Category Archives: SPECIAL TOPICS

Sagittarian Agricultural Philippines, Inc. (City of Ilagan, Isabela)

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Dressing Plant of Sagittarian Agricultural Philippines, Inc.

On our sixth day in the City of Ilagan, after breakfast at our hotel, we again boarded our coaster and proceeded, on a short 5.4-km. drive, to Sagittarian Agricultural Philippines, Inc. (SAPI), a homegrown private integrated agricultural company duly registered with the Securities and Exchange Commission, for a plant visit. The company currently operates a modern dressing plant and state-of-the-art machinery for grains processing. It is also the manufacturer and official distributor of frozen poultry products which include Dragon’s Prime Juicy Delight and Super Fresh.

Media group being briefed by Mr. Julius A. Gamayon, SAPI Chief Operating Officer, before entering the dressing plant

Upon arrival at the Poultry Dressing Plant, we were welcomed by Mr. Jose Avelino C. Diaz, SAPI’s President and CEO, and Mr. Julius A. Gamayon, SAPI Chief Operating Officer.  We later interviewed Mr. Diaz inside his office. Established on July 18, 2016, SAPI’s initial line of business consisted of poultry production, hog-raising, fish production, and grains trading. In 2017, the company’s rapid growth allowed it to expand its business into grains and meat processing, trucking, construction and real estate.

Interviewing Mr. Avelino C. Diaz (wearing blue shirt), SAPI’s President and CEO, at his office

In 2018, it expanded its meat processing unit, with the establishment of Sagittarian Meat Processing, and launched several food counter outlets to promote the products, food counter outlets under the trade name The Chicken Place, initially installing them within the city of Ilagan and, later, expanding into the nearby towns in Isabela and Cagayan.

Newly-slaughtered chickens being conveyed, by a conveyor machine, for evisceration

In December 2020, despite the ongoing pandemic, the company managed to respond to the need for fresh and affordable products by establishing Juicy Delight which carries locally produced products such as hotdogs, Hungarian sausages, longganisa, embotido, burger patties, nuggets, ham and other chicken marinated products. 

The evisceration process wherein the feathers, feet and internal organs of the chicken are removed

That same month, Charoen Pokphand  Foods Corp (CPF), the No. 1 agro-industrial company of Thailand), in partnership with SAPI, inaugurated a new 2400-sow swine breeding complex which will be a source of quality breeder stocks for herd restocking and repopulation.

The cleaning and chilling process

On August 10, 2021, recognizing the need innovate and capture a bigger market, SAPI signed an incubation agreement, with the Isabela State University Agri-Aqua Technology Business Incubation (ISU-ATBI) Project (under the National ATBI Program of the Department of Science and Technology- Philippine Council for Agriculture, Aquatics and Natural Resources Research and Development), to expand the company’s product line, enrolling at the ISU-ATBI incubation program managed by ISU-CVSRRC, iIn partnership with Provincial Science and Technology Center (PSTC)- Isabela, which will assist SAPI in developing canned chicken products utilizing the developed meat canning technology of ISU-CVSRRC.

The Chicken Processing Plant

The canned products, utilizing SAPI’s own locally produced meat (making cost of production lower as compared to other food processors), will be sold as ready-to-eat products and designed to be responsive to the present needs of the consumers. Aside from developing canned products, ISU-ATBI also provided services in brand marketing, e-commerce and financial management. This technology-based food processing boosts food processing industry in the province by utilizing locally produced raw materials.

The author

On May 17, 2024, CPF, together with SAPI, broke ground for the new Php1.8 billion feedmill complex in Brgy. Cabannungan 2, a big boost for corn farmers as it will assure them a ready market for their produce, at a good price.

Mr. Diaz (third from right) briefing us on the plant’s operation and finished products

During our Poultry Dressing Plant visit, we also observed how the chickens were processed by trained workers and automated equipment.  The evisceration process (removal of feathers, feet and internal organs, washing of carcasses, inspection, chilling and testing) is highly automated, with machines conducting most of the activity.

The steam retort machine (Andi Machinery Technology Co., Td.)

We next transferred to the nearby Chicken Processing Plant. Here, highly efficient sterilization of packaged chicken is achieved via retort processing, using a steam retort machine (Andi Machinery Technology Co., Td.).  It consists of sterilizing, pasteurizing, or cooking a product (and its packaging), eradicating any microorganisms and extending a product’s shelf life (anywhere from one year to 26 months in the right ambient conditions), so that it is both safe and of high quality.

The frozen dressed whole chicken of Super Fresh

Then, for frozen dressed chicken products, the workers cut and debone the chicken carcasses to become different products (wings, drumsticks, breast, etc.) or leave them whole.

The high-speed, fully automated Utrust Pack aluminum vacuum can sealing machine

For canned products, the chicken are cut up into parts and canned (round) using a high-speed, fully automated Utrust Pack aluminum vacuum can sealing machine which removes air from the package, via a vacuum pump, prior to sealing.

The already sealed, but still unlabelled, cans rolling down the canning line

The finished products are then bagged and/or boxed and shipped (frozen dressed chicken products in a refrigerated truck), to grocery stores, supermarkets or distribution centers.

The canned products (Chicken Adobo, Chicken Afritada, Chicken Kaldereta and Corned Chicken) of Juicy Delight

Sagittarian Agricultural Philippines, Inc. (SAPI):  Brgy. Santa Victoria, 3300 City of Ilagan, Isabela. Mobile number: 0916 514 0813. E-mail: juicydelight13@gmail.com. Website: www.sagittarianagri.net.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com. 

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com. 

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

City of Ilagan Museum (Isabela)

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City of Ilagan Museum

The morning of our fourth day in the City of Ilagan, after breakfast at the hotel, we visited the City of Ilagan Museum, located near the Ilagan City Hall and the GSO Office in a building inaugurated last September 2, 2020.  Managed by the city’s Tourism Office, it provides information on the history, culture and heritage of the City of Ilagan.

The museum is divided into two wings, the left wing devoted to Ilagan in the 20th and 21st century, while the right wing delves on the early history and culture and traditions of Ilagan.

The museum’s right wing

The left wing

 

At the entrance of the wing to the right of the stairs is a diorama of Irraya, 1521.  Interesting  displays include a bell used to call teachers and students of the Isabela National High School to flag raising ceremonies; and a sara (carabao horn) used to call Ilaguenos to meetings or festivals or to warn people of inbound calamities or disasters.

Irraya 1521 Diorama

A fishing boat, a threshing board, an Ilagan carison wheel and a wooden plow

At one prominent corner are actual farming implements such as a wooden plow, threshing board, etc., an original Ilagan carison wheel, and a fishing boat.

A bell used to call teachers and students of the Isabela National High School to flag raising ceremonies

Sara (Carabao Horn)

A 1958 Yashica 635 twin lens reflex camera and a surveyor’s theodolite

There’s also a butaka (a handcrafted chair with a long “armrest”), old religious statuary; a numismatic display of old Philippine coins and paper currency; mannequins dressed in native Filipino attire (barong tagalog and baro’t saya); old missals and prayer books; World War II helmets; and old photos.

Butaka

Old religious statuary

Another corner displays old appliances such a console television, phonograph players, transistor radios, and cassette players while mounted on the wall above them are 7-inch single and 12-inch long playing records.

Office equipment such as typewriters and adding machines

Old phonograph players and console TV.  Hanging on the walls are 7-inch single and 12-inch long playing records. On the right is an old violin

There’s also office equipment such as typewriters and adding machines; a violin as well as charcoal flat irons, cutlery, oil lamps, bauls (wooden chests), banga (clay jars) and porcelain china.

Old Philippine paper currency

Old Philippine coins

There are two oil on canvas portraits including one of Antonio Lopez y Lopez (1817-1883), the first Marques de Comillas, who formed the Compania General de Tabacos de Filipinas, S.A.

Portrait of Antonio Lopez y Lopez, the first Marquess de Comillas

Artwork by Ilagueno artists

Prominently mounted on a wall, at the other wing of the museum, are photos of local chief executives, from the past to the present, while shelves display the numerous local and international awards conferred on the city.

Local Chief Executives, past and present

Scaled model of the City of Ilagan Medical Center and the City Hall

Also on display are scaled models of the City of Ilagan Medical Center and the City Hall; Bambanti Festival King and Queen costumes; a Queen Isabela gown, and paintings done by Ilagueno artists.

Bambanti Festival King and Queen costumes

Gown, for the 2023 Bambanti Festival Search for Queen Isabela, designed by Laoag City (Ilocos Norte)-based fashion designer Amor Albano

Modular display stands also feature the City of Ilagan’s notable tourist attractions such as Bonifacio Park, Rizal Park, Ilagan Sanctuary, Pinzal Falls, City of Ilagan Sports Complex, Sta. Victoria Caves, St. Ferdinand Parish Church, etc. 

Rizal Park and St. Ferdinand Parish Church

City of Ilagan Sports Complex and Casa San Antonio

City of Ilagan Museum: 2/F, City Library Bldg., City Hall Complex, Brgy. San Vicente, 3300 City of Ilagan, Isabela. Mobile number: (0935) 673-3590.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

Regional Yarn Production and Innovation Center (City of Ilagan, Isabela)

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Regional Yarn Production and Innovation Center

The morning of our third day in the City of Ilagan, we visited the Php40 million Regional Yarn Production and Innovation Center (RYPIC) within the City of Ilagan Campus of the Isabela State University.  The second of its kind in the country (the first RYPIC is located in Iloilo), it was launched on June 23, 2023 by the  Department of Science and Technology-Philippine Textile Research Institute (DOST-PTRI), the Isabela State University (ISU) – City of Ilagan Campus, the DOST-Philippine Council for Industry, Energy and Emerging Technology Research and Development (DOST PCIEERD), DOST Region II, City of Ilagan, and the Province of Isabela.

InteriorThe establishment of the facility is aimed to strengthen the local textile ecosystem and bridge the gaps in textile supply chain by enabling the conversion of natural raw materials into spinnable fibers for yarns from blends of natural fibers including abaca, banana, bamboo and pineapple leaf, in combination with cotton.

The RYPIC Isabela is a micro-scale yarn-spinning facility that will aid in the development of the textile industry in Northern Luzon. The facility can produce 50 kgs. of yarn per day (8h) which translates to 270 m. of handloom woven (1 m. width) fabrics. One RYPIC may produce 13,200 kgs. of yarn per year which can be used to produce 36,000 m. of 60″ width fabrics for 24,000 pieces of a female blouse or 18,000 office barong tagalog.

Integrated Blow Card

Draw Frame

The center, under the DOST-GIA project “DOST Inclusive Innovation Textiles Empowering Lives Anew or i2TELA Program,” the first of its kind in Northern Luzon, processes the treated fibers from the Natural Textile Fiber Innovation Hub (NTFIH), in Luna, Apayao, and the Bamboo Textile Fiber Innovation Hub (BTFIH) in Cauayan City, Isabela, which are spun natural textile fiber-based yarns.

Speed Frame (Flyer Frame)

Ring Frame

The RYPIC aims to jumpstart local innovation ecosystems for the textile sector and cater to the requirements of micro, small, and medium enterprises (MSMEs) in the fashion industry, the academe, and government institutions for yarns and fabrics using local raw materials, skills, and talents.  It serves as an innovation hub to promote textile research and development activities in a region, thus igniting economic activity in weaving communities across the country.

Single End Universal Sizing

Twisting

The center is run by the faculty and staff of the Isabela State University who underwent a five-day training, part of the capability-building component of the RYPIC north Luzon project under the “DOST–PTRI Inclusive Innovation TELA (Textile Empowering Lives Anew)” program, at the DOST-Philippine Textile Research Institute (PTRI) in Bicutan, Taguig, learning about textile raw materials and products, the process of textile manufacture, and techniques for testing and evaluating their common properties. They also gained knowledge and skills on how fibers are converted to yarns in the cotton system.

Winding

Finished Yarns Cotton, Cotton-Pineapple, Cotton-Bamboo and Cotton-Banana

During our visit, we observed, in action, the different equipment used in the yarn production.

  • Integrated Blow Card – a combination of blow room and carding machine designed, specifically for scaled-down spinning processes. This machine can function as a blow room. Raw fibers are opened, cleaned, mixed and transported to the carding machines, where mixed fibers are individually oriented and converted into rope-like strands called “slivers.” This is done through the carding action of three major components of the machine –licker-in, main cylinder and doffer.
  • Draw Frame – carded slivers go through between the top and bottom drafting rollers; dust and fly wastes are removed by a suction tube, improving the parallelism of the fibers to produce more even yarns. The combination of several carded slivers is called “doubling,” and its output is called a “drawn sliver.”
  • Speed Frame (Flyer Frame) – drawn slivers go through between the top and bottom drafting rollers, achieving its required weight to produce the “roving.” The roving material passes through the final drafting rollers, slight twist, enough to hold in the next process stage, is imparted.
  • Ring Frame – the roving passes through between the top and bottom rollers, to achieve the required yarn count or yarn number, imparting twist suitable for weaving and knitting, and wound into a bobbin for storage, transport and further processing. The output yarns are expressed, either as weight per unit length (direct system), or length per unit weight (indirect system).
  • Single End Universal Sizing – yarns, in cones, are imparted with size (starchy substance) through bathing, drying and rewinding into cones. The purpose of introducing size is to reduce the chances of threads fraying and breaking due to the friction in the weaving process.  The size stiffens the thread and holds the fibers closely together.
  • Twisting – an intermediate process in the manufacture of fabrics, no alteration is done to the material other than to twist one or more strands of yarn, placing the twisted yarn in suitable packaged form. Twisting compresses the fibers, reducing the size of the strand and adding strength to multiple ends when they are combined.
  • Winding – this machine has the capability to function as winder. Yarns, which emerges from the ring frame, are transferred into cone packages. The idea is to obtain a long, continuous length of yarn, for nonstop operation of weaving or knitting, regulate yarn tension and remove thick and thin yarns, slubs by means of a yarn monitoring device. 

After our tour of the facilities and prior to our departure, we interviewed Dr. Freddie O. Orperia, RYPIC Focal Person.

Dr. Freddie O. Orperia, RYPIC Focal Person

Regional Yarn Production and Innovation Center (RYPIC): Isabela State University, 3300 City of Ilagan, Isabela.

City Tourism Office: 2/F, City Hall Bldg., 3300 City of Ilagan, Isabela. Tel: (078) 624-1511. E-mail: tourism@cityofilagan.gov.ph.

City of Ilagan Tourist Information and Assistance Center: Bonifacio Park, 3300 City of Ilagan, Isabela. Tel: (078) 324-7769.  E-mail: ilaganinfocenter@gmail.com.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: The City of Ilagan is located 429.3 kms. (an 8-hour drive) from Manila and 35.5 kms. (a 1-hour drive) from Cauayan City.

Archdiocesan Shrine of Our Lady of the Miraculous Medal (Manila)

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Archdiocesan Shrine of Our Lady of the Miraculous Medal (Church of St. Vincent de Paul)

The airy and relatively cool Archdiocesan Shrine of Our Lady of the Miraculous Medal (the original and established center for the propagation of the Miraculous Medal and the Vista Domiciliaria), formerly the Church of St. Vincent de Paul, had its beginning in 1872 when the Vincentians bought a piece of land in the barrio of San Marcelino (a part of the Parish of San Fernando de Dilao in Paco) which was a rice field near the Pasig River.

Plaque installed by the Historical Research and Markers Committee in 1935

The house they built served as refuge to the seminarians and Vincentians housed in the San Carlos Seminary which was destroyed, together with most buildings in Intramuros, by the July 1880 earthquake.

The church portico

A chapel, adjacent to the Vincentian Central House, was built in 1883.  Later, the chapel was used as a church, from 1898 to 1909, when the church and convent of Paco were destroyed by the American forces in retaliation for their initial defeat by the Filipino forces following the declaration of war against the Americans in 1899. The parish was canonically established on December 6 1909 by Archbishop Jeremiah Harty (an alumnus of the Diocesan Seminary in St. Louis, Missouri which was under the direction of the Vincentians).

Historical plaque installed by the National Museum in 2018 declaring the church as an Important Cultural Property

The present concrete church was designed by Architect Andres Luna de San Pedro (son of the great Filipino painter Juan N. Luna) and built in 1912 (the 50th anniversary of the arrival of the Vincentians and the Sisters of Charity in the Philippines) by Belgian missionaries.

Decree of Erection

During World War II, the Japanese occupied the church for almost 7 months and, during the Battle of Manila in February 1945, was badly damaged when the Japanese burned the interior of the church, massacring scholars, professors and Vincentian Fathers who were living there.

Dedication of the archdiocesan shrine

From 1946, the dome, belfries and roof were restored and fitted with a stained glass windows. From 2007 to 2010, the pillars and walls were retrofitted; the galvanized iron of the roof was replaced with long-span, blue-colored sheets; the wooden trusses were replaced with steel trusses; and the entire exterior and interior walls of the church were repainted.

Interior of the church

On September 10, 2022, seismic base isolators (acting like wheels to stabilize the building during earthquakes) were mounted, by RBRA Consulting Firm, on the pillars of the church, making it the first earthquake-resistant church in the Philippines.

Painting of St. Vincent de Paul flanked by stained glass windows

On December 5, 2018, the church was declared as an Important Cultural Property by the National Museum of the Philippines and, on July 16, 2023, it was elevated into an archdiocesan shrine by Manila Archbishop Jose F. Cardinal Advincula.  On that same date, the newly-renovated retablo (altar backpiece) was also blessed.

 

AUTHOR’S NOTES:

The church has a Latin Cross layout and a dome.  Its two-level Baroque façade has balustraded portico with semicircular arched main entrance flanked by flat pilasters (with Corinthian capitals) and two smaller, semicircular arched entrances (topped by festoons) at the first level.  Above the main entrance, at the second level, is a rose window flanked by two semicircular arched windows.  

The triangular pediment, topped by a statue of Our Lady of the Miraculous Medal, has a centrally located bas relief also of Our Lady of the Miraculous Medal. Flanking the façade are two four-storey, square bell towers with semicircular arched windows. The receding fourth level has a balustrade.

The main altar with its newly-renovated retablo (altar backpiece)

Archdiocesan Shrine of Our Lady of the Miraculous Medal: 959 San Marcelino St., Ermita, Manila 1000, Metro Manila.  Telefax: 2525-7853 and 2524-2022 local 101.  Feast of St. Vincent de Paul: September 27.  Feast of Our Lady of the Miraculous Medal: November 27.

How to Get There: The church is located within Adamson University (the church is commonly called Adamson Church), beside the university’s CS Walkway and SV Building.  The nearest bus stop to Adamson University is D. Romualdez Sr./United Nations Ave..

Baguio Museum (Benguet)

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Baguio Museum

The Baguio Museum is a great introduction to the Igorot (“mountain people”) of the Cordillera. Its collections date back as far as 1947 when then first woman councilor, Vice-Mayor and acting Mayor Virginia Oteyza de Guia collected them from friends in the Cordilleras.

The author at the museum entrance

First named the Baguio- Mountain Province Museum, the collections were first displayed at the City Hall and, later, transferred to the University of the Philippines before finding its home at its present site.

Commemorative plaques

Here’s the historical timeline of the museum:

  • In 1916, a small exhibit was installed in a small public school to serve as a teaching tool for the students.
  • In 1934, the museum was moved to its current location in the Civic Center and was expanded and renovated several times over the years.
  • In 1940, the Baguio Museum was established by American archaeologist Henry Otley Beyer.
  • In 1975, the museum was built by the Philippine Tourism Authority (under the chairmanship of Minister of Tourism Jose Aspiras) and Mayor Luis Lardizabal.
  • On May 1977, the museum was opened to the public.
  • On August 4, 1977, the museum was incorporated by government leaders, leaders and concerned citizens of Baguio City, and the provinces of Abra, Benguet, Ifugao, Kalinga-Apayao and Mountain Province.
  • On July 16, 1990, a major earthquake heavily damaged the old structure and the collection travelled from the old Camp John Hay Library to the basement of the Baguio Convention Center.
  • In 1998, the rebuilding of the museum was started.
  • In 2010, it was renamed as the Baguio Museum.
  • In March 2020, the museum was temporarily closed, for seven months, due to the COVID-19 pandemic.
  • In September 2020, the rehabilitation and beautification of its galleries continued after stringent protocol requirements were complied with.
  • On October 2021, the museum was partially opened.
  • In January 2022, after almost two years with strict protocols, the museum was opened.
  • On July 4, 2022, after three years of improvements via a grant from the Ambassador’s Fund for Cultural Preservation (AFCP) of the United States Embassy Manila, the renovated Baguio Museum was inaugurated.

Abra Gallery

Apayao Gallery

Benguet Gallery

Inspired by Ifugao architecture, this time-honored museum was designed by Architect Ignacio Estipona and built with of stone and wood and features a striking pyramidal roof and two huge concrete poles, at the stair entrance, that resembles a traditional Ifugao home with an elevated floor supported by posts.

Ifugao Gallery

Kalinga Gallery

Mountain Province Gallery.  In the foreground is a kulog (food container)

At the entrance are artworks donated by Joey Divina Bautista and Virginia Oteyza De Guia.

Conservation Room

Museum Shop

The museum has four floors.  The first floor houses the Conservation Room, Museum Shop and the NCCA Gallery which is used for training and lectures and exhibits.

So Above, So Below (Maela Liwanag Jose)

During our visit, the captivating “As Above, So Below” Exhibit (opened last February 16, 2024), a celebration of Baguio-based artist Maela Liwanag Jose’s Tinatik Arts, which extends to a total of 96 ft., was ongoing.  The fourth floor houses the library and research center.

Third Floor (Baguio City Gallery).  On the floor are the three miniature architectural models

Fourth Floor (Library and Research Area)

The second floor, the main floor of the building, houses the permanent Ethnological Exhibit.

Scaled models of the traditional houses of Apayao, Abra and Ifugao

Scaled models of the traditional houses of Kalinga, Mountain Province and Benguet

It has an extensive display of various tribal artifacts from the six provinces of the Cordillera region: Abra, Apayao, Benguet (of which Baguio City is a part), Kalinga, Ifugao and Mountain Province.

Botit (locust baskets)

Kubo (fish baskets)

Focusing on an indigenous group, here you’ll see spears, bolos (machetes), shields of Kalinga headhunters; gongs; bags; baskets; fish traps; wood sculptures depicting life in the mountains; colorful traditional clothes (ba-ag or g-string for men and tapis for the women); accounts of Ibaloi mummification practices; furniture and other artifacts.

Pasiking (hunting baskets)

An array of spears

The most unique collection in this museum – the real-life Kabayan mummy, glass encased in its wooden casket a mummy in its coffin, which visitors are not allowed to take a photo of in respect of the dead.

Tupil (storage baskets for cooked rice)

Ulbong (storage for rice crop)

The Benguet Exhibit features the following artifacts:

  • Bango– A rain gear made by woven rattan, nito fiber, and pine needles.
  • Bangew– a bag made of the same material as bango.
  • Kuval– a red-colored G-string that symbolizes power.
  • Latok– a set of serving plates.
  • Kayabang– baskets carried by Ibaloi women over their heads.
  • Duli– a necklace made of a snake’s vertebrae, which women wore during childbirth to ensure safe delivery.

Hagabi (rich man’s bench)

The Abra Exhibit features the following artifacts:

  • Kalugong– cone-shaped, bamboo hat worn by men.
  • Badu– white jacket made of cotton.
  • Ukken/Kimona– blouse made of Rengue textile.
  • Piningitan– wrap-around skirt.

Imbayah Diorama

Bodong Diorama

There are also two miniature dioramas that give you a better picture of their communities. An offshoot of the tourism field offices being regionalized in 1988, they were donated by DOT Undersecretary Narzalina Lim.  The first diorama, the “Bodong Diorama,” was donated in 1988 through DOT-CAR and Region I Director Stella Ma. De Guia, and the second, the “Imbayah Diorama,” was donated through DOT-CAR Director Carmelita Mondiguing.

Baguio: A Melting Pot Exhibit

The Colonial Hillstation Exhibit

The third floor, the Baguio City Gallery, features a compelling exhibition on the historical development of Baguio, from the 1900s to the present.  The exhibits include:

  • Baguio: A Melting Pot – features Baguio’s two National Artists (Benedicto “Bencab”” Cabrera, National Artist for the Visual Arts in 2006; and Kidlat Tahimik, National Artist for Film in 2018) and Baguio’s art scene.
  • Baguio: A Miniature Early History – features three architectural models, one of which shows Baguio as an untouched green land, a stark contrast to its current state. Here, you can see and read, in detail, the discovery of Baguio as a land of pine trees and its development into a civilized land.
  • Mayors of the Century: 1909 to the Present – a tribute to the 31 (including one woman mayor) mayors of the city, honoring their numerous achievements and contributions to Baguio’s growth.
  • The Old Versus the New – then and now photos of Baguio landmarks.
  • The Colonial Hillstation: From Health Resort to City of Pines – a timeline showcasing photographs and information on how the City of Pines started as a colonial hill station.
  • War Occupation and Liberation – features Japanese Occupation and American Liberation photos and war relics.

The Old Versus the New

War Occupation and Liberation

War Relics Display

Outside the museum are a bale (ifugao traditional house), a dap-ayan (a gathering place of village leaders) and totem poles.

Totem poles

Bale and dap-ayan

Baguio Museum: Dot-PTA Complex, cor. Governor Pack Rd. and Harrison Rd., Baguio City, 2600 Benguet.  Tel: (074) 248-1147 and (063) 444 7451.  E-mail: baguio_museum@yahoo.com.  Open daily (except Mondays), 9 AM to 5 PM. Admission:  Php100 (adults), Php70 (college students), Php60 (high school students), Php40 (elementary students) and Php50 (senior citizens and PWD).

Laperal White House (Baguio City, Benguet)

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Laperal White House

The Laperal White House, also known as  Laperal Guesthouse, is known today as the “White House” due to its noticeable white exterior paint.  It was built by Filipino businessman Roberto Laperal, Sr. (1890-1966, he also built the Arlegui Guest House in 1929) in the 1930s. He and his wife Victorina (nee Guizon) Laperal made the house as their summer vacation home.

The narrow and elongated house, made with narra and yakal wood, was designed in Victorian style with its wooden planks and gables and steep roof. Inside are four rooms and a narrow, winding staircase.  The house withstood many natural and man-made disasters, such as the July 16, 1990 Luzon earthquake.

In 2007, the house was sold, by Roberto Laperal Jr. and his wife, Purificacion Manotok Laperal, to  Chinese Filipino billionaire tycoon Lucio Tan who had it renovated and refurbished, with proper maintenance, then made it into a tourist attraction. From then on, the house was opened to the public.

In 2013, the tycoon’s Tan Yan Kee Foundation transformed the ground floor of the house into a Philippine Bamboo Foundation (PBFI) museum (Ifugao Bamboo Carving Gallery) which houses Filipino artworks made of bamboo and wood. Today, it is the home of a new, upscale fine-dining restaurant called Joseph’s (owned by the older brother of ABS-CBN News broadcast journalist, Bernadette Sembrano) which was opened in December 2022 and serves Continental and contemporary French cuisine.

According to believers, the house is haunted, with stories of sightings of a little girl (said to be the three-and-a-half year old child of the owner who was killed while running, across the street, towards her nanny) standing motionless on the third step of the staircase fronting the house; a woman (said to be the nanny who killed herself in one of the bedrooms) looking out the third floor glass windows; and a white figure coming down, from the attic, down to the front entrance.

During World War II, the basement of the house was used by the Japanese as a garrison where, if stories are to believed, many were brutally tortured and executed, including members of the Laperal family.  Don Roberto survived the war but accidentally slipped, and fell to his death, from the stairs in front of the house.  He, as well as ghosts of family members, the torture and execution victims, as well as Japanese soldiers (seen in the upper bedrooms), still haunt the house.  These spirits are believed to violently push and scratch visitors to the place.

The front porch of the house. Don Roberto died here and the ghost of a little girl also appears here

Lucio Tan never stayed in the place during his trips to Baguio.   The 2010 horror movie White House, starring Gabby Concepcion, Lovi Poe, Iza Calzado and Maricar Reyes, was shot inside the building.

Laperal White House: 14 Leonard Wood Rd., Baguio City, 2600 Benguet. Coordinates: 16°24′40″N 120°36′17″E.

Igorot Stone Kingdom (Baguio City, Benguet)

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Igorot Stone Kingdom

The 6,000 sq. m. Igorot Stone Kingdom is a man-made theme and amusement park, surrounded by tall trees, built on a mountainside, by owners Engr. Pio (also known as Ama Bag-owan) and Haiji Velasco, to showcase the indigenous culture of Cordilleras, as well as the practices, traditions, values and way of life of its people.

The author at the entrance

The newest and one of the most popular attractions in Baguio City, it is based on the legend of Sab-angan which is believed to be an Igorot Kingdom, ruled by King Alapo Baguwan, that once existed thousands of years ago.

His concept for the man-made kingdom was an “Igorot child’s castle fantasies, his childhood in Mountain Province, and a caring God and family culture brought by the Igorot’s skill of stone laying.  The stone park was also built as a tribute Velasco’s strong and patient Igorot mom, Rita C. “Rosing” Gal-Velasco (1928-2012) who taught her five children patience and strength.

Jandy seated on the King’s Throne

The attraction, though built for tourism purposes, is also a place to learn about the rich culture of the Igorot people.  Described as a “cultural revolution,” it aims to correct the misconceptions about Igorots by showing people that the Igorots are civilized and culturally advanced, and that they take pride in their skills and heritage.

Igorot Golden Bridge

Construction of the Igorot Stone Kingdom began on March 15, 2020 and it formally opened to public in May of 2021, amid the COVID-19 pandemic, becoming viral in social media. However, last November 9, 2022, the site was closed due to permit and safety reasons. It only reopened again this April 3, 2023 in time for Holy Week.

Igorot Gold Mine

Temple of Kabunyan

The highlight of Igorot Stone Kingdom is the stone walls, inspired by the ladder-like layout of the rice terraces of Batad in Banaue, that were built in in traditional riprap (locally called kabite) where stones or boulders are interlocked together to form a wall. Traditionally, a riprap does not involved the use of cement but for purposes of reinforcement, cement are put on top.

The White Carabao

The Igorot Stone Kingdom features different towers and monuments such as the:

  • Fertility Tower
  • Tower of the Igorot God Kabunyan
  • Tower of Gatan and Bangan – depicts their fantasy story of how this Igorot man and woman survived the great holocaust.
  • White Carabao Monument – according to Pio, this was the exact location where he had a sighting (on March 1, 2020) of a white carabao (In Igorot culture, it symbolizes good luck and prosperity) which he took as a sign to build the Stone Kingdom.
  • Igorot Gold Mine
  • Igorot Golden Bridge – a steel bridge
  • Bangan’s Dome
  • Igorot Heroes Hall – houses life-size statues of prominent Igorots.
  • King’s Throne
  • King’s CR
  • Wishing Well

Nacagang Plaza

Sabangan Plaza

There were also modern-day castles made of cement and hollow blocks, among others, all showcasing the talent and skills of the Igorot. What captured our attention was the beautiful layers of stone-formed castle structure resembling rice terraces which, from a birds-eye view, the place looks like a ruin of an old Roman castle. For photo-ops, you can rent Igorot costumes.

Bangyol’s Point

It also looks like a maze, with its concentric stone corridors, which lets you roam around and admire every nook and cranny of the entire castle. There are just so many things to see and discover in this attraction that are all picture-worthy.

The King’s CR

There’s also a coffee shop (King’s Coffee Shop), a fastfood area (Ina Rita’s Food Court), toilets and view decks.  Still a work in progress, you can expect the park to add more attractions including life-sized statues of prominent Igorots as it completes its construction.

Wishing Well

Igorot Stone Kingdom: 362 Long-Long Benguet Rd., Brgy. Pinsao Proper, Baguio City, Benguet. Mobile number: (0945) 311-2286. Open daily, 6 AM to 6PM. Admission: Php 100 (adults) and Php80 (kids). Toddlers 3 years old and below can enter free of charge. Discounts are offered for senior citizens and persons with disability (PWD).

How to Get There: Located 5 kms. from the Central Business District, you can ride a jeep bound for Tacay-Longlong in Otek St. You may also ride a taxi from CBD, which may cost you at least Php 175.  The park is 500 m. from Tam-awan Village.

Baguio Convention and Cultural Center (Benguet)

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Baguio Convention and Cultural Center

Originally built as the Baguio Convention Center (BCC), this facility, sitting on a 10,000 sq. m. lot, with over 3,000 sq. m. building footprint, was established for the holding of conventions, gatherings, and other big events in the city.

Designed in the Brutalist architectural style by Architect Jorge Y. Ramos, it was inaugurated on July 17, 1978 by the late president Ferdinand E. Marcos during the opening of the World Chess Tournament championship series between Russian grandmaster Anatoly Karpov and Russian defector Victor Korchnoi.    From 2017 to 2020, it was renovated to provide a better venue for cultural and creative endeavors and, in 2022, it was renamed as the Baguio Convention and Cultural Center (BCCC).

Entrance portico with their four huge columns with halipan ((rat guard) motif

Situated across the University of the Philippines College Baguio and flanked by the summer courthouses of the Supreme Court and the Court of Appeals, it exudes an ethnic flavor, with its pyramidal roof and huge concrete posts, resembling a traditional Ifugao bale with its halipan (rat guard) on its four posts at the entrance.  Considered the most spacious edifice North of Manila, it continues to cater to conferences, conventions, meetings, and other social functions in the city.

Jandy at the entrance

It boasts a large, pillar-less main hall, equipped with high-definition audio-visual equipment, that can accommodate more than 2,000 persons (500 on each side), making it ideal for conferences, exhibitions, trade shows and conventions.

The lobby with its two murals

It also has several function rooms for meetings, break-out sessions and other smaller events.   The center is also the venue for the Baguio Arts Festival, housing a permanent exhibit hall where local artists may have their works displayed and showcased. The basement also houses the city’s command center.

The center’s main hall

Two murals, an interconnected diptych with a red string running through it, were painted by local Baguio artists Benedicto “Bencab” Cabrera (National Artist for the Visual Arts in 2006), Leonard Aguinaldo, Roland Bay-an, Kawayan de Guia, Venazir Marinez and John Frank Subido.  Based on the quincentennial of the arrival of the Europeans in the Philippines, both are permanently displayed at the lobby.

Seating area

Baguio Convention and Cultural Center: Governor Pack Rd., 2600 Baguio City.  Tel:  (074) 446 2009. Mobile number: (0928) 193-7336. E-mail: baguiocc2022@gmail.com.

Church of St. Rose of Lima (Gamu, Isabela)

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Church of St. Rose of Lima

This church, constructed in 1738 by Fr. Martin Fernandez, OP, was, together with the convent, destroyed by the strong Intensity 6 earthquake on December 29, 1949. From 1950-1951, a wooden church was constructed, next to the ruins of the Spanish church. La Salette missionary, Fr. Maurice Cardenal, started the restoration of the Spanish church. In 1968, a new roof was constructed together with the flooring.

The Baroque-style, brick facade

In March 1978, CICM missionary Fr. John Couvreur, the 75th parish priest, completely renovated the interior of the church and, in March 1979, the ruins of the sacristy were restored and transformed into a week day chapel.  From 1950 to 1951, a new brick bell tower, in Spanish style, was built but was later dismantled and the recovered materials were used to build chapels in several barrios.  From the ruins of the convent, a multi-purpose hall and dormitory were put up for seminars and meetings.

The paired columns (round and square) flanking the main entrance

On June 24, 1993, the roof and ceiling of the church was destroyed by typhoon Goring.  It was restored, in a short time, and a beautiful ceiling was built.  The church houses a life-size image of the Peruvian nun Rose of Lima, the patron saint of embroidery, gardening, and cultivation of blooming flowers.

The National Museum historical plaque

On June 27, 2019, the National Museum of the Philippines and the National Commission for Culture and the Arts (NCCA) recognized the church, and its surrounding complex, as an Important Cultural Property and, on May 12, 2023, a historical marker was installed. This church, as well as the Church of Our Lady of Atocha in Alicia, and the Church of Our Lady of the Pillar in Cauayan City, are examples of what is called as the “Cagayan Style” of Spanish churches that was inspired by the Tuguegarao church.

Check out “Church of Our Lady of Atocha“ and “Church of Our Lady of the Pillar“

The modern interior

AUTHOR’S NOTES

The church’s Baroque-style, brick façade has a semicircular arch main entrance flanked by paired (one square and one round) pilasters, above which are semicircular arched windows, and semicircular arch niches for statues (currently empty).  The undulating pediment, capped by pinnacles, has a small, centrally located rose window.

On the church’s right is a three-storey, square bell tower, with receding storeys, semicircular arch blind window on the first storey, segmental arch open windows on the two upper storeys and a pyramidal roof.  On the church’s left is the brick convent which is now a multipurpose hall, used for seminars and meetings, and a dormitory.

The main altar and retablo

Church of St. Rose of Lima: Poblacion, 3301 Gamu, Isabela.  Mobile numbers: (0916) 680-3680 and (0936) 360-1064.   E-mail: srlgamu@zoho.com. Feast of St. Rose of Lima: August 23.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com.

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com.

How to Get There: Gamu is located 413.4 kms. (a 7.75-hour drive) from Manila and 21.5 kms.(a 30-min. drive) from the City of Ilagan.  The church is located in front of the town’s municipal hall.

Magat Dam (Ramon, Isabela and Alfonso Lista, Ifugao)

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Magat Dam

The multi-purpose Magat Dam,  the second largest dam in the Philippines (after the 200-m. high, 1.2-km. long San Roque Dam along the Agno River), is a large rock-fill dam (it consists of 3.1 kms. of rock fill) located along the Magat River, the largest tributary of the Cagayan River (the longest river in the Philippines), used primarily for irrigating about 85,000 hectares (210,000 acres) of agricultural lands, flood control, and power generation through the Magat Hydroelectric Power Plant (the water stored in the reservoir is enough to supply about two months of normal energy requirements).

Magat River

The dam, located approximately 350 kms. (220 mi.) north of Metro Manila, is situated within the boundaries of Namillangan, Alfonso Lista, Ifugao and Ramon, Isabela. The Magat River has an estimated yearly water discharge of 9,808 million cu. m. and an approximate crest length of 4,160 m. (13,650 ft.), with its headwaters in the province of Nueva Vizcaya and its confluence, with the Cagayan River, in the province of Isabela. Nearby is the Camp Vizcarra Ecology Park.

Check out “Camp Vizcarra Ecology Park”

The author at Magat Dam

Here’s the historical timeline of the dam’s construction:

  • In 1973, the National Irrigation Administration(NIA), with the assistance of the United States Bureau of Reclamation (USBR) and the United States Agency for International Development (USAID), conducted preliminary studies on this multipurpose project. Subsequent detailed and extensive dam site investigation and engineering studies further confirmed the feasibility of NIA’s most daring infrastructure project
  • On May 7, 1975, then President Ferdinand E. Marcos signed Presidential Decree No/ 693 authorizing the construction of th dam and appurtenant structures.
  • In 1978, construction of the Magat Dam started.
  • On October 27, 1982, the dam was inaugurated by Marcos
  • In 1983, the dam started operations.
  • In 2001, after the passage of the Electric Power Industry Reform Act of 2001 (Republic Act 9136), the Magat hydroelectric power plant underwent a privatizationprocess.
  • On January 2006, then President Gloria Macapagal Arroyoinstructed various government agencies to create a rehabilitation plan to improve the lifespan of the dam system.
  • In 2006, SN Power, a Norwegian firm, won the bidding for the plant’s ownership and operation.
  • In April 2007, the National Power Corporation(NAPOCOR) turned over the ownership and management of the hydroelectric plant to SN Aboitiz Power-Magat, Inc. (SNAP-Magat), a joint venture of a local company, Aboitiz Power Corporation (AP), and SN Power.  The National Irrigation Administration (NIA) still owns, operates and manages the non-power components such as the dam, reservoir, and intake gates.
  • In 2009, SN Aboitiz Power-Magat, Inc.began the half-life refurbishment of the Magat Hydroelectric Power Plant  to ensure that the power plant facility remains available throughout its life span
  • In June 2014, the plant’s refurbishment was completed.
  • On November 9, 2020, prior to Typhoon Ulysses’ (internationally known as Typhoon Vamco) landfall, the National Irrigation Administration warned residents of Cagayan and Isabela of Magat Dam’s water release.
  • On November 11, 2020, Typhoon Ulysses  crossed the country, forcing the Magat Dam to release large amounts of water into their impounds. At 24 m., it neared their spilling point, and the dam opened all of its 7 gates, releasing over 5,037 cu. m. (1,331,000 US gal.) of water into the Cagayan River, resulting to numerous riverside towns experienced massive flooding. Waters under the Buntun Bridgewent up as high as 13 m., flooding the nearby barangays up to the roofs of houses.  As a result of the catastrophe, the NIA said that it will review its protocols regarding the release of water in Magat Dam and improve its watershed.
  • On June June 27, 2019, SNAP inaugurated a Php24 million floating solar project, on a 2,500 sq. m. area, consisting of 732 solar panels in a 52 m. floating ring.
  • In 2024, the power plant was augmented by a 24 MW battery.

Entrance to SN Aboitiz Power-Magat, Inc. (SNAP-Magat) compound

Southeast Asia‘s first large multipurpose dam, the 114 m. (374 ft.) high dam is also one of Asia’s biggest dams today. The dam, jointly financed by the Philippine Government and the World Bank (which extended a US$150M loan to finance the foreign exchange requirement), was part of the Magat River Multipurpose Project (MRMP) whose purpose is to improve on the existing Magat River Irrigation System (MARIS) and to triple the production of rice in the Cagayan River basin.

The Alfonso Lista (Ifugao) boundary marker

 

Industry-generated tourist boats on Magat Dam Lake

With the addition of a US$9M loan from Bahrain (obtained for the purchase of other equipment for the diversion tunnel, soil laboratory and model testing), the total project cost reached US$3.4B (6.5 billion pesos) in 1975.

Magat Hydroelectric Power Plant

The SNAP floating solar project which has the capacity to generate 200 KW of electricity for the SNAP-Magat facilities

The dam was constructed to last for 50 years but increased siltation and sedimentation in the in the Magat River system reservoir, due to slash-and-burn farming, illegal logging,  fish-caging and the July 16, 1990 Luzon earthquake, resulted in the deterioration of the dam’s watershed.

Water pipes, known as penstocks, that direct water to the hydro turbines.

 

The 500 m. (1,600 ft.) long and 164 m. (538 ft.) wide spillway has 7 sets of radial gates, 2 sets of orifice gates and a discharge capacity of 30,600 cu. m. There are 2 diversion tunnels with a diameter of 2 m. (6.6 ft.) and an average length of 630 m. (2,070 ft.).  The 11.7 sq. km. (4.5 sq. mi.) reservoir has a storage capacity, at full supply level (FSL), of 1.08 billion cu. m., an elevation, at FSL, of 193 masl, a minimum supply level at 160 masl and a maximum flood level at 193 masl.

The Magat hydroelectric power plant, a peaking power plant (it only operates when there is a high demand for electricity in the Luzon power grid, to which the plant is connected), has an installed capacity of 360 megawatts (it is designed to accommodate two more units that will allow it to generate up to 540 megawatts), four turbines ( Francis vertical shaft) and four 90 MW vertical synchronous generators. It is capable of providing ancillary services for the stability of the grid.

Media group at Magat Dam

Magat Dam:  Brgy. Namillangan, Alfonso Lista, Ifugao and Ramon, Isabela. Coordinates: 16°49′30″N 121°27′14″E.

Isabela Provincial Tourism Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-3146.  Mobile number: (0917) 317-3820.  E-mail: isabelatourismoffice@gmail.com. 

Isabela Provincial Information Office: Provincial Capitol Complex, City of Ilagan, Isabela. Tel: (078) 323-0248.  Mobile number: (0927) 395-7555.  E-mail: letters_info@yahoo.com. 

How to Get There: Ramon is located 362.5 kms. (a 7.5-hour drive) from Manila, 64.8 kms. (a one hour and 25-min. drive) from the City of Ilagan and 39.9 kms. (a one-hour drive) from Cauayan City. The dam is connected, by an all-weather road, to San Mateo–Santiago Road, at Oscariz, Ramon, Isabela.  Tricycles, from Ramon, can take you to the dam.