Monthly Archives: November 2019

Royal Exhibition Building (Melbourne, Australia)

Posted on by — 6 Comments ↓

Royal Exhibition Building

We took a break from our tour of the Melbourne Museum and proceeded to the foyer, with other tourists, to meet up with our guide for the 2 PM  tour of the adjacent Royal Exhibition Building (“the REB”), the largest item in Museum Victoria’s collection. It was drizzling when we crossed over to the other side.The building, sitting on 64 acres at the north-eastern edge of the central business district, is 150 m. long and is flanked by Victoria, Carlton and Rathdowne Streets.  When we arrived, the Great Hall was being set up for a scheduled exam, with desks being arranged.

Check out “Melbourne Museum” and “Carlton Gardens”

Here are some interesting trivia regarding this building:

  • It is the first building in Australia to be awarded UNESCO World Heritage status, being one of the last remaining major 19th-century exhibition buildings in the world.
  • The building is the largest design of Reed and Barnes Architecture.
  • When electric lighting was installed in 1888 for the Centennial International Exhibition, it became one of the first in the world that was accessible during night time.
  • It is the world’s most complete surviving site from the International Exhibition movement 1851–1914
  • The building is one of the world’s oldest remaining exhibition pavilions
  • When it was built, the Great Hall was the largest building in Australia, and the highest building in Melbourne.

Plaque Commemorating the Laying of the Foundation Stone

This building, built in 1879-80 as part of the international exhibition movement (between 1851 and 1915, it presented over 50 exhibitions around the globe), is representative of the money and pride Victoria had in the 1870s.

Plaque Commemorating the Centenary of the Melbourne Museum

Designed by architect Joseph Reed of Reed and Barnes Architecture (they also designed the Melbourne Town Hall, the State Library of Victoria and the Baroque style gardens), the Royal Exhibition Building is composed of brick, timber, steel and slate.

The building’s soaring dome

Its soaring dome was modeled on Brunelleschi’s dome at the 15th century Florence Cathedral while the main pavilions were influenced by the style of Rundbogenstil  (a round-arched architectural style combining elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings) and several buildings from Normandy, Caen and Paris.

The building, with the scale of the French Beaux Arts, has a Latin cross-shaped cruciform plan.  The long, nave-like wings are symmetrically placed east-west about the central dome with a shorter wing to the north.

Grace and Jandy in front of the building

The building consists of a Great Hall, of over 12,000 sq. m., flanked by lower annexes to the north on the east and west sides, and many temporary galleries between.  The Great Hall, still in beautiful condition, is crowned by an octagonal drum and dome.

The Great Hall

The dome, rising 68 m. and 18.3 m. across, has a double shell and was formed using a cast iron and timber frame. There was a viewing platform around the dome that allowed visitors to survey the progress of the booming city.  Windows in the drum of the dome, at the crossing, bring in sunlight for a bright open space.

Our tour guide

The sober interior, painted in the color scheme of 1901, has murals.  The great dome, painted to represent the sky, has the words (surviving from 1888) “Victoria Welcomes All Nations” underneath plus four mottos suitable for a new nation: Dei gracia (“By the Grace of God”), Carpe diem (“Seize the Day”), Aude sapere (“Dare to be Wise”) and Benigno numine (“With Benign Power”). A frieze shows the products of agriculture and hints at the wealth of the new nation.

Pendentive: Hercules

Pendentive: Venus

At the pendentives are the mythological figures of Hercules, Venus, Mars and Mercury while on the arches are lunettes (half-moon shaped spaces where the arches meet cornices) rich with allegorical symbolism representing The Arts Applied to Peace in the north, The Arts Applied to War in the south, Federation (showing Britannia welcoming the six federated states as young women) at the west and Government (showings Knowledge enthroned, surrounded by figures representing the arts, education and defense) in the east.

Lunette: Arts Applied to Peace (North)

Lunette: Government (East)

Eight women, in draped costumes, symbolize the Four Seasons, Night and Morning, and Justice and Truth. Under the dome are plaster heads (including an Indigenous Australian, a Chinese man, and an Indian) from the first decorative scheme of 1880.

Lunette: Arts Applied to War (South)

Lunette: Federation (West)

Throughout the 20th century, smaller sections and wings of the building were subject to demolition and fire.  However, the main building, known as the Great Hall, survived.

Justice

Throughout the 1990s and in 2004, it received restoration. Renovations include the timber flooring, building services, externals, and stonework. For safety, most timber staircases have been replaced by concrete. Through all renovations though, the site has continued to be very authentic.

Truth

Here is the historical timeline of the building:

  • On December 1877, a completion was announced for the design of a suitable building for Melbourne’s proposed international exhibition. Eighteen entries were received and the winner was Joseph Reed
  • On February 19, 1879, the foundation stone was laid by Victorian governor George Bowen.
  • Built by David Mitchell (who also built Scots’ Churchand St Patrick’s Cathedral), it was completed in just 18 months.
  • On October 1, 1880, it was opened by the Marquess of Normanby, the governor, the Melbourne International Exhibition. The walls then were left bare and windows and door joinery colored green.
  • In 1885, an aquarium, museum and picture gallery was opened at eastern annex of the Exhibition Building.
  • On August 1, 1888, the building hosted the Centennial International Exhibition celebrating a century of European settlement in Australia. Its decoration was by interior designer John Ross Anderson (also known for the interior design of the ANZ ‘Gothic’ Bank) and the walls were painted for the first time.  The exhibition closed on January 31, 1889.
  • On May 9, 1901, following the inauguration of the Commonwealth of Australia on January 1, the formal opening of the first Parliament of Australia, witnessed by the Duke of Cornwall and York (later King George V) and 12,000 guests, was held there. After the official opening, the Federal Parliament moved to the Victorian State Parliament House. For the next 26 years, Victorian Parliament moved to the Exhibition Building.
  • In 1902, the building hosted the Australian Federal International Exhibition.
  • On February 4, 1919, the Exhibition Building was turned into a hospital to treat Melburnians struck down by the Spanish flu.
  • In 1948, via a vote by members of the Melbourne City Council, it was narrowly decided not to demolish the building.
  • In 1953, the wing of the building which once housed Melbourne Aquariumburnt down.
  • In 1956, it was a venue for the 1956 Summer Olympics, hosting the basketball, weightlifting, wrestling, and the fencing part of the modern pentathlon
  • In the 1970s, the western annex was demolished.
  • In 1979, the grand ballroom, the last remaining original annex, was demolished amid controversy.
  • On October 1, 1980 during a visit to Victoria, Princess Alexandraof Kent unveiled a plaque which commemorated both the opening of the new mirror-glass “Centennial Hall” (which replaced the grand ballroom) and the centenary of the building. She also unveiled a second plaque commemorating the bestowal of the title “Royal” on the building by Her Majesty the Queen.
  • In 1987, the first conservation assessment of the building was undertaken by Alan Willingham.
  • On July 1, 2004, the Royal Exhibition Building and Carlton Gardens was granted listing as a World Heritage Site. The heritage listing states that “The Royal Exhibition Building is the only major extant nineteenth-century exhibition building in Australia. It is one of the few major nineteenth-century exhibition buildings to survive worldwide.”
  • In October 2009, Museum Victoria embarked upon a major project to restore the former German Garden (covered by asphalt in the 1950s for car parking) of the Western Forecourt.

Winter

Still in use today as a commercial exhibition venue, the Royal Exhibition Building hosts various exhibitions and other events on a regular basis such as the Melbourne International Flower and Garden Show. It is closely tied with events at the The Melbourne Museum which offers regular tours here.

The dome

The Royal Exhibition Building is also used as an exam hall for the University of Melbourne, Royal Melbourne Institute of Technology, Melbourne High School, Nossal High School, Mac.Robertson Girls’ High School and Suzanne Cory High School.

However, the building is no longer Melbourne’s largest commercial exhibition centre. The Melbourne Exhibition and Convention Centre, located in Southbank to the south of the Melbourne central business district, is the modern alternative.

Royal Exhibition Building: 9 Nicholson St. cor. Victoria Parade, Carlton Gardens, Melbourne 3053, Australia. Admission (purchased at Melbourne Museum): $10 (adults), $8 (concession) and $7 (child/member).  Tours may not run when the building is in use for certain events and exhibitions. Tel: 13 11 02.

Melbourne Museum (Australia)

Posted on by — 3 Comments ↓

Jandy at Melbourne Museum

The Melbourne Museum, a natural and cultural history museum axially aligned with the adjacent Italianate Royal Exhibition Building (and referencing it, along with the skyscrapers of Melbourne’s central business district, with its monumental scale and protruding vertical facets), provides a place for education, history, culture and society to engage with each other in a contemporary setting.

Check out “Royal Exhibition Building“

The museum complex

A project of the Government of Victoria (on behalf of Museums Victoria who administrates the venue), it is a rich response to Melbourne’s urban condition and is now an important part of Melbourne’s soft infrastructure.

The is located on the site of the former Melbourne Exhibition Speedway (which operated from November 5, 1928 until March 7, 1936).

Here are some interesting trivia regarding the museum:

  • It is the largest museum in the Southern Hemisphere
  • The museum is also one of Victoria’s top 10 destinations for travelers
  • The museum is consistently ranked as one of the most popular museums and tourist attractions in Australia, winning ‘Best Tourist Attraction’ at the Australian Tourism Awards in 2011
  • Since 2016, it housed the world’s largest IMAXTheatre screen.
  • Melbourne Museum was one of the venues of Festival Melbourne 2006, a citywide art festival held in conjunction of the 2006 Commonwealth Games, which was held in Melbourne.
  • During the years 2010–2011, it received 1,428,238 visitors and, for that, received the RACV Award for major tourist attraction.
  • During 2010–2011, Melbourne Museum’s Science and Life gallery was honored with the Large Permanent Exhibition Award due to its outstanding design and flow.

Jandy and Kyle

The Melbourne Museum, a Post-Modernist building, was designed by Denton Corker Marshall Architects, who specializes in city planning and urban design, mainly concerns their practice with responding to social desires. One of Denton Corker Marshall’s award-winning projects, the sticks and blades that make up the Melbourne Museum are hallmarks of Denton Corker Marshall’s architecture.

Its construction was managed by Baulderstone Hornibrook.   Officially opened on October 21, 2000 by the Hon. Steve Bracks, the Premier of Victoria at the time, it was completed in 2001.

The museum building, arranged in an individual layout (referencing Melbourne’s iconic Hoddle Grid, which allows the importance of each component of the buildings historical, cultural and social significance to be read in loosely equal hierarchy and individuality), features a grid-like order that embraces eccentric metal clad forms extruding out and creating an irregular sculptural composition with moments of abstract color throughout the building.

The building, dissected into different spaces (so an individual can navigate through and around the building in an orthogonal manner), was designed as both a single building and a network of individual buildings integrated into the landscape of the Carlton Gardens, a large public park.

Check out “Carlton Gardens“

The two very long and very high, sloping canopies (or blades), each acting to guide visitors from the street into the museum, are the most prominent element of the building, rising up from the centrally placed entrance opposite the north door of the Royal Exhibition Building. Another larger blade-like roof, on the northern side of the building, rises up from the center to the north, a landmark of similar scale to the central Florentine dome of the Royal Exhibition building.

Beside the main entrance is a prototype, constructed in 1947, of a CAC (Commonwealth Aircraft Corporation) delivery van.

A florist delivery van called the CAC Deliverette

A 3.86 m. high statue of Mercury, modeled by sculptor and painter C. Douglas Richardson, was inspired by Giambologna‘s bronze statue, made in Florence in 1580. Made of 20 pieces of beaten copper which were riveted together and cast by W.H. Rooke of Melbourne, circa 1899, it was donated to the museum by David Syme & Co. Ltd. On April 14, 1997.

Bronze statue of Mercury

Suspended over the entrance foyer is the full scale replica of John Duigan‘s 1910 biplane (the first Australia-built airplane to fly), built by Ronald Lloyd Lewis between 1984 and 1995, and donated to the museum in 1999.

Duigan Biplane Replica

Outside the main galleries are various displays relating to Victoria’s and Australia’s history, including CSIRAC (an early computer built in Australia) and a large, articulated skeleton of a pygmy blue whale at the Main Foyer.

Skeleton of Pygmy Blue Whale

At the Upper Level Balcony are some wind turbine models. A wind turbine model, commissioned by Pacific Hydro Limited, Melbourne, circa 2001, and was made in Denmark.

Wind Tubine Model

This model, based on contemporary wind turbines that were installed in Victoria during the early 2000s, is 5.5 m. high, has a rotor diameter of 4 m. and  is powered by a small electric motor.  Its white pole supports 3 white slimline blades.

Another windmill model, modeled on the Baker Run-in-Oil type (“Oilbath” is painted on the vane) steel windmill (first made in 1923), was made by William McCook, 1970-1990, and was constructed from metal with a rotating wheel and vane.

Federation Tapestry. L-R: “Making Do”(2001) and “Now Exploration & Settlement Underway” (2001)

The almost 41 m. long Federation Tapestry, created by 22 artist-weavers who spent an estimated 20,000 hours at their looms) from the internationally acclaimed Victorian Tapestry Workshop (renamed the Australian Tapestry Workshop in 2010), South Melbourne, was commissioned to mark the centenary of Australia’s Federation.

L-R: “Alone in the Bush”” (Reg Mombassa, 2001) and “Ngak Ngak in Limmen Bight Country” (2001)

The images, in 10 panels, range from Aboriginal dream time legends to a solitary shepherd in the bush with his sheep and dog, from the clamor and rejoicing that marked Federation in 1901 to the enigmatic ‘Sorry’ etched across the sky above the sails of the Sydney Opera House in the year 2000.

Federation Handbells

The beautifully crafted Federation Handbells, originally commissioned by Arts Victoria for the 2001 Centenary of Federation, are the world’s first true harmonic bells. Cast in silicon bronze, each set of bells have a unique design and pitch, covering two chromatic piano octaves (from E to E). Played by striking them with a mallet, the bells can be played in the style of a xylophone by a single musician controlling a set of bells, or each musician can play one bell. Ranging in size from 120 to 180 mm. high, they have an average weight of 1kg. each.

Dinosaur Walk

The 384 sq. m. Science and Life Gallery, at the west end, showcases six exhibitions – Bugs Alive, Marine Life, Dinosaur Walk, Wild: Amazing Animals in a Changing World, 600 Million Years and Dynamic Earth

Tarbosaurus bataar

The Dinosaur Walk, one of the highlights, houses a skeleton of a Diprotodon (a giant wombat-like creature) and skeletons of  10 dinosaurs such as the Tarbosaurus (Giant meat eater, Tyrannosauridae), Mamenchisaurus (Giant sauropod), Tsintaosaurus, Hadrosaurid, Pteranodon, Gallimimus and Hypsilophodon, 3 pterosaurs, one mammal-like reptile and Australian megafauna.

Wild – Amazing Animals in a Changing World

Wild: Amazing Animals in a Changing World, a permanent exhibit, presents the fragile state of Australian biodiversity, environment, and climate through the display of more than 750 animal specimens, in a spectacular vertical array, from around the world from a natural history collection, arranged in a striking theatrical style, interactive and can be viewed from many angles. It also examines how they are affected by climate change and human activity, and what we can do to help them.

Amazing Animals of Eurasia and North America

Here, we saw the wildlife (birds, reptiles, mammals and amphibians) of Victoria’s unique environments displayed by biogeographic regions. On the panoramic navigators, we looked up each animal and saw which animals are thriving and which are merely surviving and learn what you can do to help them. We also learned about the migration of shorebirds over thousands of kilometers as they move between their feeding and nesting grounds

Sam the Koala

On permanent display in Wild are a Malleefowl nest, the Murray Cod (the Murray river’s biggest resident) and the taxidermied mount of Sam the Koala, a a female koala from the forests of Mirboo North and symbol of the Black Saturday bushfires in 2009.

Marine Life- Exploring Our Seas

The Marine Life: Exploring our Seas Exhibit shows the wonderful life of marine Victoria and covers how Victoria’s marine creatures use camouflage, speed, poisons and spines to evade predators. Here, we investigate underwater ecosystems, inspect animal adaptations, explore marine habitats such as stunning sponge gardens and vibrant seagrass beds, and examine sharks jaws and a giant 10 m. long squid.

10 meter long squid

The 600 Million Years: Victoria Evolves Exhibit, opened in 2010, depicts the origins of Life in Victoria through fossils, models, animatronics (such as an animatronic Qantassaurus, a small dinosaur that lived in Victoria some 120 million years ago) and animations (shows how these animals moved, ate and battled to survive). Things that can be touched include the teeth of a giant shark, the skeleton of Archaeopteryx, and a sea floor that ended up high in the Grampian Mountains.

600 Million Years – Victoria Evolves

Starting with the explosion of life in the sea, you’ll see multicellular life, extraordinary body forms that have no living ancestors today, and early forms of ancient groups like crinoids, bryozoans and cephalopods. Next, we follow the evolution of life as it moved from sea to land and then diversified into the mammals, reptiles, birds and plants we know today.  We also learn about the geological processes that moved landmasses, built mountains and transformed rocks.

Deserts and Ice

Rocks and fossils show how the climate of Victoria has changed, from glacial to tropical and everything between, and the effects of the asteroid that wiped out the dinosaurs 65.5 million years ago.

Sandstone (Grampian Ranges – Silurian)

Fossils and specimens from the museum’s collections include irreplaceable skulls of giant megafauna, early whales and marsuipials long-gone from Australia’s mainland and some more prehistoric animals such as the Muttaburrasaurus, Tiktaalik and Anomalocaris.

Bugs Alive

The Bugs Alive! Exhibition, created in 2004, showcases the roles and life-cycles of the the invertebrates, a critically important animal group.  It features 50 living displays with an even greater number of species.

The Melbourne Gallery, at the east end, exhibits the mounted hide of Phar Lap, a beautiful chestnut gelding and race horse that won 37 races from 51 starts in 3 years, including the Melbourne Cup, during the depression era.

Phar Lap

The Melbourne Story explores the history of Melbourne and Victoria from the time of earliest contact between white settlers and local Indigenous people during early 19th century through to present day.

Little Lon, a predominantly working class area, was characterised by a series of laneways, with small properties packed together creating crowded and unsanitary conditions.

The museum is also custodian of artifacts excavated from ‘Little Lon’ is an inner-city block in Melbourne bordered by Lonsdale, Exhibition, Little Lonsdale and Spring Streets. The city’s “Red Light District,” Little Lon was also home to the city’s poorest residents and recently arrived immigrants from Ireland, Italy, China and Syria.

Model of the SS Orcades, an ocean liner serving primarily the UK – Australia – New Zealand route

The Mind and Body Gallery, a gallery regarding the human body, is the world’s first exhibition about the mind. The “Mind: Enter the Labyrinth,” a permanent exhibition, explores how the mind works and offers ways to understand such illnesses as bipolar disorder and depression.

The Ames room is a neat illusion because it can be instantiated in real space, as has been done in numerous science museums

“Empathy booths” show videos of actors performing real-life stories prepared by SANE, a mental-health advocacy group. Among its 300 exhibits are artworks, on loan from the Cunningham Dax psychiatric art collection, which include paintings by a 16-year-old girl, completed just before she committed suicide.

Mind and Body Gallery

The Evolution Gallery, at the upper level, features the exhibition “Darwin to DNA” which shows the roles of Charles Darwin and Alfred Russel Wallace in developing the theory of evolution. Displayed in historical showcases are actual animal specimens, that they collected, which helped them interpret evolutionary processes and patterns. The photos and specimens also illustrate conditions necessary for evolution, making youl consider how evolution acts upon genetic mutations.

Cunningham Dax psychiatric art collection

DNA evidence, which challenges previous notions of the uniqueness of humans and the concept of race and helps us examine the relationships between species, is also highlighted by this exhibition.

Forest Gallery

The Forest Gallery, the centerpiece of the museum building, is a living temperate Victorian forest environment, complete with hundreds of living plants and live animals such as birds, reptiles, amphibians and invertebrates and other fauna.

This massive living and breathing exhibition, offering a window into the tall forests of eastern Victoria, is home to the ongoing Forest Secrets exhibition which examines the agents of change within the forests.

Bunjilaka Aboriginal Cultural Centre

The Bunjilaka Aboriginal Cultural Centre, planned in collaboration with many Aboriginal people, including the traditional owners of Melbourne (the Boonwurrung and the Woi wurrung), includes galleries with exhibitions by and about the Koorie people and other Aboriginal peoples of Victoria.

Bunjilaka Welcome Rug

At the foyer/reception area is the amazing Bunjilaka Welcome Rug designed by artist Vicki Couzens to provide a focus and gathering point for welcoming visitors to Bunjilaka. The design symbolizes the pathway that people take to gather for a ceremony, dance or song.

Wurreka (Judy Watson)

Spanning the north wall of Birrarung Gallery and surrounding the entry to First Peoples is Wurreka, a zinc wall of 74 etched panels, each reflecting imagery from Aboriginal cultural heritage and landscapes of Victoria, designed by Waanyi artist Judy Watson from Queensland.

Te Pasifika Gallery

From the First Peoples gallery is the light filled Te Pasifika Gallery, a bright soaring space. This exhibition, which highlights the history and finely carved water crafts of Pacific island nations including Fiji, the Cook Islands, Niue, the Solomon Islands and Aotearoa (New Zealand), was developed in collaboration with the Pacific Island Advisory Group and community members in 1997 and was opened in 2001.

Here, we gaze up at the life-size crab claw sails, containing motifs of Melanesia in the north east, Micronesia in the North and Polynesia in the South East, created by the Victorian Pacific Island Council and community, and walk underneath exquisite canoes from Papua New Guinea, the Solomon Islands, Tuvalu, Niue and the Marquesas Islands.

Te Pasifika Gallery

The Pauline Gandel Children’s Gallery, housings exhibitions aimed at 3 to 8 year olds, combines hands-on exploration and discovery, open-ended play-based learning, extraordinary immersive environments and unique museum collection objects.

Te Pasifika Gallery

The Touring Hall, where international touring exhibitions are displayed, has, in the past, exhibited “A Day In Pompeii” (June 26 to October 25, 2009, Melbourne Museum’s most popular temporary exhibition), “Hatching the Past: Dinosaur Eggs and Babies’ (May 30, 2008 to August 24, 2008), “The Great Wall of China: Dynasties, Dragons and Warriors” (March 23, 2007 to July 22, 2007), “Spirit of the Games: The Opening Ceremony Revealed” (March 18 to July 23, 2006) and “Dinosaurs from China” (2005).

Museum Market Cafe

In addition to its galleries, the museum also features the free Discovery Centre, a cafe (Museum Market Cafe), a souvenir shop (Museum Shop) and an IMAX Theatre screen showing movies and documentary films in large-screen 3-D format.

Museum Shop

Melbourne Museum: 11 Nicholson St., Carlton Gardens, 3053 Melbourne, Australia. Open daily, 10 AM – 5 PM (closed Good Friday and Christmas Day).

 

Carlton Gardens (Melbourne, Australia)

Posted on by — 1 Comment ↓

Carlton Gardens

The 26-hectare (64-acre) Carlton Gardens, a World Heritage Site located on the northeastern edge of the Central Business District, is bounded by Victoria Street, Rathdowne Street, Carlton Street, and Nicholson Street.Often called the Exhibition Gardens, it was designed by Edward La Trobe Bateman and laid out in the late 1850s.  Most of this work was obliterated when the Gardens were redesigned for the 1880 Melbourne International Exhibition and the central third excised to accommodate Joseph Reed’s Royal Exhibition Building. 

The rectangular site, gently sloping down to the southwest and northeast, contains the Royal Exhibition Building, Melbourne Museum and Imax Cinema, tennis courts, maintenance depot and curator’s cottage, and the award-winning children’s playground (designed as a Victorian maze) at the northern section and two small ornamental lakes adorning the southern section of the park.

Check out “Royal Exhibition Building” and “Melbourne Museum“

An example of Victorian landscape design, the Carlton Gardens are of scientific (botanical) significance for their outstanding collection of plants, including conifers, palms, evergreen and deciduous trees, many of which have grown to an outstanding size and form.

Kyle posing beside an ornamental lake

It has sweeping lawns and varied European and Australian tree plantings consisting of deciduous English oaks, White Poplar, plane trees, elms, conifers, cedars, turkey oaks, Araucarias and evergreens such as Moreton Bay figs, combined with flower beds of annuals and shrubs.

The 550 cm. high, circa 1880 bronze French Fountain, at the Nicholson Street entrance, features three youths, each supporting a dolphin, above which rests a cupped scallop shell. The fountain forms the centerpiece of a round garden bed and its waters flow into the large, concrete pool in which it sits.

According to the listing in the Victorian Heritage Register, the elm avenues of field elms (Ulmus procera) and Dutch elms (Ulmus × hollandica) are significant as there are few examples remaining, worldwide, due to Dutch elm disease.

The iconic Hochgurtel Exhibition Fountain, designed by sculptor Joseph Hochgurtel for the 1880 Exhibition, is located in front of the Melbourne Exhibition Center. As described in the plaque, the fountain symbolizes “Arts, Sciences, Commerce, and Trade, and Industry.”

The garden also contains a rare specimen of Acmena ingens (a rainforest tree of eastern Australia, only five other specimens are known), an uncommon Harpephyllum caffrum and the largest recorded in Victoria, Taxodium distichum and, south west of the Royal Exhibition Building, outstanding specimens of Chamaecyparis funebris and Ficus macrophylla.

The pink granite Westgarth Drinking Fountain, manufactured by Alexander McDonald & Co., was presented to the people of Victoria by 1840s pioneer William Westgarth, when he returned to Melbourne to visit the Centennial Exhibition in 1888. This tiered drinking fountain has two cast-bronze drinking spouts, each taking the form of an emu. It has two embracing kangaroos surmounting the drinking troughs, which in turn are surmounted by a finial-like bronze and glass light.

A network of tree-lined paths, providing formal avenues for highlighting the fountains and architecture of the Exhibition building, includes the grand allee of plane trees that lead to the exhibition building.

A duck and its young swimming on the lake

Wildlife found here includes brushtailed possums, ducks and ducklings in spring, tawny frogmouths, kookaburras, Indian mynas and silver gulls while, at night, Gould’s wattled bat and white-striped freetail bats hunt for insects.  When native trees are flowering or fruiting, grey-headed flying foxes also visit the gardens.

The gardens also contains three important fountains – the Exhibition Fountain; the French Fountain; and the Westgarth Drinking Fountain. The gardens, including the Exhibition Building and the fountains, are now a popular spot for wedding photography.

Carlton Gardens: Carlton, Melbourne, Australia

Phillips Island – Penguin Parade (Melbourne, Australia)

Posted on by — Leave a reply

Penguin Parade (photo: www.visitphillipsisland.com)

The highlight of our Phillip Island tour was the iconic Penguin Parade, one of Australia’s most popular tourist attractions. Frolicking, friendly fairy penguins from Australia’s largest colony of Little Penguins (smallest species of penguins in the world) arrive at sunset every evening and the access doors of the new Penguin Parade Viewing Center to the viewing areas open approximately 1 hour prior to estimated penguin arrival time.

Check out “Penguin Parade Viewing Center”

 

Little Penguin (photo: www.visitphillipisland.com)

More than six hectares of prime penguin habitat from the important Summerland Peninsula (which the penguins land on to find their burrows each evening) were restored on the site of the old visitor center building and coach parking areas, creating homes for an additional 1,400 breeding penguins.

Leaving the Penguin Parade Visitor’s Center for the parade grounds

These penguins breed in burrows, held together with native grasses and Bower spinach, usually made in the sand dunes during the winter months. Around The Nobbies and the rehabilitated areas of the Penguin Parade Visitor Centre, the penguins nest in wooden nesting boxes provided by Phillip Island Nature Parks. Egg laying (two whitish eggs are usually laid) starts in winter and can continue until December.

The wooden boardwalk

As soon as the access doors opened, we made our way, together with the others guests, along the viewing boardwalks, to the beach.  Along the way, we passed by a number of the aforementioned wooden nesting boxes. At the end of the boardwalk, we were all made to sit down at wooden bleachers along the beach.  As the bleachers were already full, we just sat down on the sand.

Wooden nesting boxes

Photography was strictly forbidden from the stands, where we sat or anywhere else as penguins have sensitive eyes and a bright, sudden flash or unusual light can frighten or disorientate a penguin. To ensure penguins keep coming back to this special area we were asked to not use cameras, camcorders or camera phones at the Penguin Parade.

The Penguin Parade viewing area

At the appointed time, the Little Penguins came out of the water and made their way, across the beach, to the sand dune burrows and the wooden nesting boxes they now call home. Since the beach was very dimly lit, we had a hard time seeing the penguins as they came out in small groups of four or five at a time. It was only when we walked back to the Visitor Center entrance that we saw the penguins clearly at the sides of the boardwalk.

Back at the center, we had dinner at the Little Penguin Café before returning to our coach for the 144.8 km., nearly 2 hour drive back to Melbourne and our hotel.

Penguin Parade (photo: www.visitphillipisland.com)

Penguin Parade: 1019 Ventnor Rd., Summerlands, Victoria 3922. Tel: +61 3 5951 2830. E-mail: info@penguins.org.au.  Open daily, 10 AM (2PM on Christmas Day). Admission: $26.60 (adults), $13.20 (children, 4-15 years of age), $66.40 (family) and $18.55 (Concession).

Phillip Island – Penguin Parade Visitor Center (Melbourne, Australia)

Posted on by — 1 Comment ↓

Penguin Parade Visitor Center

From Cowes we again boarded our coach for the short 7.4-km. drive, via Coghlan Rd and Phillip Island Rd/B420, to the brand new (it was opened just this July 2019) Penguin Parade Visitor Center to see Australia’s largest colony of friendly, frolicking fairy penguins (Eudyptula minor) at the iconic Penguin Parade, one of Australia’s most popular tourist attractions.

Check out “Phillip Island – Cowes”

Main entrance

With an area of 4,785 sq. m. plus over 1,800 sq. m. of interpretation & public spaces, this AUD58.2 million ($48.2 million from the Andrews Labor Government, along with a $10 million contribution from Phillip Island Nature Parks), world-class center, by itself a unique Australian experience like no other, can manage visitor demands (there are over 700, 000 visitors every year), including a peak of over 3,000 people expected on at least 15 days a year. By 2030, it is expected to cater for 840,000 visitors annually.

The modern, environmentally sustainable Penguin Parade Visitor Center, sitting between three distinct landscapes on the important Summerland Peninsula (the site of a historic buy-back scheme which saw an entire 6-hectare residential estate bought back, rehabilitated and returned to wildlife habitat), replaced and doubled the capacity of the previous Daryl Jackson-designed center built in 1988.

Strategically nestled in a junction of wetland, dune and headland, this exciting and visually breathtaking center showcases the surrounding spectacular landscape and places the much-loved Phillip Island Little penguins at center stage in their unique habitat.

Lobby

Designed by Terroir (a Hobart architectural firm) and built by Kane Constructions, its spectacular architectural design, inspiration and form, combining elements of the Peninsula’s basalt bluff, coastal dunes and wetlands, has been internationally acknowledged, winning at the 2019 International Architecture Awards, out of a field of over 380 submissions from 41 countries. Its complex roof and façade geometry comprises composite glue-laminated timber, steel and concrete with a zinc shingle façade.

This architecturally acclaimed star-shaped building’s overall environmental credentials are impressive, with low carbon building materials used throughout the center’s construction. It also has an array of 666 solar panels on the expansive roof, a water filtration system to recycle rainwater for non-potable use, increased roof and floor insulation, and double-glazed windows.

Its robust interior, consisting of exposed timber structure and plywood panels with integral color and texture, is structured around a major circulation path that has the capacity for large crowds and which forms a spine off which are arranged a series of dedicated spaces for ticketing, education, retail and restaurants.  The impressive laminated beams, at angled timber-clad ceilings, used sustainably sourced Victorian Ash hardwood.

The new visitor center has a wide range of new facilities including a host of fun and interactive activities for the whole family.

The interpretive habitat space provides a ‘penguins-eye’ view of the world, complete with life-size grass tussocks and cinematic projections.

The state-of-the-art, in-house theater, with seating for 100, is used for teaching and education groups, lectures, small conferences and conservation seminars, as well as the nightly showing of the Penguin Parade experience video.

Little Penguin Cafe

The dedicated education wing includes flexible activities classrooms for education rangers to deliver school programs. These will also be used as special group facilities for guided penguin viewing experiences (VIP or Guided Ranger Tours, etc.).

Gift shop

The center also has a café (Little Penguin Cafe) and a restaurant (Shearwater Restaurant), catering to all tastes and budgets (open 11 AM – 5:30 PM), where guests can enjoy an evening meal before or after their penguin viewing experience.

Two modern retail spaces, aligned with environmental priorities, also offer merchandise for sale, one of which is a specialty store focusing on Australian-made and responsibly sourced indigenous products as well as its best-selling plush penguin toys, dressed in jumpers knitted by volunteers, whose proceeds go into the park’s wildlife rehabilitation center.

Kyle

Penguin Parade Visitor Center: 1019 Ventnor Rd., Summerlands, Victoria 3922. Tel: +61 3 5951 2830. E-mail: info@penguins.org.au.  Open daily, 10 AM (2PM on Christmas Day). Admission: $26.60 (adults), $13.20 (children, 4-15 years of age), $66.40 (family) and $18.55 (Concession).

Phillip Island – Cowes (Melbourne Australia)

Posted on by — 1 Comment ↓

Cowes

From the Nobbies Ocean Discovery Center, we again boarded our coach for the 15-km. drive, via the Ventnor Rd./C473, to Cowes, the main township and largest town on Phillip Island, for some sightseeing.  Phillip Island Road, the main road of the island, led us into Cowes, becoming Thompson Avenue, the town’s main road.

Facing towards French Island and the Mornington Peninsula, Cowes has a small 2016 population of 4,839.

Check out “Phillip Island – Nobbies Ocean Discovery Center“

Originally known as Mussel Rocks, it was renamed, in 1865, by government surveyor Henry Cox after the seaport town of Cowes on the Isle of Wight, England.

In fact, many of the town’s roads are named after other towns and villages on the Isle of Wight, the island that inspired Cowe’s as well as the town of Ventnor‘s names. A Post Office was opened here on August 1, 1869.

In recent years, Cowes, in the Gippsland region on the northern side of the island, has rapidly expanded in its size with many estates and apartments being built, on what was previously rural farmland, in and around the town. An estimated 70% of the houses here are owned by absentee owners, most of whom live in and around Melbourne.

An ideal base to explore Phillip Island’s many attractions, Cowes is 12 kms. from the famous Phillip Island Penguin Parade at Summerlands, 14 kms. from the scenic Nobbies rock formations and visitor center, 6 kms. from the Phillip island Grand Prix Circuit, 7 kms. from the Koala Conservation Centre and 9 kms. from the peaceful fishing village of Rhyll.

Cowes Beach

We were all dropped off at Thompson Avenue whose distinctive features are Golden Cypress trees (recognized by the National Trust of Australia), planted in the early 20th century, which lines the road for 1 km.

Walking further into commercial center of Cowes, the road began a gradual descent, terminating with a T-intersection at the waterfront. As we approached the waterfront, the density of restaurants, cafes, gift shops, hotels, supermarkets and general retail outlets, all catering to the busy holiday crowds, increased.

At the end of Thompson Avenue was the waterfront boulevard of The Esplanade and the attractive, not too crowded and well maintained Cowes foreshore which stretches between Mussel Rocks and Erehwon Point.

Cheska, Bryan and Kyle among the rock formations of Cowes Beach

The foreshore, consisting of wide expanses of lawn shaded by a mixture of native and cypress trees, complete with barbecue areas, picnic shelters and pathways, slopes down to the clean, sheltered, golden sand Cowes Beach whose inviting waters are popular with swimmers and families. Showers, changing rooms and toilets are all located close to the beach.

Nearby is the Cowes War Memorial, a granite memorial obelisk erected in 1920 in memory of the 13 men of Phillip Island who made the supreme sacrifice in World War One. Names of the fallen from World War Two were added at a later date.

War Memorial

On the beach, opposite the Isle of Wight Hotel (which was built in 1870), is the Cowes Jetty.

Cowes Jetty

Built in 1870, it remains a focal point of the town. At its entrance is an outdoor café.

Its T-shaped jetty structure, the departure point for several ferries and tourist boat cruises, is also suitable for fishing.

Outdoor Cafe

Cowes: Phillip Island, Victoria, Australia.

How to Get There: Cowes is about a 2 hours’ drive, by road to the mainland via a bridge at San Remo, from Melbourne and can also be reached by coach, or passenger ferry from Stony Point on the Mornington Peninsula.

Nobbies Ocean Discovery Center – The Antarctic Journey (Melbourne, Australia)

Posted on by — 1 Comment ↓

The Antarctic Journey

An immersive, dramatic and pedagogic exhibition, The Antarctic Journey, a joint venture between Phillip Island Nature Parks and WWF (one of the world’s largest and most experienced independent conservation organizations) Australia, is claimed to be the world’s first interactive virtual reality Antarctic experience.

Featuring over 159 sq. m. (1,700 sq. ft.) of digital high-definition screens showing footage of the Southern Ocean and Antarctica, this $5 million project was opened in December 2015.

Structured around an artificial interior landscape, it draws its inspiration from the geology of this spectacular site and the incredible forces of wind and water that define this place.  The exhibition provokes questions about our natural world and the life of the southern oceans.

Here, I immersed myself in a spectacular multimedia wildlife experience as I embarked on a virtual journey to Antarctica, the world’s most extreme continent.

I enjoyed its fun, hands-on activities designed to entertain and educate.  Consisting of three distinct levels, the first level features Phillip Island as the gateway to Antarctica, although the island is almost 4,000 kms. (2,500 mi.) away from Antarctica.

At the second level, known as The Lab, I was able to “feel the freeze” as I entered the Antarctic Chill Zone, experiencing the same sort of conditions as an Antarctic researcher.

The Antarctic Chill Zone

Questions such as “What is more likely to sink – a bowling ball or a marble?,” “What is the Cocktail Party Effect?,” “How does my thermal image compare to an Emperor penguin?” and more are  answered by an array of hands on activities, ensuring that the unique wildlife, the ongoing research activities and the critically important conservation values of remote Antarctica come alive to guests.

At the Sound Lab and Research Station, I was offered an insight into the sights and sounds of Antarctic wildlife through animal calls, microscopes and fascinating specimens.

Sound Lab and Research Station

The unique wildlife, ongoing research activities, and the critically important conservation values of this remote continent, with the remarkable Antarctic landscape as the backdrop, came alive before my eyes.

The author at The Chamber

At The Chamber, the final, state of the art multimedia experience, I found myself blown away by the screen as I was enthralled by a breathtaking audio-visual spectacle which placed me right in the heart of the action level via cutting-edge “augmented reality” technology.

Whale Migration Game

I found myself able to stand on an ice floe and feel like I can reach out to pat a penguin, stroke a seal or marvel at a whale or shark, all of which appear on the screen with me, this up close and personal experience making me feel part of it all.

I felt that the animals were real and I can’t even imagine how they made the “augmented reality” screen. This complete immersion can only be described by me as stunning and breathtaking.

Nobbies Ocean Discovery Centre: Ventnor Road, Summerlands 3922, Phillip Island, Victoria, Australia. Open 10 AM daily and closes approximately one hour before sunset each day to protect the native wildlife – approx. 4 PM (Winter), approx.5 PM (Autumn), approx. 6 PM (Spring) and approx. 7.30 PM (Summer). Admission (include daily guided tours, 11 AM, 1 PM and 3 PM): $18.00 (adult, 16 years+), $9.00 (child, 4-15 years), $45.00 (family – 2 adults and 2 children) and $12.60 (Australian Pensioner, ID required). A proportion from each Antarctic Journey ticket sale will go towards WWF-Australia’s conservation work including Antarctic whale research. The 20 min. guided tours commence by the Ticketing Desk.

Phillip Island – The Nobbies Ocean Discovery Centre (Melbourne, Australia)

Posted on by — 2 Comments ↓

Nobbies Ocean Discovery Center

After our visit to The Colonnades, we again boarded our coach for the short drive to  The Nobbies Ocean Discovery Centre for some snacks and toilet break. An ecotourism destination located at Point Grant, on the western tip of Phillip Island, the center is managed by the Phillip Island Nature Park.

Grace, Kyle and Jandy

Opened in April 1998 as the privately operated “Seal Rocks Sea Life Centre,” Stage one of the development, including the Nobbies Centre seen today, was completed at a cost of $13 million. Stage two, costing $50 million, included a 1.9 km. long undersea tunnel leading to an observation tower at Seal Rocks.

The center features educational displays, a cafe, a children’s play area, and a gift shop.

Nobbies Cafe

Overlooking Seal Rocks (1 km. offshore), Australia’s largest colony of fur seals (an estimated 16,000 seals inhabit the area), it currently attracts over 310,000 visitors per year (53% being international visitors). In 2014/15, the Nobbies and Phillip Island Nature Parks received a record 1.2 million visitors (with 58 percent being from overseas).

Gift shop

Inside Nobbies Café, we enjoyed a meal of fish and chips while enjoying the great view, from floor to ceiling windows, looking out to Bass Strait and Round Island.   The Nobbies Centre is also home to the exciting, interactive Antarctic Journey.

Bass Strait

Check out “Nobbies Center – The Antarctic Journey”

Outside the center, a network of boardwalks allows visitors to view The Nobbies, the seal colony, and The Blowhole.

The boardwalk

Round Island

Prior to our departure for The Penguin Parade, we observed and were enthralled by a hedgehog crawling at the center’s lawn area.

Hedgehog in the grass

Nobbies Ocean Discovery Centre: Ventnor Road, Summerlands 3922, Phillip Island, Victoria, Australia. Open 10 AM daily and closes approximately one hour before sunset each day to protect the native wildlife – approx. 4 PM (Winter), approx.5 PM (Autumn), approx. 6 PM (Spring) and approx. 7.30 PM (Summer). The Nobbies Cafe closes approximately 30 minutes before the above closing times while the Gift Shop will remain open until the centre closes.

Phillip Island – The Colonnades (Melbourne, Australia)

Posted on by — Leave a reply

The Colonnades

After our Moonlit Sanctuary Wildlife Conservation Park visit, we again boarded our coach for the 76.1 km (1-hour) drive, via S Gippsland Highway/M420 and M420, to the 900 m. long The Colonnades (also called Ocean Reach Beach), the western extension of Woolamai Surf Beach. Rock reefs in the surf form the boundary between the two beaches.

Check out “Phillip Island – Moonlit Sanctuary Wildlife Conservation Park“

Facing southwest, it is bordered, in the west, by the red basalt cliffs of Forrest Caves. From the parking lot, it was a short walk down to the beach via a beach access boardwalk and stairs.  Visible along the beach are columnar basalt, unusual rock formation resembling organ pipes on the tall cliffs that gives The Colonnades its name.

Viewing deck overlooking the beach

Jandy, Bryan and Cheska at the beach access stairs

Each column, typical of the joints that form in a flow of basalt after it has solidified and as it cools, represents the depth of one lava flow. The column’s length is indicative of the thickness of the lava flow and the contraction of the solid rock produces cracks to form polygons.

Basalt columns along the tall cliffs

At the Colonnades, the basalt has been extensively altered (likely occurring soon after the basalt solidified and may have been caused by hydrothermal chemical processes), is crumbly and soft and has a soft and pale texture, showing onion skin weathering in places. Nevertheless, although the face of the cliff is regularly falling onto the beach and being washed away, it still retains the original columnar texture.

The author at the beach

The exposed, high energy beach, used by surfers and fishers, isn’t suitable for safe bathing. If bathing here, don’t expect a few gentle waves. Use extreme care, stay close inshore and on the bar, and clear of the rips, rocks and reefs.

A surfer taking to the waves

The reefs and high waves ensure potentially good left and right breaks along this section. Waves here average 1.5 m., with strong rips dominating the wide surf zone, with permanent rips against the reefs.  The permanent rip holes, against the rocks and reefs, can be fished from the beach.

A lone surfer challenging the waves

A hidden gem tucked away out of sight but very accessible, The Colonnades is good to visit any time (but best at low tide) and is truly nature at its best. The cliffs and the beach were amazing for photography.

My family exploring the beach

The Colonnades: 85 Veterans Dr, Newhaven, Phillip Island, Victoria 3925, Australia.

How to Get There: From Phillip Island Rd., at the township of Cape Woolamai, turn into Woolamai Beach Rd and then into Lantana Rd to the right (west) which heads south-west to The Colonnades. There is plenty of parking at the end of the road. The beach is accessible in the east by the road beside the airfield, and in the west via Forrest Caves.

Phillip Island – Moonlit Sanctuary Wildlife Conservation Park (Melbourne, Australia)

Posted on by — 1 Comment ↓

Moonlit Sanctuary Wildlife Conservation Park

After our Brighton Bathing Boxes visit, we again boarded our coach for the 48.3 km. (45-min.) drive, via the M11, to the 10-hectare (25-acre) Moonlit Sanctuary Wildlife Conservation Park, crossing over to Phillip Island via the 640 m. (2,100 ft.) long San Remo Bridge (opened in 1971).  We arrived at the park by 1:15 PM.

Check out “Brighton Bathing Boxes“

Jandy, Cheska, Kyle and Bryan at the park entrance

Show arena

The Moonlit Sanctuary Wildlife Conservation Park is a biopark within the Pearcedale Conservation Park located on the Mornington Peninsula near Melbourne. It aims to display the fauna that was found in the Mornington Peninsula and Western Port Biosphere Reserve, prior to European settlement, as well as working towards the recovery of threatened Australian fauna.

As part of Pearcedale Conservation Park, the sanctuary is an institutional member of the Zoo and Aquarium Association (ZAA) and is ECO Certified, at the Ecotourism level, by Ecotourism Australia.

A dingo

In December 1998, development of the zoo started with construction of a visitor center, a 0.81 hectare (2-acre) wetland habitat with a lake, and more than 30 animal enclosures, as well as many Australian trees and other plants. The zoo was opened in September 2001.

Cape Barren Geese

Over 400 animals kept at the Sanctuary, representing over 60 different species, call the sanctuary home. They include spot-tailed quolls, southern bettongs, squirrel gliders, long-nosed potoroo, red-bellied pademelon, spinifex hopping mouse, fat-tailed dunnart, brush-tailed bettong, red-necked wallaby, feathertail glider, sugar glider, Tasmanian masked owl, tawny frogmouth, Cape Barren goose, bush thicknee, Victorian carpet python, blue-tongue lizard, and Gippsland water-dragon.

Bush-Stone Curlew

Moonlit has successfully bred a number of rare and endangered species including southern bettong (AKA eastern bettong) and the eastern quoll, both now extinct on the mainland and only found in the wild in Tasmania;  Julia Creek dunnart; fluffy glider (yellow-bellied glider) and squirrel glider.

Orange-Bellied Parrot Conservation Breeding Facility

In 2016 it opened a new breeding facility for the critically endangered orange-bellied parrots, designed to house up to 20 pairs. It operates education services for school children, and provides research facilities for graduate students.

Gang-Gang Cockatoo

Moonlit Sanctuary has won a number of awards such as:

  • Victorian Keep Australia Beautiful Award for Preservation of the Environment with an emphasis on local fauna and flora (2009)
  • Victorian Tourism Award for Ecotourism (2010)
  • Victorian Tourism Award for Ecotourism (2014)
  • Premier’s Sustainability Award for Environmental Protection (2017) – for their Orange-bellied Parrot Breeding for Recovery program.
  • Victorian Tourism Award for Ecotourism (2018)
  • Victorian Tourism Award for Tourism Attraction (2018)
  • Silver for Ecotourism (Australian Tourism Awards, 2018)

Major Mitchell Cockatoo

At the entrance, we bought seeds for feeding the birds, kangaroos and wallabies because that is the only place where they sell them. Walking through natural bushland and, at the Kangaroo and Wallaby Rest Area, Bryan, Kyle and I came into close contact with the abovementioned animals in their natural habitats as we fed them and observed their natural behavior.

Kyle feeding a bird

The author feeding a kangaroo

We had a great deal of fun hand feeding and petting the adorable, freely roaming kangaroos and wallabies, doing selfies with them, as well as seeing colorful birds in aviaries and other Australian animals such as wombats, koalas and dingoes up close. Too bad we weren’t able to pet and feed the koalas, Still.it was totally worth the trip

Bryan feeding a wallaby

The park wasn’t very big but it did have a nice range of native Australian animals. The friendly, very enthusiastic and knowledgeable caretakers, passionate about their charges, really enjoyed their work here and the animals were clearly loved and well cared for.

A cute koala

Moonlit Sanctuary was a different visitor experience from a normal zoo visit as we spent longer periods of time with a small number of animals, getting up close and personal with them.

Red-Tailed Black Cockatoo

Pacific Black Duck

Truly, an exceptional introduction to native Australian species in a tranquil sanctuary and a memorable part of our time in Melbourne.

Gift Shop-Restaurant

Moonlit Sanctuary Conservation Park:  550 Tyabb-Tooradin Rd., Pearcedale, Victoria 3912, Australia. Website: www.moonlitsanctuary.com.au. Open daily (except on Christmas Day).