Museo Valenzuela (Valenzuela City)

I recently got an invitation from Lakbay Norte colleague and now La Consolacion College School of International Hospitality Management Prof. Melissa  Dizon-Dulalia to join a Lakbay-Aral tour of Valenzuela City with her students as guests of City Mayor Sherwin T. Gatchalian.  I brought along, as my photographer, my son Jandy.  We met up with Melissa and her students at La Consolacion College where a chartered airconditioned Genesis bus was waiting for us to bring us to Valenzuela City.    

Museo Valenzuela

Aside from the Melissa’s 42 Tourism Planning and Destination Development Class students, joining us were fellow media colleague Mr. Rogine de Mata Rogelio of Pilipino Mirror; travel photographer Nico Karabatsos; travel agents Mr. Sandy Mella Clamor (Managing Director of Emmaus Travel & Tours) and Ms. Bingbing Rubio (Pogi Travels); and Ms. Violeta  C. Imperial (founder of Nature Awareness & Conservation Club, Inc.).

Mayor Sherwin Gatchalian with media and travel agents
Mayor Gatchalian with La Consolacion College students

We all left La Consolacion College by 8:45 AM and arrived at the 2-storey Museo Valenzuela, beside the National Shrine of Our Lady of Fatima, by 9:20 AM.  Here, we were joined by my good friend and fellow travel blogger Mr. Mark Vincent Nunez (www.mvlnunez.blogspot.com) and travel agent and Valenzuela City resident Ms. Rosanna Kho (Gen. Manager of Kho Travel & Tours).  

Museum curator Jonathan C. Balsamo

At the museum, we were welcomed by museum curator and historian Mr. Jonathan C. Balsamo who presented a video documentary, created by the City Cultural Affairs and Tourism Development Office (CATDO), featuring historical experts’ commentary on the life of local son and least depicted national hero Dr. Pio Valenzuela (July 11, 1869-April 6, 1956), Katipunan co-founder (together with Andres Bonifacio and Emilio Jacinto), mayor of Polo (the former name of the city) from September 6, 1899-February 1900 and Bulacan governor from 1921-1925.  The city was renamed after him on September 11, 1963.

Diorama – Pagkamakabayan and Paglilingkod
Diorama – Pagkamulat and Pagkilala

The museum, which gives public access on factual information on Dr. Pio, is among the major efforts of Mayor Gatchalian to prevent Dr. Pio’s deeds from dying in vain.  It has a bust sculpture of Dr. Pio and a permanent, full-dimensional diorama exhibit, opened last March 16, 2010, of the life of Dr. Valenzuela during and after the Philippine Revolution. The 150 hand-made dolls, fashioned out of resin and wire, were created by artists of the Balikatan sa Kaunlaran National Foundation, the same team behind the Pinaglabanan diorama exhibited at the Museo ng Katipunan in San Juan City. Also on display are the doctor’s memorabilia (clothes, old photos, awards, medical equipment, furniture, etc.).

Pio Valenzuela and wife Marciana de Castro
Dr. Pio’s clothes
The doctor’s medical equipment
Dr. Pio’s swivel chair

It also exhibits paintings of past Valenzuela mayors and a model of San Diego de Alcala Church.  Serving as the cultural and historical center of the city, the museum is also the repository of Valenzuela City’s rich heritage and provides a venue for cultural, historical and artistic presentations as well as seminars on national and local issues.

A picture gallery of Valenzuela mayors
Model of Church of San Diego Alcala

Museo Valenzuela: Fatima Ave., Brgy. Marulas, Valenzuela City, Metro Manila. Tel: (632) 291-0672.

Symbios Holistic and Wellness Sanctuary (San Mateo, Rizal)

I recently got an invitation from Ms. Melissa Dizon, a professor, former Exec. Director of North Philippines Visitors Bureau (NPVB) and a Lakbay Norte colleague, to join her in a dance-movement therapy session to be conducted by Ms. Riza Regis (an author, she also conducts crystal healing sessions) at the Symbios Holistic and Wellness Sanctuary, an extension of the BioVitale Holistic Center.

Dance-movement therapy session with Ms. Riza Regis

The center, a brainchild of owner Dr. Sonny Viloria (a proponent of complementary medicine which blends scientific Western practices with Eastern mysticism), is located in San Mateo, Rizal.  Aside from dance-movement therapy, the center also offers laughter yoga (by Paulo Trinidad); Reiki healing (by Mr. Arnel Belenzo); meditation, sound therapy and shiva-shi movement (by Ms. Yet) and lectures on natural medicine by Dr. Viloria himself.

Mandala Farm Estates

I met up with Melissa, with her daughter Bianca and her friend Mr. Jon Ryan ” J.R.” Ng (a photographer and magazine writer), very early in the morning at the Jollibee outlet at the Welcome Rotunda in Quezon City.  With J.R. at the wheel of his car, we motored all the way to Mandala Farm Estates where we asked the security guards at the subdivision gate for directions to the center.

The gateway to the center

After some confusion with the given directions, we finally made it to the center’s parking area where we were met by Mr. Ronnie Cruz Bernardo, the center’s de facto media consultant.   From the parking, we entered a marble gateway with wooden swing doors, flanked by a Buddha statue and a door bell, and went down, via a pathway (which varies from a combination of gravel, stones and railway sleepers, to stamped concrete) with a number of horseshoe bends, to the center’s native-style, open-air pavilion.

A pond and foliage-lined horseshoe bend

Another horseshoe bend along the gravel and stamped concrete trail

The pavilion had a floor of polished wooden planks and bamboo slats and wooden columns that supported wooden rafters and a roof of nipa and bamboo.  It is furnished with eclectic furniture from Pampanga, Thailand and Burma, a large area rug plus lots of Eastern statuary of deities (Kuan Yin, Buddha, etc.), all tastefully arranged by Mr. Chris Munar. One side of the pavilion has a breathtaking view of the mountains of Rizal.

Native-style pavilion

The view of mountains from the pavilion

At the pavilion, we were welcomed with a merienda of suman which we washed down with oxygenated water or a refreshing and healthy tea made with lemon grass (tanglad) and camote tops (talbos) infused with mint and sweetened with muscovado sugar.

Lemon grass and camote tops tea

After merienda, Ronnie toured us around the 6,000-sq. m. sanctuary. Near the pavilion are Balinese-style, tastefully designed and furnished cottages (made with concrete as well as local wood, nipa, bamboo and sawali) with capiz windows that can accommodate 6 guests while below the pavilion is a social area (where one can set up tents) with a koi pond and mini fountain.  Beside it is the food tent and the sun therapy (essential for natural healing) area with its pair of cushioned lounge chairs.

Sun therapy area

Balinese-style cottage

Part of the nature trail is lighted, come cool evening, by eco-friendly, solar-powered lamps and the natural light of fireflies (alitaptap).  Just about every nook and cranny of  the center is filled with the healing sound of natural water.  Running within the property is a crystal-clear brook which feeds a man-made, stone-lined lagoon (an ideal swimming area) below with cool spring water.  On one side of the lagoon is an Eastern-themed bas relief while overlooking the lagoon is a wooden meditation platform.

The man-made lagoon
The meditation platform overlooking the lagoon

A pond, with a covered bamboo and nipa platform (where one can do fishing), is filled with organic tilapia, floating duck weed and Azola (mosquito fern), a natural weed that is very rich in protein, vitamins and minerals.  Smaller ponds can also be found along the trail.  The piece de resistance is a small waterfall whose natural beauty inspired Dr. Viloria to buy the property.

Tilapia pond

The center’s resident waterfall

 

A duyan and benches beneath a bamboo grove
The hilltop meditation platform

Up a hill, accessed by a wooden stair, is a meditation platform, a mini version of the pavilion, where one can do yoga, meditate, relax or just take a mid-afternoon siesta while enjoying the great nature view.  Intersperse within a shady bamboo and giant fern grove are a pair of wooden benches and a native hammock (duyan).

A small pond

Come lunch, we were all served, inside a food tent, tawilis, pinakbet, kalabasa in coconut milk, pako (vegetable fern) salad and clam soup, all complement with organic rice cooked in pandan leaves.  This self-sufficient center promotes the locavore lifestyle – eating food that is locally produced.

Food preparation cottage

Meals served here are prepared, by chef Jen (a London-trained therapist and food connoisseur) at her food preparation cottage, from mostly homegrown, organic ingredients; from papayas, guavas, bananas, camote (sweet potatoes), taro, wild spinach, medicinal herbs and spices as well as tilapia and free-range (stress-free with no hormones and antibiotics) native chicken and ducks.   From these, they are able to prepare their very own signature dishes such as laing, chicken adobo, banana heart salad, chicken sinampalukan (sour soup with chicken and tamarind leaves) and tilapia in coconut milk and petsay.

Our locavore lunch

Our merienda cena of lumpiang ubod

Prior to leaving the center, we were all treated to a merienda cena, again at the food tent, of fresh lumpiang ubod, a Negros Occidental (especially in my mom’s hometown Silay City) favorite (and mine).  This spring roll is filled with sautéed ubod (heart of palm), shrimps, tahure (bean cake) and bits of pork.  Its sauce, topped with roasted garlic bits, created a unique flavor. Melissa and I liked  it so much, we shared a second piece.

In the near future, the center plans to include regular hilot (the ancient Filipino art of massage) and dagdagay (a soothing and cleansing routine using native sticks for tired feet, from Ifugao and Mountain Province) service for its regular patrons.

Symbios Holistic and Wellness Sanctuary: Mandala Farm Estate, Timberland Heights, San Mateo, Rizal.
BioVitale Holistic Center: G/F, CRB Bldg., EDSA, Cubao, Quezon City.  Tel: (632) 448-7625 to 26. Mobile number: (0921) 260-8459.

The "Real" Bagbag Bridge? (Calumpit, Bulacan)

On our way to Pulilan, I was on the lookout for the Bagbag Bridge, site of, according to Wikipinino.org:

“the first battle between Filipino and American soldiers during the retreat of Aguinaldo to the Ilocos Region and of the longest battle during the Filipino-American Wars (sic) led by Gen. Gregorio del Pilar on April 25, 1899.  The bridge commemorates the bravery displayed by the Filipinos as they victor (sic) in the battle against the American forces.”

Bagbag Bridge

Upon crossing a concrete bridge, I espied the much lower, similarly concreted bridge on the right.  This old, now disused bridge was impassable as one span has fallen into the river.  I guess I got the right bridge as pictures at the the Bulacan provincial government website depicts it as such.  However, looking at it, it begs the question “Was it the actual bridge that was the site of that battle?”  “We’re Filipino forces really victorious in that battle?”  First, let me state the facts, on the Battle of Calumpit, as I researched it at “Philippine-American War, 1899-1902” (written by Arnaldo Dumindin).

After taking Quingua (now Plaridel), Calumpit, only 8 kms. (5 miles) north of Malolos, became the next American objective. Gen. Antonio Luna, however, was nowhere near the town as he left for Guagua to punish Gen.  Tomas Mascardo, the military commander of Pampanga, for leaving his post to inspect troops (others say to attend a fiesta or visit a girlfriend) at Arayat (Pampanga). 

Gen. Mascardo, with around 21,000 men under his command at the time, had been supposed to strengthen the defense of the Calumpit–Apalit Line by providing reinforcements in the area when needed.  Luna took most of the defending cavalry and the artillery with him, leaving Gen.  Gregorio Del Pilar to counter the advancing American troops. Aguinaldo had ordered Luna to retreat and burn the railway bridge spanning the Bagbag River, but Luna ignored the order.

However, on April 23, 1899, Gen. Del Pilar did cut the iron girders of the railway bridge, with the intention of making the bridge collapse once the enemy’s armored artillery transport train, with 6 pounders and rapid fire guns, passed over it. However, the section of the bridge prematurely collapsed, under its own weight, before the train had reached it. Chinese porters pushed the train to the mouth of the river.  

Col. Frederick Funston, with 6 men, crawled, under heavy fire, across the ironwork of the bridge and, upon reaching the broken span, dropped into the water and swam to the opposite shore, where Filipino trenches were located. Upon reaching the opposite bank, they charged the trenches and killed 25 Filipinos.  Other troops promptly repaired the bridge to let their supply wagons cross over the river.

By nightfall of April 25, Luna had returned from Guagua with only Filipinos in the barrio of Sta. Lucia holding out against the Americans in the Bagbag sector. Gen. Luna tried to fight and repulse the Americans, but he was eventually forced to retreat, destroying bridges as his troops fell back to slow the American advance.

Based on this research, the bridge in question was actually a railway bridge made of iron, not concrete.  The bridge in the recent photo I took was probably a more recent replacement but the location may be the same.  Here’s an actual photo taken of the damaged railway bridge, then being repaired by American troops, taken after the battle.  Aside from the difference in the materials used, I also noticed that the bridge supports are also different in size and shape.

Second, there was no Filipino victory in this battle.  Probably, the victory being referred to was the April 23, 1899 (not April 25) Battle of Quingua (now Plaridel) where the same Gen. Gregorio del Pilar, with 700 to 1,000 men, halted the advance of 62 Scouts plus a troop of the 4th Cavalry, all led by Maj. James Franklin Bell; or of their subsequent halting of the cavalry charge of Col. John M. Stotsenberg (who was killed together with 6 of his men).  This all happened in Quingua, not Calumpit.  In spite of these small victories, the Americans still triumphed in the end and took the town. 

This moment in history deserves a second look ……..

Church of St. Rose of Lima (Bagacay, Albay)

Church of St. Rose of Lima

The Church of St. Rose of Lima was said to have been started in 1660 (stamped on the church entrance), the year Bacacay became independent from Tabaco.    In 1952, it was heavily damaged by super typhoon “Trix” and again, in 1987, by another super typhoon, “Sisang,” which destroyed the roof and broke its glass windows.

AUTHOR’S NOTES:

Its 2-level façade, built with volcanic rock from Mayon Volcano, has semicircular arched main entrance with a poorly conceived and totally inappropriate white-painted concreteportico  built over it.  An earlier, late 1900s photo of the church shows it without one.

 

It is flanked by paired pilasters and statued niches with single pilasters at the end.  Above is a triangular pediment with a centrally located oculus. The church’s orientation is peculiar as it faces northwest instead of the bay, contrary to the stipulations of the Laws of the Indies.

The 3-storey bell tower

On the left is the 3-storey bell tower with a domed roof and receding storeys. Also on the left side of the church are the ruins of the old church and belfry, with meter-tick walls of volcanic rocks an high windows.  Outside the church is a statue of the risen Christ.

The church’s modern interior

Church of St. Rose of Lima: Bes St., Bagacay, Albay. Tel: (052) 487-2003. Feast of St. Rose of Lima: August 30.

How to Get There: Bacacay is located 502.6 kms. (a 10-hour drive) from Manila and 37.2 kms. (a 1-hour drive) from Legaspi City.

Sto. Domingo: Birthplace of the Sarung Banggi (Albay)

The next day, Bernard and I left the Governor’s Mansion in Legaspi City and took a jeep to Quick & Hearty for a buffet Filipino breakfast.  Here, we met up with Mr. Martin A. Calleja, head of Bicol Adventures Philippines and Viento de Mar Beach Resort in Bacacay. After breakfast, we made a short stopover at the DOT Region V office at Rawis where we met up with Regional Director Maria O. Ravanilla.  From here, we made the short 11.5 km. drive to the nearby quaint town of Sto. Domingo.

The author with Bernard and Dir. Maria Ravanilla

Sto. Domingo, formerly called Libog (a corruption of the Bicol term libot meaning “roundabout”), is nestled at the foot of Mayon Volcano. The town is noted for its numerous beach resorts along the jet black sand Kalayukaii Beach in Brgy. Kalayukaii, located 3 kms. east of the town.  At the Spanish-era (the former tribunal and presidencia built in 1832) municipal hall in Plaza Pugad Lawin, we made a courtesy call on Mayor Herbie  B. Aguas.

The municipal hall and fountain at Plaza Pugad Lawin

Also at the plaza, across the fountain and municipal hall is the picturesque Church of St. Dominic Guzman, the town’s most prominent landmark.

Check out “Church of St. Dominic Guzman

Church of St. Dominic Guzman

The town is also the birthplace of Potenciano V. Gregorio (May 19, 1880-February 12, 1939), the composer of the famous local ditty Sarung Banggi (meaning “one night”), the best known song in the Bicol dialect, on May 10, 1910.  The 8-day (May 18-25) Sarung Banggi Summer Festival, which features a folk song festival, immortalizes this love song and pays tribute to its illustrious local son.   His ancestral house was burned when a fire hit the town in 1961.

Potenciano V. Gregorio Mausoleum

On May 2005, Mayor Aguas, together with then Albay Gov. Fernando and First District Rep. Edcel Lagman, had Gregorio’s remains exhumed in La Loma Cemetery and brought home to Sto. Domingo for a municipal vigil and reinterred at the town’s cemetery with military honors. In 2006, a mausoleum and his bust, also at the town plaza, was erected and his remains transferred there.  In 2010, Gregorio was declared a municipal artist by the Sangguniang Bayan.

Mayor’s Office: Municipal Hall, Plaza Pugad Lawin, St. Domingo, Albay.  Tel: (052) 435-1357.
Department of Tourism Regional Office V: Rawis, Legaspi City.  Tel: (052) 435-0085 and 482-0715.  Fax: (052) 482-0712. E-mail: dot_bicol@yahoo.com. Website: www.wowbicol.com.

Church of St. Dominic of Guzman (Sto. Domingo, Albay)

Church of St. Dominic Guzman

First built in 1785 with wood and basag (bamboo splits), the second church was built with lava blocks in 1789 and completed in 1832.  Built with forced labor, during its construction, a mixture of lime, egg albumin and tangguli (molasses) was used to bind its massive stone walls. Burned in 1882, the present picturesque Church of St. Dominic Guzman was built with piedras ladradas, chiseled balustrades and twin domes.

The church’s Baroque facade

AUTHOR’S NOTES:

The church’s Baroque façade has a semicircular arched main entrance flanked by rectangular windows and two bell towers with dome-shaped roofs, giving it a graceful symmetry.  On the second level is a centrally located statued niche flanked by two occoli while the triangular pediment’s tympanum also has an occoli.

The church’s modern interior

Church of St. Dominic of Guzman: Tel: (052) 258-7111. Feast of St. Dominic of Guzman: August 4.

How to Get There: Sto. Domingo is located 469 kms. (a 9.25-hour drive) from Manila and 11.5 kms. (a 19-min. drive) northeast of Legaspi City.

Hwahsi Tourist Night Market (Taipei City, Taiwan)

From Longshan Temple, Jandy, Isha and I walked, a few streets away, to a nearby night market to do some souvenir shopping.  A well-lit Chinese-style arch pointed us to an excellent night market divided into two segments. We went to the part of the market with the roof called Snake Alley a.k.a. the Hwahsi Street Tourist Night Market, said to be the oldest night market in Taipei. The surrounding area is the local market. Night markets are listed among Taiwan’s most popular tourist spots.

Gateway to Hwahsi Tourist Night Market

The “Tourist” in the official name is something of a misnomer as the market is a bit overrated and can be a bit creepy, if you are not into snakes or exotic foods.  One store had one of these huge writhing, white and yellow serpents at their shopfront (the snake handler cum store owner, however, didn’t allow me to take pictures).  Snake meat, according to traditional Chinese lore, have health (and libido) enhancing properties (something to do with this reptile’s impressive length).  Before its conversion into a night market, Snake Alley used to be notorious for its prostitution (banned since the 1990’s).

Its no surprise that snake meat (and snake blood, bile or sperm is mixed with a local liquor called gao liang) is served up as dinner at rows of eateries within the market. These eateries also serve red bean soup, Taiwanese-style muah chee, danzi noodles (also called tan tsai noodles), thick cuttlefish soup, eel noodles, shrimp in wine, grilled Taiwanese sausages, etc. There are also eateries serving even more unusual and “special” (and controversial) turtle meat and soup, stir-fried mouse as well as crocodile meat. Truly a place for people who live by the motto “I’ll try anything at least once.”  It just so happen that we weren’t one of those people.

Apart from the eateries, the night market is actually just one row of shops selling bags, cheap watches, hats, DVD and VCD movies, and souvenir items such as fans, place mats, key chains, Buddha figurines,brass sculptures,  jade amulets, etc.  Isha bought some these souvenir items as gifts for friends back home.  I bought a number of brass key chains.  There were also shops selling sex toys as well as kinky key chains (some were smaller, brass key chain versions of the wooden Ifugao barrel man, a man in a barrel which, when lifted, triggers a spring that releases a penis).  There were also a number of legitimate massage parlors (offering foot, half body or whole body massages) and stores where artists sell their paintings.

Kinky brass key chains

Having finished our souvenir shopping, we took a taxi and dropped off at the first MacDonald’s outlet we saw.  After another burger dinner here, we all boarded another taxi, dropping off Isha at her hotel before proceeding to the Gala Hotel.  It was now very late in the evening and, quite tired from a fruitful day of sightseeing and shopping, decided to call it a night.

Hwahsi Street Tourist Night Market: Hwahsi St., Wanghwa District, Taipei, Taiwan. Tel: (+886-2) 2336-9781. Open daily, 7 PM-2 AM.

How to Get There: from Taipei Main Station on the Blue Line, go two stops west to the Longshan Temple MRT. Come out  Exit 1 and take a right.

Mengjia Longshan Temple (Taipei City, Taiwan)

From Taipei 101, Jandy, Isha and I again walked to the Taipei City Hall MRT Station where we boarded the MRT to Longshan MRT Station.  It was just about dusk when we arrived at the station.  Before exiting, we all bought cups of coffee for take out and, upon exiting, leisurely sipped it while watching a Chinese dance being performed, beside the fountain, at Manka Park.

Gateway of Mengjia Longshan Temple

After finishing our coffee, we all walked over to the Mengjia Longshan (also spelled as Lungshan) Temple in front of the park, one of Taiwan’s most important places of worship.  Surrounding the temple are antique shops, Buddhists article shops, fortune tellers, traditional Chinese medicine shops and paper stores selling paper products that are burned for the deceased.

Waterfall of Cleaning Your Heart

Built in 1738 (during the Qing Dynasty), on a much smaller scale, as the spiritual center of Han settlers from the Jinjiang, Nan’an and Hui’an districts of Quanzhou County, Fujian, China, the temple has been destroyed, either in full or in part, by numerous earthquakes and fires. Nevertheless, Taipei residents have consistently rebuilt and renovated it. From 1919-1924, it was renovated, in large scale,  under the direction of famous architect Wang Yi-shun, a master of temple building in Fukien.

The Fore (or Front) Hall

On June 8, 1945, during World War II,  it was hit by American bombers, who claimed that the Japanese were hiding armaments inside. The whole main hall and a part of the right annex were damaged and many precious artifacts and artworks were lost in the ensuing fire. The fire somehow  missed the statue of Avalokiteshvara (in Sanskrit) or Guanyin (short for Guanshiyin which means “observing the sounds of the world”), the Buddhist Goddess of Mercy (only her toes were singed), even though the iron railing around her melted.  After the end of the war, a few months later, the temple was again rebuilt.

The main deity Guanyin with 2 bodhisattvas (Manjusri at the left and Samantabhadra on the right)

On August 19, 1985, Longshan Temple was designated as Taipei City’s fourth official historical site (after the Chang Kai-shek Memorial Hall, National Palace Museum and Taipei 101). The temple, one of the oldest and largest in Taiwan, has also been declared a Secondary National Heritage Site.

The temple courtyard packed with worshipers

We entered the temple’s gateway and, at the courtyard, noticed a small, man-made waterfall (the Waterfall of Cleaning Your Heart)  on one side and a lucky dragon fountain on the other.  The temple was already packed with locals either praying, reciting religious chants, lighting candles or burning incense sticks. They worship a  mixture of Buddhist, Taoist and folk deities such as Guanyin (also called Kuan-in), the main deity, Buddha, Matsu and other divine spirits. Thus, it is often called “meeting place of the gods” for the wealth of deities worshipped here. We didn’t see any Western tourists.

A bronze dragon pillar, the only one of its kind in Taiwan

The resplendent Longshan Temple,  with southern Chinese influences commonly seen in older buildings, is an emblematic example of Taiwanese Classical architecture.  Facing the south and mixing traditional Chinese siheyuan (“four-building courtyard”) with palace architecture in its design, it has a fore hall, main hall, a rear hall (added around the end of the 18th century) and a left and right wing.

Yuan Tung Grand Hall, the main hall

The Yuan-Tung Grand Hall, the main hall, is the center of the whole complex.  It houses the statue of Guanyin. The rear hall is divided into 3 parts.  The center is for the veneration of Matsu, the goddess of marine voyage, the left is dedicated to the gods of literature (or patrons of examination for civil service in the olden days) and the right is for Lord Kuan, the god of war.

The Rear Hall

The octagonal ceiling in its fore hall, the clock tower roof, and the circular ceiling (with its 7-layered spiral plafond) in the main hall are exceptionally elegant.  Its doors, beams and poles are also beautifully decorated.

Exquisite and elaborate carvings

A treasure trove of folk art, its fore hall is graced by a pair of unique bronze dragon pillars while the main hall has four pairs.  The walls and ceilings are covered by exquisitely delicate sculptures as well as many Chinese poems, verses and lyrics on signs, adding a touch of literature. The temple walls are graced with paintings of vivid creatures while stone statues of mystical creatures guard the temple grounds.  The wall and the roof  are joined without the use any nails or braces made of metal.

A phoenix figure on roof edge

The temple roof, representing the pinnacle of mosaic art in Taiwan, is covered with overlapping tiles and is decorated with figures of dragons, phoenixes and other auspicious creatures, all decorated with porcelain, clay, and shards of colored glass.

Drum Tower (West)

Bell Tower (East)

Two 2-storey buildings, one housing the bell on the east and a drum on the west side of the courtyard, between the fore hall and the main hall, have conic, hexagonal roofs with double eaves that forms a converse “S” curve, the first such roof design in Taiwan.

Mengjia Longshan Temple: 211 Guangzhou St., Old Town Center, Wanhua District, Taipei City, Taiwan.  Tel: (+886-2) 2302-5162. Website: http://www.lungshan.org.tw. Open daily, 6 AM-10:20 PM. Admission is free.

The Taipei 101 Building (Taiwan)

The rain had stopped when we returned to the mall and, after snacks at a MacDonald’s outlet at Jason’s Marketplace, the mall’s 1,000-pax basement foodcourt, Jandy, Isha and I exited the building to avail of this window of opportunity.  We all walked, some distance, to a nearby park to appreciate the enormity and grandeur of the 357,721 sq. m. Taipei 101, the first record-setting skyscraper to be constructed in the 21st century. From afar, its repeated segments and inclined  tiers simultaneously recall the rhythms of an Asian pagoda, a tower linking earth and sky (also evoked in the Petronas Towers of Kuala Lumpur, Malaysia)’ a stalk of bamboo, an icon of learning and growth (also emphasized by  its blue green-tinted windows) or a stack of ancient Chinese ingots or money boxes, a symbol of abundance.

Our worm’s eye view of Taipei 101 Building

In 2004 (until the opening of the Burj Khalifa in Dubai in 2010), Taipei 101, formerly known as the Taipei World Financial Center (until 2003), was officially ranked as the world’s tallest  building, displacing the Petronas Towers in Kuala Lumpur, Malaysia (check out my visit here at http://worldstotrek.wordpress.com/2010/12/31/kuala-lumpur-new-years-day/), by 56.1 m (184 ft).  It also displaced the 85-storey, 347.5 m. (1,140 ft.) high Tuntex Sky Tower in Kaohsiung as the tallest building in Taiwan and the 51-storey, 244.2 m. (801 ft.) high Shin Kong Life Tower as the tallest building in Taipei. That same year, it also  received the Emporis Skyscraper Award. In July 2011, the building was awarded the Leadership in Energy and Environmental Design (LEED Platinum certification, becoming the tallest and largest green building in the world.  Its own roof and façade recycled water system meets 20–30% of the building’s water needs.

Curled ruyi figures, appearing throughout the structure as a design motif, are ancient symbols associated with heavenly clouds that connote healing, protection and fulfillment. Each ruyi ornament on the exterior of the Taipei 101 tower stands at least 8 m. (26 ft.) tall.

An icon of modern Taiwan ever since its opening, the structure appears frequently in travel literature and international media.  Taipei 101 was designed by C.Y. Lee & Partners and  constructed primarily by Samsung C&T and KTRT Joint Venture.   It  comprises 106 floors, 101 above ground and 5 floors underground.

The circular motif, the “zero” in Taipei 101, is also the shape of a traditional Chinese coin, a potent symbol of wealth

Architecturally created as a symbol of the evolution of technology and Asian tradition, this building’s Post Modernist approach to style incorporates traditional design elements and gives them modern treatments. Designed to withstand typhoon and earthquakes, Taipei 101, upon its completion, claimed the official records for:

  • Ground to highest architectural structure (spire): 508 m. (1,667 ft.). Previously held by the Petronas Towers 451.9 m. (1,483 ft.), the record  now rests with the Burj Khalifa in Dubai (UAE): 828 m (2,717 ft).
  • Ground to roof: 449.2 m. (1,474 ft.). Formerly held by the Willis Tower‘s 442 m (1,450 ft), the record briefly passed to the Shanghai World Financial Center in 2009 which, in turn, yielded it to the Burj Khalifa.
  • Ground to highest occupied floor: 438 m. (1,437 ft.). Formerly held by the Willis Tower 412.4 m. (1,353 ft.), the record also briefly passed to the Shanghai World Financial Center and then to the Burj Khalifa. .
  • Fastest ascending elevator speed: designed to be 1,010 m. per min., which is 16.83 m./sec. (55.22 ft./sec.) (60.6 kms./hr., 37.7 miles/hr.),  34.7% faster than the 12.5 m. (41 ft) per second (45.0 kms./hr., 28 mile/hr.) speed of Yokohama Landmark Towers‘ elevator, the previous record holder.
  • Largest countdown clock which was displayed on New Year’s Eve (fireworks launched from Taipei 101 also feature prominently in international New Year’s Eve broadcasts).
  • Tallest sundial: The  design of  circular Millennium Park, which adjoins Taipei 101 on the east, allows it to double as the face of a sundial. The tower itself casts the shadow to indicate afternoon hours for the building’s occupants.
  • Taipei 101 is the first building in the world to break the half-kilometer mark in height.

Taipei 101: Xin Yi Rd., Xin Yi District, Taipei City, Taiwan. Tel: (+886-2) 8101-7777. Website: http://www.taipei-101.com.tw.

Treasure Sky (Taipei City, Taiwan)

As we exited the Taipei 101’s Tuned Mass Damper, Jandy, Isha and I passed through the Treasure Sky showroom on the 88th floor, the world’s highest jewelry arts boutique (438 m.).  It showcases art pieces made from Taiwan’s coral gemstones (momo, oxblood, pink, white), blue chalcedony, jade and other gemstones such as amethyst.   Three famed gemstones are found in eastern Taiwan – hornblende (commonly known as Taiwan jade), blue chalcedony and red coral. In the 1960s and 1970s, Taiwan hornblende held a 90% share of the global jade market.

Treasure Sky

Taiwan has been given the name of “Coral Kingdom” as more than 80% of the world’s coral gemstones come from Taiwan. The boutique’s Coral Arts Gallery houses the world’s tallest gemstone coral tree, with 6 shrimp fossils and measuring 141 cm. in height and 131 cm. in width. It was found northeast of Taiwan, from 200 m. below the Pacific Ocean. Also on display in this gallery are exclusive artworks made with authentic coral gemstones, revealing the sophisticated beauty of coral. Gemstone corals take 10 years to grow 1 cm..

The world’s tallest gemstone coral tree

Oxblood (a.k.a. red coral, Corallium rubrum),  long treasured as a symbol of dignity and felicity in traditional Chinese culture, is the most rare and precious of the coral gemstones and its durable and intensely colored red or pink skeleton makes it a highly sought-after material in jewelry manufacture.  It is dark red in color with white veins and a translucent kind of sheen. Only 3 countries (Italy, Japan and Taiwan) in the world produce red coral jewelry. The boutique claims to have the world’s largest oxblood coral necklace.

Chinese Dragon (momo coral)

Double the Fortune (momo coral)

Happy Buddha (momo coral)

Rich and Fortune (momo coral)

Seven Fairies (momo coral)

The Tree of Wealth (momo coral)

The Wonderland (momo coral)

The Tree of Fortune (momo coral)

Momo coral are larger and more suitable for carved artworks. Colors vary from pink, orange to dark red. Pink coral exists in the deepest part of the ocean and their colors can be faint pink or spotted pink. Due to water pressure, when corals are taken from such depths, certain lines will naturally form on the surface.  White coral, found in the eastern part of Taiwan, is naturally white in color.

Taiwan Jade

Taiwan’s blue chalcedony,  distributed over ranges in Hualien and Taitung, are the world’s most beautiful “natural” specimen of the quartz. Unlike blues from abroad, Taiwan’s stones do not need heat treatment to improve their color and they naturally possess a pure luster and clarity, which make them the darlings of Japanese collectors.

From Treasure Sky, we next proceeded to the elevator lobby where we again queued up for our turn at the passenger elevators.  This time, we made it to the 5th floor, again via high-speed elevator, in a much longer 57 secs..

Treasure Sky: 88/F, No. 7, Section 5, Taipei 101, Xin Yi Rd., Taipei City, Taiwan.  Tel: (+886-2) 8101-1128.  Fax: (+886-2) 8101-1158.  Website: www.cljewels.com.