Palazzo Pitti – Hall of the Iliad (Florence, Italy)

 

During the Medici era, trucco (“trick, a form of ground billiards) was played here and, in 1689, Cosimo III de Medici made it his own private room, equipped with a chapel. The original decoration, by Giuseppe Nicola Nasini, dates back to that period with the Novissimi, four very large religious canvases that represented the last four moments of life – Death, Justice, the Inferno and Paradise.

Hall of the Iliad (Sala dell’Iliade)

In 1795, the Grand Duke Ferdinand III of Tuscany, of the House of  Habsburg-Lorraine, had the religious canvases removed and incorporated the room in the sequence that would constitute a major part into the path of the Palatine Gallery.

Hall of the Iliad (Sala dell’Iliade)

He wanted to have it redecorated with a mythological theme but this program was only realized in 1815, after his return from Napoleonic exile, when he entrusted the enterprise to Luigi Sabatelli  who, from 1819 to 1825, worked on it with the use of aid.

Assembly of the Gods presided over by Jupiter

 

The fresco is a representation of the events prior to the Trojan War (taken from Book XV of Homer’s Iliad).  At the center is the Council of the Gods where Jove (Jupiter) orders the assembled gods to refrain from interfering or trying to influence the outcome of the Trojan War.

Lunettes depicting Juno, who despised the Trojans, using various initiatives to distract Jove with her seductions.

The lunettes, on the other hand, depict Juno, who despised the Trojans, using various initiatives to distract Jove with her seductions.

Statue of Charity (Lorenzo Bartolini)

On display is La Gravida (ca. 1506), a work by Raphael, whose brilliant colors are enhanced by the black background, typical of contemporary Flemish painting.

Baptism of Christ (Paolo Veronese , ca. 1580)

Each wall has a large altarpiece in the center which, as a whole, exemplifies the various currents of the early sixteenth century in Florence.

Assunta Panciatichi (Andrea del Sarto, ca. 1522-1523)

Two, in rigorous symmetry, are by Andrea del Sarto – the Assunta Passerini (1526) and the Assunta Panciatichi (ca. 1522-1523).  Another, the Pala Pitti (1512), is by Fra Bartolomeo, while the Pala Dei (1522) is by Rosso Fiorentino.

Christ in Glory and Saints (Annibale Carracci, ca. 1597-1598)

Other works in the Hall of the Iliad include:

Madonna and Child Enthroned, Saint John the Baptist and Saint Eustace (Niccolò Soggi, ca. 1510)

Hall of the Iliad:First Floor, Palatine Gallery, Pitti Palace, Piazza de’ Pitti, 1, FlorenceItaly. Tel:+39 055 294883. Open Tuesdays-Sundays, 8:15 AM – 6:50 PM. Admission: Palatine Gallery (€8.50), Silver Museum (€6.00), Gallery of Modern Art (€8.50), Costume Gallery/Porcelain Museum/Boboli Gardens/Bardini Garden (€6.00).

How to Get There: Take the C3 or D bus to the Pitti stop.

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