Bisita Iglesia: Bataan

It was now Black Saturday in Mariveles, Bataan and, to avoid the rush of tourist returning to Manila the next day, Maricar, Norman, Jandy and I opted to leave The Oriental Bataan in the morning, right after breakfast.  Normally, returnees take the Roman Superhighway (Bataan Provincial Expressway) to avoid the traffic gridlock in towns along the MacArthur Highway but we chose to travel via the latter to go on our own Lenten tradition of Bisita Iglesia (visit to 7 churches).

Check out “Hotel and Inn Review: The Oriental Bataan

Jandy and Maricar at Church of St. Michael the Archangel in Orion

Aside from the old Spanish-era churches along the MacArthur Highway, you’ll also pass a lot of interesting Death March Markers as well as World War II monuments, museums and shrines.

Check out “Bataan’s Death March Markers” and “Museo ng Kagitingan

Church of Our Lady of the Pillar in Pilar

The churches we visited were:

  • Church of St. Michael the Archangel (Orion) – this 352 year old church, the third oldest in the province, was repaired by the Dominicans upon their return in 1832.

Check out “Church of St. Michael the Archangel

Church of St. Michael the Archangel

  • Church of Our Lady of the Pillar (Pilar) – this 218 year old church, the seventh oldest in Bataan, was burned by revolutionaries on May 28, 1898.  The image of Nuestra Senora del Pilar survived.

Check out “Church of Our Lady of the Pillar

Church of Our Lady of the Pillar

  • Diocesan Shrine and Cathedral of St. Joseph (Balanga City) – this 305 year old church, the fifth oldest in Bataan was, during World War II, used by the Japanese 14th Army as an artillery emplacement to bombard Mt. Samat.  On March 19, 2015, the cathedral was formally declared as a Diocesan Shrine.

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Diocesan Shrine and Cathedral of St. Joseph

  • Church of St. Dominic of Guzman (Abucay) – this 431 year old church, the oldest in Bataan, housed one of the earliest printing presses in the country and its court was the site of a fierce battle between the Dutch and PPampango natives on June 23, 1647.

Check out “Church of St. Dominic of Guzman

Church of St. Dominic of Guzman

  • Church of St. Catherine of Sienna (Samal) – this 423 year old church, the second oldest church in Bataan, was burned by Katipuneros in 1898 to drive out their enemies in the convent.  The present church and convent were rebuilt from 1903 to 1905.

Check out “Church of St. Catherine of Sienna

Church of St. Catherine of Sienna

  • Church of Our Lady of the Most Holy Rosary (Orani) – this 309 year old church, the fourth oldest in Bataan, is one of the best in the province.  Repaired by Dominican friars in 792, it was badly damaged during the September 16, 1852 earthquake.

Check out “Church of Our Lady of the Most Holy Rosary

Church of Our Lady of the Most Holy Rosary

  • Church of St. Peter, Martyr of Verona (Hermosa) – this 263 year old church, the sixth oldest in Bataan, was built in stone by Dominican friars,  destroyed by fire several times but was renovated in 1869.

Check out “Church of St. Peter, Martyr of Varona

Church of St. Peter, Martyr of Varona

Bataan Provincial Tourism Office: Roman Superhighway, Balanga City, Bataan.  Tel: (047) 237-4785

Bataan’s Death March Markers

Starting Point of Death March Marker

Passing along the National Road on our way to visit Bataan’s pilgrim churches, we passed a number of Death Mark Markers, silent white obelisks, created over a decade ago, that stand as mute reminders of the path, from Mariveles and Bagac to the gates of the former Camp O’Donnell (now the Capas National Shrine), taken by nearly 75,000 soldiers, both Philippine and American, after the Fall of Bataan.

Jandy beside the historical plaque at KM 0 Marker

From Bataan to Tarlac, there are 138 Death March markers in all – 97 in Bataan, 33 in Pampanga and 8 in Tarlac. Each kilometer (KM) is marked by a concrete obelisk. The Zero Kilometer Death March monument (“Pinagsimulan ng Death March”), in Mariveles, marks the spot where, on April 10, 1942, thousands of Filipino and American soldiers started their grueling 160-kilometer march to Capas in Tarlac. For the three days that they marched, they starved, saw thousands of their companions die, and faced the brutality of the Japanese captors, all the while showing strength and integrity.

Plaque at KM 6 Death March Marker

Their construction and installation all paid for through donations, the funds for the perpetual maintenance of the markers, however, have not been sufficient. The tile plaques have degraded to illegible and paint peels due to tropical weather conditions of excessive heat, rain, as well as mildew and flooding in typhoon season. Furthermore, given that these obelisks are placed beside the National Road, they inevitably suffer some accidental, negligent or intentional (vandalism) damage. Many plaques have simply disappeared and need to be replaced.

Dedication plaque at KM 6 Death March Marker

Either due to negligence or ignorance, some of these mute mementos  were also destroyed, damaged, uprooted, covered with rubble or neglected by road crews of contractors hired by the Department of Public Works and Highways (DPWH), notably the 6th and 109th kilometer in Mariveles (Bataan) and at the Calumpit Bridge (Capas, Tarlac) respectively. Some were left ignored by residents on grassy lawns (which may soon grow out of hand and hide the marker behind its tall leaves) and a lot were removed from their original locations and dumped somewhere else.

KM 21 Death March Marker

There is hope though via the Filipino-American Memorial Endowment (FAME).  To provide for the perpetual maintenance on all 138 Death March markers, this non-profit foundation’s goal is to raise at least enough money to annually provide for the maintenance and replacement of 20% of the plaques.

Km. 35 Marker in Orion

According to Robert Hudson, FAME vice president whose father was one of the survivors of the Death March, to replace an entire obelisk, it would cost at least US$350 (P18,270) while, on average, it would cost about US$200 (P10,440) to install a porcelain tile plaque in an obelisk.  Cleaning an obelisk (including materials and travel), on the other hand, averages $25 (P1,300) for each obelisk. Any fund donated in excess of annual maintenance needs will be used for other solutions (better coatings, purchasing permanent land for placing the markers, and better materials for future replacement markers).

Km. 58 Marker in Orani

Filipino-American Memorial Endowment (FAME): Tel: (632) 818-7911. E-mail: fame@amchamphilippines.com.  Website: www:filipino-americanmemorials.org.

Zōjō-ji Temple (Tokyo, Japan)

Zojo-ji Temple

It was our fourth day in Tokyo and, after breakfast at the hotel, we visited the San’en-zan Zōjō-ji (三縁山増上寺), a Jōdo-shū Buddhist temple located in the Shiba neighborhood of Minato.  The main temple of the Jōdo-shū (“Pure Land”) Chinzei sect of Buddhism in the Kantō region, it was founded in 1393 as the sect’s eastern Japan seminary.

Daimon Main Gate

During the Edo period, Zōjō-ji, together with Kan’ei-ji, were notable for their relationship with the Tokugawa clan, the rulers of Japan.  Zōjō-ji was the Tokugawa‘s family temple and six of the 15 Tokugawa shoguns were buried in the Taitoku-in Mausoleum in the temple grounds. Kazu-no-Miya ChikakoTokugawa Iemochi’s wife, is also buried in Zozo-ji. Tokugawa Ieyasu had the temple moved, first to Hibiya and then, in 1598, at the time of expansion of Edo Castle, to its present location.

Approaching the Sangedatsumon

With the fall of the Tokugawa shogunate, the grounds took on the character of a public park. Parts of the former grounds of the temple are now occupied by a park and two hotels. The 65-hectare Shiba Park, Japan’s oldest public park (designated as such in 1873), is built around the temple, with the Tokyo Tower standing beside it.

Shiba Park

At its peak, the temple grounds covered an area of 826,000 sq. m. and contained 48 subsidiary temples, over 3000 priests and 150 temple schools but, following the decline of Buddhism during the Meiji period (1868-1912), the temple’s original buildings, temples, mausoleums and the cathedral were destroyed by fire, natural disasters or burned in air raids during the Bombing of Tokyo in World War II.

Tokyo Tower

After the war, reconstruction began.  In 2015, a Treasure Gallery was opened on the underground level of the Daiden.  Currently, it houses paintings of Kanō Kazunobu and a model of the Taitoku-in Mausoleum. Additional graves are located in the cemetery behind the Daiden.

A concrete myojin-style torii just to the right of the daibonsho

From our hotel, we walked to the nearby Akasaka-Mitsuke Station and took the short, 12-min train ride to the Hamamatsucho Station on the JR Yamanote and JR Keihin-Tohoku Line. The temple was a 10-min. walk from the station. It is the first indication that we have reached Zojo-ji Temple is the Daimon Gate, the concrete reconstruction of original main gate of Zojo-ji destroyed during World War II. As it is now located along a street, cars pass underneath it.

Sangedatsumon

About 200 m. past the Daemon Gate is the temple’s  famous, 21 m. (69 ft.) high, 17.6 m. deep and 28.7 m. wide, 2-storey Sangedatsumon (仏殿), which serves as the inner main gate.  San means “three,” gedatsu means moksha or liberation/freedom, and mon means “gate.” Dating from 1622, it is the temple’s only original structure to survive the Second World War and is, therefore, the oldest wooden building in Tokyo. It has been designated an Important Cultural Property.

Entering the temple via the Kuromon (Black Gate)

The majestic and magnificent, vermilion lacquered gate was designed in three sections to symbolize the three stages that one must pass through to achieve nirvana. If someone passes through the gate, he can free himself from the three passions of greed (貪 Ton), hatred (瞋 Shin) and foolishness (癡 Chi).

Bryan, Grace, Jandy, Kyle and Cheska at the Ji-unkaku Hall

On the upper floor of the gate are enshrined an image of Gautama Buddha (Shakyamuni), flanked by Samantabhadra and Manjusri (two attendant bodhisattvas), and statues of the Sixteen Arhats (disciples of the Buddha), all created by Buddhist image sculptors of Kyoto when Zojo-ji was built.

Image of Shoso Shonin

We entered the temple via the  Kuromon (Black Gate) which dates back to the mid to late 17th century. Immediately to the left is the Ji-unkaku Hall.  It has a multi-purpose hall on the ground floor.  A long flight of stairs brought us to the Kaisando on the second floor.  It enshrines an image of  Shoso Shonin, the founder of Zojo-ji.

Daiden (Main Hall)

The Daiden (Great Hall), rebuilt in 1974, is a blend of traditional Buddhist temple architecture and modern architecture. It enshrines the main image (honzon)  of the Amida Yosai Buddha which was made during the Muromachi Period (1336-1573).  To the right of the Amida Buddha is an image of Great Teacher Shandao, who perfected China’s Jodo (Pure Land) Buddhism), while at its left is an image of Honen Shonin (who founded Japan’s Jodo Shu).

The author beside the Shoro (Bell Tower)

Other structures within the grounds include the Ankokuden, the Kyozo (Sutra Repository), the Shoro (bell tower), Enko Daishi Hall and Koshoden. The Enko Daishi Hall enshrines Enko-daishi, another name of Honen, who is the sect founder of Jodo Buddhism.  The Dai-Nokotsudo (or Shariden), made with stone in 1933, is where the bones of the deceased are stored.

Bryan, Kyle and Cheska at the Dai-Nokotsudo (Shariden)

The Koshoden, a lecture hall and seminary for “cleansing soul and fostering the vigor to live,” has a coffered ceiling features pictures of flowering plants, donated by 120 pious Japanese artists and fitted into coffers.

Ankokuden Hall

The Ankokuden, located to the right of the Main Hall of  the temple, was built in 2010.  It enshrines the Black Image of Amida Buddha, a Buddhist image deeply worshiped by Tokugawa Ieyasu which brings victory and wards off evil.

Interior of Ankokuden Hall

The hall is also used as a prayer hall. The image is shown to the public 3 times a year (January 15, May 15 and September 15).

Black Image of Amida Buddha

The Kyozo, built in 1613 with financial aid from Tokugawa Ieyasu, serves as a storehouse where sutras (important cultural documents) are stored on red, octagonal-shaped revolving bookshelves at its center. It has a thick wall to resist fire and its door is usually closed. The Kyozo has also been designated as an Important Cultural Property by the Tokyo Metropolitan Government.

The Kyozo

The Shoro, just inside the grounds on the right after you enter the Sangedatsumon gate, houses the daibonsho, a huge 15-ton bell completed in 1673 (after repeating casting work as many as seven times).

Daibonsho

With a diameter of 1.76 m. and a height of 3.33 m., it chimes the hours and is tolled twice a day (six times each in the early morning and in the evening).  Renowned as one of the “Three Great Bells of the Edo Period,” it serves to purify the 180 earthly passions (bonno), which lead people astray, through an exhortation, repeated six times a day, to profound equanimity.

The Himalayan cedar tree planted by Gen. Ulysses S. Grant

Himalayan cedar tree, between the Daibonsho bell and the Sangedatsumon gate, was planted by General Ulysses S. Grant, the 18th president of the United States, when he visited the temple as a guest of the nation in 1879.

Sentai Kosodate Jizo (Unborn Children Garden)

The Sentai Kosodate Jizo (Unborn Children Garden), in one particular garden at the cemetery, has rows of 1,000 jizou stone statues of children representing unborn children (miscarriedaborted, or stillborn), lined up about 30 m. long and each wearing a red knitted hat and holding a small colorful windmill that spin around as the wind blows, creating a beautiful scenery.

Prayer Wall

Here, parents can choose a statue in the garden and decorate it with small clothing and toys. To ensure that they are brought to the afterlife, the statues are usually accompanied with a small gift for Jizō, the guardian of unborn children. Occasionally, stones, meant to ease the journey to the afterlife, are piled by the statue.

Incense Burner

Annual events held in the temple are Hatsumode (New Year’s visit) in January; Kurohonzon Prayer Ceremony on January 15; the Setsubun Tsuina-shiki/Nehan Ceremony (Nirvana Day) in February; the Spring Higan Ceremony in March; the Gyoki Ceremony/Buddha’s Birthday (Flower Festival) in April; the Kurohonzon Prayer Ceremony on May 15; the O-bon/Kaisan-ki/Bon Odori in July; the Peace Prayer Ceremony in August; the Autumn Higan Ceremony/Takigi Noh in September; the Kurohonzon Prayer Ceremony on September 15; the Juya Hoyo (Ten Nights of Prayer) in November; and the Jodo Ceremony (Bodhi Day)/Butsumyo Ceremony/Joya no Kane (New Year’s Eve Bell Ringing) in December. Monthly events include the Sutra copying, on the 14th (except July and August) of each month and the Betsuji Nembutsu on the 24th of each month.

Gate of the Tokugawa Mausoleum

In popular culture, the Zōjō-ji Temple was depicted multiple times, during the 1920s and 30s, in the art work of the Shin hanga artist Kawase Hasui.  It was also shown in several ukiyo-e prints by Hiroshige, in particular twice in his famous One Hundred Famous Views of Edo series from 1856–1858.

Zojo-ji Temple as seen in the movie Wolverine (photo: www.tokyofox.net)

Rila Fukushima (Yukio) and Hugh Jackman (Wolverine) – photo (www.tokyofox.net)

In the 2013 movie ‘‘The Wolverine,”  Zojo-ji Temple’s mail hall was used for Logan’s (Hugh Jackman) old friend Mr.Yashida ‘s (Hal Yamanouchi) funeral. Though badly damaged in World War II, Zojo-ji still retains the air of a major temple.

Cemetery at the back of the temple

Zōjō-ji Temple:  4 Chome-7-35 ShibakoenMinatoTokyo 105-0011, Japan.  Tel: (81)3-3432-1431. Website: www.zojoji.or.jp.  There is no admission fee for visitors to enter the temple complex. Treasure Gallery Museum Admission: JP¥700. Though the temple grounds are always open, the temple itself is only open from 6 AM to 5:30 PM. While not immediately obvious, the temple grounds are somewhat wheelchair accessible if entering from the side street instead of the main gate. The best time to visit the temple is late March or early April (for the beautiful cherry blossoms) or autumn (for the colorful leaves). In the evening, you can admire the temple with an illuminated Tokyo Tower in the background.

How to Get There: The entrance is at a 10-minute walk from Hamamatsucho Station on the JR Yamanote and Keihin-Tōhoku Lines, a 6-min. walk from Daimon Station on the Toei Asakusa and Toei Oedo Lines, a 3-min. walk from Onarimon and Shibakoen Stations on the Toei Mita Line, and about 500 m. from the Shibakoen exit of the Shuto Expressway. If you are getting there from Daimon Station, there is a big gate of the Zojo-ji Temple, located in front of the station, which will lead you straight to the front gate of the temple.

Return to Wawa Gorge (Rodriguez, Rizal)

Wawa Gorge

The day after my grandson Kyle’s 6th birthday, I together with the rest of my family joined employees of E. Ganzon Inc. in distributing relief goods to residents of Sitio Wawa in Rodriguez (formerly Montalban, it was renamed after Eulogio “Amang” Rodriguez Sr., Montalban’s first mayor and Senate president, in 1982) in Rizal. Last August 11-13, the area was hit by flash flooding that also destroyed the bridge that connects Sitio Wawa with Sitio Sto. Niño.

Sitio Wawa

This wasn’t my first visit to this area.  The first time I was in Wawa was way back in 2004 when I was a guest in a demonstration tour, for teacher representatives from 9 different schools, hosted by Lakbay Kalikasan. At Wawa Gorge, we engaged in the adrenaline-pumping sport of rappelling at the gorge’s metal footbridge.

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Sitio Wawa lies is in between the 426 m. high Mt. Pamitinan and 424 m. high Mt. Binacayan.  Its abandoned reservoir is visited mostly by hikers as the jump-off point for the trek to either beginner-friendly mountain, two of three mountains in the well-loved trilogy hike (the other is 517 m. high Mt. Hapunang Banoi). Guide fee is Php500 per group.

Mt. Pamitinan

The two mountains form a scenic view that appears like a portal to the sky, hence the name wawa, the Dumagat term for “entrance.” Sitio Wawa is a habitat of the Remontado Dumagat, mixed-blood offspring of lowlanders, who fled the Spanish colonizers, and of Negritos, the original setters in the area.

Mt. Binacayan

Legend has it that a giant of extraordinary strength named Bernardo Carpio (our version of Hercules or Atlas) who, in olden times, was trapped by an enkanto (enchanted creature) between Mt. Pamitinan and Mt. Binacayan. He caused earthquakes, landslides and flooding in nearby villages every time he struggles to free himself from his chains or keep the boulders from crushing him or from colliding.

Parking lot for visitors

José Rizal was said to have made a pilgrimage to Montalban to pay homage to Bernardo Carpio, a versatile symbol of freedom. In recent times, Lavrente “Lav” Diaz has used the legend as organic symbol in his 2016 historical fantasy dram film Hele sa Hiwagang Hapis (“A Lullaby to the Sorrowful Mystery”). The riverbed is said to have a boulder with a hollow that forms what look like a gigantic footprint, attributed by locals to Bernardo Carpio.

The E. Ganzon, Inc. group. The author is at left

Historically, the site was used as a hide out by the revolutionary leader Andres Bonifacio who made one of Pamitinan’s caves as the Katipunan’s secret headquarters.  Here, Bonifacio and eight of his men entered the cave on Palm Sunday and came out on Good Friday. Here, they declared independence from Spain on April 12, 1895, over a year before the Revolution started.

The children of Sitio Wawa

Some 500 meters of narrow passage away from the mouth of Pamitinan Cave is the bulwagan (“hall”), a cavern over 50 ft. high and about 50 ft. in radius.  Inscribed on the cavern wall, in what looks like charcoal (possibly soot from a torch), are the words Viva la Independencia.  The Pamitinan pilgrimage is held here in April.

A currently closed hanging bridge

In 1943, the cave was turned into a Japanese armory. Mary Japanese died here from American fire. In 1977, a concrete marker commemorating them was fixed on the cliff wall over the cave’s mouth, above which is a metal plate, inscribed with Japanese characters with English translation, that reads: “Give them eternal rest, O Lord, and let them share Your glory.” In 1985, the cave was declared a National Geological Monument.

The narrow paved trail. along a ridge, leading to Wawa Dam

It is closed for rehabilitation until further notice.  In 1996, the area was declared a Protected Landscape managed by the Department of Environment and Natural Resources (DENR) and the Department of Tourism.

A waterfall emanating from a cave

After lunch at one of the area’s eateries, we decided to make the 500-m. trek, along a ridge, to Wawa Dam, the prominent landmark of Sitio Wawa. Along the narrow, paved trail are stores selling organic vegetables (eggplant, squash, gabi, takway, puso ng saging, pandan leaves, etc.), river shrimps, crabs, eels, carp, charcoal, assorted fruits (bananas, papaya,) etc., snacks and beverages to tourists.

The author at the steel footbridge near the dam

On Tuesdays and Fridays, foot traffic is heavy on the trail, with young men carrying sacks of fruits and vegetables.  After crossing a metal footbridge, we reached the slightly arched dam.  Coupled with the beautiful landscape of 80-160 feet high white rock walls, limestone crags and marble boulders, the dam was perfect for photography.

Wawa Dam

Wawa Dam, also known as Montalban Dam, is an 85 m. 9279 ft.) long  and 12 m. (40 ft.) high gravity dam constructed over the Marikina River. The slightly arched dam is situated in the 360-m. (1,180 ft.) high Montalban Gorge or Wawa Gorge, a water gap in the Sierra Madre Mountains, east of Manila.

Kyle, Grace and Jandy with the dam in the background

The waters of the Upper Marikina River basin, its headwater said to be in Quezon province, runs through the gorge and descends to the lowlands of the neighboring town of San Mateo and Marikina Valley. During summer, cottages are built at the foot of the dam but, as it was the rainy season, they remove the cottages because of the heavy impact of water.

The old, roofless American-era watchtower flanking the dam

The dam was built in 1904, during the American colonial era, started operating in 1909 to provide the water needs for Manila. It used to be the only source of water for the greater Manila area but it was closed in 1962 due to deterioration and lack of water supply and abandoned when it was replaced by the La Mesa-Ipo-Angat watershed system.

The sparsity of its water was most likely due to the logging and quarrying in the mountains. However, due to insufficiency of water supply for Metro Manila, there is now a strong clamor to reuse the dam. Wawa Dam is also pictured in their official seal of the local government of Rodriguez.

The reservoir behind the dam

For those who are not fans of mountain hiking, Wawa Dam’s has picnic spots. If you don’t want to bring your own food and beverages, sari-sari stores, food stalls and a wet market are available in the place. You can rent a bamboo cottage (Php150-500) and toilets are Php10 per use (bring your own toiletries or buy them at the sari-sari stores).

The roofless interior of the old watchtower

Wawa Dam: M. H. Del Pilar Street, Sitio Wawa, Brgy. San Rafael, Rodriguez, RizalPhilippines.

How to Get There:

By Car: Despite the usual traffic, the fastest route to Wawa is via Commonwealth Ave., then take Payatas Road going to Rodriguez Highway until you reach M.H Del Pilar Street. Inside Wawa Village, there’s a parking space where the locals look after your car for any amount. Travel time is around 1.5 to 2hrs.

By Public Transportation: In front of Jollibee, Farmers, Cubao, Quezon City, there’s a UV Express Terminal where you can take the van going to Rodriguez (fare: Php50 per head).  Drop-off at Montalban Terminal.  Here, you can ride a tricycle going to Wawa Village (fare: Php20 per head). From  SM North/Trinoma, you can also ride a UV Express van (fare: Php50) going to Eastwood Montalban and drop off at Eastwood Ministop. Then, ride a jeep going to Wawa (fare: Php8). From the parking lot, you have to walk for 5-10 minutes. Alternatively, from Cubao/SM North/Trinoma, you can ride a bus or jeepney going to Litex and, from there, ride a jeepney going to Montalban Town Center and another jeepney to Wawa. This is much cheaper but a bit of a hassle.

Allegedly Haunted Places in the Philippines

Haunted locations are part of Philippine ghostlore which is a form of folklore.  One is located in La Union (Pindangan Church Ruins), four in Baguio City (Hyatt Terraces Hotel, SM City Baguio, Diplomat Hotel and Laperal White House) in Benguet, one in Pampanga (Clark Air Base), one in Mountain Province (Sagada), one off Cavite (Corregidor Island) and the rest in Metro Manila. Though I haven’t really experienced any paranormal activity in these sites, probably because I don’t have a third eye, many others have.

My wife Grace and I stayed in the 12-storey, 303 -room HYATT TERRACES HOTEL for three days in April 1986.   Located on a pine tree-clad hill along South Drive, near Camp John Hay, the Hyatt Terraces Hotel was said to be the grandest hotel outside Metro Manila. At 4:26 PM, on July 16, 1990, a little over 4 years after our stay, a magnitude 7.8 earthquake struck Luzon, killing 1,621 people.  Again, I happened to be in the city, with my family and some relatives, on the day of the devastating 1990 Luzon Earthquake but were lucky enough to have left the city before lunch. In Baguio City, 28 buildings collapsed during the earthquake.  One of the most prominent buildings destroyed was the Hyatt Terraces Hotel when the central wing’s terraced front collapsed, like an accordion, onto the hotel lobby, killing 98 employees and guests. In the aftermath of that tragic earthquake, many of those listed as “missing” were never found and many say that there are still bodies in the debris of the hotel site and the spirits of these victims have never moved on. Its tragic history has surely contributed to its terrifying reputation.

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Hyatt Terraces Hotel circa 1986 

Today, its old fountain and a gated fence are all that remains of the still undeveloped site of the Hyatt Terraces. Now said to be haunted, strange lights and ghostly apparitions are said to have been seen around the empty lot.  There was once a bus stop in front of the gate and motorists, driving along South Drive, have told stories of strange apparitions of the spirits of dead employees there. Some passersby in the area at night have also heard cries for help and seen figures against the spotlight that illuminates the area. In fact, for those driving along South Drive, the directed procedure is to honk your horn when passing beside the former Hyatt location, lest they run over a spirit crossing the street. Aromatic smells, coming out of nowhere, are also consistently reported.

SM CITY BAGUIO (a favorite shopping venue of mine while in the city), opened in 2003, was erected on the site where the former 4-storey, wood-framed, 423-room Pines Hotel used to overlook Session Road. On October 23, 1984, at about 11:30 PM, a 6-hour blaze gutted this government-owned hotel. To escape the thick smoke and flames, most of the dead (17 were killed, including 4 Americans) and 46 injured leaped from windows of this American Colonial-style, hillside hotel while others were seen slipping from rescue ropes.

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SM City Baguio

Today, mall visitors have reportedly seen faces in bathroom mirrors that would not be there a second later. One patron, in the ladies’ room, gave a photographic description of a bloodied fireman (The Baguio City Fire Department lost four firefighters in the blaze).

The MANILA FILM CENTER had its beginnings in 1981 when then First Lady Imelda R. Marcos started the Manila International Film Festival (MIFF). Slated to start on January 18, 1982, 4,000 laborers working, round the clock, in 3 shifts in the rush to complete the project  in time for the MIFF. Tragedy struck, on November 17, 1981, shortly before 3 AM, when scaffolding and wooden support for part of the second basement collapsed, causing at least 169 graveyard shift workers to fall to the orchestra below and be buried or trapped under wet, quick-drying cement.

Check out “The Urban Legend That is the Manila Film Center

Manila Film Center

Rather than halt construction to rescue survivors and retrieve the bodies of dead workmen, cement ordered to be poured into the orchestra, entombing the fallen workmen, some of them still alive. The MIFF was to last another year but, instead of quality films, pornographic films were shown in an effort to gain a larger audience and, perhaps, to make up for the first festival’s financial losses. Later, in 1984, I would watch the premiere of Tikoy Aguiluz’ startling, controversial but highly-acclaimed first full-length film “Boatman” (Ang Bangkero), in its uncut version, at this very venue. Today, it is the venue of the Amazing Show, a Las Vegas-like song and dance extravaganza  where all the performers are transgenders.

The place, said to be haunted as well as cursed, is incredibly spooky. Various ghostly manifestations were reported within the building on the site, including poltergeist activity, apparitions; mysterious hearing of cries and moans; bleeding walls; and hands sticking out from under doors. The ghosts of those who died are said to roam the area, looking for live bodies to possess and take over as their own.

The UNIVERSITY OF THE PHILIPPINES Diliman Campus , where my wife  and I graduated (with a degree of B.S. Architecture) has had a long history of alleged haunting, with a lot of paranormal hot spots. The Wilfrido Ma. Guerrero Theater, at the second floor of Palma Hall, is the residence of a  ghost named “Marisa,”  said to be a famous star of the university’s theater productions back in the 1970s who was eventually overshadowed by younger, more talented newcomers. Overwhelmed by grief and jealousy, she killed herself, in the most dramatic way possible, by hanging herself onstage, in costume. She’s known for making her presence felt by haunting the stage, the rest room and her old dressing room, joining the chorus during performances and, sometimes, showing up onstage.

Benitez Hall

Benitez Hall, home to the College of Education and one of the oldest buildings on campus and, naturally, has gained the reputation as one of the most haunted. A ghost, with blood red eyes, is said to wanders the halls. Kalayaan Hall, a residence hall exclusively for freshmen, has a ghost of a woman who supposedly shows up in the mirror facing the stairs to the second floor of the girls’ wing.  Abelardo Hall, home of the College of Music, is said to be haunted by the ghost of a girl vocalizing, or playing the piano or the gamelan in the middle of the night.

Melchor Hall

The lights on the top floor of Melchor Hall, the College of Engineering Building, where our college was then housed (the college now has its own building), was, for some reason, never turned off, the reason being that, sometimes, the lights there inexplicably turn to red. Many of my classmates have also seen a “Lady in White” come in and out of the corridor walls

The PINDANGAN CHURCH RUINS, the picturesque, roofless remains of a small vine-covered brick and coral church (the first in City of San Fernando, La Union) which I visited way back in 2004, is located 500 m. off the National Highway, near Camp Oscar Florendo. The nuns of the Carmelite Monastery of the Holy Family are the caretakers of these church ruins.

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Pindangan Church Ruins

It is said to be the home of the sole ghost of a headless stabbed priest who prowls the night, either carrying his severed head or searching for his head. Some have also reported hearing his head calling out for his body to find it. The wind here is known to whisper strange malediction to those that disrespect the location.  My picture of the site was featured in an episode of “Ang Pinaka: Scary Places in the Philippines,” aired during the 6:30 PM GMA News TV last October 22, Sunday.

The University of Santo Tomas, where my daughter Cheska graduated (with a degree of B.S. Medical Technology), served as an internment camp during the World War II.  Many prisoners died here of starvation and illness, and is reported by believers to be haunted. An alleged mass grave is located near the UST Museum.  One of the restroom cubicles in the Main Building is also haunted by a female student who hung herself.

Main Building of the University of Sto. Tomas

Other paranormal hot spots are the UST Hospital (haunted by a ghost wearing a red tag, which only corpses in the morgue section wear), St. Raymund’s Building (the comfort rooms on the first floor are haunted by the ghost of a girl was said to have committed suicide because she was bullied for her physical appearance), the Albertus Magnus Building (the Conservatory of Music where the piano is heard playing by itself) and Benavides Park (a.k.a. Lover’s Lane) where, at past midnight, students are greeted by a man wearing a Dominican habit who would later disappear (Sometimes, unfortunate couples hanging out in the park’s benches at night, have also heard a disembodied voice singing mass songs).

  • CLARK AIR BASE, being an American military installation, experienced major bombing from the Japanese during World War II. There are a number of reminders of that bloody past that still exist today and these locations are some of the most haunted in the Philippines.

Clark Museum

The area around the abandoned Clark Air Base Hospital has been rendered off limits to everyone as inhabitants have witnessed apparitions of violent spirits and heard mysterious voices.

Clark Cemetery

Early morning joggers have also reported hearing party music and excited talk coming from inside the obviously empty Home Plate canteen.  At the Clark Museum, the ghost of a serviceman who committed suicide by hanging himself still haunts the place.

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  • SAGADA, in Mountain Province, has an authentic culture dealing with death, free of Western influence. The caves of the town, in particular, are rumored to be site of ghostly mischief. According to the locals, whispery voices are heard and wayward shadows or apparitions are seen among the Hanging Coffins as well as graves up in the Echo Valley.

Hanging Coffins

The Igorots, however, generally say that if you show some respect and leave the coffins alone, you’ll make it out of the valley unscathed. At Sumaguing Cave, locals believe that the cave is haunted by the spirits of their ancestors.  I have explored this cave twice and, each time, I always felt an otherworldly feeling as I entered.

Check out “Back to Sumaging Cave

Historic CORREGIOR ISLAND, an island of history and heroism at the entrance of Manila Bay, has played a major role during World War II. Many Filipino and American soldiers died in its defense. During the liberation, the Japanese defenders here committed suicide via harakiri, jumping into the sea or blowing themselves up instead of capture or surrender. The ghosts of Corregidor’s World War II dead were also joined by Muslim soldiers who, in 1968,  were training in Corregidor for a  planned invasion of Sabah in Malaysia but were exterminated during the infamous March 18, 1968 Jabidah Massacre.

Hospital Ruins

At the Hospital Ruins. tourists who passed by have heard footsteps, rumblings of normal hospital activities, and wails of people.

One of the laterals of Malinta Tunnel. Notice the orbs?

Around the bunker area inside the Malinta Tunnel, shouts of people grimacing in pain can also be heard. Witnesses have also reported hearing eerie sounds and seeing a spirit near by. Manifestations would also appear in photos and videos. 

 

Check out “Ghost Hunting in Corregidor

In INTRAMUROS,  where the historical and the supernatural intersect, the possibility of ghost sightings in the oldest part of Manila is real. It attracts ghosts and ghost hunters in search of kapres, white ladies, demonic spirits, and other entities. In the dying days of World War II, Japanese soldiers reportedly massacred men, women and children in Baluarte de Dilao.

Baluarte de San Diego

Baluarte de San Diego, known as the break-up park for being the site where many a relationship met their demise, is where a crying White Lady often makes appearances.

Manila Cathedral

The Aduana (Customs House) Building, which housed several government offices, is the most haunted building in Intramuros. Many people believe its demonic entities takes lives.  At Plaza Mexico, there have been sightings of reapers, or hooded figures who chase after wandering spirits. Many of the retail and commercial spaces along the wall of Puerta de Sta. Isabel have now been abandoned, supposedly because of numerous reports of hauntings. An ordinary-looking tree, along Arzobispo Street, has earned the gruesome nickname the Suicide Tree after a student, supposedly from Mapua Institute of Technology, killed herself by hanging.  Headless priests supposedly make regular appearances at the Manila Cathedral.

Fort Santiago

Fort Santiago, where National Hero Jose Rizal was jailed, was used by the Japanese as a prison and torture chamber during World War II.  It is imprinted with the agony and sufferings of its many prisoners and is now also extremely haunted with ghosts of prisoners who drowned in its underground dungeons.

 

Check out “Revisiting Fort Santiago

 

According to believers, the LAPERAL WHITE HOUSE, in Baguio City, in Beguet, is haunted, with stories of sightings of a little girl (said to be the three-and-a-half year old child of the owner who was killed while running, across the street, towards her nanny) standing motionless on the third step of the staircase fronting the house; a woman (said to be the nanny who killed herself in one of the bedrooms) looking out the third floor glass windows; and a white figure coming down, from the attic, down to the front entrance.

During World War II, the basement of the house was used by the Japanese as a garrison where, if stories are to believed, many were brutally tortured and executed, including members of the Laperal family.  Don Roberto survived the war but accidentally slipped, and fell to his death, from the stairs in front of the house.  He, as well as ghosts of family members, the torture and execution victims, as well as Japanese soldiers (seen in the upper bedrooms), still haunt the house.  These spirits are believed to violently push and scratch visitors to the place.

If ghosts, spirits and the paranormal tickle your fancy, then the so famously haunted, eerie, bleak and abandoned DIPLOMAT HOTEL, considered as one of the most haunted places in Baguio City and the Philippinesis definitely for you.  Even since this hotel was open, employees and guests would report hearing strange and eerie noises coming from the building and seeing headless ghosts, with their heads on a platter, constantly roaming the hallways. 

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However, even after the hotel shut down, those sightings would continue.  The people living nearby were often disturbed at night by sounds coming from the Dominican Hill. They would hear banging of doors and windows, clattering of dishes, voices of screaming people who seem to be agonizing, as well as rattling and clanging sounds alternating with total silence.  Adding to the eerie atmosphere is the derelict condition of the hotel.

St. Patrick’s Cathedral (New York City, U.S.A.)

St. Patrick’s Cathedral

Our third, and final, mass in the U.S. was held at the decorated  Gothic Revival-style Cathedral of St. Patrick (commonly called St. Patrick’s Cathedral), the seat of the archbishop of the Roman Catholic Archdiocese of New York (created in 1808 and made into an archdiocese by Pope Pius IX on July 19, 1850). Held on the first Friday of July, this was our second visit to the cathedral (the first was 13 days ago) and we attended this mass to pray for a safe journey back to Manila, our flight back being just 8 hours away.

The cathedral is located on the east side of Fifth Avenue, between 50th and 51st Streets in Midtown Manhattan. Directly across the street is the Rockefeller Center and it specifically faces the Atlas statue. A prominent landmark of New York City, the land on which the present cathedral sits was purchased in 1810 and it was designed by James Renwick, Jr.  In 1976, the cathedral and its associated buildings were declared a National Historic Landmark.

Here’s some interesting trivia regarding St. Patrick’s Cathedral:

The 100.6 m. high spire

St. Patrick’s Cathedral currently has two pipe organs, both built by the firm of George Kilgen & Son of St. Louis, Missouri. They consist of more than 9,000 pipes, 206 stops, 150 ranks and 10 divisions.

The cathedral interior

The Gallery Organ,  located in the Choir Gallery below the Rose Window over the Fifth Avenue entrance and in the Triforium, near the South Transept, was edicated on February 11, 1930. It took 3 years to build at a cost of US$250,000. Designed by Robert J. Reiley, consulting architect of the Cathedral, it has one of the nation’s most glorious wood facades and is adorned with angels and Latin inscriptions. Containing 7,855 pipes, ranging in length from 32 ft. to 1/2 inch, its longest pipes run horizontally across the North and South Triforia.

The pulpit

The Chancell Organ,  located in the North Ambulatory next to the Chapel of St. Joseph, was dedicated on January 30, 1928. It has 1,480 pipes; located on the opposite side of the Ambulatory, diagonally across from the console, and is encased in a carved oak screen ornamented with Gothic elements of design and symbolism.

Stained glass windows

Here is a timeline of the cathedral’s construction:

  • On August 15, 1858, the cornerstone was laid, just south of the diocese’s orphanage.
  • Work began that same year, was halted during the Civil War,and resumed in 1865.
  • In 1878, the cathedral was completed and was dedicated on May 25, 1879.
  • In 1879, the cathedral’s first organ, composed of 4 manuals with 51 stops and 56 ranks, was built by George Jardine & Son, one of New York’s most distinguished organ builders, and installed.
  • In 1880, the archbishop’s house and rectory were, both by James Renwick, Jr.
  • In 1880, an organ by J.H. & C.S. Odell (then also from New York City), composed of 2 manuals with 20 stops and 23 ranks, was installed in the chancel.
  • An adjacent school, no longer in existence, was opened in 1882.
  • The spires were added in 1888, and at 329 feet and 6 inches (100.4 meters) were the tallest structures in New York City and the second highest in the United States.
  • From 1901 to 1906, an addition on the east, including a Lady chapel (designed by Charles T. Matthews), was constructed.
  • Between 1912 and 1930, the Lady Chapel’s stained-glass windows were made by English stained glass artist and designer Paul Vincent Woodroffe.
  • In 1927 and 1931, the cathedral was renovated, the sanctuary was enlarged and two great organs were installed.
  • In the late 1930s and early 1940s, the cathedral’s main altar area was renovated under the guidance of Archbishop (and later cardinal) Francis Spellman. The previous high altar and reredoswere removed (now located in the University Church of Fordham University). New items include the sanctuary bronze baldachin and the rose stained glass window.
  • In the 1940s and 1950s tonal changes were made on the two organs.
  • In the 1970s and 1980s, additional renovations were made on the organs by Jack Steinkampf of Yonkers, New York, particularly in the revoicing of flutes and reeds, and the addition of the Trumpette en Chamade.
  • In the 1980s, the altar was further renovated, under the direction of Cardinal John Joseph O’Connor. To be more visible to the congregation, a stone altar was built from sections of the side altars and added to the middle of the sanctuary. However, in 2013, this altar was removed.
  • In 1993, the organs underwent major restoration. new consoles for both the Gallery and Chancel Organs to replace the original ones (which had deteriorated beyond repair) were acquired. Robert Turner (of Hacienda Heights, California) constructed twin, 5-manual consoles while Solid State Logic, Ltd. of England designed and engineered the combination action. Fiber-optic wiring were used to enable both consoles to control the Gallery, Chancel and Nave Organs at the same time. In 1993, the Gallery console was finished and installed in time for Christmas Midnight Mass. In early 1994, the Chancel console was installed. In 1995, the entire Chancel Organ was restored
  • On September 15, 2007, the 10th anniversary of the organ’s renovation, the organs were blessed. The Bicentennial Concert Series was also inaugurated with a performance James E. Goettsche, the Vatican Organist.
  • In 2012, an extensive US$177 million restoration of the cathedral was begun and lasted 3 years. The exterior marble was cleaned, the stained glass windows were repaired and the ceiling was painted, among many restorations. On September 17, 2015, the restoration was completed before Pope Francis visited the cathedral on September 24 and 25, 2015.

The cathedral ceiling

Beneath the high altar is a crypt in which the nine past deceased Archbishops of New York as well as notable Catholic figures that served the Archdiocese are entombed. They include:

Plaque commemorating Pope Paul VI’s October 4. 1965 visit

The galeros of Cardinals McCloskey, Farley, Hayes and Spellman (also worn by Pope Pius XII, as Cardinal Eugenio Pacelli, until the latter’s election to the papacy at the 1939 Papal conclave) are located high above the crypt at the back of the sanctuary. In 1965, the ceremony of the consistory was revised by Pope Paul VI and therefore no galero was presented to Cardinal Cooke or any of his successors.

Plaque commemorating Pope John Paul II’s second Papal visit

Requiem Masses were said at the cathedral for the following notable people:

Special memorial Masses were also held at the cathedral for the following:

The cathedral or parts of it were featured in a number of movies, TV shows, songs and literary works:

  • The climax of Beneath the Planet of the Apes (1970), where Taylor destroyed Earth with the AlphaOmega bomb, were set in the cathedral’s underground ruins. Centuries earlier, mutant humans surviving a nuclear holocaust founded a religion on the bomb (later depicted in Battle for the Planet of the Apes). They reconsecrated the cathedral to their new religion and installed the bomb in front of the organ pipes in place of the crucifix.
  • The TV show Futurama, Fry, Leela, et al. are visiting the sewer mutants beneath the ruins of Old New York and Fry sticks his head in the cathedral, sees the bomb, and says, “So you guys worship an unexploded atomic bomb?” A mutant replies, “Not really, it’s mostly a Christmas and Easter thing.”
  • Nelson DeMille‘s 1981 novel, Cathedral, concerning a fictional seizure and threatened destruction of the cathedral by members of the Irish Republican Army on St. Patrick’s Day, is mostly set in and around the cathedral and details of the cathedral’s structure contribute important elements to the plot.
  • The cathedral is also featured in the 1990 film Gremlins 2: The New Batch.
  • In Giannina Braschi‘s novel, Empire of Dreams (1994), the ringing of the church bells at the cathedral marks a pastoral revolution in New York City.
  • The cathedral was referenced in the song Not A Love Story by musical-theatre songwriters Kait Kerrigan and Brian Lowdermilk. 

The author and son Jandy at St. Patrick’s Cathedral

St. Patrick’s Catheral: 5th Ave, New York, NY 10022, USA.

Bell in Hand Tavern (Boston, Massachusetts, U.S.A.)

Bell in Hand Tavern

The Bell in Hand Tavern, located in the heart of Government Center, next to Faneuil Hall Marketplace, was established by Jimmy Wilson, Boston’s last known town crier who, for 50 years,  reported on everything from the Boston Tea Party to the birth of the nation.

The author (right) with son Jandy in front of the tavern

Upon retirement, Jimmy opened a tavern in 1795 at the Exchange Coffee House in Congress Square along Elm St. (where City Hall is now) and called it, appropriately enough, The Bell and Hand. Daniel Webster, Paul Revere, and William McKinley were known to have frequented the tavern.

The historical plaque posted outside the tavern

Though touted as “America’s oldest continuously operating pub,” this bar, currently managed by Eddie and Bryna Kaplan, is housed in two floors of a three-storey building that only dates back to 1844. The sculpture of hand holding the bell dominates the middle of the bar as you entered from either Marshall Street on the right or Union Street on the left.

The circa 1844 building housing the tavern

This watering hole features typical bar fare and has five bars, karaoke on Tuesday, and live music nightly.  The uniquely designed rooms, all having a character of its own, are used for private as well as corporate functions. The interiors consist of exposed brick and traditional wood.

The tavern’s interior

Bell in Hand Tavern: 45 Union St.,  BostonMassachusetts 02108.  Open Sundays – Thursdays 11:30 AM – midnight, and Fridays and Saturdays, 11:30 AM – 2 AM. Tel: (617) 227-2098.  Website: www.bellinhand.com. E-mail: info@bellinhandtavern.com. Coordinates:   42°21’41″N   71°3’25″W.

How to Get There:  Green/Orange Line to Haymarket

Copp’s Hill Burying Ground (Boston, Massachusetts, U.S.A.)

Copp’s Hill Burying Ground

The historic, 12,000 sq. m. (3 acre) Copp’s Hill Burying Ground, the second (and largest) cemetery in Boston (second only to the King’s Chapel Burying Ground founded in 1630), was founded on February 20, 1659. Originally named “North Burying Ground,” it is situated on land (where a wind-powered grinding mill once stood) on Copp’s Hill (named after early settler and local cobbler William Copp whose children were buried here in the 1660s) bought by the town from John Baker and Daniel Turell.

Now named “Copp’s Hill Burying Ground” (although often referred to as “Copp’s Hill Burial Ground”), it is the final resting place of over 10,000 people (buried between 1660 and 1968) and contains more than 2,200 marked graves (60% of which date to before the American Revolution), including the remains of various notable Bostonians (29 Boston Tea Party participants and 43 Revolutionary War veterans) from the Colonial Era into the 1850s.

On January 7, 1708, the cemetery was extended when the town bought additional land from Judge Samuel Sewall and his wife Hannah (part of a  pasture which she inherited from her father, John Hull, master of the mint).  On June 17, 1775, because of its height and panoramic vista, the British used this vantage point on the southwest side to establish earthworks and train their North Battery cannons on Charlestown during the Battle of Bunker Hill. Legend has it that British troops used gravestones for target practice (many have interpreted the round scars of the Capt. Daniel Malcolm grave marker to be the result of musket balls being shot at close range).

On December 18, 1809, it was further extended when the town bought, for US$10,000, additional land from Benjamin Weld and his wife Nabby after they had bought it from Jonathan Merry, who had used it as pasture.  Ten years later, Charles Wells (later mayor of Boston) bought a small parcel of land from John Bishop of Medford which he used as a cemetery. Later, this was merged with the adjacent North Burying Ground. It is no longer possible to discern the original boundaries of the cemetery because of this complicated history.

Along the Snow Hill Street side, in a potter’s field, are many unmarked graves of more than 1,000 free  African Americans who lived in the questionably named “New Guinea” community at the foot of the hill. In addition, there are 227 tombs, most of which bear inscriptions that are still legible. In addition, the grave markers and their epitaphs of thousands of artisans and tradesmen buried here reflect the nature of the 17th and 18th century economy of the North End.

Prince Hall Memorial

Reputedly, the oldest grave stone is that of Grace Berry, wife of Thomas Berry, who according to the inscription, died May 17, 1625 (5 years before Boston was settled). The well preserved stone is of old Welsh slate with quite distinct carving; the edges are ornamented with curves and at the top are carved two cherubs and the angel of death.

Grace Berry Tomb

The tomb erected by Isaac Dupee, perhaps the most ornate monument in the ground, bears a beautifully carved coat-of-arms, together with a tribute in verse.

Isaac Dupee Tomb

The town continued to maintain the site intermittently but, by 1840, the cemetery had fallen into near disuse and, by 1878, it was badly neglected. When the Freedom Trail  created in 1951, the cemetery was not an official stop but it has since been added and is now much-frequented by tourists and photographers. In 1974, the site was added to the National Register of Historic Places. Now owned by the City of Boston Parks and Recreation Department, it is part of the Historic Burying Grounds Initiative.

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Michael Malcom Grave stone

Notable persons buried here include:

Copp’s Hill Burying Ground: 21 Hull St. cor. Snowhill St., Boston, 02113 Massachusetts, U.S.A. Tel: 617-635-4505.  Open daily. 10 AM  – 5 PM.

Paul Revere House (Boston, Massachusetts, USA)

Paul Revere House

The Paul Revere House, the colonial home (for about 20 years) of famous legendary American patriot, famous “Midnight Rider,” silversmith, businessman and entrepreneur Paul Revere during the time of the American Revolution, is the oldest remaining structure in downtown Boston and also the only official Freedom Trail historic site that is a home.

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It occupies the former site of the Second Church of Boston’s parsonage, home to Increase Mather and Cotton Mather, which was destroyed in the Great Fire of 1676. The original three-story house, built about 1680, was first owned by Robert Howard, a wealthy a wealthy Boston slave merchant. Howard’s L-shaped townhouse contained spacious rooms and its exterior would have been enhanced by features such as a second-floor overhang and casement windows.

From 1770 to 1800, Paul Revere owned this house.  Although he and his family may have lived elsewhere for periods in the 1780s and 1790s, they lived there during the American Revolution – the most transformative and uncertain era of their generation. The rear chimney (c. 1790) including the kitchen (that visitors see in the first room they enter) were believed to have been added during the Revere occupancy.

After Revere sold the house in 1800, the home became a sailor’s boarding house for many years in the nineteenth century and, by the turn of the twentieth century, the old house had become a tenement with the ground floor remodeled for use as shops. At various times, it became a candy store, cigar factory, bank and vegetable and fruit business. In 1902, to prevent demolition, John P. Reynolds Jr. (Revere’s great-grandson) purchased the building and its restoration took place under the guidance of Joseph Everett Chandler, an architect and historic preservationist. In April 1908, the Paul Revere House opened its doors to the public as one of the earliest historic house museums in the United States.

Around the middle of the eighteenth century, the Paul Revere House went through two major and substantial renovation processes.  First, to bring the house in line with the Georgian architectural style  becoming prevalent at that time, the roofline facing the street was raised substantially.   Second, a two-story lean-to was added in the ell between the two 17th-century portions of the house. In 1907–1908, restorers returned the roofline to its original pitch, albeit without a gable (giving rise to a commonly held misconception that the attic had been removed), and the lean-to was removed.

On January 20, 1961, it was designated as a National Historic Landmark and, on October 15, 1966, added to the National Register of Historic Places. It is now operated as a nonprofit museum by the Paul Revere Memorial Association.

The main block of the three-storey house consists of four structural bays demarcated by heavy framing posts and overhead beams, all typical of early Massachusetts Bay timber construction. Within this main block, the larger ground floor room is dominated by its chimney bay and adjoining lobby entrance. As the Revere House was set quite close to neighbors, its double casement windows were installed in the rear elevation rather than the more common placement in a gable.  The two-storey extension, behind the Revere House, was unlike some contemporary Boston houses which had separate kitchen buildings. Its heavy beams, large fireplaces, and absence of interior hallways are typical of colonial living arrangements. Several pieces of furniture, believed to have belonged to the Revere family, are found at the two upstairs chambers.

Despite the renovation (which returned the house to its conjectured appearance around 1700), 90% of the structure (including two doors, three window frames, and portions of the flooring, foundation, inner wall material and raftering) is original to 1680.  However, none of the window glass is original.

In December 2016, the Paul Revere Memorial Association opened, after a purchase in 2007 and US$4 million in renovations, the new, 3,500 sq. ft. Visitor and Education Center, connected to the house by an elevated walkway.  For the first time, the renovations permitted wheelchair access to the second floor of the house. The education center provided additional exhibit space on Revere’s Midnight Ride, his work as a silversmith and his industrial work after the American Revolution.  Classrooms and a library also allowed for expanded research and educational outreach.

Immediately adjacent and across the entry courtyard (the original site of the John Barnard House) is the brick Pierce–Hichborn House.  Built about 1711 as an early Georgian house, it is also operated as a nonprofit museum by the Paul Revere Memorial Association.

Paul Revere House: 19 North Square, Boston, Massachusetts 0213.  Tel: 617-523-2338. Fax: 617-523-1775. E-mail: staff@paulreverehouse.org. Website: www.paulreverehouse.org. Admission: Adults (US$5.00), Seniors and College Students (US$4.50) and Children – ages 5-17 (US$1.00). Open Daily – Summer: April 15 – October 31 (9:30 AM to 5:15 PM), Winter: November 1 – April 14 (9:30 AM to 4:15 PM). It is closed on Mondays during January, February and March as well as Thanksgiving, Christmas and New Year’s Day. The first floor of house is accessible via the courtyard ramps while the second floor is accessed by taking the elevator in the visitor center and then connecting to the house via the walkway.

Massachusetts State House (Boston, U.S.A.)

The Massachusetts State House (also known as the Massachusetts Statehouse or the New State House),  with its instantly recognizable golden dome, is situated on 27,000 sq. m. (6.7 acres), covering two city blocks, of land on top of the Beacon Hill neighborhood of Boston.  Located opposite the Boston Common, it is the state capitol and seat of government for the Commonwealth of Massachusetts.

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Massachusetts State House

Housing the Massachusetts General Court (state legislature) and the offices of the Governor of Massachusetts, the building was designed by architect Charles Bulfinch (for its design, he made use of two existing buildings in LondonWilliam Chambers‘s Somerset House, and James Wyatt‘s Pantheon).  Considered a masterpiece of Federal architecture and among Bulfinch’s finest works, the building, built on land once owned by John Hancock (Massachusetts’s first elected governor), has repeatedly been enlarged since.

The author at the Bullfinch Entrance

Here is the historical timeline of the building:

  • On July 4, 1795, the Masonic cornerstone ceremony, presided by Paul Revere (Deputy Grand Master of the Grand Lodge of Massachusetts) took place.
  • It was completed in January 1798 at a cost of $133,333 (more than five times the budget). Before its completion, Massachusetts’s government house was the Old State House on what is now Washington Street.
  • In 1802, the leaking original wood dome was covered with copper sheathing by Paul Revere‘s Revere Copper Company. Revere was the first American to roll copper successfully into sheets in a commercially viable manner.
  • In 1895, the original building was expanded with an annex designed in the Italian Renaissance Revival style by Bostonian architect Charles Brigham.
  • In 1917, the east and west wings, designed by architects SturgisBryant, Chapman & Andrews, were completed.
  • In 1874, the dome was first painted gray and then light yellow before being gilded with 23 karat gold leaf.
  • During World War II, the dome was painted gray once again, to prevent reflection during blackouts and to protect the city and building from bombing attacks.
  • On December 19, 1960, the building was designated as a National Historic Landmark for its architectural significance.
  • On October 15, 1966, it was added to the National Register of Historic Places (NRHP).
  • In 1997, at a cost of more than $300,000, the dome was re-gilded, in 23k gold.

The golden dome

The building’s red brick walls, white pillars and trim, and golden dome catch the sun in every season. The dome is topped with a gilded, wooden pine cone which symbolizes both the importance of Boston’s lumber industry, during Early Colonial times, and of the state of Maine, which was a district of the Commonwealth when the Bulfinch section of the building was completed.

General Hooker Entrance

In front of the building, on the grounds below the central colonnade,  are the equestrian statue of American Civil War General Joseph Hooker  (done by renowned Massachusetts sculptor Daniel Chester French) as well as those of orator Daniel Webster (sculpted in bronze by Hiram Powers in 1858) and educator and statesman Horace Mann (dating from 1865, it was sculpted by Emma Stebbins).

Equestrian statue of Gen. Joseph Hooker

On the west wing plaza is the statue of former US President John F. Kennedy (designed by Isabel McIlvain, it was dedicated on May 29, 1990) while on the lawns below the two State House wings are the somber statues of Anne Hutchinson (sculpted by Cyrus Edwin Dallin in 1922) and early Boston Quaker Mary Dyer, both religious martyrs of Colonial days,. Inside the building is a statue of William Francis Bartlett, an officer in the American Civil War.

Statue of Mary Dyer

Massachusetts State House: 24 Beacon Street, Boston, Massachusetts 02108. Tel: (617) 727-3676. Open Mondays to Fridays, 8 AM – 6 PM.  Coordinates: 42°21′29.4″N 71°3′49.3″W.