Dahilayan Adventure Park (Manolo Fortich, Bukidnon)

Dahilayan Adventure Park

After covering the opening of the Kain Na! Food and Travel Festival and checking into and freshening up at Seda Centrio Hotel, we met up with tourism officer Ezra Glinogo at the hotel lobby. Instead of continuing with our coverage of the food festival, we were instead treated to a visit to the Dahilayan Adventure Park in the town of Manolo Fortich in the adjoining province of Bukidnon.

Check out “Kain Na! Food and Travel Festival” and “Hotel and Inn Review: Seda Centrio Hotel

The 57.3 km. drive, along the Sayre Highway, took 1.5 hours and, at the Manolo Fortich boundary, quarantine staff there stopped our vehicle and requested all of us to step down and step on foot baths to protect Bukidnon from foot and mouth diseases.

Moving on, we enjoyed the breathtaking countryside and mountain views along the way and, before reaching the park, we passed by Camp Phillips where the massive, 23,000-hectare  pineapple plantation of Del Monte, one of the biggest in the world, is located.

After passing through lush greenery and breathtaking views, we arrived at Dahilayan Adventure Park, nestled at the foot of Mount Kitanglad, by 4:10 PM.  Its cool and invigorating climate reminded me of Baguio or Tagaytay.

Since its opening in September 2009, Dahilayan is famous for its Zipzone, two dual ziplines, with a drop of 100 m., which are said to be the longest in Asia at 840 m. long.

The author being suited up by a park staff

Guaranteed safe and fun for every age, Zipzone has been visited to over a thousand enthusiasts and has become the ultimate adventure destination for young and old alike, including a courageous 2 year old and a 77 year old grandfather. It was an opportunity too good to miss, and Kristian, Marco, Paolo and I were excited to try it out.

L-R: Kristian, Marco, Paolo and the author

First, the staff suited all four of us with helmets, harness and other safety gears. Once suited up, we all boarded a 4WD Safari vehicle for the short drive to the launch tower 4,500 ft. above sea level. Marco and Paolo were the first to try followed by Kristian and me.

On board our $WD Safari vehicle

We were strapped in a face-down position, Superman-style and, upon taking off, zoomed through the lush rainforest canopy at 60 to 80 kms./hour.

Arriving at the launch tower

The launch tower

Midway through my flight, it had already started to rain and I was already soaked when we landed safely at a platform deck using a special arresting gear system. Still, we got the thrill of our life from this scream inducing ride.

Paolo and Marco strapped face down in a Superman position

All strapped upand ready to go……

We were also slated to try out the Skytower Base Jump ride, the highest parajump in the Philippines, but the persistent rain prevented us doing so.

The zipline

From an 8-storey platform on a cell site tower, riders first experience a split second free fall, followed by a gradual descent and ending in a soft landing, all in less than 10 seconds.

The cell site tower – site of the Skytower Base Jump. Maybe next time ……

Dahilayan Adventure Park: Brgy. Dahilayan, Manolo Fortich, Bukidnon. Tel: (088) 309-4708. Mobile numbers: (0922) 880-1319 and (0917) 715-4399. E-mail: zipzoneinq@yahoo.com.  Website: www.dahilayanadventurepark.com.
Zipzone Booking Office: Parasat Centrio Ayala Mall, 3rd Floor Building (in front of Centrio Cinema), CM Recto Highway, Cagayan de Oro City.  Open daily, 11 AM to 8 PM.

Laguindingan Airport (Misamis Oriental)

Laguindingan Airport

The PhP7.85 billion Laguindingan Airport is the first airport in Northern Mindanao that serves the cities of Cagayan de OroIligan, and Marawi, as well as the provinces of Misamis OrientalLanao del Norte and Bukidnon. Mindanao’s second-busiest airport (after Francisco Bangoy International Airport in Davao City), it is classified as a Principal Domestic Airport Class 1 by the Civil Aviation Authority of the Philippines (CAAP).

This airport, sitting on a 4.17 sq. km. (1.61 sq. mi.) site, is 46 kms. (29 mi.) from Cagayan de Oro and 57 kms. (35 mi.) from Iligan City. it replaced both the old, worn-out Lumbia Airport (now Lumbia Airfield, a military air base for the Philippine Air Force) in Brgy. Lumbia, Cagayan de Oro and Maria Cristina Airport in Brgy. Maria Cristina, Iligan City.

Here is the historical timeline of the airport’s construction:

  • On January 10, 2006, the Laguindingan Airport Development Project was inaugurated, with groundbreaking ceremonies presided by President Gloria Macapagal-Arroyo.
  • By July 2007, the construction of the 4.4-km., 4-lane access road had started to connect the new airport to the national road.
  • On August 30, 2007, the cost of the airport project (US$09 million or 7.853 billion) was duly approved by the National Economic and Development Authority Board.
  • In early 2008, grading of the airport site area, headed by the Department of Transportation and Communications and its foreign and local consultants, South Korea-based Yooshin Engineering Corporation and Ortigas CenterPasig-based SCHEMA Konsult, Inc. respectively, and Hanjin Heavy Industries and Construction Company(as the general contractor for the project), was
  • On June 13, 2013, the airport was inaugurated by President Benigno Aquino III
  • On June 15, two days after its inauguration, the airport was opened.
  • In August 2013, the Project Development and Monitoring Facility Board approved the revision of the operations and maintenance of the airport.
  • By December 2014, the installment of the Instrument Landing System and other equipment was completed.
  • On March 12, 2015, the airport began to accommodate night flights and operating hours were increased, from the previous 6 AM –6 PM daily schedule, to 5 AM–9 PM.
  • In September 2017, Ayala Land (which owns 183 of the 417 hectares of land acquired by the government to develop the airport complex), is set to build its first industrial estate outside Luzon within the planned aerotropolis around the airport.
  • On October 20, 2017, Cebu Pacific made Laguindingan Airport its seventh hub, with its wholly owned subsidiary Cebgo adding flights to Caticlan and Dumaguete at the same time.
  • On February 26, 2019, Aboitiz Infra Capital Inc. was granted by CAAP an Original Proponent Status (OPS) for its unsolicited proposal for the airport’s upgrade, expansion, operations, and maintenance.

One of two conveyor belts for baggage claim

The airport has a single 2,100 m. x 45 m. runway which can accommodate four takeoffs and landings an hour and features a cargo terminal that has a built up area of 350 sq. m.; a 46,150 sq. m. apron area for Code C/E aircraft (10,000 sq. m. for ATRs); 23 m. wide taxiway and facilities for general aviation and ground support facilities.

The 7,184 sq. m., 1.5-level very clean and modern passenger terminal building, overlooking the sea, can accommodate 2,000 passengers a day and 1.6 million passengers a year. It has 2 conveyor belts for baggage claim and two passenger boarding bridges.

Branches of Seattle’s Best Coffee and Kenny Rogers at the Pre-Departure Area

Its Pre-Departure Area, at the second floor, has branches of Kenny Rogers and Seattles Best Coffee.  As of 2019, Laguindingan Airport was the 6th busiest airport in the country, with an estimate of 2,000,000 passengers passing through it.

Pre-Departure Area

It serves flights from Manila, Davao City, Cebu City, Iloilo City, Bacolod City and Zamboanga City through Cebu Pacific Air, Philippine Airlines or PAL Express and Air Asia.

One of two jet bridges service a PAL Express jet

Laguindingan Airport (IATA: CGY, ICAO: RPMY): Brgy. Moog, LaguindinganMisamis Oriental. Open daily, 4 AM- 11 PM.

Isola di Francesco (Panglao, Bohol)

Isola de Francesco

Part of the Panglao Bluewater Resort-sponsored CountrysideTour

After our Dolphin Watching Tour, we proceeded to the nearby Isola di Francesco (“Island of St. Francis”) on Pungtud (or Pontod) Island.

In the past, I have seen this island only from afar, from the vantage point at nearby Virgin Island.

Check out “Virgin Island

The island is owned by the Philippine Centre of St. Pio of Pietrelcina and Mr. Ramon Rodriguez, a devotee of Italian Capuchin monk St. Pio (Francesco Forgione) of Pietrelcina, who was said to have been once blind. He was said to have prayed to St, Pio and his eyesight was restored.

A mere 10-min. boat ride from Panglao town proper, Isola di Francesco is a destination for meditation, silent prayer and reflection in harmony with the lapping of the waves and the chirping of the island’s resident birds.

Upon arrival on the island, we were greeted by the welcoming arms of a huge statue of St. Pio of Pietrelcina.

The author with the huge statue of St. Pio of Pietrelcina

This solemn and peaceful island has a chapel (opened in 2016), a visitor’s center, a mini museum, clean restrooms, water tanks, changing rooms and guest houses.

Tableau of the Crucifixion

There are also several religious sculptures (some in the middle of the sea) of Jesus Christ, the saints, angels, cherubs, and the Holy Family.

Life-size statues of Jesus and the Apostles on a fishing boat

Just off the waters of the beach are  quite unique, life-size statues of Jesus and the apostles. Most of the cost to develop this place was donated.

Cherubs hanging from trees

The interesting Isola di Francesco’s Nature’s Art Museum, filled with photos of the Franciscan friars as well as artwork that speak of the grandeur of God and His Creation, was opened last March 2017. A 10 AM holy mass is said every 23rd day of the month in the chapel.

Nature’s Art Museum

This serene island, maintained by the faithful as religious shrine, is not your usual tourist trap and is not often included in the island hopping packages, an exact opposite of the much crowded and touristy island and beach destinations of Panglao. You only need an hour or so to explore the island.

Young mangroves shoots found offshore

This beautiful sandbar is open to the public and there is free boat shuttle service, at Poblacion Panglao, near the church, going to and from the island for those who wish to offer prayers for healing, pay tribute or simply just want to visit the place.

The tourist trap called Virgin Island seen from Isola di Francesco

Visitors can stay as long as you want. Even the use of the kayaks, snacks (bottled water, soft drinks, etc.)  and birds’ food to feed pigeons are free (however, donations are welcome). There’s a souvenir shop selling religious items.

Visitors Center

The beautiful island has white sand all over, with plenty of seaweed, some mangroves and big and small starfish but no fish. The waters around the sandbar are pristine and clean and very good for swimming.

The doves and pigeons of Isola de Francesco

The island is a dove and pigeon sanctuary and you can see eggs and babies in nests in the central garden area.

The author hand feeding some of the doves and pigeons

You can feed the doves and pigeons by donating any amount in the store for a plastic of bird feed. Even when there’s a sign to not scare them, some people scare the doves away to get a beautiful picture of it with them.

Statue of St. Michael the Archangel

However, here are rules to be followed.  You cannot bring any food or drinks on the island.

The chapel

At the chapel, you cannot enter if you are wearing shorts, short skirts, sleeveless, etc. (however, they can lend you a sarong to cover yourself).

Rosaries hanging from trees

As this is a shrine, peace and soft talk is very much appreciated and public displays of affection and ogling is frowned upon here. 

Statue of St. Augustine of Hippo, the patron saint of Panglao

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com. 

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Loboc Night River Cruise (Bohol)

Loboc Night River Cruise

Part of the Panglao Bluewater Resort-sponsored CountrysideTour

From the Bohol Biodiversity Center in Bilar, we again boarded our coaster for the 19.3-km. (30-min.) drive to the Loboc River Port where we were to try out the Loboc Night River Cruise of Village Floating Resto and Cruises as guests of Loboc Mayor Leon A. Calipusan and cruise owner Ms. Maria Lourdes Tuyor-Sultan, both of whom were joining us on the cruise. This would be my first nighttime cruise of the river (the others were during the day).

Check out “Bohol Biodiversity Complex,” “Loboc River Cruise (2014)” and “Loboc River Cruise (2003)

Boarding the Village Floating Resto

The first of its kind in the Philippines, this nighttime cruise is a welcome diversion to the day cruise which, for quite a time now, has caught the fancy of local and foreign tourists. The four floating restaurant operators (the others are Mary Jo Varquez of Busay Monarch, Sonia Balbido of Long River Cruise Floating Resto and Tessie Labunog-Sumampong of Loboc Riverwatch Floating Resto) have been servicing an average of 800 guests daily for the upstream daytime cruising.

The table setup…..

All 19 floating restaurants are served by a commissary which employed a chef to oversee food preparations for the hundreds of tourists who board and eat at the restaurants each month.

The buffet spread…..

The night cruise, introduced by the Provincial Tourism Council as an option to help ease congestion at the river, actually had its beginnings in 2006.

Appetizers…..

Dessert…..

That year, Gov. Erico Aumentado embarked on the lighting of the Loboc River, with Chinese businessman (the chairman of Filipino multinational Liwayway Group whose flagship enterprise is the manufacture and distribution of Oishi snacks) and Philippine Special Ambassador to China Carlos Chan funding the riverbank lighting project and commissioning lighting experts from China to determine the requirements of Loboc River.

Grilled prawns ….

Thus, the P13.5 million project of lighting the whole 2.85 km. stretch of the Loboc River was born, with some 450 lampposts and floodlights being installed from the modern, PhP10-million (also partly funded again by Mr. Chan), 120-m. long docking port (which houses the eco-tourism center and includes the tourism office, a visitor’s lounge and air-conditioned comfort rooms) all the way up to the Busay Falls, including the two bailey bridges crossing the river.

The very Christmas-like light show along the riverbank

Our cruise was sort of an inaugural run as the original night cruise was discontinued after the October 15, 2013 earthquake damaged the lighting system.  Cruising the Loboc River at night, soothing to the spirit, was a different experience altogether, relaxing both body and mind and infusing peace and harmony to weary souls.

The on-board live entertainment…..

The cool night air, the eerie lights on the riverbanks (lighting up the palm trees and putting to shadow other vegetation) and their colorful reflections shimmering on the waters coupled with the soft serenading music of the performing band while we dined on a delicious buffet spread lent a romantic air to the night cruise.

The author enjoying the cruise…..

The night scene, with myriads of shimmering lights reflected on the waters, casted a shimmering splendor on the river.

L-R: Ms. Corazon Cagahastian, Mr. Diego Cagahastian, the author, Ms. Teresa Chanco, Loboc Mayor Leon A.Calipusan, Mr. Pete Dacuycuy and Mr. Pedro “Boo” Chanco.

Village Floating Resto & Cruises: Brgy. Valladolid, Loboc, Bohol. Tel: (038) 537-9223  and (038) 501-8078. Mobile number: (0928) 507-7627. E-mail: villagefloatingresto@yahoo.com.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com.  

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Bohol Biodiversity Complex (Bilar, Bohol)

Bohol Biodiversity Complex

Part of the Panglao Bluewater Resort-sponsored CountrysideTour

After our visit to Loay, we boarded our coaster for 24-km. (40-min.) drive, via the Loay Interior Road, to the 25-hectare (6.5 hectares occupied as ecotourism site) Bohol Biodiversity Complex (BBC) in Bilar. Along the way, we passed its man-made forest of mahogany trees.

Check out “Church of the Holy Trinity” and “Museo ng Pamana at Kasaysayang Boholano

Our lecturer….

We were slated to do the Tree Planting for Legacy eco-tour (individual tree planting), undoubtedly the highlight of a visit here but, due to our tight schedule, just attended a lecture (with fresh buko juice) on sustainable development and toured its facilities.

The BBC, surrounded by 1.2 hectares of rainforest, is perfect for the nature lover and the environmentally-conscious. It showcases various endemic tree seedlings and continues to raise awareness and conservation concerns among both locals and tourists.

This facility, and the eco-tour it offers, is the fruit of the Bohol Environment Code of 1998, which had the Bohol provincial government and the DENR sharing the responsibility of protecting and conserving Bohol’s amazing plant and animal species, particularly its endemic tree species.

Glamping Area

The complex, a unique and memorable alternative to a typical Bohol tour, houses a training center, organic vegetable gardens, a greenhouse, vermin-composting facility, farm animal sheds, reforestation area, Karst trail, gene bank, a dipterocarp mini laboratory and lodging quarters for anyone keen on lending a hand to sustainability and tackling all the BCC has to offer.

Setup inside tent

The sprawling grounds of the complex also make it ideal as a camping ground or a picnic site. Our guide showed us the glamping site with tents set up.  Each tent, which can accommodate 5 pax, is rented out for PhP2,000/per night (breakfast not included).  Near the site is a cottage housing communal shower and toilet facilities and a dining facility.  We culminated our visit with a merienda of corn coffee, steamed kamote, puto and fried saging na saba.

A honeymooner’s setup

The Tree Planting for Legacy eco-tour is a great way, whether going solo or traveling in a group, to proactively support conservation while having fun. It takes travelers beyond sightseeing and into environmentally-friendly and fun activities, letting everyone join and pitch in the efforts of restoring the breathtaking forests of Bohol by giving them the chance to leave a “tree for legacy,” their very own green thumb mark on the island of Bohol.   The endemic tree saplings they planted are taken care of by the center until they reach maturity.

Cottage housing shower and toilet facilities and dining area

Currently, with the help of the Provincial Government Offices of Provincial Economic Enterprises Management Office, Bohol Environmental Management Office, Office of the Provincial Veterinarian, Bohol Island State University and NGO Soil and Water Conservation Foundation Inc., the complex is undergoing development to help improve its services, Aspiring to become a model eco- agritourism site in Bohol, it promotes conservation of Bohol’s unique flora and fauna and appreciation of Boholano culture, especially in its agricultural industry.

Bohol Biodiversity Complex (BBC): Bilar, Bohol. Mobile number: (0950) 124-6588. E-mail: boholbiodiversity@gmail.com. Admission: PhP100/pax. Tour Group Price: PhP1,850/15 pax maximum. Admission includes seedling, name plate, laminated label and corn coffee/bottle of water (included only for group tours).  Open Mondays to Fridays, 8 AM – 5 PM, on request basis for holidays and weekends (Saturdays and Sundays).

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com. 

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Museo ng Pamana at Kasaysayang Boholano (Loay, Bohol)

Museo ng Pamana at Kasaysayang Boholano.  The escuela de los Ninos is on the left and the Casa Tribunal on the right

Part of the Panglao Bluewater Resort-sponsored CountrysideTour

After lunch at Panglao Bluewater Resort, we met up with Mr. Christopher “Boyet” Boncales, our guidefor our resort-sponsored Countryside Tour, at the reception area.  Boyet, 43, a tour guide of 25 years, has been guiding VIPs, ambassadors and other high ranking officials to Bohol. We all boarded our Travel Village coaster for the 33-km. (1-hour drive) to Loay’s Holy Trinity Church Compound.

Check out “Resort Review: Panglao Bluewater Resort

Check out “Church of the Holy Trinity

Upon arrival, we were welcomed by Ms. Perlina Alo, curator of the Museo ng Pamana at Kasaysayang Boholano (Museum of Boholano Heritage and History).

The 2-storey Casa Tribunal. Notice the non-centering of openings. Above the main entrance is an anagram of the Blessed Virgin Mary

Anagram of the Blessed Virgin Mary above the entrance door of Casa Tribunal

Under the jurisdiction of the National Historical Commission of the Philippines (NHCP), the museum is housed within two buildings at the compound– the 2-storey Casa Tribunal (the old tribunal or municipal building) and the single-storey Escuela de los Ninos (school for boys).

The one-storey Escuela de los Ninos

The former’s solid stone architecture and non-centering of openings probably makes it one of the earliest structures in the compound and the 18th century anagram of Blessed Virgin Mary over main door belies its construction under the supervision of Recollect parish priests.

Ms. Perlita Alo (center) briefing our media group

The latter, one of two schoolhouses (the other one, for girls, faces it from across the plaza), was also built by the Recollects and dates from the last quarter of the 19th century.

Religious paraphernalia and statuary

Paintings of Four Evangelists by Ray Francia

Ms. Alo first toured us inside the Casa Tribunal. The exhibit on the ground floor centers on the materials used in the construction of the church complex – coralstone, limestone, batikuling (Litsea leytensis, wood used for religious images), apitong (Dipterocarpus grandiflorus, a local hardwood), narra (Pterocarpus indicus); bakan (Melia azedarach); etc.

Scaled model of the church compound

Face Value: The Faces of Philippine Numismatics

Also on exhibit are religious statuary and paraphernalia; a scaled model of the church complex and currently being restored paintings (from the spandrels at the church dome ceiling) of the Four Evangelists (Luke, John, Matthew and Mark) done by Ray Francia.

Gallery 1

Gallery II

At the second floor are exhibits on the methods of construction; the evolution of churches in the 1600s; the restoration methodology of the NHCP plus 3 scaled models of Loay’s church.  Also at the second floor is the exhibit entitled:” FACE VALUE: THE FACES OF PHILIPPINE NUMISMATICS” ongoing from October 30 to November 10, 2019.

Scaled Models of Ancestral Houses

Scaled model of Loay Church

Moving on to the Escuela de los Ninos, we watched an audio-visual presentation of the history of Bohol at the foyer.  Exhibits at the two galleries centers on episodes in Bohol’s history – Early Boholano History; Arrival of the Spaniards; Changes Under the Spanish; Tamblot’s Revolt; Dagohoy’s Revolt; The Cantonal Government; Resistance Against the Americans; Change Under the Americans; Resistance Against the Japanese during World War II; and Rehabilitation and Growth.

Copy of Fr. Pedro Murillo Velarde’s Carta Hydrographica y Chorographica de las Yslas Filipinas (1734, A Hydrographical and Chorographical Chart of the Philippine Islands)

Also on display here are scaled models of Bohol’s bahay na bato or stone houses (Zarraga Ancestral House and Clarin Ancestral House in Loay; Rocha Ancestral House and Balili Heritage House in Tagbilaran City; etc.); a copy of Fr. Pedro Murillo Velarde’s (1696-1753) Carta Hydrographica y Chorographica de las Yslas Filipinas (1734, A Hydrographical and Chorographical Chart of the Philippine Islands); a painting of the Blood Compact; a church confessional; seals of the Cantonal Government; and a bust of Pres. Carlos P. Garcia.

Bust of Pres. Carlos P. Garcia, Bohol’s first and, so far, only native-born Philippine president

Painting of the Blood Compact

Check out “Balili Heritage House” and “The Ancestral Houses of Sitio Ubos

Museo ng Pamana at Kasaysayang Boholano: Holy Trinity Church Compound, Loay, Bohol. Open Tuesdays to Sundays, 8 AM to 4 PM. Admission is free.  Mobile number: (0915) 178-0325.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com. 

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Bohol–Panglao International Airport

Panglao International Airport

The PHP8.9 billion (US$169 million) Bohol–Panglao International Airport (also known as New Bohol International Airport), on a 216-hectare area in Panglao Island, serves as the gateway to Tagbilaran and the rest of mainland Bohol for domestic air travelers, replacing Tagbilaran Airport (which is 10 times smaller), to support Bohol’s increased passenger traffic due to tourism.

This airport is officially classified as the international airport by the Civil Aviation Authority of the Philippines and though Philippine Airlines ended its Tagbilaran-Seoul flights on February 9, 2019, it welcomed the twice weekly (Mondays and Fridays) Royal Air Philippines’ Hong Kong-Bohol-Hong Kong flights which started last September 30.

Covered area in front of the terminal building

Bohol’s new international airport was partially funded with PHP5.862 billion (US$123.5 million, about 79% of its total project cost) by an official development assistance (ODA) loan from the Japan International Cooperation Agency (JICA) with the remaining amount coming from the general appropriations fund of the Department of Transportation and Communications (DoTr). JICA also  provided JPY4.37 billion ($38.96 million) for the second phase of the airport project.

The airport apron

A Japanese consortium of Chiyoda Corporation and Mitsubishi Corporation was the prime contractor for the project. EEI Corporation, the sub-contracting partner, handled the civil works while the design and consultancy work on the projectwas awarded to Japan Airport Consultants (JAC) in association with Phil JAC.

The airport was inaugurated on November 27, 2018. After the DoTr upgraded the airport’s navigational equipment to allow it to handle planes landing at night, the Bohol gateway began operating flights up to 10 p.m. on September 1, 2019.

Passenger boarding bridge

The BPIA (IATA code: TAG) has a 2.8 km. (9,184 ft.) long asphalt runway with a width of 45 m. (147.6 ft.) and running in a 03/21 direction. It has a 55,585 sq. m. concrete apron that features four parking bays for aircraft as large as the Airbus A330 or a maximum of seven parking bays for narrow bodied aircraft and is flanked by two taxiways which allows 10 takeoffs and landings per hour.

Bridge

Currently, the airport’s parking tarmac can hold, at a time, up to seven Airbus A321 aircraft or four Airbus A330 or Boeing 777 aircraft, enough to handle the deluge of foreign and local travelers even during peak seasons. The airport also has enough space to build another terminal in case expansion is needed in the future plus the runway could also still be extended up to 3.2 kms., making it possible to accommodate as many as 3.4 million passengers annually.

Baggage handling conveyor belt

The airport, dubbed as the first eco-airport in the Philippines and the country’s green gateway, boasts of environment-friendly features with advanced Japanese technology such as:

  • A photo voltaic power generation system set-up that aims to eventually power all of the airport’s energy requirements
  • A rainwater catchment mechanism that would utilize the abundant rainwater that the province gets for various uses
  • A sewerage disposal system that is at par with those often found in eco-conscious Scandinavian nations
  • An energy-efficient air-conditioning system, powered by solar energy, is available only in the pre-departure area.  The airport’s primarily uses  natural ventilation.
  • Geotextile sheets are used in the soaking yard to avoid the drainage water from seeping into the surroundings.
  • Energy-saving features integrated in the airport’s design include installation of LED lights, natural lights and ventilation for most public areas.

The single-level passenger terminal, spread over 8,500 sq. m., has a multi-curved roof that appears to be floating over the building and takes inspiration from the rolling Chocolate Hills, one of the province’s famous landmarks. The external 1,958 sq. m. covered area in front of the terminal building is dedicated for sending off and welcoming passengers’ relatives.

This new international airport can annually accommodate 2,000,000 passengers, more than double the 800,000 capacity of the decommissioned Tagbilaran Airport (the provincial government is eyeing to manage the 26-hectare property and convert it into an information technology hub or a commercial park).

BPIA’s location also makes it ideal to divert aircraft bound for Cebu (it is only 90 kms. away, way nearer than Manila or Clark, which are 600 and 700 kms. away, respectively) in case the Mactan-Cebu International Airport, a gateway to the Central Philippines for international tourists, in Mactan is closed due to unfortunate circumstances. Panglao is also accessible by fast craft from Cebu City.

Bohol–Panglao International Airport: Panglao; 6340 Bohol. Mobile number: (0936) 277-9019.

Hosier Lane (Melbourne, Australia)

The narrow, cobblestoned Hosier Lane

We were now on our last day in Melbourne and they say you shouldn’t leave the city without taking the time to explore at least one of the city’s laneways and street art in Melbourne, a defining characteristic of the city, is celebrated here and its urban art scene is known across the globe.

Another view of Hosier Lane. Bar Tini on the left

Melbourne, the cultural capital of Australia and one of the great street art capitals, oozes art out of its pores. Just by walking its many alleyways, one would be shocked by the amount of incredible, constantly changing street art, with layers and layers of spray paint on every surface – walls, dumpsters, pipes, windows and the street below.

L-R: Jandy, Grace, Kyle and the author

Union Lane, ACDC Lane (immortalizing Australian kings of rock), Degrave Street and Croft Alley in Chinatown are some of the few lanes that are full of colorful works but the city’s most popular laneway is Hosier Lane and this we explored. A much celebrated landmark mainly due to its sophisticated urban art, it showcases the best graffiti and street art talent in the city.

Check out “Melbourne Chinatown

Street mural of Andrew Gibbons, a Melbourne-based independent artist

This sloping alley, set with rough bluestone paving stones, is the epicenter of Melbourne’s street art scene, containing the area’s densest collection of spray-painted masterpieces.

Declared a “graffiti tolerance zone” by the city council, it has been well-known for the quality and the often political nature of its street art and graffiti created by local and international artists alike.  In Melbourne, street art is legal with the proper written permission from the building owner.  In a heritage control area, a planning permit may also be required for a property.

The city is home to some of the best graffiti artists in the world and their creativity is abundantly on display on Hosier Lane. Over the years, layer upon layer of spray paint and other mixed-media have been sprayed on every inch of the walls of the street and its side alleys.

From Hosier Lane’s cobbled length, we joined camera-wielding crowds and wannabe Instagram models posing in front of edgy graffiti, stencils, paste-ups, murals and art installations, taking in the dizzying array of colors, characters and shapes.  Others watch these from the comfort of the window seats at Bar Tini.

The art’s subject matter, running to the mostly political and counter-cultural, is spiced with irreverent humor. Due to the dynamic nature of street art, this pedestrian laneway, covered from beginning to end, with not a single square foot left untouched, is constantly changing and no two visits will be the same. Even if I wasn’t a fan of the graffiti movement, Hosier Lane was still a site to behold. Too bad we didn’t get to witness a street artist in action.

Previously, Hosier Lane has been fairly empty of private enterprise, its e main tenant being the Youth Project (which provides crucial services for the disadvantaged).

The rear entrance of Culture Kings. The flanking murals were later replaced by a commissioned Lizzo mural

However, Culture Kings, the monolithic clothing chain, has opened its second entrance (rear) along this iconic lane. Critics now fear commercialization of street art itself with an increase in corporate-funded artworks, stunts, and installations, which includes murals-as-ads.

NOTES:

On the evening (7:30 PM) of February 8, 2020 (Saturday), just a little over three months after our visit, a group of mask-wearing artists, in a coordinated project, almost completely hosed down Hosier Lane in an attempt to combat what some see as the commodification of public space, particularly a place that is important to the street art scene.

Some of the murals affected include the commissioned promotional mural art of Lizzo on the Culture Kings storefront and the mural of comedian Celeste Barber (painted in the wake of her massive bush fire fundraising efforts last month). Aside from the promotional art on the Culture Kings storefront, the lane has also seen ads for the Melbourne Football Club and UFC matches pop up recently, among other things.

The protesters used paint-filled fire extinguishers to coat the various murals lining the walls of the laneway. About a quarter of the street art was ruined. Clean up crews used high pressured hoses to remove the paint that settled on the laneway’s cobblestones.

 

The author

How to Get There: Hosier Lane, located near the city center, lies opposite the entrance to the Atrium at Federation Square on Flinders Street, a prominent position in the city. The nearest stations to Hosier Lane areSt. Paul’s Cathedral/Flinders Street (Melbourne City), a 117-m. (2-min.) walk away; 6-Russell Street/Flinders Street (Melbourne City), a 178-m. (3-min.) walk away; and Collins Street/Russell Street (Melbourne City), a 193-m. (3-min.) walk away.

Immigration Museum (Melbourne, Australia)

Immigration Museum

This museum, founded in 1998, is a division of Museums Victoria which administers the cultural and scientific collections of the State of Victoria.  Its sister museums are Melbourne Museum (including the Royal Exhibition Building) and Scienceworks Museum. The museum’s two floors house temporary and permanent exhibitions. Primarily displaying Australia‘s immigration history, it is located on  in the grand Old Customs House building which originally looked out onto ships tied up at the adjacent Queen’s Wharf.

Check out “Melbourne Museum” and “Royal Exhibition Building

The building’s Renaissance Revival facade

The 3-storey former Customs House Building, resting on a bluestone foundation, occupies the site of Fawkner’s Hotel, one of the first buildings in the city, built in 1835 by John Pascoe Fawkner, one of the founders of Melbourne.

It is of architectural significance as an example of the work of three of the Victorian Public Works Department‘s most talented and accomplished architects – Scottish immigrant Peter Kerr, who did the initial design, and Arthur E. Johnson and John G. Clark, who prepared the final design, which incorporated the earlier building (but without the projected grand stairs and classical portico).

Historical plaque

Between 1856-58 and 1873-76, it was constructed in two separate stages.  In 1965, the building was converted to the Commonwealth Parliamentary Offices and, in 1998, became an immigration museum. On September 8, 1994, it was included Victorian Heritage Register.

Jandy, Grace, Kyle, Cheska and Bryan at the steps leading to the museum entrance

One of the finest examples of a customs house in Victoria, it is an extraordinary example of the Italian Renaissance style (with remnants of Greek Revival influence), a style greatly favored for official buildings in Melbourne during the 1860s and 1870s. It has a rusticated ground floor facade while the two upper floors are surmounted by a simple projecting cornice running around the whole building.

Reception counter

A flight of stairs leads up to the entrance doors, above which four Ionic-style columns run through the two upper floors in support of the fascia and cornice. The site is delineated by a fine wrought iron fence with bluestone posts and base.

Second floor lobby

The impressive and opulent former Long Room, one of the grandest and most elegantly proportioned classical interiors in Melbourne, now houses the main exhibition space of the Immigration Museum.  A notable piece of Renaissance Revival architecture, it features giant Ionic colonnades (modeled after the Erechtheion Temple in Athens) and high ceilings.  The hand-laid tessellated tiles, based on fragments of encaustic tile found in floor fill, were made at Stoke-on-Trent in the UK.

The Long Room

The museum facilities and activities include a Discovery Center, community gallery, touring exhibitions and public and educational programs, including community festivals, exhibitions and many community engagement activities.

The museum’s permanent exhibitions explores Victoria’s immigration history through global motivations for leaving homeland, personal stories of immigrants from various countries and time periods, the ship journey over time, and a history of Australia’s immigration policies and processes.

On display are hundreds of objects from the Museum’s collections, some developed through partnerships with families and communities, relating to migration, cultural diversity, transport technology, customs and quarantine, and popular culture. All these subjects are presented in a number of ways – object and image-based displays, audio-visual presentations, immersive experiences (such as a series of recreated ship environments), interactive theater, on-site computer information outlets and the Museum website.

The Migration collection includes over 6,000 objects which document the migration experiences of Victorians since the 1830s and, consequently, the long history of the cultural diversity of the Victorian and broader Australian population.

“Leaving Home” Exhibit

The “Leaving Home” Exhibition, using sound, objects, still and moving images, explores the reasons why people left their countries to come to Australia and what they brought with them. Some of the many reasons include fleeing from the ravages of war, hunger, religious persecution and political repressions while others were lured by a sense of adventure, by the prospect of a new beginning, of owning land, of making a fortune, or to be reunited with love ones.

Many arrive with keepsakes, precious reminders of loved ones or special places. The experiences of arriving in a new country vary from person to person, with stories that are sometimes sad, sometimes funny, but always engaging.

“Identity Yours, Mine, Ours” Exhibit

The “Identity: Yours, Mine, Ours” (What does it mean to belong and not belong in Australia?) Exhibition explores how our cultural heritage, languages, beliefs, and family connections influenced our self-perceptions and our perceptions of other people – perceptions that can lead to discovery, confusion, prejudice and understanding.

Visitors are invited to find connections with others, as well as challenge the assumptions we make about each other every day through engaging personal stories, intriguing objects, compelling images and interactive multimedia experiences.  Visitors are also encouraged to share their stories, affirm their identities and celebrate diversity in our community.

“Getting In” Exhibit

The “Getting In” Exhibition, showing how and why Australia’s immigration policies have changed, focuses on four periods – the Gold Rush Days of the 1840s to 1900; Federation to the end of the Second World War;  Post-War to the Early Seventies, and 1973 to the Present Day.  Since 1788, more than 9 million people have migrated to Australia while countless others have tried and failed.

Since the 1800s, various immigration policies have dictated who gets in and photographs, historical objects and personal stories show the effects of these policies on cultural diversity in Victoria. An interactive theater experience, central to the exhibition, finds visitors find themselves in the role of a government official charged with the responsibility of interviewing people applying to migrate to Australia, and discovering whether or not they “get in.”

Customs Gallery

The Customs Gallery shows the story of Customs House, where officials controlled what-and who-could enter Victoria. Customs officers collected import duties, inspected ships for smuggled goods, controlled immigration to Victoria, and prevented the importation of items such as illegal drugs, endangered and contaminated animal products, and banned books and films.

Discovery Center

The Discovery Center, set in the beautifully restored 19th century vaults of the Customs House, is a perfect place to relax in comfy lounges; talk to helpful staff; research family history; explore Australia’s migration history; share personal stories; research contemporary issues; and understand its culturally diverse community.

You can a book from its unique reference library, explore its collections and vast web resources online, or enjoy the screen lounge showcasing stories of cultural celebrations.

“Our Bodies, Our Voices, Our Marks”

During our visit, the temporary exhibition Our Bodies, Our Voices, Our Marks was ongoing.  It features a suite of exhibitions and experiences that explores the art of tattoo, alongside themes of identity, self-expression, culture and community.

Check out “Our Bodies, Our Voices, Our Marks” Exhibition

Museum Shop

The Immigration Museum Shop offers a wide range of souvenirs, gifts and books while its Museum Café offers coffee, soft drinks, snacks, confectionery and more.

Tribute Garden

The Tribute Garden, located in the northern garden of the museum, is a public artwork that pays tribute to 7,000 people who have made the journey to Victoria.  It features the names of immigrants who came from over 90 countries, from the 1800s to the present day.  The region now known as Victoria is represented by the people of the Kulin Nation as traditional owners of the land, and records the names of languages and dialects spoken by Aboriginal communities. Launched in 1998 and concluded in 2002, Melbourne-based artist Evangelos Sakaris designed the original artwork while Gina Batsakis led the design for the following stages of the project.

The Atrium

The Atrium, a beautiful glass conservatory at the rear of Old Customs House, connects the main building to the Courtyard. It can accommodate long-table dinners running the entire length of the Atrium, or layout more intimate round tables throughout. Sliding double doors open from the glass-walled Atrium into the sun-drenched Festival Courtyard which is utilized to host community festivals which are an amalgamation of food, music and culture.  The wide hallway connecting the Atrium to the rest of the museum is home to changing feature exhibitions, usually hanging art that tells a story.

Festival Courtyard

Immigration Museum: 400-424 Flinders Street, MelbourneVictoria 3000.  Tel: 1311 02.  E-mail: mvbookings@museum.vic.gov.au. Website: www.museumsvictoria.com.au/immigrationmuseum/. Open daily, 10 AM – 5 PM (closed Christmas Day and Good Friday). Admission: adults ($15), children (free).  Entry to the Tribute Garden is free.

Watch House Experience (Melbourne, Australia)

City Watch House

Our Old Melbourne Gaol ticket – Crime and Justice Experience covered entry to two buildings – the Old Melbourne Gaol (Melbourne’s oldest prison) and the City Watch House.  The two buildings are part of a precinct, the heart of crime, law and order in Melbourne since the 1840’s, that also includes the historic Magistrate’s Court (as it is part of the RMIT complex, it can only be visited during school holidays).

Check out “Old Melbourne Gaol

Crowd waiting outside the entrance to the Watch House

The Watch House tour ran on a timetable (which vary and are not published, but usually starts every half hour from 10:30 AM) and, at the specified time, we left the Gaol and proceeded to the Watch House, opposite the Russell Street Police Station, for the “Watch House Experience.”

Corridor leading to the holding cells

The former City Watch House, built in 1909, operated between 1913 until its closure in 1994.  The city’s most notorious criminals such as bush ranger Ned Kelly, notorious 1920s gangster Leslie “Squizzy” Taylor, multiple murderer Julian Knight and underworld hitman Victor Peirce have spent time within its walls.  On October 2007, together with the former Magistrates Court, it was opened as a museum and they have been combined as the Old Melbourne Gaol Crime and Justice Experience.

Jandy, Grace and the author at the City Watch House

The Watch House has, for almost a century, operated as Melbourne’s central custody center or “holding place” where felons were brought to face justice, whether arrested in the streets of Melbourne for minor misdemeanors or being brought before the court for significant crimes. The Watch House tour delightfully takes us through the intake process in a fun recreation.

The author inside his holding cell

We all headed out back along Russell Street to now join a large 15 to 20-group of people now gathering together outside for the Watch House Experience.

The stainless steel toilet at the cell’s corner

Have you ever wondered what it would be like to be arrested?  Our Watch House Experience, a 30 to 40-min. interactive experience like no other, gave us an opportunity to explore this confronting place and its people from different perspectives, through role-play, multi-media interpretation and self-exploration. The Watch House was to be our first step into the criminal justice system.  Here’s a narrative of our experience and the sharp and witty monologue we received:

The door of the Watch House soon opened, revealing the imposing figure of a stern looking lady “sergeant on duty,” her hands clasped behind her back and feet planted firmly on the floor.  “Right you horrible bunch of criminals,” she snarled at us. “Welcome to your new home until the courts decide what to do with you, you miscreants, you scum of society, you lowest of the low. Follow me! Women to the left, men to the right.”

Shuffling in, with our backs pressed against the damp brick walls, we lined up shoulder to shoulder.  Then our “sergeant on duty,” parading up and down in front of us, told us “No talking. No coughing. No laughing. No spitting. No burping. And absolutely no farting!” When you “upset” the sergeant, you might find your stay “unpleasant.”

We were then led up to the station desk and handed cards detailing the profiles of criminals (car thieves, robbers, people causing public disturbance, drug dealers, drunks, etc.), all based on real people, we had to “act” during processing as we reported our “crime.”  We were then led along another corridor where we had to place our belongings on the floor and then stand, with our arms outstretched and our backs against the wall, all ready for inspection.

Again parading up and down in front of us, our sergeant again issued another command, marching us to the main cell block where “us prisoners” were divided into smaller groups and crammed and locked into dark, grim, cold, damp and mildew-covered cells, “for the night,” hoping that the guard will choose to let us out for good behavior.  The cells were empty save from the original hard narrow benches lining the walls and, in one corner, an exposed stainless-steel toilet,  just as they would have been in 1994 when they were last used.  Only the smallest of windows gave us minimal light.

In these briefest of dark moments, we had enough opportunity to realize that this was not the kind of place anyone would choose to be in (imagine having to use the toilet in front of everyone). Some cells have tissues stuck to the ceiling (prisoners would hang burning twists of toilet paper because matches were banned), explicit drawings of women, graffiti (I Hate Coper C–ts) and political slogans (such as a drawing of an Aboriginal man in chains next to the words “Our Land, Your Law”).  Thus, we were greatly relieved when we heard the sound of the key turning in the lock and opening our cell door.

The exercise yard

Once out, we were then moved to the men’s exercise yard.  This small concrete enclosure, with strips of light only coming from metal ceiling grills, also had a single toilet in the corner, with a small wall on one side to preserve any remaining modesty, plus a row of three equally exposed shower heads attached to the wall.

Mug shot of the author

After this role play, we self guided ourselves through the watch house, taking in sound points and multi-media imagery that was educational and informative. In every respect, the Watch House’s original Minimalist interior hasn’t changed in the 20 years since they were last used, the 25 cells and exercise yard being mostly left as they were.  Truly, it was a unique encounter with the justice system but was also good fun.

Grace

At the end of the tour, we took, free of charge, mug shots of ourselves holding a board with a prisoner number on.   At a mocked-up cell, you can have professional photos taken and have it available for purchase at the exit.  We then walked through the court yard towards the main building.

Jandy

City Watch House: 345 – 355 Russell St., Melbourne (Map). Tel: 03 8663 7228.  Admission: $28 (adults), $23 (concession), $15 (children, 5-15 years), $65 (family, 2 adults + 2 children), $48 (1 adult ++ 2 children) and $5 (extra child on family tickets). *Parents note – adult themes can be confronting for children.