Author Archives: Benjie Layug

Sculpture Garden (Seattle Center, Washington, USA)

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The Seattle Center landscape is dotted with art and architectural works that together form urban vistas of mixed form and scale. The Sculpture Garden, at Broad Street Green, a nearly three-acre open space, is framed by the retro-futuristic backdrop of the Space Needle and the post-modern Experience Music Project building.  It is made up of four unique pieces.

Check out “Space Needle“

Sculpture Garden

Ronald Bladen’s Black Lightning  (1981), a striking, black-painted monumental steel sculpture, is currently sited in the Sculpture Garden southeast of the Space Needle. Measuring 355.6 x 1706.9 x 1120.1 cms. (140 x 672 x 441 in.), it’s simple Z-shape outlines the iconic form of lightning and sharp edges, formed from the juncture of acute angles, animate the black steel bolt with alternating planes of light and shadow. Two polygonal bases, reminiscent of blacksmith’s anvils, support the sculpture.

Black Lightning (Ronald Bladen, 1981, painted steel)

The Alexander Liberman‘s Olympic Iliad (also known as Pasta Tube), a 1984 orange-red painted steel sculpture consisting of large steel cylinders cut at different angles and lengths, is installed in 1984 on the lawn southwest from the Space Needle. It was featured on the cover of Brazilian musician Amon Tobin‘s album Bricolage.

Olympic Iliad (Alexander Liberman, 1984, painted steel)

Doris Chase’s Moon Gates, a group of three bronze sculptures, from 9′ to 17′ tall, that play with oppositions inspired by space and form, was installed in 1999 and is located in the Sculpture Garden just south of the Space Needle. In the artwork, two sculptures (one rhomboid and one ovoid), with convex surfaces, are each pierced by a circular hole. The third sculpture’s concave surface also contains a round void at its center but its missing piece can be found attached to the top of the sculpture on a bearing that rotates. A gift to the city of Seattle by Seattle Center Foundation, Chase’s Moon Gates was selected, with Alexander Liberman’s relocated Olympic Iliad, as the completing piece for the garden.

Moon Gates (Doris Chase, 1999, bronze)

Moses, a black-painted, mild steel sculpture by American Tony Smith (1912-1980, is located just northeast of the base of the Space Needle.  Fabricated in 1969 and measuring 460 x 350 x 223.5 cms. (181 1/8 x 137 13/16 x 88 in.), it has been on the Center’s grounds since 1975.  The abstract sculpture, weighing 5,500 lbs., is a geometrical abstract composition consisting of connected solid black steel volumes. It is the first major art acquisition under the city’s 1% for Art program.

Moses (Tony Smith, 1975, painted steel)

Sculpture Garden:  Broad Street Green, Broad and John Street, Seattle Center, Seattle, Washington

Space Needle (Seattle, Washington, U.S.A.)

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Seattle’s Space Needle

From Pike Place, Val drove Danny and I to the Seattle Center, home to Chihuly Garden and Glass, Museum of Pop Culture (MoPOP) and the Space Needle in the Lower Queen Anne neighborhood.  It had already stopped raining when we arrived and the sun was again shining.  We didn’t have time to explore the first two but Danny and I were excited to go up the open-air observation deck of the Space Needle 160 m.(520 ft.) above ground, our first time to do so.  Val had done this a couple of times, so he just offered to wait for us till we returned.

Check out “Pike Place”

The author (right) with friend Val Salgado with the Space Needle in the background

This observation tower, a designated a Seattle landmark, is considered to be an icon of the city.  Unlike many other similar structures (such as the CN Tower in Toronto), the Space Needle is not used for broadcasting purposes.The Space Needle was, upon completion by Howard S. Wright Construction Co., the tallest structure west of the Mississippi River, replacing the Smith Tower in downtown Seattle as the tallest building west of the Mississippi since 1914.Today, it is dwarfed by other structures along the Seattle skyline, among them the 295 m. (967 ft.) high Columbia Center.

The author and Danny Macaventa

The Space Needle is 184 m.(605 ft.) high, 42 m.(138 ft.) wide and weighs 8,660 metric tons (9,550 short tons).  It was built to withstand wind speeds of up to 320 kms./hr. (200 mph), double the requirements in the building code of 1962. As the Space Needle sways only 25 mm.(1 in.) per 16 kms./hr.(10 mph) of wind speed, it can also be made to withstand Category 5 hurricane-force winds.

The architecture of the Space Needle is the result of a compromise between the designs of local architect John Graham‘s concept of a flying saucer (the halo that houses the restaurant and observation deck)and the sketch (on a napkin) of Edward E. Carlson (president of a hotel company and chairman of the 1962 World’s Fair in Seattle)which depicted a giant balloon tethered to the ground (the gently sloping base). The hourglass profile of the tower was introduced by Victor Steinbrueck.

Carlson,inspired by a recent visit to the Stuttgart Tower of Germany, also had an idea for erecting a tower with a restaurant at the World’s Fair. As a result of his success in designing Northgate Mall, architect John Graham soon became involved, altering the restaurant’s original design to a revolving restaurant, similar to his previous design of the La Ronde tower restaurant at the Ala Moana Shopping Center in Hawaii.From April 1, 1962, to April 1, 1982, the revolving restaurant was operated by Western International Hotels, of which Carlson was President, under a 20-year contract.

Built for the 1962 World’s Fair(which drew over 2.3 million visitors, with 20,000 people a day riding the elevators to the Observation Deck during the course of the Fair), the construction of the Space Needle was privately financed and built by the Pentagram Corporation (consisting of Bagley Wright, contractor Howard S. Wright, architect John Graham, Ned Skinner, and Norton Clapp).

With time an issue, the construction team worked around the clockand the Space Needle was finished in less than one year. The Space Needle had to withstand earthquakes of up to 9.0 magnitude (as strong as the 1700 Cascadia earthquake) so its earthquake stability was ensured when a hole was dug 9.1 m.(30 ft.) deep and 37 m.(120 ft.) across, and 467 concrete trucks took one full day to fill it. The foundation weighs 5,310 metric tons (5,850 short tons), including 230 metric tons (250 short tons) or of reinforcing steel, the same as the above-ground structure. The structure is bolted to the foundation with 72 bolts, each one 9.1 m.(30 ft.) long.

A scaled model of the Space Needle at the Building the Marvel” Exhibit

The domed top, housing the top five levels (including the restaurants and observation deck), was perfectly balanced so that the restaurant could rotate with the help of one tiny electric motor, originally 0.8 KW (1.1 HP), later replaced with a 1.1 KW (1.5 HP) motor. A grand spiral entryway(shown in a 1962 Seattle World’s Fair poster), with 848 steps from the basement to the top of the observation deck leading to the elevator, was ultimately omitted from final building plans. For paint colors, Orbital Olive was used for the body, Astronaut White for the legs, Re-entry Red for the saucer and Galaxy Gold for the roof.

During the World’s Fair, an imitation carillon (using recordings of bells, rather than live bells),built by the Schulmerich Bells Company of Hatfield, Pennsylvania under the name “Carillon Americana,” was installed in the Space Needle and played several times a day. The instrument, recreating the sounds of 538 bells, was the largest in the world until it was eclipsed by a 732 bell instrument at the 1964 New York World’s Fair.

Another scaled model of the Space Needle at the ground floor Gift Shop

The operator’s console, located in the base of the Space Needle, was completely enclosed in glass to allow observation of the musician playing the instrument. Also capable of being played from a roll, like a player piano, the 44 stentors (speakers) of the carillon were located underneath the Needle’s disc at the 61 m.(200-ft.) level, and were audible over the entire fairgrounds and up to 16 kms. (10 mi.) away. After the fair’s close, the carillon was disassembled.  The “Carillon Americana,” featured on a 12-track LP record (called “Bells On High-Fi,” catalog number AR-8, produced by Americana Records, of Sellersville, Pennsylvania), was recorded in a studio and performed by noted carillonneur John Klein (1915-1981).

Here is the historical timeline of the Space Needle:

  • In 1961, investors discovered and bought (for $75,000) a suitable lot, measuring 37 by 37 m. (120 by 120 ft.), containing switching equipment for the fire and police alarm systems, for the proposed Space Needle site (it had no pre-selected site since it was not financed by the city and land had to be purchased within the fairgrounds).
  • In April 1962, the Space Needle was completed at a cost of $4.5 million.
  • On April 21, 1962, the last elevator car was installed the day before the Fair opened.
  • In 1963, a radio broadcast studio was built, used for morning broadcasts by Radio KING and its sister TV station KING-TV from July 1963 to May 1966, and KIRO Radio from 1966 to 1974, on the observation level of the Space Needle.
  • On March 27, 1964, as a result of the 9.2 earthquake in Alaska, the restaurant atop the Space Needle stopped rotating.
  • For six months in 1974, disc jockey Bobby Wooten of country music station KAYO-AM lived in an apartment built adjacent to the Space Needle’s broadcast studio, requiring a permit variance from the city government.
  • On March 4, 1974, Paul D. Baker committed suicide by jumping from the Space Needle, the first person to do so.
  • On May 25, 1974, Mary Lucille Wolf also jumped from the tower.
  • In 1977,Bagley Wright, Ned Skinner and Norton Clapp sold their interest to Howard S. Wright who now controls it under the name of Space Needle Corporation.
  • On July 5, 1978, in spite of the installation netting beneath and improved fencing around the observation deck, Dixie Reeder was able to commit suicide.
  • In 1982, the SkyLine level was added at the height of 30 m.(100 ft.).
  • In 1992, the University of Washington (UW) Huskies football team logo was painted at the tower after the team won the 1992 Rose Bowl.
  • In 1993, the elevators were replaced with new computerized versions that descend at a rate of 16 kms./hr. (10 mph).
  • In 1995, when the game show Wheel of Fortune taped episodes in Seattle, it was painted to resemble the titular wheel as part of an intro sequence with Vanna White.
  • On April 19, 1999, the city’s Landmarks Preservation Board designated the tower a historic landmark.
  • On December 31, 1999, the Legacy Light or Skybeam, a powerful beam of light, was unveiled for the first time.
  • Between 1999 and 2000, renovations included the SkyCity restaurant, SpaceBase retail store, Skybeam installation, Observation Deck overhaul, lighting additions and repainting.
  • In 2000, renovations were completed at a cost ($21 million) approximately the same in inflated dollars as the original construction price.
  • In 2000, the Space Needle Restaurant (originally named Eye of the Needle) and the Emerald Suite, the two restaurants 150 m.(500 ft.) above the ground at the hovering disk of the Space Needle, were closed to make way for SkyCity, a larger restaurant that features Pacific Northwest cuisine.
  • In 2000, because of perceived terror threats against the structure after investigations into the foiled millennium bombing plots, public celebrations were canceled but the fireworks show was still performed.
  • In 2001, the 6.8 Mw Nisqually earthquake jolted the Space Needle enough for water to slosh out of the toilets in the restrooms.
  • From September 11, 2001, to September 22, 2001, in response to the September 11, 2001, attacks, the Legacy Light (or Skybeam) remain lit for eleven days in a row.
  • In 2002, to promote tourism, a real estate consultant in Bellevue proposed the construction of five smaller replicas of the Space Needle around the city though official plans to build the proposed structures have not yet materialized.
  • On May 19, 2007, the Space Needle welcomed its 45 millionth visitor, Greg Novoa from California, who received a free trip for two to Paris.
  • In May 2008, since the opening of the 1962 World’s Fair, the Space Needle received its first professional deep cleaning by being pressure washed by Kärcher with water at a pressure of almost 2,611 psi (18,000 kPa) and a temperature of approximately 194 °F (90 °C). In consideration of the Seattle Center and the nearby Experience Music Project, no detergents were used and the cleaning was only done at night so that the Space Needle could stay open to the public.
  • In April 2012, as part of the celebration of its 50th anniversary, the Needle was painted “Galaxy Gold”, which is more of an orangish color in practice. This is the same color used when the needle was originally constructed for the 1962 World’s Fair. This temporary makeover was only intended to last through the summer.
  • In the summer of 2017, a renovation of the top of the Space Needle, called the Century Project,began. An all-glass floor was added to the restaurant, the observation platform windows were replaced with floor-to-ceiling glass panels (to more closely match the 1962 original concept sketches) and the internal systems were upgraded and updated. The work, tocost $100 million in private funds provided by the Wright family (owners of the Space Needle),was scheduled to finish by June 2018. The designer is Olson Kundig Architects and the general contractor is Hoffman Construction Company. The rotating restaurant’s motor was replaced, the elevator capacity was increased by adding elevators or double-stacking them and,with the aim of achieving LEED Gold Certification, the energy efficiency of the building was improved. The temporary scaffold’s 13,000 kg.(28,000 lbs.), 4,148 sq. m. (4,650-sq. ft.) platform under the top structure, made by Safway Services (a company specializing in unique construction scaffolding),was assembled on the ground, and then lifted by cables 150 m.(500 ft.) from the ground to the underside of the structure, controlled by 12 operators standing on the platform as it was raised. So that the Space Needle was never completely shut down to the public, only one-sixth of the observation deck was closed at a time.
  • In August 2018, the Space Needle reopened as the Loupe, an indoor observation deck with a revolving glass floor that takes 45 mins. to do a full rotation. Two sets of stairs called the Oculus Stairs,named after the glass oculus at the base of the stairs where the Space Needle elevators can be seen ascending and descending,were added to connect the two new additional levels. A café, wine bar, more restrooms, and an additional accessibility elevator to the top observation deck were also added.
  • In 2020, the fireworks display was canceled because of high winds, with a laser light show being used at midnight instead.
  • In 2021, the fireworks show was cancelled due to the COVID-19 pandemic and replaced by a broadcast-only augmented realitypresentation on KING-TV.

 

The queue at the Mezzanine Level

The Space Needle, a visual symbol of Seattle and of the Pacific Northwest, has made numerous appearances in films (It Happened at the World’s Fair in 1962, The Parallax View in 1974, Sleepless in Seattle in 1993,Austin Powers: The Spy Who Shagged Me in 1999,  Chronicle in 2012), TV shows (Frasier, Grey’s Anatomy, Dark Angel, Bill Nye the Science Guy, etc.), and other works of fiction, often being used in establishing shots as an economical means to tell the audience the setting is Seattle, and has been incorporated into the logos of NBA, WNBA, MLS, and NHL professional sports teams.

Queuing past the “Building the Marvel” Exhibit

After paying the admission fee, we joined the queue of visitors at the mezzanine level (overlooking the gift shop below) waiting for the three elevators (two of them high speed), which can each accommodate 25 people, to take us up the inside observation area.  As it was the summer month, there was a bit of a line as the number of visitors usually climbs to well over a thousand a day. While waiting for our turn, along the line was the “Building the Marvel Exhibit,” a custom exhibit installed in April 2016, of compelling images, interactive experiences, and fun and historical memorabilia that tells the story of how the Space Needle’s conception and construction.  There are also miniature replicas of the Needle, showing the construction’s progress, plus cool vintage advertisements, posters of the Words fair and clippings from magazine articles praising this architectural marvel.

Inside the 25-pax elevator

Once inside the elevator, it took us 42 seconds to reach the top, travelling at a rate of 10 mph (or 880 ft. per min.). Stepping out of the elevator into the inside observation area, we had awe-inspiring and dramatic views of the downtown Seattle skyline, front and center, with buildings shimmering in the sun.

The Inside Observation Area

Seamless floor-to-ceiling  glass walls gave us unobstructed, 360-degree sights of the region –  Lake Union, the Olympic and Cascade Mountains, Mount Rainier, Mount Baker, the inky waters of Elliott Bay, the ever-popular Great Wheel along the waterfront, and various islands in glittering Puget Sound, with ferries floating around  On a clear day, the flat top of snow-capped Mt. St. Helens can be seen in the distance.

The Inside Observation Area

From the inside observation area, Danny and I stepped out of the door (one of 12) into the open observation deck which was already filled with tourists taking photos and selfies.  Here, we had a more unparalleled experience with a unique, uninhibited bird’s-eye view of the abovementioned landmarks, protected by a series of 11 ft. tall and 7 ft. wide glass panels (which replaced the old wire cages) starting at the floor and tilting outwards.  Lining the edge of the panels are new glass benches, following the angle of the transparent walls, designed at a slant, a perfect, jaw-dropping selfie spot that makes you feel like you are hanging in the air, floating above Seattle.

Danny and the author at the Open Observation Deck

On our way back down, an elevator attendant took the time to point out locations of interest to us, sharing some historical landmark facts and answering questions. Our elevator had windows where we could watch our rapid descent.  Soon the doors opened and we disembarked into the gigantic gift shop at the ground floor before exiting the building.  Every year on New Year’s Eve, the Space Needle celebrates with a fireworks show at midnight that is synchronized to music. Alberto Navarro, a fireworks artist from Bellevue, is the lead architect of the show, which is viewed by thousands from the Seattle Center grounds.

View of the city skyline

To honor national holidays and special occasions in Seattle, the Legacy Light (or Skybeam), derived from the official 1962 World’s Fair poster (which depicted such a light source although none was incorporated into the original design), is lit. Powered by lamps that total 85 million candela shining skyward from the top of the Space Needle, it was originally planned to be turned on 75 nights per year but it has generally been used fewer than a dozen times per year as it is somewhat controversial because of the light pollution it creates.

View of Puget Sound

Since its opening, six (four of them part of an authorized promotion in 1996, withone of them got injured and broke a bone in her back while attempting the stunt) parachutists have leaped from the tower in a sport known as BASE jumping which is legal only with prior authorization (the other two jumped illegally and were arrested).

The Gift Shop

Seattle Needle: 400 Broad Street, Seattle, Washington 98109. Tel: (20) 905-2100. E-mail: guestservice@spaceneedle.com. Website:  www.spaceneedle.com. General admission:: US435 – 39 (regular, ages 13 -64), US$30  -33 (senior, aged 65+) and US$26 – 29 (youth, ages 5 – 12).  Open daily, 10 AM to 9 PM (Sundays to Fridays) and 9 AM to 9 PM (Saturdays).  Coordinates: 47.6204°N 122.3491°W

Pikes Place Market (Seattle, Washington, U.S.A.)

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Pike Place Market

After our lunch at Seafood City, Val, Danny and I continued on our way to the iconic Pike Place Market, Seattle’s most popular tourist destination and the 33rd most visited tourist attraction in the world, with more than 10 million annual visitors.  Overlooking the Elliott Bay waterfront on Puget Sound, it is one of the oldest continuously operated public farmers’ markets in the United States.

Opened on August 17, 1907, it is named after Pike Place, the central street which runs northwest from Pike Street to Virginia Street on the western edge of Downtown Seattle.  The market, serving as a place of business for many small farmers, craftspeople and merchants, is built on the edge of a steep hill and consists of several lower levels located below the main level.

Flower stands

Each level features seemingly endless rows of flower stands, a variety of unique shops such as antique dealers, comic book and collectible shops, small family-owned restaurants, and one of the oldest head shops in Seattle. The upper street level contains wader-clad fishmongers, farm fresh produce stands and craft stalls operating in the covered arcades.

High school batchmates Val Sagado, Danny Macaventa and the author at Pikes Place Market

Home to nearly 500 residents who live in eight different buildings throughout the Market, the market’s mission and founding goal is allowing consumers to “Meet the Producer.”  Year-round, local farmers and craftspeople sell in the arcades from tables they rent, on a daily basis, from the Market.

Cheese Box

In the past, most of these buildings have been low-income housing.  However, some of them, such as the Livingston Baker apartments, no longer offers these. The Market is run by the quasi-government Pike Place Market Preservation and Development Authority (PDA). The first Starbucks store, founded in 1971 originally at its location at 2000 Western Ave., moved, in 1977, one block away to 1912 Pike Place where it has been in continuous operation ever since.

Check out “Pike Place Starbucks Store”

Sosio’s Produce

Val directed me to the Pike Place Fish Market, one of the Market’s major attractions, where employees threw three-foot long salmon and other fish to each other rather than passing them by hand. This tradition started when the fishmongers got tired of having to walk out to the Market’s fish table to retrieve a salmon each time someone ordered one.

Pure Food Fish Market

The owner realized it was easier to station an employee at the table and, when a customer orders a fish, an employee at the Fish Market’s ice-covered fish table picks up the fish and hurls it over the countertop, where street buskers catches it and preps it for sale.

Pit Bar-B-ue

This attraction of the flying fish has appeared in an episode of Frasier, the television sitcom  that was shot on location.  It has also been featured on The Learning Channel (TLC) and the opening credits of MTV‘s The Real World: Seattle. When the Seahawks host games at nearby CenturyLink Field, this attraction also appears on numerous prime-time installments of NFL games.

Oriental Market

A taste of the Philippines can be found at Oriental Mart, a three-generation, family-owned business. A mainstay of the Market opened in 1971 by Milagros Apostol, it has an 18-seat lunch counter, operated by Leila “Ate Lei’ Apostol (Milagros’ daughter), serving up a selection of award-winning authentic Filipino cuisine and other novelties such as the salmon collar sinigang and her “Do You Trust Me Plate.”

Ulis Bierstube

Pike Place Market: 1st Ave. and Pike St., Seattle, Washington 98101, USA.  Tel: (206) 682-7453. Website: www.pikeplacemarket.org. Coordinates: 47°36′34″N 122°20′30″W.

Pike Place Starbucks Store (Seattle, Washington, U.S.A.)

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Pike Place Starbucks Store

After lunch at Seafood City, Val drove Danny and I to the historic Pike Place Market in the downtown core of Seattle, Washington,.  Once parked, we walked towards the Pike Place Starbucks Store (also known as the Original Starbucks), the first Starbucks store in the world.

Check out “Pikes Place Market“

The store front

A known tourist attraction, it was hosting crowds during our visit. In fact, they say there was never a day without The Line which winds out the door and stretches down the street but it also keeps on moving as the baristas there are said to be as good as any on the planet.

However, many people, just like us, didn’t come to 1912 Pike for a cup of coffee. Instead, we came to experience the place where it all began. Founded in 1971, the store was opened by Jerry Baldwin, Zev Siegl and Gordon Bowker, three partners who were inspired by Alfred Peet of Peet’s Coffee to open the store and sell high-quality, freshly roasted coffee beans, tea and spices from around the world to take home as well as coffee making equipment and accessories.

The store interior

The name was inspired by the  Moby Dick, the 1851 classic tale of Herman Melville, which evoked the romance of the high seas and seafaring tradition of early coffee traders.  The name of the store was originally going to be called Cargo House or Pequod (Captain Ahab”s hip in the book), but the brand consultant (who also designed the chain’s logo , produced from an old 1800s map), but decided on Starbuck, the first mate and no-nonsense crew member on the Perquod. Starbos is also the name of a mining town which features in the book.

Everything in the entire store, truly one of a kind, is original, from the floors, the fixtures, the counters, etc.  They also still proudly display the brass labels that were on their bulk coffee bins in 1971.  However, while it commonly referred to as the first Starbucks location, the current address is the second for the Pike Place store as, for five years, the first restaurant was located at 2000 Western Avenue. In 1977, it moved one block away to 1912 Pike Place where it has been in continuous operation ever since.

Val Salgado, the author and Danny Macaventa outside the store

The sign outside this branch, unlike others, features the original logo – a seductive, bare-breasted siren that was modeled after a 15th-century Norse woodcut. It also features a pig statue called “Pork’n Beans,” a sculpture created locally for the 2001 Pigs on Parade competition that raised money for the Pike Place Market Foundation.

Starbucks logo from 1971 to 1987

Pike Place Starbucks Store: 1912 Pike Place, Seattle 98101, Washington .  Tel: +1 206-448-8762. Coordinates: 47.609899°N 122.342441°W.

Burnaby Village Museum (Burnaby, British Columbia, Canada)

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Hill Street at Burnaby Village Museum

On our 23rd day in Canada, right after lunch, Grace, Jandy, Kyle and I opted to visit the Burnaby Village Museum, an open-air museum located at Deer Lake Park.  From Holdom Station, we took the SkyTrain to Sperling-Burnaby Lake Station then rode Bus 144 to the museum.

Administration Building and Discovery Meeting Room

Our visit was timely as the museum only opens seasonally, from May to September, and opens for special events taking place from September to March. Upon entering, we crossed a wooden bridge, with signs talking about Deer Lake Brook and, once across, the trees opened to the reconstructed 1920s village, the most noteworthy part of the museum.

Bridge over Deer Lake Brook

Previously known as the Heritage Village the museum has grown from 1.7 hectares  (4.3 acres) site, with a small number of displays, to a 4 hectare (10 acre) heritage site and major attraction in Metro Vancouver. The Museum is affiliated with the BC Museums Association, Canadian Museums Association, and the Canadian Heritage Information Network. Burnaby Art Gallery is in the same park.

Grace, Kyle and Jandy

Coincidentally, our visit coincided with the museum’s 50th anniversary. and near the entrance were life-size Anniversary Arches which showcases the Museum’s evolving role in the community through the eyes of local artists.  The first arch had the Filipino greeting Tuloy Po Kayo (“Please Come In”).

Anniversary Arches

Here is the historical timeline of the museum:

  • On November 19, 1971, the museum was officially opened (officiated by Roland Michener, then Governor General of Canada). Over 15,000 visitors attended the museum during its special three-day (November 19-21) opening.
  • On July 1, 1972, 2 PM, the museum opened for its first full public season. It included several shops located in replica buildings on the main street, and the “manor house” (the 1922 home of the Bateman family, today known as Elworth). Livestock, including horses that were shod in the blacksmith shop, were part of the display. An early promotional brochure promised visitors they would be able to “smell the burning hoof.”
  • In 1975, the B.C. Society of Model Engineers opened a model railway at the Village.
  • In 1979, the Heritage Village became the set for the Canadian/German co-production of the 26-part TV series Huckleberry Finn and His Friends.
  • In 1984, the museum’s name was changed to reflect its role as Burnaby‘s community museum
  • In 1985, Iredale Partnership was hired to create an expansion concept for Burnaby’s Municipal Council to consider.
  • In 1986, the plan was completed
  • In 1987, the plan was accepted by Council. At that time, the site was expanded to approximately 9 acres, with new lands across Deer Lake Brook made available to the Museum to expand, and to create a new entrance facility and administration building.
  • In 1989, the miniature railway moved to Confederation Park.
  • In 1990, the Municipality of Burnaby took over operation of Burnaby Village Museum from the Century Park Museum Association.
  • In 1999, the Museum’s popular “Business as Usual” school program was launched
  • In 2000, the “Home Sweet Home” program was launched.
  • In 2010, the Burnaby Village Museum was an official stop for the Olympic Torch Relay.
  • For the 2011 summer and Christmas seasons, in celebration of the 40th anniversary of the Museum, Burnaby City Council agreed to offer free admission to museum visitors.

The first place we visited was the Don Wrigley Pavilion, a pavilion located at one of the museum’s two entrances (earning the entrance the name “Carousel Entrance”).  Here, my grandson Kyle, accompanied by Jandy (Kyle needed to be accompanied by an adult), tried out one of the museum’s major attractions – the C. W. Parker Carousel, a carousel  built in 1912 by Charles Wallace Parker (owner of the C. W. Parker Company at Leavenworth, Kansas).

Don Wrigley Pavilion

One ride cost $2.65 per person.  This would be the second time they would ride a carousel (the first was in Butchart Gardens in Victoria). Setting the tone for the carousel was a Wurlitzer Military Band Organ (Style 146B), built by the Rudolf Wurlitzer Co, ca. 1925, which recreated the sound of a 20-piece military band.   The machine was bought from a collector in Spokane, Washington who obtained it from a closed down traveling carnival in Reno, Nevada.

Check out “Butchart Gardens”

The Carousel Ticket Office and Gift Shop

The carousel also had a colored history.  Also known as the Parker #119 and the Burnaby Centennial Parker Carousel, the carousel, the 119th such machine built by the C. W. Parker Company (earning it its “Parker #119” nickname), contains 41 horses.  In 1913, it was sold for $5,886.00 and, for two years, the carousel toured Texas  with the Lone Star Circus.

The C. W. Parker Carousel

In 1915, the machine was shipped back to the factory where it is believed that the machine was rebuilt and some fancier horses and heavier rounding boards may have been added. Each horse is a work-of-art that was hand-carved and painted. Some of the horses were built in 1917 and some in 1920–1922.

1925 Wurlitzer Military Band Organ

From 1915 to 1936, the history of the carousel is unknown. In 1936, the carousel was purchased by Happyland, an amusement park in Vancouver, British Columbia and remained there until the amusement park was demolished in 1957.  The carousel was moved to the new small pavilion in Playland, (another amusement park in Vancouver) until that too was demolished in 1972.

Kyle and Jandy

From 1972 to 1989, Parker #119 was operated outdoors, and was put away each winter.  In 1989, the PNE’s historic carousel was decommissioned and it was announced that the carousel would be sold off, horse by horse, at an auction in New York but local residents came together to raise the money to purchase and save the carousel, forming the “Friends of the Vancouver Carousel Society.”  It was at this time that the carousel was nicknamed the Parker #119.

In May 1989, the Burnaby Village Museum agreed to provide a home for the carousel and the “Friends” led by President Don Wrigley, set about raising the $350,000 to purchase the machine. Keith Jamieson, a carousel expert, was brought in to coordinate the rebuilding project. In 1990, the carousel was purchased and funds were also raised to pay for the restoration.

The Carousel Gallery

People who donated money could sponsor a horse and later name it. The museum agreed to build a new pavilion to house the carousel. Named the Don Wrigley Pavilion, the pavilion was completed in 1993 and, that same year, the carousel (now named the Burnaby Centennial Parker Carousel) was officially opened.

Old Curly Locomotive Shed

Another machine with a colorful history here is the Old Curly Locomotive, the oldest surviving steam locomotive in British Columbia.  Built in San Francisco in 1879, this “pony locomotive,” initially named Emory, was a yard locomotive employed in building a seawall in San Francisco.  In 1881, it was brought north, just outside of Yale, British Columbia, to work on the construction of part of the Canadian Pacific Railway (CPR). Four wheel tenders, with 600 additional gallons of water, was added.

Old Curly Locomotive

Following the completion of the railway in 1885, it was barged over to Vancouver Island for use to log most of the timber in Surrey as well as several railway logging operations along the coast by the British Columbia Mills Timber and Trading Company until 1927. Its name may be a reference to Satan although the broadcaster Red Robinson believes it was named after his grandfather Curly Surgenor.  After years of neglect, it was restored by the CPR in the 1930s and placed on display at Hastings Park (PNE) in Vancouver.  In 1973, it was moved to the Burnaby Village Museum.

War Memorial Drinking Fountain

Along a shaded arterial pathway, we passed by the War Memorial Fountain, a granite drinking fountain built by local stonemason William Williamson. Erected in 1923 by the Burnaby Civic Employees Union (now CUPE Local 23), it was originally located in front of Burnaby‘s original Municipal Hall at Kingsway and Edmonds Street.  An engraved memorial, at the top of the fountain, commemorates Burnaby’s municipal employees who lost their lives in World War I. At the bottom of the memorial is a stone drinking bowl for dogs.  In 1974, the memorial was moved to the museum.

Interurban 1223 Tram Barn

At a meadow is the Vorce Tram Station and the Interurban Tram Barn.  The Interurban 1223 Tram Barn houses a restored 1912 British Columbia Electric Railway interurban tram, complete with information about the history of the BCER and its role in the development of Burnaby.

1912 British Columbia Electric Railway Interurban Tram

The author

In 2001, the 1912 interurban tram was moved offsite to a warehouse, where it would undergo a 5-year restoration project by the Friends of Interurban 1223. In 2007, the restored Interurban 1223 was returned to the Museum, and installed in the newly constructed tram barn.

The barn also houses displays, posters, and photos, with knowledgeable staff members providing operational details to visitors (did you know that trams of the era had a unique feature?   Their seats can be reversed, allowing passengers to always face forward.

Vorce Tram Station

The Vorce Tram Station, a modest utilitarian passenger tram shelter, was originally built in 1911 at the foot of Nursery Street as part of the British Columbia Electric Railway Company’s (BCER) Burnaby Lake Interurban Line. In 1953, it was moved to a local farm by the Lubbock family and, in 1977, was acquired by the Burnaby Village Museum and installed adjacent to the tram barn.  In 2008, under the auspices of the City of Burnaby Community Heritage Commission, it was restored to its original appearance.

Designed and built by the BCER, it is typical of the small local passenger stations on the Burnaby Lake and Chilliwack interurban lines. The wood frame structure, with is rectangular plan and hipped roof, is enclosed on three sides, with an open side for access to the train platform and a single long built in bench across the back of the station. Named after C.B. Vorce (the Chief Engineer for the company), it is the last remaining interurban station in Burnaby and one of the few extant structures left in the Greater Vancouver region that were once part of the extensive British Columbia Electric Railway (BCER) interurban system.

Elworth

Next, we visited the one and one half storey, wood frame Elworth, the “manor house” designed by English born and trained architect Enoch Evans (1862-1939) of E. Evans and Son and built in 1922 by contractor William Dodson for retired Canadian Pacific Railway executive Edwin Wettenhall Bateman (1859-1957) and his wife, Mary (Dale) Bateman (1865-1935).

Living Room

The adjacent Elworth Garage is the original garage of the Elworth home. Both are the only historic buildings standing on their original site within the grounds of the Burnaby Village Museum.

Dining Room

This beautiful home, once part of the exclusive Deer Lake neighborhood, was named after Edwin Bateman’s birthplace in Cheshire, North West England. and is a typical example of the eclectic Period Revival influences that were common to domestic architecture in the post-World War I era.

It has an imposing, full open front veranda supported by exaggerated Ionic columns, cedar shingle sidings, two flanking brick chimneys, and multi-paned, double hung wooden sash windows.

Bedroom

In 1970, Elworth was purchased by Burnaby and became the focal point for the development of the museum.

Bathroom

Both the interior and exterior of the house have been restored and interpreted to the date of original construction, including recreated room interiors and period furnishings.

Kitchen

As we moved further along the Village, we felt we entered a movie set. In fact, a number of movies and TV series have been filmed here including Lucifer, Huckleberry Finn and Friends, Supernatural and Christmas in Evergreen, a Hallmark movie. The grounds of Burnaby Village Museum (BVM) has four streets – Finlayson Avenue, Hill Street, Brookfield Lane and Bate Avenue. Annually, more than 150,000 people visit the museum to experience the area’s insightful past.

Burnaby Village Museum contains 31 full scale buildings, some of them original heritage buildings, moved from other locations in the community and restored. They have designated working antiques and there are a total of 50,000 artifacts throughout the various buildings. Each building offers a little bit of history about how it contributed to the development of Burnaby.

Dow, Fraser & Co. Real Estate Office

The Dow, Fraser & Co. Real Estate Office, a 1927 heritage building, was originally a grocery store annex along MacKay Avenue.  In 1976, it was set up as a real estate and surveyor’s office.

The Royal Bank of Canada Building

The Royal Bank Building, constructed in Britannia Beach in 1950, was moved to the village in 1976 and set up to look like Burnaby’s Royal Bank which opened in 1921. Its interior fixtures are from Nelson, British Columbia.

The Royal Bank of Canada Building – Interior

The original Bell’s Dry Goods Store Building, a typical commercial false front, single storey, wood frame building, was built in 1922 by Clifford Tuckey with a small lean-to structure on the back housing a kitchen and bedroom.

Bell’s Dry Goods Building

Soon afterwards, the store was sold to William and Flora Bell, who then lived and worked their dry-goods business here for a number of years until 1937.  Later, the building was sold to Maurice and Mildred Whitechurch, who ran it for many years as a hardware store.

Bell’s Dry Goods Building – Store

In 1974, the structure was relocated to its present site at the museum. Between 1993 and 1996, the building was restored to its 1925 appearance.

Bell’s Dry Goods Building – Dining Room

Originally located along Sixth Street in East Burnaby, in a small commercial district that served residents located along the streetcar line between New Westminster and Edmonds, it is one of the last remaining intact false front retail structures of its time to survive in Burnaby as well as one of East Burnaby’s few surviving early commercial buildings.

Bell’s Dry Goods Building – Bedroom

Representative of other typical commercial structures of the period, this store also served as the location of the East Burnaby Post Office, one of a number of local post offices located throughout the municipality during the early twentieth century.

Farmhouse of Jesse and Martha Love

The Farmhouse of Jesse and Martha Love, the oldest building in the village, was built by Jesse Love and his wife Martha who arrived in Burnaby in 1893 and, over the years, had 11 children.

In 1988, it was moved to the Museum to be part of the “rural zone” display established in the newly acquired museum space across Deer Lake Brook.

Decorated in a 1925 Victorian style, it has a wraparound verandah and has all the modern conveniences –  from hot-running water to a radio. Guided tours are available.

Seaforth School Building

The restored Seaforth School Building was originally located on the north side of Burnaby Lake, at 7881 Government Street cor. Piper Avenue.  The one room school, designed by architects Bowman and Cullerne and constructed by local contractor Alphonse J. Toebaert, was opened in the rural Lozells District of Burnaby in 1922 with 20 students. By 1989, the popular “3R’s” school program was being offered on a regular basis at the schoolhouse.

Seaforth School – Classroom

In 1983, the historic building was moved, from its original location at Government Road to the Burnaby Village Museum and, in April 1987, the school was opened to the public as part of the Museum’s permanent exhibition.

Tom Irvine’s House. At left is the outhouse

The Tom Irvine’s House, a small, two-room  (living room/kitchen and a bedroom), wood frame bachelor’s house, was built in 1911 by Irish-born Burnaby resident Tom Irvine (a prospector in the Yukon and, later, a pile driver working with the British Columbia Electric Railway Burnaby Lake Interurban Line) and his friend Robert “Bob” Moore.

Tom Irvine’s House – Interior

Bob Moore died soon afterwards but Tom lived in the house until 1958.  In 1929, running water was added and electricity in the 1950s.  Tom never married and died in 1964, aged 100.  Originally located along Laurel Street in Central Burnaby (now the site of the Burnaby Lake Sports Complex), just west of Burnaby Lake and the tram line, it was moved to the site in 1975 and restored to its 1920s appearance.

Vancouver Heights Sheet Metal Works

The little Vancouver Heights Sheet Metal Works Building was once a shed used for horseshoeing on Burnaby’s Lubbock Farm. Today, it houses tinsmithing tools used to make a variety of items out of sheet metal.

Burnaby Lake General Store

Other buildings are replica buildings, created to house specific displays and artifacts.

Burnaby Lake General Store – Interior

The Burnaby Lake General Store is a 1920s General Store based on an actual store from Burnaby.  On stock were cleaning items, coffee beans, daily grocery items, etc.

Royal Oak Garage

Royal Oak Garage – Interior

The Royal Oak Garage, based on a 1925 garage on Kingsway in Burnaby has, on display, a vintage gas pump, a 1924 Ford Model T and a CCM Motor Bicycle.

1924 Ford Model T

CCM Motor Bicycle

Vintage gas pump

Silent movies, from the 1920s, are played in the 20-pax Central Park Theatre.

Central Park Theatre

The Wagner’s Blacksmith Shop is a working blacksmith shop based on a 1925 Burnaby business.

Wagner’s Blacksmith Shop

Staff, dressed in 1920s period attire, demonstrating tinsmithing at Wagner’s Blacksmith Shop

The Log Cabin, built in 1973 (as a North West Mounted Police post to commemorate the 100th anniversary of the RCMP) by Earl Robert Carter using only hand tools, is a reproduction of a log house built in 1860 by William Holmes, Burnaby’s first settler.

Log Cabin

Log Cabin – Interior

Way Sang Yuen Wat Kee, a replica Chinese herbalist’s shop opened in 1975, houses the contents from a store which operated in Victoria from about 1900 to 1971.

Way Sang Yuen Wat Kee Herbalist

Way Sang Yuen Wat Kee Herbalist – Interior

The Drugstore has a rotating chart that helps patients identify their disease based on their general symptoms.

The Drugstore

Drugstore – Interior

There’s also a shining globe, in front of the store, made up of different colors that showed how seasoned the chemist was.

McKay Barber Shop

McKay Barber Shop – Interior

Beside it was the McKay Barbershop, a 1920s barbershop modeled after Burnaby’s McKay barbershop that operated on Kingsway.

Stride Studios

The Stride Studios, a temporary exhibit gallery on Hill Street, was opened in 2000.  Each year, it features a different special exhibit that explored topics beyond Burnaby in the 1920s to be featured as part of the visitor experience.

Stride Studios – Interior

In 2011, the gallery hosted “Prints from CPR Magic Lantern Slides, 1885-1930,” curated by Michael Lawlor and Bill Jeffries and circulated by the Simon Fraser University Gallery.

Fire Robot, 1990s

Ongoing, during our visit, was the “We Are 50: Expect the Unexpected – The Collection of the Burnaby Village Museum.”  It showcases objects rarely seen by the public before

The Burnaby Post

The Burnaby Post – Interior

The Burnaby Post, a working print shop representing the offices of Burnaby’s weekly paper, the Burnaby Post, demonstrates how an early printing press operates.

Treble Clef Phonographs

Treble Clef Phonographs – Interior

Treble Clef Phonographs is a 1920s music shop with an operating player piano.

Home Bakery

Home Bakery – Interior

The Home Bakery is a replica of the original “Home Bakery” which was located on Kingsway, just east of Boundary Road.

Japanese ofuro

There’s also a replica of an ofuru (Japanese bathhouse), built in 1977 in partnership with the Japanese-Canadian Citizens Association, to commemorate the arrival in B.C. of the first Japanese immigrant in 1877.

Bandstand

The Museum’s bandstand is based on the Central Park bandstand, built in 1895 and used until the 1920s.

the 1920s replica church

The nearby replica 1920s church, opened in 1974, is used for small weddings, memorials or baptisms.  It has hardwood floors, an upright piano, traditional stained glass windows and 14 authentic wooden pews.

Learning House

The Indigenous Learning House, an important addition to the Village, showcases the culture, language and traditions of the Skwxwu7mesh First Nations (Squamish) who lived here before Burnaby was colonized.

Learning House – Interior

Accompanying this house is the Matriarch’s Garden which contains special indigenous Coast Salish plants, some of them endangered, used for weaving, making tea and food for both humans and animals. The stones here are shaped in a Coast Salish eye, representing the grandfathers. Here, indigenous educators share their knowledge about plants.

Matriarch’s Garden

The Museum’s costumed historic interpreters or staff members, dressed in vintage clothing of the 1920s, have expert knowledge of the era and demonstrated the traditional trades. There are steam equipment that show how steam was once used to power sawmills and industrial equipment.

Ice Cream Parlour

Steam donkeys were used to move logs in the forest by winching steel ropes.  After our long walk exploring each and every building, we stopped for a sweet gelato treat at the iconic, 1920s-style Ice-Cream Parlour, beside the Home Bakery.

L-R: Kyle, Grace, Jandy and the author enjoying gelato at the Ice Cream Parlour

Burnaby Village Museum and Carousel: 6501 Deer Lake Ave., Deer Lake Park, Burnaby, British Columbia V5G 3T6, Canada. Tel: (604) 297-4565.  Fax: (604) 297-4557.  E-mail: bvm@burnaby.ca. Website: www.burnabyvillagemuseum.ca. Coordinates: 49.2391°N 122.9661°W. Admission is free, except for special events like their Spring Break Scavenger Hunt in March and Haunted Village in late October. There is also a small charge for their carousel rides (around $2.50 in normal years).

Burnaby Village Museum opens seasonally.  For 2022, it is open, from 11 AM to 4:30 PM, for school Spring Break, from March 14 to 25; and during summer, from Tuesdays to Sundays, between May 7 and September 5 (as well as on statutory holidays like Victoria Day, Canada Day, BC Day and Labour Day). Admission is free. The Haunted Village (also called Eerie Illusions) takes place from October 20 to 30. Admission to the Halloween attraction costs adults around $10 and $5 for children. Heritage Christmas is set to run from November 26, 2022 until January 2, 2023.

How to Get There: by bus: 110, 123, 133, 144, by SkyTrain: EXPO LINE, MILLENNIUM LINE.

Cultus Lake Provincial Park (British Columbia, Canada)

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Cultus Lake Provincial Park

On our 20th day in Canada, Grace, Jandy, Bryan, Cheska, Kyle and I were invited to join a family picnic hosted by our Vancouver friends Nene and Lito Del Rosario, with their children, sons-in-law, grandchildren and family friends, to be held at the 656-hectare Cultus Lake, one of the most popular destination areas in the Lower Mainland.

Tintin Del Rosario-Legaspi, Grace, Cheska and Kyle with our dog Luffy

We were picked up at Burnaby by Jullius and Tintin Legaspi, son-in-law and daughter, respectively, of Lito and Nene.  The 91.3-km. drive, via the Trans-Canada Highway/BC-1 E, took almost 1.5 hours. From the Trans-Canada Highway, we turned at the Yarrow (you can also turn at the Sardis Exit) Exit and drove a further 16 kms., along the Columbia Valley Highway, which lead directly into the park.

The Cultus Lake community

The placid Cultus Lake,  the source of the Sweltzer River, is a large, warm freshwater lake within a 2,729-hectare provincial park amidst scenic forest-clad Skagit Mountain Range in the Fraser Valley region of southern British Columbia.

Our picnic spot

At one time, the lake had a sawmill and booming ground until it became a provincial park on February 10, 1948. Cultus Lake, an important place for spirit quests of the Sto:lo people, was named with the Chinook Jargon word meaning primarily “bad,” “worthless” or “good for nothing,” though the same word can also mean “free,” “without purpose” or simply “nothing.”

The packed Main Beach

The wildly popular, generally calm lake is located 11 kms. (6.8 mi.) south of the Chilliwack River, near the city of Chilliwack and approximately 80 kms. (50 mi.) east of Vancouver.  The park is almost evenly divided between the mostly undeveloped northwest and the visitor-oriented facilities confined to the southeast sides of Cultus Lake.

Children’s playground, well within eye and ear shot to all the picnic tables, where kids can play while parents relax and enjoy lakeside lounging

The area, a popular recreation destination, has four campgrounds (Clear Creek, Delta Grove, Entrance Bay and Maple Bay) managed by British Columbia Parks/Sea to Sky Park Services in the area (in addition to a few privately-owned campgrounds), a large day-use area for swimming, picnicking and boating, and ample opportunities for fishing, water skiing, wind surfing, wakesurfing, kayaking, standup paddle-boarding and hiking.

Paddle boat, paddle board and kayak rental shop

As we visited during August 1, British Columbia Day (a public holiday), the tiny associated resort community of about 1,100 people grew considerably in size as folks like us flocked to the region to enjoy the lake, park and the area’s numerous outdoor activities.

The path leading to Jade Bay

The water, the picturesque views and the sandy beaches are what feed the park’s popularity during the warmer and busy summer months.  However, in the off season, it gets pretty quiet.

Paddle boats, paddle boards and kayaks for rent

As we arrived early in the morning at the Entrance Bay Campsite, we had first choice among a plethora of picnic tables in an expansive, flat grassy field offering plenty of shade from tall Douglas fir trees.  Nearby was a small children’s playground; toilet and changing facilities and a quick public boat launch.

I am guessing these are sculls

Our late breakfast was homemade pan de sal with spam and scrambled eggs while lunch was to be grilled pork liempo, hotdog and fish; igado (an Ilocano pork and liver stew), fried chicken and fried wonton.  For dessert, we had fried turon (banana lumpia).

The author taking a hike along Cultus Lake

After lunch, I tried to burn the calories by hiking all the way down to Jade Bay which is easily accessible from our campsite.  It laso has additional bathrooms and a boat ramp.

Main Beach Iced Coffee

The broad, roped-off swimming area had a long, pebbly and gently sloping beach with clear waters ideal for the kids. Our hosts brought along their inflatable stand-up paddle boards and kayak plus a unicorn-shaped party island for the kids. Jandy and I, as well as the others, tried kayaking.

By lunchtime, the area soon filled up with vacationers and, by late afternoon, the winds grew stronger and the waters choppy, making stand-up paddle-boarding almost an impossibility. Still, nothing can erase the enjoyment of the children as they frolicked along the beach.

Luxury lakeshore homes

Nearby is the fairly modern Cultus Lake Adventure Park (opened in July 2014 as the expansion of Giggle Ridge Adventure Golf, it has 18 rides and attractions) and also in the area is the Cultus Lake Waterpark and the scenic 18-hole Cultus Lake Golf Club.

A public boat launch

Cultus Lake Provincial Park: British Columbia, Canada. All four campsites are open from April to mid-October and offer free hot showers and flush toilets.  Parking is free throughout the provincial park, but not at Main Beach. Tel: (604) 986-9371.

Queen Elizabeth Park (Vancouver, British Columbia, Canada)

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Queen Elizabeth Park

As Grace, Jandy, Bryan, grandson Kyle and I, with our dog Luffy, didn’t make it in time to visit the Van Dusen Gardens, we decided to, instead, just visit the nearby 52-hectare (130-acre) Queen Elizabeth Park, Vancouver’s horticultural jewel, which was just a 1.6-km. walk via Oak Street and West 33rd Street.  This municipal park, located approximately 125 m. (410 ft.) above sea level on top of Little Mountain (the highest point in Vancouver proper), at the geographic center of Vancouver, attracts more than 6 million visitors a year.

Entering the park

It is the location of former basalt quarries (dug in the beginning of the twentieth century to provide materials for roads in the city) that has been converted into a beautiful city park with peaceful flower gardens and trees and stunning panoramic views. It features a rose garden, the meticulously manicured Quarry Garden and an arboretum with about 1,500 native and exotic trees.

Before European settlement, the park was an old-growth forest and a spawning ground for salmon frequented by grey wolves, elk and bears. In the 1870s, settling began in earnest and the population exterminated the grey wolves, elk and bears, chopped down all the old growth forest and paved over the salmon creeks. The salmon creeks that extended, from Queen Elizabeth Park to False Creek, do still exist today but, however, they have been paved over.

In 1936, the BC Tulip Association suggested, to the city’s park board, the creation of sunken gardens within the old quarries and, by the end of that decade, the site had been turned over to the Vancouver Park Board for park and recreation purposes.

During their visit to Vancouver in 1939, King George VI, and his consort, Queen Elizabeth (the mother of Queen Elizabeth II), as King and Queen of Canada, dedicated the park. From that time, with a generous donation from the Canadian Pulp and Paper Association, park staff incrementally transformed the overgrown hillsides into Canada’s first civic arboretum.

The typically meticulously maintained Queen Elizabeth Park, one of Vancouver‘s most popular outdoor spaces (second only to Stanley Park), is a very popular area for walking near Vancouver and a great place for us to spend an afternoon.  Its 2.3-km. loop trail, generally considered an easy route, takes an average of 34 mins. to complete. Often a bit busy, the park offers paved paths, hills, ponds, and lots of flowers. There is also an off leash dog park.

Check out “Stanley Park”

Bloedel Floral Conservatory

The most prominent structure in the park is the domed Bloedel Floral Conservatory, the country’s first geodesic conservatory, funded by Prentice Bloedel’s gift of $1.25 million (the largest the city of Vancouver had received to that date).  The 43 m. (140 ft.) diameter, 21 m. (70 ft.) high triodetic dome frame, manufactured entirely in Ottawa, was shipped 3,000 miles across the country to Queen Elizabeth Park. Upon arrival, the structural framework was erected in just 10 days and the entire dome and plaza took 18 months to complete. On December 6, 1969, it was opened amidst much jubilation.

Conservatory entrance

Its enclosed tropical garden, with three different climate zones, houses 500 exotic plants and flowers (bougainvilleas, browallias, citrus trees, coffee trees, eucalypti, epiphytes, euphorbia, various figs, gardenia, hibiscus, magnolia trees, lilies, yucca with pteris, etc.), more than 120 free-flying tropical birds plus an array of tropical fish. It might take you about 20 minutes to get through, depending on how interested you are in tropical plants.  Too bad it was already closed during our visit.

Dancing Fountain

Kyle frolicking at the Dancing Fountain

As it was summer, kids (including Kyle) couldn’t resist playing in the Dancing Waters fountain display beside the Celebration Pavilion. Since the park sits at the highest point in Vancouver, we had had beautiful photo opportunities of spectacular views of the city skyline of Vancouver and the Coast Mountains and shoreline from the Grace McCarthy (named after the late Vice-Chairman of the Vancouver Board of Parks and Recreation) Plaza and at a lookout by the Bloedel Floral Conservatory.

Grace McCarthy Plaza

Lions Clock donated in April 1995 by the Vancouver Mandarin Lions Club and the Kowloon Lions Club (Hong Kong) to commemorate the twinning of the two clubs

Several sculptures are scattered throughout the plaza.  Beside the Dancing Fountain is the bronze sculpture “Knife Edge Two Piece 1962–65,” created by noted British artist Henry Moore.  Bought at a cost of $150,000 (part of $1.25 million donation), it was unveiled during the opening day of the new Bloedel Floral Conservatory in 1969.  With neither front or back, the sculpture was meant to be seen from all angles and, as you move around, from the west and east sides.

Knife Edge Two Piece (Henry Moore)

At a lookout by the Bloedel Floral Conservatory is the bronze, life-size, multi-figure sculpture The Photo Session, one of the “man in the street” series of sculptures created by American sculptor J. Seward Johnson, Jr. (born 1930 and heir of the Johnson & Johnson pharmaceutical fortune) and installed in 1984.

The Lookout

View from the Lookout

It depicts a man with a camera photographing three people (two women and a man).  Real people, like us, joined the appealing statues to have our pictures taken.

Photo Session – The Photographer (Seward Johnson)

In June 2008, the figure of the photographer was stolen by metal thieves but was, fortunately, found abandoned and unharmed, two months later, in an Aldergrove field.

Photo Session – The Subjects (Seward Johnson)

We were planning to dine at the highly rated Seasons in the Park, located right at the top of Queen Elizabeth Park but tables by the window and the al fresco dining area, both wonderful places from which to enjoy the views, were full. US Pres. William “Bill” Clinton and Russian Federation Pres. Boris Yeltsin dined here on April 3, 1993.

Seasons in the Park

Seasons in the Park interior

Instead, we went down a trail to the popular Quarry Gardens.  Redesigned by Park Board Deputy Superintendent Bill Livingstone, it was unveiled in the early 1960s.

Quarry Garden

It is similar, in some ways, to the famous Sunken Garden at Butchart Gardens in Victoria (British Columbia’s capital city) which we visited just two days ago.  Both beautiful and located on the former site of a mining rock quarry.

Check out “Butchart Gardens”

Grace, Kyle and Jandy at the Quarry Garden

On a lookout above the Quarry Garden is the 5.5 m. (18 ft.) diameter and 4.3 m. (14 ft.) high Love in the Rain sculpture, designed and fabricated with stainless steel by well-known Vancouver artist Bruce Voyce, was installed in August 2016.

Love in the Rain (Bruce Voyce)

This new public art project, embodying love in the temperate forest, depicts four entwined couples celebrating the shelter that love brings and the union that it forms.  The public was invited to celebrate their love by lovingly attaching locks to the skirts of each couple.  It has an integrated receptacle on site for the keys to be melted down to become part of a future sculpture.

Celebration Pavilion

 

Other attractions in the park include a Painters’ Corner, a pitch and putt golf course, Little Mountain disc golf course, tennis courts, lawn bowling club and offers tai chi and jogging. Several episodes of the long running TV show Stargate SG-1 were filmed there. Aside from summer, the best times to visit Queen Elizabeth Park are in the spring (for the flowers) and fall (for the autumn leaves).

Painters’ Corner

Queen Elizabeth Park: 4600 Cambie St. cor. 33rd Ave., Vancouver, British Columbia V6J 5L1, Canada. Tel: (604) 873-7000. Admission to the park is free.    Bloedel Floral Conservatory admission: $8 (adult). Coordinates: 49°14′32″N 123°06′54″W.

How to Get There: Queen Elizabeth Park is located across the street from the Hillcrest Aquatic Centre (at 4575 Clancy Loranger Way) and Nat Bailey Stadium (where the Vancouver Canadians baseball team plays and where the Riley Park Farmers Market takes place). The park is also accessible, via the Canada Line, on the SkyTrain.  The Oakridge-41st Avenue Station and the King Edward SkyTrain Station are within walking distance of the park. There is free on-street parking down the hill though on Cambie St. and along West 29th Ave. and Midlothian Ave., by the northern end of the park.

Honda Celebration of Light (Vancouver, British Columbia, Canada)

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Honda Celebration of Lights

Grace, Jandy and I were lucky that our one-and-a half month long visit coincided with the 30th edition of the Honda Celebration of Light (formerly known as Benson & Hedges Symphony of Fire and The HSBC Celebration of Light), an annual international musical fireworks competition and one of Vancouver’s largest and most well-known festivals. Recognized as the largest and longest running off-shore fireworks competitions in the world, this multiple-day event has an estimated annual attendance of 1.4 million people.

People making their way, on foot, to Alexandra Park, English Bay Beach

The first “Symphony of Fire” was held from July 25 to August 5, 1990 with some the world’s best fireworks pyro technicians, from 3 counties, competing over 3 nights to present the best show. The event was last held in 2019 as in 2020, the competition was cancelled due to the COVID-19 pandemic in British Columbia.

Kyle, Bryan and Grace joining the crowd

This year’s much anticipated festival that embodies summer was held on July 23 (Saturday), with Japan’s Akariya Fireworks participating; on July 27 (Wednesday), with Canada’s award-winning Midnight Sun Fireworks participating; and July 30 (Saturday), with Spain’s Pirotecnia Zaragozana participating.

Mounted police patrolling at the corner of Beach Avenue and Denman Street

We attended the last mentioned.  Prior to the fireworks show, the Red Bull Air Show did a spectacular pre-show performance (happening on all three festival nights), with formation flyovers performed from the iconic Canadian Snowbird team, presented by Concord Pacific, at English Bay.

Alexandra Park slowing filling up with people

Joined by our grandson Kyle, we were to be met by my son-in law Bryan who booked an Uber to bring us to Alexandra Park.  We never got near there as road closures were already in effect from 7 PM in the West End, including Davie, Denman and Beach Avenue. Access roads into Kits Point were also closed from 6 PM.

The gazebo at Alexandra Park

Roads will only re-open once the crowds have dispersed and police have given their all clear at approximately 11 PM.  Instead, we were dropped off at Bidwell Street and walked over to a MacDonalds along Robson Street where we met with Bryan.

English Bay Beach already filled up

Together, the five of us joined others, on bikes, scooters or on foot, who were headed towards the festival site.  It was as if the entire city was moving in the same direction, with all roads lead to the English Bay. Policemen, on horseback, were patrolling the streets, scanning the crowd and seemingly looking for people with alcohol, making us feel very safe. As we got closer to the beach, we realized the magnitude of this event.

Upon reaching Alexandra Park, we chose a nice grassy spot unobstructed by trees, near the corner of Burnaby Street and Beach Avenue.  We came prepared as we brought along three portable folding seats, a beach mat, snacks and water.  The park was already slowly filling up.  There’s much more happening here than just fireworks as a whole family fun type of party atmosphere was happening, with and food carts, food vendors and concession stands were doing brisk business.

The Concord Lounge at English Bay

People and sunset watching was part of the fun too.  As it was early, we strolled along the English Bay Beach already seemingly packed with hundreds of thousands of people, many in swimming attire.  Never before had I seen so many people coming together.

Dinner with a view at Concord Lounge

The reserved seating of the Grandstand, the most popular of the festival’s ticketed venues for visitors, families or groups, offering elevated and direct sightlines to the fireworks barges, was also filled up.  Other reserved seating venues were the Concord Lounge at the Inukshuk Peninsula, overlooking English Bay, and the Scotiabank Lounge on the bathhouse roof in English Bay.

The Grandstand along English Bay

The pyro-musical performance can also be seen and heard from vantage points throughout Metro Vancouver such as Vanier Park at the edge of English Bay, Kitsilano Beach, the pedestrian sidewall at Burrard Bridge (standing room only), Dundarave Pier at the West end of West Vancouver seawall, Kits Point, Sunset Beach, Stanley Park and at sailboats and yachts on English Bay.

English Bay packed with yachts, speedboats and kayaks

Promptly, at 9 PM, the carefully designed and planned synchronized fireworks were launched from barges located in English Bay, regaling the crowd with a spectacular, 25-minute fireworks display, over the water, set to accompanying music so the colored lights seem like they’re dancing to the rhythm.

Sunset over English Bay

It was a spectacular show by the Spanish team, with brilliant firework shapes and colors we had never seen before. The mind blowing finale was one of the most incredible we have ever seen.  I can’t even imagine how much it cost so set up such a show.

Jandy and the author all set to watch the fireworks show at Alexandra Park

After the wonderful and free show, we packed up our chairs and joined the crowd making their way back home.  The frustration at trying to leave English Bay or the downtown core after the show was the only drawback.

We booked an Uber but had to walk a number of blocks to be picked up. Still, this attraction was well worth our time and the best part is that’s its absolutely FREE. The fireworks were excellent, the crowd was huge but well behaved, the overall atmosphere was friendly and cool and it was a fun event well worth going to when visiting Vancouver. It certainly helped that the weather was fine and warm.

The three teams representing their country and setting their colorful expressions to music were judged on the Sizing of the Show, Overall Design and Artistry, Synchronization, Originality of Effects, Quality of Soundtrack and Quality of Fireworks.

The winning team, announced on Tuesday, August 2, was the Canadian Team which delivered the show-stopping performance with a breathtaking display that pushed creative boundaries, according to a press release. It was a pleasant and memorable evening that made Vancouver look absolutely stunning. Over the course of the festival’s three nights, there were approximately 1.3 million attendees.

Honda Celebration of Light: Vancouver, British Columbia, Canada. Website: www.hondacelebrationoflight.com.

Buchart Gardens (Victoria, British Columbia, Canada)

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Butchart Gardens

From Swartz Bay Ferry Terminal, Grace, Jandy, Cheska, Kyle and I, with our dog Luffy, rode on a double-decker Bus 72 (we missed the direct, one-hour Bus 81), operated by Victoria Regional Transit System, for the nearly 40-min. drive to Saanichton then transferred to a single-deck Bus 75 for the nearly 30-min. drive to get to the world-renowned Butchart Gardens, an absolute must see when traveling to Victoria.

Butchart garden Sign. L-R: the author, Jandy, Kyle and Grace

The lush, 22.3-hectare (55-acre) Butchart Gardens, a group of floral display gardens, located on the Saanich Peninsula, near Victoria on Vancouver Island, has delighted visitors from all around the world with its over a million awe-inspiring bedding blooms (in some 900 varieties) and unique plantings, receiving over a million visitors each year.

The iconic water wheel

It is consistently rated among the world’s most beautiful garden attractions and top places to go to in Canada by USA Today, CNN Travel, Condé Nast, National Geographic, Tripadvisor and Frommer’s and more.

Waterwheel Square

Started by Robert Pim Butchart (1856–1943) and his wife Jennie Butchart (1866–1950), ownership of The Gardens still remains within the Butchart family and, since 2001, the owner and managing director is Robin-Lee Clarke, the Butcharts’ great-granddaughter.

Here is the historical timeline of the gardens:

  • In 1888, Robert Pim Butchartbegan manufacturing Portland cement  near his birthplace of Owen Sound, Ontario, Canada. He and his wife Jennie Butchart came to the west coast of Canada because of its rich limestone deposits necessary for cement production.
  • In 1904, they established their home near his quarry on Tod Inlet at the base of the Saanich Peninsulaon Vancouver Island.
  • In 1908, the Bucharts named their home “Benvenuto” (“welcome” in Italian)
  • In 1909, when the limestone quarry was exhausted, Jennie wanted to recreate some natural beauty from the remains of her husband’s mined-out industrial quarry site so she set about turning it into the Sunken Garden, transferring top soil by horse and cart. She commissioned Isaburo Kishida, a 67 year-old garden designer from Yokohama, Japan (he built a wildly popular tea gardenfor Esquimalt Gorge Park in 1907) before he returned to Japan in 1912.
  • In 1921, the Sunken Garden was completed and they began to receive visitors to their gardens.
  • In 1926, they replaced their tennis courts with an Italian garden
  • In 1929, the Bucharts replaced their kitchen vegetable garden with a large rose garden to the design of Butler Sturtevantof Seattle. Samuel Maclure, who was consultant to the Butchart Gardens, reflected the aesthetic of the English Arts and Crafts Movement.
  • In 1939, they gave the Gardens to their grandson Robert Ian Ross (1918–1997) on his 21st birthday. Ross was involved in the operation and promotion of the gardens until his death 58 years later.
  • In 1946, Ann-Lee Ross, Robert Ian Ross’ wife, opened the Benvenuto Tea House (now called the Dining Room) and continued the tradition of serving afternoon teato guests.
  • In 1953, to mark the 50th anniversary of The Gardens, miles of underground wiring were laid to provide night illumination.
  • In 1964, the ever-changing Ross Fountain was installed in the lower reservoir to celebrate the 60th anniversary.
  • In 1977, during summer Saturday evenings, Christopher Ross (1944–2000), Robert Ian Ross’s son, introduced firework shows accompanied by show tunes, choreographing them until his death in 2000.
  • In 1982, the Butchart Gardens was used as the inspiration for the gardens at the Canadianpavilion opened at Epcot Centre in Orlando Florida.
  • In 1993, to commemorate their 50th wedding anniversary, the “Circle of Doves,” given by Ann-Lee Ross to her husband Ian in 1991, was installed in front of the Begonia Bower.
  • In 1994, the Canadian Heraldic Authoritygranted a coat of arms to the Butchart Gardens.
  • On September 9, 2004, two totem poles were installed and dedicated to mark the 100th anniversary.
  • That same year, The Gardens were designated as a National Historic Site of Canada.
  • In the summer of 2008, The Gardens introduced the Jennie B, an electrically driven 12-passenger boat, which plies the local coastlines in the summer giving visitors an appreciation of the waterside history plus coastal aquatic plants and animals.
  • On December 1, 2009 the Children’s Pavilion and the Rose (or Menagerie) Carousel were opened to the public.

Begonia Bower

While Jennie Butchart collected plants, Robert Pim Butchart collected ornamental birds from all over the world (he had a parrot in the house, ducks in the Star Pond and peacocks on the front lawn). Robert also built several elaborate birdhouses for the gardens and trained pigeons on the site of the present-day Begonia Bower.

In the early days, Mr. and Mrs. Butchart often hosted weekly symphony concerts for guests of the family but, later, attracted a larger audience. More recently, during the summer season (July and August) and the winter holiday season, they provide a wide range of local entertainment, from jazz to classical music.

Also, The Weeds (a band made up of staff members from The Gardens) sometimes plays during the summer season, During winter, lights and seasonal decorations adorn the gardens along with an ice-skating rink in the Waterwheel Square.

Upon payment of the admission fee, we were ushered into Waterwheel Square, our starting point, which was aptly named after a lovely waterwheel beside the entrance. The statue of a wild boar, in the heart of the square, was cast in Florence by Ferdinando Marinelli Artistic Foundry and purchased in 1973 during a family trip to Italy and installed the next year.

Butchart Boar

The snout of this replica of the Cinghiale, a 1620 marble statue (displayed in the Uffizi Gallery in Florence) by Pietro Tacca (in honor of the sculptor, it is called “Tacca”) is, just like the original, shiny from the many visitors rubbing it for good luck. In front of the residence is another nearby statue, by Sirio Tofanari, of a donkey and foal.

Check out “Uffizi Gallery”

Donkey and Foal (Sirio Tofanari)

Buchart Gardens encompasses five separate gardens: the Sunken Gardens, the Rose Garden, the Japanese Garden, the Italian garden and the Mediterranean Garden.   To keep these gardens looking impeccable, they have 26 greenhouses and employ 50 full-time gardeners, 12 part-time gardeners as well as 550 staff during peak season.  With regards irrigation supply, the gardens are entirely self-sufficient as, every year, millions of liters of rainwater are collected, via runoff, from the parking lots and stored in a number of reservoirs and wells.

Laurel Walk

From the flower-lined Laurel Walk, a pathway on the left led to the Begonia Bower which was overflowing with hanging baskets of begonias and fuchsias. Designed in 1917 by Samuel Maclure as a “Chinaman’s Cottage,” it was later renamed the Gardener’s Cottage, circa 1950.

Above the Sunken Garden

Past the Laurel Walk is the top of “the Mound,” a massive limestone rock embankment (designed by Raoul Robillard) rising, above the switch back stairs, from the center of the iconic, 5-acre Sunken Gardens, the crown jewel of the Butchart Gardens.

The pair of Arbor vitae trees

Flanking the main path are an iconic pair of Thuja occidentalis Fastigiata trees (Arbor vitae), commonly called the “tree of life,” planted by Jennie in 1930 (they are now on their third pair). The Mound has spectacular views of the garden including the tall chimney of the long vanished kiln. To the left of the cement stack are six Lombardy poplars (Populas nigra italica) planted by Jennie in 1910 to hide the cement factory.

Once a pile of rock and rubble, the quiet and peaceful Sunken Garden is, as the name suggests, located below road level. The first land reclamation project in the world, the garden, dotted with benches, boasts 151 flower beds, 65,000 bulbs planted for spring and cradles an impressive assortment of flowers, trees and shrubs.

The Sunken Garden

A path, from here, winds past the undulating and spectacular Ross Fountain, installed in 1964 by Robert Ian Ross (Jennie and Robert’s grandson) to celebrate the 60th anniversary of The Butchart Gardens.  The fountain is surrounded by a rotating selection of seasonal blooms.

Ross Fountain

In summer, during The Gardens Night Illuminations displays, it comes alive as magical lighting effects dance across its waters.  Another path leads to the serene pond of the Bog Garden which is surrounded by weeping-willows.

Bog Garden

From the Sunken Garden, a path led us, half-way through The Gardens, to the 700 sq. m. (7,500 sq. ft.) Children’s Pavilion, which has a dome with a 23-m. (75 ft.) clear span, a full-fronted glass façade and a roof planted with native plant species.  It also has an event room for such things as children’s birthday parties.  Annabelle, the elegant bronze carousel horse sculpted by Nathan Scott, is located next to the pavilion.

Children’s Pavilion

Housed within is the popular Rose (or Menagerie) Carousel, the only carousel on Vancouver Island.  The carousel was crafted by Brass Ring Entertainment of Sun Valley, California.  The brightly painted and hand-carved wooden menagerie, mirroring the world from which The Gardens draws its visitors, includes thirty animals ranging from bears, to horses, to ostriches, to zebras, to cats.

Rose (or Menagerie) Carousel

In consultation with an artist from North Carolina, Robin Clarke (the gardens’ owner and great-granddaughter of Jennie Butchart) handpicked the design of each animal carving.  Done by some of the few remaining carvers of carousel art, they were carved from basswood and took many months to complete. There are also two chariots able to accommodate disabled persons.  Kyle didn’t want to miss out on the carousel so, accompanied by Jandy, tried it out ($2 per person).

Concert Lawn and Stage

Across from the pavilion is the Concert Lawn and Stage.  Here, between 1953 and 1967, the Victoria Symphony Orchestra (conducted by Hans Gruber), under the sponsorship of Mr. and Mrs. Ian Ross, performed summer concerts on the main lawn. The concerts also featured many international artists such as Teresa Stratas, Bernard Turgeon and Grace Bumbry. On occasion, guest conductors were also invited to lead the orchestra.

Organ Pavilion

Nearby is the Organ Pavilion, the original dairy barn which now houses the Aeolian Pipe Organ played at The Butchart Gardens. Fully playable manually, this organ boasts just under one thousand individual pipes, a set of twenty tubular chimes and a forty-nine note percussive harp.

California Redwood (Sequoia sempervirens, 1934)

Located on a back path behind the Concert Lawn are tallest of two California redwoods (Sequioia sempervirens) which were planted as seedlings Afred Shiner, former Head Gardener, in 1934.

Totem poles

Another path led us to two 9.1 m. (30-ft.) high and 1.2-m. (4-ft.) wide totem poles dedicated on September 9, 2004 in celebration of the 100th anniversary of The Butchart Gardens, they are a recognition of the rich cultural heritage provided by the First Nations peoples.

Eagle with Salmon, Orca, Bear with Salmon

Raven, Beaver with Grouse, Otter with Pups & Clam, Frog

The “Eagle with Salmon, Orca, Bear with Salmon” was carved in Contemporary Coast Salish style by master carver Doug LaFortune of the Tsawout First Nation while the “Raven, Beaver with Grouse, Otter with Pups & Clam, Frog” was carved in Classic Coast Salish style by master carver Charles Elliot of the Tsartlip Nation.

Seed & Fireworks Field

Nearby is the Seed and Fireworks Field.  The land here was purchased in 1903 from Mr. Fernie, a local dairy farmer. In 1969, a reservoir was excavated to ensure a water supply for irrigation and a single jet fountain was installed to aerate the water supply in the largest reservoir. Today, the fountain is now the focal point of a fireworks display.

Dragon Fountain

On our way to the Rose Gardens, we passed by the striking bronze Dragons Fountain, the newest addition to The Gardens.  A gift from Suzhou (Victoria’s sister city) and the People’s Republic in China in 2015, at night, color-changing LED lights create beautiful scenes in the waters of this peaceful fountain.

Rose Garden

The vibrant Rose Garden, in the center of the grounds, brims with an impressive collection of seven types and at least 280 varieties of roses.  From summer to early fall, this heavenly scented garden bursts to life with 2,500 rose plants.

The 30 arches, intertwined with large sprays of rambler, floribunda, climber and hybrid tea roses, is a favorite spot for a stroll.

Fountain of the Three Sturgeons

On our way to the Japanese Gardens, we passed by the Fountain of the Three Sturgeons, once the location of a large Japanese teahouse. This bronze fountain of three dancing sturgeon, purchased in 1973, is the first casting (by the Ferdinando Marinelli Artistic Foundry) from the enlargement of a work created by Sirio Tofanari in 1958. Visitors often sit on the surrounding benches and enjoy the tranquil sounds of the fountain.

Torii (Japanese gate)

A torii gate, marked the entrance, to the quiet, 1-acre Japanese Garden.  The gate is flanked, on each side, by magnificent purple European copper beech (Fagus sylvatica purpurea) planted in 1906.  The first of Jennie Butchart’s formal gardens, it was started in 1906. In her design, Jennie was assisted by 67 year-old, Japanese landscape artist Isaburo Kishida.  Under the supervision of Hugh Lindsay (the first of Mrs. Buchart’s head gardeners), laborers from the cement works implemented Kishida’s plan.

A scenic relaxation sanctuary, it is home to 500 rhododendrons and azaleas, 74 Japanese maple trees (Acer palmatum dissectum), moss-covered grounds as well as 200 m. of trickling streams.  The European beech trees and Japanese maple trees (at the head of the stone stairs leading down to the garden) are the oldest non-native trees in the Buchart Gardens.  Himalayan Blue Poppies blossom in the spring.

Star Pond

From the Japanese Garden, a path led us to the fantastic, 21,780 sq. ft. Italian Garden.  Once the Butchart family’s tennis court, it was designed by famous architect Samuel Maclure and completed in 1929.  The garden is home to 22,000 bulbs and biennials as well as 18 flower beds and 85 varieties of plants.

Italian Garden

Two beautiful, flower-studded ponds are also located here – the Star Pond (originally designed for Mr. Butchart’s collection of live ornamental ducks) and a sophisticated, cross-shaped pond. Bronze statues and the nearby Gelateria Benvenuto bring a taste of Italy to the grounds.

Mediterranean Garden

We almost missed the diminutive and quaint, 21,780 sq. ft. Mediterranean Garden which was hidden near the parking lot.  A homage to Vancouver Island’s Mediterranean climate, it hosts an array of 110 varieties of exotic plants (in 9 garden beds), ranging from electric-blue delphinium to massive-leafed banana plants and one awe-inspiring agave plant.

Coffee Shop

The food and beverage outlets within The Gardens are the Coffee Shop (salted caramel mocha;  Oh Canada latte; fresh, house-made shortbread cookie; etc.), The Dining Room Restaurant, Gelateria Benvenuto in the Italian Garden (12 locally-inspired flavors of ice-cold gelato) and the cafeteria-style Blue Poppy Restaurant.

Blue Poppy Restaurant

Buchart Gardens: 800 Benvenuto Ave., Brentwood Bay, near Victoria, British Columbia V8M 1J8.  E-mail: email@butchartgardens.com. Website: www.buchartgardens.com. Open daily, 11:30 AM to 3:30 PM (up to 10 PM during summer, June 15 to September 3).  Tel: +1 250-652-4422.  Coordinates: 48°33′55″N 123°28′10″W.

Admission (including tax):

  • Spring 2022 (April 1–June 14): CAD 35.40 (adults, 18 + years old), CAD 17.70 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • Summer 2022 (June 15–September 30): CAD 38.00 (adults, 18 + years old), CAD 19.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old)
  • Fall 2022 (October 1–October 31): CAD 31.80 (adults, 18 + years old), CAD 15.90 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • November 1–November 30: CAD 24.75 (adults, 18 + years old), CAD 12.40 (youth, 13–17 years old) and CAD 2.00 (child, 5–12 years old)
  • Christmas 2022 (December 1–January 6): CAD 34.00 (adults, 18 + years old), CAD 17.00 (youth, 13–17 years old) and CAD 3.00 (child, 5–12 years old).

Japanese Canadian War Memorial (Vancouver, British Columbia, Canada)

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Japanese Canadian War Memorial

The Japanese Canadian War Memorial, a tribute to the Japanese-Canadian soldiers who fought in wars for Canada, was designed by James Benzie and was unveiled in Stanley Park on April 2, 1920. On August 2, 1985, a re-lighting of the memorial to Canadian soldiers of Japanese ancestry in World War I took place.

Check out “Stanley Park”

Japanese Canadian Memorial Plaque

The memorial located on the south side of the Lumbermens’ Arch Picnic Area, close to the back side of the Vancouver Aquarium.  Nearby is the Miniature Train and Junior Forest Wardens Tree and plaque. Its cenotaph features the name of Japanese-Canadian soldiers who fought for Canada during the World War I, many of whom fought in the battles of Vimy Ridge and Arras Front in 1917.

Check out “Vancouver Aquarium”

Plaque listing Japanese Killed While Serving with Canadian Expeditionary Force

This monument is in lasting memory of the 190 Japanese Canadian soldiers who answered the call of duty for Canada during World War I and to the 54 who laid down their lives in defense of freedom.  Their names are engraved on the monument.

Plaque listing Japanese Who Returned with Canadian Expeditionary Force

During World War I, Japanese-Canadians who wished to enlist as soldiers were not able to do so easily as they were not allowed to enlist at recruitment stations in British Columbia.  In 1916, many had to travel to Alberta to enlist with the Calgary Highlanders. They Japanese-Canadian soldiers later formed their own unit, the 10th Battalion. Seven of the soldiers in the 10th Battalion hailed from Raymond, Alberta and two (Kichimatsu Sugimoto and Teiji Suda) of those seven died during the war.

Centenary of Enlistment Plaque

Next to the memorial is a beautiful Japanese cherry tree that was planted at the time that the memorial was erected.  This tree blooms during spring.

Memorial Base

Japanese Canadian War Memorial:  Stanley Park, Vancouver, British Columbia, Canada.  Coordinates: 49°18′04″N 123°07′55″W