Category Archives: Churches

San Pedro Calungsod Chapel (Cebu City, Cebu)

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San Pedro Calungsod Chapel

Part 1 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

The mesmerizing, contemporary and airy San Pedro Calungsod Chapel, designed by US-based architect Carlos Arnaiz, was donated by Henry Sy, Sr. and Felicidad Sy to the Archdiocese of Cebu. It is dedicated to the second Filipino saint who, incidentally, is a Cebuano (born 1655 probably in Ginatilan).

Some of the rectangular panels

The chapel is located on an elevated, 5,001 sq. m. lot within the SM Seaside City Complex (allegedly touted as SM’s biggest mall). The first structure built on the complex, it reflects a practice, during the Spanish era, of towns around the archipelago being built around a church.

The chapel’s Minimalist interior

Pedro Calungsod,  martyred in Guam in 1672, died defending Spanish priest Fr. San Vitores and his Catholic faith. A spear hit his chest, then his head was struck with a machete. Later, he was thrown out to sea, with rocks tied on his feet. He was beautified on March 5, 2000 by Blessed Pope John Paul II. On October 21, 2012 San Pedro Calungsod was canonized as a saint by Pope Benedict XVI at St. Peter’s Basilica in the Vatican City.

The chapel article

On November 29, 2012, when it was dedicated, Cebu Archbishop Jose Palma along with Cebu Archbishop Emeritus Ricardo Cardinal Vidal celebrated the consecration Mass of the chapel. Prior to the mass, a motorcade, from the Cebu Metropolitan Cathedral, brought the pilgrim image of the first Visayan saint to the chapel. The Archdiocese of Cebu assigned Msgr. Vicente Tupas to act as the rector of the chapel.

The special quiet room for children

Also called the Church of 100 Walls, the one distinctive feature of the chapel is its 100 unique and inviting, avant-garde walls.  Of great importance to the sparse, Minimalist architecture, each rectangular, white and cream panel is of a different height and width. Seemingly almost like people, no wall is the same and yet they are all connected as they exist together as a cluster, coming together to form a kind of congregation.

Adoration Chapel

The entire 100 walls are all elevated and facing in one direction, making the structure appear solid in one side and, when viewed from a different angle, have a totally opaque or transparent appearance. These two states represent the dark and light side of life.

One of 14 Stations of the Cross

This sanctuary of sand, stone and glass, big enough to accommodate 803 people at the same time, has an adoration chapel (to the right of the altar), the sacristy, a baptistery, prayer niches, the 14 Stations of the Cross and a special quiet room for children where your child can be kept at peace when you are praying your heart out. A multi-purpose area, for church functions, is located below. 

SM Seaside City

San Pedro Calungsod Chapel: Chapel Ave., SM Seaside City Complex. Tel: (032) 255-2170. Mobile number: (0917) 770-6021. Open daily, 10 AM – 5 PM (until 7:30 PM during Mass days). Holy Mass Schedule: 6 PM – 7 PM, Mondays to Saturdays (anticipated mass), and 9 AM – 10 AM  and 6 PM – 7 PM on Sundays.

How to Get There: take the My Bus from SM City Cebu to SM Seaside City. The chapel can be easily seen from the mall.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

Church of St. Monica (Botolan, Zambales)

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Church of St. Monica

This impressive coral limestone church was built in 1700 and finished at about the last quarter of 19th century.

The one-level Baroque facade

The moss-covered, one-storey Baroque façade has semicircular arch main entrance, flanked by two semicircular arch statued niches (with the statues of St. Augustine and St. Monica).

Statue of St. Augustine

Statue of St. Monica

Both main entrance and statued niches are flanked by flat pilasters and topped by curved arches and small, centrally located occoli.  

The left side of the church

The right sie of the church

Above the triangular pediment is a bell tower with semicircular arch openings and three bells arranged in a row.

The modern interior

The altar and retablo

Church of St. Monica: Olongapo-Bugallon Road, Brgy. Danacbunga, Botolan, Zambales. Tel: (047) 810-1207. Feast of St. Monica: May 4.

How to Get There: Botolan is located 192.3 kms. (a 4-hour drive) from Manila, 7.9 kms. (a 12-min. drive) from Iba and 71.6 kms. (a 1.5-hour drive) north of Olongapo City. Coordinates: 15°17’19.68″N 120°1’30.72″E.

Cathedral of St. Augustine of Hippo (Iba, Zambales)

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Cathedral of St. Augustine of Hippo

This coral and limestone church was built in the 1700s by the Augustinian Recollects.  On August 28, 1901, the 2nd Philippines Commission, headed by William Howard Taft, convened at the cathedral and declared the establishment of Zambales Province.

The four-storey, Baroque facade

The four-level Baroque façade has a semicircular arch main entrance flanked by statued niches and four pairs of superpositioned coupled Doric columns on pedestals, each set apart from the others and rising symmetrically up to the pediment (unifying the section of the façade into one dramatic composition).  The two central pairs of columns end up in flame-like finials. The seal of the Augustinian Recollect Order is at the arch of the main entrance and lateral doors.

Buttresses on the left side of the church

The top of the undulating pediment is designed like a small temple with three semicircular arched niches, a triangular pediment and a pair of superpositioned columns. Below, at the central niche, is the statue of St. Augustine of Hippo.

The right side of the church

The sides of the church are supported by buttresses.  The five-storey octagonal bell tower, on a square base on the church’s right, has semicircular arch windows and a domed roof.

The four-storey bell tower

The retablo (altar backdrop) has three niches – the Crucifix in the middle, the image of Ina Poon Bato (Patroness of Zambales) on the left and the image of St. Augustine of Hippo on the right

The church interior

Cathedral of St. Augustine of Hippo: Brgy. Zone V, 2201 Iba, Zambales. Tel: (047) 811-1563. GPS geo-coordinates: lat: 15.3260, lon: 119.9799.  Feast of St. Augustine of Hippo: August 28.

How to Get There: Iba is located 210.2 kms. (a 2.5-hour drive) from Manila and 82.2 kms. north of Olongapo City. The cathedral is located adjacent to the Provincial Capitol Bldg..

St. Patrick’s Cathedral (New York City, U.S.A.)

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St. Patrick’s Cathedral

Our third, and final, mass in the U.S. was held at the decorated  Gothic Revival-style Cathedral of St. Patrick (commonly called St. Patrick’s Cathedral), the seat of the archbishop of the Roman Catholic Archdiocese of New York (created in 1808 and made into an archdiocese by Pope Pius IX on July 19, 1850). Held on the first Friday of July, this was our second visit to the cathedral (the first was 13 days ago) and we attended this mass to pray for a safe journey back to Manila, our flight back being just 8 hours away.

The cathedral is located on the east side of Fifth Avenue, between 50th and 51st Streets in Midtown Manhattan. Directly across the street is the Rockefeller Center and it specifically faces the Atlas statue. A prominent landmark of New York City, the land on which the present cathedral sits was purchased in 1810 and it was designed by James Renwick, Jr.  In 1976, the cathedral and its associated buildings were declared a National Historic Landmark.

Here’s some interesting trivia regarding St. Patrick’s Cathedral:

The 100.6 m. high spire

St. Patrick’s Cathedral currently has two pipe organs, both built by the firm of George Kilgen & Son of St. Louis, Missouri. They consist of more than 9,000 pipes, 206 stops, 150 ranks and 10 divisions.

The cathedral interior

The Gallery Organ,  located in the Choir Gallery below the Rose Window over the Fifth Avenue entrance and in the Triforium, near the South Transept, was edicated on February 11, 1930. It took 3 years to build at a cost of US$250,000. Designed by Robert J. Reiley, consulting architect of the Cathedral, it has one of the nation’s most glorious wood facades and is adorned with angels and Latin inscriptions. Containing 7,855 pipes, ranging in length from 32 ft. to 1/2 inch, its longest pipes run horizontally across the North and South Triforia.

The pulpit

The Chancell Organ,  located in the North Ambulatory next to the Chapel of St. Joseph, was dedicated on January 30, 1928. It has 1,480 pipes; located on the opposite side of the Ambulatory, diagonally across from the console, and is encased in a carved oak screen ornamented with Gothic elements of design and symbolism.

Stained glass windows

Here is a timeline of the cathedral’s construction:

  • On August 15, 1858, the cornerstone was laid, just south of the diocese’s orphanage.
  • Work began that same year, was halted during the Civil War,and resumed in 1865.
  • In 1878, the cathedral was completed and was dedicated on May 25, 1879.
  • In 1879, the cathedral’s first organ, composed of 4 manuals with 51 stops and 56 ranks, was built by George Jardine & Son, one of New York’s most distinguished organ builders, and installed.
  • In 1880, the archbishop’s house and rectory were, both by James Renwick, Jr.
  • In 1880, an organ by J.H. & C.S. Odell (then also from New York City), composed of 2 manuals with 20 stops and 23 ranks, was installed in the chancel.
  • An adjacent school, no longer in existence, was opened in 1882.
  • The spires were added in 1888, and at 329 feet and 6 inches (100.4 meters) were the tallest structures in New York City and the second highest in the United States.
  • From 1901 to 1906, an addition on the east, including a Lady chapel (designed by Charles T. Matthews), was constructed.
  • Between 1912 and 1930, the Lady Chapel’s stained-glass windows were made by English stained glass artist and designer Paul Vincent Woodroffe.
  • In 1927 and 1931, the cathedral was renovated, the sanctuary was enlarged and two great organs were installed.
  • In the late 1930s and early 1940s, the cathedral’s main altar area was renovated under the guidance of Archbishop (and later cardinal) Francis Spellman. The previous high altar and reredoswere removed (now located in the University Church of Fordham University). New items include the sanctuary bronze baldachin and the rose stained glass window.
  • In the 1940s and 1950s tonal changes were made on the two organs.
  • In the 1970s and 1980s, additional renovations were made on the organs by Jack Steinkampf of Yonkers, New York, particularly in the revoicing of flutes and reeds, and the addition of the Trumpette en Chamade.
  • In the 1980s, the altar was further renovated, under the direction of Cardinal John Joseph O’Connor. To be more visible to the congregation, a stone altar was built from sections of the side altars and added to the middle of the sanctuary. However, in 2013, this altar was removed.
  • In 1993, the organs underwent major restoration. new consoles for both the Gallery and Chancel Organs to replace the original ones (which had deteriorated beyond repair) were acquired. Robert Turner (of Hacienda Heights, California) constructed twin, 5-manual consoles while Solid State Logic, Ltd. of England designed and engineered the combination action. Fiber-optic wiring were used to enable both consoles to control the Gallery, Chancel and Nave Organs at the same time. In 1993, the Gallery console was finished and installed in time for Christmas Midnight Mass. In early 1994, the Chancel console was installed. In 1995, the entire Chancel Organ was restored
  • On September 15, 2007, the 10th anniversary of the organ’s renovation, the organs were blessed. The Bicentennial Concert Series was also inaugurated with a performance James E. Goettsche, the Vatican Organist.
  • In 2012, an extensive US$177 million restoration of the cathedral was begun and lasted 3 years. The exterior marble was cleaned, the stained glass windows were repaired and the ceiling was painted, among many restorations. On September 17, 2015, the restoration was completed before Pope Francis visited the cathedral on September 24 and 25, 2015.

The cathedral ceiling

Beneath the high altar is a crypt in which the nine past deceased Archbishops of New York as well as notable Catholic figures that served the Archdiocese are entombed. They include:

Plaque commemorating Pope Paul VI’s October 4. 1965 visit

The galeros of Cardinals McCloskey, Farley, Hayes and Spellman (also worn by Pope Pius XII, as Cardinal Eugenio Pacelli, until the latter’s election to the papacy at the 1939 Papal conclave) are located high above the crypt at the back of the sanctuary. In 1965, the ceremony of the consistory was revised by Pope Paul VI and therefore no galero was presented to Cardinal Cooke or any of his successors.

Plaque commemorating Pope John Paul II’s second Papal visit

Requiem Masses were said at the cathedral for the following notable people:

Special memorial Masses were also held at the cathedral for the following:

The cathedral or parts of it were featured in a number of movies, TV shows, songs and literary works:

  • The climax of Beneath the Planet of the Apes (1970), where Taylor destroyed Earth with the Alpha–Omega bomb, were set in the cathedral’s underground ruins. Centuries earlier, mutant humans surviving a nuclear holocaust founded a religion on the bomb (later depicted in Battle for the Planet of the Apes). They reconsecrated the cathedral to their new religion and installed the bomb in front of the organ pipes in place of the crucifix.
  • The TV show Futurama, Fry, Leela, et al. are visiting the sewer mutants beneath the ruins of Old New York and Fry sticks his head in the cathedral, sees the bomb, and says, “So you guys worship an unexploded atomic bomb?” A mutant replies, “Not really, it’s mostly a Christmas and Easter thing.”
  • Nelson DeMille‘s 1981 novel, Cathedral, concerning a fictional seizure and threatened destruction of the cathedral by members of the Irish Republican Army on St. Patrick’s Day, is mostly set in and around the cathedral and details of the cathedral’s structure contribute important elements to the plot.
  • The cathedral is also featured in the 1990 film Gremlins 2: The New Batch.
  • In Giannina Braschi‘s novel, Empire of Dreams (1994), the ringing of the church bells at the cathedral marks a pastoral revolution in New York City.
  • The cathedral was referenced in the song Not A Love Story by musical-theatre songwriters Kait Kerrigan and Brian Lowdermilk. 

The author and son Jandy at St. Patrick’s Cathedral

St. Patrick’s Catheral: 5th Ave, New York, NY 10022, USA.

King’s Chapel (Boston, Massachusetts, U.S.A.)

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King’s Chapel

The King’s Chapel, proudly one of the 16 historic sites (the fifth stop) on Boston’s Freedom Trail, is housed in what was formerly called the “Stone Chapel,” an 18th-century structure. The chapel, an independent Christian unitarian congregation affiliated with the Unitarian Universalist Association and the first Anglican church in colonial New England and overwhelmingly Puritan Boston, was founded on June 15, 1686 by Royal Governor Sir Edmund Andros  during the reign of King James II. Notable members and attendees included George Washington, Paul Revere, Thomas Hutchinson, Charles Sumner, Charles Bulfinch, Oliver Wendell Holmes  and many more.

Check out “Freedom Trail“

The exterior columns of chapel colonnade

The chapel was originally a wooden church built in 1688. The present larger stone (made with Quincy granite) chapel building, started in 1749 (its cornerstone was laid on August 11) and completed in 1754, was built around the wooden church.

One of the finest designs of the noted colonial architect Peter Harrison (dubbed as “America’s first architect”) of Newport, when the stone church was completed, the wooden church was disassembled, removed through the windows of the new church and the  wood shipped to Lunenburg, Nova Scotia where it was used to construct St. John’s Anglican Church.

National Historic Landmark Plaque

During the American Revolution, the chapel sat vacant or a few short months as Loyalist families left for Nova Scotia and England, but reopened, following the loss of its minister (the Rev. Henry Caner), for the funeral of Gen. Joseph Warren who was killed at the Battle of Bunker Hill (June 17, 1775). In 1782, those who remained reopened the church. In 1960, the chapel was designated a National Historic Landmark  for its architectural significance. On Halloween night of 2001, the church was destroyed by fire but has since been rebuilt.

The chapel’s magnificent interior

The chapel bell, cast in England and hung in 1772, cracked in 1814 and was recast by Paul Revere (the largest bell cast by the Revere foundry and the last one cast by Paul Revere himself) and rehung. Ever since, it has been rung during Sunday morning services.

Plaque commemorating congregation members who died during the American Civil War

The exterior columns of the colonnade (completed after the American Revolution), which appear to be stone, are, in fact, wood painted in a cost-saving trompe-l’oeil.

Plaque commemorating congregation members who died during World War I and World War II

The magnificent interior, considered the finest example of Georgian church architecture in North America, features wooden columns which have Corinthian capitals hand-carved, in 1758, by William Burbeck and his apprentices.

The wooden columns with hand-carved Corinthian capitals

The current uniform appearance of the seating, in box pews, dates from the 1920s. The pews were mostly originally owned by the member families who paid pew rent and decorated the pews according to their personal tastes.

The box pews

The chapel first organ was acquired in 1723. The present organ, the chapel’s sixth, was built by C.B. Fisk in in 1964. Decorated with miters and carvings from the Bridge organ of 1756, it is slightly below average in size compared with most mid-1900s European chapel organs.

Within the King’s Chapel is a monument to London merchant Samuel Vassall, brother of the colonist William Vassall (who frequently clashed with John Winthrop, and eventually removed himself to Scituate, Massachusetts), a patentee of the Massachusetts Bay Company (also named a member of the company in its 1629 Royal Charter), an early deputy of the Massachusetts Bay Colony and a Member of Parliament (1640–1641) representing London.

Monument to London merchant Samuel Vassall

Kings Chapel: 58 Tremont Street cor. School Street, Boston, Massachusetts, MA 02108,  U.S.A. Open daily, 10 AM – 4:30 PM.  Tours: 10 AM to 5 PM, Mondays through Saturdays; and 1:30 PM to 5 PM on Sundays. Tel:+1 617-523-1749. Website: www.kings-chapel.org.

Park Street Church (Boston, Massachusetts)

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Park Street Church

The Park Street Church, an active, thriving missionary-centered Conservative Congregational church with 2,000 in Sunday attendance and around 1,000 members, is a historical stop on the Freedom Trail located next to the historic Granary Burying Ground.

Check out “Freedom Trail“

Its cornerstone was laid on May 1, 1809 and its construction, under the guidance of architect Peter Banner (his design is reminiscent of St. Bride’s Church in London by famous British architect Christopher Wren), chief mason Benajah Young  and woodcarver Solomon Willard, was completed by the end of the year. On January 10, 1810, it had its first worship service.

The church became known as “Brimstone Corner,” in part because of the fervent missionary character of its preaching and, in part, because of the gunpowder stored in its crypt (which gave off a ferocious smell of sulfur) during the War of 1812.

The church’s beautiful white steeple, a landmark visible from several Boston neighborhoods, rises to 66 m. (217 ft.), making the church the tallest building in the United States from 1810 to 1828. The red brick façade has white accents.  There is a little museum on the first floor.

The church is the site of a number of historical events:

Park Street Church: 1 Park St. cor. Tremont St., Boston, Massachusetts 02108. Tel: (617) 523-3383.  Website: www.parkstreet.org. Open Wednesdays – Fridays, 9:30 AM -3 PM. Worship services: Sundays 8:30 AM, 11 AM and 4 PM. Admission is free.

How to Get There: The church located right across from the Park Street subway stop (Red Line) at the edge of Boston Common.

Freedom Trail (Boston, Massachusetts, U.S.A.)

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Bunker Hill Monument

The iconic Freedom Trail, a unique collection of explanatory ground markers, museums, notable churches, meeting houses, burying grounds, parks, a historic naval frigate, and historic markers that tell the story of the American Revolution and beyond, is a 2.5-mile (4-km.) long path through downtown Boston, Massachusetts, that passes by 16 locations significant to the history of the United States. Marked largely with brick, it winds between Boston Common to the Bunker Hill Monument in Charlestown.

Old State House

Old North Church

Park Street Church

Check out “Park Street Church“

Overseen by the City of Boston’s Freedom Trail Commission, the Freedom Trail is supported, in part, by grants from various nonprofits and foundations, private philanthropy, and Boston National Historical Park.

Copp’s Hill Burying Ground

Granary Burying Ground

Check out “Copp’s Hill Burying Ground” and “Granary Burying Ground” 

While most of the sites are free or suggest donations, the Old South Meeting House, the Old State House, and the Paul Revere House charge an admission fee.

Boston Common

Author and son Jandy at Boston Massacre Site

In 1951, local journalist William Schofield suggested building a pedestrian trail to link important local landmarks and Boston mayor John Hynes decided to put Schofield’s idea into action.

Faneuil Hall

Massachusetts State House

Check out “Massachusetts State House“

The official trail sites are (generally from south-to-north):

  1. Boston Common (139 Tremont St.) – dating from 1634, it is the oldest city park in the city.
  2. Massachusetts State House – designed by noted architect Charles Bulfinch and completed in 1798, it the state capitol and seat of government for the Commonwealth of Massachusetts.
  3. Park Street Church – built in 1809, it is an active Conservative Congregational church in Downtown Boston
  4. Granary Burying Ground – Boston’s third-oldest cemetery, founded in 1660,it is the final resting place for many notable Revolutionary War-era patriots, including Paul Revere, the five victims of the Boston Massacre, and three signers of the Declaration of Independence: Samuel Adams, John Hancock, and Robert Treat Paine.
  5. King’s Chapel and Burying Ground – completed in 1754, the chapel is one of the finest designs of the noted colonial architect Peter Harrison.  The Burying Ground is the oldest cemetery in the city.
  6. Benjamin Franklin statue and former site of Boston Latin School
  7. Old Corner Bookstore
  8. Old South Meeting House (where the Boston Tea Party began in 1773) – 310 Washington St, Boston, MA 02108, USA. Open 9:30 AM – 5 PM. Admission: adults (US$5), children under 5 years are free.
  9. Old State House (the original seat of colonial government & later state capitol, today housing historical exhibits) – 206 Washington St, Boston, MA 02109, USA. Open 9 AM – 5 PM. Admission: adults (US$10), children 6-18 years are free.
  10. Site of the Boston Massacre – site of a confrontation, on March 5, 1770, in which British soldiers shot and killed several people while being harassed by a mob
  11. Faneuil Hall – a marketplace (open 11AM -7PM) and a meeting hall since 1743, it was the site of several speeches by Samuel Adams, James Otis, and others encouraging independence from Great Britain.
  12. Paul Revere House – the colonial home (for about 20 years) of famous legendary American patriot, famous “Midnight Rider,” silversmith, businessman and entrepreneur Paul Revere during the time of the American Revolution
  13. Old North Church – built in December 1723, itis the location from which the famous “One if by land, and two if by sea” signal is said to have been sent.
  14. Copp’s Hill Burying Ground – established in 1659, it is the city’s second cemetery.
  15. USS Constitution (interactive museum near the 1797 wooden frigate made famous as “Old Ironsides” in the War of 1812) – Building 22, Charlestown Navy Yard, Charlestown, MA 02129, USA. Open 9 AM – 6 PM. Admission: suggested donation of US$5-$10 for adults, US$3-$5 for children.
  16. Bunker Hill Monument – erected between 1825 and 1843,commemorate the Battle of Bunker Hill, which was among the first major battles between British and Patriot forces in the American Revolutionary War, fought there June 17, 1775.

The Black Heritage Trail crosses the Freedom Trail between the Massachusetts State House and Park Street Church. The Boston Irish Famine Memorial is also located along the Freedom Trail.

King’s Chapel

Paul Revere House

Check out “Paul Revere House“

The National Park Service, via a visitor’s center, offer tours, provide free maps of the Freedom Trail and other historic sites, and sell books about Boston and United States history.

USS Constitution

Check out “The USS Constitution – Old Ironsides“

Boston Common Visitor’s Center: 139 Tremont St., Boston, Massachusetts 02111.  Website: www.thefreedomtrail.org. Open Mondays –Fridays, 8:30 AM – 5PM, and Saturdays & Sundays,
9AM – 5PM.

The Copley Place Visitor Information Center: Copley Place Mall (center court), 100 Huntington Ave., Boston, Massachusetts  02116.  Open Mondays – Saturdays, 9AM – 8PM, and Sundays, 9AM – 6PM.

St. Patrick’s Church (Washington, D.C., U.S.A.)

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Our second mass that we attended in the US was held in St. Patrick’s Church in Washington, D.C. We have just finished hanging around the National Mall and looking at museums and, it being a Saturday, we needed a spot nearby for mass, so we all proceeded here, arriving in time for the 5:30 PM service.

St. Patrick’s Church

St. Patrick’s Church, the oldest parish in the Federal City of Washington, D.C., was founded in 1794 to minister to the needs of the Irish immigrant stonemasons building the White House and the U.S. Capitol. One of the first church buildings in the new Federal City, the initial structure on the present property was a simple frame chapel/residence. Its first pastor was Irish Dominican Fr. Anthony Caffry.  The multi-talented Fr. William Matthews, the first American to be ordained a priest in the United States, was named its pastor in 1804.

Historical plaque

The second church, built with brick and reputedly a design of parishioner James Hoban, the architect of the White House, was dedicated in 1809. In 1814, British soldiers attended Sunday mass here when they invaded the Capital and burned its public buildings. The brick church was embellished with the city’s first pipe organ, a gift pulpit from Emperor Dom Pedro I of Brazil, and a painting from Charles X of France.

The church interior

The present grand Gothic-style church was begun in 1872, under fourth pastor Fr Jacob Walter’s direction, and finally dedicated in 1884. In 1895, the church was the venue for the First National Eucharistic Congress. In 1904, the present English Gothic-style rectory and school building were completed by Fr. Denis Stafford and dedicated by Cardinal James Gibbons and Pres. Theodore Roosevelt. On September 24, 2015, Pope Francis visited St. Patrick’s Church during his tour of the United States.

The pipe organ at the choir loft

St. Patrick’s Church: 619 10th St NW, Washington, DC 20001. Tel: (202) 347-2713. Website: www.saintpatrickdc.org. Mass schedule: weekdays (12:10PM), Saturdays (12:10PM and 5:30PM) and Sundays (8AM, 10PM and 12 noon).

How to Get There: the nearest metro is the Gallery Pl-Chinatown

St. Leo the Great Church (Baltimore, Maryland)

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St. Leo the Great Church

The historic St. Leo the Great Church, designed by renowned Baltimore architect E. Francis Baldwin, is located in the heart of the neighborhood of Little Italy. Its cornerstone was laid on September 12, 1880 and the church was built with brick with stone trim and dedicated in September 1881.

The church’s interior

Combining Italianate, Romanesque and Classical elements and a good example of High Victorian eclecticism, it features a high entrance porch, a turret with conical roof on the north wall, a square bell tower at the northeast corner, a large rose window in the main façade, and a variety of decorative brickwork.

The altar

It was the first church in Maryland, and among the first in the nation, founded and built specifically for Italian immigrants. In 1983, the church was listed on the National Register of Historic Places.

The organ at the choir loft

St. Leo’s Church: 227 S Exeter St., Baltimore, Maryland 21202. Tel: +1 410-675-7275. Email: saintleos@msn.com. Website: www.saintleorcc.com. Mass schedule: Mondays, Wednesdays, Fridays and Saturdays (8 AM), Saturday Vigil (4:30 PM), Sunday (9:30 & 11:30 AM)

Cathedral Basilica of Saints Peter and Paul (Philadelphia, Pennsylvania, USA)

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Cathedral Basilica of Saints Peter and Paul

The beautiful and historic Cathedral Basilica of Saints Peter and Paul,  the head church of the Roman Catholic Archdiocese of Philadelphia (raised to the rank of an archdiocese in 1875), was built from 1846-1864. The cathedral was the site of two papal Masses

The grand Palladian facade

Here are some interesting trivia regarding this cathedral:

  • The cathedral is the largest Catholic church in Pennsylvania
  • It is the largest brownstone structure and one of the most architecturally notable structures in the city of Philadelphia.
  • Presented in a Roman–Corinthian style of architecture, the cathedral was modeled after the Lombard Church of St. Charles (San Carlo al Corso) in Rome.
  • It is 250 ft. long, 136 ft. wide and approximately 156 ft. high from the floor to the top of the dome (209 ft. from the floor to the top of the 11-foot gold cross atop the dome and  314 ft. from the pavement).
  • It was designed by Napoleon LeBrun (a native Philadelphian born to French-Catholic parents) from original plans by the Rev. Mariano Muller and the Rev. John B. Tornatore.
  • The brownstone facing, now atmosphere and weather-worn and pinkish in color, originally came from quarries in Connecticut and northern New Jersey.
  • The cathedral’s pipe organ, one of the largest in Philadelphia, has 75 ranks of pipes, 90 stops and 4,648 pipes on 4 manuals and pedals.
  • According to local lore and the parish’s history, the Philadelphia Nativist Riots, which represented the height of Anti-Catholicism and Know-Nothingism in Philadelphia, greatly influenced the design of the building. The light-colored, tinted clerestory  windows were built very high to inhibit vandalism from possible future riots (Legend has it that the architect and construction workers would throw stones into the air to determine the height of where the windows would be placed).

Here’s the historical timeline of the cathedral:

  • On September 6, 1846, it, the cornerstone of the cathedral, a gift of Mr. James McClarnan, was laid in the presence of some 8,000 persons.
  • From 1846 to 1851, LeBrun supervised the project
  • In 1851, by John Notman (noted for his Philadelphia ecclesiastical architecture) took over the supervision of the project
  • In 1857, LeBrun’s again supervised its construction.
  • On November 20, 1864, the cathedral was dedicated and solemnly blessed, with Bishop James Wood officiating.
  • On July 6, 1877, the altars, dedicated to the Assumption of the Blessed Virgin Mary and the Sacred Heart, were blessed.
  • On June 30, 1890, it was solemnly consecrated.
  • From 1914-1915, Arch. Henry D. Dagit completely renovated the cathedral interior under the direction of Archbishop Edmond F. Prendergast, adding the apse behind the High Altar, while D’Ascenzo Studios executed the apse’s stained glass windows and mosaic murals.
  • During the 1955-1957 renovation and expansion, semicircular apse was built to extend the sanctuary to its present depth of 54 ft.; lower stained glass windows were added to the new sanctuary apse (added with a stained glass window, from Conmick of Boston, depicting the Baptism of Jesus by St. John the Baptist and Sts. Peter and Paul baptizing prisoners in the Mamertine prison in Rome with water from a miraculous spring) and baptistery; and cast bronze doors (leading from the main façade into the narthex, or vestibule) and bronze handrails (along with the doors of the Race Street entrance to the cathedral) were installed.
  • On June 24, 1971, the cathedral was listed on the U.S. National Register of Historic Places.
  • On October 3, 1979, Pope John Paul II celebrated a Papal Mass here.
  • On September 26, 2015, Pope Francis celebrated a Papal Mass here.

The cathedral’s aqua oxidized-copper vaulted dome, rising 156 ft. above the floor, and grand Palladian facade, designed by Notman in the Italian Renaissance manner, were added after 1850.

Commemorative Plaque of Pope John Paul II Visit

The old chapel on the north side of the basilica that was built in 1856 was replaced the Chapel of Our Lady of the Blessed Sacrament which was dedicated on October 11, 1955, the Feast of the Maternity of Our Lady.

The cathedral’s doors

The building’s main façade, graced by four massive, 60 ft. high (6 ft. in diameter) Corinthian columns, has niches with bronze statues of the Sacred Heart (to whom the diocese was consecrated by Bishop Wood on October 15, 1873); Mary, the Immaculate Conception (proclaimed patroness of the United States at the First Council of Baltimore in 1846, it was sculpted at the Joseph Sibbel Studios and installed in 1918); and Saints Peter and Paul, (the patrons of the Cathedral Basilica) both sculpted in the Gorham Studios.

The spacious interior

The spacious interior, largely decorated by Constantino Brumidi (a Greek/Italian-American painter best known for his murals in the United States Capitol in Washington, D.C.), features an oversized apse of stained glass and red antique marble in proportions reminiscent of Roman churches. The two large paintings, The Ascension of our Lord and the Adoration of the Kings from the East, decorate the ends of the transept.

Painting of “Adoration of the Kings from the East”

The 50 ft. wide and 192 ft. long great nave, lighted by bronze chandeliers weighing a half ton each, has a vaulted ceiling rising 80 ft. above the floor. The nave and transept are separated from the side aisles by massive pillars (which give way to arched recesses for altars and the baptistery) while a white marble altar rail, with three bronze gates, separate them from the sanctuary.

Painting of “The Ascension of Our Lord”

The Assumption of the Virgin into Heaven (1868), the striking oil on canvas ceiling mural in the dome, the pendentives and the portraits of St. Matthew (Angel), St. Mark (Lion), St. Luke (Winged Ox) and St. John (Eagle) in the medallions on the spandrels at the base of the dome, were painted by Brumidi. At the dome’s next level are panel paintings entitled Angels of The Passion (with each group of angels is an emblem of the Passion).

The dome

The ornate main altar, built with Botticino marble with Mandorlato rose marble trim, and the three altars, on each of the side aisles, point to an Italian Renaissance flavor. The front of the main altar is decorated by 3 gilded bronze discs, the central one bearing the HIS, the Greek inscription of Jesus Christ.

The High Altar

The 38 ft. high baldachin (or canopy) over the altar, of antique Italian marble, is surmounted by a semicircular bronze dome, the underside of which is a marble mosaic whose central figure is a dove, the symbol of the Holy Spirit.

The baldachin

The mosaic carries in Latin an inscription which translates: “In every place there is offered and sacrificed in My Name a clean oblation.” White, 10 ft. high, Italian marble angels, its decorative rosettes of Botticino marble, stand at the corners of the baldachin.

Two side altars are dedicated to the Blessed Virgin Mary and the Sacred Heart of Jesus.

Shrine of St. Katharine Drexel

The shrines dedicated to St. Katharine Drexel and St. John Neumann have 7-ft. high sculpted marble statues of these recent saints.

St. John Neumann Altar & Shrine

St. Katharine’s shrine retains the original altar donated in the 19th century by St. Katharine herself, along with her sisters, Elizabeth and Louise, as a memorial to their deceased parents, Francis and Emma Drexel.

Memorial altar to Archbishop Ryan

The memorial altar to Archbishop Patrick John Ryan, to the right of the altar dedicated to St. Katharine Drexel, was designed with the ancient Celtic Cross, to the left of which is the statue of St. Patrick while to the right is the statue of St. John the Evangelist.

Altar dedicated to the Holy Souls

The altar on the south side, between the Shrine to Our Lady of the Miraculous Medal and the baptistery, is dedicated to the Holy Souls and was modeled after the Blessed Sacrament altar in St. Peter’s Basilica in Rome. The Shrine to Our Lady of Guadalupe, installed in December 2009, was the thought of Cardinal Justin Francis Rigali.

Shrine to Our Lady of Guadalupe

The choir stalls and the Cardinal’s chair, both of American black walnut, have wooden screens inspired by the famous metal rejería found in many cathedrals in Spain. The octagonal pulpit, opposite the Cardinal’s chair, has a carved walnut canopy and was constructed with marble matching the altar.

Mural of Blessed Mary’s Assumption

The baptistery, enclosed by a bronze screen inspired by a similar one in the Cathedral of Toledo in Spain, has the coat-of-arms of Cardinal John Francis O’Hara (carrying his motto in Latin “If you follow her you shall not go astray”) set into the top center of the screen.

The choir loft

The altar dedicated to the Holy Souls, to the left of the baptistery, is modeled after the Blessed Sacrament Altar in St. Peter’s Basilica in Rome. The main sanctuary and eight side chapels can comfortably seat approximately 1,240 worshippers (1,500 with added temporary chairs) in pews of walnut wood. The confessionals, their privacy secured by red velvet curtains, have a walnut finish while the floor is of white and black marble tiles.

The pipe organ

The choir loft, at the rear of the cathedral, has a richly ornamental organ screen (or casing) designed by Otto R. Eggers (who also designed the Jefferson Memorial, the Mellon Art Gallery, and the National Gallery of Art, all in Washington, D.C.) and built with carved walnut. The casing which encloses the pipes is one of the most outstanding in the country. High above the screen is a majestic stained glass window of the Crucifixion. The case enclosing the organ was most likely built by Edwin Forrest Durang, one of the cathedral architects and builders.

A mural (north), designed by Leandro Velasco, depicts people and events in the Church’s involvement with Pennsylvania history. At the top are the coats of arms of Pope Paul VI and John Cardinal Krol, and the bottom is the symbol of the 41st Eucharistic Congress, Philadelphia, 1976. The historic scenes are of George Washington and members of the Continental Congress at Old St. Mary’s Church; St. Katharine Drexel, Sisters of St. Joseph caring for the wounded on the Gettysburg battlefield; and Commodore Barry, founder of the United States Navy.

The statues of St. Peter (south side/rear) and St. Paul (north side/rear), the patrons of the cathedral, were moved from the now closed Church of the Most Blessed Sacrament and installed inside the cathedral in August 2009.

Another mural (south) by Leandro Velasco

In the bowels of the building, under the main altar of the cathedral, is the compact “Crypt of the Bishops” with the remains of most of the bishops and archbishops, as well as several other clergymen, of Philadelphia. The crypt, reached by stairs behind the main altar, is the final resting place of:

  • Michael Francis Egan, O.S.F. – the first Bishop of Philadelphia, he was consecrated on October 28, 1810 and died in 1814.
  • Henry Conwell – second Bishop of Philadelphia, he was consecrated 1820. He died on April 22, 1842.
  • Francis Patrick Kenrick – the third Bishop of Philadelphia, he was elevated to Archbishop of Baltimore in 1851. He died in 1863.
  • James Frederick Wood – the fifth Bishop, he became the first Archbishop of Philadelphia in 1875. He died on June 20, 1882.
  • Patrick John Ryan the sixth Bishop, he was the second Archbishop of Philadelphia. He died on February 3, 1911.
  • Edmond Prendergast – the seventh Bishop, he was the third Archbishop of Philadelphia. He died on February 26, 1918.
  • Dennis Joseph Dougherty – the eighth Bishop, he was the fourth Archbishop of Philadelphia and the first to be elevated to Cardinal. He died on May 31, 1951.
  • John Krol– the tenth Bishop, he was the sixth Archbishop of Philadelphia and the third to be elevated to Cardinal. He died on March 3, 1996.
  • Anthony Joseph Bevilacqua – the eleventh Bishop, he was the seventh Archbishop of Philadelphia and the fourth to be elevated to Cardinal. He died on January 31, 2012.
  • Ames J. Carroll – bishop who died in 1913.
  • Francis I. Clark – bishop who died in 1918.
  • Cletus Benjamin – bishop who died on May 15, 1961.
  • Gerald P. O’Hara – bishop who died on July 16, 1963
  • Gerald V. McDevitt – bishop who died on September 29, 1980.
  • Francis Patrick O’Neill – pastor of St. James, Philadelphia, 1843–1882, died 1882.
  • Maurice Walsh – pastor of St. Paul’s Philadelphia (1832–1888) who died in 1888.
  • James Corcoran – professor at Saint Charles Seminary who died in 1889.
  • Francis Brennan – Prefect of the Sacred Congregation for the Discipline of the Sacraments,he was the first American to receive an appointment to the Roman Curia. He died on July 2, 1968.
  • John Patrick Foley – President of the Pontifical Council for Social Communications, he was the seventh Philadelphia priest to be elevated to Cardinal. He died on December 11, 2011.

Cathedral Basilica of Saints Peter and Paul: 18th St. & Benjamin Franklin Parkway, (opposite Logan Square) Philadelphia, Pennsylvania 19103.  Tel: (215) 561-1313. Open daily, Mondays to Fridays,  7:30 AM to 5 PM; Saturdays, 9 AM to 5:15 PM; Sundays, 8 AM to 5 PM.