Ilocos Sur Adventure Zone (Bantay, Ilocos Sur)

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Ilocos Sur Adventure Zone

Ilocos Sur Adventure Zone

The Ilocos Sur Adventure Zone (ISAZ), an adventure center at the boundary of the towns of Bantay and Santa, near the postcard-pretty Old Quirino Bridge, is the newest attraction in this side of Ilocos Sur.  Owned, built and operated by the provincial government, it was fully operational since  December 22, 2011.

Ilocos Sur Adventure Zone (8)

With its climbing and rappelling walls, kayak center, zorb balls, giant swing and its 400 m. long zip line that crosses the Abra River, it mostly caters to adrenaline junkies and adventure freaks and is perfect for local and international tourists wanting a bit more than visiting museums and the cobble streets of nearby Vigan City, a 15-min. drive away.

Zipline tower

Zipline tower

They also offer rock climbing and rappelling at the rocky mountains of Banaoang.

Giant Swing

Giant Swing

Adventure Zone: Brgy. Banaoang, Bantay, Ilocos Sur. Rates: zipline (Php250, one way, sitting; PhP300 each, one-way, superman; PhP500,  two way), rappelling (PhP150, 2 attempts), wall climbing (PhP150, 2 attempts), kayaking (PhP150, 30 mins.), giant swing (PhP180, single; PhP300, twin).

How to Get There: Sta. Maria-bound buses (fare: PhP25) from Vigan City pass by the area.

Old Quirino Bridge (Bantay, Ilocos Sur)

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The old Quirino Bridge

The old Quirino Bridge

The scenic Old Quirino Bridge, also called Banaoang Bridge, is an old Parker-type (camelback) bridge named after the late former Philippine President Elpidio Quirino, who hails from Vigan. Spread across the Abra River, it majestically connects the two beautiful, transcending rocky mountain slopes of the town of Santa and the tail end of Bantay, both in Ilocos Sur.

The mighty Abra River

The mighty Abra River

Considered as one of the country’s most beautiful bridges, this arch bridge, next to the Vigan Gap,  is considered an iconic symbol of Ilocos Sur. Aside from its magnificent views, it is also widely praised for its marvelous engineering and grand architectural design. The approach to the bridge is as scenic as the bridge itself.

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The original bridge trusses

At the height of Super Typhoon Feria (which devastated the province from  July 4-6, 2001), one of its steel spans was damaged and washed away.  The old, 4-span bridge was reconstructed, with a different third quarter K-truss portion, and is still presently passable.  However, on December 2007, Chinese engineers and a local construction company started to build a new, 456 m.-long replacement, a stone’s throw (350 m.) from the original bridge.

The replacement span

The replacement span

The new Quirino Bridge is a component of the Japan-funded Urgent Bridges Construction Project for Rural Development which plans to replace old bridges with new bridges, on national roads that lead to urban centers all over the country. On December 30, 2009, it was officially opened by then-President Gloria Macapagal Arroyo. The old truss type bridge, currently preserved as a tourist attraction, doubles up as a backup in case the new main bridge is damaged by typhoons.

The new Quirino Bridge

The new Quirino Bridge

Old Quirino Bridge: Vigan Gap, Bantay, Ilocos Sur

Church of St. Catherine of Alexandria, Virgin and Martyr (Santa, Ilocos Sur)

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Church of St. Catherine, Virgin and Martyr

Church of St. Catherine, Virgin and Martyr

This interesting and picturesque church is situated near the sea, one kilometer off the highway.  It was first built by Fr. Pedro Torrices from 1849-1855 and was finished by Father Luis Lagar in 1875. In 1886, Fr. Jose Rodriguez Prada restored the church and built a belfry.  A convent, built by Fr. Rafael Redondo, was eventually destroyed.

Church of St. Catherine, Virgin and Martyr (3)Its one-storey Neo-Baroque facade has well emphasized super-positioned coupled piers;   a horizontal string cornice designed with block modillon and a undulating Baroque-style triangular pediment.  The three-centered depressed arch main entrance, flanked by semicircular arched windows, has jambs bordered by protruding blocks of stone.  A circular window,  on the choir loft, has lace-like carvings. The bell tower on the right is a new construction.

Church of St. Catherine, Virgin and Martyr (4)

Address. National Highway, Santa, Ilocos Sur. Tel: (077) 725 5033. Feast of St. Catherine, Virgin and Martyr: November 25.

How to Get There: Santa is located 366.8 kms. from Manila and 41.2 kms. south of Vigan City.

Narvacan Outdoor Adventure Hub (Narvacan, Ilocos Sur)

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Narvacan Outdoor Adventure Hub

The Narvacan Outdoor Adventure Hub (NOAH), a very unique adventure camp and outdoor sports complex in Narvacan, Ilocos Sur  founded in 2005, is another reason to visit Ilocos Sur (aside from the Spanish-era Earthquake Baroque churches and the Old World charm of Vigan).

Narvacan Beach

Opened last October 2012 by the local government headed by Mayor Zuriel S. Zaragoza, this one-stop shop offering various extreme activities will surely showcase one’s adventurous side and are very close to the elements: water, wind, earth and fire.

Bantay Abot Hill seen offshore from a Hobie Cat

NOAH hosts the Philippines’ first full-scale Via Ferrata (literally meaning “Iron Road” or “Iron Path”), a vertical 280-meter climb into a steep rock wall of the majestic 1,050-ft. high Bantay Abot Hill designed with the regular tourist in mind – no climbing experience required despite the challenges posed by the cliff face.

Media Tour Group at NOAH

Now a major tourist destination and a significant leap in the transformation of the once sleepy agricultural municipality of Narvacan into an adrenaline junkie’s paradise, NOAH aims to promote tourism and the beauty of the town with its grand, rocky mountains and magnificent view of the sea.

Arko Restaurant

Aside from the Via Ferrata, NOAH’s other attractions are paragliding, Hobie Cat sailing, kitesurfing, windsurfing, 4×4 ATVs, dune buggies, etc..  It also has an in-house, beachfront restaurant (Arko Restaurant) which is the first establishment that will greet you along Sulvec Port Road. It serves both local and foreign dishes including Ilocos Sur’s very popular bagnet (deep-fried, crispy pork belly).  Its backyard is a campsite (Php150/tent).  There’s a “sustainable” bunk for bonfires and outdoor toilet and bathing facilities.

Windsurfing lessons by the beach

For those learning to sail, wind surf and kite surf (the “water” activity), the uniquely located Bantay Abot Hill, directly in front of a 3 km. stretch of beach (from the abandoned Sulvec Port all the way to the Narvacan River), causes a special wrap-around, mid-day, side shore wind in the land breeze, making it safe (you still have to wear a life vest) as it does not pose the danger of getting blown out into the open sea.

The author trying his hand at windsurfing

Though fun, windsurfing isn’t easy as the sail gets heavy when wet and, when the wind hits, its much harder to control the boom and pull it back to your body. You can enjoy the sea breeze and the offshore scenery via Hobie Cat sailing. Cost is Php2,500 for windsurfing plus lessons (6 hours), Php800/30mins. for the Hobie Cat (maximum 2 pax) with a pilot and introduction to sailing, and Php800/hr. for windsurf board rental.

Thea author (left) with blogger Dave Gatensby on board a Hobie Cat

Riding dune buggies, 4 x 4 jeeps and ATVs (drivers must have a driver’s license), considered the “fire” activity, can bring out the Mad Max in you as you follow the hilly track and explore the mini sand dunes via an exhilarating, off-road experience tailor fit for first time riders. Starting from the Rock Garden (a luxurious beachfront event place), a number of ramps provided lots of thrills. Cost is Php2,500 per 4 x 4 (5 pax  maximum capacity).

Off road driving (photo: www.solitarywanderer.com)

To climb the Via Ferrata (the “earth” activity), you have to have to no fear of heights and be reasonably fit, with strong legs and upper body to do it. First, you have to don, with the assistance of the staff, protective gear such as helmet and other rappelling and climbing gears (carabineers, harness, etc.), all high-quality equipment from abroad.  Bring bottled water. Then you have to hike, under the scorching sun, to the base of Bantay Abot.  From there, you have to pull ourselves up 150 m. to get above some boulders.

Climbing Bantay Abot Hill

Along the way are handy ropes and cables. While climbing, your two carabineers are actually clamped into a steel cable so that, when you slip, you will still be attached to the cable, saving one from a fall. Upon reaching the zipline platform, you have decide to proceed with the Via Ferrata or exit the hill via NOAH’s 520 m. long zipline.

The author atop Bantay Abot Hill

Moving at 40 kph, a zipline ride lasts about 50 seconds (it’s a bit slow near the end) as you zipped down, with a bird’s eye view of the beautiful scenery, to Arko and the Bay Boulevard.

The author getting ready to zipline down

Others who continue on with the trickier Via Ferrata, climb the vertical, 300-foot high rock face aided by steel steps drilled into the rock, a setup like climbing a step-ladder.  This is not a totally vertical climb as there are diagonal portions on the Via Ferrata that require spreading your legs wide to maintain balance and keep them upright. Reaching the top is the highlight of the climb.

The Via Ferrata (photo: www.solitarywanderer.com)

You descend the summit by rappelling via a Tyrolean traverse cable (100 ft.) – perfectly safe as its safety feature actually allowed one to let go of their hands even when suspended 200 ft. from the ground. The Full Mountain Adventure (Via Ferrata, Tyrolean Traverse and the zipline going back to camp) will cost Php800/pax. Php300 for zipline only.

The Tyrolean Traverse

The highlight of a NOAH experience has to be the “air activity of paragliding (hence the media launch theme “Love is in the Air”), a competitive as well as recreational sport. Wind conditions change throughout the day and there may be several windows within the day for a successful launch.

The author (in blue) getting ready to paraglide with Carlaa Montero of Sarangani Paraglide as my pilot

Participants (again, you should not have any fear of heights) ride pickup trucks or buggies, along a zigzagging dirt road, to the top of Bantay Abot to be followed later by the paragliding gear.

Up, up and away…..

Participants will have to fly tandem with experienced pilots.  You are both positioned along the slope, with the chute spread out above and, when the wind rushes in, you both run off the heights and become airborne, hundreds of feet up, as you fly into the setting sun.

Selfie while airborne

Exhilaration rushes as you savor the joy of flying, at the same time being mesmerized by the beautiful and breathtaking vista of the rugged Ilocos Sur landscape, mountain ranges and the vast blue West Philippine Sea spread out before you.  After a 15-minute flight, you make a solid landing at the beach.. Check out my paragliding video here.

View from the air…..

Narvacan Outdoor Adventure Hub (NOAH): Bulanos Beach, Brgy. Bulanos, Narvacan, Ilocos Sur. Tel: (02) 734-8883. Mobile number: (0919) 349-8473 (Two-6 Olangco).  Facebook: www.facebook.com/NarvacanOutdoorAdventureHub/. Instagram: @narvacanoutdooradventurehub.

How to Get There: By public transport, take any Vigan City (Ilocos Sur) or Laoag City (Ilocos Norte) bound Partas  (Cubao) or Farinas Transit (Manila) bus and tell the driver to drop you off at the Sulvec Port Road and, from there, get a tricycle going to NOAH in Bantay Abot. By car, take the North Luzon Expressway (NLEX), Subic-Clark-Tarlac Expressway (SCTEX), and Tarlac-Pangasinan-La Union Expressway (TPLEX) or the Manila North Road until you reach Narvacan. From there, take the Sulvec Port Road on the left and go straight until you see NOAH’s Arko Restauarant on your right.

Sultan Omar Ali Saifuddien Mosque (Bandar Seri Begawan, Brunei)

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Sultan Omar Ali Saifuddien Mosque

Sultan Omar Ali Saifuddien Mosque

The Sultan Omar Ali Saifuddien Mosque, often considered as one of the most beautiful Islamic mosques in the Asia Pacific is, aside from being a place of worship (Brunei’s first national mosque) for the Muslim community and solemnization ceremony site for Muslim weddings, a major historical site and a famous tourist attraction of Brunei.

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A side entrance

An example of modern Islamic architecture named after Omar Ali Saifuddien III, the 28th Sultan of Brunei (the current sultan’s late father) who also initiated its construction, the mosque serves as a symbol of the Islamic faith in Brunei and, being the tallest structure in Bandar Seri Begawan, dominates the skyline of the city.

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Sitting on a 5-acre lot, the building was started on February 4, 1954 and inaugurated on September 26, 1958. The mosque is 68.6 m. (225 ft. long), 26.22 m. (86 ft.) wide, 52 m. (171 ft., it can be seen from virtually anywhere in Bandar Seri Begawan) high and has a capacity of about 3,000.

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Pool at the grandiose wudhu (ablution area)

The mosque unites Mughal architecture and Malay styles and was designed by the Italian architect and sculptor Cavaliere Rudolfo Nolli (with architectural plans prepared by Booty and Edwards Chartered Architects), probably his last commission (he died in 1963). Construction work was done by Chinese and Malay engineers and total cost of construction was between $7.7 and $9.2 million.

The Brunei River

The Brunei River

Built in an artificial lagoon on the banks of the Brunei River at Kampong Ayer– the “village in the water,” the mosque has marble minarets and golden domes supported by walls of Italian marble (which also forms the mosque’s columns, arches and towers), a courtyard and is surrounded by a mini water fountain, a large number of trees, floral gardens.and benches for congregants and visitors to rest their weary feet.

Mini water fountain

Mini water fountain

Located right outside the mosque are wudhu (ablution areas) for men and women.The musalla (prayer hall) can be accessed through  the main entrance, which is elaborately decorated with verses from the Quran, as well as side entrances. The separate prayer area for women is located towards the left side of the entrance and up a spiral staircase.

The winding rope-shaped design on the exterior columns

The winding rope-shaped design on the exterior columns of the wudhu

The kalat (a very thick rope) shaped design, one of the local elements incorporated into the design, are plastered winding on all the outside columns. In the Brunei tradition of building lapau (halls), the kalat (rope) is actually used to install the columns and it is usually dyed with gold and other colors.

The bridge leaing to the Sultan Bolkiah Mahligai Barge

The bridge leaing to the Sultan Bolkiah Mahligai Barge

A bridge reaches across the lagoon to Mukim Sungai Kedayan in the middle of the river. Another marble bridge leads to a structure in the lagoon meant as a replica of a 16th century Sultan Bolkiah Mahligai Barge from the reign of Sultan Bolkiah, the fifth ruler of Brunei..

The Sultan Bolkiah Mahligai Barge

The Sultan Bolkiah Mahligai Barge

The barge itself, costing US$250,000, was completed in 1967 to commemorate the 1,400th anniversary of Nuzul Al-Quran (coming down of the Quran) and was used to stage the Quran reading competitions. It is a perfect spot for getting a good photo of the mosque.

The author

The author

The mosque’s most recognizable feature, the main dome, is covered in pure gold is made up of 3.3 million pieces of Venetian mosaic covering 520 sq. m. The 44 m, high main minaret, the mosque’s tallest feature, incorporates a unique mix of  Renaissance and Italian architectural styles not seen in many mosques in the world. It is equipped with four 50-watt loudspeakers that allows the voice of the muezzin (official who makes the call to prayer) to be heard as far as 4 kms. away during the azan (call to prayer). The minaret has an elevator and a 244-step spiral staircase to the top, where a visitor can enjoy a panoramic view of the city.

A minaret

A minaret

The interior of the mosque, for prayer only, features stained glass windows, arches, semi-domes and marble columns and is filled with elements of Islamic art especially the calligraphy, flowers, geometric patterns and the likes.

Chandelier and stained glass windows in the interior

Chandelier and stained glass windows in the interior

The domed ceiling is inscribed with a single Quaranic verse that reads; “Whosoever is in the heavens and whatsoever is on the earth glorifies Allah. His is the dominion and to Him belong all the praises and thanks and He is Able to do all things.” (Surah Al-Taghabun, 64:1). To the right of the slender marble minbar (which rises to the right of the mihrah which sits prominently at the end of the prayer hall) is an escalator that leads to a separate enclosure, a quiet sanctum for the royal family. Khutbah (Friday sermons) are delivered by the imam who holds a 179 cm. long staff made of impas wood and capped with a miniature of the mosque’s golden dome.

The gold-clad dome

The dome covered in pure gold

Nearly all the material used for the building were imported from abroad: the marble from Italy; the granite of the outer walls from Shanghai (China); the crystal chandeliers (weighing 2 tons) and stained glass windows (weighing 4 tons) from England; and the handmade  carpets from Saudi Arabia and Belgium.

L-R: Dyan, Karren, Tess, Luchie, Erlie and Rosanna wearing black polyester robes required for entrance into the mosque

L-R: Dyan, Karren, Tess, Luchie, Erlie and Rosanna (with hijab) wearing long black polyester jubahs required for entrance into the mosque

Members of B.E.A.T. at Sultan Omar Ali Saifuddien Mosque

Members of B.E.A.T. at Sultan Omar Ali Saifuddien Mosque

Sultan Omar Ali Saifuddien Mosque: Jalan MacArthur, Bandar Seri Begawan BS8711, Sultanate of Brunei. Tel:+231 88 090 9413. Visiting hours: 8.30 AM to 12 noon, 1.30 to 3 PM and 4.30 to 5.30 PM, Saturdays to Wednesdays, and 4.30 to 5 PM on Fridays. Closed on Thursday and during religious activities. Visitors can walk around the exterior compound from 8 AM to 8.30 PM, daily, except during prayer times. When entering the mosque, shoes must be removed and women should cover their heads with a hijab and not have their knees or arms exposed. There are jubahs (long dresses) available outside the entrance that visitors can borrow while visiting the mosque. Visitors also are not allowed to pass in front of a person in prayer or touch the Quran. They are also not allowed to take pictures inside the mosque.

Kampong Ayer (Brunei)

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Kampong Ayer - The Water Village

Kampong Ayer – The Water Village

This Water Village (Malay: Kampung Air), along the banks of the Sungai Brunei (Brunei River), is an area situated over Brunei Bay that is home to a sizable population of 39,000, representing roughly 10% of the nation’s total population.  The district, a culturally important part of Brunei that preserves the nation’s river dwelling origins, has a unique architectural heritage of wooden homes with ornate interiors.

The mainland jetty

The mainland jetty

Built entirely of stilt houses and wooden walkways, it is the world’s largest water village and the most famous water settlement of Southeast Asia.  One of the most important centers of trade in Borneo, people have lived in Kampong Ayer for over 1,300 years. When the fleet of Ferdinand Magellan visited in 1521, Venetian scholar Antonio Pigafetta dubbed it the “Venice of the East.” Kampong Ayer has been the capital of the Brunei Sultanate for hundreds of years.

The modern-looking, 20-pax bot penambang (covered water taxis)

Boarding our modern-looking, 20-pax bot penambang (covered water taxi)

The author (right) with members of BEAT

The author (right) with members of BEAT (led by president Mr. York Virtucio at left) on board our water taxi

The establishment of the land town, acting as a population magnet, did not lead to its depopulation and arrival of new residents and natural increase maintained the population balance. Most of Kampong Ayer had survived heavy World War II bombardment. Around 2013-2014, smart new, two story stilt houses made of concrete were built in the center of the Kampong Ayer and given to the people in need of a new house but not wishing to live on land. Even today, many Bruneians still prefer the lifestyle of the water village to residency on dry land.

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View of the mainland

The villages on the river’s north bank (the same side as the city center) used to cover a much larger area, but many of the stilt houses have been razed to spruce up the waterfront area around the Sultan Omar Ali Saifuddien Mosque.

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Entering the narrow waterway

We were to have a personal experience of this heritage as we took one of the many 20-pax bot penambang (modern-looking, covered water taxis) that provide rapid transit daily between the Yayasan Sultan Haji Hassanal Bolkiah, in the center of town, and the water village itself. Our private water taxis resembled a long wooden speedboat. Before leaving the jetty, we all wore life jackets.

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A foot bridge

The Water Village is really made up of a cluster of 42 small, contiguous and relatively cramped stilt villages (kampongs) linked together by more than 29,140 m. of foot-bridges.

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This self-contained, close-knit community consists of over 4,200 structures, including homes, mosques, restaurants, shops, schools and a hospital, all interconnected by maze of 36 kms. of boardwalks. All of the six water village mukims (districts) are collectively known as the water village (Kampong Ayer) but, for administrative purposes, are identified as separate mukims.

mosque

One of two mosques

fire-department

The marine fire brigade

From a distance the water village looked like a slum but it actually enjoys modern amenities. The government, through the District Office, has provided it with numerous facilities including foot-bridges, concrete jetties, piped water, plumbing, electricity, telephones, schools, two mosques, clinics, seafood restaurants, a police station, a museum and a marine fire station.

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A colorfully painted house on stilts

Many of the houses also have air conditioning, satellite television and internet access. Some of the residents even keep potted plants, in container gardens, and raise chickens. They even say that if you look at the main roads on the banks opposite the village, you’ll see luxury cars lined up on the shoulder of the road.  Many of these cars belong to water-village residents.

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A village jetty

The wooden, sun-bleached houses, painted with shades of green, blue, pink and yellow, have not been done-up for tourists. From afar, we could see the 30 km. long Temburong Bridge, which is still under construction (it is expected to be completed in 2019), and the golden roof of the largest residential place in the world, the Sultan’s Istana Nurul Iman.  We made our first and only stopover at a village jetty.  Getting off the boat was an adventure on its own as we had to climb some worn-out concrete steps.

A second mosque

A second mosque

The unfinished Temburong Bridge

The unfinished Temburong Bridge

Upon reaching the top of the jetty, we walked along a treacherous, banister-less boardwalk, some with loose or missing planks, again another adventure by itself. Walking along these planked walkways (a bit of balance is required) while observing the various homes is probably what draws visitors here. However, while the houses were far from squalid, we noticed rubbish floating or carpeting the inter-tidal mud at low tide. For an apparently affluent country like Brunei which could afford to tidy it up, it was disgusting and disappointing.

Climbing the stairs up the jetty

Climbing the stairs up the jetty

We finally arrived at a local concrete home which was way too nice to be anything close to an authentic village house. The entry hall even had a chandelier. Just like in a mosque, we had to remove our shoes before entering.  Inside, there were lots of tourists like us. Obviously, it’s part of the tourist trail.  There, a good refreshment was served – 3 kinds of colorful kuih bingka, a local traditional sweet cake, plus tea. Our snack here capped our Water Village tour and we again made our back to our boat for the trip back to the mainland.

Traversing the wooden boardwalk

Traversing the wooden boardwalk

Removing our shoes prior to entering

Removing our shoes prior to entering

Our tour of the nondescript Kampong Ayer wasn’t really a visit into the past. Rather, it was just a peek into the everyday lives of some very friendly Bruneians while seeing some of the changes that has taken place over the last thousand years or so. Interesting but not amazing. Venice it isn’t by a mile.

Three different kinds of kuih bingka

Three different kinds of kuih bingka

Kampong Ayer: Bandar Seri Begawan, Brunei.  Kampong Ayer is accessible by boat or land bridges. To get across the river, just stand somewhere where a water taxi can dock and flag one down (the fare is B$1, one way). To get to these villages from the Yayasan Complex, itself built on the site of a one-time water village, follow the plank walks, behind the Hua Ho Department Store, that lead west, parallel to the river.

Royal Regalia Museum (Bandar Seri Begawan, Brunei)

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Royal Regalia Museum

Royal Regalia Museum

After our visit to the Jame’asr Hassanil Bolkiah Mosque, we proceeded to the Royal Regalia Museum (Malay: Bangunan Alat-Alat Kebesaran Diraja), built on the site of the Winston Churchill Memorial Museum (perhaps the only such memorial to Churchill in this part of the world), constructed in 1971.

The domed ceiling

The domed ceiling

A fire destroyed the previous roof and the domed roof was built by a Japanese company. The builing was modernized and considerably extended and, on September 30, 1992, was opened as the Royal Regalia Museum which has a profusion of exhibits related to the commemoration of the 25 years of Sultan Hassanal Bolkiah‘s rule of Brunei.

The Royal Regalia Exhibition Hall

The Royal Regalia Exhibition Hall

This large gold-domed, semicircular structure is fitted with specially-designed mosaics. Gleaming marble has been used extensively in its interior.  The floor is covered with plush carpets and the spectacular, beautifully-lit circular gallery is topped with a mosaic-tiled dome sitting on the cup of the original crescent-shaped building.   

The gold-leafed Royal Chariot

The gold-leafed Royal Chariot

Prior to entering, we all removed our shoes.  On display at the entrance hall is the huge, stunning Royal Chariot, a winged chariot covered in gold leaf, surrounded by regalia from the royal crowning ceremony, that was used for the parade carrying the Sultan through the streets of the city on the occasion of his 1992 silver jubilee celebration of his coronation in 1968. In front of the chariot are a bevy of headless mannequins dressed in traditional attire.

Pedang Dan Perisai

The “pedang dan perisai” are 16 swords, with gold, silver and brass bands on the hilt, and 16 shields that were carried by 16 “awang-awang” (aristocrats)

At the reception desk, we were required to sign our names and nationality in the guest book and then deposit our bags, cameras and mobile phones (photography is only allowed in the lobby) in plastic bins before proceeding on our guided tour. Lockers are also provided free of charge, and you keep the key yourself. A historical review of the present Sultan’s life was then narrated by our guide Mohammad through the Sultan’s family pictures with detailed narrative texts (one particular photograph of interest shows the Sultan smiling at his circumcision ceremony), many of his portraits and a hologram.

The Payung Berwarna

The “payung berwarna” are 40 (8 yellow, 8 green, 8 red, 8 white and 8 black) multi-colored umbrellas with golden tops borne by 40 “awang-awang” (aristocrats) who stand on either side of the area below the “peningkah lapau”

Payung Kawan

40 “payung kawan” (yellow and red umbrellas) are carried by 40 “orang muda-muda” (the young) who stand at both sides at the area below the “peningkah lapau”

Payung Dadu

8 “payung dadu” (umbrellas with gold tips) were carried by “awang-awan” (aristocrats) who stand on both sides of the area below the “peningkah lapau”

It recreates his early childhood, chronicling his schooling in Brunei Darussalam, Malaysia and finally in Britain at the Sandhurst Royal Military Academy. Other historic pictures cover independence, the Sultan meeting his people afterwards in the mosque and in the districts; and his return from the Hajj.

Lembing Kerajaan Dan Taming

The 6 special “lembing” (royal spears) and “taming” (shields), with golden tips, are borne by 6 “beduanda kecil” (pages)

Film footage of the magnificent ceremony is screened in a small theater. A small room also houses the many military honors and decorations to his military service from well over twenty different countries.

Tumbak Benderangan

The 16 “tumbak benderangan” (royal ceremonial spears), plated in gold and silver, are borne by 16 “awang-awang” (aristocrats) decked in ceremonial attire

Artifacts that were used for royal ceremonies coronation in the country were also exhibited.  They included gold and silver ceremonial weaponry; ornate gold crown embedded with jewels; ceremonial costumes;  the symbolic Golden Cats; the silver kris; the Sultan’s costume; a solid golden forearm with  upturned palm  (which are depicted on the Royal state crest) that the Sultan used as a prop for his chin at his coronation; and orchestral instruments used during the ceremony.

Puan Kerajaan

The 4 octagonal “puan kerajaan”” (royal betel boxes), made with silver, are used for keeping flowers and are usually borne by the 4 sons of the “cheterias” (common nobles), in ceremonial attire, on both sides o the “petarana”  (throne)

A large side room on the ground floor depicts the 1968 coronation scene at the Lapau using models, pictures, words and exhibits.  Inside is an enormous, house-like and more modern (the Sultan’s tiger-skin throne was airconditioned) second chariot, equipped with an engine, which was used in the coronation of the sultan.

Sinipit Dan Taming

40 “sinipit” (spears) decorated with red “bendera pisang-pisang” at each tip, an 40 “taming” (shields) are carried by 40 warriors in red suits an “dastar”

Rows of life-size mannequin figures, clad in black and red military uniforms, stand proudly in front and behind the chariot. On the outskirts of the room are life-size photographs of adoring onlookers, probably people who were actually in the crowd that day.

The Chanang

The Chanang is a gong used in the MajlisBerjaga Jaga (before the proclamation and coronation), Gendang Jaga Jaga and other royal ceremonies

There is a scaled replica of the entrance gates of Istana Nurul Iman, the world’s largest residential palace (incidentally designed by my uncle, the late National Artist Arch. Leandro V. Locsin). Also of interest are the costumes worn by the Sultan and his two consorts during the Silver Jubilee. Queen Saleha’s costume is decorated with gold and diamonds while that of Pengiran Isteri Hajah Mariam, the Sultan’s then second wife, is decorated with gold and pearls.

Dian Alam Bernaga

The 8 readily lit Dian Alam Bernaga (candles) are placed before the Petarana (throne), at the time when the Sultan sits on the throne. During the procession, they are borne by 8 Pengarah (overseers).

Also on display are gifts from heads of state to the Sultan. They include gold-plated as well as sparkling glass miniatures of world-famous national landmarks; diamond encrusted vases; delicate porcelain tea sets; ceremonial daggers; stunning wooden carvings;, eye-catching paintings; jewel-encrusted ornaments; commemorative plates with inscribed messages and blessings; objects made from shining silver; ornate coffee tables; decorative glassware; intricate hand-made textiles; and more.

Gendang Labik

Gendang Labik (cylindrical drum)

To the left of the main entrance is the Constitutional History Gallery. Set up in 1984 as part of the country’s independence celebrations, it traces the history and development of the constitution – from 1847 when the first Treaty of Friendship and Cooperation was signed with Britain, to the proclamation of the 1959 constitution.

The author at the Royal Regalia Exhibition Hall

The author at the Royal Regalia Exhibition Hall

Jandy in front of the Royal Chariot

Jandy in front of the Royal Chariot

Inside is the signed APAC plaque from the time Brunei held the conference (November 15–16, 2000.) The plaque contains signatures of the APAC members leaders including then US President William “”Bill” Clinton’s.

Members of B.E.A.T. in front of the Royal RegaliaMuseum

Members of B.E.A.T. in front of the Royal RegaliaMuseum

Royal Regalia Museum: Jln Sultan Omar Ali Saifuddien, Bandar Seri Begawan, BS8611, Brunei. Tel: +673 224 4545 extension 201. Admission is free. Open 9 AM – 5 PM, Sundays – Thursdays, 9-11:30 AM and 2.30 – 5 PM, Fridays (closed 11:30 AM to 2:30 PM for Friday prayer), and 9:45 AM – 5 PM, Saturdays.  Last entry at 4.30 PM. You can only take photographs in the lobby and visitors are required to remove their shoes before entering the building.

Jame’asr Hassanil Bolkiah Mosque (Bandar Seri Begawan, Brunei)

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Jame Asr Hassanal Bolkiah Mosque

Jame Asr Hassanal Bolkiah Mosque

The Jame’asr Hassanil Bolkiah Mosque, the largest mosque in Brunei, was named after current Sultan Haji Hassanal Bolkiah Mu’izzadin Waddaulah.  The number 29 is significant as the Sultan is the dynasty’s 29th ruler, reigning since 1967 (the world’s third longest reigning monarch).

one of 29 chandeliers

One of 29 chandeliers

The complex is adorned with 29 magnificent golden domes made with 24 carat gold. There are also 29 ornate minarets and inside are 29 crystal chandeliers.

Main entrance

Main entrance

Locally known as the Kiarong mosque (it is also sometimes called the Blue Mosque by locals), it was started in 1988 and opened on July 14, 1994, the night before the sultan’s 48th birthday.

Side entrance

Side entrance

Built to commemorate the monarchy’s silver jubilee rule, it was impossible to miss as we head towards Gadong (BSB’s renowned entertainment an shopping district), about 3 kms. (1.9 miles) from the city center, as its four spectacular terrazzo-tiled minarets (a slight but more colorful resemblance to the Taj Mahal of India) dominate their surroundings. At night, the mosque is said to be lit up like a gold flame.

The golden dome

The golden dome

A minaret

A minaret

Build on a 20-acre lot, this stunning, breathtaking and beautiful mosque can accommodate up to 4,000 worshippers at one time.  The geometric designs are quite intricate and the interior more than matches the mosque’s lavish exterior which features pale stonework inset with gorgeous pale blue tiles.

Hallway were shoes are left

Hallway were shoes are left before entering

The wudhu (ablution hall)

The wudhu (ablution hall)

The wudhu (ablution halls), decorated with white and blue tiles, has a fountain at the center of the hall, beneath which are automatic touchless-control faucets for ritual cleansing.

The central hall

The central hall

The central hall has round columns with funnel shaped capitals. The dome has stunning stained glass with an explosion of colors. The winding marble stairs leading up to the musalla (main prayer hall) swirls around similarly funnel-shaped fountains with its many colorful lights.

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The large, awe-inspiring and serene main prayer, under a great dome decorated with Quranic inscriptions in gold on a white background, is supported by white marble pillars that surround the circumference of the hall. Myriad beautifully-woven prayer mats, custom-made with the image of the mosque imprinted on it, are scattered across the floor of the hall.

central-hall-1

The mihrab, decorated with black marble, is accentuated with gold mosaic. The whole qibla (the direction that should be faced when a Muslim prays) wall is decorated with golden mosaics with flower and vegetal motifs and Quranic inscriptions.

The stained glass ceiling

The stained glass ceiling

The minbar (pulpit where sermons are delivered) has a golden dome decorated with golden mosaics above it, mirroring the golden dome above the roof. When the Sultan comes here for Friday prayer (during which citizens can petition him with a personal letter), he has his own personal escalator at his private entrance to the mosque. Its unbelievable extravagance, at every turn, just left me speechless.

Fountain

Fountain

landscaped-garden

Serene and well manicured gardens, with trellises, fountains (which spout colorful jets of water at night) and pools with many species of flowers (mostly orchids) and plants, decorate the landscape.

Jandy and the author at Jame Asr Hassanal Bolkiah Mosque

Jandy and the author at Jame Asr Hassanal Bolkiah Mosque

Jame’asr Hassanil Bolkiah Mosque: Sultan Hassanal Bolkiah Highway, Kampung Kiarong, Bandar Seri Begawan, Sultanate of Brunei. Open 8 AM – noon, 2-3 PM and 5-6 PM, Mondays – Wednesdays  and Saturdays, 10.45 AM – noon, 2-3 PM and  5-6 PM, Sundays, closed on Thurdays and  Fridays. When entering the mosque, shoes must be removed and women should cover their heads with a hijab and not have their knees or arms exposed. There are jubahs (long dresses) available outside the entrance that visitors can borrow while visiting the mosque. Visitors also are not allowed to pass in front of a person in prayer or touch the Quran. They are also not allowed to take pictures inside the mosque.

How to Get There: Take No. 1  or 22 bus from the main bus terminal located at the multi-storey car park along Jalan Cator.

Palazzo Grimani di Santa Maria Formosa (Venice, Italy)

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Courtyard o the palazzo

Courtyard o the palazzo

The  Palazzo Grimani di Santa Maria Formosa, originally the ancient casa da stazio, an L-shaped building located at the intersection of the rios of San

Bronze bust of Antonio Grimani (Andrea Briosco)

Bronze bust of Antonio Grimani (Andrea Briosco)

Severo and Santa Maria Formosa, was the residence of the Venetian doge Antonio Grimani. It was substantially altered in 1532-1569 by his grandsons Vittore, procuratore generale of the city, and Giovanni Grimani, cardinal and Patriarch of Aquileia, giving it a classical stamp.

Giovanni allegedly collaborated with celebrated architects such as Jacopo Sansovino, Sebastiano Serlio and  Andrea Palladio.

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Two new wings, doDSC00364ubling the size of the building, were added.  A vast Roman-style inner courtyard, with loggias of marble colonnades (unusual in sixteenth-century Venice) and asymmetrical porticoes, was laden with artfully arranged sculptures, reliefs and inscriptions.The palace was completed in 1575 by Giovanni Rusconi while Alessandro Vittoria was responsible for the ornamentation of the doorway.

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The palace is composed of three parts with a small backyard. The façade, sporting

Bronze bust of Hadrian (Ludovico Lombardo)

Bronze bust of Hadrian (Ludovico Lombardo)

characteristically massive windows arches, is decorated with polychrome marble.

The most striking feature of the interior is the Sala di Psiche (c. 1540), with frescoes by Mannerist artists such as Francesco Menzocchi, Camillo Mantovano and Francesco Salviati.

Other artists who worked to the palace’s decoration include Taddeo Zuccari and Giovanni da Udine.

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Bust of Antinoüs, favorite of Hadrian

Bust of Antinoüs, favorite of Hadrian

The palazzo once held the archaeological collections (one of the finest of the time), strikingly displayed on shelves, mantelpieces and plinths in settings of the high ceiling, specially designed Tribuna and the courtyard, amassed by Cardinal Domenico Grimani and Giovanni Grimani, and donated to the Republic.

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Palazzo Grimani, internationally important for its architectural originality, the quality of its decoration and the history of its development, was purchased by the State in 1981 and, in 2001, a decree of the Ministry of the Cultural Heritage gave responsibility for its management to the Superintendency of State Museums in Venice. On December 20, 2015, it was reopened as a museum.

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An especially valuable addition to its museum circuit, the palace displays a few HiDSC04670eronymus Bosch paintings from the Grimani collection: depicting the dream-like Visione dell’Aldilà, l’Ascesa all’Empireo, and la Caduta dei dannati e l’Inferno; and the Triptych of Santa Liberata, and the Triptych of the eremiti (Sant’Antonio, San Girolamo and Sant’Egidio).

Sculpture gallery

The Sculpture Gallery with “The Rape of Ganymede (Reinhard Gomer)” hanging on the ceiling

The extraordinarily high quality decoration of the rooms iDSC04680ncludes outstanding stucco work and frescoes, reflecting the confidently unconventional taste of the Grimanis.

Palazzo Grimani, unique in Venetian history and architecture, is a fascinating treasure house of cultural, artistic and historical riches.

Statue of Laocoon and his sons

Statue of Laocoon and his sons

Palazzo Grimani di Santa Maria Formosa: Ramo Grimani, 4858, 30122 Venice, Italy. Tel: +39 041 241 1507 and +39 041 5200345. E-mail: info@palazzogrimani.org and sspsae-ve.grimani@beniculturali.it. Website: www.palazzogrimani.org. Open 8:15 AM – 7:15 PM. Admission: € 4.00 + € 1,50 reservation fee.

Church of St. Zacharias (Venice, Italy)

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Chiesa di San Zaccaria (1)

Church of St. Zechariah

The large 15th-century, formerly monastic (it was originally attached to a Benedictine monastery of nuns) Church of St. Zechariah (Chiesa di San Zaccaria) is located just off the waterfront, to the southeast of Piazza San Marco and St Mark’s Basilica.  The first church on the site was founded in the early 9th century by Doge Giustiniano Participazio  to house the body, under the second altar on the right, of St. Zechariah (the father of John the Baptist), the saint to which it is dedicated, a gift of the Byzantine Emperor Leo V the Armenian. The remains of 8 early doges as well as the artist Alessandro Vittoria (his tomb marked by a self-portrait bust) are also buried in the colonnaded Romanesque crypt of the church.

Nave

Nave

The original church, rebuilt in the 1170s (when the present campanile was built), was replaced by the present Late Gothic-style church designed by Antonio Gambello.  Built between 1458 and 1515, it was built beside (not over) the original church, the remains of which still stands. Seventy years later, the upper part of the façade, with its arched windows and its columns, and the upper parts of the interior were completed by Mauro Codussi in early Renaissance style. Thus, the façade is a harmonious Venetian mixture of late-Gothic and Renaissance styles.

Tomb of St. Zacharias

Tomb of St. Zacharias

The church’s apse, surrounded by an ambulatory lit by tall Gothic windows, is a typical feature of Northern European church architecture which is unique in Venice. The San Zaccaria Altarpiece, one of the most famous works by Giovanni Bellini (whisked away to Paris for 20 years when Napoleon plundered the city in 1797), as well as paintings by 17th and 18th century artists (at the  walls of the aisles and of the chapels).

Chiesa di San Zaccaria (11)

They include works by Andrea del Castagno, Palma Vecchio, Tintoretto, Giuseppe Porta, Palma il Giovane, Antonio Vassilacchi, Anthony van Dyck, Andrea Celesti,Antonio Zanchi, Antonio Balestra, Angelo Trevisani and Giovanni Domenico Tiepolo. The organ of the church was built by Gaetano Callido in 1790.

Chiesa di San Zaccaria (4)

The Chapel of St Athanasius, which was most of the nave and right-hand aisle of the old church, was rebuilt for the nuns in the mid-15th century and then converted into a chapel around 1595. It contains a Domenico Tintoretto altarpiece depicting The Birth of John the Baptist or maybe The Birth of the Virgin. To the right of an altar designed by Vittoria is The Flight into Egypt by Domenico Tintoretto. Over the entrance door is the Crucifixion, claimed to be by Anthony van Dyke, very redolent of the Counter-Reformation in its minimalness and drama.

Chiesa di San Zaccaria (5)

Another door takes you through to the Cappella dell’Addolorata, with cases of relics, and then into the lovely Chapel of San Tarasio, the apse of the old church, built in 1440 by Gambello. It features some very impressive frescoes in the vaulting, painted in 1442 by Andrea del Castagno (in collaboration with a certain Francesco da Faenza).  Discovered in 1923 and cleaned in the 1950s, they are the artist’s earliest extant work and feature his only signature (Andreas de Florentia).

Chiesa di San Zaccaria (7)

There are also three well-preserved Late-Gothic gilded altarpieces by brothers-in-law Antonio Vivarini and Giovanni d’Alemagna. The central three panels (dated 1385), on the main level of the high altarpiece (Saints Blaise and Martin, with The Virgin and Child in the center), are signed by Stefano di Sant’Agnese, taken from another work and inserted in 1839 in place of a reliquary. The two saints flanking them (Mark and Elizabeth) are by Giovanni and Antonio Vivarini. More saints, said to have also been added later, are found on the back. A recently discovered and restored predella, on the front of the altar, is ascribed to Paolo Veneziano.

Chiesa di San Zaccaria (8)

Church of San Zaccaria: Campo San Zaccaria 4693, 30122 Venice, Italy. Open Mondays – Saturays, 10 AM–12 PM and 4–6 PM, and Sundays, 4–6 PM. Tel: +39 041 522 1257