Taal Vista Hotel (Tagaytay City, Cavite)

Taal Vista Hotel

A lot of my childhood memories included family visits to Tagaytay  City where we enjoyed the cool and crisp (average temperature is 22.7 degrees Celsius) mountain air and a picture-pretty view of Taal Volcano from its original grand viewdeck: Taal Vista Hotel. I wanted to sample what the hotel had to offer, so I brought along my wife Grace, kids, Jandy and Cheska, plus in-laws, and stayed two nights in 2 (out of 88) interconnected superior rooms. On arrival, we were welcomed by the soft-spoken, Mr. Ikuo Itoi, and Ms Zeny Alcantara.

Check out “Hotel and Inn Review: Taal Vista Hotel

De luxe room

The hotel has its beginnings way back in 1935 when the Zamoras of Manila Hotel bought six hectares of flatland perched atop an incline along Ilong Kastila (people say it resembles a nose or ilong) from American Hammon H. Buck, the Superintendent of Schools in Batangas. Two years later, hotel was built. Its architect was probably Andres Luna de San Pedro who, just a few years earlier, renovated another landmark, the Manila Hotel, to accommodate a suite for Gen. Douglas MacArthur.

Its contractor was probably the well-known Pedro Soichi who built the Rizal Memorial Stadium in Manila. Both were favored by Commonwealth President Manuel L. Quezon who was then, as I still am now, equally fascinated with Tagaytay. Upon completion, Quezon frequently held cabinet meetings in the lodge’s premises and, on 21 June 1938, he converted Tagaytay into a chartered city by virtue of Commonwealth Act No. 338.

During World War II, the lodge was converted into quarters for Japanese officers. Between 1956 and 1964, Tagaytay began to be promoted as a major tourist attraction of the Philippines and Taal Vista Lodge was one of its leading attractions. n fact, the hotel was the public viewing ground to the September 28, 1965 (8 PM) major eruption of the volcano as well as mild to moderate eruptions from 1966 to 1970 (lasting from three to 65 days), and mild eruptions in 1976 (September 3 to October 23), 1977 (October 3 to 4 and  November 9 to 12) and 1991. In 1973, Taal Vista Lodge, now a three-star hotel, boasted a large pavilion for dinner and dancing, a bowling alley, a golf course, a billiards hall and a horseback riding area beside the lodge.

One its many regular visitors was a young man who often chose one spot in the grounds from which he gazed out and dream. That dreamer was Henry Sy whose SM Investments Corp. would later acquire the hotel. In 2002, he had the hotel rebuilt in the style of the original lodge and added 2 new extensions on the east side of the complex to provide 128 rooms, conference facilities and amenities. In 2004, this reinvigorated and now first-class hotel welcomed back guests and visitors. Today, it remains a landmark deeply entrenched in the history and heritage of Tagaytay City.

Taal Vista Hotel Historical Mural

The original building now houses the hotel’s front desk, business center, shops, ball room and meeting rooms. At the hotel foyer is the 26-ft x 8-ft. Taal Vista Hotel Historical Mural, a joint project of Paolo Alcazaren and Felix Mago Miguel.

Seasons

However, the building’s focal point are its three food and beverage outlets: Cafe-on-the-Ridge, Season’s, and the Lobby Lounge. Both take you far beyond the plate,whether al fresco or from within, as their panoramic floor-to-ceiling glass windows allows diners to watch, aside from Taal Volcano and Lake, the fog rolling in, the captivating sunset and, at nighttime, the stars or the pinpoint lights of fishing boats and the lakeshore towns. cafe-in-the-ridge, offering a la carte & buffet service, recreates the cuisine and ambiance of two continents, featuring a menu that distinctly highlights the simple elegance of Europe, the carefree disposition of Spain and the Asian mystique was offered with live entertainment at night. Season’s, where you can dine of the finest gourmet creations made from the freshest of the season,  is a classy fusion of setting and landscape, is a perfect place for intimate dinners and cozy get-togethers.

The Lobby Lounge, with its natural motifs, was an ideal rendezvous for a lazy after dinner conversation, evening interludes and winding down moments. Its well-stocked bar offers light meals, coffee or cocktails. Here, warmed by the fireplace, we all sampled hot chocolate while listening to a piano.Try sampling  the Chocolate Eruption, a sinfully delicious dessert concoction prepared and baked, minutes before serving, by Canadian executive chef Bill McGrath.

Swimming pool

The tropical style Ylang-Ylang Spa, ran by French doctor, Charles Sutter and his Filipina wife Pristine in Davao, applies all-natural techniques and ingredients rooted on the principle of  “touch therapy” which has been proven to stimulate the release of endorphins which is supposed to make you happy.

The hotel is in the midst of a Php 650 million (US$16 million) expansion which will add 133 more rooms, 6 function rooms, and a 1,000-seater grand ballroom. By the end of the year, the hotel will have a total of  261 guestrooms, 2 grand ballrooms and 16 function rooms.

Taal Vista Hotel: Tagaytay City, Cavite.  Tel: (046) 886-4325 and (046) 413-1000.  Fax: (046) 413-1225.

Casa Manila (Intramuros, Manila)

Casa Manila

From San Agustin Church, we again boarded our calesa and made a stopover at the 3-storey, colonial lifestyle Casa Manila. This museum, built in 1981, is a faithful, beautifully-done reproduction of a typical mid-19th century Spanish bahay na bato residence of Binondo merchant Don Severino Mendoza that once stood along Calle de Jaboneros in San Nicolas, Binondo.

The courtyard

It has a façade of balconies and a overhanging wooden gallery, a beautiful inner courtyard and antique Philippine, Oriental and European furniture and furnishings. Designed by Arch. Jose Ramon Faustmann with interiors by Martin I. Tinio, Jr., it is a window to the opulent 19th century lifestyle of the gentry.

The courtyard fountain

Though the house is just a reproduction, its exhibits aren’t.  No photography was allowed inside.  On display are antique 17th to the early 20th century jewelry, finely-crafted local, Chinese and European furniture and other items from the Intramuros Administration’s collection.  

L-R, Miguel, Mark, Matthew, Vicky and Francis

Casa Manila: Plaza San Luis Complex, Gen. Luna cor. Real St., Intramuros, Manila.  Tel: (632) 527-4084. Open Tuesdays to Sundays, 9 AM to 6 PM.  Admission: Php50 for children, students with valid ID and faculty members; and PhP75 for adults.

San Agustin Church (Manila)

Francis and Vicky Dionela, our balikbayan relatives, from Vienna, Austria, were in town  and my brother-in-law Mark and I toured them around Intramuros, availing of a calesa to do so.   Joining us were Mark’s sons Miguel and Matthew.  The first stop in our calesa tour was  the San Agustin Church.  I have been inside this church a couple of times, notably during the wedding of the former Susan O. Bilog, my wife’s first cousin, to Alfredo Azarcon on January 31, 2001.  However, this was my opportunity to explore it in detail.  During our visit, the church was again being prepared for another wedding.

San Agustin Church

Named after St. Augustine, Bishop of Hippo, San Agustin Church is the fifth church to be built in the country.  The mother church of the Augustinian Order, it is said to be the first mission constructed in Intramuros after the defeat of Rajah Sulayman by Miguel Lopez de Legaspi in 1571.  The first two churches were destroyed by fire on December 2, 1574 during invasion of Chinese pirate Limahong and by fire caused by a candle spark on February 28, 1583 during Gov.-Gen. Gonzalo Ronquillo de Penalosa‘s funeral.  Again fire damaged the church on the evening of March 30, 1586.  It was also damaged during the major earthquakes of 1645, 1754, 1852, June 3, 1863 and July 19, 1880.  During World War II, it was the only church in Intramuros (there are 7) to have survive the American bombardment during the liberation of Manila in 1945. Only the roof was destroyed.  However, the adjacent monastery was totally destroyed but rebuilt in 1970.  It is now the San Agustin Museum.  In 1994, the church was declared by the UNESCO as a World Heritage Site for Baroque Churches.

       
The adjacent San Agustin Museum

The present 67.15 m. long and 24.93 m. wide church, one of the most typical examples of the colonial Semi-Classical styles, was built between 1587 and 1604 by Juan Macias (said to be a Pampango builder) using hewn adobe stones quarried from Guadalupe, Meycauayan, San Mateo and Binangonan.  It has not undergone major change except for minor restorations and its being able to withstand 5 major earthquakes is attributed to its elliptical foundation (like the hull of the ship) and 1.5-m. thick walls.

       
Corridors leading to the San Agustin Museum

Its design shows Mexican influence.  The unassuming Neo-Classical façade has two levels.  The first level has 4 pairs of Ionic columns and statued niches filling the walls.  The second level has an equal number of Corinthian columns, semicircular arches and square windows.  Above it is a triangular pediment with a circular window.

       
TheProto-Baroque molave main door

The church interior is in the form of a Latin cross.  It has 14 side chapels. The original retablo, built in 1671 by Juan de los Santos, was replaced in 1681, coated with gold leaves in 1704, but was defaced in the British invasion in 1762.  The courtyard entrance and columned facade are guarded by granite lions (fu dogs) given by Chinese converts. 

       
The church interior

The church originally had two four-storey hexagonal bell towers, but the left one was dismantled after the 1863 earthquake.  It has an intricately carved, 24 ft. high and 16 ft. wide Proto-Baroque molavemain door with 4 panels depicting Augustinian symbols, an exquisite Baroque narra pulpit carved in 1627, tombstones on the floor and 12 side chapels (originally 14) dedicated to various saints. 

     
The tromp-l’oeil ceiling

Its vaulted tromp-l’oeil (from the French word meaning “deceives the eye”) ceiling, from which hang 16 crystal chandeliers from Paris (1879-80), was painted by Italian artists Giovanni Alberoni and Caesar Dibella in 1875.  Viewing it from below, the designs appear as 3-dimensional.

      
The pulpit

The magnificent choir loft, the only one of its kind in the country, has 68 beautifully handcrafted molaveseats with ivory encrustations supported by huge elliptical arches.  It was ordered by Fr. Miguel Serrano and brought in from Macao by Bishop Hernando Guerrero in 1614.   A crucifix here dates from the 17th century.  The big lectern has 16th and 17th century cantorals.

       
The main altar

Its 18th century pipe organ was newly-restored and inaugurated on November 1998.  Its classical tones, to which are attached renowned composers  Fr. Manuel Arostegui and Pakil (Laguna)-born Marcelo Adonay, echoed again during the 3-day Second International Music Festival  hosted by San Agustin Church.

       
A side altar

The remains of Miguel Lopez de Legaspi, Martin de Goiti, Juan de Salcedo and various early governors and archbishops are buried in a communal vault in a side chapel to the left of the main altar. Their bones were mixed up when the British desecrated their graves when they sacked Manila from October 6-7, 1762.  The reclining bronze statue of Legaspi was done by Spanish sculptor Juan Miguel Iriarte.  The remains of painter Juan Luna, and statesmen Pedro Paterno and Trinidad Pardo de Tavera are also housed in the church.


Another side altar

San Agustin Church: Cor. Gen. Luna St. and Calle Real, Intramuros, Manila.