into two parts – Palace Street and the Golovin Avenue. In 1918, it named after medieval  Georgian poet Shota Rustaveli, author of the immortal poem “The Knight in the Panther’s Skin.”

The author (in blue jacket) walking among sea of Georgians all in dark-colored jackets

The author (in blue jacket) walking among a sea of Georgians, all in dark-colored jackets and overcoats (photo: Ms. Riva Galveztan)

A popular place for walking, I strolled along Rustaveli to soak up the bustling, cosmopolitan atmosphere of Tbilisi’s main thoroughfare which is lined with Oriental plane trees  (Platanus orientalis) and strung with a handsome mix of modern and 20th-century architecture, with a contrasting European/Russian (Neo-Classical) look, such as important governmental, public, cultural, and business buildings as well as various cafes, shops, restaurants and other entertainment places.

Oriental plane trees lining the sidewalks

Oriental plane trees lining the sidewalks

This fine, stately avenue, which leads off to the northwest, is one of the best architectural and tourist centers of Tbilisi.  However, it is spoilt by the amount of traffic roaring up and down it these days. There are a number of pedestrian underpasses, but people here also cross the road with great nonchalance, waiting on the centre line until there’s a gap.

Freedom Square

Freedom Square

Rustaveli Avenue (Rustavelis Gamziri in Georgian or Rustaveli Prospekt in Russian) starts at Freedom Square and extends for about 1.5 kms. before it turns into an extension of Kostavas Kucha (Kostava Street).  Also branching out from this square are five other streets – Pushkin Street, Leselidze Street, Shalva Dadiani Street, Galaktion Street, and Leonidze Street. At its far end is the Freedom Square Metro Station at Rustaveli 6 where I alighted and started my stroll.

Bronze statue of St. George slaying the Dragon

Bronze statue of St. George slaying the Dragon (photo: Ms. Riva Galveztan)

Freedom Square, first called Yerevan Square was, later in the Soviet period, renamed after Lavrentiy Pavlovich Beria and then after Vladimir Lenin. In the center of Freedom Square (once occupied by a monument to Lenin which was symbolically torn down in August 1991) is the Monument of Freedom and Victory, a fountain with a very tall 40 m. high column topped by a bronze statue of St. George slaying the Dragon, a gift, unveiled on November 23, 2006, of famous Georgian sculptor Zurab Tsereteli to his native city.

Tbilisi Sakrebulo (City Assembly)

Tbilisi Sakrebulo (City Assembly)

The entire southern line of the square is occupied by the main Pseudo Moorish-style facade of Tbilisi Sakrebulo (City Assembly), a former town council building built in 1880 by German architect Peter Stern.  Its third storey, with a clock tower, was built between 1910 and 1912. This attractive building, with stripes of sandy green and white and mauresque stucco, now houses, at the eastern side of the ground floor, a well- equipped tourist information office, with plenty of free booklets, maps and helpful English-speaking staff, plus outlets of Burberry, Chronograph and Chopard.

Tbilisi National Youth Palace

Tbilisi National Youth Palace

The Tbilisi National Youth Palace, erected n 1802, was rebuilt many times, the last time from 1865-1868 when the building was enlarged by architect O. Simenson who added an arcade in front. From 1844 to 1917, the building was the residence of the Russian vice-regent in the Caucasus.  On May 26, 1918, during the meeting of the Transcaucasian Seim, the Georgian delegation left the hall and, in the adjacent White Hall, proclaimed Georgia a sovereign country.

Plaque commemorating the May 26, 1918 declaration of state independence

Plaque commemorating the May 26, 1918 declaration of state independence

At one time, Josef Stalin installed his mother here.  On May 2, 1941, during the Soviet period, it served as the Pioneers’ Palace, housing the Soviet youth organization and a Museum of Children’s Toys. Still used for youth activities, it is the best place to find classes and displays of Georgian folk dance and the like.  Around the palace is a well-kept garden, the back part of which faces Ingorokva Street. Aleksey Yermolov, the former Caucasian commander-in-chief, paid special attention to this garden, planting two large plane trees. In the past, the garden belonged to a princess of the Orbeliani family.

Old Parliarment Building

Old Parliarment Building (photo: Ms. Riva Galveztan)

Beyond the National Youth Palace is the Parliament Building, easily the most dominating building along Rustaveli Avenue.  Designed by architects Victor Kokorin and Giorgi Lezhava, it was built as a U-shaped block in 1938 (on the site of the Alexander Nevsky Cathedral, built in the 19th century for the Russian army), it’s very solid portico of tuff was built by German prisoners-of- war and the building was opened in 1953. Its 16 columns symbolize the 16 Soviet republics.

National Gallery

National Picture Gallery

The National Picture Gallery (Blue Gallery), built in 1885,  was erected by the German architect Zalzman as the “Temple of Glory” to commemorate the victory of the Russian troops over the Persians. The trophy cannons recaptured from the Persian army, stood in front of the building in the last century.

School No. 1

School No. 1

Immediately beyond the Parliament Building is the High School No. 1, founded in 1802 as the first European-style high school in Transcaucasia.  It educated many of the leading figures of recent Georgian history, including Merab Kostava, Zviad Gamsakhurdia, Tengiz Sigua and Tengiz Kitovani.

Plaque commemorating the March 9, 1956 massacre at the former Communications Building

Plaque commemorating the March 9, 1956 massacre at the former Communications Building

A good example of Russian Neo-Classicism, it has statues of Ilia Chavchavadze and Akaki Tsereteli (1958) in front.  It houses the Museum of Education. A plaque here commemorates those killed by the Soviet security forces on March 9, 1956.

Tblisi Marriot Hotel

Tblisi Marriot Hotel

Past the school, Rustaveli Avenue bends to the left and I found myself in front of the Tbilisi Marriott Hotel (No. 13), one of the massive constructions of the 20th century.  Elegantly emphasizing the avenue’s bend, this building, opposite the Ministry of Transport and Communications, was designed by ethnic Armenian architect Gavriil Ter-Mikelov in 1915 as the Hotel Majestic.

Lobby of the Tblisi Marriot Hotel

Lobby of the Tblisi Marriot Hotel (photo: Ms. Riva Galveztan)

Later, it was renamed as Hotel Tbilisi.  During the 1991-1992 Civil War, the hotel was burned and was later restored and reopened in 2002 as the luxurious Marriott Hotel.

Rustaveli State Academic Theater

Rustaveli State Academic Theater

Next to the hotel is the famous, splendid Rustaveli State Academic Theater (No. 17), one of the most beautiful buildings along the avenue. Designed by architects K. Tatishev and Alexandre Shimkevich in the French Neo-Classical style from 1899 to 1901, in the past it housed the Actors’ Society Club.

Rustaveli State Academic Theater - facade detail

Rustaveli State Academic Theater – facade detail

Its ornate architecture involves the forms and motives of the Late Baroque Period, with mirror windows and a large portal. The theater was refurbished from 1920 to 1921, for the new Rustaveli Theatre Company, and was refurbished again from 2002 to 2005. Since 1921, the theater has carried the name of Shota Rustaveli, Georgia’s national poet.  In 2006, a Hollywood-style “Walk of the Stars” was begun in front.

Rustaveli State Academic Theater - facade detail

Rustaveli State Academic Theater – facade detail

It now houses a first-class theater, a large concert hall, a large and small ballroom, a small foyer, marble staircases, classical statues and a number of big and small rooms for the Actors’ Society Club. It has three stages – a main stage (about 800 seats), a smaller stage (300 seats) and a Black Box Theater (182 seats) for experimental performances. The Kimerioni (Chimera) Cafe-Bar, at the lower floor of the theater, has  frescoes  painted in 1919 by prominent Georgian painters Lado Gudiashvili and  David Kakabadze, theater set designer Serge Sudeikin as well as Sigizmund Valishevski (he was called Ziga in Tbilisi) and Moise and Iracly Toidze.  Nearby is the Theatrical Institute.

Opera and Ballet Theater

Paliashvili Opera and Ballet Theater

Not far from the Rustaveli State Academic Theater, along the north side of Rustaveli, is the elegant Paliashvili Opera and Ballet Theater (No. 25).   Formerly the Public Theater, it was first built in 1851 but burned down on October 11, 1874.  The present Moorish-Eastern style building was designed by architect Viktor Schroter and built from 1880 to 1896.

Z.Paliashvili Opera and Ballet Theatre

Z.Paliashvili Opera and Ballet Theater – intricate molding

In 1937, the theater was renamed in honor of Zakaria Paliashvili, one of Georgia’s greatest composers. It too burned down in 1973 but was rebuilt in 1977. Its towers, arches, turrets, stained glass windows, ornaments and intricate molding at the front entrance were all laboriously and meticulously made with special care.

Z.Paliashvili Opera and Ballet Theater - window ornamentation

Z.Paliashvili Opera and Ballet Theater – window ornamentation

The theater hosted, at different times, opera singers such as Fedor Shaliapin (who said “I was born twice: for life – in Kazan, for music – in Tbilisi”), Sergei Lemeshev, Vano Sarajishvili, Zurab Sotkilava, Paata Burchuladze, Jose Carreras and  Montserrat Caballe; and ballet dancer Vakhtang Chabukiani.

Kempinski Hotel

Kempinski Hotel

Nearing the end of Rustaveli Avenue, I espied another monumental building – the former Georgian branch of Marxism-Leninism Institute. Designed by architect A. Shukin and built in 1938, its frieze is decorated with bas reliefs made by Iakob Nikoladze. Since 1993, the Constitutional Court has had its sittings there. Today, it is now home to a 200-room hotel, 50 apartments and 8 penthouses designed by Alexey Shuyev and managed by Kempinski Hotels. The new building, incorporating the historic main façade, features a domed hotel lobby and an octagonal courtyard.

Georgian National Academy of Sciences Building

Georgian National Academy of Sciences Building

Just at the end of Rustaveli is the Georgian National Academy of Sciences, a pompous building designed by architects K. Chkheidze and M. Chkhikvadze in 1953.  It has a beautiful, low Italian-style colonnade; a solemn, angular tower revetted with Bolnisi tuff.

Tower of the Georgian National Academy of Sciences Building

Tower of the Georgian National Academy of Sciences Building

Between its columns is a through arcade where you can go to the lower station (which has an oval design) of the cableway leading to the upper plateau of Mtatsminda. On the steps of the academy artists and craftsmen sell their works.

Statue of Shota Rustaveli

Statue of Shota Rustaveli

My walking tour of Rustaveli Avenue was completed upon reaching the monument to the poet Shota Rustaveli, made by a sculptor K. Merabishvili.

Pheasant’s Tears (Sighnaghi, Georgia)

(All photos courtesy of Ms. Riva Galveztan)

The endpoint of our GNTA-sponsored walking tour of Sighnaghi town proper was Pheasant’s Tears where Buddy, Pancho, Riva, Mel and I, together with our Georgian guide Sopho Makashvili, were to have lunch and sample some Georgian wine.  Pheasant’s Tears, a Georgian winery that produces artisanal natural wines according to ancient Georgian traditions, was founded in 2007 by John H. Wurdeman V and Gela Patalishvili.

Pheasant's Tears

Pheasant’s Tears

John, an en plein air painter and the first American graduate of the prestigious Surikov Institute in Moscow, first came to Georgia in 1996 and bought a house in Sighnaghi the following year. In 1998, he relocated to Georgia full time. Gela, a winegrower whose family’s connection with wine goes back 8 generations, met John in 2005 when John was painting in a vineyard near the highway in the Alazani Valley near the village of Tibaani.  They decided to work together and set up Pheasant’s Tears. The name “pheasant’s tears” refers to a Georgian story in which only the very best wines are good enough to make a pheasant cry.  

The restaurant's rustic interior

The restaurant’s rustic interior

An old wine press

An old wine press

Upon arrival, we were welcomed by Mr. Shergil Pirtskhelani, Pheasant’s Tears sommelier (wine steward), who brought us all to the winery’s basement cellar and gave us a brief introduction on ancient Georgian wine making traditions.  All wines are fermented in kvevri, traditional clay amphorae which are lined with organic beeswax and buried into the ground. Kvevri wines seem to age faster than conventional wines.

The wine cellar

The wine cellar

Fermentations using naturally occurring yeast is employed and slightly different techniques are used to make each of the wines. Some have moderate skin contact while others have minimal (3 weeks to 6 months). Stems are included in the wine making process. In 2013, the ancient traditional kvevri wine-making method was inscribed on the UNESCO representative list of “Intangible Cultural Heritage of Humanity.”

Our host Shergil Pirtskhelani

Our host Shergil Pirtskhelani

After this brief introduction, Shergil then toured us around John’s (who was at Tokyo during our visit) studio which houses his books, painting paraphernalia (easels, paint, brushes, etc.) and artwork that reflects John’s overflowing passion and love for Georgia.

Studio of John H. Wurdeman V

Studio of John H. Wurdeman V

It was now time for lunch and we all went down to the private dining room which had a warming fireplace.  The supra (Georgian feast) before us, prepared with fresh ingredients from the local markets by head chef Gia Rokashvili, a local Sighnaghian, was a take on traditional Georgian cuisine with an eye towards wine and food pairings, all designed to accommodate both veggie (Sopho and Riva belonged to this category) and meat lovers.

Kidney beans with wild thyme

Kidney beans with wild thyme

Fresh vegetable salad

Fresh vegetable salad

Stewed veal with vegetables

Stewed veal with vegetables

On the menu was matsoni (strained water buffalo yoghurt with red pepper); curds with black pepper and green onions; fresh vegetable salad, (radish, carrots, arugula, cabbage, onions, olives, tomatoes and cucumber in sunflower seed oil); mushrooms sautéed with garlic; kidney beans with wild thyme; omelet (radish greens, onions, pepper and broccoli); roast potatoes with tkemali (wild plum sauce) and stewed veal with vegetables.

The private dining room

The private dining room

While dining, Shergil poured 3 kinds of Georgian wine in our respective wine glasses for us to taste, helping us understand the roots that these wines came from.  We started with Chinuri 2013, the lightest, crispest white wine in the line-up; followed by Rkatsiteli 2011 which was spicy and exotic on the nose, with warm peachy notes; and Tavkvevri 2013, a vivid, juicy and berryish red wine.  He also assumed the role of tamada (Georgian toastmaster) as we sampled each of these wines.

Chinuri, Rkatsiteli and Tavkvevri wine

Chinuri, Rkatsiteli and Tavkvevri wine

L-R- Mel, Riva, Sopho, the author, Pancho and Buddy

L-R- Mel, Riva, Sopho, the author, Pancho and Buddy

Shergil happened to be a music teacher who teaches folk and sacred songs from Georgia with traditional Georgian stringed instruments. After our magnificent repast, he regaled us by playing the guitar while Ms. Enek Peterson, an American from Boston (Massachusetts), serenaded us with the popular spiritual song “Hallelujah” (written by Canadian singer-songwriter Leonard Cohen in 1984) plus a Georgian song. This capped a wonderful afternoon filled with great art, delightful Georgian cuisine and soul-searching music.

Shergil and Enek serenading us with two songs

Shergil and Enek serenading us with two songs

Pheasant’s Tears: 18 Baratashvili St., Sighnaghi, Georgia 4200.  Tel: 0 355 23 15 56.  Mobile number: +(995 599) 53-44-84. E-mail: jwurdeman@pheasantstears.com. Website: ww.pheasantstears.com.

Georgia National Tourism Administration: 4, Sanapiro St, 0105, Tbilisi, Georgia. Tel: +995 32 43 69 99. E-mail: info@gnta.ge. Website: www.georgia.travel; www.gnta.ge.

Qatar Airways has daily flights from Diosdado Macapagal International Airport (Clark, Pampanga) to Tbilisi (Republic of Georgia) with stopovers at Hamad International Airport (Doha, Qatar, 15 hrs.) and Heydar Aliyev International Airport (Baku, Azerbaijan, 1 hr.). Website: www.qatarairways.com.